23
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:37:14
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243684">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243684</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Paul Robeson, June 19, 1973
Recital Tape 1973-6-19
Creator
An entity primarily responsible for making the resource
Robeson, Paul
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
6/19/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:44:20
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243699">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243699</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Serge Koussevitzky, July 24, 1973
Recital Tape 1973-7-24
Description
An account of the resource
"Music treasury--G. Lemco"--Container.
Creator
An entity primarily responsible for making the resource
Koussevitzky, Serge
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
7/24/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiotape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:30:48
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243696">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243696</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, Serge Koussevitzky, August 8, 1973
Recital Tape 1973-8-8
Description
An account of the resource
Works of Beethoven, Beethoven, Prokofiev, Mozart, Berlioz.
Creator
An entity primarily responsible for making the resource
Koussevitzky, Serge
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
8/8/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/534bf1422147379edecd6a04bf767dc1.pdf
2e6a6efa7b985fadf54a1a38e85d8d0d
PDF Text
Text
AT BINGHAMTON
STATE UNIVERSITY OF NEW YORK
Harpur College
Department of Music
<
1
5
)
THE
AUDUBON
QUARTET
Friday, October 8, 1976
8:15 P.M.
Casadesus Recital Hall
m
T w a E w T E P
~ ~
�l
o
»
NES
I
}
PROGRAM
}b
»
v
(
i
Haydn
Quartet in 2? Major, 0p.64 no.6
Allegretto
Andante
Menuetto – Allegretto
Finale Presto
\
\
{
i
THE AUDUBON QUARTET
Dennis Cleveland, v i o l i n
Janet Brady, violin
Doris Lederer, viola
Quartet #8 Opus 110 (1960)
Largo
Allegro molto
Allegretto
Largo
Largo
Shostakovich
INTERMISSION
pv
C. Thomas Shaw, cello
Quartet i n ¢ minor, Op.51 n o . l
Allegro
Romanze Poco Adagio
Allegretto molto moderato e comodo
Allegro
o o
ad
J
§ s e
“A
Brahms
�\.
COMING EVENTS
0ct.10, Sun.
Concert S e r i e s C at ski l l Woodwind Quintet
Oct. 23, SaL
Nov. 6, oats
Concert Series Toby Appel
Concert Series – Seymour Fink,Delmar Pettys
Nov. 8, Mon. Harpur S mphon,,
Nov.13, SAG. Harpur Chorale
Nov.14, Sun. Jazz Ensemble (3 p.m.)
Concert Series – Peter Marsh and Friends
Dec. 4, Sab
University Chorus Orchestra Bicentennial
Dec. 9; Thur.
C o l i e g i i e m M u s i c u m (University U n i o n )
once
Dec.12, Sun. Concer t S e r i e s L a re d o, R o b i n e o n , P
Dec.13, Mon. Wind Ensemble
All concerts will begin at 8:15 p.m.
unless otherwise inarcated.
l
\\
—
—
—
T
Y T
E
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:10:02
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244783">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244783</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, University Chorus and Orchestra, April 5, 1976
Recital tape 1976 4-5
Description
An account of the resource
Works of Thompson and Orff. Held at 8:15 pm, April 5, 1976, Watters Theater.
Creator
An entity primarily responsible for making the resource
University Chorus and Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1976-04-05
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/4a31e262bc2d16bcb5efdb660f9a9a26.pdf
08cde8d8189eb0b1e07aa52bbd951439
PDF Text
Text
ST ATE UNIVERSITY OF NEW YORK AT BINGHAMTON
UNIVERSITY CHORUS
AND ORCHESTRA
R. VAUGHAN WILLIAMS
TOWARD THE UNKNOWN REGION
I. STRAVINSKY
SYMPHONY OF PSALMS
GUSTAV HOLST
THE HYMN OF JESUS
with the HARPUR CHORALE
DAVID BUTTOLPH, Director
MONDAY, MAY 5
815 P.M.
�PROGRAM
1.
TOWARD THE UNKNOWN REGION
R. Vaughan Williams
Darest thou now O soul,
Walk out with me toward the unknown region,
Where neither ground is for the feet nor any path
to follow?
A special word of thanks to the chorus
No map there, nor guide,
Nor voice sounding, nor touch of human hand,
Nor face with blooming flesh, nor lips, nor eyes,
are in that land.
of treble soloists participating in this
evening's program.
I know it not O soul,
Nor dost thou, all is a blank before us,
All waits undreamed of in that region, that
inaccessible land.
TREBLE CHORUS
Mary Ann Ferraiolo
Elizabeth Hartman
Beverly Penn
Esther Pettengill
Till when the ties loosen,
All but the ties eternal, time and space,
Nor darkness, gravitation, sense, not any bounds
bounding us.
Lizabeth Campbell
Jeanne Falinski
Phyllis LaBelle
Ursala Raeth
Lynne Engstrom
Rachel Gardner
Jill Weston
Stacie Williams
Then we burst forth, we float,
In time and space O soul, prepared for them,
Equal, equipt at last, (O joy! O fruit of all!)
them to fulfil O soul.
Walt Whitman.
2.
SYMPHONY OF PSALMS
Igor Stravinsky
Translation of the Text
Part I.
Verses 13 and 14 of Psalm No. 38
13.
Hear my prayer, O Lord, and my supplication.
Give ear to my tears. Be not silent:
for I am a stranger with Thee
and a sojourner, as all my fathers were.
14.
O forgive me, that I may be refreshed,
before I go hence, and be no more.
�Part II.
Verses 2, 3 and 4 of Psalm No. 39
2.
With expectation I have waited for the Lord
And he was attentive to me.
3.
And he heard my prayers,
and brought me out of the pit of misery,
and the mire of dregs.
And He set my feet upon a rock,
and directed my steps.
4.
And He put a new canticle into my mouth,
and a song to our God. Many shall see and fear:
and they shall hope in the Lord.
Part III.
any conventional sense as with the English oratorio
tradition--which is to say, there is virtually no
connection at all. The driving spirit of the work is
Holst's own intensely personal form of mysticism.
Now, as the Holst centenary approaches and passes,
the Englishness of his music stands out in proud relief,
but it can no longer be regarded as a parochial phenomenon. Its specifically Holstian integrity and warmth
of heart reach out ever more persuasively to listeners
everywhere, who find themselves in the 1970's unprecedentedly responsive to the life-celebrating directness
of a mysticism that is earth-based but not earthbound.
Richard Freed
February 1974
Psalm No. 150
*
1.
2.
3.
4.
5.
6.
Praise ye the Lord in His sanctuary;
praise Him in the firmament of His power.
Praise Him for His mighty acts:
praise Him according to the multitude of
His greatness.
Praise Him with the sound of the trumpet.
Praise Him with timbrel and choir:
praise Him with strings and organs.
Praise Him on high sounding ymbals:
praise Him on cymbals of joy.
Let every spirit praise the Lord. Alleluia.
-----3.
THERE WILL BE A SHORT INTERMISSION
THE HYMN OF JESUS
------
Holst composed The Hymn of Jesus during the last
five months of 1917 and dedicated the work to his friend
and colleague Ralph Vaughan Williams. For his text he
drew on the Apocryphal Acts of St. John, which appealed
to him so strongly that he learned Greek in order to read
the original and make his own translation. In contrast to
the exultant vigor. of the Hymn itself he fashioned a
Tranquil Prelude, built on the plainsong hymns Vexilla
Regis and Pange Lingua and incorporating the Latin texts.
The Hymn of Jesus has little to do with "sacred music" in
*
HARPUR CHORALE
SOPRANO
Amy Beech
Cindy Carter
Margaret Donelian
Lauren Fleischer
Karen Haight
Judy Kahan
Diane Poe
Nancy Roper
Ruth Roper
Chris Scott
Sara Whitmore
Gustav Holst
Notes From the Preface to the Centennial Edition
*
ALTO
Karen Adler
Cheryl Choy
Sandra Gerber
Susan Glass
Vicky Gordon
Joan Jurich
Marjorie Millan
Jeannette Murphy
Nancy Perkins
Linda Shaw
Joy Smucker
TENOR
Roger Cruttenden
Ian Kirschner
Kevin McDermott
David Rosenman
Robert Sarachan
Arthur Sherry
Harold Weinberg
BARITONE
Richard Bartman
Dennis Burge
Geoffrey Magee
Richard Wiebe
Russell Senti
BASS
Richard Berent
Richard Briggs
Kenneth Martin
Barry Shpizner
John Tuttle
�THE ORCHESTRA
THE UNIVERSITY CHORUS
SOPRANO
Cath y Cast iglia
Judi th Elkin
Lois Fisc htha l
Ellen Gold stein
Laur ie Goodheim (Tre as.)
Terr y Hogan
Grac e Houg hton
Laur ie Kief fer
Debo rah Lemon
Dane tte Lipte n
Naomi Niss en
Emil y Park er
Harr iet Pene nsick
Jane t Pere tz
Kare n Pris ciot ta
Jodi Silb iger
Nore en Spot a
Loui se Ulric h
Amy Willi ams
ALTO
Clar a Budi n
Moll y Carg ile
Kare n Clut e
Ann Ehrl ich
Nancy Elmo re
Barb ara Fros t
Miria m Gelb er
Susa n Gold farb
Lesl ie Gree n
Ilene Grue nebe rg
Nancy Juliu s
Rhonda Klei n
Tsu Ning Ko
Jenn ie Lanzo
Sue Lawson (Sec 'y)
Judy Levi ne
Mari lyn Milkman
Dina h Ross
Judi th Schoolman
Jane Shea r
TENOR
Rich ard Brus ca
John Davi dge
Robe rt Fran kel
Lee Gart enbe rg
Alan Hymowitz
John Keel er
Mark Lanz e
Rich Ossi as
Edward Scha pper t
Stua rt Silve rman
(Pub lic' ty)
Jud Wall is
Floy d West
BARITONE
Lynn Ayle swor th
Pete r Bola n
Ian Cain
Richard Davi s
Michael Gawo recki
Mich ael Lam berta ,Pres
Tom Lamphere
Rich ard Mall inson
Andrew McKim
Davi d Mose
Stev e Smith
BASS
Doug Char les
Carl Dashman
Leon Glow
Mark Karpman
Mich ael Pier ce
Bern ie Sher edy
Paul Sweeny
Chai Kyu Mall inson
Rehe arsal Acco mpan ist
FLUTE
Sharo n Kosa koff
Abbi e King
Kare n Tax
Roni Gros s
Barb ara Bish ara
OBOE
Jeff Barro n
Jane t Zieb ur
Elain e Wein er
Mari lyn Schu lkind
Rich ard Stein er
Davi d Besp alko
Steve n Winans
TROMBONE
Rich ard Gower
Gran t Sulli van
BASS TROMBONE
Jame s Magacs
TUBA
Carm elo Com beria ti
ENGLISH HORN
Scot t Eddy
TIMPANI
Kent Oldf ield
Mart in Ricc iardi
CLARINET
Paul Ketc hoyia n
Anne Stern
PERCUSSION
Roy Wein berge r
BASS CLARINET
Robe rt Sarac han
PIANO
Cynt hia Pete rson
Chai Kyu Mall inson
CONTRABASS ALSO
Luci nda Bald win
BASSOON
Thomas Clos ser
Edward Wadin
Lois Chan try
ORGAN
Emily Park er
Ruth Rope r
CELESTE
Chai Kyu Mall inson
HARP
HORN
Steph en Couch
Kenn eth Steig er
Robi n Jackman
Kenn eth Weissman
TRUMPET
Alfre d Szym aniak
Robe rt Lind strom
Fred eric Bartm an
Nancy Juliu s
VIOLIN
Davi d Agar d
Prin cipa l
Geor ge Meyers
Olev Viro
�VIOLIN
Richard Leavitt
Oscar Maxwell
Betty Lou Agard
Mary Jane Wojtowitz
Principal
Susan Marks
Eliza Tan
Norman Reid
Fritz Loewenstein
Eileen Pasternak
BASS
Donal O'Buckley
Principal
Dominique Hyatt
James Hills
Robert Rohland
VIOLA
Peggy Acker
Principal
Jeffrey Brooks
Martha Cotton
Barbara Gorin
Dorothy Bases
Joyce Capani
CELLO
Janet Nepke
Principal
Seth Jacobs
Howard Cohen
Myra Greenstein
Christine Johnson
Tracy Stack
Miriam Wu
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:20
23:29
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243466">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243466</a><a href="Voice Recital by the Students of David Clatworthy, April 28, 1975"></a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, University Chorus and Orchestra, May 5, 1975
Recital tape 1975-5-5
Description
An account of the resource
Works of Vaughan Williams, Stravinsky, Holst. Held at 8:15 pm, May 5, 1975.
Creator
An entity primarily responsible for making the resource
University Chorus and Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-5-05
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c8fb115474e84e8499b6a2de1e72d985.pdf
bf21bb48931cf971f1f51164eabe0c1c
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
University CHORUS
David L . Buttolph, con ductor
December 5 , 1974
8 : 1 5 PM
Don A . Wat t e r s T h eat e r
�BERENICE BRAMSON, SOPRANO
PROGRAM NOTES
MAGN IFICAT I N D , JOHANN SEBASTIAN BACH
The fi rs t Christmas at Leipzig gives a good idea of the creative fury that
possessed Johann Sebastian Bach. On each of the three feast–days he not only offered
a new cantata, but also, in the vesper service, his new Magnificat was performed
Magnificat is one of the few works that Bach composed on a Latin text, here
using Mary ’s hymn from the Vulgate which ends with the familiar doxology, ‘Gloria
Patri.‘ To this setting Bach added four independent pieces, based partly on German,
partly on Latin texts he (Bach) found in a Christmas cantata by Johann Kuhnau, his
predecessor in Leipzig. The first, a four–part motet based on the Lutheran Christmas
song, ‘Vom Himmel Hoch'; the second, ‘Freut Euch und Jubiliert’ (Rejoice and be glad)
set for three–part women ’s voices and tenors ; the third employs the liturgical text
“Gloria in excelsis Deo ’ and is set for five–part chorus ; and the fourth is a duet
for Soprano and Bass soli, ‘Virga Jesse Floruit’ which speaks of the coming of our
Lord in the likeness of man in vocal lines of unusually long and melismatic character.
In 1730, Bach revised this version of Magnificat and changed the key from
E fl a t to B, a more suitable transposition for trumpets. He also added flutes and
removed the four additional pieces. As a result, they are usually omitted from modern
performances. However, because they are particularly imbued with the Christmas spirit
and bring the monumental character of the main work into full relief, we take pleasure
in including them in tonight’s performance.
GLORTA, FRANCIS POULENC
Francis Poulenc was a member of the renowned French group ‘Les Six’ who are
Berenice Bramson was born in Omaha, Nebraska,
where she began serious study of the piano with Enid
Lindborg, a pupil of Ernest Hutcheson. She came east
to continue her piano and academic studies at Hunter
College, New York University and Columbia. The young
planist’s voice was soon discovered and she began her
vocal studies with Boris Voronovsky. She also studied
and coached with such famous musical figures as Pierre
Bernac, Estelle Liebling, Paul Ulanowsky and Fausto
Cleva, acquiring her unparalleled repertoire of lieder,
orchestra works, operatic roles and chamber music works
Of her New York recital in March 1973, Peter Davis
wrote in the Times: '"Very rarely does an unheralded
singer appear in Carnegie Recital Hall who can stand
comparison with international superstars. On the basis
of her concert Sunday night, Berenice Bramson can
match talents with any soprano recitalist before the
public today.”
c
known for their violint reaction to the aesthetic ideals of the pre–war generation
of composers.
Choral music always had a great attraction for Poulenc and many of his
compositions in this fi eld are of a religious nature. Gloria, written in 1959, was
commissioned by the Koussevitzky Foundation and fi rst performed under Charles Munch
in January, 1961.
:
Whether writing for orchestra or voices, the art of Francis Poulenc is pre–
eminently vocal. He combines in his Gloria a sure instinct for grace and elegance
with a profound understanding and rendering of the more serious undertones of his
text.
Program notes by Andrea Birnbaum
1
0
i
v
o
�PROGRAM
Freut euch und j u b i l i e r t
GLORIA
FRANCIS POULENC
Et misericordia
1899 – 1963
Gloria
Laudamus te
Domine Deus
ALMA PONCE, contralto
KEVIN MCPERMOTT, tenor
Domine fi l i unigenite
Fecit potentiam
Domine Deus, Agnus Dei
Qui sedes ad dexteram patris
Gloria i n e x c el s i s Deo
BERENICE BRAMSON, soprano
Deposuit p ot e n t es
RAYMOND LARZELERE, tenor
INTERMISSION
Esurientes i mp l evi t bonis
ALMA PONCE, co n tra l to
MAGNIFICAT IN D
JOHANN SEBASTIAN BACH
Virga Jesse fl o r u i t
1685 – 1750
Magnificat
.
Et e x u l t a v i
ESTHER PETTENGILL, soprano
LARRY ZUKOF, baritone
His
t s p
i r i t u s meus
Suscepit Israel
ALICE WEINTRAUB, soprano
VomHimmel hooh
Steut locutus e s t
)
.
roi .
Quia resp e x i t humilitatem
Gloria patri
.
BEVERLY PENN, soprano
Ommes generationes
With th e par ticipation o f th e Harpur Chorale
Quia f e c i t mihi magna
GARY LEVINE, basso
3
4
= A
�THE HARPUR CHORALE
David Buttolph, Direc tor
Richard Berent, Asst. Conductor
PERSONNEL
SOPRANO
Judi Kahan
Deborah Lemon
Chris Scott
Paula Vanco
Amy Beech
Lauren Fleischer
Laurie Goodheim
Karen Haight
ALTO
Karen Adler
Leslie Green
Susan Hitchens
Joan Jurich
Jeanette Murphy
Barbara Savage
Linda Shaw
Joy Smucker
Andrea Birnbaum
Molly Cargile
Cheryl Choy
Karen Clute
Susan Glass
Tenor
Amy Adams
Lori Alcon
Cathy Castiglia
Mary Davis
Shelley Drazen
Judith Elkin
Jeanne Falinski
Lois Fischthal
Rachel Gardner
Isobel Gavin
Ellen Goldstein
Laurie Goodheim
Denise Griffith
Roni Gross
Grace Houghton
Bernadine Berock Kensinger
Wendy Kleinman
Danette Lipton
Grace Mehl
Nancy Roper
Ruth Roper
Andrea Birnbaum
Georgina Bruce
Clara Budin
Molly Cargile
Cheryl Choy
Karen Clute
Joan Ebblie
Margo Gelber
Miriam Gilbert
Susan Goldfarb
Bette Goldwert
Zack Bowen
Robert Frankel
Lee Gartenberg
Alan Hymowitz
Ian Kirschner
Mark Lanze
Robert Lischetti
Tom Nytch
Richard Ossias
Stuart Silverman
Stephen Straight
Jud Wallis
Floyd West
Christine Scott
David Rosenman
Rich Ossias
Jeffrey Taxman
Howard Weinberg
Leslie Green
Ilene Grueneberg
Nancy Julius
Rhonda Klein
Tsu Ning Ko
Sue Lawson
Judy Levine
Marilyn Milkman
Helen Ottaway
Regina Rosenberger
Dinah Ross
Jane Shear
Judith Solheim
Margaret Starke
Amy Zelenetz
OFFICERS – UNIVERSITY CHORUS 1974–75
Andrea Birnbaum
Michael Lamberta
Sue Lawson
Laurie Goodheim
Amy Zelenetz
BASS
David McKenas
David Mose
W. Gregory Nissen
Russell Senti
Barry Shpizner
John Tuttle
Richard Bartmon
Richard Berent
Richard Briggs
Michael Lamberta
Geoffrey Magee
Kenneth Martin
Alto
Lisa Serradilla
Jodi Silbiger
Susan Smith
Noreen Spota
Louise Ulrich
TENOR
Roger Cruttenden
Richard Kaskan
Ian Kirschner
Kevin McDermott
Soprano
President
Vice–President
& Librarian
Secretary
Treasurer
Publicity
Chai–Kyu Mallinson, accompanist
Bass
Lynn Aylesworth
Richard Berent
Peter Bolan
Donald Borsh
Ian Cain
Douglas Charles
Richard Davis
David Hanson
Mark Karpman
Michael J. Lamberta
Thomas Lamphere
Michael Little
Andrew McKim
David R. Mose
Roger Norton
Malcom Ottaway
Mark Perlin
Michael Pierce
Larry Roth
Russell Senti
Steve Smith
Roger Stein
John Vineall
Richard Mallinson
Special thanks are owed to the voice faculty and to
Barbara Garges for assistance in preparation of soloists.
6
5
J
�ORCHESTRA PERSONNEL
Violins
Cellos
Horns
Mary Reynolds,
Concertmistress
Masako Matsumoto,
Principal second
Andrea Andros
Mary Barton
Janet Brady
Craig Weaver,
Principal
Howard Cohen
Myra Greenstein
Kris Gunn
David Heiss
Seth Jacobs
Tom Shaw
Tracy Slack
Steven Stalker
Holly Wilson
Robin Jackman
Ellen Loring
Barbara Quick
Kenneth Steiger
Rosa Campa
Paul Childs
I
l
r“I
l
I
n
l
Diane Feigin
Gregory Fulkerson
Oscar Maxyell
Susan Mitchell
Elmar Oliveira
Rita‘orzelek
Cheryl Page
Norman Reid
Robert Seletsky
Dinah Voorhies
A lexandra Werb i zky
Lydia Werbizky
Violas
Bassoons
Lois Chantry
Marsha Pivarnik
Contrabassoon
Ed Wadin
Basses
Trumpets
Richard Thomas
Dominique Hyatt
Brian King
Allan Winans
Steve Winans
“Flutes
Trombones
Fran Shafer
Susan Clarvit
Merrell Weiss
Dennis Martin
Grant Sullivan
James Magacs
Ron Carbone, prineipal
Larry Bradford
Barbara Gorin
Carol Hutter
Carol Isaacson
Janis Lubinsky
Sandra Robbins
Jeanne Woodruff
Geoffrey Brooks
Piccolo
Harp
Merrell Weiss
Barbara Irish
Harpsichord
Oboes
Chai–kyu Mallinson
Nancy Ranger
Eliot Friedman
Geoffrey Barron
English Horn
Geoffrey Barron
lu
M
x{
Personnel Manager
Clarinets
Percussion
Geoffrey Barron
Wendy Osteyee
Joyce Rose
Martin Ricciardi
Bass Clarinet
Donald Naiolo
7
I
[
Tuba
Tom Wood
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:31
40:37
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, University Chorus, December 5, 1974
Recital tape 1974b 12-5
Description
An account of the resource
Held December 5, 1974.
Creator
An entity primarily responsible for making the resource
University Chorus
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-12-05
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/32d099013dcfa53b585963bf86604ee3.pdf
ca9d51f2d6efa6ade71128c5d54ff9f8
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
UNIVERSITY CHORUS
David L . B uttolph, conduc tor
Sunday, December 7 , 1975
7 : 3 0 pm
Don A. Watters Theater
�University Chorus
*************&*******é
******&****&***#*&**************
EDWARD ELGAR
THE MUSIC MAKERS
Stephanie Sundine, mezzo–soprano
I N T E R M I S S I O N
CHRISTMAS CANTATA
About our Solo ists
l
l
nors
Stephanie Sundine, a graduate wit h hi ghes t ho
im
an
has
1,
197
n
from the Univ ersit y o f I l l i n o i s i
f
i
year s i s tha t o f fi n a l i s t i n the San Fran
Regi onal Aud ition s f o r 197 5.
Allegro
ee from
Cora Couch holds the Bachelor of Music degr
cal activi
Oberlin Conservatory. Her program of musi
Bezazian
the
o
t i e s i n r e c i t a l and chamber music led t
BRASS C H O I R
David Bes palko, t rump e t
Robert Hayes, trumpet
Al Szymaniak, trumpet
Dan Benscer, trumpet
Richard Gower, trombone Eric Schwartz, trombone
Mitch Geisner, trombone James Magacs, trombone
Kirk Jackson, baritone
Tom Wood, tuba
ope rati c
Music Scholarship Award i n 1969. She has held
rlin,
Obe
f
o
yers
lead s wi th th e Gilb ert and Sull ivan Pla
., and
the Collge Light Opera Company of Falmouth, Mass
i
[ .
SERGE RACHMANINOFF
:
1]
l
[
JOHANN SEBASTIAN BACH
Glor ia i n e x c el s i s Deo
Glor ia Patri
Cora Gamelin Couch, soprano
Donald Weiskopff, tenor
Steu t e r a t i n p r i n c i p i o
oral
she made solo appearances with the Pent ucket Ch
Society of West Newbury, Mass.
born
Donald Weiskopff, a native TriCity resident, ctiv
i
choral a
in Endicott, has long been a member of
e
th
with
s
t i e s i n t h i é are a. He has sung teno r r o l e
s appeared
Chenango and Montrose Choral Societies and ha
frequently over the years as soloist in the choral
l
CANTATA 191
a,
Chicago Lyric Opera, New York’s After Dinner Oper
Gold
s
Bori
The
The Chautauqua Opera Asso ciati on, and
d
orme
perf
s
a
h
she
ovsky Opera Theater National Tours,
s leading
solo s i n sev eral major choral works as w ell a o l o i st
s
a
was
ro l es i n musical comedy. This year she
he pa
Productions. Amoung several awards over tcisco
Opera
Adagio
MAGNI FI CAT
o rat o r i o . Besi des appearan ces as s o l o i
Tour
with Gil bert and Sull ivan A La Cart e Nati onal st
DANIEL PINKHAM
Maestoso, Allegro
T
BRASS CHOIR I
f opera and
posing record of experience in the world s to with
th e
1
l
l
l
l
l
l
1i
i
l
Society.
masterworks presented by the Binghamton Choral St.
He is a member of the Bach Oratorio Society, the
Ambrose Choir and the Vacano Music Society.
AX AX XX
sent
The Univ ersit y Chorus and Orch estra w i l l pre
with
Carmine Burana by Carl Orff on April 5th, 1976
and
Louise Wohlafka, soprano, Alan Crabb, t e n o r,
Jake Gardener, baritone.
�Program Notes
The Music Makers, set to Arthur O’Shaughnessy’s
poem, was wr i t te n i n 1912 and, unlike some o f i t s
earlier predecessors Dream of Gerontius (1900),
Enigma Variations (1899), The Apostles (1903), and
the Symphonies uses referential themes from many of
th es e works. The at t ra c t i o n f o r Elgar was th e t e x –
tural quality o f dream fantasy and the p o ss i b i l i t i es
o f harmonic allusion and dream symbolization.
This “Magnificat", by Serge Rachmaninoff (1873
1943) is the eleventh of fifteen choral selections
written in 1916 for the “ALL Night Vigil,” Opus 37.
I t i s formed o f fundamental melody l i n es i n the lower
vo i c es which are interspersed with repeated choral
exaltations in th e higher vo i c e s . The theme o f spir–
i t u a l devotion i s stated simply i n the beginning,
gaining fulness and grandeur and gradually growing
i n t o a complete expression o f the humility o f the
Virgin, and an affirmation of belief in the power of
the Lord
Daniel Pinkham (b. 1923) is a contemporary Amer–
iean composer now on the faculty of the New England
Conservatory o f Music. His “Christmas Cantata,”
wr i t t e n i n 1957, i s a good re p res e n tati o n o f modern
choral composition. The work i s i n three movements,
opening with an invocation t o the shepards t o t e l l
t h e s t o r y o f t h e Na t ivi t y. This i s done wi th sim
plicity and freshness, and in programmatic style.
The second movement describes the mystery of the
Virgin and the Nativity, and leads t o an ebullient
third movement, where the f u l l chorus sings “Gloria
i n e x c el s i s Deo,” a motive repeated between several
sections o f praise and adoration, i n which more and
more voices are heard. The work culminates drama
tically in a final Alleluia.
Bach was a great borrower not only from such great
masters as Vivaldi and Corelli but from his own pro–
digious output
From h i s Mass i n B minor composed i n 1733, Bach
drew Cantata 191. Dated 1740, i t i s an arrangement
o f the Gloria f o r Festo Nat ivi tat i s C h r i st i . The
work i s i n three movements: the fi r s t based on the
Gloria, No. 4 o f the Mass; the second on th e Domine
Deus, No. 7 of the Mass; and the closing chorus on the
Cum Sancto S p i r i tu , No. 11 o f the Mass.
The main d i ff e re n ces l i e i n Bach’s textual changes
which substitute the Doxology i n the second and third
movements.
What makes No. 191 an e x ce pti o n a l ‘borrowing c a s e ’
however i s the f a c t th at i t i s th e only cantata n o t
in the vernacular (German). According to Whittaker,
“No year of the Christmas Day for which it was pre–
pared i s ascertainable, and (there i s ) no reason f o r
th i s departure from the normal.”
E
E
E
During intermission, you are cordially invited
t o attend the opening o f the exhibition, “Canvas
Fantasy” in the University Art Gallery.
�THE UNIVERSITY CHORUS
SOPRANO
Elizabeth Dixon
Judith Elkin,
secretary
Michalene George
Laurie Goodheim,
treasurer
Kathleen Groves
Marcia Hausner
Janet Hawkins
Cindy Hibbard
Grace Houghton
Harriet Johnson
Stephanie Klein
Cheryl Klingensmith
Danette Lipten
Judy Lou
Marcie Lustgarten
Nancy McCann
Juliette Mellow
Harriet Penensick
Martha Powell
Jodi Silbiger
Noreen Spota
Barbara Taggert
Sharon Wilcox
Amy Williams
ALTO
Clara Budin
Phyliss Burr
Molly Cargile
Susan Cohen
Joanne Cronin
Nancy Drucker
Dawn Dweir
Ann Ehrlich
Ruth Foley
Miriam Gilbert
Rosemary Goetz
Sylvia Horowitz
Rhonda Klein
BASS cont’d
Richard Davis
Jon Floriano
John Florio
Michael Gaworecki
Leon Glow,
vice president
Robert Gordan
Kenneth Hollister
Michael Klein
Michael Lamberta
Sue Lawson
Judy Levine
Michelle Milligan
Carrie Nichols
Emily Parker
Janet Peretz
Lori Salomon
Amy Schmertz
Judith Schoolman
Beth Ann Schoonmaker
Jane Shear
Judith Solheim
Margaret Starke
Thomas Lamphere
Richard Mallinson
Andrew McKim
David Mose
Michael Pierce,
president
Adam Pollak
William Snyder
Marshall St. Clair
ACCOMPANIST
ChaiKyu Mallinson
Carol Townsley
Michelle Tuman
Jill Weston
TENOR
John Davidge
Richard Ervin
Robert Frankel,
librarian
Lee Gartenberg
Frank Holby
Ben Holroyd
Mark Lanze
Kevin McDermott
Thomas Nytch
Stuart Silverman,
publicity
Jud Wallis
Donald Weiskopf
Floyd West
BASS
Christopher Arneson
Lynn Aylesworth
Thomas Baynes
Peter Bolan
Ian Cain
Carl Dashman
THE ORCHESTRA
l
\
VIOLIN I
Evelina Choa,
concertmaster
Mary Barton
Bruce Berg
Ronald Copes
Karen Fliegler
Elmar Oliveira
Robert Seletsky
Michael Smith
Lydia Werbizky
VIOLA
VIOLIN II
Armen Boyagjian,
principal
Nigel Allen
Janet Brady
Kevin Byrnes
Lee Ann Harbatuck
Ross Levinson
Marcia Miller
Evan Paris
Cordula Rosow
CELLO
Larry Bradford,
principal
Geoffrey Brooks
John Dexter
Judy Geist
Barbara Gorin
Carol Isaacson
Julie Kramer
Sandra Robbins
Ellen Weil
David Heiss,
principal
Howard Cohen
Michael Finckel
David Hoppe
Seth Jacobs
Tom Shaw
Steve Stalker
Holly Wilson
�BASSES
Debbie Neu,
principal
Richard Thomas
Dominique Hyatt
Michael Sanders
FLUTE
Susan Passanante
Liann Helfer
PICCOLO
Nancy Becker
OBOE
E l l i o t Friedman
Janet Zeibur
ENGLISH HORN
Matthew Kuhn
CLARINET
Wendy Osteyée
Paul Ketchoyian
BASS CLARINET
Laurie Nash
BASSOON
Lois Chantry
Michele Stein
HORN
Bob Taylor
Ken Steiger
Rod Thomas
Jay Hilfiger
TRUMPET
Alfred Szymaniak
Bob Hayes
Dave Bespalko
TROMBONE
Eric Schwartz
Richard Gower
Steve Shear
TUBA
Tom Wood
PERCUSSION
Diane Dino
Joseph Pazienza
TYMPANI
Geoffrey Brooks
HARP
Linda Warren
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:53
37:06
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244744">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244744</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert, University Chorus, December 7, 1975
Recital tape 1975-12-07
Description
An account of the resource
Works of Elgar, Pinkham, Rachmaninoff, Bach. Held at 7:30 pm, December 7, 1975, Watters Theater.
Creator
An entity primarily responsible for making the resource
University Chorus
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1975-12-07
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/6d485f76fbc737ed34cc41426d38b9ee.pdf
8b6d755720cb1aee87858fda0aa87ef1
PDF Text
Text
STATElJnnmmmxv'orIQBwrlkmm:Aernnnnuu10N
Harpur College
Department of Music
The Coll egiu m Musicum, Pau l Jord an, d
pres ents
irector
the Baroque Chamber
> Orchestra
i
i
<
J
\
i
M
\
H H
i
Y
A
\
November 20, 1974
Casa desu s R e c i t a l Hal l
8 : 1 5 PM
w
�THE BAROQUE CHAMBER ORCHESTRA OF THE COLLEGIUM MUSICUM
PROGRAM
FALL 19 74
Mitchell L. Mendelson, Music Director
Paul Jordan, Music Advisor
Karen Adler, Assistant Conductor
ARCANGELO CORELLI
( 1653– 1713)
CONCERTO GROSSO IN D MAJOR
opus 6, no. 4
Adagio – Allegro
Adagio – Vivace
Allegro – Allegro
PERSONNEL
Robert Seletsky, violin
Dinah Voorhies, violin
Howard Cohen, violoncello
JOHANN JOACHIM QUANTZ
( 169 7– 1773)
CONCERTO IN C MAJOR
for Flute and String Orchestra
Allegro
Amoroso
Presto
Sharon Kosakoff, fl ute
Denise Savas, violin
Schyler Smith, violin
V i o l i n I
Flute
Robert Seletsky, principal
Denise Savas
Joyce Capani
John Hagopian
Andrew Kindler
Sharon Kosakoff, principal
Wendy Herman
Jane Gottlieb
Violin II
Barbara Segreto, principal
Marilyn Schulkind
Deborah Schnapf
Dinah Voorhies, principal
Schyler Smith
Tina Opie
Donald Thaler
Carol Hutter, viola
Howard Cohen, violoncello
Viola
CONCERTO GROSSO IN B–FLAT MAJOR
for two Oboes and String Orchestra
opus 3 , no . 1
GEORG FRIEDRICH HANDEL
( 1685– 1759 )
Violoncello
Lar go
A l le gro
Howard Cohen, principal
Stanley Ostrom Jr.
Barbara Segreto, oboe
Ma r i l yn Sch ulk ind , oboe
Joyce Capani, violin
Bass
Michael Graven, Jr.
INTERMISSION
Over ture
P la in te
Re jo uissance
Ca r i l l o n
T in tama r e
Loure
Men ue t I / I I
Carol Isaacson
Barbara Gorin
A l le gro
ORCHESTRAL SUITE IN D MAJOR
Carol Hutter, principal
GEORG PHILIPP TELEMARN
( 1681– 176 7)
Oboe
Trumpet
Steve Winans
Bassoon
Lois Chantry
Harpsichord
Sharon Frachtenberg
�The Baroque Chamber Orchestra will join
the Collegium Choir and the Renaissance
Consort for a gala concert on Wednesday,
December 11, 1974, at 8:15 PM in the
Jean Casadesus Recital Hall, SUNY–Binghamton.
Featured works will include Concerti
Grossi by Corelli and Vivaldi and a Chorale
Cantata by Buxtehude. Admission is free.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:10
37:17
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243392">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243392</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert,Baroque Chamber Orchestra, November 20, 1974
Recital tape 1974 11-20
Description
An account of the resource
Works of Corelli, Quanz, Handel, Telemann. Held at 8:15 pm, November 20, 1974, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Baroque Chamber Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-11-20
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/4a21dffa2cbcd81bd56b89acde4433f9.pdf
79d834e25ca66be8f500a314cc4d7a89
PDF Text
Text
2 s Binghamton Symphonette
FRITZ WALLENBERG, Conductor
SOLOISTS
Georgetta Maiolo, Flute
Harry Lincoln, F lute
James Wallenberg, Violin
Madeleine Brooks, Piano
Christine Lindsay, Piano
7 4 M.
SUNDAY, SEPTEMBER 22nd, 1 9 7:30 P.
THE DON A. WATTERS THEATER
STATE UNIVERSITY
�PROGRAM
Brandenburg Concerto No. 4 in Gmajor .
Allegro
I. S. Bach
(16851750)
Andante
Presto
Soloists: Georgetta Maiolo, Flute
Harry Lincoln, Flute
James Wallenberg, Violin
The six Brandenburg Concertos were written during Bach’s employment in the
court at Coethen, a period during which he composed much of his secular instrumental
music. They were dedicated on March 24, 1721, to Christian Ludwig, the Margrave of
the Prussian province of Brandenburg.
The solo group (concertino) for the fourth concerto was originally scored for two
recorders and violin. The three movements are of contrasting character, the first in a
dancelike triple meter, the second an Andante with many phrased couplets giving the
effect of chains of sighs, and the third is a fast fugal Presto which features florid passage
work for the solo violin. Throughout the work the concertino interacts with the back
ground group (ripieno) more in the sense of friendly rivalry (“concertare”) and sharing
of materials than the setting off of a solo to an accompaniment of secondary interest.
Concerto for two pianos in dminor
Allegro ma non troppo
F. Poulenc
(18991963)
Larghetto
Allegro molto
Soloists: Madeleine Brooks
Christine Lindsay
Poulenc was commissioned to write this concerto for a performance by the com
poser and Jacque F ebrier at the International Festival of Contemporary Music at
Venice in 1932. As is characteristic of many of Poulenc’s works the concerto is sophisti
cated and gay, yet uncomplicated. The buoyant first movement closes with effects which
reflect the Balinese music Poulenc heard at the Colonial Exposition in 1931. The slow
movement’s outer sections are reminiscent of Mozart while the middle part of the move
ment is openly Romantic in style. The very free Finale is exuberant and brilliant. The
total work is a successful treatment of the twopiano concerto, a genre explored by few
composers.
INTERMISSION
�Symphony No. 94 in Gmajor ( “Surprise”) .
I. Haydn
(17321809)
Adagio cantabile; Vivace assai
Andante
Menuetto–Allegro molto
Allegro di molto
This is one of the bestknown of the twelve “London” symphonies Haydn wrote
during two sojourns in England, 17911795. These last symphonies by Haydn are ma
ture works of great imagination which influenced composers through much of the nine
teenth century. The opening notes of the slow introduction to the first movement are
transformed, with slight rhythmical change, into the main theme of the Allegro. The
slow movement, a theme with f our variations, is noted, of course, f or its tutti surprise
chord at one of the cadences. More droll are the humorous contrasts in the pompous
second variation in a minor key. The seemingly straightforward minuet breaks into a
clever piece of canonic writing in its second section. The last movement, jolly and bois
terous, hides a humorous and fast moving reference to the first movement which is a
challenge for the listener to catch.
Program Notes by Dr. Harry Lincoln
MEMBERS OF THE SYMPHONETTE
Violins:
Ralph Wade
Marianne Wallenberg
R . R ’ h d
‘tt
Cellos:
Daniel McIntosh
Robert Knight
Bassoons:
Thomas Closser
Betsy Sturdevant
Jas Sting) a :
Bass:
French Horns:
Betty Lou Agard
Eliza Tan
Flutes:
Georgetta Maiolo
Harry Lincoln
James Wallenberg
Maryjane Woytowitz
Edward Pettengill
; :
Judith Niles
Violas:
Russell Colton
Dorothy Basos
Shirley Sullivan
Richard Thomas
Haroon:
Donna P 1
ylypsiw
Oboes:
Scott Eddy
Jeffrey Barron
Brian Stemberg
Stephen Couch
Trumpets:
Elmer Fairbank
John Harper
Timpani:
John Engstrom
19741975 SEASON
FIRST SYMPHONY CONCERT
SUNDAY, N OV. 3rd, 7:30 p.m. – Wes t Junior High School
Soloist: Eileen Farrell
A l l Wagner Program
SUBSCRIBE NOW!
Brochures for the 197475 season are in your program.
There will be an opportunity at intermission to subscribe now for the coming season.
�BINGHAMTON SYMPHONY AND CHORAL SOCIETY, INC.
Officers
President
Vice President
. Secretary
Treasurer
George R. Dunham
Mrs. Eugene Peckham .
Mrs. Robert Jergel
Miss Sophie Horowitz
Directors
James Babbitt
Morris Gitlitz
William Bridegam
Mrs. Edwin L. Crawford
George R. Dunham
Robert Eckert
Mrs. Jane Kihner Ellison
Miss Sharon Emmons
Donald Forriter
Miss Sophie Horowitz
J. Scott Husted
Mrs. Robert Jergel
Mrs. F. Thomas Jones
Dr. Harry Lincoln
Mrs. James Little
Keith Martin
Mrs. Alice Mitchell
Mrs. Eugene Baxter
Dr. Philip Friedheim
Mrs. Morris Gitlitz
Choral Committee
Chairman–Mrs. F. Thomas Jones
ViceChairman–Miss Sharon Emmons
Secy. Treasurer—Edward Schappert
Librarian–Mr. and Mrs. Scott Husted
Mrs. Charles Joseph, Mrs. Jan Shephard,
Miss Ethel Molessa
Dr. Francis E. Moore
Dr. Clifford Myers
Mrs. Eugene Peckham
Mrs. Conrad Ross
Mrs. Everett Shimp
Mrs. Roy Sova
Mrs. Fritz Wallenberg
Mrs. Charles Yungkurth
LouisE. Zell, Jr.
Fund Raising Committee
Chairman–Clifford Myers
Secretary Treasurer–Mrs. Donal O’Buckley
Mrs. Vincent Cherrone, Mrs. Kent Turner
R on Hamilt
Hamilton
Publicity Committee
Orchestra
Personnel Manager–Miss Ethel Molessa
Concert Manager–Edward Pettengill
Chairman–Mrs. Roy Sova
ViceChairmen–Mrs. Michael Middaugh
Jerauld Manter
Librarian–Jane Whitmore
Art Work–Mrs. Carlton Thompson
Executive Committee of The Friends of the Symphony
President—Mrs. James Little
Mrs. Paul Brooks, Mrs. John Convertino, Mrs. Edwin Crawford, Mrs. Philip Mattice,
Mrs. John Fenzel
We wish to extend our thanks to the Evening Press, The SunBulletin, WBNG,
WICZ, WKOP, WENE, WBJA, WEBO, HiFi Record Shop, Kent Drug Stores, Harpur
College, Marvin Kelley, Jr., Mr. and Mrs. John Richard Reidy, Vestal News, Carrols
DriveIn, and to all other friends whose support has made this concert possible. Special
thanks to Welcome Wagon for dispensing information and advertising materials.
This concert is made possible in part by support received from the New York State
Council on the Arts.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
19:37
21:18
26:10
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243347">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243347</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
FacingContinuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert,Binghamton Symphonette, September 22, 1974
Recital tape 1974 9-22
Description
An account of the resource
Works of Bach, Poulenc, Hayden. Held at 7:30 pm, September 22, 1974, Watters Theater.
Creator
An entity primarily responsible for making the resource
Binghamton Symphonette
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-9-22
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c240aa9444fb6890fdb8b2c87c75f1ce.pdf
d46012b605c259f850ce2828f0bf57f1
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
Harpur College
Department of Music
Harpur Symphony Oworetrsat
Alfred Clinton Morris, conductor
Don A. Wat ters T heater
Thursday, October 31, 1974
8 : 1 5 PM
�THE HARPUR SYMPHONY ORCHESTRA
ALFRED CLINTON MORRIS, conductor
MARY REYNOLDS, guest soloist*
ORCHESTRA PERSONNEL
JEAN S I B E L I U S
( 1 8 6 5 1 9 5 7 )
CONCERTO FOR VIOLIN AND ORCHESTRA IN D MINOR, OPUS 47
ALLEGRO MODERATO
ADAGIO DI MOLTO
ALLEGRO MA NON TROPPO
MARY REYNOLDS, violin
First Violins
Cellos
Horns
Gregory Fulkerson
Andrea Andros
Robert Seletsky
Cheryl Page
Elmar Oliveira
George Myers
Bruce Berg
Paul Goodman
Robert Provell
Lydia Werbizky
Evelina Chao
Oscar Maxwell
Tom Shaw
Robin Jackman
Martin Burki
Ken Weissman
Ellen Loring
Second Violins
INTERMISSION
LUDWIG VAN BEETHOVEN
( 1 7 7 0 1 8 2 7 )
SYMPHONY NO. 6 ("THE PASTORALE")
ALLEGRO MA NON TROPPO
Awakening of happy feelings on
getting out into the country
ANDANTE MOLTO MOSSO
By the brook side
ALLEGRO
Peasants’ merrymaking
ALLEGRO
Thunderstorm
ALLEGRETTO
Shepherd’s song Happy and
thankful feelings after the storm
*FINALIST IN THE FIRST CONCERTO COMPETITION
Janet Brady
Rosa Campa
Norman Reid
Susan Mitchell
Masako Matsumoto
Alexandra Werbizky
Paul Childs
Dinah Voorhies
Cordula Rosow
Diane Feigin
Rob er t Nosofsky
Rita Orzelek
David Heiss
Dan McIntosh
Holly Wilson
Craig Weaver
Seth Jacobs
Steven Stalker
Myra Greenstein
Kris Gunn
Howard Cohen
Tracy Slack
Trumpets
Basses
Richard Thomas
Debra Neu
Michael Sanders
Dominique Hyatt
Donal O ’Buckley
Brian King
Allan Winans
Steve Winans
Trombones
Donald Robertson
Michael Williamson
Flutes
Roger Keagle
Fran Shafer
Susan Clarvit
Percussion
Piccolo
Martin Ricciardi
Joseph Roma
Merrell Weiss
Personnel Manager
Oboes
Geoffrey Barron
Violas
Larry Bradford
Mary Ba r ton
Ron Carbone
Geoffrey Brooks
Eliot Friedman
Carol Hutter
Clarinets
Barbara Gorin
John Dexter
Carol Isaacson
Sandra Robbins
Jeanne Woodruff
Janis Lubinsky
Bassoons
Louis Papastrat
Brian Rozen
Nancy Ranger
Wendy Osteyee
J o y c e Rose
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:18:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243385">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243385</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Continuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Concert,Harpur College Orchestra, October 31, 1974
Recital tape 1974 10-31
Description
An account of the resource
Works of Sibelius and Beethoven. Held at 8:15 pm, October 31, 1974, Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1974-10-31
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound