21
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/74871c6acf3ccedec810a76f1e6f343a.pdf
552042c134a88a71ab2f9af6b7d4b853
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
DEPARTMENT OF MUSIC
PRESENTS
COMPOSERS STRING
QUARTET
SATURDAY, SEPTEMBER 17, 1977
8:15 P.M.
DON WATTERS THEATER
�COMPOSERS STRING QUARTET
JEAN DANE, VIOLA
MATTHEW RAIMONDI, VIOLIN
ANAHID AJEMIAN, VIOLIN
MARK SHUMAN, CELLO
PROGRAM
Haydn : String Quartet in D Minor
Opus 76, No. 2 “Quinten”
I. Allegro
II. Allegro a piu tosto allegretto
ITI. Menuetto – Allegro ma non troppo
IV. Vivace assai
Ezra Laderman : String Quartet No. 5 (1976)
I. Prelude: Allegro
II. First Themes
Listless
(d = 112) ( 4 d
Minuet: Allegretto
( d = 72) ( d =
Andante
Double: Vivo
Second Themes
Andante cO N moto
(d=60) (d=
( d = 52) ( d =
Loure and Sarabande: Andante - Andantino
" Moderato
Development
Gigue – Toccata : Presto
Return
Adagietto
III. Variations
Theme
Var. 1 ~ d = 60
Var. 2
Impassioned
Forceful
Var. 3
Var. 4 Waltz
Var. 5
Frenzied
Var. 6
Almost beyond control
Var. 7 Canons
Var. 8
Finale
Epilogue
Var. 9
kkkkkk
INTERMISSION
Kkkkkk
Mozart: String Quartet in C Major
No. 19, K. 465 “Dissonant”
I. Adagio; Allegro
II. Andante cantabile
ITI. Menuetto
IV. Allegro molto
88)
94)
56)
64)
�kkkkkkhkhkhkkk
*
*
COMING EVENTS
25
Tuesday, October ¥1
MEET THE COMPOSER - LEO KRAFT
Thursday, October 13
GUARNERI STRING QUARTET
Sunday, October 23
PAUL JORDAN, ORGAN
*
*
Kdekk kdkkdedk kk kkk
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 audiotape reels
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19:58
45:02
30:09
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333669">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333669</a>
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Title
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Composers String Quartet, Recital , September 17, 1977
Alternative Title
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Recital tape 1977 9-17
Description
An account of the resource
Works of Haydn, Laderman, and Mozart. Held at 8:15 pm, September 17, 1977, Watters Theater.
Creator
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Composers String Quartet
Publisher
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Binghamton University Libraries
Date
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1977-09-17
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In copyright
Type
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sound
-
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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27:21:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63474
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63474"> Composers' Recital</a>
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Title
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Composers' Recital
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mathews, Hall and Brooks
Publisher
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Binghamton University Libraries
Date
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1971-5-12
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sound
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39091020070193
39091020070144
39091020070094
39091020070045
-
https://omeka.binghamton.edu/omeka/files/original/4158f1b56dfefcafbd8782d08090c50a.pdf
2c7de2689b35b56dab5438cafd4c8402
PDF Text
Text
© U N T Y R R C
Rec va)
i Ot 3
Joa
5
SPEC Colo
Composi tion 331
Class Co ncer t
of
Stud ent Com posi tion s
Monday, May 7, 2007
Fine Arts 111
Binghamton University
�“Hold You In My Smile” (Text by Ernestine
Northover)
Composed by Maria Roccisano
Sweet moment, stay with me,
and pray do not flee so soon,
Let me enjoy the bliss o f that
first kiss beneath the moon.
I wish to cradle this feeling,
that has only just been found,
A feeling that has unexpectedly
turned my world around.
Do not depart, Oh please remain
within my heart awhile,
So that I can savour you once more,
and hold you in my smile.
M M M fl u n m
Did I Ever Tell You How Lucky You Are? (
Text by Dr. Seuss)
Composed by Patrick Deeney
When I was quite young and quite small f
or my size, I met and old
man in the Desert of Drize. He sang me
a so
ng I will never forget.
At least, well, I haven ’t forgotten it yet.
He sat in a terribly prickly place, but he sang w
ith a sunny sweet
smile on his face :
When you think things are bad, when you fe
el sour and blue, when
you start to get mad you should do w
hat I do!
Just tell yourself, Duckie, you’re really q
lucky! Some people are
much more...oh, ever so much more...oh,uite
mu
chly muchmuch more
unlucky than you!
Thank goodness for all the things you are not
. Thank goodness
you ’re not something someone forgot, and le
ft al
l alone in some
punkerish place like a rusty tin coat hanger
hanging in space.
That ’s why I say, ‘Duckie! Don ’t grumble!
Don ’t stew! Some critters
are muchmuch oh, ever so muchmuch,
so m
uchly muchmuch more
unlucky than you!’
“ I m m a d w m m
Since feeling is first (Text by e.e. cummings)
Composed by Ion
Ho
Since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you ;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
the best g esture of my brain is less than
your eyelids’ flutter which says
we are for each other ; then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
fl h M ‘ M M H
Lines (Text by Martha Collins) Composed b
y Scott Goldhaber
Draw a line. Write a line. There.
Stay in line, hold the line, a glance
between the lines is fine but don ’t
turn corners, cross, cut in, go over
or out, between two points of no
retum’s a line of flight, between
two points of view’s a line of vision.
But a line of thought is rarely
straight, an open line’s no party
line, however fine your point.
A line of fire communicates, but drop
your weapons and drop your line,
consider the shortest distance from x
to y, let x be me, let y be you.
Scot Gow
l haber ,v o c a l i s t
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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1 audio disc
Duration
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37:38:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196826">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196826</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Composition 331 class concert of student compositions, May 7, 2007
Recital Tape 5-7-2007
Description
An account of the resource
Held May 7, 2007, Fine Arts 111, Binghamton University.
Creator
An entity primarily responsible for making the resource
Deener, Patrick
Ho, Ion
Walker, Ayelet
Turley, Mark
Silvagni, Richard
Tischenkel, Bryan
Ho, Ion
Dinowitz, Eric
Luce, Gabriel
Lee, EunJeonh
Goldhaber, Scott
Roccisano, Maria
Maller, Rachel
Schwartz, Douglas
Luk, Jack
Silvagni, Mark
Blitstein, Alexander
Makarowitz, Seth
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2007-05-07
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
89efc0ef-a7ad-4d45-8e74-7ec0fdbbc1e0
-
https://omeka.binghamton.edu/omeka/files/original/83d21fc4339ae9f1b2b213e7b3b0e7db.pdf
35a2d09d92a8933a58868adb20a7385e
PDF Text
Text
COMPOSITION SEMINAR
STUDIO RECITAL
Music from the Seminar
original compositions by students of Christopher Morgan Loy
Friday, December 3, 2010
8:00 p.m.
Casadesus Recital Hall
�i
i
SMmfifhmflkSmmwr
W a m fi j m g w m c q
Shane T. Thorn
E
i
I Saw I t On the beadihont
effects
Shane T. Thorn
Electricity: The Alphabet and You
Shane T. Thorn
D I O N T a n . V i :
Christopher Morgan Loy, piano
Kenrick Georges
RR AN Thee
S
Steven Zank, piano
David Gaita
Meditations
Shane Thorn, viola
;
David Ga ita
Meditations In Meditations, the enlightened one reaches an Indescribable
state, which like a dream, Is forgotten upon waking.
David Gaita
How Sweet the Sound
David Gaita, piano
Shane T. Thorn
Prelude for Viola Is essentially In the mold of any of the preludes one would
find at the beginning of a suite for violin or cello/viola by 1.S. Bach, the
formal model for the piece. Tonally, however, the piece derives its content
from the two whole tone modes, with slight alterations at points of cadence
to create a sense of closure, though only on a momenttomoment basis, as
there is no single tonal center to the work.
I I
Carroll Street at Dusk
Lyndsey Meyer, alto saxophone
James Mayr, clarinet
David Galta, piano
Maxim Pekarskiy
Nuvoletta
Kenrick Georges, trumpet
David Galta, piano
Kristine Beckmann, contrabass
David Gaita
Stan Burt, tenor sax
David Galta, piano
Kristine Beckmann, bass
A B O U T
Shane T. Thorn
Air For Viola and Piano Is an arrangement of an orchestral piece I
being In a more or
composed several months ago. I t Is fairly straightforward,
less neoromantic style, In the key of D flat major.
Shane T. Thorn
Prelude for Viola
Shane Thorn, viola
l ctronci s/effects
Shane Thorn, voci e/ee
‘
Kenrick Georges
The Image Of A Garden
Laura MacAvoy, soprano
Christopher Morgan Loy, piano
Letting Go
David Gaita
Piano Duo
David Gaita, piano
Michael Salmirs, piano
:
1
III
]
i
r
PROGRAM
lr For Viola and Piano
A
Shane Thorn, viola
E
!
l
Kenrick Georges
{
David Gaita
How Sweet the Sound A drunken man In moumlng sings “Amazing Grace”
at the top of his lungs. Screeching and out of tune, i t i s beautiful.
�Ma xim P ekarslriy
usk
Carroll Street a t D
Carroll Street Is a street in downtown Brooklyn where I took my first fencing
lessons. I was fourteen, and my long trips up to the club were one of the first
things I really did all on my own. I would walk back to the train station a t dusk
after an Intense practice and feel a sense of accomplishment, of internal peace.
“Internal peace?“ you might ask, “what does a fourteen year old have to worry
about?” I was proud to see my fencing come together with the hard work I put
in, I was excited at the prospect of coming home almost at midnight, and being
as the first time I didn’t
so In control of where I was and what I was doing. I t w
feel like a child anymore. When I begin a piece of music, the first thing I consider
Is the mood, an atmosphere I’d like to convey. These long walks to the subway
station through Carroll Street bring back memories of growing up I never want
to let go.
As a student composer, I am constantly trying to break out of the simple
harmonic structure I am accustomed to. This jazzy trio was a great opportunity
to step outside the usual tonal progressions that I work with and forget about
what the underlying key Is. Moreover, I wrote i t c ompletely away from the
computer another rare and rewarding experience. By their nature, 7, 11, and
i
!
13 chords allowed me to change keys while retaining common notes between the
as a great experience to be able
chords. While the piece Is undoubtedly tonal, i t w
to let go of worrying about every chord I’m working with and swim In this sea of
smooth transitions and common tones. Though Initially, I expected to step out of
my comfort zone while writing jazz since I have so little experience In this style,
I actually discovered a whole another side of my composition in fusing calm,
arpeggiated musical motifs with more traditional, syncopated jazzy harmonies.
In the end, this piece is more intimate to me than a lot of my previous,
harmonically constricted works.
David Gaita
Nuvoletta *..And into the river that had been a stream (for a thousand of
tears had gone eon her and come on her and she was stout and struck on
dancing and her muddled name was Missisliffi) there fell a tear, a singuit
ean for those crylove fable fans who are ‘keen’
tear, the loveliest of tears ( I m
on the prettypretty commonface sort of thing you meet by hopeharrods) for
i t was a leaptear.” James Joyce, Flnnegans Wake
David Gaita
Piano Duo Computers chant and seas sings. The war between technology
and nature never began and will always be.
Shane T. Thorn
n the Boadifront Is a prerecorded piece made entirely from my
I Saw I t O
voice, with studio alterations/effects. The text is entirely improvised.
Shane T. Thorn
Electricity: The Alphabet and You Is a mostly prerecorded piece made
using several sound generations and editing programs available to me, as
well as text of my own composition. I t employs a microtonal system of
harmony derived from a division of the octave into twentysix equal parts ; In
other words, a twentysix tone equally tempered scale. The possibilities for
this are wideranging Indeed...
I
J
�A
B
O
U
T
Shane Thorn Is a native of the Binghamton area, and attended
Susquehanna Valley High School In Conklln, NY, before coming to BU. He Is
now a Senior majoring In Music composition, which he has studied with Paul
Goldstaub and Christopher Morgan Loy. He has played extensively In the
University Orchestra In addition to chamber music groups on campus, has
studied viola, voice and piano, and sings In the Canterbury Choir and
University Chorus. He has also studied creative writing, piaywritlng, and
*
MIDI. His Interests as a creative artist extend beyond the boundaries of the
concert hall, and he is currently exploring directions In performance art and
literature. The world of dreams and the subconscious, as well as the most
basic pattern recognitions of the brain and the lnstlnctuai associations we
make through experience ls of great Importance.
Da vid Ga ita Is a sophomore at Binghamton University, majoring In music
and biology. He plans to pursue a career In medicine. He has been playing
piano for twelve years, and composing for two. He currently studies piano
with Professor Salmlrs. He Is also an artist and poet under the name Escobar
Marzapan.
Ma xim P eltaroldy ls currently a junior a t Binghamton University pursuing a
double degree In music composition and financial economics. A classically
trained violist, Maxim’s early music training was spent playing the symphonies
of the greats and lots (and lots) of Bach. A successful collaboration at the
Interlochen Arts Festival In Michigan sparked Maxim’s Interest in film music
and opened up his musical horizons. He Is now writing as much jazz, rock, and
ambient electronica as he does orchestral music. Maxim hopes to pursue a
career In film scoring. He has studied viola with Richard Spencer and Roberta
Crawford, and composition with Paul Goldstaub and Christopher Morgan Loy.
Outside of music, Maxim enjoys fencing, the study of decision making, and
meeting people from faraway places.
t
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:16:41
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146579">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146579</a>
Accessibility
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Composition Seminar Recital, December 3, 2010
Recital Tape 2010-12-3
Description
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Works by Thorn, Georges, Gaita
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Loy, Christopher
Thorn, Shane
Gaita, David
Pekarskiy, Maxim
Georges, Kenrick
Zank, Stephen
MacAvoy, Laura
Meyer, Lindsay
Beckmann, Kristine
Burt, Stan
Salmirs, Michael
Mar, James
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Binghamton University Libraries
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2010-12-03
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In copyright
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sound
-
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1960's - present
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Composition seminar studio recital : music from the seminar, May 8, 2012
Description
An account of the resource
Works by Martin, Cody, Baine, Mayr Held at 8:30 p.m., May 8, 2012, Watters Auditorium.
Creator
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Martin, Christian
Lawson, William James
Baron, Alexander
Polacco, Nicholas
Arenstein, Zachary
Strohm, Jacob
Gukowsky, Matthew
Goldstaub, Paul
Baine, Ilyssa
Lathwell, John
Perry, Timothy
Micceri, Jennifer
Adams-Toomey, Molly
Sucha, Kathryn
Rovou, Joshua
Furrey, Thomas
Harris, Jibron
Berg, Alex
Ford, Elizabeth
Gonzolez, Crystal
Kupfer, Nicole
Levine, David
Mayr, James
Meyer, Lindsey
Forzano, Michael
Mones, Mike
Romberger, Daniel
Weinstein, Daniel
Zhao, Jonatham
Publisher
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Binghamton University Libraries
Date
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5/8/12
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sound
-
https://omeka.binghamton.edu/omeka/files/original/a0d8781df4bd3958fb12e8154f3a76e3.pdf
c41a01e2ac806f992a5a26e50615f534
PDF Text
Text
i BINGHAMTON
U N 1 V E R s 1 T Y ,
State University of New York
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COLLEGE MUSIC PRO GRA MS
Saturday, September 9, 2006
11:00 a. m.
eo 1
Anderson Center Chamber Hall ,
�PROGR AM
‘Mi chiamano M ini’
Gahu Dance of the Ewe People of Ghana
Binghamton University African Music Ensemble
James Burns, Director
Three Shakespeare Songs, Op. 6
Come Away, Death
O Mistress Mine
, ’
Blow, Blow, Thou Winter Wind '
. Roger Quilter '
(18771953)
:
5
Timothy LeFebvre, baritone
Duane Skrabalak, piano ,
Sonata for Violin & Piano
Allegro vivo
;
Intermede: Fantasque et légér
Finale: Trés animé
.. Claude Debussy
(18621918)
_ Janey Choi, violin ,
Michael Salmirs, piano
Si mes vers availent des ailes....
My verses would speed, sweet and frail,
Fly towards your garden so fair,
If my verses had wings,
Like a bird!
They would fly, like sparks,
To your smiling hearth,
If my verses had wings
Like the spirit...
.Reynaldo Hahn
(1 8741 947)
' Poet, Victor Hugo :
(18021885)
Act I – P
aris, Latin Quarter, c. 1830; a garret
apartment; Christmas Eve
Giacomo Puccini
©
(18581924)
Poet,
Victor Hugo
(18021885)
Mimi, a seamstress, knocks on the door of a neighboring apartment because her,
candle has blown out. Rodolfo, a young poet, answers the knock and his own
candle flame goes out. He pretends not to find the key that Mimi drops in the
darkness, and’introduces himself in a poetic discourse. Then he sits in the dark
and listens to Mimi’s simple words about herself.
* Yes, they call me ‘Mimi,
but my name is Lucy.
My story is brief:
On cloth or on silk
, I embroider at home’or outside...
I am cahn and happy
and it is my hobby to make lilies and
roses.
4
~ Those things give me pleasure;
that have so much sweet magic,
that speak of love, of springtimes,
that speak of dreams and illusions,
those things which‘have the name
poetry.
:
You understand me?
They call me Mirni.
the why, I don’t know.
Alone, I make my meals at home by
myself.
\
8 I do not always go to mass
but I pray often to the Lord.
I live alone, all alone,
there is a white little room;
. I look over the rooftops and into the
sky
but when comes the thaw
the first sun is mine...
the first kissof April is mine!
A rose blooms in a vase .
petal by petal I observe it! '
So delicate, the perfume of a flower!
but the flowers that I make alas!
do not have a fragrance! f .
I would not know how to tell you
anything about me.
I am your neighbor who comes at odd
hours to bother you.
Stefanie Sudduth, ‘soprano
Margaret Reitz, piano
Next to you, pure and faithful,
They would run night and day,
If my verseshad wings,
Like love!
I
�Sh
Story Hour.
..
Philip Parker
1. The Memory
Poem by Sara Henderson Hay
2. The Builders
3. The Grandmother
4. One of the Seven Has Somewhat to Say
5. Juvenile Court
6. The Grievance
7. Dr. S—Advises a Worried Mother
8. Death of H.D., a Prominent Citizen
9. The Formula
‘y
. t
Timothy Perry, clarinet
Anne Brady, narrator
Allerseelen...........................................i.'................... Richard Strauss
(18641949)
Largo al factotum della citta...
.Giacomo Rossini
' ‘From Il Barbiere di Siviglia .
(17921886)
2
' ' Soon Young Park, baritone
Margaret Reitz, piano
/ Danzas Argentinas...
. ................Alberto E. Ginastera
' II. “Danza de la moza
“dOnosa”
(19161983)
III. “Danza del gaucho matrero”
Eva MackiewiczWolfe, piano
A
H
b
ABOUT T H E PERFORMERS
JAMES BURNS is Assistant ‘Professor of Music (Ethnomusicology) at
Binghamton University. He obtained a BA from the, University o f Texas,
Austin, PhD School of Oriental and African Studies, London. Research
Interests: Music, Languages, Religions, and Literatures of Africa and the
Diaspora. Taught African music and culture at the School of Oriental and
African Studies, African drumming at Goldsmiths College and City College of
London. Conducted over 5. years of ongoing fieldwork in Ghana, Togo, and
Benin with EweFon, Akan, and Dagbamba (Dagomba) ethnic groups.
Ethnomusicologist for Project 5: Transformations in African Music and Dance .
at the AHRC Centre for CrossCultural Music and Dance’Performance based in
the U.K. Publications: A CD of Ewe dancedrumming entitled EWE
D R U M M I N G FROM G H A NA : the soup which is sweet draws the chairs in
closer (2005 Topic Records), an article “My mother has a television, does
yours? Transformation and secularization in an Ewe funeral drum tradition,”
published in the journal Oral Tradition (October 2005); read papers at the ICTM
2003 World Conference and the SEM annual conference (2004, 2005). ,
Performing musician of African and Afro Caribbean traditional musics.
i
Baritone TIMOTHY LEFEBVRE just returned from his debut with Central
City Opera singing in productions of The Ballad of Baby Doe and The
Coronation of Poppea. LeFebvre has appeared in concert with the Jacksonville
Symphony, Pensacola Symphony; West Virginia Symphony Orchestra, Vermont
Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony
Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton
Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport
Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with
the prestigious M a r l Music
b o Festival.
r o — He has also appeared in concert at
New York’s Carnegie Hall and Alice Tully Hall. LeFebvre’s operatic
experience includes leading roles withSan Francisco Opera, TriCities Opera,
Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera,
Indianapolis Opera, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner
of the New York Liederkranz Vocal Competition, and other awards include the
Richard F. Gold Career Grant, an Opera Fellowship at BinghamtonaUniversity
and Regional Finalist in several Metropolitan Opera Competitions. ‘LeFebvre is
a graduate of Carnegie Mellon University and Binghamton University and is
currently Assistant Professor of Voice at Binghamton University. 20062007
engagements include appearances with the Chattanooga Symphony and Opera in
Le nozze di Figaro and the Syracuse Symphony in Mozart’s Requiem. He will
also appear in concert at Carnegie Hall in March.
;
DUANE SKRABALAK is Artistic Director and resident Conductor of the Tri
Cities Opera Program. Mr. Skrabalak was chosen years ago by CoFounders
Carmen Savoca and Peyton Hibbitt to be the person to bring the company into
its second half century and the new millennium.‘ In addition to his dutieS’as
�Artistic Director of OperaGoRound (the touring educational program of TCO),
he also serves as vocal coach for the Resident Artist Training Program and is
~ Adjunct Assistant Professor of the M.M./opera program at Binghamton
University. Skrabalak joined TCO as a singer and pianist in 1970. He soon
became the TCO choral director, and eventually crossed into conducting,
coaching voice and language. He made his conducting debut in 1974 with
Gounod’s Faust. Since then; he has conducted more than 60 productions, as
well as numerous chamber productions and excerpt shows. Among his many
credits, Skrabalak served as music director for the world premiere of Myron
Fink’s Chinchilla, and serves as host of TCO’s Operalogues which are also
broadcast on public radio. His conducting credits include appearances with the
Atlanta Civic Opera, the Jerusalem Symphony for the Israel Festival, the
Clemens Center and the Opera Theatre of Pittsburgh. As a soughtafter f e o .
recital pianist, he has toured throughout the U.S. and abroad.
Affiliate Artist at Cornell University. He maintains a private piano studio in
Ithaca and enjoys teaching students of all agesandllevels. This season, Salmirs
will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra.
1
Canadian born violinist JANEY CHOI gave her Carnegie Hall recital debut in
1997, presented by Artists International. Recipient of numerous awards including
the Ontario Arts Councils Chalmers Performing Arts Training Grant, and First
Prize in the National Finals of the’ Canadian Music Competition, she has
participated in many festivals, such as Juilliard’s Focus Festival, Norfolk, Taos,
the Spoleto Festivals in the U. S. and Italy, Festival Musical de Santo Domingo,
the Santa Fe Opera and the Sarasota Opera. An avid collaborator, she has
performed with such artists as Bono, Elton John, JayZ, Kanye West, Lisa Loeb:
and Sarah McLaclan in such venues as Live 8, SaturdayNight Live, Radio C i t y
Hall, MTV, and Lilith Fair, London. In addition, she has performed numerous
times with the Parsons Dance Co., most notably at the Kennedy Center in
Washington, D.C., and at the New Victory Theater in Times Square, and is
currently the Music Director of Thomas/Ortiz Dance, a collaboration recognized
by the American Music Center with a Live Music for Dance Grant. Dr. Choi
holds a DMA from Rutgers University and both a BM and MM from The Juilliard
School with the Joseph Fuchs Prize in Violin. She is a Teaching Artist for the
New York Philharmonic, Lincoln Center Chamber Music Society and has
recently joined the faculty of S i g m a n U
niversity as Adjunct Instructor of
Violin.
’ Pianist MICHAEL SALMIRS, a founding member and artistic director of the
Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber
musician performing extensively throughout the region. H e has appeared as .
_ soloist with the Corning Philharmonic, Binghamton University Orchestra,
‘Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday
chamber series. As a performer of contemporary music, he has participated in
such series as Binghamton University’s Musica Nova, Cornell University’s
Ensemble X, and has toured and recorded for the Syracuse Society for New
Music. Salmirs studied at the New England Conservatory and Eastman School
of Music; his teachers have included pianists Leonard Shure and Rebecca
Penneys and composer Karel Husa. Salmirs has taught at the Syracuse
University School of Music and Hobart and William Smith Colleges. He is *
currently an Adjunct Instructor of Piano at Binghamton University and an
STEFANIE SUDDUTH will graduate from SUNY Binghamton in December
of 2006 with her Masters degree in Opera. She is beginning her third season as
a Resident Artist for TriCities Opera. Her recent rolls with TCO include cover
.‘for the title role i n Madama Butterfly, 1“ Lady in The Magic Flute, Mrs.
Gobineau in The Medium, Flora Bervoix in La Traviata, The Mether in Hansel
and Gretel, and 2?” Woman in Dido and Aeneas. She was also in the chorus of
Lucia di’Lammefrnoor and La Filled u Regiment. With the Atlanta Opera she
performed in the chorus of Madama Butterfly. Stefanie is originally from Texas.
She holds a Bachelor of Arts degree in Performance from Texas Wesleyan
University, and graduated Summa Cum Laude. While at TWU, Stefanie was
awarded first place in the American Music Competition sponsored by SAI, the
Marjorie Murphy ‘Scholarship, and Division III a t N
ATS. Some of her .
performances include Songs for a New World, Sophie in St. Nicholas, The Bald
Soprano, and chorus in Hair and Evita.
MARGARET REITZ, pianist, is a native of the Binghamton Area. She '
received her Bachelor and Master. of Music degrees in piano performance with
accompanying emphasis, and has attended Boston University, New England
Conservatory and Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, ySeymour Fink and Walter Ponce, and
accompanying with Allen Rogers. She has accompanied throughout the United
States, England, South America, and at the American Institute of Musical
Studies in Graz, Austria. Reitz and Binghamton University faculty member
Timothy Perry were winners of the 1997 Artistic Ambassadors Program by the
United States Information Agency in partnership with the John F. Kennedy
Center for the Performing Arts. During the summer of 2005, Reitz, clarinetist
Timothy Perry and cellist Stephen Stalker were invited to perform at the
International Clarinet Conference in Tokyo, Japan. Other notable performances
include guest chamber music artist in Morges, Switzerland and guest soloist
with the Binghamton University Orchestra. She was the official accompanist at
the MTNA State and Eastern. Division Competition at Ithaca College in 2001
and will be returning in 2006. In addition, she was. selected to attend the
Accompanying Workshop for Singers and Pianists held at Northwestern
University. During the summer of 2006, she composed the musical score for an
* independent film by MANDIS Production, to be released in February 2007.
!
TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the
Binghamton University faculty in 1986 as director of the orchestral and wind
ensemble programs and instructor o f studio conducting and clarinet. Perry holds \
D.M.A., M\M.A. and M.M. degree from the Yale School of Music and a B.’
Mus. degree from the Manhattan School of Music. Dr. Perry’s more than two
hundred programs include ten seasons as Music Director of the Binghamton
Community Orchestra and as guest conductor of both the Catskill Symphony
and Binghamton Philharmonic orchestras. PeW is widely known as a virtuoso
]
�solo and chamber music clarinetist, touring Latin America and t he Caribbean as
a United States ‘Musical Ambassador and appearing at international festivals in
~ Europe and Asia. He presented his third artist recital at an International Clarinet
Conference this past summer in Tokyo.
SOON YOUNG PARK, baritone, is originally from Seoul, Korea. He is
currently enrolled in the Master of Music in opera at Binghamton University and
is’a Resident Artist at TriCities Opera Company. He also holds a teaching
~ a ssistantship’ Binghamton University. He earned bachelors’ degrees from
Yonsei University (Voice) and Korea Christian University (Theology), and then
came to the United States where he earned a Performance diploma from Indiana
~ University. While at Indiana University, he received the Merit Scholarship, and
he also served as Music Director at Bethel Christian Church in Indianapolis
~ from 20002005. ‘ Park has performed in many operas, including Marcello in La
Boheme, Scarpia i n Tosca, Ford in Falstaff and Notary in Don Pasquale a t
Indiana University Opera Theatre, Papageno in TriCities Opera’s production of
~ The Magic Flute, and most recently as Bonzo and Commissioner in Madame
Butterfly. He also sang in the chorus for Peter Grimes at Indiana and Lucia d i
Lammermoor at TriCities Opera. He will be performing again with the Tri
Cities Opera this coming October as Marcello in La Boheme.
EWA MACKIEW ICZWOLFE, the winner of the International Competition '
of Renaissance and Baroque Music, and the International Competition for
Young Pianists in Warsaw, Poland, is also the recipient of awards in
international music competitions in Budapest, Hungary and Dresden, Germany.
MackiewiczWolfe received her bachelor’s and master’s degrees in piano
performance with honors and high distinction from the Academy of Music in
, Lidz, Poland where she continued as Assistant Professor and Master Lecturer in ,
music. Since 1984, she has been associated with the Binghamton University
Music Department where she is currently engaged as Adunct Instructor of Piano.
MackiewiczWolfe appeared in several music festivals such as the Festival of
Karol Szymanowski, The Piano Festival of Vladslav Kedra, Poland, Chamber
Music Festivals in Germany and Hungary. Her career as a piano soloist
developed further as a result of concerts arranged by the Association of Polish
Artists/Musicians,
Government Art Agency (PAGART), the Karol
Szymanowski Musical Society, the Lodz Philharmonic Society, and various
music colleges.
;
’
;
\
i
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:09
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204294">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204294</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Concert for the New York State Association of College Music Programs, September 9, 2006
Recital Tape 2006-9-9
Description
An account of the resource
Works of Quilter, Debussy, Hahn, Puccini, Parker, Strauss, Rossini, Ginastera. Held at 11:00 a.m., September 9, 2006, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Burns, James
LeFebvre, Timothy
Skrabalak, Duane
Choi, Janey
Salmirs, Michael
Sudduth, Stefanie
Reitz, Margaret
Perry, Timothy
Brady, Anne
Park, Soon Young
Mackiewicz-Wolfe, Ewa
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-9-9
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
d36bec21-1e0e-4923-8cd1-09ba9f718564
-
https://omeka.binghamton.edu/omeka/files/original/e91f5c48af15378aac655df5aae5f15a.pdf
e7437da07defe2edd8ac08600f4dac75
PDF Text
Text
S t a t e U n iv e r s i t y o f New Y or k a t B ing ham t on
Har pur C o l l e g e
The Dep a r t men t of Mus i c
z
T
H
E
HARPUR
CHORALE
Sunday , Mar ch 2 7 , 19 7 7
8 : 15 P . M .
Don Wa t t e r s Thea t er
- — “mew
o
m
�Verse III (chorus)
Trotz dem alten Drachen, trotz dem Todesrachen, trotz der Furcht dazu!
Tobe, Welt, und springe. ich stch hier und singe, in gar sicher Rul,
Gottes Machs hilt mich in aciity Exd und Abgrund muss verstummen,
O b sie noch so brummen,
PROGRAM
I
JESU MEINE FREUDE
J . S . Bach
T h is work , composed by Bach sho r t ly a f t er he was ins t a l l ed
as Can t or of t he Thomasschule , i s i n t he f orm of an
una cc omp an i ed m o t e t f o r fi v e – p a r t c ho r us .
The t e x t i s
based on s i x ver ses of a hymn wr i t t en by Johann Franck
in t er sp er sed w i t h fi v e verses of t he 8 t h Chap t er of
Romans . The r esu l t i s a f us ion of t he ob j e c t iv e
B i b l i c a l word s of S t . P a u l w i t h t he sub j ec t iv e and
h i g h l y emo t i ona l hymnody pop u la r i n Bach ’s da y . Ther e
a r e no ind ep end en t i ns t r um e n t a l p a r t s f o r t h e m o t e t,
bu t f or t h i s per f ormance t he vo ic es ar e augment ed by
s t r ing s i n keep ing w i t h t he p r a c t ic e i n Bach ’s t im e .
Verse I (chorale)
Jesu meine Freudc, meines Herzens Weide, Jesu meine Zier,
Ach wie lang, ach lange ist dcm Herzen bange und verlangt nach dir!
Gottes Lamm, mein Briutigam, ausscr dir soll mir auf Erden
Nichts sonst Liebers wcrdcn.
Jesus my joy, my heart ’s delight, Jesus my ornament,
Oh how long, how long is my heart afraid and yearning for T hee!
God’s lamb, my bridegroom, except for you nothing else on earth
Shall be dearer.
Chorus: Romans VIII. 1
Es ist nun nichts Verdammliches an dcncn, dic i n Christo Jesu sind,
die nicht nach dem Fleische wandcln, sondern nach dem Geist,
There is now nothing condenmable in those who are part of Christ,
who do not live according to the flesh, but according to the spirit.
Verse II (chorale)
Unter deinem Schirmen bin ich vor den Stiirmen aller Feinde frei,
Lass den Satan wittern, lass den Feind erbittern, mir steht Jesus bei.
.
O b cs itzt gleich kracht und blitzt, ob gleich Siind und Holle schrekken:
Jesus will mich dekken.
Under your protection l am free be f ore ibe storms of all enemies.
Let Satan thunder, let the enemy be angry, Jesus stands by wie.
W hether it is thundering and lightening, whether sin and H ell threaten,
J esus will protect me,
Trio: Romans VIII, 2
Denn dns Gesete des Geistes, der da Iebendig machet in Christe Jesu,
hat mich frci gemacht van dem Geseiz der Stinde und des Todes.
For the law of the spirit, wirich has the power to give life in Jesus Christ
has made mc free from the law of sin and death,
Despite the old dragon, despite the open jaws of death, despite also , cer,
Rage, world, and shake, i stand l er e and sing in complete tranquility,
God‘s might kceps me protected; earth and abyss must become silent,
N a matter how they grumble.
ruguo chorus: Romans VI I. 9
Ihr aber seid nich fieischlich, sondern geistiich,
so anders Gottes Geist in euch wohnet, wer
aber Christi Geist nicht hat, der ist nicht sein,
But you are not mortal, but spivivual,
however differently God lives within y al ,
but he who docs wot have Christ ’s spirit, he is not thine.
Verse IV (chorale)
Weg, mit allen Schiitzen! Du bist mein Lrgirzen, Jesu meine Lust!
Weg, ihr citlen Ihren, ich mag cuch nicht hiren, bleibt mir unbewusst!
Llend, Not, Kreuz, Schmach und Tod soll wich, ob ich viel muss leiden,
Niche von Jesu scheiden.
Away with all treasures! you ave my delight, Jesus my joy!
Away, you vain glories, I do not want to hear of you, remain unknown to me
Misery, need, trouble, humiliation, and deatly shall not separate wie
From Christ, although 1 must suffer much.
Trio: Romans VIII 10
So aber Christus in cuch ist, so ist der Leib zwar tot,
um der Siinde willen;
der Cuist aber ist das Leben um de Gerechrighkeit willen,
But if Christ is in you, then the body is indeed dead,
on account of the mortal sin;
but the spirit is life for the sake of (His) justice,
Verse V (Quartet – chorale)
Gute Nacht, o wesen, das dic Wel t erlesen, mir gefillst du nicht.
Gute Nacht, ihr S’inden, bleibet weit dahinten, komm t nicht mehr ans Licht!
Gute Nacht, du Stolz und Prache, Dir sic gang, du Lasterleben, gute Nacht gegeben,
Good night, oh creature which the world bas chosen, I am not pleased with you.
G ood night, you sins, stay far behind we, come no longer into the light!
Good night, you pride and splendor, to you life of wice, farcwell forever,
Chorus: Romans VIIL 2
So aun der Geist des, der Jesum von den Toten auferwekket hat in euch wolinet,
so wird auch der sclbige, de Christum von den Toten auferwekket hat
cure sterblichen Leiber lebengdig machen
:
um des willen, dass scin Geist in cuch wohnet.
�]
If now the spirit o f him who has raised fesus frome the dead live in you
T hen clso will the sa ne one whe has raised Christ front the dead
put mew life into your mortal bodies,
so that bis spirit live in you.
Verse VI (chorale)
Weichs, thr Trauergeister, dean mein Freuden meister, Jesus, tritt herein,
Denen, dic Gott lichen, muss anch ihr Betriiben latter Freude sein,
Duld ich schon heir Spots und Fob, dennech bieibst du auch im Leide,
Jesu, meine Freunde,
Yield, vou spirits of sorrow. for my lord of joy, Jesus, steps in.
For those who love God, also their sorrow must become nothing but joy.
Although I suffer bere derision and mockery, nevertheless you
Romain also in my suffering, J esus m y joy.
MUSIC FOR A MIDSUMMER NIGHT’S DREAM
FAIR LOVE
FAIRY SONG
L ou ise U l r i c h , soprano
Ron Lynch, t enor
TITANIA
THE HONEYBAGS
Amy W i l l i am s , soprano
R ichar d P easlee
W i l l i a m Esses , gu i t a r
N e i l Cona ty , bass
D iane D ino , p er cuss ion
Joe Pa z ienza , p er cuss ion
\
IT
MADRIGALS
I N PRIDE OF MAY
Thomas Weelkes
I L S’EN VA TARD
C lemen t Jannequ in
(1575-16 23)
(1485-1560)
FAIR PHYLLIS I SAW
John Farmer
(1565-1605)
Ma d r iga l Choir¥*
The Four Quar t er s – Women ’s Barbershop Qua r t e t
. Per cy Wenr ich / Jack Mahoney
WHEN YOU WORE A.TULIP
NEVER THROW A LIGHTED LAMP AT MOTHER
G e offr ey O ’Hara / John Bar t on
Ar t hur F ie ld s / Wa l t er Donovan
THE ABBA DABBA HONEYMOON
VI
INTERMI S S I O N
ITI
MY HEART PROCLAIMS HOW GREAT THE LORD (19 6 2 )
He inz Werner Z immerman (1930– )
The use of t he Ma g n i fi c a t (Luke 1 : 46– 55) i n t he da i l y
Vesper serv ic e of t he Ca t ho l i c l i t u r g y i s w e l l known,
and a number of mus i ca l examp les have surv ived i n Eng l ish
t r ans la t i on i n t he Ang l ican serv ic e . Z immerman ’s ver s ion
d epar ts f r om c omp os i t iona l norms h i s t o r i c a l l y assoc ia t ed
w i t h t h e m u s i c a l s e t t i n g o f t h i s f a m i l i a r t e x t and
in t r od uc es t he ja zz–b lues s t y l e wh ich reached i t s z en i t h
i n the l a t e 1930 ’s and ea r ly 1940 ’s .
D iane D ino , V ibraphone
Deborah Lemon , har ps ichor d
N e i l C ona t y , ba ss
M i c h e l l e Domser
E l i zab e t h Sussman
L isa G r i ff i n
Be th Ann Schoonmaker
The Four B i t s ~ Men ’s Barbershop Qua r t e t
SWING LOW, SWEET CHARIOT
L ’ I L LIZA JANE
YOU’RE THE FLOWER OF MY H E A R T (SWEET A D E L I N E )
THERE’LL BE A HOT TIME I N THE OLD TOWN
THE BAND PLAYED ON
YOU’RE A GRAND OLD FLAG
R ich Wiebe
Tom Gu ther z
Ma t t Pass
P e t e Horva t h
VII
THE SEASONINGS ( S, 1% t sp . )
P . D . Q . Bach
(1847-1742 )
humb ly ed i t ed by Pr of essor P e t er Sch ickele
�The S easonings i s , a s f a r a s we know, t h e on ly o r a t o r i o
wr i t t e n by P . D . Q,Ba ch , and we mus t t hank God f o r sm a l l
f avor s . The l a s t and l e a s t of t h e g r ea t J . S . Ba ch ’s
twen t y odd ch i ld r en was no t on ly t he cd d es t b u t a l s o
t he l e a s t und er s t ood s inc e ther e was so l i t t l e t o
und er s tand . He l iv ed an exc ep t iona l ly p o in t l ess l i f e
wh ich i s m ir r or ed w i t h ama z ing fi d e l i t y i n h i s
c omp os i t ions .
The o r a t o r i o was wr i t t e n d ur ing t he l a s t of t h e composer ’s
c r ea t iv e p er iod s ( C on t r i t i on ) , when he gave up many ,
though no t a l l , o f t he extravagances of t he Soused p er iod
and t h e c ha r a c t e r i s t i c a l l y in c omp e t en t c ha r a c t e r i s t i c s
of t he I n i t i a l P lung e . The work was fi r s t pub l ished
i n L iver p o o l by Jona than “Bo o zy’ Hawkes, who had been
one of P . D . Q . ' s many d r ink ing companions i n Wein–am–
Rhe in d ur ing t he Soused p er iod . S inc e t he o r i g ina l
manus cr ip t (ms . ) has never been f ound , and t he fi r s t
pub l ished ed i t i o n was a lr eady i n Eng l ish w i t h no c r ed i t
f or t he l i b r e t t o , we can on ly sp ecu la t e abou t t he _ 1 .
au thor sh ip of t he t ex t ; or , of course , we can s imp l y
no t t h ink abou t i t a t a l l .
Harpur Chor a le takes p leasur e i n announc ing t ha t t on i g ht ’ s
per f ormance of The S easonings w i l l be d ir ec t ed by Herr
Pr of essor P f oh l D . Roh l , by sp e c ia l ar rangement w i t h
Conduc t or s Un l im i t ed of New York , t he MUnich Ra thaus–
am–see , and t he S . S . S . ( Soc ie t y of Sch ickel e
Symp a t h i zer s ) .
Chorus : “Tarragon of v i r t u e i s f u l l ”
R e c i t a t iv e : “And ther e wer e i n t he same
country”
3 Due t : “B id e t hy thyme”
(Soprano and A l t o , w i t h S l i d e Wh is t l e ,
Windbr eaker , and Tromboon)
4 Fugue : Or ches tra
5 R e c i t a t iv e : “Then asked he”
6 Chora le : '"By the leeks of Babylon/
Ther e we s a t down , yea , we wep t ”
7 R e c i t a t iv e : “Then she gave in ”
8 Ar i a : '"Open sesame sced ”
(Bass , w i t h Kazoos, Windbr eaker , and
S l i d e Wh is t l e )
No . 1
No . 2
No .
No .
No .
No .
No .
No .
N o . 9 R e c i t a t iv e : ‘ S o sa y ing ”
No . 10 D u e t : ”Summer i s a cum in seed ”
(Soprano and A l t o , w i t h S l id e Wh is t l e
and Shower Hose)
No . 11 Chorus w i t h S o l o i s t s : ‘ T o cur r y f avor , .
f avor cur r y ”
SOLOISTS
Kar en H a i g h t, sopr ano
Susan G la ss , c on t r a l t o
N i c ho la s O ’Donohoe , t enor
Thomas Gu t her z , bass
ORCHESTRA PERSONNEL
V i o l i n : O l ev V ir o , Ross L ev inson , Geor ge Myer s ,
P a u l Tur co , Ro b er t Sa l e t s ky , E i l e en Pas t er nak
V i o l a : Barbara Thompson , Ca r o l I saac son , Ca t hy E l i a s
C e l l o : Ho l l y W i lson , Dav id Hoppe
Ba ss : N e i l C ona t y
Tr ump e t : S t eve Winans , Dave Bespa lk o
Ka zoo : Ka t e Sudekum , P a u l Ke t choy ian
S l id e Wh is t l e : N ick O ’Donohoe
Penny Wh i s t l e : Howard Weinber g
Shower Hose : Jay H i l fi g e r
Tr omboon : Sue Lawson
T imp a n i : D iane D in o
Windbr eaker : Dav id Denhard
C on t inuo : Mar k Kr oss – or gan , of s o r t s
H o l l y W i l son
Sp ec ia l thanks t o P h i l l i p Kennedy f or L i g ht ing ,
L i z Roman f or “ c ouns e l ' .
�HARPUR CHORALE
Offic er s
P e t er Horva th , p r es id en t
Em i l y Par ker , t r easur er
Nancy Rop er , home a r e amana g er
S t ua r t S i lverman ,
t o u r manager s
R icha r d Wieb e ,
C yn t h ia Ca r t er , secr e tar y
Sue Lawson , l i b r a r i a n
Meg Sp er b er , p u b l i c i t y
R icha r d Br ig g s ,
wardrobe
Be th Schoonmaker ,
Sopranos : M i ch e l Domser , Ter esa Gr een , L isa
G r i ff i n , Ma r c ia Hausner , L o r i Knapp* Wendy
Osborn , Nancy Roperf L ou ise U l r i c h
C on t r a l t os : J i l l Benj am in ’ E l l en S m n s t e i n ,
C ind y Ca r t er , Jean Ca t a ld o , Susan G l a s s Em i l y
Ha thorn , Sue Lawson , D o l l y Mur phy *
Em i l y Par ker , Be th Schoonmaker” Meg Sp erber ,
E l i za b e t h Sussman
Tenor s : M icha e l Duggan, Joshua F a r r e l l , S t even
Lu tvak® Ma t t h ew P a s s ’ Rob er t Sar achan , S t ua r t
S i lverman
Basses : R ichar d Br ig gs , Mark Fr eeman , Thomas
Gu ther z , P e t er Horva th# Dan i e l L o t t o , John °
Par ry? M icha e l P ier c e , Jason Surow, R ichar d
W ieb e
Harpur Chor a l e w i l l c ombin e w i t h
t he Un iver s i t y Chorus and Or ches tra
and Oneon ta C ommun i t y Chorus i n a
p er f ormanc e o f Mo za r t ’ s Req u iem on
A p r i l 16 a t 8 : 15 p . m . i n Wa t t er s
Thea t er .
�AS YOU MAY OR MAY NOT KNOW, THE HARPUR CHORALE REPRESENTED SUNY BINGHAMTON
ON A CONCERT TOUR OF EASTERN AND WESTERN EUROPE OVER THIS PAST INTERCESSION.
MANY PEOPLE CONTRIBUTED TO HELP US MEET THE EXPENSES WHICH, AS YOU MIGHT
IMAGINE FOR A TOUR OF THIS SCOPE, WERE CONSIDERABLE.
I N A VERY REAL SENSE
WE CONTINUE TO PAY FOR OBLIGATIONS INCURRED .
I T I S WITH THIS I N MIND THAT WE ASK YOUR SUPPORT TONIGHT I N THE FORM OF A
VOLUNTARY CONTRIBUTION.
OUR USHERS WILL STAND WITH RECEPTACLES NEAR THE
EXITS FOR YOUR CONVENIENCE.
WE THANK YOU FOR YOUR THOUGHTFULNESS AND GENEROSITY.
HAVE A PLEASANT EVENING.
ENJOY THE CONCERT AND
�
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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3 audiotape reels
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37:42
47:10
21:47
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333628">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333628</a>
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Concert Harpur Chorale, March 27, 1977
Alternative Title
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Recital tape 1977 3-27
Description
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Works of Bach, Zimmerman, Peaslee, and P.D.Q. Bach. Held at 8:15 pm, March 27, 1977, Watters Theater.
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Harpur Chorale
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Binghamton University Libraries
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1977-03-27
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/9ab4bcc6cf6ad22c50af0405ec6deae0.pdf
b9cd1e163d7acfd2c329e40cf611a8c9
PDF Text
Text
The Junior League of Binghamton
presents
Bicentennial
CELEBRATION
IN
SONG
A Concert of American Works
featuring the world premiere of
Robert Starer’s
“T he People, Yes”
SUNY Binghamton’s University Chorus and Harpur Symphony Orchestra
David Bu ttolph – Director
Broome County Youth Chorus
Be t ty Har tman – D irector
Saturday, December 4, 1976 – 8 :00 P.M. The F orum
! —
§
a n App
r ov ed Project
AMERICAN REVOLUTION
B I C E N T E N N I A L COMMISSION
�BICENTENNIAL CONCERT COMMITEES
The Junior League of Binghamton
presents
“Bicentennial Celebration in Song”
Coordinator
Jane Zuckerman
Tickets and Box Office
Susan Doolittle, Chairman
Nancy Benza
Christina Davis
Ellen Donovan
Roberta Dougherty
Charlotte Gallacher
Martha Gebler
Linda Issac
Publicity
Anita Krissel, Chairman
Edwina D’Amore
Kathyrn Normile
Jane Park
Kathy Restino
Ushers and Program
Lana Rouff, Chairman
Nancy Brown
Sydney Davis
Lora Fletcher
Charlotte Gallacher
Sue Grady
Mary Heffern
Linda Issac
PROGRAM
Part 1
Melinda Mahan
' Janet Murdock
Carol Pothier
Joan Sprague
Pam Steele
Frannie Scoville
Linda Silva
Joan Sprague
Karen Thompson
Marilyn Jennings
Melinda Mahan
Janet Murdock
Carol Pothier
Judy Roche
Joan Sprague
Broome County Bicentennial Commission
Michael J. Vanuga, CoChairman
Shirley Hess, CoChairman
“The People, Yes” by Robert Starer, with text from Carl Sandburg’s
poem was commissioned for this event by The Junior League of
Binghamton and the Broome County Bicentennial Commission. It
will be performed by SUNY Binghamton’s University Chorus and
Harpur Symphony Orchestra.
Special thanks to David Buttolph and Betty Hartman whose persistence and
dedication made this concert possible.
Acknowledgments – SUNY Binghamton for providing rehearsal space for the
Broome County Youth Chorus ; Bebe Landry, SUNY University Relations news
director, for her guidance ; Meet The Composer, a statewide serv ice program of
the New York State Council on the Ar ts, administered by the American Music
Center, for their grant which brought Robert Starer to the community prior to
the concert t o discuss his work ; WBNGTV; WICZTV; WBJATV; WS KGTV;
WSKGFM; WNBF: the Evening and Sunday Press ; the SunBulletin and the
Center Reporter.
SOONAH W I L L BE DONE
William L. Dawson
FOUR CHRISTMAS CAROLS
I Sing Of A Maiden
Make We Merry
O My Deir Hert
God Bless The Master Of This House
Antony Garlick
)
(1928
(1898
)
Robert Ward
HUSH’D BE THE CAMPS TODAY
)
(1 91 7
(Poem by Walt Whitman)
Vicky Gordon, Piano
Geoffrey Brooks, Timpani
Samuel Barber
REINCARNATIONS Op. 16
)
(1 91 0
(Poems by James Stephens)
Anthony O Daly
The Coolin
Aaron Copland
STOMP YOUR FOOT
)
(1900
from ”The Tender Land”
Vicky Gordon, Karen Clute, Piano
Charles E. lves
THE CIRCUS BAND
(1 87 4 1 954)
for mixed Chorus and Orchestra
BROOME COUNTY YOUTH CHORUS and HARPUR SYMPHONY ORCHESTRA
– I N T E R M I S S I O N –
Part I I
Robert Starer
THE PEOPLE, YES
(192 4
for mixed Chorus and Orchestra
set to excerpts from the poem The People, Yes
by Carl Sandburg
)
UNIVERSITY CHORUS and HARPUR SYMPHONY ORCHESTRA
Part I I I
SONG OF DEMOCRACY Op. 44
(Poem by Walt Whitman)
Howard Hanson
)
(1 896
UNIVERSITY CHORUS and BROOME CO UNTY YOUTH CHORUS
HARPUR SYMPHON Y ORCHESTRA
�UNIVERSITY CHORUS
Director, David Buttolph
Excerpts from Carl Sandburg’s
THE PEOPLE, YES
set to music by Robert Starer
I
The people, y es–
Born with bones and heart fused in deep and violent secrets
Mixed from a bowl of sky blue dreams and sea slime facts–
A seething of saints and sinners, toilers, loafers, ox en, apes
In a womb of superstition, faith, genius, crime, sacrifice–
The one and only source of armies, navies, workgangs,
The living flowing breath of the history of nations,
Of the little Family of Man hugging the little ball of Earth,
And a long hall of mirrors, straight, convex and concave,
Moving and endless with scrolls of the living,
Shimmering with phantoms flu ng from the past.
Shot over with lights of babies to come, not y et here.
II
The sea moves always, the wind moves always.
They want and want and there is no end to their wanting.
What they sing is the song o f the people.
Man will never arrive, man will be al ways on the way.
I t is written he shall rest but never for long.
The sea and the wind tell him he shall be lonely, meet love,
be shaken with struggle, and go on wanting.
III
Wedlock is a padlock.
The man hardly ever marries the
women he jokes about; she often
marries the man she laughs at.
Keep your eyes open before marriage,
halfshut afterward.
Why repeat? I heard you the first time.
We all belong to the same big family
and have the same smell.
You can lead a horse to the water,
if you’ve got the horse.
Money is like manure –
good only when spread around.
You can fool all the people part of the
time and part of the people all the time
but you can’t fool al l the people
al l o f t h e time.
IV
You can drum on immense drums
the monotonous daily motions of the people
taking from earth and air
their morsels of bread and love,
a carry over f rom y esterday into tomorrow.
You can blow on great brass horns
the awful clamors of war and revolution
when swarming anonymous shadowshapes
obliterate old names Big Names
and cross out what was
and offer what is on a fresh blank page.
1
«
wn
V
Oh angel, oh angel,
I don’t want to be buried in the storm.
Who’s going to close these dying eyes?
Dig my grave with a golden spade.
Lower me down with a silver chain.
The coffin lid will screw me down.
I don’t want to be buried in the storm.
Who’s going to close these dying eyes?
Oh angel, oh angel.
VI
The people will live on.
The learning and blundering people will live on.
They will be tricked and sold and again sold
And go back to the nourishing earth for rootholds,
The people so peculiar in renewal and comeback,
You can’t laugh o ff their capacity to take it.
Once having marched
Over the margins of animal necessity,
Over the g rim line of sheer subsistence
Then man came
To the deeper rituals of his bones,
To the lights lighter than any bones,
To the time for thinking things over,
To the dance, the song, the story,
Or the hours given over to dreaming,
Once having so marched.
In the darkness with a great bundle of grief
the people march.
In the night, and overhead a shovel of stars for
keeps, the people march :
“Where to? what ne xt?"’
3
SOPRANOS
Beacham, Dorothy
Cullen, Chrissy
D’Angio, Liz
Dixon, Elizabeth
Elkin, Judy
Fischthal, Lois
Gittleman, Lisa
Goodheim, Laurie
Griffin, Lisa
Gross, Roni
Hausner, Marcia
Hawkins, Janet
Hogan, Terry
Houghton, Grace
Johnson, Harriet
Klotz, Cathy
Kovacic, Sue
Lovejoy, Karen
Lucas, April
Monahan, Mary Ellen
Petty, Susan
Slechta, Janet
Spota, Noreen
Taggart, Barbara
Trinka, Jill
BASSES
Aylesworth, Lynn
Bolan, Peter D.
Brooks, Lawrence
Carmody, Richard A.
Clark, Robert
Connors, John
Dashman, Carl
Davis, Richard
Florio, Jack
Gelber, Richard
Glow,, Leon
Hanson, Dave
Houghtaling, Mark
Klein, Michael
Lamphere, Tom
Lubitz, Ben
Mallinson, Richard
Orinstein, Larry
Pappenheimer, Ben
Schonfeld, Mitch
Seidman, Brian
ALTOS
Armer, Kinga
Bilinkoff, Robin
Budin, Clara
Burr, Phyllis
Drucker, Nancy
Elmore, Nancy
Foley, Ruth
Foodim, Stacey
Ghertler, Louise
Gilbert, Miriam
Goetz, Rosemary
Huzig, Gloria
Horowitz, Sylvia
Klein, Rhonda
Klodowski, Janet
Lawson, Sue
Onofrio, Debra
Pettersen, Astrid
Rosenberg, Irene
Sch mertz, Amy
Schmidt, Doris
Schoonmaker, Beth Ann
Shear, Jane
Starke, Margaret
Townsley, Carole
Tuman, Michelle
Weston, Jill
Yohai, Norma
TENORS
Gartenberg, Lee
Holby, Frank
Houghton, Edward
Nytch, Thomas
Sarachan, Robert
Schappert, Ed
Straight, Stephen
Weiskopff, Donald
West, Floyd
�BROOME COUNTY YOUTH CHORU S
HARPUR SYMPHONY ORCHESTRA
VIOLIN I
George Myers,
Concert Master
Michael Smith
Denis Cleveland
Lisa Gutkin
David Harrington
Joan Weitzman
Mark Helm
Andy Stack
VIOLIN I I
Paul Turco,
Principal
Eileen Pasternak
Nigel Allen
Janet Brady
Lee Ann Horbatuck
Richard Balkan
Eric Sadowitz
Arlene Pines
Sophie Horowitz
VIOLAS
Carol Isaacson,
Principal
Laura Stein
Barbara Thompson
Michael Jones
Anne Ziegler
Martha Colton
CE L LOS
David Hoppe,
Principal
Howie Cohen
Holly Wilson
C.T. Shaw
Claire Liva
Walter Graves
Daniel Politi
BASSES
Neil Conaty,
Principal
David Weinsoff
FLUTES
Nancy Becker
Sue Passanante
PICCOLO
Tina Fine
OBOES
Elliot Friedman °
Janet Ziebur
ENGLISH HORN
Matt Kuhn
Conductor
Betty Hartman
Accompanist :
Vicky Gordon
Karen Clute
Vivienne Brooking
S.U.N.Y.
S.U.N.Y.
Barnes, Anne
Bouttele, Tracy
Coe, Linda
Cook, Lianne
Edwards, Cindy
Elderkin, Linda
Fidurski, Lori
Hickey, Kelly
Jones, Diane
Kulik, Natalie
Opie, Tina
Rogalavich, Julie
Seton Catholic Central
Vestal
Union Endicott
Union Endicott
Union Endicott
Binghamton North
Chenango Valley High
Johnson City
Executive Director :
Sopranos :
CLARINETS
Paul Ketchoyian
Mark Zavatok
BASSOON
Lois Chantry
Thomas Closser
FRENCH HORNS
Robert Taylor,
Principal
Ellen Berge,
Assistant
Tama Mann
Ken Steiger
Benjamin Levy
Altos :
Gee, Debbie
Gurney, Sharon
Hodgkins, Nancy
Kolb, Betty
Roberts, Valerie
Seary, Mary Ellen
Stein, Vivian
Stratton, Karen
Trattel, Debbie
TRUMPETS
Steve Winans
Dan Benscher
TROMBONES
Steve Shear
Eric Schwartz
Jim Magacs
Tenors:
TIMPANI
Geoffrey Brooks ,
PERCUSSION
Diane Dino
Joe Pazienza
Pete Lowenthal
CONCERT MANAGER
Geoffrey Brooks
Benedict, Reid _
Brooking, Simon
Jensen, Roy
Johns, Matthew
Johnson, Peter
Purdy, Scott
Zdimal, Dennis
TUBA
Tom Wood
HARP and CELESTE
ChaiKyou Mallinson
Athorn, Y vonne
Bagg, Loa
Bigelow, Roxeanna
Fenning, Lucy
Basses:
Arneson, Chris
Cook, Todd
Darcie, Kent
Dodge, Bill
Frost, Andy
Hooker, Kenn
Kirch, Eric V.
O’Buckley, Craig
Preston, Mark
Ranieri, Joseph
Roper, Ted
Stevenson, Matt
Sturtevant, Jim
Winans, Gary
Union Endicott
Johnson City
Binghamton Central
Chenango Valley High
Susquehanna Valley
Windsor
Windsor
Seton Catholic Central
Union Endicott
Chenango Valley High
Johnson City
Johnson City
Johnson City
Chenango Valley High
Binghamton Central
Johnson City
Chenango Valley High
Seton Catholic Central
Chenango Valley High
Susquehanna Valley
Chenango Valley High
Binghamton Central
Binghamton Central
" Binghamton Central
Union Endicott
Union Endicott
Windsor
Windsor
Binghamton North
Binghamton Central
Johnson City
Johnson City
Chenango Valley High
Binghamton Central
Seton Catholic Central
Johnson City
Windsor
�BIOGRAPHIES
Composer
Robert Sta rer
ROBERT STARER was born in Vienna on January 8, 1924. He
received his musical education at the State Academy in Vienna, the
Palestine Conservatoire in Jerusalem, and the Julliard School. He has
been living in New York City since 1947 and became an American
citizen in 1 957. Among his awards are two Guggenhe im Fellowships
and a Fulbright postdoctoral research grant. His commissi ons include
ballets for CBS Television, National Educational Television, ‘‘the
Dybbuk’ for Herbert Ross and ‘‘Secular Games,” ”Samson
Agonistes” and ‘‘Phaedra,”” for Martha Graham. More than seventy
of his compositions have been published and his symphonic works
have been performed by major orchastras throughout the world,
under such eminent conductors as Mitropoulos, Bernstein, Leinsd orf
and Steinberg.
Director University Chorus & DAVID BUTTOLPH, Associate Professor of Music, is director
Orchestra SUNY
of choral activities at State University o f New Yor k where he con
Binghamton
ducts the Harpur Chorale – an A Cappella Choir the University
i
David Buttolph
Director, Broome County
Youth Chorus
Chorus – a choral masterwork ensemble organized in 1 971 , and
holds classes in the Kodaly Approach to music training.
Mr. Buttolph is a former timpanist with the New Orleans Phil
harmonic Orchestra and from 1958 to 1965 he was a member of
the conducting faculty at the Manhattan School of Music as well as
music director for several college, community and professional
activities in the New York Metropolitan area.
He conducted the firs t concert performance of Alan Hovhaness ’
Triptych, and the first New York performance of Opening the Wells
by Martinu in 1959, The WORLD PREMIER E OF Let the Word Go
Forth by Robert Ward in 1965 and the U.S. Premieres of Frank
Martin ’s Maria Tryptichon and William Mathias’ Prelude, Aria and
Finale, in 1970.
Mr. Buttolph holds degrees from Yale University, and the
Juilliard School of Music. He took post graduate work at the Paris
Conservatory and received further training at Tanglewood, Mass.,
the Boston Symphony ’s summer home.
BETTY H. HARTMAN received her BS degree in Music Educa
tion from Mansfield State Teachers College, a MS in Music Education
from lthaca College and a MM degree in performance from SUN Y,
Binghamton. She is the former director of Motet Singers, has been
guest soloist in many area churches as well as wi th the Harpur
Chorale, Choral Society and Binghamton Symphony Orchestra. Ms.
Hartman has taugh t private voice instruction an d has bee n innovative
with new music programs at the elementary and secondary levels in
the public schools. She has participated in choral workshops under
the direction of such notables as Gregg Smith, Don Craig and Jac k
Boyd. Currently Ms. Hartman is Director of Choruses at Union
Endicott High School.
Betty Hartman
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
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1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39:48:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333560">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333560</a>
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Title
A name given to the resource
Concert of American Works, University Chorus and Harpur Symphony Orchestra, December 4, 1976
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital tape 1976 12-4
Description
An account of the resource
Works of Starer, Dawson, Ward, Barber, Copland, and Hanson. Held at 8:00 pm, December 4, 1976, The Forum.
Creator
An entity primarily responsible for making the resource
University Chorus and Harpur Symphony Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-12-04
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c41337730972fa0cc912a1140d1008a8.pdf
0ec28a7d25d6040dbec8d561e83042da
PDF Text
Text
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Concert of Rena issance Music by the
ENSEMBLE CLAUDE GERVAISE
of Montréal
at the Art Gallery of the State Univers ity of New York at Binghamton
presented i n con junction w ith
the Fourth Annual Conference in Medieval Studies
of the CENTER FOR MEDIEVAL AND EARLY RENAISSANCE STUDIES
Saturday, May 2, 1970, 20:30
�CLAUDE GERVAISE was active as a musician in the 1550 era
in Paris. He had some forty songs (15411557) and 3 books of Danceries
(15501555) published by Attaignant and Du Chemin.
The Ensemble considers him an author of charming dances
reflect ing the enthusiastic spirit preva lent during the Renaissance.
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vroit la donner pour rien,
�Ins t ruments of the Ens emb le
Flutes a beg; soprani
:
7
alt i
: 10
sopran in i
:
:
tenores
:
basses
basse grave :
5
2
1
2
v i o les de gambe : 3
cornemus e
f1dt e t ravers i ere
t r i ang le
: 3
tambouri ne
b l o c + ba g uet t es
c loches
ép i net t e
h arpe c e l t i que
anches , éc ouv il lons
5
cromorne s
ch alumeaux : 2
ch alemi e
dulc i ane
h autbois de Poi tou
c or net a b ouqui n
mus et t e
piffaro
bombarde
h autb ois
luth
Ins t ruments de f o lk lore
Indes
: 1 f1dte
1 h autbois doub le
Y oug os lavi a
: l i j e r i c a
g uz l i
sw i n ala
Amer i que du S ud : 3 fll i t e s a b e e ( bambou ) p i k i n ds
1 kena
P ales t i ne
A
J amai que
: 1 ch alume au doub le
A
\
u
1 fl u t e t ravers . i ere de bambo
.
A
1 fl u t e t ravers i c re ( mat ér i aux modernes )
Ch i na
: 1 f18te ‘a bec
Jerus alem
: 1 h autbois doub le
1 h autbois
Cret e
Europe ( XI Xe s i e c le )
1 fi f r e
\
2 p i c c o l i
2 fll i t es t ravers i eres
1 c l ar i n e t t e
�ENSEMBLE CLAUDE GERVAISE
The Ens emb le i s a group o f mus i c i ans , s ingers as w e l l as
i ns t rument al is ts , w e l l versed and t rai ned i n the st udy and int er~
pret at i on of the mus i c of the Renaissance .
To ac complish i t s purpos es , a c o l le c t i on of ins t ruments of th e
peri od , some authent i c , others reconst ruct ed , has been ass emb led
and i s cons t ant ly be i ng enlarged . The members of the Ens emb le have
s t udi ed the h is tory and evaluat i on of the inst ruments of t h i s
c o l le c t i on , probably the most complet e i n Canada . Approx imat ely
ei ghty ins t ruments have been c o l le c t ed , pr i n c ipal ly woodwinds and
s t r i ngs ; the group are on ly begi nn i ng t o c o l le c t examples of brass
inst ruments .
The pr i n c ipal t exts o f theoret i c i ans of th e peri od , such as
Gaf ur i us , Mersenne , Praetor i us , Arbeau, S al i n as , e t c . , as w e l l as
numerous other h is t or i c al documents i n c ludi ng composers , ins t ruments
and mus i c al t ext s , have been brought together and f orm the bas is of
st udy .
Furthermore , s everal members of th e Ens emb le have recei ved
t rai n i ng i n the paleography of mus i c al t exts so as t o permi t them
dire c t ac cess t o t h e manus c r ipt sourc es .
The mus i c i ans , ei ght een i n number at the moment , are f or the most
part recruit ed f rom the un i vers ity commun ity or f rom persons att ached
i n some f ash i on t o the Un i vers ity of Mont re al .
The Ens emb le has been per f orming on a regular bas is s ince 1967.
Concerts , i n c ludi ng a f ew of an educ at i on al nat ure , have
reg ularly been o ff e r e d t o a vari ety of audi ences throughout Canada .
�EN S EM B L E CL AUD E G ER V A I S E
A DEMONSTR ATION OF MUSICAL INSTRUMENTS OF THE RENAISSANCE
presented in c on junct ion w ith the Fourth Annual Conference in Medieval Studies of the
CENTER FOR MEDIEVAL AND EARLY RENAI SSANCE STUD IES
1 . Recorders and German flute
petit jeu: Ga uote pour les Flustes douces
grand jeu: Ai r de cour pour les Flustes d’Allemand
2. Chalumeaux
Bransle d’Esc osse
Henri le JEUNE
Estienne du TERTRE
3. Hautbois de Poitou, shawn, dulcian
Dit Ie bourguignon
Gl i occhi tuoi ( villanesca)
T. CIMELLO
4. Pastoral oboe (musette, piffaro and bombarde)
Saltarello
Cornet a bouquin
Gaillarde
Tielman SUSATO
. Cornemuse
dance
. Sourdine
dance
Crumhorns
Si je perdu mon amy
Die Post
Tielman SUSATO
. Luth
Kemp’s Jig
10. Spinet
,
I f love now re igned
11. Celtic harp, viols, etc.
Henry VIII
Hoboeckentanz
Tielman SUSATO
J
O
Fm
I
o 4r y
o 4°
�M US IC I ANS
Director: Gi lles PLANTE
Francois BARRE
Colette CHEVALIER
Michel DESROCHES
Diane DUGUAY
Matthieu DUGUAY
Jean GAGNE
Monique GRENIER
Joseph GUILMETTE
Louise LAGACE
Yves MOUGEOT
Alain NONAT
Marcel OTIS
Gilles PLANTE
LéoPaul RODRIGUE
Dujka SMOJE
Guy SOUCIE
Marie TRUDEL
�P RO G R A M
. Margaretha
Erasmus WID M ANN
i
i , dulc ian, percuss
hautbois de Poitou, corn
:
et a bouquin
ion
. Suite de danses
courante
recorder, ch alumeau, v iols, bells, percussion
1 34
157 216
Michael PRAETORIUS
15711612
ballet
recorders, v iols, spinet
volte
recorders, v iols, chalumeau, dulc ian, percuss ion
bourrées ll l
recorders, v iols, crumhorn, cha lumeau, dulc ian, percuss ion
. Cest grant pla is ir
chanson
voices
transcription of the chan son b y Pierre ATT AINGNANT
spinet
tourdion
recorders
abeth’s Ga
.
.
. Queen Elis
i llard
Iuth
. Tant que v ivray
voice, recorder, Iuth
John DOWLA
ND
75637626
Claud in de SERMISY
c . 14901562
Text: Cléme nt Marat
. Stat ein me sk in was junck ; [Residuum]
hautbois de Poitou, shaw n, crumhorn , dulc ian
. Le jour s ’endort
:
voice, recor
der, celt ,
ic harp
. Taunder na ken
recorder, v iols, crumhorn, celt ic harp
Guillaume DUFAY
c. 14001474
Henry V III
�. Green groweth the hol l y
Henry V III
voice, recorders
1 0. My Lady Carey’ s Dompe
c. 1525
spinet
1 1 . Villancicos
Lo que queda es lo seguro
Paséisme aor’ a lla, serrana
IO, a lto bien s in revés ...!
hautbois de Poit ou, crumhorn, ch alumeau
[Pedro de ESCOB AR]
1514
12. Pourquoy done ne fringuerons nous
ronde
recorders
chanson
voices
13. 0 amica mea
recorders
Tielman SUSATO
155 7
P ASSEREAU
c. 1510
Thomas MORLEY
155 7 7603
14. Rompelt ier (Rumfeltiere)
crumhorns, voices
1 5. Suite de danses
Pavane d ‘Angleterre and Ga i llarde
recorders, percussion
ronde
recorders, percussion
Schafertanz and Nachtanz
recorders, v iols, percussion
ronde
recorders , percuss ion
Claude GERVAISE
Hoboeckentanz
recorders, hautbois de Poitou, crumhorn, v iols, chalumeau dulc ian, celtic
harp, lut h, percussion
16. Vitrum nostrum g loriosum
1540
�S O U R CES
. Musika/ischen Tugends piegel, 1613.
. C. Terps ichore, Musarum Aoniarum Quinta, 1612.
. Chanson and Transcript ion : Pierre ATTAINGNANT, D ixneuf chansons musica
les reduictes en la tabulature des Orgues Espinettes Manic ordions, et telz
semb lab les instrument z mus icaulx , Paris, 1530 (1 531).
Tourdion : Pierre ATTAINGNANT, Second liure [de danceries) contenant trois
Gail/ardes, trois Pavanes, v ingt trois Bran/es, Tant gays, Simples, Que dou
b les, Douze basses dances, & Neuf tourdions, Paris, 1547.7.
. Ottav iano dei PETRUCCI, Harmonice musices odhecat on A., Venice, 1501.
. London, British Museum, Additional MS 31922, fol . 82v84.
9. London, British Museum, Additional MS 31922, fol . 37v38.
1 0. London, British Museum, Roy. App. 58.
1 1 . Cancionero Mus ical de Palacio cancionero Barbieri , Madrid, Bib l, del Pal.
Real, 2.1.5.
12. Ronde : Tielman SUSATO, Het derde musyck, Antwerp, 1 551 .
Chanson : ATTAINGNANT and GARDANE (editions from 1 5331 548).
13. Thomas MORLEY , A Plaine & Easie Intr oduct ion t o Pract ice// Mus ic ke, 1597.
1 4. Ottav iano dei PETRUCCI, Harmonice mus ices odhecat on A., Ven ice, 1501.
1 5. Pavane and Gai llarde : Pierre ATTAINGNANT, Troisieme livre de danceries,
Paris, 1556.
Ronde, Schafertanz and Nachtanz, ronde, Hoboeckentanz : Tielman SUSATO,
Het derde musyck, Antwerp, 1 551 .
16.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:42:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63233
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63233">Concert of Renaissance Music by the Ensemble Claude Gervaise of Montreal</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert of Renaissance Music by the Ensemble Claude Gervaise of Montreal
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Widmann, Praetorius, Dowland, Dufay. Held at 8:30 pm, May 2, 1970, Art Gallery, SUNY Binghamton
Creator
An entity primarily responsible for making the resource
Ensemble Claude-Gervaise
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-5-2
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Widmann, Erasmus, 1572-1634
Praetorius, Michael, 1571-1621
Dowland, John, 1563-1626
Dufay, Guillaume,1397-1474
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019606882
39091019606999
-
https://omeka.binghamton.edu/omeka/files/original/e687cf7e7fa43cd91092adea6a4643c0.pdf
3c65c2a52566182280b19932b01f59f1
PDF Text
Text
FANTAI IE C M OR
J. S. BACH
N
E VARIATIO
O A
MINUET BY DUPORT
MOZART
0 ATA OPU
13 ' PATHETIQ E '
Grave , Allegro di molto e con brio
Adagio antabile
Rond c - Allegro
BEETHOVEN
I TERMISS/0
THIRD
OP
O AT A FOR P IANO
44
Prestissimo
L ento e Tristamente
Rondo Giocoso
ROBERT CASADESUS
FOUR PIECE
Impromru
ous-Bois
Idy lle
La Bourrée Fancasque
EMMANUEL CHABRIER
�T HI S evening's program w ill op e n wi t h two rare ly perfor med wo r ks by
two 18th-cen t ury mus ic a l gian t s. Bac h ' s sho rt fa nt asia in C mi nor I
)us t ra t es many c ha r ac te r.i s t ic s of t his compose r ' s mor e well - kn o wn compositions , such as h is dr ama t ic in t ensi t v and propu lsive r hy t hmic drive.
Moz art ' s va ri a ti ons on a minue t by Dupo rt is one of t he finest wo rks he
c omposed in t his fo rm. Alt ho ugh t he va r ia t ion is trad it ionally a melod ic
embe ll ishmen t of a g ive n theme, Moza rt so tr ans c ends D u port' s minuet
th a_t his variations tend t o become more melodic t han the theme itself.
C haracteristica l ly, to c reate a r o unded fo rm, Mozart composes a slow
variati o n for t he next to last section , and t hen closes wi t h a faster finale .
A R ECEPT!O hon oring Mr. Cas ade su s will be h eld in the Facult y
Loung e immediat e ly follow in g th e conc ert. Th e audienc e is cordially in v il d lo attend.
EVENTS CALENDAR
A If pro ra ms ar al
BEETHOVEN ' S ' Pa t he t ique ' sona t a is one of t he fi rs t works tha t shows
thi s compose r clearl y breaking away fr om t he ref i ned C lassical s t yle
of the la t e 18 t h ce nt ur y. From t he fi rs t c hord o ne senses su c h pe rsonal
intensity t ha t one ca n o nl y wonder wha t ic mus e have sounded like t o
th e audien c e tha t hea rd it for the firs t r ime. The slow introdu::cion no
longe r ' introd uces ' t he fi rst movemen t a t all , but ac t s as an integral pa rt
of the s truc t ure , drama t ically break in g in t o t he middle , coming back
in broken fragments a t the end.
The s e cond m ovement opens with one
of Beethoven ' s most lyrical melodies , while t he th ird m ovemen c re t urns
to the da r ke r movemen t of the fi rst.
ALT HOUG H Robe rt Casadesus is c ertainly more well known as a pianis t
th a n as a c ompo ser , t he numbe r and qual it y of his composio ions reveal an
unques t ionable tale nt in t h i s a rea. H is t hird sonata is beau t ifully con ceived from the point of view of t he pianist although t he vi rt uoso ele men t s a re thoroughly integ ra t ed into the musical fab r ic. Inte restingly ,
all three moveme nt s utilize a diffe rent approa c h to a tr iple me t e r. In the
fir s t movemen t the th ree - bear ,unit is speeded up t o bee ome a ve ry fas t
triplet, while in t he se c ond it is s ubdivided int o a slowe r ' one -and - twoand-chre e -and ' bea t. The th ird movement provides unexpected accen t s
in the form of a re c urr ing ' ONE -c wo- T HR EE - one -TWO- three ' pa t te rn. The
harmonic s t yle of t he wor k is gently dissona nt , occas ionally reaching
into
po lytonal
effects.
JEAN Casadesus is the ideal artis t to i nt roduce t he music of Chabrie r t o
Bingham t on s i nc e he has jus t c ompl e t ed a reco rd ing of all t he piano
mu s ic of chis br il l iant F rench c ompose r. Al t hough Chab r ie r was a pass ionate adm ire r of Wagne r ( in it self a ra r i t y for mos t Fr en c h c cmpose rs)
little evidence of this appears i n t he works on t onigh t' s prog ram. Ins tead o ne finds in this music a frequen t humor and a sure ligh t couch.
An element of popula r sophis t ic a t io n app e a rs eve n in the early 'Impromptu ' a nd a s t rong lyr ic li ne in the loyely ' Squs - Bois ' .
' ldylle ' reveals a
re markably de lie ace bu t comp lex musica I t ex t ure , while t he famous ' Boure e fantasqu e ' shows the composer at his mos t brilliant. The a t mosphe re
of ne rvous exc icement prod uced by t he vivid rhy t hmic patte rn s dema nds
e xc e ptiona l
virtuosity from any
pianis t .
P r ogram Notes by P HILI P FR IED H E IM
: 1 5 in the
olleg
T hea ter
JA . 20- Thurs . CO LI
ILSO , British
Sci . Au d .
philosopher, critic , an d
novelist .
L cture : 11 Beyond the Outsi der''
JA
2 1, 22
IBSE 1 s "ROSMERSHO L M 1 '
23 - Fri. , Sat . ,
Colonial Players P r o duction
Sun .
directe d by Don atters .
J A . 27 - Thurs .
MERI CA U IVERS ITY CHOIR
dire ct d by Geoffrey Simon , in
a joint program with Harpur
Choir .
JA
MUS IC FROM MAR L BORO,
P ROGR
T 0
Seldom -h ard chamber music
p rformed by eight outstand i ng F stival artists .
28 - Fri.
J A . 30-Sun .
JOSE LI MO DA CE GROUP
Twenty -two dancers in an
unusual program with the
College Choir
FEB . 1-Tues.
E
UAL I TER ITZ ,
Curator,
etropolitan Museum
of Art in . Y . L ecture :
'' L eonardo da Vinci as a
Musician . "
�STATE UNIVERSITY OF
E
Y ORK AT B
GHAMTO
DEPARTMEN T OF MUSIC presents
JEAN
CASADESUS
Pianist in Residence
COLLEGE THEATER
8:1 5 P.M. J a nuar y 16, 1966
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:03
12:54
9:36
21:45
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54356">Concert Reel</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
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Options:
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
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'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
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'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingCover
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert Reel
Recital Tape 1966-1-16
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Jean Casadesus, piano. Works of Bach, Mozart, Beethoven, Casadesus, Chabrier.
Creator
An entity primarily responsible for making the resource
Casadesus, Jean, 1927-1972
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Mozart, Wolfgang Amadeus, 1756-1791
Beethoven, Ludwig van, 1770-1827
Casadesus, Jean, 1927-1972
Chabrier, Emmanuel, 1841-1894
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-01-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Concert Reel Recital Tape 1966-1-16.pdf