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                    <text>BINGHAMT
l ON
UNIVERSITY
State University of New York

Master' s Recital
Judy (Yan) Zhu, piano
Akira Maezawa, violin
Theresa Perrone, clarinet
Robin Kindig, bassoon

Friday, November 4, 2005
8:00 p.m.
Casadesus Recital Hall

�PROGRAM

Violin Sonata in D Major ............................ Ludwig van Beethoven
Allegro con brio
( 1770-1827)
Terna con variazioni
Rondo
Akira Maezawa, violin
Judy Zhu, piano

Trio Pathetique .......................................................... Michail Glinka
Allegro moderato
(1804-1857)
Scherzo
Largo
Allegro con spirito
Theresa Perrone, clarinet
Robin Kindig, bassoon
Judy Zhu, piano

~INTERMISSION~

Piano Concerto No. 2 in F Minor, Op. 21 ............... Frederic Chopin
Maestoso
(1810-1849)
Larghetto
Allegro vivace
Judy Zhu, piano
Ewa Mackiewicz-Wolfe, orchestral piano reduction

�ABOUT THE PERFORMERS
JUDY (YAN) ZHU, pianist, is currently a double master's student in Music and
Accounting at Binghamton University. She is a native from Beijing, China. She
is an active performer both as a soloist and a member of chamber groups. She
was the winner of Creative Work of Art (Music) Award from Binghamton
University in 2003, winner of the Samuel Reiser Scholarship from the
Department of Music at BU in 2002, and a finalist of the New York State
Collegiate Piano Competition in 2000. She also holds a Master of Arts degree in
Anthropology from Binghamton University, and a Bachelor of Science degree in
Information Science from Peking University, Beijing, China. She holds the
position of organist and choir director of John Hus Presbyterian Church and
South Hills Presbyterian Church in Binghamton. Judy is currently studying with
Ewa Mackiewicz-Wolfe and studied with Michael Salmirs.
ROBIN KINDIG, bassoon, is a local from Endwell, NY. She attended the
Maine-Endwell Central Schools, where she was very involved in the music
department. Her love of music led her to Houghton College, where she studied
bassoon with Ed Wadin. She received her Bachelor of Music in Music
Education from Houghton in May 2003, and then came to Binghamton
University for graduate school. While at BU, she studied with Lynn Hileman
and Ed Gobrecht, and received a Master of Music degree in May 2005. Robin is
currently a fifth and sixth grade instrumental music teacher at the Chenango
Valley School District in Binghamton, NY.
AKIRA MAEZA WA, violinist, is currently a sophomore in Electrical
Engineering at Binghamton University, and has been studying violin with
Patricia Sunwoo. He has been involved in multiple performances as an ensemble
member, both on and off the campus. Outside Binghamton, he had master
classes with Aaron Rosand, Glenn Dicterow, Ani Kavafian, and Mikhail
Kopelman; appeared as a soloist for Yonkers Symphony Orchestra, and received
the Hudson Valley Music Club Young Performers Award, Newcomb Young
Composer's Competition Award, and others.
THERESA PERRONE earned her undergraduate degree in Music Education at
Ithaca College, studying the clarinet with Dr. Richard Faria. She currently
teaches kindergarten, first, and second grade vocal music and directs two fourth
and fifth grade choruses in the Greene Central School District in Greene, NY. In
addition, Theresa has a private studio of woodwind students. She is also pursuing
her Masters in Clarinet Performance at Binghamton University, studying with
Dr. Timothy Perry.

�COMING EVENTS
Saturday, November 5 - Song of Silk: A Concert of Chinese Music with
Hong Zhang, mezzo-soprano, Margaret Reitz, piano and guests 8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12
faculty/staff/seniors; $8 students
Thursday, November 10 - Mid Day Concert with faculty and student
performers - l :20 p.m. - Casadesus Recital Hall - free
Saturday, November 12 - University Chorus with Binghamton
Philharmonic - 8:00 p.m. - Osterhout Concert Theater (For tickets,
contact the Binghamton Philharmonic).
Thursday, November 17 - Jazz Mid-Day Concert with guest artist, Eddie
Allen - l :20 p.m. - Osterhout Concert Theater - free
Thursday, November 17 - Harpur Jazz Ensemble with guest artist,
Eddie Allen - 8:00 p.m. - Osterhout Concert Theater - $9 general public;
$7 faculty/staff/seniors; free for students
Saturday, November 19- German Romantic Masterpieces: An Evening
of Chamber Music - 8:00 p.m. - Anderson Center Chamber Hall - $14
general public; $12 faculty/staff/seniors; $6 students
Sunday, November 20 - Concerto &amp; Aria Competition Auditions - 7:00
p.m. - Casadesus Recital Hall - free
Tuesday, November 29 - University Percussion Ensemble - 8:00 p.m. Anderson Center Chamber Hall - free
Thursday, December 1 - Mid-Day Concert with faculty and student
performers - l :20 p.m. - Casadesus Recital Hall - free
Friday, December 2 - Flute Studio Recital - 10:30 a.m. - Casadesus
Recital Hall - free
Saturday, December 3 - University Symphony Orchestra - 8:00 p.m. Osterhout Concert Theater - $9 general public; $7 faculty/staff/seniors;
free for students
Sunday, December 4 - University Wind Ensemble Holiday Concert l :00 p.m. - Oakdale Mall - free
Sunday December 4 - University Flute Ensemble - 7:30 p.m. Casadesus Recital Hall - free

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                    <text>UNIV ARC
Recital

tape

2005
11-3
SPEC COL

Binghamton University Department of Music

THUR SDAY MID-DAY CONCERT
November 3, 2005 -1:20 P.M. - Casadesus Recital Hall
featuring

Agustus Arnone, piano

3 Etudes (2003) ....................................... ......................................................... ... .... David Rakowski
(b. 1958)
Zipper Tango
Eight Misbehavin
Cell Division

Monoliths and Interludes (2003) ........................................ .... ......... ......... .......... .. Michael Klingbeil
(b. 1974)

Palais De Mari (1986) ........................................................................................ ..... Morton Feldman
(1926-1987)

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                    <text>I ’ s3  3
!  L V

R e

\

l i  " 

BINGHAMTON
U N I V E R S I T Y

State University of New York

zldec
®

D E P A R T M E N T

MASTER’S RECITAL
Elizabeth Bartlett, double bass
Margaret Reitz, piano

Satu rd a y, Octo ber 15, 2005
3:00 p.m.
Casadesus Recital Hall

�PROGRAM

Sonata No. 5 in e minor 
for violoncello and basso continuo, RV 40 
Largo 
Allegro ma non troppo
Largo doloroso
Allegro con spirito
Elegy 

Antonio Vivaldi
(1678­1741)
Lucas Drew, ed.

........GiovanniBottesini

(1821­1889)
Oscar G. Zimmerman, ed.

~INTERMISSION~

Sonatina 
Allegro 
Andanie

Arthur Olaf  Alilsrsén
(1880­1956)

Rondo

)

Russian Sailors’ Dance 

Reinhold Gliere
(1875­1956)

George Vance, arr.

�PROGRAM NOTES
by Elizabeth Bartlett

Greatly renowned Italian composer Antonio Vivaldi was born in
Venice on March 4, 1678.  Vivaldi was trained for the priesthood and
ordained in 1703, but after claiming poor health was appointed maestro
di  violino  at  the  Ospedale  della  Pieta,  one  of  the  Venetian  girls’
orphanages.  Although Vivaldi’s music is popular today, when he died in
Vienna, Austria on July 28, 1741, his music was quickly forgotten.  A
nineteenth century renewal of interest in Vivaldi’s music brought about
the revival of some the composer’s works.  The revival continued into
the twentieth century and by the end of it, Vivaldi’s The Four Seasons
became one of the most popular ‘classical’ pieces of all time, topping the
charts year after year.
Originally, Vivaldi composed a total ten sonatas for violoncello
and basso continuo of which one is completely lost. Of the remaining,
three exist in manuscript form.  Two of them, the a minor, RV 44, and
the E­ﬂat, RV 39,  are preserved in the Conservatory Library in Naples,
and one in  g minor, RV  42  in the Castle  Library in  Wiesentheid  in
Germany.  The other six were printed in a contemporary French edition;
the  original  manuscript  is  in  the  National  Library  of  Paris.  The
manuscript consists of 42 pages on which the cello part and the bass (not
ﬁgured) are written neatly and plainly on tw o staves. All six sonatas
follow the same overall form, four movements (Largo, Allego, Largo,
Allegro). A certain relationship exists between these cello sonatas with
their four movements and the old sonata de chiesa (church sonatas) of
the earlier Baroque style.  These sonatas were possibly written many
years before their actual date of publication in 1740 for and performed

~ by Vivaldi’s students at the Pieta orphanage in Venice.

Giovanni Bottesini, born December 22, 1821, was not only among
the most famous Italian double bass players of his time, but was also a
conductor of some distinction and a composer. He conducted the ﬁrst
performance of Verdi’s opera Aida in Cairo  in 1871 and won success
with  some, at  least,  o f his  own ten  operas.  Known  to  some  as  the
Paganini  of the  double  bass,  he  signiﬁcantly  extended  the  technical
possibilities  of  the  instrument.  Bottesini’s  compositions  include  a
number of double bass concertos, some for  double bass and piano, as
well as works for solo violin and double bass and for two double basses.
His Metodo completo per contrabasso is an important addition  to the
pedagogical  literature  o f  the  instrument. 
Bottesini ’s  original
compositions and transcriptions of well­known melodies broaden music

for  the  double  bass  past  before  thought  unimaginable  capabilities  of
musical  expression.  His  Elegy  demonstrates  his  broad  palette  of
fascinating tone colors, the cantabile line and the possibilities of musical
expression to unheard of heights on the double bass.

Y

1

l

Arthur  Olaf  Andersen,  born  January  30,  1880,  was  a  music
educator and administrator, music theorist and  composer. Andersen was

Head of the Department of Music Theory at the American Conservatory
of Music in Chicago from 1908 to  1929, and Dean and Head of the
Theory Department at University of Arizona from 1929 to  1934.  He
published  many  books  including:  First  Forty  Lessons  in  Harmony
(1923) and Practical Orchestration (1929), along with numerous music
theory  books and  compositions. Sonatina (1942)  is a work  with  the
formal  characteristics of a sonata but  on a smaller scale.  Andersen’s

Sonatina, although written in the 20” century, possesses characteristics
from the Classical  period.  The ﬁrst  movement, Allegro, is in  sonata
form.  The lively ﬁrst theme in the exposition is in the key of G major,
proceeds to a very short development in g minor. The recapitulation, in

the original key, moves to a coda with a strong ﬁnish on the tonic chord.
The second movement, Andante, is very short and in ternary form.  The

ﬁnal movement is a lively Rondo.  The principal section is in the key of
G major alternates with two subsidiary sections; the ﬁrst one being in the
key of C major, the second subsidiary section is in the key of b minor.

As a young boy, Russian composer Reinhold Gliere, born January
1 1, 1875, studied violin, theory and composition.  From 1920­1941 he
was professor of composition at the Moscow Conservatory.  Among his

pupils”  were  Prokoﬁev,  Miaskovsky,  and  Khachaturian. 

His

compositions, generally nationalistic with romantic and impressionistic

elements, show the inﬂuence of Russian folk melodies that he collected
in Europe and Asia. His best­known works are the ballet The Red Poppy
(1927) and his Third Symphony (Ilya Mourometz, 1909­1911).  Russian
Sailor ’s Dance, which comes from the ballet The Red Poppy, is a fast­
moving and exciting piece that is a  perfect intensity builder.  As the

instrumentalist plays through the piece the tempo builds making for an
exciting conclusion. This arrangement by George Vance takes a familiar
tune and makes it exciting to perform.

�ABOUT THE PERFOR MERS
Double  bassist  ELIZABETH  BARTLETT  is  a  native  of  the
Greater Binghamton area, growing up in Johnson City, New York.
She graduated  from  Johnson City Senior  High  School  in  1997.
While  in  high  school,  Beth  studied  double  bass  privately with
Richard Thomas.  She received her Bachelor’s Degree in Music
Education from the Crane School of Music, SUNY Potsdam, in
May of 2001. At Crane, Beth studied double bass with Richard
Stephan  and  John  Geggie.  Upon  graduation,  Beth  has  been
employed by the Binghamton City School District.  She presently
teaches at MacArthur School as elementary string orchestra and
general  music teacher.  Beth  enjoys teaching and performing a
variety of music within the community.  In addition to teaching

private string lessons, she has been a member of the Binghamton
Community Orchestra as wel l as lending her talents to local theater
company SRO Productions III as a pit orchestra performe r in their
many productions.  Currently,  Beth  is  studying  with  Professor
Stephen  Stalker, as she  works towards a  Master’s of Music  in

Double Bass at Binghamton University.

MARGARET REITZ is a  native of the Binghamton area.  She
received  her  Bachelor  and  Master  of  Music  degrees  in  piano
performance with accompan ying emphasis.  She attended Boston
University,  New  England  Conservatory  and  Binghamton
University.  She has accompanies throughout the United States, in
England, South America, and at the American Institute of Musical
Studies in Graz, Austria.  She and Binghamton University faculty
members  Timothy  Perry  and  Stephen  Stalker  were  invited  to
present a recital at the International Clarinet Conference in Tokyo
this past summer.  She  has  been on the  faculty at  Binghamton
University since 1991 and Ithaca College School of Music since
1999.  She maintains a private piano studio in Vestal, New Yor k.
She is on the Executive Board of the New York District MTNA
organization.  She  is  past  president  of the  local  Southern  Tier
Music Teachers Association and is an active adjudicator for the
National Piano Guild Organization.

�COMING EVEN TS
Saturday, October  15 –  A  Bach  Celebration ­ 8:00  p.m.  – Anderson
Center Chamber Hall ­ $18 general public; $16 faculty/staﬀ/seniors; $10
students (A Beneﬁt for the Music Departm ent)

Thursday,  October  20  –  Mid­Day  Concert  with  faculty  and  student
performers – 1 :20 p.m. – Casadesus Recital Hall ­ free
Saturday, October  22 – An Evening of Rodgers and Ham merstein –
University  Orchestra,  Harpur  Chorale  and  soloists  –  8:00  p.m.  –
Osterhout Concert Theater ­ $18 general public; $16 faculty/staﬀ/seniors;
$10 students (A Beneﬁt for the Music Department)
Thursday,  October  27  –  Mid­Day  Concert  with  faculty  and  student
performers – 1:20 p.m. – Casadesus Recital Hall ­ free
F riday, October 28 – Guest Organist : Ro bert Poovey – 8:00 p.m. – First
Presbyterian Church, Chenango St., Binghamton ­ $14 general  public;
$12 faculty/staﬀ/seniors; $6 students
Sunday,  October  30  –  University  Wind  Ensemble  –  3:00  p.m.  –
Anderson Center Chamber Hall ­ free
Th ursday,  November  3  –  Mid­Day  Concert  with  faculty  and  student
performers – 1 :20 p.m. – Casadesus Recital Hall ­ free
F riday, November 4 – Master ’s Recital : J ud y Zhu, piano – 8:00 p.m. ­­
Casadesus Recital Hall ­ free

Saturday, November 5 – Song of Silk : A Concert of Chinese Music with
Hong  Zhang,  mezzo­soprano,  Margaret  Reitz,  piano  and guests  –
8:00 p.m. – Anderson Center Chamber Hall ­ $14 general  public; $12
faculty/staﬀlseniors; $8 students
Thursday, November 10 – Mid  Day Concert with  faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall ­ free
Saturday,  November  12  ­­  University  Chorus  with  Binghamton
P hil harmonic  –  8:00  p.m.  –  Osterhout  Concert  Theater  (For  tickets,
contact the Binghamt on Philharmonic).
Th ursday, November  1 7 – Jazz Mid­Day  Concert with  guest  artists –
1 :20 p.m. – Osterhout Concert Theater – free
Th ursday, November 1 7 ­~  H arp u r  Jazz E nsemble with guest artists –
8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7
faculty/staﬀ/seniors; free for students

l

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                    <text>BING

U N I V E R S I T Y

State University of  New York

Binghamton University Department of Music

THURSDAY MID­DAY CONCERT
April 28, 2005 – Casadesus Recital Hall

Meditation and P

o

i

s

s

e

c

o

r

l ..........Emest Bloch
(1880­1959)

a

n

Melissa Mattern, viola

Student of Prof. Crawford
Michael Salmirs, piano

Nymphs and S

E

0

1

Strike the V

 
BB

d

r

e

h

p

e

h

Henry Purcell
( 1659­1695)
Purcell
1
c.............Edvard Grieg
(1843­1907)

s

Cari Begeal, mezzo­soprano
Student of Prof  Burgess

Chai­Kyou Mallinson, piano

Concerto No. 2 in E­ﬂat for CIATINGL .......ciiiveeiainsecisesasssssesinsssssssasnssssossansonsass Carl Maria von Weber
( 1786­1 826)
II. Romanze: Andante con moto
III. Rondo ­ Polacca
Theresa Perrone, clarinet
Student of Prof  Perry
Margaret Reitz, piano

’

Nuit d

Beau S
M

a

E

n

o

d

1

1

0

t

o

1

l

e

m

s...........Claude Debussy
(1862­1918)
r .............Debussy
e ..............Debussy

Deanna Bunal, mezzo­soprano
Student of Prof  Burgess

Chai­Kyou Mallinson, piano

(please turn over)

�Fischerweise, Op. 96, no.4.........

Franz Schubert
( 1768­1 827)
Schubert
Schubert
Schubert

Im Frithling, Nachlass, Lfg. 25

Nachtstuck, Op. 36, no.2...
Mignons Gesang, Nachiass, Lfg. 20
Amber Alarcon, mezzo­soprano
Student of Prof  Burgess

Chai­Kyou Mallinson, piano

r

Trio in E­ﬂat, K. 498

Andante
Menuetto
Rondo (Allegretto)

Theresa Perrone, clarinet
Student of Prof  Perry

Melissa Mattern, viola
Student of Prof  Crawford
Candice Che, piano
Student of Prof  Salmirs

4

W. A. Mozart
( 1756­ 179 1)

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                    <text>UN) 

VT

BINGHAMTON
U N I V E R S I T Y

State University of  New York

Department of Music

Tr
” 

. 

l

“ U L

I

l

UNIVERSITY PERCUSSION
ENSEMBLE

Daniel Fabricius, conductor

Tuesday, April 26, 2005
8:00 p.m.
Anderson Center Cham ber Hall

�Program

About the Conductor

MATRIX....... 

.. Steve Grimo

TOCCATA FOR
PERCUSSION INSTRUMENTS 

Carlos Chavez

III. Allegro un poco marziale

CONCERTO FOR DRUM SET
AND PERCUSSION ENSEMBLE....... 

...John Beck

Matt Green, Drum Set

DANIEL FABRICIUS took the post of Percussion Instructor at Binghamton
University in  September 1992.  He also has been Director of Bands at Owego
Free Academy since 1989. Fabricius is active as a performing percussionist in
the Southern Tier.  He is a member of the Binghamton Symphony Orchestra as
well  as  Timpanist/Principal  Percussionist  for  the  Orchestra  of  the  Southern
Finger Lakes.  In  recent years, he also has performed as a percussion soloist in
chamber  ensembles,  in  musical  theater  productions  and  with  a  variety  of
nationally known artists. He performs often as a  freelance musician and as a
member of the local dance band, “Classy Brass. ”
As  a music  educator, Fabricius holds professional memberships  in the New
York  State  School  Music  Association, the  International  Association o f  Jazz
Educators, the Percussive Arts Society, and the National Band Associat ion.  He
also has served two terms as President o f  the New York State Band Directors
Association.  He has  worked  on  the  Summer  Session  faculty  for  the  Ithaca
College School  of Music and  also serves as a cooperating teacher  for senior
student teachers.  He has conducted many honor band festivals, presented clinics
on a variety of music education topics, and has adjudicated at music  festivals
throughout New York.

–­INTERMISSION­­

+ CONCERTINO FOR MAR IMBA.....................  Paul Creston

Ill. Lively

­ 
Matt Cosnett, Marimba

THE INTERNET IS A HOAX .COM.....................Mark Turley

A LA SAMBA 

‘UNIVERSITY PERCUS SION ENSEMBLE

Mitchell Peters

Matthew Cosnett
Matthew Green
Spencer Lo
Richard Postelnik
Pete Tringali
Mark Turley

�COMING EVENTS
Thursday, April 28 – Mid­Day Concert with faculty and student performers –
1:20 p.m. – Casadesus Recital Hall – free
Friday, April 29 – M aster’s Recital: Paul  Blake, trombone – 8:00  p.m. –
Casadesus  Recital Hall – free
Saturday, April  30  –  University  Flute  Ensemble  –  12  p.m.  –  Casadesus
Recital Hall – free
Saturday,  April  30  –  Senior  Honor’s  Recital:  Deanna  Bunal,  mezzo­
soprano – 3:00 p.m. – Casadesus Recital Hall – free
Saturday, April 30 – Master’s Recital:  Amber Alarcon, mezzo­soprano ­
8:00 p.m. ­ Casadesus Recital Hall – free
Sunday, May 1 – University Wind Ensemble – We Band of Brot hers – 3:00
p.m. – Anderson Center Chamber Hall – free
Sunday,  May  1  –  Junior  Recital:  Melissa  Mattern, viola  –  7:30  p.m.  ­
Casadesus Recital Hall – free
Monday, May 2 – M aster’s Recital:  Robin Kindig, bassoon – 8:00 p.m. –
Casadesus Recital Hall – 8:00 p.m. – free
Wednesday, May 4 – Student Conductors’ Concert – 8:00 p.m.  – Watters
Theater – free

Thursday, May 5 –  Student  Recognition  Mid­Day Concert ­  1:20  p.m. ­
Casadesus Recital Hall – free
Thursday, May 5 – H arpur Chorale and Women’s Chorus ­­  8:00  p.m.  ­
Anderson Center Chamber Hall – free
­

Saturday, May 7 – M aster’s Recital: Theresa Peronne, clarinet ­ 3:00 p.m. ­
Casadesus Recital Hall – free
Saturday, May 7 – Student  Recital: Christina  Wan, violin  ­  8:00  p.m.  ­
Casadesus Recital Hall  – free
Sunday, May 8 – Stud ent Saxophone Quart et ­ 3:00 p.m. ­ Casadesus Recital
Hall ­  free
Thursday, May 12 ­­ Master’s Recital: Donald Truesdail, string bass ­ 8:00
p.m. ­ Casadesus Recital Hall ­ free

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                    <text>’

B
IN
U N I V E

{

; }
—

ON

R S E S

State University of New York
Depart ment of Music

“Music through the Ages”
Harpur Brass
The Brass Quintet of Binghamton University

Erinn Hibbard, trumpet
Stephen Boel, trumpet
Patrick Lokken, French horn
David Henann, trombone
Daniel Gallagher, tuba
Ben Aldridge, faculty advisor

Tuesday, April 19, 2005
8 :00 p.m.
Casadesus Recital Hall

�Program
Procession of the Nobles..

Nikolai Rimsky-Korsakov

from Mlada

(1844-1908)
Arr. Rolf Smedvig

Intrada ..

..Johann Groh

from 36 neue liebliche und zierliche Intraden,
so zuvor niemals gesehen Nuremberg, 1603

Contrapunctus I

from The Art of the Fugue

(c. 1575-c. 1627)

«eee... JOhann Sebastian Bach

The Promise of Living ..

Thanksgiving Song from The Tender Land

(1685-1750)

.Aaron Copland

(1900-1990)

--Intermission-Buckaroo Holiday
from Rodeo

..Aaron Copland
(1900-1990)

Four Songs for Brass Quintet.

..Charles Ives

based on four songs originally for voice and piano*
(1874-1954)
transcribed by Kenneth Singleton
1. “On the Counter” (text by Ives; composed 1920)
2. “The Side Show” (text by Pat Rooney, Sr.; composed 1886)
3. “Slow March” (text by L. Brewster, with additions by Ives family members;
composed c. 1887)
4. “Tarrant Moss” (text by Rudyard Kipling; composed 1902-03)

Four Moods for Brass Quintet ..

.. Arthur Harris

I. Chorale: Komm siisser Tod. (translation: Come sweet death.)
II. Waltz
III. Lyric Piece
IV. Finale

Just A Closer Walk.. ......... ..

(1957)

....traditional hymn
Arr. Don Gillis

�Charles Ives’ Songs
*original text for the songs in which Four Songs for Brass Quintet by Charles
Ives is based:
1. “On the Counter”
Tunes we heard in “ninety-two,” soﬁ and sweet,
Always ending “I love you”. . phrases nice and neat;
The same old chords, the same old time the same old sentimental sound,
Shades of Hawley, Smith and Nevin, in new songs abound.

2. “The Side Show”
“Is that Mister Riley, who keeps the hotel?”

Is the tune that accomp’nies the trotting track bell;

An old horse unsound, turns the merry-go-round,
Making poor Mister Riley look a bit like a Russian dance,
Some speak of so highly, as they do of Riley!
3. “Slow March”
One evening just at sunset we laid him in the grave;
Although a humble animal his heart was true and brave.
All the family joined us, in solemn march and slow,
From the garden place beneath the trees and where the sunﬂowers grow.

4. “Tarrant Moss”
I closed and drew for my Love’s sake,
That now is false to me,
And I slew the Riever of Tarrant Moss,
And set Dumeny free.
And ever they give me praise and gold,
And ever I mourn my loss;
For I struck the blow for my false Love’s sake,
And not for the men of the Moss!

�COMING EVENTS
Thursday, April 21 – Mid-Day Jazz Concert with guest artist – 1:20 p.m. –
Anderson Center Osterhout Concert Theater -- free
Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 8:00 p.m. –
Anderson Center Osterhout Concert Theater - $10 general public; $7
faculty/staﬀ/seniors; free for students

Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson
Center Chamber Hall – free
Thursday, April 28 – Mid-Day Concert with faculty and student performers –
1:20 p.m. – Casadesus Recital Hall – ﬁ'ee

Friday, April 29 – Master’s Recital : Paul Blake, trombone – 8:00 p.m. –
Casadesus Recital Hall – free
Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus
Recital Hall – free
Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzosoprano – 3:00 p.m. – Casadesus Recital Hall – free
Saturday, April 30 – Master’s Recital : Amber Alarcon, mezzo-soprano –
8:00 p.m. – Casadesus Recital Hall – free

Sunday, May 1 – University Wind Ensemble – We Band of Brothers – 3:00
p.m. – Anderson Center Chamber Hall – free
Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. –
Casadesus Recital Hall – free

Monday, May 2 – Master’s Recital : Robin Kindig, bassoon – 8:00 p.m. –
Casadesus Recital Hall – 8:00 p.m. – free
Wednesday, May 4 – Student Conductors’ Concert – 8:00 p.m. – Watters
Theater – free

Thursday, May 5 – Student Recognition Mid-Day Concert – 1:20 p.m. –
Casadesus Recital Hall – free
Thursday, May 5 – Harpur Chorale and Women’s Chorus – 8:00 p.m. -Anderson Center Chamber Hall - free
-

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                    <text>uNlIy A L C
\ “ e .

5 \

l W\

BIN

A00 5
q »\ L,
o r e O,
1

C

U N I V E R
TY
State University of New York A
Department of Music

B E S

Senio r Piano Recita l
Sut Han Che, piano
with

Miehaei Saimirs, piano

Friday, April 15, 2005
8 :00 p.m.
Casadesus Recital Hall

�Program
Sonata, KV 330
Allegretto
Andante
Allegretto

W.A. Mozart
(1756-1791)

Etudes............

Frédéric Chopin
(1810-1849)

Revolutionary, Op. 10-No. 12
Butterﬂy, Op. 25-No. 9
C minor, Op. 25-No. 12

--Intermission-:

5

.. Claude Debussy
(1862-1918)

En Bateau
Cortege
Menuet
Ballet

Suite Op. 14
Allegretto
Scherzo
Allegro molto
Sostenuto
Ballade No. 3 in A-ﬂat, Op. 47
Allegretto

.

Béla Bartok
(1881-1945)

. Frédéric Chopin
(1810-1849)

�About the Performers
SUT HAN CHEN (Candice) was born in Macau SAR. She started to
learn piano with private piano teachers when she was eight. To gain
orchestral experience, Che joined her high school orchestra and played
clarinet for three years. Along with high school education, she attended
Macau Conservatory to study music history, theory and improve her
techniques during which she participated in the Annual Macau Youth
Music Competition and won prizes in solo piano and chamber music.
After high school graduation in 2001, Che came to the United States to
continue her eduation at Binghamton University as an accounting major.
At the University, Che studied piano performance with Professor
Michael Salmirs and gained many public performance experiences
during and also outside of piano classes. Che also studied chamber music
with other professors at the University and performed several pieces in
public.

s éq1 M
C H AAEW
AYLRAFT)
sm and
amd artistic
s
Airon
Pianist
RATAIYY
O
TL S A
M I R S , founding member
director
of the Finger Lakes Chamber Ensemble is well known as a recitalist and
chamber musician performing extensively throughout the region. He has
appeared as soloist with the Corning Philharmonic, Binghamton
University Orchestra, Cayuga Chamber Orchestra, and has been a
featured pianist on their Sunday chamber series. As a performer of
contemporary music, he has participated in such series as Binghamton
University’s Musica Nova, Cornell University’s Ensemble X, and has
toured and recorded for the Syracuse Society for New Music. Salmirs
studied at the New England Conservatory and Eastman School of Music;
his teachers have included pianists Leonard Shure and Rebecca Penneys
and composer Karel Husa. Salmirs has taught at the Syracuse University
School of Music and Hobart and William Smith Colleges. He is currently
a faculty member at Binghamton University and Aﬀiliate Artist at
Cornell University. He maintains a private piano studio in Ithaca and
enjoys teaching students of all ages and levels. This season, Salmirs will
perform Poulenc’s Aubade with the Cayuga Chamber Orchestra.

�COMING EVENTS
Saturday, April 16 – Senior Honor ’s Recital – Talitha Phillips, string bass 3:00 p.m. – Casadesus Recital Hall - free

Saturday, April 16 – University Chorus and Orchestra – Coronation and
Confrontation – 8:00 p.m. -- Anderson Center Osterhout Theater - $10
general public; $7 faculty/staﬀ/seniors; free for students
Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. –
Casadesus Recital Hall – free
Tuesday, April 19 – Student Brass Quintet – 8:00 p.m. – Casadesus Recital
Hall -- free

Thursday, April 21 – Mid-Day Jazz Concert with Bill Easley - 1:20 p.m. –
Anderson Center Osterhout Concert Theater – free
Thursday, April 21 – Harpu r Jazz Ensemble with Bill Easley – 8:00 p.m. –
Anderson Center Osterhout Concert Theater - $10 general public; $7
faculty/staﬀ/seniors; free for students

Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson
Center Chamber Hall – free
Thursday, April 28 – Mid-Day Concert - 1:20 p.m. – Casadesus Recital Hall –
free
:
Friday, April 29 – Master’s Recital – Paul Blake, trombone – 8:00 p.m. –
Casadesus Recital Hall - free
Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus
Recital Hall – free
Saturday, April 30 – Senior Honor’s Recital : Deanna Bunal, mezzo-soprano.
– 3 p.m. – Casadesus Recital Hall – free
Saturday, April 30 – Master’s Recital – Amber Alarcon, mezzo-soprano –
8:00 p.m. – Casadesus Recital Hall – free
Sunday, May 1 – University Wind Ensemble: We Band of Brothers – 3:00
pm. – Anderson Center Chamber Hall – free

Sunday, May 1 – Junior Recital : Melissa Mattern, viola – 7:30 p.m. –
Casadesus Recital Hall – free

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                    <text>Y RRC
N
\- ¢\ ¢ An)
0
A

BINGHAM TON
U N I V E R

\

State University of New York
Binghamton University Department of Music

(C )5
AD
Y - {H
i

.

THURSDAY MID-DAY CONCERT

\

April 14, 2005 – Casadesus Recital Hall

VEC ¢ OW

... Henry Purcell
(1659-1695)

Four Songs ..................
Musicfor a While
Sound the Trumpet
Nymphs and Shepherds
Man is f o r the Woman made

Amber Alarcon, mezzo-soprano
Student o f Prof. Burgess

Chai-Kyou Mallinson, piano
.Serge Koussevitzky
(1874-1951)

Andante
Talitha Phillips, double bass
Student of Prof. Stalker
Margaret Reitz, piano
Nur, wer die Sehnsucht kennt, Op. 6, 10.6 e

s

s

e

... P.Tschaikowsky
(1840-1893)
... Johannes Brahms
(1833-1897)

Der Jager, Op. 95, n0.4 ..

Wanderers Nachtlied, Op. 96, no.3.............

... Franz Schubert
(1797-1828)

Die Vogel, Op. 172, n0.6..........cceeueeee.

... Franz Schubert
.. Johannes Brahms -

Von ewiger Liebe, Op.48, no.1.........
(translations on back)

Deanna Bunal, mezzo-soprano
Student of Prof. Burgess
Chai-Kyou Mallinson, piano

Camille Saint-Saens
(1835-1921)

Sonate pour Clarinette
IV Molto Allegro

Caroline Bravo, clarinet
Student of Prof. Perry
Margaret Reitz, piano
DanZON e

... Paquito D’ Rivera
(b. 1931)

e

Timothy Perry, clarinet
Stephen Stalker, violoncello
Margaret Reitz, piano

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                    <text>BINGHAMTON
U N I \' E R S I T Y

State University of New York
Department of Music

THURSDAY MID-DAY CONCERT
April 7, 2005 -1 :20 p.m. - Casadesus Recital Hall

Sonata in A minor, Op. 42, D 845 ........................................................................... Franz Schubert
Andante, poco mosso
(1797-1828)
Nancy Schneider, piano
Automne ................................................................... ................................................... Gabriel Fauré
Aurore
(1845-1924)
Les Berceaux
Neu
Amber Alarcon, mezzo-soprano
Chai-Kyou Mallinson, piano
Romance and Rondo ...................................... ............................................................... Franz Keyper
(1756-1815)
Talitha Phillips, double bass
Margaret Reitz, piano
Per La Gloria D' Adorarvi ................................................................... Giovanni Battista Bononcini
(1670-1747)
O Del Mio Dolce Ardor ....................................................................... ... Christoph Willibald Gluck
(1714-1787)
Deanna Bunal, mezzo-soprano
Chai-Kyou Mallinson, piano
Suite, Op. 14 ................................................................................................................. Béla Bart6k
Allegretto
(1881-1945)
Scherzo
Allegro molto
Sostenuto
Sut Han Che, piano
Suite D-Dur ................................................................................................ Georg Friedrich Händel
(1685-1759)
Ouverture
Allegro (Gigue)
Aire
Bourrée
March
Erinn Hibbard, trumpet
Margaret Reitz, harpsichord

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U N I \. I· R S I T Y

State University of New York
Department of Music

THURSDAY MID-DAY CONCERT
March 31, 2005 - 1:20 p.m. - Casadesus Recital Hall

Sonata for Clarinet and Piano .......................................................................... Camille Saint-Saens
(183 5-1921)
III. Lento
II. Allegro animato
Caroline Bravo, clarinet
Margaret Reitz, piano
Chaconne ................................................................................................................. Armand Russell
(b. 1942)
Don Truesdail, double bass
Chai-KyouMallinson, piano

Op. 120, No.2 ................................................................................. Johannes Brahms
Sonata in E-flat,
(1833-1897)
Appassionato, ma non troppo allegro
viola
Melissa Mattern,
Michael Salmirs, piano

Sonata for Two Clarinets ........................................................................................ Francis Poulenc
(1899-1963)
1. Presto
2. Trés lent
3. Vite, avec joie
Theresa Perrone, clarinet
Caroline Bravo, clarinet
Trumpet Concerto ................................................................................. Johann Nepomuk Hummel
(1778-1837)
IL Andante
III. Rondo
Erinn Hibbard, trumpet
Margaret Reitz, piano
K. 498 ....................................................................................................... W. A. Mozart
Trio in E-flat,
(1756-1791)
III. Rondo (allegretto)
Melissa Mattern, viola
Theresa Perrone, clarinet
Candace Che, piano

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              <text>Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</text>
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            <name>Title</name>
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                <text>Thursday mid-day concert, March 31, 2005</text>
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                <text>Works of Saint-Saëns, Russell, Brahms, Poulenc, Hummel, Mozart. Held at 1:20 p.m., March 31, 2005, Casadesus Recital Hall.</text>
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                <text>Bravo, Caroline</text>
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                <text>Reitz, Margaret</text>
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                <text>Truesdail, Don</text>
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                <text>Mallinson, Chai-Kyou</text>
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                <text>Mattern, Malissa</text>
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                <text>Salmirs, Michael</text>
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                <text>Perrone, Theresa</text>
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                <text>Hibbard, Erin</text>
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                <text>Che, Candace</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="41147">
                <text>Binghamton University Libraries</text>
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            <name>Date</name>
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                <text>2005-3-31</text>
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                <text>In copyright</text>
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                <text>1 audio disc </text>
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