22
10
1775
-
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BINGHAMTON
U N I N E R S L
State University of New York
Department of Music
CLARINETS
IN
CONCERT
STU DE NTS F R O M T H E ST U D I O S O F
TIMOTHY P E R R Y A N D V I N C E S M I T H
M A R G A R E T REITZ, PIANO
Saturday, February 26, 2005
3 :00 p.m.
Casadesus Recital Hall
�The Binghamton University Department of Music presents
CLARINETS I N C O N C E R T
S T U D E N T S F R O M T H E S T U D I O S O F T I M O T H Y P E R RY A N D V I N C E S M I T H
3:00 P.M.
Saturday February 26, 2005
Casadesus Hall
Binghamton University
PROGRAM
Allegro from Concerto No. 3..
Andrei i
vereee.. Karl Stamitz
Romanze from Concerto no. 3..
Simon Hawk
Concertino, Op. 26..
vee... .Ka rl Stamitz
.. Carl Maria von Weber
«Bethany Bonhoff
Alleluia, from Exsultate, Jubilate...
Colin Edmunds
...W.A. Mozart
Adagio, from Concerto No. I..
.....................Ludwig Spohr
Michelle Grexer
Allegretto P
h
i
l
i
Alice Choi
p
p
e Gaubert
Moderato from Sonate pour Clarinette . .. . ..Camille Saint-Saens
Caroline Bravo
Carol and Forlana, from Five Bagatelles...
Heather Boland
....Gerald Finzi
Blues and Rhythm from Pocket Sonata No. I . . ...Eric Templeton
Andrew Hsu
Allegro from Concerto No. 2.
..Carl Maria von Weber
Theresa Perrone
�Coming Events
Saturday February 26 – Timothy LeFebvre, baritone and Duane
Skrabalak, piano - 8:00 p.m. – Anderson Center Chamber Hall - $15
general public; $13 faculty/staff/alumni/seniors; $7 students
Sunday, February 27 – University Wind Ensemble – Cinematic
Signatures III : Great White Way to the Silver Screen – 3:00 p.m.
Anderson Center Chamber Hall - free
Thursday, March 3 – Mid-Day Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Saturday, March 5 – Master’s Recital – Leslie Hochman, Soprano –
3:00 p.m. – Casadesus Recital Hall – free
Saturday, March 5 -- University Symphony Orchestra – Around the
Hor n – 8:00 p.m. – Anderson Center Osterhout Concert Theater - $10
general public; $7 faculty/staff/seniors; free for students
Sunday, March 6 -- Musica Nova with Patricia Sunwoo, violin and Ewa
Mackiewicz-Wolfe, piano - 3:00 p.m. – Casadesus Recital Hall - $10
general public; $7 faculty/staff/seniors; free for students
Thursday, March 10 – Mid-Day Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Saturday, March 12 - Master’s Recital – Timothy Fallon, tenor – 3:00
p.m. - Casadesus Recital Hall – free
Saturday, March 12 - Master’s Recital – Jody Schum, piano – 8:00
p.m. - Casadesus Recital Hall – free
Sunday, March – 13 – Harpu r Chorale and Women’s Chorus – 3:00 p.m. –
Anderson Center Chamber Hall – free
Thursday, March 17 – Mid-day Concert with faculty and student performers
– 1:20 p.m. – Casadesus Recital Hall – free
Thu rsday, March 31 – Mid-Day Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free
Sunday, April 3 - Organist Jonathan Biggers – Music for Organ and
Strings – 4:00 p.m. First Presbyterian Church, Binghamton - $15 general
public; $13 faculty/staff/seniors; $7 students
�
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1960's - present
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Clarinets in concert: students of Timothy Perry and Vince Smith, February 26, 2005
Creator
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Perry, Timothy
Smith, Vincent
Publisher
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Binghamton University Libraries
Date
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2005-2-26
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sound
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UNIV ARC
Recital
tape
BINGHAMTON
UNIVERSITY
State University
2005
12-14
of New York
SPEC COL
MASTER'S RECITAL
Donald Truesdail , double bass
Chai-Kyou Mallinson, piano
Emily Creo, cello
Melissa Mattern, viola
Elizabeth Bartlett, double bass
Wednesday, December 14, 2005
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
Cello Sonata No. 6 in B-flat Major ....... .................. Antonio Vivaldi
Largo (Andante Sustenudo)
(1678-1741)
Allegro (Non Troppo)
Largo (Doloroso)
Allegro (Spirituoso)
Divertimento for Viola, Cello & Double Bass .......... Michael Haydn
II. Menuetto/Trio
( 173 7-1806)
III. Presto
A Night in Tunisia (ca. 1945) .. ...........John Birks "Dizzy" Gillespie
(1917-1993)
Interpreted by D. Truesdail
~INTERMISSION~
Sonate fur Fagott und Klavier (1938) ..................... Paul Hindemith
Leicht bewegt
(1895-1963)
Langsam/Marsch/Trio/Beschluss, Pastorale-Ruhig
Valse Miniature (Op. 1, No. 2) .. ........................ Serge Koussevitzky
(1874-1951)
�Translations
"A Night in Tunisa"
The moon is the same moon above you
Aglow with its cool evening light
But shining at night in Tunisia
Never does it shine so bright
The stars are aglow in the heavens
But only the wise understand
That shining at night in Tunisia
They guide you through the desert sand
Words fail, to tell a tale
Too exotic to be told
Each night's a deeper night
In a world that's ages old
The cares of the day seem to vanish
The ending of day brings reiease
Each wonderful night in Tunisia
Where the nights are filled with peace
Acknowledgements
I would like to thank all of the faculty and staff here at Binghamton University,
particularly Stephen Stalker and Chai Kyou Mallinson, for their patience and
guidance with regard to my musicai development and this performance
specifically. Also, I wish to thank Melissa Mattern, Emily Creo, and Elizabeth
Bartlett for their friendship as well as their contributions to my recitals. Thanks
also to Carrianne Foote, Melinda Roberts, Timothy Perry, Roberta Crawford,
Patti Sunwoo, Alice Mitchell, Michael Carbone, Jane Zuckerman, Jonathan
Biggers, Tim Rolls, Sam Chianis, Daniel Fabricius , Burt Mueller, Martha and
Chris Weber, Sue Hoffmann, Ron Fisher, Jennifer Tanzini, Bill Tomic, Nilima
Rabi, Harry Jacobson, the entire staff at the Music Department at SUNY
Fredonia, Dick Thomas, Michael Kinney, Paul Sweeney, Joseph Perkins, Ed
Pettengill, Laura Kennedy and Gerald Graham; all of whom have demonstrated
profound generosity and understanding concerning my often turbulent
professional and artistic life. Finally, I would like to express deep appreciation
to my family for their endless support of all my endeavors .
�ABOUT THE PERFORMERS
DONALD TRUESDAIL is a native of the Binghamton Area, hailing originally
from Owego. He received his Bachelor's Degree in Music Education from SUNY
Fredonia, and is currently pursuing his Master's in Double Bass Performance from
Binghamton University. He has performed diverse musics with several groups in the
area, ranging from classical to pop to avant garde, jazz, ethnic and theatre. He
teaches elementary Orchestra in the Union Endicott School District as well as
several private students in the area.
CHAI-KYOU MALLINSON, currently on the faculty of the Department of Music
at Binghamton University, received a B.M. degree in Piano from Juilliard, License
d'Enseignement from Ecole Normale de Musique de Paris, France and a M.A.
degree from Binghamton University, where she studied with Jean Casadesus. A
prize winner in the Korean National Music Competition, she was awarded the
French Government Scholarship, Tanglewood Summer Music School Full
Scholarship and the Fontainebleau American Conservatory Full Scholarship. She
gave a debut Recital in Carnegie Recital Hall and has been active as a recitalist,
vocal accompanist and coach, and chamber music performer, as well as an active
adjudicator of piano auditions and competitions. She appeared in a performance with
the Seoul Philharmonic Orchestra, which Eumag Choonchu, one of Korea's most
respected music magazines, described as "of rare quality, moving and lyrical."
EMILY CREO, a native of Vestal, is a senior majoring in music and minoring in
medieval studies. She is a member of both the University Orchestra and the Harpur
Chorale, of which she is the president. She serves as treasurer of Music
Organizations. She studies cello with Stephen Stalker.
MELISSA MATTERN, a native of Glen Head, New York, began studying viola
with Dwight Dyer at age eight. She participated in various orchestral and chamber
groups throughout high school, such as the C.W. Post Chamber Music Festival, the
Long Island Youth Orchestra, touring the South Pacific, and the New York Youth
Symphony, which held performances at Carnegie Hall. Last year she participated in
the Dublin International Symphonic Festival, performing with the Royal Irish
Academy at Christ Church Cathedral. A student of Roberta Crawford, Mattern is a
senior pursuing her Bachelor of Arts degree in Music. She is currently principal
violist of the Binghamton University Symphony Orchestra.
Double bassist ELIZABETH BARTLETT is a native of the Greater Binghamton
area, growing up in Johnson City, New York. She graduated from Johnson City
Senior High School in 1997. While in high school, Beth studied double bass
privately with Mr. Richard Thomas. She received her Bachelor's Degree in Music
Education from the Crane School of Music, SUNY Potsdam, in May of 2001. At
Crane, Beth studied double bass with Richard Stephan and John Geggie. Upon
graduation, Beth has been employed by the Binghamton City School District. She
presently teaches at MacArthur School as an elementary string orchestra and general
music teacher. Beth enjoys teaching and performing a variety of music within the
community. Currently, Beth is studying with Professor Stephen Stalker, as she
works towards a Master's Degree in Performance at Binghamton University.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Master's recital, Donald Truesdail, double bass, December 14, 2005
Description
An account of the resource
Works of Vivaldi, Haydn, Gillespie, Hindemith, Koussevitzky. Held at 8:00 p.m., December 14, 2005, Casadesus Recital Hall.
Creator
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Mallinson, Chai-Kyou
Creo, Emily
Mattern, Melissa
Bartlett, Elizabeth
Truesdail, Donald
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Binghamton University Libraries
Date
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2005-12-14
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.
\
Recital
tape Fall 2005 Clarinet Studio Recital
2005
12-11b
Assisted by Margaret Reitz, Piano
SPECCOL
Casadesus Hall
Binghamton University
Sunday, 5:00 p.m.
December 11, 2005
Proi:ram
Sonata in F Major .............. . ... ...... Georg Frideric Handel
(1685-1759)
arr. Christmann
Adagio
Allegro
Christa Heschke
Introduction and Variations on a Swedish Air ... Bernhard Crusell
( 1775-1838)
Andrei Lee
Concerto No.2 in E-flat major, Op. 74 ... . Carl Maria von Weber
(1786-1826)
III. Finale (Polacca)
Gregg Ackerman
Duets (Originally for two violins) ................... Bela Bartok
(1881-1945)
Teasing Song
New Year's Song No. 4
Song of the Harvest
Ruthenian Dance
Arabian Dance
Michelle Grexer and Richard Silvagni
La Capricieuse ..... .. ... ........... Edward Elgar, arr. Langenus
(1857-1934
Bethany Bonhof
Sonata for Solo Clarinet, Op. 110 ...... ...... Siegfried Karg-Eler
Massig bewegt- Scherzino & Trio - Coda
(1877-1933)
Theresa Perrone
Pocket Sonata No.l (1949) ..... . ................ Alec Templeton
Improvisation
Modal Blues
In Rhythm
(19 - 19
Heather Boland (mvts I &3) and Alex Vincenzi (mvt 2)
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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34:45:00
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Fall 2005 Clarinet studio recital, December 11, 2005
Description
An account of the resource
Works of Handel, Crusell, Weber, Bartók, Elgar, Karg-Elert, Templeton. Held at 5:00 p.m., December 11, 2005, Casadesus Recital Hall.
Creator
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Heschke, Christa
Lee, Andrei
Ackerman, Gregg
Grexer, Michelle
Silvagni, Richard
Bonhof, Bethany
Perrone, Theresa
Boland, Heather
Vincenzi, Alex
Reitz, Margaret
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Binghamton University Libraries
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2005 12-11
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Binghamton University Department of Music
HOLIDAY MID-DA Y CONCERT
December 8, 2005 -1:20 P.M. - Casadesus Recital Hall
Where 'er You Walk ...................................................................................................... G.F. Handel
(1685-1759)
Alexander Blitstein, tenor
Chai-Kyou Mallinson, piano
Sonata No. 1 in B flat Major. .................................................................................. Antonio Vivaldi
(1678-1741)
Largo
Allegro
Largo
Allegro
Heajung Kim, cello
Stephen Stalker, cello
Come Unto Him (from Messiah) ................................................................................... G.F. Handel
(1685-1759)
The Birthday of a King ........................................................................................... W.H. Neidlinger
(1863-1924)
Michaela Lisi, soprano
Chai-Kyou Mallinson, piano
Piano Trio in G major, KV 564 ............................................................ Wolfgang Amadeus Mozart
(1756-1791)
Andante
Allegretto
Akira Maezawa, violin
Heajung Kim, cello
Candice Che, piano
The Mermaid's Song ................................................................................................... Joseph Haydn
(1732-1809)
She never told her love
Pleasing Pains
Kathryn Boczar, mezzo-soprano
Chai-Kyou Mallinson, piano
Lullaby (1909) ......................................................................................................... Rebecca Clarke
(1886-1979)
Melody
Border
Scottish
I'll Bid My Heart Be Still .................................................................... Old
Arr. Rebecca Clarke
Roberta Crawford, viola
Michael Salmirs, piano
O Holy Night. ............................................................................................ .. .............. Adolphe Adam
(1803-1856)
Soon Young Park, baritone
Chai-Kyou Mallinson, piano
Join us for a reception following the concert - Next Mid-Day Recital will be March 2, 2006
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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51:11:00
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Holiday mid-day concert, December 8, 2005
Description
An account of the resource
Works of Handel, Vivaldi, Neidlinger, Mozart, Haydn, Clarke, Adam. Held at 1:20 p.m., December 8, 2005, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Blitstein, Alexander
Mallinson, Chai - Kyou
Kim, Heajung
Stalker, Stephen
Lisi, MIchaela
Maezawa, Akira
Che, Candice
Crawford, Roberta
Salmirs, Michael
Park, Soon Young
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-12-8
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/b6cc3b3417d5e1393d62d84909919515.pdf
7e6ac36ca1c2ec8f636b86eb50a5af68
PDF Text
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BINGHAMTON
UNIVERSITY
State University of New York
Binghamton University
Flute Ensemble
Georgetta Maiolo, director
Sunday, December 4, 2005
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
Water Music Suite ........................ ...... George Frederick Handel
1. Allegro
(1685-1759)
2. Minuet
Arranged by Ricky Lombardo
3. Air
4. Hornpipe
5. Allegro maestoso
Circus March .......................................................... Ricky Lombardo
(b. 1946)
Russian Suite ..................................... Arranged by William Schmidt
1. "A Light Rain"
2. Scherzo
3. Beetles
4. The Sparrow
5. Wheat Threshing
Canon in D ............................................................. Johann Pachelbel
(1653-1706)
The Bells of Dunkirk ........................ Arranged by Arthur Emphross
Gavotte ..... ....................................................... Jean-Baptiste Loeillet
(1680-1730)
Arranged by Nora Kile
Passepied .............................................................. François Couperin
(1668-1733)
Arranged by Nora Kile
�Brightonshire Hornpipe ..................... Arranged by Jim Engebretson
Sea Song Shanty
Platinum Promenade ..................................................... Jared Spears
(b. 1936)
Flute Fest. ............................................................. James Christensen
(b. 1935)
Christmas Selections ........................... Arranged by C. R. McManus
Dona Nobis Pacem
Away in a Manger
Up on the Housetop
Silent Night
Carol of Bells
The Holly and the Ivy
Twelve Days of Christmas
We Wish You a Merry Christmas ..... Arranged by Ricky Lombardo
Members of the Binghamton University Flute Ensemble
Stephanie Dodge
Michelle Grossman
Leah Hays
Stephanie Holleran
Nicole Lean
Erica Leo
Melissa Voldan
Jennifer Weintraub
�COMING EVENTS
Thursday, December 8 - Holiday Mid-Day Concert with faculty and
student performers - 1:20 p.m. - Casadesus Recital Hall - free
Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00
p.m. - Anderson Center Chamber Hall - free
Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free
Wednesday, December 14 - Master's Recital: Donald Truesdail, string
bass - 8:00 p.m. - Casadesus Recital Hall - free
Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00
p.m. - First Presbyterian Church, Chenango St., Binghamton - $14
general public; $12 faculty/staff/seniors; $6 students
Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson
Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6
students
Saturday, February 25 - University Symphony Orchestra: Concerto
Competition Winners - 8:00 p.m. - Osterhout Concert Theater - $9
general public; $7 faculty/staff/seniors; free for students
Sunday, February 26 - Music for Cello, Plus: Stephen Stalker and
Friends - 3 :00 p.m. - Casadesus Recital Hall - $9 general public; $7
faculty/staff/seniors; free for students
Thursday, March 2 - Mid-Day Concert with faculty and student
performers - 1:20 p.m. - Casadesus Recital Hall - free
Sunday, March 5 - University Wind Ensemble - 3:00 p.m. - Anderson
Center Chamber Hall - free
Thursday, March 9 - Mid-Day Concert with faculty and student
performers - 1:20 p.m. - Casadesus Recital Hall - free
Thursday, March 9 - Harpur Chorale and Women's Chorus - 8:00
p.m. -Anderson Center Chamber Hall
Thursday, March 23 - Mid-Day Concert with faculty and student
performers - 1:20 p.m. - Casadesus Recital Hall - free
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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1 audio disc
Duration
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45:56:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243813&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243813&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243813&change_lng=en</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Binghamton University Flute Ensemble, December 4, 2005
Description
An account of the resource
Works of Handel, Lombardo, Schmidt, Pachelbel, Emphross, Loeillet, Couperin, Engebretson, Spears, Christensen, McManus, Lombardo. Held at 7:30 p.m., December 4, 2005, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Maiolo, Georgetta
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-12-4
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/6a99f3be89cc75ea9033b17169f90576.pdf
1f085a960ef9f65d4bbe68b60fc4f4f7
PDF Text
Text
BINGHAMTON
l
N I \' I R
S
I T \
State University of New York
UNIVERSITY SYMPHONY
ORCHESTRA
Timothy Perry
Music Director and Conductor
and Guest Soloist
Stephen Stalker, Violoncello
Saturday, December 3, 2005
8:00 p.m.
Osterhout Concert Theater
�PROGRAM
Overture to the Opera 'Oberon' .................... Carl Maria von Weber
( 1786-1826)
Concerto in D Major, Hob Vllb:2 ........................ Franz Josef Haydn
Allegro moderato
(1732-1809)
Adagio
Rondo: Allegro
Stephen Stalker, Violoncello Solo
~INTERMISSION~
Symphony No. 2 in C minor, Op. 17 ...... Piotr Ilyich Tchaikovsky
"Ukrainian"
( 1840-18 93)
Andante sostenuto - Allegro vivo
Andantino marziale, quasi moderato
Scherzo: Allegro molto vivace
Finale: Moderato assai - Allegro vivo
******************************************************
Thank you for attending this evening's concert.
Please enjoy the music with those around you by turning off all
cell phones and other electronic devices.
We invite you to join the University Symphony
on Saturday, February 25 th for a concert by the winners of the
2005-6 Concerto and Aria Competition.
�ABOUT THE MUSIC
In 1824, the director of the opera house at Covent Garden
approached Carl Maria von Weber to commission a work in English for
the London stage. The choices were Goethe's Faust and Wieland's poem
Oberon based upon the chanson de geste 'Huon de Bordeaux.' Weber
chose the latter, perhaps remembering a disagreeable meeting with the
haughty Goethe some years before. As for Oberon, one need only know
that, excepting the occasional presence of Oberon, Puck and Titania, it
has nothing in common with the Shakespeare comedy. The hopelessly
convoluted plot involved two sets of lovers, a magic horn, a Caliph of
Baghdad, Mediterranean pirates, a North African Emir and his lascivious
wife, and rather too much more. Weber was by then suffering from
advanced tuberculosis and accepted the commission with a view to
providing for his family after his death. A prodigious worker, he
proceeded to learn English from scratch and composed the opera during
most of 1825. The overture, the last piece, was finished on April 9, 1826
- just three days before the premiere and five weeks before Weber's
untimely death.
While the splendid score for the opera was a hit with the
Londoners (the overture had to be repeated) the dramatic weaknesses
have been insuperable and the work, despite many attempts at revision,
has never held the stage in repertory as have Der Freischiitz and
Euryanthe. The overture begins with the magic horn followed by
alternating phrases from the lovers' travails and the world of the Fairies.
An abrupt chord cuts off this reverie and the ensuing Allegro in sonata
from is devoted to, in tum, a swashbuckling, energetic theme in the
violins, a lyric second theme in Weber's favored wind, the Clarinet
(drawn from a tenor aria 'from boyhood trained'), and finally the
'husband, my love, we are saved' passage of the soprano's brilliant scena
'Ocean, thou mighty monster.' As in his Freischiitz overture, Weber
thus gives a highly condensed précis of the opera's emotional text in the
overture, an important innovation which would then be carried far further
by Weber's admirer and operatic heir, Richard Wagner.
�For almost two centuries after its premiere in 1784 until the
rediscovery in 1961 of the C Major concerto, Haydn's Concerto in D was
the only one of the six (or possibly seven) Haydn concerti for the
Violoncello in the repertoire. The work was composed for the Bohemian
(in origin, not temperament) cellist Anton Kraft, a member of the
orchestra at Esterhazy. A highly skilled virtuoso, Kraft would leave
Esterhazy upon Haydn's retirement and move to Vienna, where years
later he became one of the soloists for whom Beethoven would write in
his Triple Concerto.
The concerto opens with a generously scaled allegro whose
elegant, stately theme is balanced in its melodic profile and rhythms in
the manner of Stamitz and the Mannheim symphonists. Once the cello
enters, however, the show begins in earnest, as the solo part is employed
in a variety of passages demonstrating the instrument's potential. Haydn
places much of the solo part in its high tenor range, where it is used for
both lyric melodies and complicated passagework. Additional techniques
include extended scales from the bottom of the instrument's range far
into the upper positions as well as widely spaced arpeggios (some with
leaps of a tenth or more) and double-stops (playing on two strings
simultaneously). The middle-movement adagio places the violoncello
almost solely in the top range, where it plays an Italian-style aria above
the violins - surely a novel piece of orchestration in its day, and an
arresting timbral combination even now. The finale brings to mind the
'hunt' finales of Mozart, its rollicking 6/8 colored by the orchestra's
oboes and horns. Haydn saves some of the most difficult solo passages
for this movement during the tempestuous middle section in minor,
including a famous section using fast string-crossings followed by even
more fearsome double-stops first in thirds and finally in octaves. The
return to major restores tranquility and all is brought to a smiling
conclusion with a return of the initial theme. Listeners will perceive the
nod to the older concerto grosso in Haydn's frequent employment of a
smaller group of strings as a concertato group to contrast with the full
orchestra tutti sections.
�First, a word of explanation. Tchaikovsky's second symphony
has always been known as the 'Little Russian' from the reference to two
Ukranian folk songs which form the basis of the themes for its first and
fourth movements. Because the older subtitle carried some negative
ethnic stigma, many editions now defer to the more politically acceptable
'Ukrainian' subtitle. Tchaikovsky composed the symp ony m 1872
while doing a considerable bit of travel. Its strongly Russian character
may have been a nod to the criticisms of the Nationalist group known as
the 'Mighty Five,' but Tchaikovsky's subsequent work shows that he
was far too independent a creative artist to bend to anyone's notions.
Long famous for its finale in which the folk-song 'The crane' is used as
an ostinato figure throughout, the other movements are no less worthy of
praise. The symphony's slow movement opens the work as an extended
introduction, developing materials from the opening horn solo. A rugged
allegro in sonata form follows, with some exquisite wind writing led by
the oboe in the second subject. The two themes are worked out and each
is given its own gigantic climax - the first in a meno mosso, the second
in a mighty chorale that quickly fades back to the spare texture of the
opening and ends in a mournful solo in the bassoon. The second
movement is a march in a curiously moderate tempo whose theme
Tchaikovsky lifted from his unfinished opera Undine. Here again the
composer offers a contrasting theme in minor that eventually builds to a
full-orchestra statement of the march theme complete with trumpets and
timpani. The scherzo is the symphony's hidden jewel. Like the First
Symphony, Tchaikovsky demonstrates a magical ability to organize the
fast rhythm into a seemingly inexhaustible number of subtle
combinations of duple and triple bars, complex hemiolas and
kaleidoscopic exchanges of thematic material from instrument to
instrument.
The finale's unrelenting use of its melodic germ has,
surprisingly, led several famous conductors to cut considerable sections
of the movement. The art of the composer is seen, however, NOT in
following the tune, but in careful observation of what lies beneath and
behind it. While not as organic as in his later symphonies, Tchaikovsky
nevertheless manages to construct his development section into a single,
carefully paced harmonic and formal crescendo which breaks off not into
a recapitulation of the main theme (that would be totally superfluous),
but into the second subject and an almost impossibly fast presto coda in
which the mediant relations expressed earlier come to fruition in brilliant
brass fanfares that echo the movement's majestic introduction.
-T. Perry
�ABOUT THE PERFORMERS
TIMOTHY PERRY, clarinetist, conductor and Professor of Music,
joined the Binghamton University faculty in 1986 as director of the
orchestral and wind ensemble programs and instructor of studio
conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree
from the Yale School of Music and a B. Mus. degree from the Manhattan
School of Music. Dr. Perry's more than two hundred programs include
ten seasons as Music Director of the Binghamton Community Orchestra
and as guest conductor of both the Catskill Symphony and Binghamton
Philharmonic orchestras. Perry is widely known as a virtuoso solo and
chamber music clarinetist, touring Latin America and the Caribbean as a
United States Musical Ambassador and appearing at international
festivals in Europe and Asia. He presented his third artist recital at an
International Clarinet Conference this past summer in Tokyo.
STEPHEN STALKER, cello, has made concerto appearances with
numerous orchestras in upstate New York, including Schenectady
Symphony Orchestra, Cayuga Chamber Orchestra, Catskill Symphony
Orchestra and the Binghamton Community Orchestra, performing
concertos by Boccherini, Haydn, Beethoven, Lalo, St. Saens, Brahms,
Dvorak, Hindemith and Shostakovich. He has performed in chamber
groups throughout the United States and Europe. As a member of the
Madison Quartet, he performed in the United States, France, Germany
and Switzerland, recorded for the Orion and Musical Heritage Society
labels, was a finalist in the Evian International String Quartet
Competition and the Naumberg Chamber Music Competition, and was
an Artist-in-Residence at Colgate University . He has played extensively
with the Catskill Chamber Players, performing and premiering many
compositions by prominent American composers, including the world
premiere of the late string quartets of Henry Bryant Four Score, at the
Weill Recital Hall in New York City. He has performed the complete
Beethoven Trio cycle with colleagues at Binghamton University. He
performed with Solisti New York on their Alaskan cruise of the Inner
Passage from Vancouver to Juneau and toured Greece with the
Schenectady Philharmonic. He graduated from the Manhattan School of
Music and teaches cello and double bass at Binghamton University.
�UNIVERSITY SYMPHONY ORCHESTRA
Flute/Piccolo
Kelsey Bauer (+picc)
Charity Hung
Joanna Hunt
Kristen Gilbert
Oboe
Maxwell Rosenberg
Marissa Ludwig
Clarinet
Gregg Ackerman
Alexander Vincenzi
Bethany Bonhoff
Bassoon
Dana Gleason
Luisa Duerr
Horn
Ernie Epelman
Robert Muller
Diana Amari
Cara Weiss
Trumpet
William Gilchrest
Garret Clark
Trombone
David Henann
Richard Mokan
Tuba .
Daniel J. Brisk
Timpani/Percussion
Kristine Jackson
MarkTurley
Violin I
Akira Maezawa
Micah Banner-Baine
Molly Ariotti
Alexander Wong
Alisa Selman
Tiffany Chang
Claire Bryne
Anna Cardillo
James Leddy
Dana Kerker
Griffin Sargent
Richard Goldman
Rachel Jacobs
Eileen Tam
Violin II
Jennifer Paull
Elizabeth Sterling
Marie Mizuno
Alexandra K. Brutus
Lauren Moscowitch
Samuel Wang
Da Hyun Chung
Jennifer Liebman
Mayra Rodriguez
Tina Chiu
Christina Laube
Stephanie Mawhirt
Emily Krecko
Samuel Eum
Viola
Melissa Mattern
Beth Vayshenker
Sarah Sterling
Leah Robinowitz
Melissa Lee
Kerry Conway
Jeffrey Kohn
Christopher Trow
Christopher Fiore
Macia Gravelding
Janet levins
Ted Gramiak
Violoncello
Emily Creo
Justin Wong
Heajung Kim
Nicholas Capone
John Choi
C. MacKenzie Wen
Daniel Copel
Contrabass
Elizabeth H. Bartlett
Serena Murray
Andrew Eiche
David Katz
�COMING EVENTS
Sunday, December 4 - University Wind Ensemble Holiday Concert I :00 p.m. - Oakdale Mall - free
Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free
Thursday, December 8 - Holiday Mid-Day Concert with faculty and
student performers - I :20 p.m. - Casadesus Recital Hall - free
Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00
p.m. - Anderson Center Chamber Hall - free
Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free
Wednesday, December 14 - Master's Recital: Donald Truesdail, string
bass - 8:00 p.m. - Casadesus Recital Hall - free
Spring 2006
Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00
p.m. - First Presbyterian Church, Chenango St., Binghamton - $14
general public; $12 faculty/staff/seniors; $6 students
Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson
Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6
students
Saturday, February 25 - University Symphony Orchestra: Concerto
and Aria Competition Winners - 8:00 p.m. - Osterhout Concert
Theater - $9 general public; $7 faculty/staff/seniors; free for students
Sunday, February 26 - Music for Cello, Plus: Stephen Stalker and
Friends - 3:00 p.m. - Casadesus Recital Hall - $9 general public; $7
faculty/staff/seniors; free for students
Thursday, March 2 - Mid Day Concert with faculty and student
performers - I :20 p.m. - Casadesus Recital Hall - free
Sunday, March 5 - University Wind Ensemble - 3:00 p.m. - Anderson
Center Chamber Hall - free
l
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:57;41:40
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243867&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243867&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243867&change_lng=en</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
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University Symphony Orchestra, December 3, 2005
Description
An account of the resource
Works of von Weber, Haydn, Tchaikovsky. Held at 8:00 p.m., December 3, 2005, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Stalker, Stephen
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-12-3
Rights
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In copyright
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https://omeka.binghamton.edu/omeka/files/original/327fb7a2933e57e86e532e9499c8b354.pdf
e383dbf29ce0da28802e09b47e817655
PDF Text
Text
UNIV
ARC
Recital
ta
pe
2005
12-2
SPEC COL
Flute Studio Recital
Friday, December 2, 2005
10:30 a.m.
Casadesus Recital Hall
Menuet and Spirit Dance ............................................................. Chrisoph Willibald Gluck
(1714-1787)
flute
Bauer,
Kelsey
Margaret Reitz, piano
Fantaisie Pastorale Hongroise, Opus 26 ........................................................ Franz Doppler
(1821-1883)
Kelsey Bauer, flute
Margaret Reitz, piano
Variations on a theme by Rossini ............................................................... Frédéric Chopin
(1810-1849)
Valerie Spiller, flute
Margaret Reitz, piano
The Fog is Lifting ............................................................................................. Carl Nielsen
(1865-1931)
Lauren Silinonte, flute
Margaret Reitz, piano
Berceuse .......................................................................................................... Gabriel Fauré
(1845-1924)
Lauren Silinonte, flute
Margaret Reitz, piano
Offertoire .................................................................................................... Johannes Donjon
(1839-1912)
Melissa Voldan, flute
Margaret Reitz, piano
�6/8 Dances for Solo Piccolo ....................................................................... Michael Isaacson
(b. 1946)
1. The Lydian Two-Step
2. A Sad Little Waltz
3. The Minute March
Melissa Voldan, piccolo
............................................ Ernest Bloch
Suite Modale ............................................................
(1880-1959)
Moderato
L'istesso Tempo
Allegro Giocoso
Charity Hung, flute
Margaret Reitz, piano
Suite for Flute and Piano ......................................................................... Norman Delio Joio
(b. 1913)
1. Improviso
2. Canon
3. Aria
4. Scherzo
Joanna Hunt, flute
Margaret Reitz, piano
Flutists are from the studio of Georgetta Maiolo
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Flute studio recital, December 2, 2005
Description
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Works of Gluck, Doppler, Chopin, Nielsen, Fauré, Donjon, Isaacson, Bloch, Dello Joio. Held at 10:30 a.m., December 2, 2005, Casadesus Recital Hall.
Creator
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Bauer, Kelsey
Reitz, Margaret
Spiller, Valerie
Silnonte, Lauren
Voldan, Melissa
Hung, Charity
Hunt, Joanna
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Binghamton University Libraries
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2005-12-2
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https://omeka.binghamton.edu/omeka/files/original/1268cdd6d16b8c06b29a4ec4c5eb7d6c.pdf
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BINGHAMTON
l
N I \
E R S I I Y
State University of New York
UNIVERS ITY PERCUSS ION
ENSEMB LE
Daniel Fabricius, conductor
Tuesday, November 29, 2005
8:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
•
OVERTURE FOR PERCUSSION ENSEMBLE ............. John Beck
BALALAIKA ...... ........ .................................................... Traditional
Arranged by William Cahn
A LA NANIGO ..... ... ............................................. Mitchell Peters
INTRODUCTION AND RONDO ........................ . Elliot Del Borgo
~INTERMISSION~
AUBURN RUN-OUT .............................................. Ernest Muzquiz
ENCORE IN JAZZ ............................................................. Vic Firth
CAN CAN, from Orpheus ... .. ............................. Jacques Offenbach
Arranged by Daniel Fabricius
�ABOUT THE COND UCTO R
DANIEL FABRICIUS took the post of Percussion Instructor at
Binghamton University in September 1992. He also has been
Director of Bands at Owego Free Academy since 1989. Fabricius
is an active performing percussionist in the Southern Tier. He is a
member of the Binghamton Philharmonic as well as
Timpanist/Principal Percussionist for the Orchestra of the Southern
Finger Lakes. In recent years, he also has performed as a
percussion soloist in chamber ensembles, in musical theater
productions and with a variety of nationally known artists. He
often performs as a freelance musician and as a member of the
local dance band "Classy Brass."
As a music educator, Fabricius holds professional memberships in
the New York State School Music Association, the International
Association of Jazz Educators, the Percussive Arts Society, and the
National Band Association. He also has served two terms as
President of the New York State Band Directors Association. He
has worked on the Summer Session faculty for the Ithaca College
School of Music and also serves as a cooperating teacher for senior
student teachers. He has conducted many honor band festivals,
presented clinics on a variety of music education topics, and has
adjudicated at music festivals throughout New York.
UNIVERSITY PERCUSSION ENSEMBLE
Ai Karasawa
Suzanne Kivel
Kristine Jackson
Doug Laura
Spencer Lo
Sedrick Myrtil
Pete Tringali
Mark Turley
�COMING EVENTS
Thursday, December 1 - Mid-Day Concert with faculty and student
performers - 1:20 p.m. - Casadesus Recital Hall - free
Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus
Recital Hall - free
Saturday, December 3 - Master's Recital: Erin Lahm, soprano - 5:00
p.m. - Casadesus Recital Hall - free
Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/stafli'seniors;
free for students
Sunday, December 4 - University Wind Ensemble Holiday Concert 1:00 p.m. - Oakdale Mall - free
Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free
Thursday, December 8 - Holiday Mid-Day Concert with faculty and
student performers - 1:20 p.m. - Casadesus Recital Hall - free
Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00
p.m. - Anderson Center Chamber Hall - free
Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free
Wednesday, December 14 - Master's Recital: Donald Truesdail, string
bass - 8:00 p.m.- Casadesus Recital Hall - free
Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00
p.m. - First Presbyterian Church, Chenango St, Binghamton - $14 general
public; $12 faculty/staff/seniors; $6 students
Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson
Center Chamber Hall - $14 general public; $ 12 faculty/staff/seniors; $6
students
Saturday, February 25 - University Symphony Orchestra: Concerto
Competition Winners - 8:00 p.m. - Osterhout Concert Theater - $9
general public; $7 faculty/staff/seniors; free for students
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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35:25:00
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University Percussion Ensemble, November 29, 2005
Description
An account of the resource
Works of Beck, Cahn, Peters, Del Borgo, Muzquiz, Firth, Offenbach. Held at 8:00 p.m., November 29, 2005, Anderson Center Chamber Hall.
Creator
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Fabricius, Daniel
Publisher
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Binghamton University Libraries
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2005-11-29
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4d00a032d6ae84a2557fdda11403e6c7
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UNIV ARC
Recit al
tape
2005 The Binghamton University Department of Music presents
11-20
University Symphony Orchestra
SPEC COL
2005-7 Concerto and Aria Competition
Sunday November 20, 2005
7:00 PM Casadesus Hall
Keyboard Division
Sun Hat (Candice) Che, Piano
Saint-Saens: Concerto No.2 (1st mvt)
Vocal Division
Julia Ebner, Soprano
Gounod: Jewel Aria from Faust
11
I
6
Michaela Lisi, Soprano
6
Dvorak; Song to the Moon from Rusalka
Soon Young Park, Baritone
·
Rossini; 'Largo al factotum' from Barber of Seville
6
Instrumental Division
Melissa Lee, Viola
Bruch: Romanze, Op. 86
Akira Maezawa, Violin
Bartok: Concerto No 2 (1st mvt)
Theresa Perrone, Clarinet
Bassi; Rigoletto Fantasy
BU Saxophone Quartet
Dubois: Concertino
Alisa Selman, Violin
Saint-Saens: Havanaise
David Henann, Trombone
Guilmant: Morceau Symphonique
10
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio discs
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36:28 ; 52:12
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2005-7 concerto and aria competition, November 20, 2005
Description
An account of the resource
Works of Saint-Saëns, Gounod, Dvorak, Rossini, Bruch, Bartók, Bassi, Dubois, Guilmant. Held at 7:00 p.m., November 20, 2005, Casadesus Hall.
Creator
An entity primarily responsible for making the resource
Che, Candice
Ebner, Julia
Lisi, Michaela
Park, Soon Young
Lee, Melissa
Maezawa, Akira
Perrone, Theresa
Selman, Alisa
Henann, David
Publisher
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Binghamton University Libraries
Date
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2005-11-20
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6a07823147c7dcfb1361d972712d1cfb
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BINGHAMTON
l ' N I \' E R S I T Y
State University
of New York
German Romanic Pieces
An Evening of Chamber Music
Patricia Sunwoo, violin
David Brickman, violin
Roberta Crawford, viola
Stephen Stalker, cello
Timothy Perry, clarinet
Michael Salmirs, piano
Saturday, November 19, 2005
8:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
Adagio in E-Flat, D. 897, "Nottumo" ... .................... Franz Schubert
for Piano Trio
(1797-1828)
Patricia Sunwoo, violin
Stephen Stalker, cello
Michael Salmirs, piano
Grand Quintet in B-Flat, Op. 34 .. .. ............... Carl Maria von Weber
for Clarinet and String Quartet
( 1786-1826)
Allegro
Fantasia
Menuetto-Capriccio: Presto
Rondo: Allegro giocoso
Timothy Perry, clarinet
Patricia Sunwoo, violin
David Brickman, violin
Roberta Crawford, viola
Stephen Stalker, cello
~INTERMISSION~
Piano Quartet in A, Op. 26 .................................... Johannes Brahms
Allegro non troppo
(1833-1897)
Poco Adagio
Scherzo: Poco Allegro
Finale: Allegro
Patricia Sunwoo, violin
Roberta Crawford, viola
Stephen Stalker, cello
Michael Salmirs, piano
�ABOUT THE MUSIC
Adagio in E-flat D. 897, for Piano Trio "Notturno"
Some time during the winter of 1822-23 Schubert became seriously ill
with the symptoms of syphilis, tantamount to a death sentence in those
days. And though there were extended periods of remission, for the
remaining six years of his life his health was permanently undermined. It
is, of course, dangerous to draw too close a parallel between an artist's
life and work. Even so, it is hard to deny that much of Schubert's music
from the last years, Winterreise, the late string quartets and piano
sonatas, the C Major String Quintet is suffused with a sense of
evanescence, an awareness of impending doom. Yet amid this darkening
inner landscape, the hedonistic, characteristically Viennese spirit of
earlier works like the Trout Quintet is never entirely lost. It permeates
the lyrically exuberant Piano Trio in B-flat probably composed during
the. late summer or autumn of 1827, a time when Schubert was also
preoccupied with the last twelve songs of Winterreise.
Conjecture surrounds the B-flat Trio, as it does so many of Schubert's
works. There is no surviving manuscript and therefore no exact
dating and the composer never mentioned the work in his
correspondence with publishers. But circumstantial evidence suggests
that it was written shortly before the Trio in E-flat, D. 929, whose
autograph bears the date November 1827. An investigation of the paper
type used for the autograph score of the Notturno D. 897, long accepted
as the original, discarded slow movement for the B-flat Trio, has
revealed that it is identical with the paper used in the autumn of 1827 for
the E-flat Trio and the finished copy of Winterreise.
If the Notturno (as titled by the publisher Diabelli) was indeed the
original slow movement of the B-flat Trio, we can only guess at
Schubert's reasons for jettisoning it. But while it makes a less ready
appeal than the Andante that replaced it, it uncannily prefigures the
Adagio of the C Major String Quintet, composed the following autumn.
The two movements realize consummately the vein of timeless,
contemplative ecstasy. Like the Quintet's Adagio, the Notturno presents .
a mesmerically sustained melody in close harmony in the inner voices
(violin and cello) against a plucked accompaniment in the treble and
bass, with the piano doing a fair imitation of a harp. And as in the
Quintet the contrasting central section moves to the key of the
Neapolitan second, a semitone above the tonic: E-flat to E Major.
Finally, like that in the Quintet, the coda contains a final harmonic
shudder (with a sudden crescendo) just before the closing bars.
by Richard Wigmore
�Grand Quintet in B-Flat, Op. 34
Carl Maria von Weber (1786-1826) was a generous contributor to the
repertory of the solo clarinet through his deep and abiding friendship
with the Munich clarinetist Heinrich Baermann. In addition to tonight's
Quintet, Weber completed two concerti, a concertino, a set of variations
and the Grand Duo Concertante. Weber toured Europe as Baermann' s
accompanist, and his complete familiarity with the possibilities of the
developing instrument are echoed in the rapidity with which the clarinet
works were composed. The Concertino was written in three days, the
Variations were written on the morning of its premiere (!), and the
splendid Quintet, although written over a period of four years ( 1811-15),
occupied probably not more than two weeks of the busy composer's
time. The work is clearly intended first and foremost as a tour de force
for the solo clarinet, although the string writing is well conceived and
effective. The opening allegro is a sturdy, sunny march whose jaunty
dotted rhythms would find an echo a century later in Bela Bartok's
Contrasts. Weber's natural gifts as an opera composer are put to use in
the aria-like second movement fantasia, culminating in two extended
chromatic scales at the outer dynamic edges of possibility. The third
movement Capriccio, while listed as 'Menuetto', is very much a
Beethoven-style scherzo with its 3/4 time constantly being re-organized
into 3/8 and 3/2 structures, its complexity balanced by a sweetly naïve
trio. The finale, a galloping presto in quick 2/4 is all flash, dash and
panache in which even the improved modern clarinet is pushed to the
edges of fleet-fingered virtuosity- but all in good fun.
By Timothy Perry
Brahms Piano Quartet in A, Opus 26
The Brahms Piano quartet Opus 26 was published in 1862, along with
the G Minor Quartet, just as the young Brahms was passed over for an
appointment to become director of the Hamburg Philharmonic Society.
He moved to Vienna and it received its first performance there. It is less
often played than its partner, the G Minor Quartet or indeed, the later C
Minor Quartet. This may be related to the fact that it is longer, and a
little less "obvious" in design and temperament than either of the other
two quartets.
Although the drama and deft use of short motives which Brahms derived
from his study of the works of Beethoven are ever-present, the dolcc
parts owe more to Schubert in terms of the lighter, more lyrical quality of
the music. This is particularly obvious in his piano writing.
�The Poco Adagio is the heart of this work. The exquisite use of offset
rhythm to convey a beautiful melody, which characterizes so many of the
composer's slow movements, is used to great effect here. More ominous
material is introduced, but he returns to the lovely melody, ending the
movement as atmospherically as it was begun.
The Allegro finale, like the wild Gypsy Rondo of the G Minor
Quartet, has energetic Zigeuner elements. This is particularly evident in
the way the piano chords are syncopated against the strings in the very
opening. Brahms quotes freely from his other movements and introduces
more thematic material before he brings the work to close with one of his
trademark grand symphonic finales.
By Patricia Sunwoo
ABOUT THE PERFORMERS
Canadian-born violinist PATRICIA SUNWOO made her New York
orchestral debut in 1995, performing Alban Berg's Violin Concerto at
Alice Tully Hall, and has since been active as a recitalist and chamber
musician throughout the United States. She has won prizes from the
Canadian Music Competition, Montreal Symphony Orchestra
Competition, and CIBC Festival of Music. As a member of the Whitman
String Quartet, winner of the 1998 Walter W. Naumburg Award, she
performed to critical acclaim across the United States, France and South
America. She has recorded works of Artur Schnabel and Michael
Whalen for labels CP 2 and Arabesque Recordings, and was aired by NPR
and Japan's NHK.
Recent engagements include appearances at
Carnegie Hall's Weill Recital Hall, Corcoran Gallery in Washington,
D.C., Bard College, Meadowmount School and L'Espace Pierre Cardin
in Paris. She has worked with composers John Corigliano, Joan Tower
and George Crumb, and given premieres with the Whitman Quartet,
Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo
is also an active advocate of music education, and has been a teaching
artist for the Midori Foundation, Da Camera Society of Los Angeles and
Carnegie Hall. In 2001, she joined the faculty at Binghamton University.
Her major teachers include John Loban in Vancouver, the Juilliard String
Quartet, and Sally Thomas at the Juilliard School, where she received her
doctorate.
�STEPHEN STALKER, cellist, teaches cello and double bass at
Binghamton University. He formerly taught at Colgate University,
Mansfield University, Ithaca College, and in the Binghamton City
Schools. He has performed extensively with the Catskill Chamber
Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in
concerts at Binghamton University. He plays with the Northeastern
Pennsylvania Philharmonic and was the principal cellist of the Cayuga
Chamber Orchestra in Ithaca, NY.
TIMOTHY PERRY, clarinetist, conductor and Professor of Music,
joined the Binghamton University faculty in 1986 as director of the
orchestral and wind ensemble programs and instructor of studio
conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree
from the Yale School of Music and a B. Mus. degree from the Manhattan
School of Music. Dr. Perry's more than two hundred programs include
ten seasons as Music Director of the Binghamton Community Orchestra
and as guest conductor of both the Catskill Symphony and Binghamton
Philharmonic orchestras. Perry is widely known as a virtuoso solo and
chamber music clarinetist, touring Latin America and the Caribbean as a
United States Musical Ambassador and appearing at international
festivals in Europe and Asia. He presented his third artist recital at an
International Clarinet Conference this past summer in Tokyo.
Pianist MICHAEL SALMIRS, a founding member and artistic director
of the Finger Lakes Chamber Ensemble is well known as a recitalist and
chamber musician performing extensively throughout the region. He has
appeared as soloist with the Corning Philharmonic, Binghamton
University Orchestra, Cayuga Chamber Orchestra, and has been a
featured pianist on their Sunday chamber series. As a performer of
contemporary music, he has participated in such series as Binghamton
University's Musica Nova, Cornell University's Ensemble X, and has
toured and recorded for the Syracuse Society for New Music. Salmirs
studied at the New England Conservatory and Eastman School of Music;
his teachers have included pianists Leonard Shure and Rebecca Penncys
and composer Karel Husa. Salmirs has taught at the Syracuse University
School of Music and Hobart and William Smith Colleges. He is currently
a faculty member at Binghamton University and Affiliate Artist at
Cornell University. He maintains a private piano studio in Ithaca and
enjoys teaching students of all ages and levels.
�DAVID BRICKMAN enjoys a diverse career as soloist, chamber
player, and orchestral musician. Prior to joining the Rochester
Philharmonic Orchestra in 1989 as its principal second violinist, he was a
member of the Columbus Symphony Orchestra and associate
concertmaster of the Honolulu Symphony Orchestra. He is concertmaster
of the Rochester Chamber Orchestra, has toured the United States and
Europe with the Pittsburgh Symphony Orchestra and Lorin Maazel, and
has performed and recorded as acting concertmaster of the Milwaukee
Symphony Orchestra. Mr. Brickman plays for the Rochester Society for
Chamber Music, the Seal Bay Festival of American Chamber Music in
Vinahaven, Maine and is a founding member of the Ithaca-based Finger
Lakes Chamber Ensemble. He is a frequent soloist with the Rochester
Philharmonic and Rochester Chamber Orchestras and has appeared with
the Albany Symphony and Savannah Symphony Orchestras among
others. He is a featured soloist in a performance of Vernon Duke's jazz
standard "Autumn in New York" on the RPO's 75th Anniversary CD
and has recorded several works of 20th century chamber music for the
Milken Foundation.
l
ROBERT A CRAWFORD, violist, performs extensively as a recitalist
and chamber musician. As Associate Director and a founding member of
the Finger Lake Chamber Ensemble, Crawford has participated in
over one hundred solo, chamber, and lecture recitals presented by the
ensemble since its formation in 1990. She has performed with the
Catskill Chamber Players, appeared frequently on the Cayuga Chamber
Orchestra's Sunday Chamber Music Series and has been a guest
performer with the Ariadne String Quartet. Crawford has played with the
Portland and Syracuse symphonies and is Associate Principal Violist for
the Cayuga Chamber Orchestra. An advocate of new music, Crawford
has premiered numerous works featuring viola and has had sevetalworks
dedicated to her. She has participated in music festivals throughout the
United States and in the Caribbean and has appeared in live performance
broadcasts for public radio and television. A dedicated teacher, Crawford
has served as clinician, coach, and adjudicator for numerous music
organizations and is Director of ViolaFest at Binghamton. She has been a
guest faculty member at Phillips Academy, the Quartet Program, Ithaca
College, and the Eastman School of Music and is currently Coordinator
of Strings at Binghamton University.
�COMING EVENTS
Sunday, November 20 - Concerto & Aria Competition Auditions - 7:00
p.m. - Casadesus Recital Hall - free
Tuesday, November 29 - University Percussion Ensemble - 8:00 p.m. Anderson Center Chamber Hall - free
Thursday, December 1 - Mid-Day Concert with faculty and student
performers - 1:20 p.m. - Casadesus Recital Hall - free
Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus
Recital Hall - free
Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors;
free for students
Saturday, December 3 - Master's Recital: Erin Lahm, soprano - 5:00
p.m. - Casadesus Recital Hall - free
Sunday, December 4 - University Wind Ensemble Holiday Concert 1:00 p.m. - Oakdale Mall - free
Sunday, December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free
Thursday, December 8 - Holiday Mid-Day Concert with faculty and
student performers - 1:20 p.m. - Casadesus Recital Hall - free
Thursday, December 8 - Harpur Chorale and Women's Chorus - 8:00
p.m. - Anderson Center Chamber Hall - free
Sunday, December 11 - Master's Recital: Kathryn Boczar, soprano 7:30 p.m. - Casadesus Recital Hall - free
Wednesday, December 14 - Master's Recital: Donald Truesdail, string
bass - Casadesus Recital Hall - free
Sunday, February 12 - Organist Jonathan Biggers: Bach Again! - 4:00
p.m. - First Presbyterian Church, Chenango St., Binghamton - $14
general public; $12 faculty/staff/seniors; $6 students
Sunday, February 19 - Pianist Michael Salmirs - 3:00 p.m. - Anderson
Center Chamber Hall - $14 general public; $12 faculty/staff/seniors; $6
students
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
German Romantic pieces: an evening of chamber music, November 19, 2005
Description
An account of the resource
Works of Schubert, von Weber, Brahms. Held at 8:00 p.m., November 19, 2005, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Sunwoo, Patricia
Brickman, David
Crawford, Roberta
Stalker, Stephen
Perry, Timothy
Salmirs, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2005-11-19
Rights
Information about rights held in and over the resource
In copyright
Format
The file format, physical medium, or dimensions of the resource
2 audio discs