22 10 1775 https://omeka.binghamton.edu/omeka/files/original/39035bf59e0fa56260af6db1ae0ccc32.pdf bf21bb48931cf971f1f51164eabe0c1c PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC University CHORUS David L . Buttolph, con ductor December 5 , 1974 8 : 1 5 PM Don A . Wat t e r s T h eat e r �BERENICE BRAMSON, SOPRANO PROGRAM NOTES MAGN IFICAT I N D , JOHANN SEBASTIAN BACH The ﬁ rs t Christmas at Leipzig gives a good idea of the creative fury that possessed Johann Sebastian Bach. On each of the three feast–days he not only oﬀered a new cantata, but also, in the vesper service, his new Magniﬁcat was performed Magniﬁcat is one of the few works that Bach composed on a Latin text, here using Mary ’s hymn from the Vulgate which ends with the familiar doxology, ‘Gloria Patri.‘ To this setting Bach added four independent pieces, based partly on German, partly on Latin texts he (Bach) found in a Christmas cantata by Johann Kuhnau, his predecessor in Leipzig. The ﬁrst, a four–part motet based on the Lutheran Christmas song, ‘Vom Himmel Hoch'; the second, ‘Freut Euch und Jubiliert’ (Rejoice and be glad) set for three–part women ’s voices and tenors ; the third employs the liturgical text “Gloria in excelsis Deo ’ and is set for ﬁve–part chorus ; and the fourth is a duet for Soprano and Bass soli, ‘Virga Jesse Floruit’ which speaks of the coming of our Lord in the likeness of man in vocal lines of unusually long and melismatic character. In 1730, Bach revised this version of Magniﬁcat and changed the key from E ﬂ a t to B, a more suitable transposition for trumpets. He also added ﬂutes and removed the four additional pieces. As a result, they are usually omitted from modern performances. However, because they are particularly imbued with the Christmas spirit and bring the monumental character of the main work into full relief, we take pleasure in including them in tonight’s performance. GLORTA, FRANCIS POULENC Francis Poulenc was a member of the renowned French group ‘Les Six’ who are Berenice Bramson was born in Omaha, Nebraska, where she began serious study of the piano with Enid Lindborg, a pupil of Ernest Hutcheson. She came east to continue her piano and academic studies at Hunter College, New York University and Columbia. The young planist’s voice was soon discovered and she began her vocal studies with Boris Voronovsky. She also studied and coached with such famous musical ﬁgures as Pierre Bernac, Estelle Liebling, Paul Ulanowsky and Fausto Cleva, acquiring her unparalleled repertoire of lieder, orchestra works, operatic roles and chamber music works Of her New York recital in March 1973, Peter Davis wrote in the Times: '"Very rarely does an unheralded singer appear in Carnegie Recital Hall who can stand comparison with international superstars. On the basis of her concert Sunday night, Berenice Bramson can match talents with any soprano recitalist before the public today.” c known for their violint reaction to the aesthetic ideals of the pre–war generation of composers. Choral music always had a great attraction for Poulenc and many of his compositions in this ﬁ eld are of a religious nature. Gloria, written in 1959, was commissioned by the Koussevitzky Foundation and ﬁ rst performed under Charles Munch in January, 1961. : Whether writing for orchestra or voices, the art of Francis Poulenc is pre– eminently vocal. He combines in his Gloria a sure instinct for grace and elegance with a profound understanding and rendering of the more serious undertones of his text. Program notes by Andrea Birnbaum 1 0 i v o �PROGRAM Freut euch und j u b i l i e r t GLORIA FRANCIS POULENC Et misericordia 1899 – 1963 Gloria Laudamus te Domine Deus ALMA PONCE, contralto KEVIN MCPERMOTT, tenor Domine ﬁ l i unigenite Fecit potentiam Domine Deus, Agnus Dei Qui sedes ad dexteram patris Gloria i n e x c el s i s Deo BERENICE BRAMSON, soprano Deposuit p ot e n t es RAYMOND LARZELERE, tenor INTERMISSION Esurientes i mp l evi t bonis ALMA PONCE, co n tra l to MAGNIFICAT IN D JOHANN SEBASTIAN BACH Virga Jesse ﬂ o r u i t 1685 – 1750 Magniﬁcat . Et e x u l t a v i ESTHER PETTENGILL, soprano LARRY ZUKOF, baritone His t s p i r i t u s meus Suscepit Israel ALICE WEINTRAUB, soprano VomHimmel hooh Steut locutus e s t ) . roi . Quia resp e x i t humilitatem Gloria patri . BEVERLY PENN, soprano Ommes generationes With th e par ticipation o f th e Harpur Chorale Quia f e c i t mihi magna GARY LEVINE, basso 3 4 = A �THE HARPUR CHORALE David Buttolph, Direc tor Richard Berent, Asst. Conductor PERSONNEL SOPRANO Judi Kahan Deborah Lemon Chris Scott Paula Vanco Amy Beech Lauren Fleischer Laurie Goodheim Karen Haight ALTO Karen Adler Leslie Green Susan Hitchens Joan Jurich Jeanette Murphy Barbara Savage Linda Shaw Joy Smucker Andrea Birnbaum Molly Cargile Cheryl Choy Karen Clute Susan Glass Tenor Amy Adams Lori Alcon Cathy Castiglia Mary Davis Shelley Drazen Judith Elkin Jeanne Falinski Lois Fischthal Rachel Gardner Isobel Gavin Ellen Goldstein Laurie Goodheim Denise Griﬀith Roni Gross Grace Houghton Bernadine Berock Kensinger Wendy Kleinman Danette Lipton Grace Mehl Nancy Roper Ruth Roper Andrea Birnbaum Georgina Bruce Clara Budin Molly Cargile Cheryl Choy Karen Clute Joan Ebblie Margo Gelber Miriam Gilbert Susan Goldfarb Bette Goldwert Zack Bowen Robert Frankel Lee Gartenberg Alan Hymowitz Ian Kirschner Mark Lanze Robert Lischetti Tom Nytch Richard Ossias Stuart Silverman Stephen Straight Jud Wallis Floyd West Christine Scott David Rosenman Rich Ossias Jeﬀrey Taxman Howard Weinberg Leslie Green Ilene Grueneberg Nancy Julius Rhonda Klein Tsu Ning Ko Sue Lawson Judy Levine Marilyn Milkman Helen Ottaway Regina Rosenberger Dinah Ross Jane Shear Judith Solheim Margaret Starke Amy Zelenetz OFFICERS – UNIVERSITY CHORUS 1974–75 Andrea Birnbaum Michael Lamberta Sue Lawson Laurie Goodheim Amy Zelenetz BASS David McKenas David Mose W. Gregory Nissen Russell Senti Barry Shpizner John Tuttle Richard Bartmon Richard Berent Richard Briggs Michael Lamberta Geoﬀrey Magee Kenneth Martin Alto Lisa Serradilla Jodi Silbiger Susan Smith Noreen Spota Louise Ulrich TENOR Roger Cruttenden Richard Kaskan Ian Kirschner Kevin McDermott Soprano President Vice–President & Librarian Secretary Treasurer Publicity Chai–Kyu Mallinson, accompanist Bass Lynn Aylesworth Richard Berent Peter Bolan Donald Borsh Ian Cain Douglas Charles Richard Davis David Hanson Mark Karpman Michael J. Lamberta Thomas Lamphere Michael Little Andrew McKim David R. Mose Roger Norton Malcom Ottaway Mark Perlin Michael Pierce Larry Roth Russell Senti Steve Smith Roger Stein John Vineall Richard Mallinson Special thanks are owed to the voice faculty and to Barbara Garges for assistance in preparation of soloists. 6 5 J �ORCHESTRA PERSONNEL Violins Cellos Horns Mary Reynolds, Concertmistress Masako Matsumoto, Principal second Andrea Andros Mary Barton Janet Brady Craig Weaver, Principal Howard Cohen Myra Greenstein Kris Gunn David Heiss Seth Jacobs Tom Shaw Tracy Slack Steven Stalker Holly Wilson Robin Jackman Ellen Loring Barbara Quick Kenneth Steiger Rosa Campa Paul Childs I l r“I l I n l Diane Feigin Gregory Fulkerson Oscar Maxyell Susan Mitchell Elmar Oliveira Rita‘orzelek Cheryl Page Norman Reid Robert Seletsky Dinah Voorhies A lexandra Werb i zky Lydia Werbizky Violas Bassoons Lois Chantry Marsha Pivarnik Contrabassoon Ed Wadin Basses Trumpets Richard Thomas Dominique Hyatt Brian King Allan Winans Steve Winans “Flutes Trombones Fran Shafer Susan Clarvit Merrell Weiss Dennis Martin Grant Sullivan James Magacs Ron Carbone, prineipal Larry Bradford Barbara Gorin Carol Hutter Carol Isaacson Janis Lubinsky Sandra Robbins Jeanne Woodruﬀ Geoﬀrey Brooks Piccolo Harp Merrell Weiss Barbara Irish Harpsichord Oboes Chai–kyu Mallinson Nancy Ranger Eliot Friedman Geoﬀrey Barron English Horn Geoﬀrey Barron lu M x{ Personnel Manager Clarinets Percussion Geoﬀrey Barron Wendy Osteyee Joyce Rose Martin Ricciardi Bass Clarinet Donald Naiolo 7 I [ Tuba Tom Wood � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:59:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243396">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243396</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, University Chorus, December 5, 1974 Recital tape 1974 12-5 Description An account of the resource Works of Poulenc and Bach. Held at 8:15 pm, December 5, 1974, Watters Theater. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-12-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/ed2e883f67959182a88b2050bdbc9294.pdf f4b3e67657538e501071e8d3a2c752b9 PDF Text Text • • Ha·r pur Coll,e ge Orchestra w I May 21, 1965 Note iS ----·- -, Vivaldi is remembered today chi,e fly fo,r his i.nstrumental works., ·b,u t he was a prolifi,c ,c ,o mposer in all genres. a brilliant violinist, and the p,rofessor of vio,l in and ma.estro dei co,ncerti. (fro:m 1.716) at the Ospitale della Pi,e ta in V•e nic,e (a ·conservatory fo,r foundling girls),.. It was in the latter capacity that he composed his numero·u s co,n certi gros.s i, concerti ripieni, an,d solo, concerto,s. (,o v,e r 40 0)·, for h,e had to, provide his students c,o ntinuously with fresh. material.. The C•o n.certo in E. Minor, found in manuscript in Turin,, demonstrates a. half-way point b,etween t.he c,o ncerto grosso with its-two o,p posing g .r oup,s and t .h.e opera_,o vertur,e or sinfonia,, for it has, neither solo parts n.o r introduces an opera. Thus it falls in a. category designated by Vivaldi as a. con,c erto ripieno•, in which the fo,u r string sections are ,e ,q ually bal.ance•d and poly·p ho:n ically used. The first an,d last movements, of this parti cular wor·k. a.re very contrapunt.a l, while th.e se,c ,o n.d mo,v e ment is lyric an.d..homophonic. A. proof of the individuality and. pro,v ,o cativ,e character o,J Vivaldi 1·s works lies in the fact th.at ,J . S. Bach later u,s ed many of them as raw material for his ,o·w n compositions . Vi va1di himself o,f ten us·e d his own them.e s mo,re than once and anoth.e :r concerto of .h is •o pens with a theme very similar to the first theme ,o f the first movement in this wo.r k. His themes are often characterize·d by repeated notes while· .hi.s gen,e ral style is ide:n tifiable by its rh.y thmi.c drive a.n d. vitality. 1 w ·ag.n ,e r composed the Siegfried Idyll in 1870 as a b,i rthday p:res.ent to his wife Cosima and it was perf',o r:m ed. as a ,s erenade by a sm.a ll or,c hestr.a on the stairway ,o,f their home. One of the few pi,e c,e s of 11 absolute" music Wagner-- wrote, it is 'b ased on two the.m es he had written ,e arlier in 1864 and had intended for a string quartet . The pie,c e is scored fo,r strings,. flut.e, oboe~ 'b,a soon, trumpet,, 2 clarinets, and 2 ho,rns,, and is delicately an.d intricately orche strated. Although. written i.11 one movem.e nt it has several .s ,e ctions ·p resenting a vart-ety of moo,ds an.d textures. One of the most prolific composers flourisl1ing ,d uring the first half of the eighteenth ce11tury, Georg Philipp Telemann (1681-1767), composed over 170 concertos, besides numerous other works ranging fr,o m. ope ras to fantasias for solo violin. His fame as a com.p ose.r and particularly .a ,s a ,c ontrapuntalist spread throughout E·urope, and twi,c e· he was given precedence over Bach in b,eing off,e r,e d positio,n s. (It was o.n ly after he and a second choice ha.d refused the coveted post of twon music dir,e ctor and cantor of the Thomassch.ule a.t L •e·ipzig th.a t Bach was offered this position . ) Telema.n.n . serv,e ,d a.t Ha.m.b,u.rg fr,o m 1721 until his ,d eath as town music di.rector, composing and directing operas) passionsJ cantatas., an,d. v.a rious ch.a mber ensembles. His w·orks reflect many diverse influences inclu.ding the orn.a te Italia.n opera 1 the French suite 1, tl1e polyphonic ,c oncert,o gro:s so, and the simpler, folk-like d.iv·e rtiment!:>. This c·o ncerto d:e rives its form from the B.a roque S·o nata da. cch i.esa o,r church sonata with four· mo·v ements of .a .lternating tempi , th,e first and third being ,s low, th.e fo,rmer in duple and th,e latter in. triple m ,e ter. It also ,c ontains elements of the concerto gro,ss,o , in wh.ich two groups of different siz•e are contrasted;: here the oboe takes the place of the smaller g·roup (con.c ertino,),, wh.i.ch is pitted against th·e main b,ody of strings (the ripieno),. Haydn co,m pose,ci the Symp,h ony No. 99 in 1793-94 ,d u.r in.g the inte.r im between his two t .r ips to Lon,d o.n . This wa.s the ,s eventh of the so-call ed. "London Symph.o,n ies 0 --Nos . 93-104- •-· written fo,r th.e imp,ressario Salomon, who had .a rrang,e d Haydn's visit to London an.d conducted his con.c ert series there. It is the first symph.o.n y in which H.a ydn used the clarinet altho·u gh 'h e ha,d used it pr,e viou.s ly in oth,e r works. Th·e first movement o,p,e ns with a slow ·introducti.,o n followed by an allegro in so,n .a ta :form... The ,s ec.on,d theme upon whic.h the development se ,c tion is based proves to b,e ,o f great,e r significance tha.n the ftrst theme,. and. th.e recapitulatto:n continu,e s to dev,e lop and expand this subj•e ct m .a tter. Th•e second. movement is cast in a de,e per, .m :o.r e meditative mo,o dt co,n trastin.g sharply with th,e gayj, folklike quality of the minuet . The contrapuntal ,c har.a cter of the last movement,, calling fo·r fugue -like ii.mitati,o n at breathless spe·ed. forms a fittin.g and joyful climax to the work. 1 STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur Co,I le ge· ***Th•e Ha.r pur Colleg·e Orchestra*** Fritz. Wa.llenberg, Condu,c tor F ril day,. Ma.y 21 8:15 P . M. Harpur Theater �• The Harpur Coll,e ge ,o rchestra ____P'ROGRAM ________ ___ _____ Violin I F ,e nimore, P 'a ula - Concerlma.s t,e r Is.ham., Patricia Prytula, Christine , , C ,o n ,c e rto in e •- min ,o r for strin.g ,s . . . . . . . . Ant onto Vival ,d i (1678 - 17',41) . ·R obb,ins, N:ancy 1 • Bas,s. Duroche., Leo, Flutes Jack.s on, :M argaret Wallenb,,e rg,, Marianne Walls, Anita Cohn, Debbi.e ,Q boe ' Allegr ,o, moderato Andante Allegro Siegfried Idyll. lil!f, •111 ll!llli i l o i ! 1 1 j j1 ll!l •ji; 1• 1 .. • 1111 1 19111 '• • ' I ., ,• • Richard Wa ,g ner (18,13 ... 188 .3 ) 1 Conc ,e rto for ·O boe and strings in •e -minor ... ,G eorge Philipp Telemann (16, 81 ... 1767) Andante Violin. II Blauser, Henry Duda,, G.r ances Gaylord, Anne Gothe lf, 1S arah Grup:s m.ith, ,Q,e,o rg,e Loewenstein., Fr'itz Pow·a.zek., Irene Viola Colto•n , .R usse 11 C•o lt,o n, Mart'h.a Sajor·, Laurie· - Cello, Battin, William Grub,er, Kathy Livings.tone .,, Christin':! Zimmerm.a n. Susan Allegr ,o m •o lt ,o, Largo Mohn, Abigail S,t olarc.y k, Ri cha.rd Clarinet - A--.; .rt _-' h ur A-._b rah_ams, Duncan,. Candy . - ~--: -- ··1,·· 1 _- --- -1, - B assoon Walk.e r, Stephen Eddy, Scott Fren.c h Hor.n Evansohn, Jo,h n McC,o o,1, Martha Trumpet Mayer, .J ack Backlund, Fr,e d Timp.a ni . lac.o v,a z z.i, F rar1k Alle ,g ro Continuio Ro•b bins,, Do,n ald Ha:r psicho•r d: Courtes,y of Do,n ald Robbins Solo•is.t: .L aila Storch INTERMISS,I ON Sym ·p hony No . 99 ., l ll e -flat m.a.jor. . t ; t , 1 1• • i . •• . Joseph Haydn (173 .2 - 18 09) 1 Adagio; Vivace assai Ad ago Me,nuetto Allegrett ,o Vivace • I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54398">Concert Recital Tape</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, 1965-05-21 Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Works by Vivaldi, Wagner, Telemann, and Haydn. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vivaldi, Antonio, 1678-1741 ; Wagner, Richard, 1813-1883 ; Telemann, Georg Philipp, 1681-1767 ; Haydn, Joseph, 1732-1809 ; State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-05-21 Rights Information about rights held in and over the resource This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019618952 ; 39091019619000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:26:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243681">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243681</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Charles Munch, June 11, 1973 Recital Tape 1973-6-11 Creator An entity primarily responsible for making the resource Munch, Charles Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 6/11/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:33:11 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243690">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243690</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Clemens Krauss, July 3, 1973 Recital Tape 1973-7-3 Description An account of the resource Works of Strauss and Brahms. Creator An entity primarily responsible for making the resource Krauss, Clemens Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 7/3/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/8b23fee4c86ca4bbd6e21ad34cda7de4.pdf 46fc2ee3f0c3df7a5529accfa7a714a5 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC HARPUR CHORALE DAVID L. BUTTOLPH, director April 6, 1975 8: 15 PM Don A. Watters Theater �3 2 PROGRAM to be selected from the following NOTES I GIVE THANKS UNTO THE LORD ROBERT STARER 1924- CHARLES IVES SERENITY Diane Poe, soprano John Tuttle, piano KYRIE, GLORIA and CREDO from Mass for Double Choir 1874-1954 CHARLES IVES Words by John G. Whittier, American Quaker poet, editor and journalist. A setting of the 3rd and 4th verses of a text normally associated with the hymn by Frederick Maker, 'Dear Lord and Father of Mankind'. FRANK MARTIN 1890- II LAMENTO D'ARIANE SERENITY CLAUDIO MONTEVERDI LAMENTO D'ARIANE MONTEVERDI Leave me to die; whom do you want to comfort me in this cruel fate, in this great trial. 1567-1643 AH, DEAR HEART ORLANDO GIBBONS REGGEL GYORGY LIGETI 1583-1625 THE LOW BACKED CAR Quoted at the end of the Eumaeus Chapter of "Ulysses" by James Joyce SAMUEL LOVER IN PRIDE OF MAY THOMAS WEELKES 1575-1623 I WILL GIVE YOU THE KEYS OF HEAVEN CHESHIRE COUNTY SONG Joan Jurich, mezzo soprano Kevin McDermott, tenor It is dawn, the churchbells are striking, The mist has whitewashed everything, Crocuses rustle, cocks crow It's morning! A beautiful morning. �4 5 III GYÖRGY LIGETI REGGEL 1923- THE HARPUR CHORALE David Buttolph, Director 1882-1967 Amy Beech Cindy Carter Judi Kahan Diane Poe Ruth Roper Chris Scott Margaret Donelian Lauren Fleischer Laurie Goodheim Karen Haight Nancy Roper Sarah Whitmore ZOLTÁN KODÁLY MOUNTAIN NIGHTS SOPRANOS arr. LAJOS BÁRDOS UNGARESCHA 1899IV ALTOS Karen Clute Sandy Gerber Vicky Gordon Leslie Green Marge Millan Nancy Perkins Joy Smucker Karen Adler Molly Cargile Cheryl Choy Susan Glass Joan Jurich Jeanette Murphy Linda Shaw (with apologies to G.F. Handel) Dennis Burge, piano Richard Berent, conductor TENORS 1756-1791 Karen Haight, Sue Glass Lamberta David Rosenman, Michael solo quartet with Russell Senti BASSES Richard Berent Richard Briggs Doug Charles Ken Martin Barry Shpizner John Tuttle Richard Bartmon Dennis Burge Michael Lamberta Geoffrey Magee Russell Senti Richard Wiebe Russell Senti Sandy Gerber David Roseman Susan Glass Howard Weinberg OFFICERS President Home Area Manager Tour Manager Secretary Treasurer W. A. MOZART TRINK KANON Ian Kirschner Robert Sarachan Arthur Sherry Howard Weinberg Roger Cruttenden Kevin McDermott Rich Ossias David Rosenman RELY-HUTCHINSON OLD MOTHER HUBBARD GREGORY NISSEN JABBERWOCKY Margaret Donelian, soprano Dennis Burge, piano V Jeanette Murphy Richard Ossias Molly Cargile Michael Lamberta Librarian Publicity Women's Wardrobe Men's Wardrobe I HEAR A VOICE A PRAYIN' BYE AN' BYE HOUSTON BRIGHT arr. DAVID BUTTOLPH Leslie Green, contralto EZEKIEL SAW DE WHEEL Arthur Sherry, tenor WILLIAM L. DAWSON �Next choral event ..... UNIVERSITY CHORUS AND ORCHESTRA David Buttolph, conductor program. ..... Vaugh Williams Stravinsky Holst Toward the Unknown Region Symphony of Psalms Hymn of Jes us (with the Harpur Chorale) Monday, May 5, 19 75, 8: 15 PM Don A. Watters Theater General Admission, $1 Students free with ID � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 25:08 24:50 21:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243445">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243445</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Harpur Chorale, April 6, 1975 Recital tape 1975-4-6 Description An account of the resource Works of Starer, Ives, Martin, Monteverdi, Lover, Buttolph. Held at 8:15 pm, April 6, 1975, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-4-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6f2d030e73f50092c64cc048c4c14177.pdf 771bfc2537ce409b359fe1d1967684bb PDF Text Text STATE UNIVERSITY OF NEW AT YORK BINGHAMTON Harpur College Department of Music Alfred Clinton Morris, conductor DON A. WATTERS THEATER APRIL 18, 1975 at 8:15 PM �THE HARPUR SYMPHONY ORCHESTRA ALFRED CLINTON MORRIS, Conductor Beverly Penn, guest soloist ORCHESTRA PERSONNEL FIRST VIOLINS BASSES TRUMPETS Mary Reynolds Mary Barton Gregory Fulkerson Andrea Andros Elmar Oliveira George Myers Bruce Berg Paul Goodman Robert Provell Lydia Werbizky Oscar Maxwell Richard Thomas Michael Sanders Debra Neu Dominique Hyatt Steve Winans Alfred Szymaniak SECOND VIOLINS PICCOLO Nancy Julius Jean Puleo Rosa Campa Norman Reid Susan Mi tchell Janet Brady Alexandra Werbizky Paul Childs Cordula Rosow Merrell Weiss ORGAN TROMBONES FLUTES Sharon Kosakoff Jane Gottlieb Merrell Weiss Richard Gower Daniel Addison James Magacs CONCERTO GROSSO IN F MAJOR opus 6, no. 2 ARCANGELO CORELLI (1653-1713) Allegro, adagio, allegro, largo andante Allegro Grave, andante largo, allegro HARP Mary Reynolds, violin Jean Puleo, violin Craig Weaver, cello Deborah Lemon OBOES TYMPANI Eliot Friedman Geoffrey Barron Janet Ziebur Kent Oldfield PERCUSSION VIOLAS ENGLISH HORN Judy Geist Geoffrey Brooks Larry Bradford Barbara Gorin John Dexter Carol Isaacson Sandra Robbins Jeanne Woodruff Geoffrey Barron Keith Martens Roy Weinberger Cindy Baldwin CLARINETS PERSONNEL MANAGER Paul Ketchoyian Anne Stern Geoffrey Barron ORCHESTRA OFFICERS BASSOONS CELLOS Craig Weaver David Heiss Tom Shaw Holly Wilson Steven Stalker Seth Jacobs Dan McIntosh Myra Greenstein Howard Cohen Tracy Slack soloists: Louis Papastrat Lois Chantry HORNS Martin Burki Kenneth Weissman Rebecca Miller Kenneth Steiger Geoffrey Brooks, president Paul Ketchoyian, vice-president Carol Isaacson, secretarytreasurer KNOXVILLE: SUMMER OF 1915 opus 24, for soprano and orchestra SAMUEL BARBER (1910-) Beverly Penn, soprano INTERMISSION INTERMEZZO SINFONICO from the opera Cavalleria Rusticana SLAVONIC DANCES, opus 46 PIETRO MASCAGNI (1863-1945) ANTONIN DVORAK (1841-1904) No. 1 Presto No. 2 Allegretto scherzando No. 3 Poco allegro No. 6 Allegretto scherzando .No. 7 Allegro assai No. 8 Presto �loved deeply the folk Dvorak, intensel y nationa listic a s h e was, influenc ed his own it and music of his native Bohemia (Czechoslovakia), music profoun dly. The Slavonic Dances are represen t a tive, they are charact eristic, they are nationa lly express ive. They reflect t he temperam ent of the He knew his Czech people as perhaps only Dvorak has s ucc eeded in doing. folk music, but, more i mportan t, he knew his peop le, possib ly from his Iong yea rs of experien ce as a menial lab orer, a b utcher-b oy, and as a singer, violini st, trumpete r, violist and organts t in coffee houses, inns, houses of worsh ip and opera houses. Paradox ically, the Dances contain little or no melodic elements of Bohemian folk song or folk dance. Dvorak did not use his nat i ve folk music; he created a fol k music. The melodie s embodied in these dances are munerou s and bewitch ing. They are, with the exceptio n of a few measures than the Bohemian s. here and there, origina l with Dvorak, and more Bohemian True, he did employ charact eristic idioms, and such enga ging and familiar rhy thms as the furiant (a rapid f iery dance in 3/4 time) and t he polka, and such marks and manneris ms of Boh emian folk song as would indubita bly identify this music. But it is music made of the essenti al spirit of the Slavic races, rather than merely an interp retation of the outward manifestatio ns of that s pirit. The Slavonic Dances are whimsic al, nostal gic, plaintiv e, melancholy, joyous, light- or heavy-fo o ted by turns. They are profound in the the ch aracter and temnerament of the bes t sens e, in t hat they explore and they a re ully unpreten tious, beautif compose r's people. They are elabora te, or studied however music, univers a lly appealin g . Can any accompl ish a more des irab le end? Notes by Charles O'Conne ll � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:46 37:56 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243458">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243458</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Harpur Symphony Orchestra, April 18, 1975 Recital tape 1975-4-18 Description An account of the resource Works of Corelli, Barber, Mascagni, and Dvořák. Held at 8:15 pm, April 18, 1975, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-4-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f463c769a396c17e0c89dbea7ba0566c.pdf 95672fdbdc413c3bd5032638d501291d PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Harpur Symphony Orchesta Judith Somogi, conductor guest a r t i s t ; Judith Anthony, soprano Friday, February 27, 1976 8:15 pm Soetal Room �FORTHCOMING EVENTS Dennis Burge, piano recital Concert Series : Toby A ppel , vio la A l Hamme, saxophone Paul Jordan, piano 2 9 Margaret Donelian, voice recital Mar 2 Judy Geist, viola recital Feb 28 29 5 12 l W A G N E R : W E S E N D O N K L I E D E R Miriam Brickman, piano drama Balkan concert 13 Concert Series : The Lenox Quartet 1 4 Wind Ensemble concert 2 0 Diane Pendleton, piano r ecita l 27 Sandra Robbins, viola recital Apr 4 Jazz Ensemble concert 5 Chorus and Orchestra concert 2 4 Concert Series : The Lenox Quartet 2 5 Wendy Simpson, piano recital 27 Marriage of Figaro 2 8 Co llegium Musicum concert 2 9 Marriage of Figaro May 1 Marriage of Figaro 2 Seymour Fink, piano r ecita l I. Der Eng el In der Kindheit frithen Tagen hort’ ich oft von Engeln sagen, die des Himmels hehre Wonne tauschen mit der Erdensonne, dass, wo bang ein Herz in Sorgen schmachtet vor der Welt verborgen, dass, wo still es will verbluten, und vergehn in Tranenﬂuten, dass. wo briinstig sein Gebet einzig um Erlosung ﬂeht, da der Engel nieder schwebt, und es sanft gen Himmel hebt. Ja, es stieg duch mir ein Engel nieder, und auf leuchtendem Geﬁeder ﬁthrt er, ferne jedem Schmerz, meinen Geist n un himmelwa rts. II. Stehe Still! Sausendes, brausendes Rad der Zeit, Messer du der Ewigkeit; leuchtende Sphéren im weiten All, die ihr umringt den Weltenball ; urewige Schépfung, halte doch ein, Genug des Werdens, lass mich sein! Halte an dich, zeugende Kraft, Urgedanke, der ewig schaﬀt! Hemmet den Atem, stillet den Drang, schweiget nur eine Sekunde lang! Schwellende Pulse, fesselt den Schlag ; Ende, des Wollens ew’ger Tag! Dass in selig siissem Vergessen ich mog’ alle Wonnen ermessen! Wenn Aug’ in Auge wonnig trinken, Seele ganz in Seele versinken ; Wesen in Wesen sich wieder ﬁndet, und alles Hoﬀen’s Ende sich kiindet ; die Lippe verstummt in staunendem Any cars parked by ﬁ r e hydrants, yel low curbs, or in 24 hour disabled spaces are sub ject to being towed away a t the owner’s expense. If your vehicle i s in any of these areas, please move i t immediately . Your co operation i s appreciated. Schweigen, keinen Wunsch mehr will das Inn’re zeugen : erkennt der Mensch des Ew’gen Spur, und los’t dein Rﬁtsel, heil’ge Natur! i I . The Angel In the early days of childhood I often heard tales of angels who exchange the higher joys of Heaven for the sunshine of earth, so that whoever with sorrowing heart languishes hidden from the world, whoever bleeds to silent death, passing away in ﬂoods of tears, whoever with fervor prays only for release from l i f e to him the angel descends and gently raises him to Heaven. Yes, an angel came also to me and with his shining golden wings carried, far from every pain, my spirit up towards Heaven! II. Stand Still! Rushing, roaring wheel of time, knifeblade of eternity, glowing sphere in distant space closed about the globe of earth ; ﬁrst creation, stop your turning, enough of existence, let me be! Hold back, power of begetting, grimal thought, etern creator! top this breathing, still this desire, silence it only a few seconds’ time! Swelling impulse, restrain your blow, end the unending day of wanting! So that in sweet and happy forgetting I might measure the worth of joy! When eye drinks in the joy of eye, when soul is sunk in another’s soul, when being ﬁnds itself in another’s being, and we reach the end of all hoping ; when lips are dumb in wondering silence, the inner soul will beget no more desire then man will know the eternal sign and solve thy riddle, holy Nature! �III. Im Treibhaus Hochgewdlbte Blatterkronen, . Baldachine von Sma ragd, Kinder ihr aus fernen Zonen, saget mir, warum ih r klagt? Schweigend neiget ih r die Zweige, malet Zeichen in die Luf t, und, der Leiden stummer Zeuge, steiget aufwarts siisser Duf t. Weit in sehnendem Verlangen breitet ihr die A rme aus, und umschlinget wahnbefangen 6der Leere nicht’gen G raus. ‘Wohl, ich weiss es, a rme Pﬂanze: ein Geschicke teilen wir, ob umstrahlt von Lic ht und Glanze, unsre Heimat ist nic ht hier ! Und wie f roh die Sonne scheidet von des Tages leerem Schein, hiillet der, der wahrhaf t leidet sich in Schweigens Dunkel ein. Stille wird’s, ein sduselnd Weben ﬁillet bang den dunkeln Raum : schwere Tropfen seh ’ ich schweben an der Blatter grilnem Saum. IV. Schmerzen Sonne, weinest jeden Abend dir die schénen Augen rot, wenn im Meeresspiegel badend dich erreicht der frithe Tod ; doch ersteh’st in alter Pracht, Glorie der diistren Welt, du am Morgen neu e rwacht, wie ein stolzer Siegesheld! Ach, wie sollte ich da klagen, wie, mein Herz, so schwer dich sehn, muss die Sonne selbst verzagen, muss die Sonne unte rgehn? und g e b i e rTeod nur Leben, t geben Schmerzen Wonnen nu r : o \\'ie dank’ ich dass gegeben solche Schmerzen mi r Natur ! V. Trdawme Sag; welch wunderba re Traume halten meinen Sinn u mfangen, dass sie nicht wie lee re Schaume sind in 6des Nichts vergangen? Traume, die in jeder Stunde, jedem Tage schooner blith’n, und mit ihrer Himmelskunde selig durch’s Gemiite ziehn! Traume, die wie hehre Strahlen in die Seele sich versenken, dort ein ewig Bild zu malen : Allvergessen, E ingedenken! Traume, wie wenn Fr ithlingssonne aus dem Schnee die Bliiten k iisst, dass zu nie geahnter Wonne sie der neue Tag begr iisst, dass sie wachsen, dass sie bliihen, traumend spenden ih ren Duf t, sanft an deiner Brust vergliihen, und dann sinken in d ie G ruft. III. In the Greenhouse Higharched leaf y crowns, canopies of emerald, children of a distant clime, tell me, why do you mourn ? Noiselessly your branches bend, shaping gestures in the air, and as silent witness of sorrow there rises upwards a sweet scent. Wide in yearning desire you spread out your arms and embrace the maddening void horror of empty space. Well do I know, poor plants, that we share one destiny, even with light and lass above us our homeland is not ere! How gladly does the sun withdraw f rom the empty light of day to veil him who truly sorrows in the dark of silence. All grows still, a rustling motion ﬁlls the darkened space with grief: I see heavy drops suspended on the green edges of the leaves. IV Pain Sun, you weep every evening until your fair eyes a re red when bathing in the sea’s mirror you reach your early death ; yet you rise with accustomed splendor, glory of the gloomy world, newly awakened at morning as a proud, victorious hero! Ah, why should I complain, why, my heart, pity you so when the sun himsel f must despair, when the sun must sink in min ? Death always gives b irth to l ife. pains always bring f orth joys : oh, how thank f ul a m I t ha t Nature has given me such pa ins! V. Dreams Shall I sa y what wond rous d reams hold m y mind in thrall, so that it has not like empty bubbles passed in to oblivion? Dreams, that in ever y hour, every day grow fairer, and with their heavenly message Bass th ro u gh m y s oul w i t h b lessings! reams, that like celestial rays penetrate my very soul and paint an un fading picture there of forgetting and remembering! Dreams that, like the sun of spring, d raw ﬂowers f rom snow with a k iss ; they are born to unsu spected joy and greet the new da y ; then they grow, and they bloom, and d reaming give forth t hei r scen t ; gently they cool upo n your breast and then sink into th e grave. The Harpur Symphony Orchestra Jt ’l’étdJt ’h t ’l'a ta ta td’hh tJiilsh ta hh ta lJl'JithbtJhi'ihh t ’ta hhhhhh téhbbhhh t ’td'i t ACADEMIC FESTIVAL OVERTURE WESENDONCK LIEDER BRAHMS ' WAGNER Der Engel Stehe s t i l l Im Treibhaus Sehmerzen Trdume J u d i th Anthony, soprano «IN TE’RMI SSI 01V SYMPHONY NO. 88 HAYDN L’ARLESIENNE SUITES BIZET I Prelude Minuetto Adagietto Carillion IT Farandole �ORCHESTRA PERSONNEL FIRST VIOLINS BASSES HORNS Evelina Chao, Concertmaster Bruce Berg Ronald Copes Karen Fliegler David Harrington Elmar Oliveira Michael Smith Paul Turco Lydia Werbizky Debbie Neu, principal Dominique Hyatt. Michael Sanders Richard Thomas Ed Deskur Jay Hilﬁger Ken Steiger Rodney Thomas FLUTES TRUMPETS Susan Passanante Liann Helfer Scott Kelley J e ﬀ Lake Glenn Morrell SECOND VIOLINS PICCOLO Armen Boyajian, principal Nigel Allen Janet Brady Kevin Byrnes Lee Ann Harbatuck Ross Levinson Roy Lewis Marcia Miller Evan Paris Cordula Rosow TROMBONES Nancy Becker Eric Schwartz Richard Terrano OBOES Elliot Friedman Janet Zeibur TUBA Thomas Wood ENGLISH HUKN TYMPANT VIOLAS Matthew Kuhn Geoﬀrey Brooks Larry Bradford, principal Geoﬀrey Brooks John Dexter Kathy Elias Barbara Gorin Judy Geist Tim Killian Sandra Robbins Ellen Weil CLARINETS PERCUSSION Wendy Osteyée Joyce Rose BASSOONS Lois Chantry Valerie Durham CELLOS David Heiss, principal Howard Cohen Michael Finckel CONTRABASSOON Cindy Baldwin Walter Gray David Hoppe Tom Shaw Steve Stalker Holly Wilson ALTO SAXOPHONE Earl Gregory Diane Dino Steve Press � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:21 48:19 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244771">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244771</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Harpur Symphony Orchestra, February 27, 1976 Recital tape 1976 02-27 Description An account of the resource Work of Brahms, Wagner, Haydn and Bizet. Held at 8:15 pm, February 27, 1976, Social Room. Creator An entity primarily responsible for making the resource Harpur Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-02-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6ddbcc317a6538a4fef4022fe34b6a6f.pdf 7c80c89eb6402551471b6752c7e8b986 PDF Text Text STATE UNIVERSI TY OF NEW YORK AT BINGHAMTON Ha.rpur College Department of Music Ms. Judith Somogi, conduc tor Octobe r 20, 19?5 8:15 PM Don A. Watters Theate r �The Harpur Symphony Orchestra SEMIRAMIDE OVERTURE G. ROSSINI FOUR SEA INTERLUDES from the opera "Peter Grimes" opus 33a B. BRITTEN Dawn - Lento e tranqui llo Sunday Morning - Allegro spiritoso Moonlight - Andante comodo e rubato Storm - Presto con fuoco SymMiss Somogi, new conductor of the Harper [sic] phony, received both her bachelor's and master's degrees from the Julliard School of Music. Since 196? she has been an assistant conductor of the New York City Opera under Julius Rudel where she recently directed two performances of "The Daughters of the Regiment" and wi ll soon be conducting "Carmen." Other recent accomplishments include a guest conducting appearance with the Los Angeles Philharmonic and a write-up in the national magazine People. INTERMISSION SYMPHONY NO. 7 IN A MAJOR opus 92 Poco sostenuto - vivace Allegretto Presto Allegro con brio L. van BEETHOVEN �ORCHESTRA PERSONNEL FIRST VIOLINS BASSES TRUMPETS Evelina Chao, Concertmaster Mary Barton Bruce Berg Ronald Copes Karen Fliegler David Harrington Elmar Oliveira Robert Seletsky Michael Smith Lydia Werbizky Debbie Neu Michael Sanders Richard Thomas Alfred Szymaniak Mario Carino Scott Kelley FLUTES TROMBONES Nancy Becker Liann Helfer Susan Passanante Eric Scwartz Steven Shear Richard Gower SECOND VIOLINS PICCALO TUBA Armen Boyajian, principal Nigel Allen Janet Brady Kevin Byrnes Lee Ann Harbatuck Ross Levinson Roy Lewis Oscar Maxwell Marcia Miller Evan Paris Cardula Rosow Merrell Weiss Tom Wood OBOES PERCUSSION Elliot Friedman Janet Zeibur Mat thew Kuhn Geoffrey Brooks Diane Dino Joseph Pazienza ENGLISH HORN TYMPANI Matthew Kuhn Martin Ricciardi CLARINETS 1)RCHESTRA OFFICERS Wendy Osteyee Paul Ketchoyian Geoffrey Brooks, president Paul Ketchoyian, vice-presiden t Carol Isaacson, secretarytresurer Larry Bradford, personnel manager VIOLAS Larry Bradford, principal Geoffrey Brooks John Dexter Judy Geist Barbara Garin Carol Isaacson Tim Killian Julie Kramer Sandra Robbins Ellen Weil BASSOONS Lois Chantry Michele Stein Valerie Durham CELLOS HORNS David Heiss, principal Howard Cohen Michael Finckel Walter Gray David Hoppe Seth Jacobs Tom Shaw Steve Stalker Holly Wilson Bob Taylor Ken Steiger Rod Thomas Ed Deskur � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:43 40:40 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244720">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244720</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Harpur Symphony Orchestra, October 20, 1975 Recital tape 1975-10-20 Description An account of the resource Works of Rossini, Britten, and Beethoven. Held at 8:15 pm, October 20, 1975, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-10-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:34:41 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243693">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243693</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Joseph Szigeti, July 31, 1973 Recital Tape 1973-7-31 Description An account of the resource Works of Tartini, Bartok, Brahms, Bach, Debussy. "Music treasury--G. Lemco"--Container. Creator An entity primarily responsible for making the resource Szigeti, Joseph Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 7/31/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:32:05 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243687">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243687</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, Myra Hess, June 26, 1973 June 26, 1973 Recital Tape 1973-6-26 Description An account of the resource Works of Beethoven, Schubert, Brahms, Mozart. Creator An entity primarily responsible for making the resource Hess, Myra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 6/26/73 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound