24 10 1775 https://omeka.binghamton.edu/omeka/files/original/8ec35eedcffb56ec8985c0475ab8fbb3.pdf b2022d3122b2edf107c0891232bcf46a PDF Text Text BINGHAMTON E E N 1 V E R S 1 T Y S T A T E U N I V E R S I T Y O F N E W Y O R K E T A zedeC T M E N T BIN GHA MTO N UNI VERSITY S Y M P H O N Y C ONcER T O & ARIA CO M PE TIT IO N Sunday, September 18, 2011 6:30 p. m. Casadesus Recital Hal l �PROGRAM Concerto # 2 in F minor, Op. 21, I * Movement................. C o n c e r t o Trombone in f minor, 2 & 3 movements......Gréndahl William Marsiglia, trombone Chopin SungKyun Ryu, piano ConcertoM arimba, 1° movement............................ ............Ewazen “Eri tu, che macchiavi” from Un ballo in maschera........... Adam Goldenberg, marimba Verdi HeePyoung Oh, baritone Cello Concerto in e minor, I ’ movement ..................... S R R Xander Edwards, violoncello “O zittre nicht”from Die Zauberﬂo’te.................................Meee. Mozart Meghan Cakalli, soprano 5 “Glitter and be Gay” from Condide.... .........cinssrssasivssssssas .. Bernstein A th Cello Concerto in e minor, 4 movement..................... Eric Wuu, violoncello ..........Elgar Christina Kompar, soprano Der Schwanendrehrer, I” MOVEMENL.......... cososassns, weveerenennnn . Hindemith “Che gelida manina” from La Boheme Puccini Benjamin Pochily, viola EunHwan Bae, tenor “Ah...tardai troppo...O luce di quest” anima f rom Linda di Chamounix Donizetti Kathleen J asinskas, soprano Special thanks to accompanists Pej Reitz & John Isenberg, and our Jury, Professors Stephen Zank, Paul Schleuse & April Lucas �Binghamton U niversity Music Department’s U P C O M I N G E V E N T S $ M ﬁ w é ﬂ ﬁ w b ﬁ r y ﬁ t ﬁ w Saturday, September 24 – Binghamton University Symphony Orchestra Alumni Jam – 10:30 – 11:30 a.m. – FA111 – Free Thursday, October 6 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, October 13 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Sunday, October 16 – Mobius Ensemble and Friends: Chamber Music Masterpieces – 3 p.m. – Watters T h e a t e r $10 general public; $6 faculty/staﬀ/seniors; $3 students ~ Thursday, October 20 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall – free Friday, October 21 – TriCities Opera presents “Madame But terﬂy” – 8 p.m. – The Forum Theatre – call (607) 7720400 for tickets Saturday, October 22 – Family Weekend Concert (Harpur Chorale, Women’s Chorus and the University Symphony Orchestra) – 3 p.m. – Osterhout Concert Theater – free Sunday, October 23 – TriCities Opera presents “Madame Butterﬂy” – 3 p.m. – The Forum Theatre – call (607) 7720400 for tickets Sunday, October 23 – Alumni Organ Recital: John Novak (MM ’06) – 4 p.m. – First Presbyterian Church, Binghamton – $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, October 23 – Binghamton University Symphony Orchestra: Concerto and Aria Competition Concert – 7:30 p.m. – Osterhout Concert T he at er $1 0 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, October 27 – MidDay Concert – 1 :20 p.m. – Casadesus Recital Hall – free Friday, October 28 – Pianist Margaret Reitz presents “Forty Fingers” with pianists Ida TiliTrebicka, Amy Heyman and Tina Toglia – 8 p .m. – Casadesus Recital Hall $6 general public; $3 faculty/staﬀ/seniors; free for students Call t h e A nderson Center B o x O ﬀice a t 7 7 7 A RT S f o r t ickets. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 10:05 39:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145509">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145509</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concerto & Aria Competition, September 18, 2011 Recital Tape 2011-9-18 Description An account of the resource Held on September 18, 2011. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-09-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a3814b2da16e5070ed24456fc80a875e.pdf 35ee5fcaef4e9decae1af3433f8df176 PDF Text Text BINGHAMTON U N I V E R S I T Y I K S I T Y O F N E W Y O R K eta/0b D E P A R T M E N T CONDUCTOR’S CONCERT GLORIA ANTONIO V I V A L D I fe a t u rin g t h e 3inghamt‘0w U niversity S t r i n g O rchestra B i n g h a m t o nU n v e r s i t y C h a m b e r Chara/8 Wednesday, May 5, 2010 8:00 p . m A ndergon/Cent’er Chamber Halb �PROGRAM VII.Domine Fili Unigenite I.Gloria in E xcelsis Domine ﬁli unigenite Jesu Christa, Lord Jesus Christ the onlybegotten Son Conducted by Molly AdamsToomey Gloria in excelsis deo Glory to God in the highest Conducted by Jieun Jang VII/Domine Deus, Agnus Dei II. Et in Terra Paxr Domino Deus,agnus Dei, Filius parris, Lord God. Lamb of God, Son of the Father, Conducted by Shane Thorn Cabiria Jacobson. mezzo soprano Et in tone pax hominibus bonae voluntatis And on earth peace to people of good will. Conducted by Adam Hess lll.Laudamus Te Laudamus te, benedicimus te, adoramus te, gloriﬁcamus te. We praise thee, we bless thee, We worship thee, we glorify thee. Conducted by Briana Sakamoto Samantha Banton, soprano Raquel Rozner, soprano IV.GRATIAS Agimus Tib IX. Q ui Tollis Qui tollis pascala mundi, Suscipe deprecationem nosfrarn Thou who takest away the sins of the world. Hear our prayer. Conducted by Krystiana Resto X.Qui Sedes ad Dexteram Qui sedes ad dexteram par/is, Miserere nobis. Grarias agimus tibi We thank thee Conducted by Ya Tzu Chen V. Proprer Magnam Gloriam Propter magnam gloriam ruam,, For Thy great glory, Conducted by Ya Tzu Chen VI.Domine Deus Domine Deus, rex coelestis, Deus pater omnipotens Lord God, Heavenly King, Almighty God and Father, Conducted by Laura MacAvoy Raquel Rozner. soprano Who sittest on the right hand of the Father, Have pity upon us. Conducted by Krystiana Resto Cabiria Jacobsen, mezzo soprano XI.Quoniam t u Solus Sanct us Quoniam tu solus sanctus, Tu solus Dominus, Tu solus altissimus, Jesu Christa, For thou alone an holy, Thou alone art the Lord, Thou alone an the Highest. Jesus Christ, Conducted by Jennifer Easley XlI.Com Sancfo Spiritu Cum sancto spiriru, in gloria Dei palris, Amen. With the Holy Spirit, in the glory of God the Father, Amen. Conducted by Tahnee Fallis �PROGRAM NOTES Though Antonio Vivaldi was one of the most inﬂuential composers of his generation, he died a poor pauper and his music was neglected for many years after his death. He was gradually “rediscovered” amidst a surge of Bach scholarship, Bach having been a great admirer of Vivaldi’s work. Vivaldi did not entirely receive due credit for his great contribution to the western canon until the mid 20” century. The Gloria (RV 589) was almost entirely lost, and due to the lag between its composition and popular revival, it is diﬀicult to ﬁnd a deﬁnitive edition of the work. For a large part of his life the composer lived comfortably, employed by the Pio Ospedali della Pieta in Venice, one of four allgirls quasi orphanageconservatories of its kind, Vivaldi acted as teacher, violin virtuoso, composer and priest, his red hair earning him the nickname “il Prete Rosso,” the Red Priest. Because Vivaldi was writing primarily for his students at the Ospedali, some scholars have gone so far as to theorize that, originally, Gloria may have been performed without men, the tenor and bass parts sung by lowvoiced females or transposed, a fascinating notion, however incredible it may be. Vivaldi’s fondness for the violin and his roots in the Corelli model are evident in the kind of melodic interest in the violin part and the structure w e see in movements such as G lori a in e xc elsis D eo the rousing opening movement. Et in terra pax hominibu: is a radical change of gears with its slow ebb and ﬂow of evocative chromaticism. Such stylistic contrasts appear throughout Gloria. Laudamus te celebrates especially the female voice, alternating between imitative declamations of sparsely yet vibrantly accompanied soloists and fuller orchestral ritornelli. Following this, Gratias agimus tibi, creates a striking eﬀect, being entirely homophonic and highly sustained. It acts as a partner to the next movement, the percussive Propter magnam gloriam, which develops its opening melody in expanding segments, in a similar manner to that of the third movement, though it is a much shorter episode. Domine Deus features singer, oboe obbligato and continuo in the softest o f the twelve movements, functioning like a delicately transparent interlude between the ﬁrst and second half of the piece. Domine Fili Unigente brings back a similarly fullbodied texture as that of the opening movement, and very much bears Vivaldi ’s stamp in its use of t h e s trings, imitation and rhythmic energy. Domine Deus, Agnus Dei, in solemn contrast to the preceding movement, starts with entrances o f entirely solitary human and instrumental voices into silence, slowly joined by continuo. Then choral echoes interj ect into this texture, looming and growing throughout the movement. This scgucs seamlessly into the entirely choral Qui tollis peccata mundi. which seems to ﬂesh out the fragmented choral statements introduced in Domine Deus. Qui sedes ad dexteram features the last vocal solo of the piece, a humble yet urgent r e qu e st f o r “ m e r c y ” b e fo r e t h e u l t i m at e exa l l at i o n o f t h e last m ove m e n t s . Quoniam tu solus sanct us is a brie f reprise of the music of Gloria in excelsis Deo, a retum to the invigorating opening motive, the fast octave leap. Finally, the triumphant Cum Sancto Spiritu draws upon many elements of the rest of the piece, imitation, quick modal ﬂuctuations, textural changes, including a striking disappearance of the orchestral “ﬂoor” beneath the chorus, and so forth. (It would seem that Vivaldi adapted this ﬁnal movement from an older Ruggieri composition on the same text, and used it in another mass after Gloria, a not uncommon practice in his oeuvre.) The connections between movements across the work, such as from the ﬁrst to penultimate, or from Gratias agimus tibi to Qui tollis peccata mundi, contribute to the dramatic arch and sense of unity about a world of textures and emotions contained within this half hour of music. T onight ’s per formance is the culminat ing proj ect for the students o f M U S 428, Conducting I I For two semesters, the members of t h e c lass have worked to gain a fundamental understanding of conducting mechanics, the study and interpretation of a score and the manner in which one communicates a musical vision to and through an ensemble, Additionally, the students were responsible for the logistics of this concert, in a practical study of the conductor‘s non musical responsibilities. Each specializing in diﬀerent instruments and musical genres, and pursuing a variety of degrees in addition to music, we’ve learned a great deal from each other’s perspectives. We hope you will enjoy our collectively eclectic approach to the Vivaldi Gloria. Sources: Michael Talbot Tenors and Basses at the Venetian “Uspedah. " Acta Mustcologtca, Vol 66, Fasc 2, pp 123138. International Mustcological Society http //www istor org/stable/932767 1 Peter Burkholder A History of Western Music, 7 ” edition. New York W . W . Norton and Company, 2006 Michael Talbot Vivaldi. Antonio Grove Music Online Ox ford Music Onltne 28 Apr 2010 http //wvwv oxfordmustconline com/subscribcr/amcldyovelmustdw120 �ABOUT THE PERFORMERS Molly AdamsToomey is a Junior majoring in Music and minoring in Theater. She is a member of the Women’s Chorus, studies voice under Timothy Le febvre and piano under Michael Salrnirs, and is a member of Mu Phi Epsilon. She has written and performed the music for the Binghamton University Theater Department’s spring production of Henry V, as well as writing and arranging the music for the Studio production of White Liars. Ya Tzu Chen is a Music major from Taiwan studying for her Masters in Piano with Michael Salmirs. In Taiwan, she studied piano with Hsinl Chen. She received her Bachelor’s degree in Physics from National Taiwan Normal University. Jennifer Easley is currently enrolled in her ﬁnal semester at Binghamton University, pursuing a Master of Music in Choral Conducting. She earned a Bachelor of Music in Music Education with a concentration in voice from Gordon College. She is a fulltime music teacher at Binghamton High School, where she gives classes in piano, guitar and specialeducation general music. Ms. Easley is v ery interested in teaching music overseas and w i ll be traveling to Thailand this coming July. She and her husband, Timothy, reside in Windsor with their two lovely daughters, Naomi (2 1/2) and Sophia (1). Tnhnee Fallis is a ﬁrst year Choral Conducting graduate student at Binghamton University. Earlier in the semester she led the women’s chorus in a concert comprised of music from East Asia and will continue to conduct many choruses in the coming year in Binghamton. Miss Fallis graduated in 2009 from The College of St. Rose in Albany with a bachelor’s degree in Music Education and hopes to continue on to get her doctorate to teach music in a college setting. A dam Hess is a Senior Electrical Engineering and Music major. Next year Adam will receive a Masters in Electrical Engineering with a specialization in Communication Systems and Signal Processing. After this he plans to work on a PhD in either composition, musicology or choral conducting. In his free time, Adam is an active member of MOE spreading love, kindness and sincerity through philanthropic activities through the power of music. Jieun Jang is a Junior Music major from South Korea. At Binghamton University, she is studying piano with Michael Salmirs. She has performed with university ensembles such as University Symphony Orchestra and Wind Symphony. Recently she performed with the University Symphony Orchestra as a solo pianist, and she also held a junior rec ital in April. Laura MacAvoy is a Bachelor of Music in Vocal Performance student, currently ﬁnishing her junior year. Originally from Saratoga Springs NY, Ms. MacAvoy has been performing musically since the age of six. At Binghamton University, she has sung with the University Chorus, Women’s Chorus, Tri Cities Opera Chorus and in solo performances. She studies with Mary Burgess. Michael Mechmnnn is a Senior Music major studying composition. He is a member of the Harpur Chorale, and has played in the Theater Orchestra for Binghamton University musical productions. Krystiana Resto is a Senior Music Major from Poughkeepsie, New York. She is currently a member and President of the Harpur Chorale, and has also sung in the University Chorus. She i s the President o f Mu Phi Epsilon Pro fessional Music Fraternity, which was founded at Binghamton in the Fall o f 2008. In addition, Krystiana is the Musical Director of the University’s only allfemale a cappella group, the Harpur Harpeggios. Briana Sakamoto is a Senior Music major pursuing a Bachelor of Music degree in vocal performance. She is a member of the Tri Cities Opera chorus and this season covered the roles of Barbarina in “Le nozze di Figaro” and Gianetta in “L’elisir d’amore.” She is also a BU Scholar. Shane Thorn is a Junior majoring in Music composition, which he has studied with Paul Goldstaub and Christopher Loy. He plays in the University Orchestra, and has studied viola, voice and piano, in addition to singing in the independent Canterbury Choir. He also organizes and directs the Avantgarde Troupe, a small group o f artists, actors and musicians who engage in partlyimprovised performance art events in public areas. Mezzosoprano Cabiria Jaeobsen recently performed the roles of Chcrubino in Mozart’s Le nozze di Figaro, Hansel in Humperdink’s Hansel and Gretel, and La Ciesca in Puccini’s Gianni Schicchi, all with TriCities Opera. Other credits include Idamante (/domeneo/OperaHub); Annina (Der Rosenkavalier/Iowel/ House Opera); and Mauyra (Riders to the Sea/Northwestern University Opera Theater). She received her BM. in Voice and her B.A. in Drama (Literature and Critic ism) from Northwestern University. R aq ue l R ozner i s currently a freshman at Binghamton University, wher e she studies biochemistry and music. Raquel has studied voice extensively for seven years and has been involved with many summer programs and vocal opportunities since entering high school. R aquel was chosen to sing in the 2007 and 2008 New York AllState Mixed Chorus, in which she was the soprano soloist in 2008. She was also chosen to sing in the 2009 AllEastern Honors Mixed Chorus. Raquel has accumulated many vocal honors and awards, but she is most proud to have been accepted into the 2008 Boston University Tanglewood Institute Young Artists Vocal Program in which she studied with Phyllis Hoﬀman and attended a master clas s with Renee Fleming. Soprano Samantha Banton is a Junior majoring in Music. She has recently appeared in the Music Department Midday Concert series and the Composition Seminar composer’s concert. �BINGHAMTON UNIVERSITY STRING ORCHE STRA Chantal Berendsen Alex Spadaro Violas Victoria Brown Erica Koslowsky Max Pekarskiy Li fan Hsu Fanny Chu Elana Streim Cellos Ben Peak Taylor Reitmeier Violins E lan A shendor f Elizabeth Magowan EdwinNikk o K abigting Meaghan Petix Jin Park Allison Jaekle Gozda Y ildiz Basses Rachel Casey Sam Smith C larinets Heather Worden Timothy Perry Bassocontinuo ChaiKyou Mallinson BINGHAMTON UNIVERSITY CHAMBER CHORUS Soprano Jennifer Easley Cathie Makowka Sioux Petrow K elly Pueschel Megan L. Roppolo Ligita Roznere Christine Ryder Susan Sarzynski Siobhan Sculley Faith Vis Jennifer Walsh Lois Wilston Alto Kathryn Baine Lois Bare Maria Luisa Cook Michelle Doherty Tahnee Fallis Jean Fenzel Diane A. Ferraccioli Sylvia Horowitz Grace Houghton Cheryl Jacobson Pat Labzentis Ethel Molessa Anna Nicholas Joyce Printz Constanze Schonermark Jane Shear Danielle Sisson Susan Szczotka Tenor Martin Bidney Kevin Doherty H.B. King Dennis Leipold Sherry Williamson Bass Eric Bare Ronald Beauchamp Bruce Borton Carl Bugaiski Emanuele Delucchi Joseph E. Nelson Edward Orosz David Schriber � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:59:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145274">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145274</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Conductor's concert: Vivaldi's Gloria, March 25, 2010 Recital Tape 2010-3-25 Description An account of the resource Works by Vivaldi. Held at 1:20 p.m., March 25, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Banton, Samantha Rozner, Raquel Jacobsen, Cabiria Jang, Jieun Hess, Adam Sakamoto, Briana Chen, Ya Tzu MacAvoy, Laura Adams-Toomey, Molly Thorn, Shane Rest, Krystiana Easley, Jennifer Fallis, Tahnee Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-03-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/26fa51c0b05d95ab9755d3c65b614a84.pdf d993506ffe2ee242297f09a3cea7650c PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINCHA MTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC and THE AMERICAN SOCIETY OF UNIVERSITY COMPOSERS present CONTEMPORARY MUSIC with THE SARAH LAWRENCE COLLEGE EUROPEAN TOURING CHORUS CHERYL SELTZER, Pianist COMPUTER MUSIC 8:15 p.m. Friday, December 12, 1969 The Recital Hall PR O GRAM SKET C HES IN BLA CK A ND WHITE (1958) Landscape Portrait Jack Beeson Abstraction Still Lif e Seascape FOUR SCEN ES (1961) Allegro tempestoso Adagio sostenuto Lawrence Moss TRAUERMUSIK (1956) Seymour Shif rin Allegro scorrevole Epilogo: Adagio drammatico Stef an Wolpe FORM (1959) Cheryl Seltzer, pianist MU DG ET T : monologues by a mass murderer James K . Randall (for prerecorded female voice and converted digital tape) 1. Electronic P relude 2. Toronto (I leave my recently adopted children, Alice and Nellie, at 16 Saint Vincent Street) Intermission AN EMILY DICKINSON MOSAIC 1. T he Brain is Wider Than the Sky Daniel Pinkham 2. The Heart is the Capital of the M ind 3. The Mind Lives on the Heart 4. To Be Alive 5. Each Lif e Converges to Some Center A JUBILANT SONG (text: Walt Goodman) P HANTOM OF TH E OP ERA Norman della Joio Joel Spiegel man Sarah Lawrence College European Touring Chorus Elizabeth Sandberg, pianist Harold Aks, director � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:21 39:18 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59848 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59848 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59848">Contemporary Music with the Sarah Lawrence College European Touring Chorus</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contemporary Music with the Sarah Lawrence College European Touring Chorus, December 12, 1969 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beeson, Moss, Shifrin, Wolpe, Pinkham. Held at 8:15 pm, December 12, 1969, Recital Hall. Creator An entity primarily responsible for making the resource Seltzer, Cheryl Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-12 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beeson, Jack, 1921-2010 Moss, Lawrence, 1927- Shifrin, Seymour, 1926-1979 Wolpe, Stefan, 1902-1972 Pinkham, Daniel, 1923-2006 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020057851 39091020057802 https://omeka.binghamton.edu/omeka/files/original/9b7cdbd3db0cbeda3d0a2cd6c3b1c03c.pdf c54a83ac125237cc7e75a14fce44b79b PDF Text Text t\) I V UN A RC Recit al\ t ape 2003 11- 8 b SPEC COL State University of New York Department of Music CONTRASTS: An Evening of Chamber Music Treasures with guest artists: Katie Sebestyen, violin Ervin Schiffer, viola Freddy Arteel, clarinet Dana Protopopescu , piano Saturday, November 8, 2003 8:00 p.m. Anderson Center Chamber Hall �Program Trio in E-flat, K. 498 (Kcgclstatt) ................. ........ Wolfgang Mozart Andante ( 1756-1791) Menuetto • Allegretto Trio, Op. 30 ................................................................ Joseph Jongen Prelude ( 1875-1950) Variations .Final --Inter,nission.-- Lia's Koan ................. .. ........... ......... ............. .. ............ Elias Gistelinck (b. l 935) Piano Quartet, Op. 16 ................................... Ludwig van Beethoven Grave Allegro con brio Andante cantabile Rondo Allegro ma non troppo ( 1770-1827) �About the Ensemble The ensemble CONTRASTS consists of four members of the faculties of the Royal Conservatories of Belgium who have played together on concert stages and at universities in nearly every country in Europe. Both separately and in concert, they have produced a number of recordings as well as live performances. Not only has the unusual combination of their four instruments allowed them to adapt known masterworks, but it has also encouraged contemporary composers to write for them. Their initial American connection was with the University of North Carolina's summer program in Morges, Switzerland, and they have comprised the core of the chamber music workshop programs both there and in Chapel Hill for more than ten years. This, their fourth U.S. concert tour, includes Boston and Washington. KATIE SEBESTYEN, violin, studied at the Franz Liszt Academy in Budapest and completed degrees at the Royal Conservatory of Music in Brussels and Chapelle de la Reine Elisabeth, where she was recently awarded its highest honor, Professeur Extraordinaire. A founding member of CONTRASTS and the Haydn Quartet, she is also concertmistress of the Sebestyen Strings and European Philharmonic Orchestra. She teaches at the conservatories of Brussels and Brabant (Holland), and is especially proud of her Laureate from the Friedrich Kuhlau Competition in Germany. Her travels with these groups have taken her across Europe as well as three tours of the United States. ERVIN SCHIFFER, viola, studied under Zoltan Kodaly and Gyorgy Ligeti at the Franz Liszt Academy before winning prizes in Geneva and Bucharest and moving to the Low Countries, where he has recently retired from a lifetime of teaching at the conservatories of Brussels, Amsterdam, and Utrecht. In addition to serving on juries, he performs regularly around the world, on his elegant Giovanni Paolo Maggini instrument, both as soloist and chamber musician. His travels have taken him to Japan, Israel, South Africa, and the United States. He has recorded extensively with Deutsch Gramofon, Vox, and Turnabout. FREDDY ARTEEL'S clarinet has been heard for nearly thirty years since he completed his studies with Pierre de Leye in Brussels and Guy Peplus in Paris. Most of them have been spent as principal clarinet of the Philharmonic Orchestra of Antwerp while teaching at the Royal Conservatory of his native Ghent. But this has left him some time to perform with CONTRASTS and the Antwerp Wind Quartet. Among his appearances have been the Saskatchewan summer school and the MusicFest m Aberystwyth, Wales; his proudest moment was hosting �700 clarinets from around the world in Ghent in 1993 for an international festival. DANA PROTOPOPESCU'S musical career began in her native Bucharest, Romania, where she made her debut as a soloist with orchestra at the age of fourteen. Completing her studies in Hanover, Germany, under Eduardo de! Pleyel and Karl Engel, she migrated to Brussels and joined the Royal Conservatory. Her career has included soloing with many major European orchestras as well as an extensive array of solo recordings of the works of Mendelssohn and Tschaikowsky; receiving numerous awards and honors. Her teaching and chamber music are closest to her heart. She joined CONTRASTS shortly after the group's founding. Program Notes Trio in £-flat, K. 498 Though the clarinet had been known for nearly a century before Mozart, he was the first to make significant use of it. Said to have had its origin in th the 18 century equivalent of a bowling alley, this delightful trio was written, together with the quintet with strings (K. 581) to showcase the extraordinary talent of his good drinking friend (and frequent mooch) Anton Stadler, who was the outstanding virtuoso around Vienna at the time. Trio, Op. 30 The music of this Belgian composer is barely known in this country. His massive trio, which owes much to his near contemporary César Franck, was composed in 1909. The ghostly march-like theme of the second movement and the frantic Walloon kermes of the third are almost Rubenesque in their florid Late Romantic style. Lia's Koan Gistelinck studied at the conservatories of Brussels and Paris, winning the International Italia Prize for a work for symphony and jazz orchestra. An early fascination with the colors and rhythms of Far Eastern music led him to compose "Koan," a Japanese word for the path to equilibrium, the Japanese foundation of perfection (Lia was evidently the composer's muse). Piano Quartet, Op. 16 In 1807, Beethoven wrote a quintet for winds and piano in homage to Mozart' s earlier master-work for the same instrumentation; at his publisher's urgent behest, he later rearranged it into a quartet for piano and strings. CONTRASTS' version of this familiar piece is an inspired combination of both. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:19:05 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253412&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253412&change_lng=en&select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Contrasts: an evening of chamber music treasures, November 8, 2003 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2003-11-8b Description An account of the resource Held at 8:00 p.m., November 8, 2003, Anderson Chamber Hall. Creator An entity primarily responsible for making the resource Sebsestyen, Katie Schiffer, Erwin Arteel, Freddy Protopopescu, Dana Date A point or period of time associated with an event in the lifecycle of the resource 11/8/2003 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/11a0dfca3bca00ef1cde36c9fe697d74.pdf 534d9fb5652634b219a9e5298441122d PDF Text Text BINGHAMTON U N I Y E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K d e c [4 E N T BLE F A R T M COUNTERPOINT C E L E B R AT I N G W OMEN IN T H E A RTS MOBIUS ENSEMBLE Janey Choi, violin Roberta Crawford, viola Stephen Stalker, cello Michael Salmirs, piano Wendy WanKi Lee, guest speaker Thursday, March 5, 2009 8 : 1 5 p. m . Casadesus Recital Hall �ABOUT T H E PERFORMERS PROGRAM WENDY WANKI L E E is a composerpianistt heorist. She is currently an Assistant Professor of Music Composition at the Chinese University of Hong Kong. Three Romances for Piano, Op. 11...............Clara WieckSchumann (1819–1896) Andante Andante Moderato { i Michael Salmirs, piano \ 1 Sonata for Viola and Piano Impetuoso Vivace Adagio ...........Rebecca Clarke (1886–1979) Roberta Crawford, viola Michael Salmirs, piano My Cagey Companions (world premiere).......... Wendy WanKi Lee (b. 1977) Mobius Ensemble Janey Choi, violin Roberta Crawford, viola Stephen Stalker, cello Michael Salmirs, piano Please join us for a receptio n and viewing of the Art Museum’s March Exhibit directly following tonight’s performance. The Art Museum is located on the second ﬂoor of the Fine Arts Building. i 1 1 As an avid advocate of contemporary works with diverse musical interests, her music has been performed extensively in Asia and No rth America. She is the recipient of numerous composition and piano performance awards, commissions, grants, and honors, including those from the American Academy of Arts and Lette rs, Aspen Music Festival, Banﬀ School of Arts, Orford Arts Center, Hong Kong Arts Development Council, and the Government of Canada. A frequent clinician and presenter, she has been invited to conduct lectures and recitals at international conferences and universities, such as those organized by the Asian Composers’ League, College Music Society, International Soc iety of Contemporary Music, MidAmerican Cente r for Contemporary Music, and Society for Composers, Inc. Recent activities include a commission and guest composer residency at the University of Idaho, where her new piano work (Kirie) along with several of her other compositions were performed. Current research focuses on conte mporary music by Chinese and Chinese/American composers. Her detailed biography is listed in the 2007–2009 publications of Marquis’ Who’s Who in America, Who’s Who of American Wom en, and Who’s Who in the World. Prof. Lee received her graduate degrees (Ph.D., M.M.) in Music Composition and Theory at the University of Michigan, a B.M. in Composition from the University of Toronto, as well as piano performance diplomas from the Royal Conservatory of Music in Toronto (ARCT) and Trinity College of London (LTC L and FTCL). During her studies, she was awarded many prestigious fellowships and scholarships. Her composition teachers include William Bolcom, Chan Ka Nin, Christos Hatzis, and Bright Sheng; her piano teachers include Larysa Kuzmenko, Boris Lysenko, and John Nauman. Prior to her appointment at CUHK, she has held teaching positions at the Oberlin College Conservatory of Music, State University of N ew York at Binghamton, and the University of M ichigan. Professor Lee’s visit is funded in part by an anonymous donation to the Music Department. �Canadianborn violinist JANEY CHOI joined the faculty of Binghamton University in 2006. Dr. Choi attained her Doctor of Musical Arts degree at Rutgers University, studying with Arnold Steinhardt, and holds her Bachelor and Masters degrees from The Juilliard School where her major teachers were Joseph Fuchs and Joel Smirnoﬀ. She gave her Carnegie Hall recital debut in 1997 as a winner of the Artists International Auditions and continues an active performing career as a recitalist, chambe r, and orchestral musician throughout the country and abroad. She is the rec ipient of numerous awards including the Ontario Arts Council’s Chalmers Performing Arts Training Grant, and First Prize in the National Finals of the Canadian Music Competition. Ms. Choi has participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival, Norfolk, Taos, the Spoleto Festivals, Festival Musical de Santo Domingo, the Santa Fe Opera and the Sarasota Opera. An avid interarts and crossgenre collaborator, she is the Music Director of Thomas/Ortiz Dance, and has performed numerous times with the Parsons Dance Co. at the Kennedy Center in Washington, D.C. She has recorded and appeared with such mainstream performers as Bono and Quincy Jones, Enya, Elton John, Sarah McLachlan, Lisa Loeb, Kanye West, JayZ and Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic, Lincoln Center Institute, Chamber Music Society of Lincoln Center and the Bloomingdale School of Music in New York City. ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As associate director and a founding membe r of the Finger Lake Chamber Ensemble, Ms. Crawford has participated in over one hundred solo, chamber, and lecturerecitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Cham ber Orchestra’s Sunday Chamber Music Series and has been a guest artist with the Ariadne String Quartet. Ms. Crawford’s orchestral experience includes performances with the Portland and Syracuse symphonies as well as the Skaneateles Festival Orchestra, and she has served as principal violist for the Cayuga Chamber Orchestra. An advocate of new music, Ms. Crawford has premiered numerous works featuring viola and has been the dedicatee of several works written speciﬁcally for her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Ms. Crawford has served as clinician, coach, and adjudicator for numerous music organizations, as Director of ViolaF est at Binghamton and is an artist faculty member with NYASTA ’s String lnsitute at Ithaca College. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is Coordinator of Strings at Binghamton University. ST E P H E N ST A L K E R , cellist, teaches at Binghamton University. He I l I l formerly taught at Colgate University, Mansﬁeld University, Ithaca College and the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively with the Catskill Chamber Players of Oneonta, NY, and in concerts at Binghamton University. Performing with the Catskill Chamber Players he has presented Meet the Composer concerts with prominent American composers including John Cage, Virgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill Recital Hall, premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNYBinghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison St ring Quartet, he was a ﬁnalist in the Naumberg Chamber Music Competition in New York City and the Evian International String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University. He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Manhattan School of Music in New York City. Pianist M I C H A E L SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In addition to performing most of the standard chamber music repertoire for strings and piano, he has premiered numerous solo and chamber works, and recently gave the world premieres of David Liptak’s and Marek Harris’ Piano Quintets. He has also participated in such contemporary music series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. �7 ) 7 7 ( ~ [ 4 1 5 4 , , » c f & ’ / C F “ A s { “ 4 £ hony Orchestra: Echoes of the Saturday, March 7 ” University Symp East Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$ 5 Symphony, 3:00 PM, FREE S u n d a y, M arch 8 ” University Wind Anderson Center Chamber Hall idDay Concert, 1:20 PM FREE Thursday, March 1 2 ” M Casadesus Recital Hall Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet, Casadesus Recital Hall, 3:00 PM, FREE : Heather Montana, soprano, Saturday, M arch 1 4 ” Masters Recital Casadesus Recital Hall, 8:00 PM, FREE Sunday, March 1 5% Guest Fortepiano Concert: Stefania Neonato, Casadesus Recital Hall, 3:00 PM, $$ : Sibongile Boyd, soprano, Sunday, March 1 5 Master’s Recital Casadesus Recital Hall, 7:30 PM, FREE M a y 1 8 : 0 0 M a y 3 + 3 : 0 0 aster Class with Guest Fortepiano Artist Monday, March 1 6 ” M Stefania Neonato, 7:30 8:45 PM, Casadesus Recital Hall, FREE aster Class with Jazz saxophonist Wednesday, March 1 8 ” M Maceo Parker, 4:00 PM, Osterhout Concert Theater (Cosponsored by the Music Department and the Harpur Jazz Project) K ON N Wednesday, March 1 8 ” J azz saxophonist: Maceo Parker Osterhout Concert Theater, 8:00 PM, $$, (Cosponsored by the Music Cofouncers Carman Bevo A Peyton HRB RE Department and the Harpur Jazz Project) t, 1:20 PM FREE Thursday, March 1 9 MidDay Concer Casadesus Recital Hall The Forum Theatre 236’Washington Street « Binghamton, NY Ap) For tickets call 8077720400 or visit us online at Mirwtricitieso Jacom. *: f m s h d n w m m d w F H r u d C d i r n h f t m a n h n ‘ p ﬂ f u i a ﬁ c t d i r d itaotslu anu d’,ppencm aeny Al mr rtds, » SCEw G ln m d n m C h ﬁ Y M h M M G a k ﬁ w ﬁ l P d m n a m h n f d b l p M un oe Cth G pgm s Pl F A pert, bvlw’nﬁwnThmﬂwabpm Fund’s T provided, n y. Fndrg m ﬁ f t y “ pp c o c p a r s t i c n no hte Aatr. Sais To m l i n arpur Chorale and Women’s Chorus: A Thursday, March 1 9 ” H Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM, FREE For ticket information, please call the Anderson Ce nter B o x O ﬀice at 777ARTS. �W S K G P ublic B roadcast ing Your source for locally hosted Classical, Folk dio ¢ ’Jazz Ra and for [featuring the A rt & Artists of the S outhern Tier Thursdays on WSKG Television 19, G ws ' Lorg WSKG T V « WSKG Radio * WSQX 91.5 im � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149716">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149716</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Counterpoint: celebrating women in the arts, March 5, 2009 Recital Tape 2009-3-5b Description An account of the resource Works of Wieck-Schumann, Clarke, Wan-Ki Lee. Held at 8:15 p.m., March 5, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mobius Ensemble: Choi, Janey Crawford, Roberta Stalker, Stephen Salmirs, Michael Wan-Ki Lee, Wendy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6fb11c4caf7dd2c9569fc44f3ce0eba5.pdf 12bcd3fc7925db31d1cc086131841f69 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F NEW Y O R K D E P A R W T M Ld E N C R A I G P H I L L I P S ORGAN with Georgetta Maiolo, ﬂute Uli Speth, violin Sunday, April 1 9. 2 0 1 5 4 pm. United Presbyterian Church 0 T �SCENES FROM A GALLE RY 8‘) P ROG RA M «3 Fantltrc (2000) Craig Phillips (b. 1 9 0 1 ) First Chakra Light Barbara W. Lines Prelude on Noulutrm ( 1 99 1 ) ‘7” 1 f ‘ \ \ x Arclmng ISniro( 1 0 1 1 ) Michael UJI~rtoI Raphael Uriel ' J 1,7 Sce nes fro m a t h l o n ( 2 009) For ﬂute, violin and (vr Aw ’nl ( t n fo nal works of art I First Chakra Light I I . Calculated Rnk Ev ll I Never Alone I \ ' Muse V. . \ 1 4 \ ( 1 1 L ‘ I \ \ . I ( I u \ l 1 1 ( ] \ I . l ( I U I I lurk ildu x \'I Iirmlan I a Calculated Risk ‘ sculpture by Michael Westmoreland U ) I N T E R M I S S I O N « 3 Choral I I I in A nnnar César Franck ( 18221890) Prelude on Caithness (20 14) ChoralImprovisation sur le “Victimae paschali” (reconstructed Iw Maurice Duruﬂé) Craig Phillips Charles Tournemire ( 18701 939) �Never. Alone Mathemat ic al Equation fo r Grac e Muse Breaking Loose DIOnr‘lG Pnce Deborah Houston Jena Rowley Taylor Karen Wolfram 4 �ABOUT THE PE RFORME R S C R A I G P H I L L I P S (b. 1961 ) is a distinguished and popular American composer and organist. His choral and organ music is heard Sunday by Sunday in churches and cathedrals across the United States, and many of his works have been performed in concert throughout North America, Europe and Asia. He was named the American Guild of Organists Distinguished Composer for 20 1 2 – the seventeenth recipient of this special award. Dr. Phillips joins an illustrious list that include past honorees Virgil Thomson, Ned Rorem, Daniel Pinkham, Stephen Paulus, David Hurd and others. Dr. Phillips was featured as soloist at the opening service o f the 20 1 2 National Convention o f the American Guild of Organists in Nashville with the premi¢re of a newly commissioned work, Three Sketches for Organ, and in his works for organ, brass and percussion. The 20 1 0 National Convention of the AGO saw the premiere of his commissioned work Sojourn for organ and winds; and in 2002, Dr. Phillips was featured as soloist with the Philadelphia Orchestra in a performance of his Concertina for organ and orchestra during the National Convention of the AGO in Philadelphia. He has also appeared as soloist with members o f the Eastman Philharmonia, the Oklahoma Symphony, the Los Angeles Mozart Orchestra, and Musica Angelica at the Corona del Mar Baroque Music Festival. Dr. Phillips has appeared as soloist at regional conventions of the AGO and at various venues across the United States. He has distinguished himself in a number o f competitions, including First Prize in the 1 994 Clarence Mader Competition for organ composition. H e was a judge for the 2004 National Competition in Organ improvisation at the National AGO convention in Los Angeles, the 2005 AGO/Holtcamp Award in Organ Composition, and the 2009 American Guild of Organists Award in Organ Composition. The music of Craig Phillips has been the subject of feature articles in The American Organist (March 20 1 2), the Los Angeles Times (February 20 1 2) and The Diapason (June 2009). Dr. Phillips has received numerous commissions from such organizations as The American Guild o f Otganists (for the National Conventions in Washington, DC, 20 1 0, Nashville, 20 1 2, and Seattle, 2000, and for regional conventions in Atlanta, 2007, Lexington, 20 1 1 , Boston, 2009, San Diego and Binghamton, 200 1 ), The Episcopal Church (for the 2006 General Convention), The Association of Anglican Musicians, Stellar Brass (USAF Academy Band), The Chamber Orchestra at St. Matthew ’s (Paciﬁc Palisades. CA), CoroAllegro of Wilmington, Delaware, The University of Iowa, Syracuse University, University of California at Riverside, Washington National Cathedral and many other churches and institutions. His secular works include a Concerto for Harpsichord und Chamber Orchestra, Concerto for Bassoon and Strings, A Festival Song for chorus and orchestra, a song cycle for soprano and orchestra entitled Songs of the Unknown Region, Suite for Organ, Brass Quintet and Percussion, two Sonatas for organ, and a number of other chamber works. His works have received critical acclaim in journals such as Gramaphone, Clavier, The American Organist, Cross Accent, and The Journal of the Association of Anglican Musicians, and have been broadcast on American Public Media’s Pipedreams. He has received numerous ASCAP awards, and a Meet the Com poser grant for a work premiered at the Ojai Festival. His organ and choml and chamber works are published by several prestigious ﬁrms. A new recording, Fanfare: Christopher Wells plays the organ music o f Craig Phillips has just been released on the Pro Organo label. A 2004Gothic Records release,A Festival Sung, features a sampling of Phillips’ choral and instnimental works performed by All Saints’ Choir and Craig Phillips as organist. Other works have been recorded on the Arkay, JAV, Summit, and Pro Organo labels. Dr. Phillips holds the degrees Doctor of Musical Arts, Master iiiMusic, and the Performers Certiﬁcate from the Eastman School of Music, Rochester, New York, where he studied with the great pedagogue Russell Saunders, H is Bachelor o f Music Degree is from Oklahoma Baptist University, and his early musical studies were at the Blair School o f Music in Nashville. Dr. Phillips has served s Director o f Music at All Saints’ Church, Beverly H ills since 2009. H e previously sened for 20 years as the churches’ Associate Director of Music and Composer–in Residence. He is a member of the American Guild of Organists, the Association of Anglican Musicians, and the American Society o f Composers, Authors and Publishers and serves on the board o f the Ann Stookey Fund for New Music and the Clarence Mader Foundation. He resides in West Hollywood, Cali fornia. G E O R G E T T A M A I O L O is a member of the faculty of Binghamton University and Broome Community College, teaching ﬂute and directing ﬂute ensembles, From 1977 to 1996, she held the position of Assistant Professor of Flute at Ithaca College, lthaca, New York . She also taught ﬂute at Hartw ick College, Oneonta, New York and West Virginia University, Morgantown, West Virginia. Mrs. Maiolo is a graduate o f Duquesne University, Pittsburgh, Pennyslvania and attended graduate school at West Virginia University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal ﬂutist of the Pittsburgh Symphony, Marcell Moyse at Marlboro School of Music and Victor Saudek . A fter 4 5 years as the Principal Flutist o f the Binghamton Philharmonic Orchestra and TriCities Opera Orchestra, Ms. Maiolo retired in 20 1 3. A native of Germany, U L I S P E T H completed his undergraduate studies at the Mozarteum in Salzburg/Austria, subsequently earned his Master o f Music degree from the Manncs College o f Music. Ul i is ﬁrst violinist o f the DillerQ uaile String Q uartet in residence at the DillerQ uaile School o f Music in New York . This group has played concerts throughout the U.S., has commissioned and premiered new pieces for string quartet, and has performed live on Vermont Public Radio and KMFA o f Texas. As a chamber musician, Mr. Speth has also enjoyed the opportunity of performing alongside members of the Hagen, Pro Arte, Cavaliere, and Y ing quarters and Orpheus Orchestra. His performances have earned him praise by the critics of the Austin American Statesman, Salzburger Nachrichten and Broome County Arts Mirror. Uli has played with New York C i ty Opera since 1 99 7 and serves as concertmaster o f the Binghamron Philharmonic Orchestra since 2005. �Binghamton University Music Department’s Coming Eve nts ﬂ é é ﬁ w ﬁ w w w w w w b Tuesday, April 2 1 String Fever 7 :30 p.m. Casadesus Recital Hall Free Th u rsday, April 2 3 Ja zz MidDay Concert with saxophonist Camille Th urman (Mike Ca rbone) 1 :20 p.m. Osterhout Concert Theater free Thursday, April 23 Harpur Jazz Ensemble Concert with saxophonist Camille Thurman 7:30 p.m. Osterhout Concert Theater 57 general public ; 5 5 faculty /staﬀ/seniors/alumni ; free for students F riday, April 24– Master’s Recital : Jake Stamatis, ba ritone 7 :30 p.m. Casadesus Recital Hall free Saturday, April 2 5 Master ’s Recital: K evin Truax, tenor 3 p.m. C sadesus Recital Hall free Saturday, April 2 5 Joint Recital: Rachel Young, soprano and Eleanor Krasner, violin 7:30 p.m. Casadesus Recital Hall free Sunday, April 26 – University Wind Symphony : Once Upon a Time 3 p.m. Anderson Center Chamber Hall $7 general public ; 5 5 faculty /staﬀ/seniors/alumni ; free for students Tuesday. April 28 Percussion Ensemble 7:30 p.m. Anderson Center Chamber Hall $ 7 general public ; $5 faculty/ s tati/seniors/ alumni; free for students Thursday. April 30 MidDay Concert 1 :20 p.m. Casadesus Recital Hall free Thursday, April 30 Piano Ensemble 7 :30 p.m. Casadesus Recital Hall free Friday, May 1 Flute Studio and Flute Chamber Concert 10:45 a.m. Casadesus Recital Hall free Friday. May 1 Brass Recital 4 p.m. Casadesus Recital Hall free Saturday, May 2 Senior Recital : Daniel M alinovsky, piano 1 2 noon Casadesus Recital Hall — f ree Saturday, May 2 Master ’s Recital : Jenny Gac, soprano 3 p.m. Casadesus Recital Hall free Sunday, May 3 University Chorus and Symphony Orchestra: Mendelssohn’s “Lobgesang” 3 p.m. Osterhout Concert Theater $7 general public ; $5 faculty /staﬀ/seniors/alumni ; free for students Sunday, May 3 Joint Recital : Junior Max Rydqvist, baritone and Senior Rick y Nan, tenor 7 :30 p.m. Casatlesus Recital Hall free Thursday, May 7 Student Recognition MidDay Concert (James Burns/Timothy Perry) 1:20 p.m. Casadesus Recital Hall free M M é b M M 6 b 6 & 6 & 6 @ — E For tickets or to be added to our emml list, visit anderson.binghamton.edu or call (607) 777 [ s ] ARTS. For a complete list of our concerts call (607) 7772592, visit mime.hmghamtonedu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department uj Music with a fnumcutl gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Ple ase make your donation payable to the Binghamton University Music Department, and send your check to BU Music Department, P.O. Box 6000. Bmghamton, NY 13902, � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:58 31:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74837">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74837</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Craig Phillips, recital, April 19, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Phillips, Franck, Tournemire. Held at 4:00 p.m., April 19, 2015, United Presbyterian Church. Creator An entity primarily responsible for making the resource Phillips, Craig Maiolo, Georgetta Speth, Uli. Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Phillips, Craig Franck, César, 1822-1890 Tournemire, Charles Date A point or period of time associated with an event in the lifecycle of the resource 4/19/15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/13366a9d0b25f58dcc5d83e049751eed.pdf adb854cb58c4d1e5a55cd77fc8ce7e46 PDF Text Text INGHAMTON B U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K o de [4 D E P A R T M E N T Crea tures , Grea t and Small $2 024. “2 yiorny ph nd i S W Robert G. Smith, Con ductor Sunday, March 7, 2010 3 :00 p.m. Anderson Center Chamber Ha ll �THE PERFORMERS PROGRAM Piccolo Rachel Serwetz Alfred Reed The Hounds of Spring (1980) (19212005) Commissioned by the John L. Forster Secondary School Symphonic Band Windsor, Ontario, Canada Gerald A. N Brown, Director Roger Cichy Bugs (2000) 1. Prelude 2. Dragonﬂy 3. Praying Mantis 4. Black Widow Spider 5. Tiger Swallow Tail 6. Army Ants (b. 1956) Rachelle Haddad (Principal) Judy Kahn Kathleen Spelman Lindsay Ralbovsky ute IT FlKimberly Hom Rebecca Falik Raquel Goldsmith Christina Peregine David Morrissey Melissa Klepper Mark Norman Vanessa Kay Bas Clarniet Stephen Collins Brianna Palisi Conratbas Calnriet Zach Stanco ASLTOAXOPHONEL Alex Horspool Commissioned by The University of St. Thomas Wind Ensemble Dr. Matthew George. Director of Bands . Karel Husa Cheetah (2007) (b. 1921) Commissioned try The Division of Music Composition and Theory at the University of Louisville for the University of Louisville Wind Ensemble. Frederick Speck, Director. The Soaring Hawk (1990) ECb l a rine t to Saxophone Al larinet C b B Tenor Saxophone Kyle Doyle Kerry Goodacre Mark DelloStritto Trumpet Kristen Weiss Sarah Fenster (Principal) larinet C b B Kristin Hohn Anthony Kwon Abby Cohen aJINTERMISSIONa! Timothy Mahr (b. 1956) Commissioned by the University of Iowa Symphony Band Dr. Myron Welch, Conductor Winner of the 1991 American Bandmaster‘s Association Ostwald Award Equus (2000) Elute b l a rine t BC ....Eric Whitacre (b. 1970) Commissioned by the University of Miami Wind Ensemble Gary Green, Conductor Seonghek Kang Dean Papadopoulus Nick Polaoco (principal) Kevin Hannon Trumpet Nick Quackenbush Brian Lee Immmm Kimberly Metaxas (Graduate Student) EHornI Zack Bimbaum Hor n E Natalie Rivera Trombone Jay Barﬁshevich Trombone Mogana Jayakumar Ianluminous Anthony Frachionl honium Eup Damon Dye (Principal ma Graduate Student) Andrew Kaufman Tuba Matt Gukowsky Daniel Nevins Eemusslsm Tom Elefa rite Boya Gao Adam Goldenberg Ben Ramos Andrew Williamson Michael McManaman ROBERT G. SMITH is Music Director and Conductor of the University Wind Symphony. Proﬁ Smith also teaches advanced instrumental conducting and graduate wind conducting at BU. Smith has guest conducted allcounty bands throughout New York State and has conducted the Goshen College (IND) Wind Ensemble and Orchestra, The United States Army Ground Forces Band (GA), the Southern Tier Concert Band (NY), the Vestal Community Band (NY), The Maine Community Band and the Binghamton Area TubaChristmas. An active performcr‘ he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet. Smith is the immediate past president of the Broome County Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award. �Binghamton University Music Department ’s UPCOMING E V E N T S Thursday, March 11M MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Thursday, March 1 8 ” MidDay Concert, 1:20 PM — FREE Casadesus Recital Hall Thursday, March 1 8 ” Harpur Chorale and Women? Chorus, 8:00 PM, Anderson Center Chamber Halll FREE Saturday, March 20‘7h Senior Honors Recital: Briana Sakamoto, soprano, 8:00 PM, Casadesus Redta/ Hall, FREE Sunday, March 21 ” Senior Honors Redtal: Marc Si/vagnr, percussion, 3:00 PM, Casadesus Recital Hall, FREE Thursday, March 25dl MidDay Concert; 1:20 PM FREE, FA 21 Thur sday, April 8°” Jazz MidDay Concert, 1 :20 PM – FREE Osterhout Concert Theater Thur sday, April 8m Harpur Jazz Ensemble Concert (cosponsored by the Harpur Jazz Ensemble and the Binghamton University Department ofMus’c), 8:00 PM, Osterhout Concert Theater, $24“ (FREE for students) Saturday, April 1 00: Junior Recital: Jieun Jang, piano, 3:00 PM, Casadesus Recital Hall, FREE Saturday, April 1 0 ” Sweet Albion: The English Clarinet with darinetist Timothy Perry and pianist Margaret Reitz, 8:00 PM, Anderson Center Chamber Hall, $$ For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS To see all events, please visit music.binghamton.edu Become a fan on Facebook by visiting ' Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:04 27:14 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154596">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154596</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Creatures Great and Small, March 7, 2010 Recital Tape 2010-3-7 Description An account of the resource Works by Reed, Cichy, Husa, Mahr, Whitacre. Held at 3:00 p.m., March 7, 2010, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource University Wind Symphony Smith, Robert G Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-03-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/5ac18dc5829a64eb56bb58bb4406e7d7.jpg 8142ab1c001629538e265a60178552f5 https://omeka.binghamton.edu/omeka/files/original/897491009a14acea787081074a43e1de.jpg e577f03bdf92a249796a117ecd62c5f6 https://omeka.binghamton.edu/omeka/files/original/7e9c6ced9401c392ee2d959165d85f34.jpg 171cc07c7faffcfcb34ae276587cd5c0 https://omeka.binghamton.edu/omeka/files/original/d52add63a04ffe77d86ebb018c17006b.jpg 3a52b9a9e607d13f845bb19cba041bf0 https://omeka.binghamton.edu/omeka/files/original/656fee1333cf6f1cdd812302a8e064cb.jpg 2d4841c1acb1ebeaa7455703b3e66d26 https://omeka.binghamton.edu/omeka/files/original/4b76c8ca00e77a83ebd0e1279457875a.jpg 4977b6054b106a8405ccfa921ff19580 https://omeka.binghamton.edu/omeka/files/original/6336186c9c4a9c4b653685f965474a27.jpg 9e052c0a59580a7179c936813cee0455 https://omeka.binghamton.edu/omeka/files/original/aeea899a9dbd04ba1f883f7db4aa9b51.jpg d0ea90ede33251e64860d18873a30277 https://omeka.binghamton.edu/omeka/files/original/2af6281054f9e723a67065e9489f00da.jpg d1b152bd31abb30d70afd5fc92b8e87a https://omeka.binghamton.edu/omeka/files/original/7f3c339592233bcd944eafc3e1e1dc97.jpg 70d40aba3d40e52d7814b47564356c29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description All text in German. Inside cover stamped “Deutsches Theater zu Berlin”. Acts I and II: All markings throughout promptbooks are in black pencil. Markings throughout, but never really extensive (with exception of Act II, page 20). Includes stage sketches, directions, movements. Act III: All text in German. Black and blue pencil markings, unspecified. Includes stage sketches, directions, movements. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 28cm x 21cm Earlier version Earlier version (dcterms:isVersion Of) Christinas Heimreise Notes Located in Binghamton University Libraries Special Collections PT2635.E548 P75 v.48 Production(s) January 15, 1909, Berlin Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cristinas Heimreise [promptbook] Subject The topic of the resource Hofmannsthal, Hugo von, 1874-1929. Cristinas Heimreise Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hofmannsthal, Hugo von, 1874-1929 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3153 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/31c8e6a8139345ee363a0ea195abc69e.jpg 91cb25f0b2fbfd1f070ae4b46b3f9333 https://omeka.binghamton.edu/omeka/files/original/4a490f85f77a79420518b27fdbd5dcaa.jpg fb9ae15325b44abfcd7e34f722d24c26 https://omeka.binghamton.edu/omeka/files/original/5e7fc0da71c1751e0c0d0c66f32d2b16.jpg ce1ada465e722b6d166bf022a9fb4d8e https://omeka.binghamton.edu/omeka/files/original/c14d79f0b342718a348534f7c9cdc6e1.jpg 8172c835006cb082b518c2cf1359355b https://omeka.binghamton.edu/omeka/files/original/b4552dd736d5ea98b6d66128852133ec.jpg 90ece95192d3b62be749c4bb19b70c28 https://omeka.binghamton.edu/omeka/files/original/b0c8515519b93f34f816a532697b799b.jpg 9aefca2265de7b37a29ccac5f90847a2 https://omeka.binghamton.edu/omeka/files/original/a1e5937cb581a38b3e9713453712c939.jpg 0f700f2e704142d3d57a48af489475d5 https://omeka.binghamton.edu/omeka/files/original/109c37ea9af09ce2cee21502097fbf42.jpg 1434f9ec3e82b6f594ad979c1499213d https://omeka.binghamton.edu/omeka/files/original/75332e4730da8d73cffea0374692a2f8.jpg 4048b43efde78390948ac6c175f644a7 https://omeka.binghamton.edu/omeka/files/original/68de424b0efd52aa3071a460f8a942fa.jpg d58261e2e2673968d553af02b0b9f7c2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Typed manuscript bound in book, no publishing information. Thin, typewritten paper. Cover with a handwritten title and "Deutsches Theater zu Berlin" stamp. All text in German. Inside front cover includes a “Deutsches Theater zu Berlin” stamp and a list of page numbers and acts. Markings appear in black pencil, blue pencil, and red pencil. Most markings are crossouts, underlines, emphasis, rather than handwritten notes or rewrites. Note on page 33, “Keine Vorhang.”After Act II, additional scene inserted, pages 1-19, then back to Act III. Loose sheet in back cover, typewritten, “zu Seite 31.” Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 28cm x 22cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.50 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cristinas Heimreise [promptbook] Subject The topic of the resource Hofmannsthal, Hugo von, 1874-1929 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hofmannsthal, Hugo von, 1874-1929 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3461 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/0555f3221cc118d8de3355c00a026ed1.jpg 9125c0eb6e0485b4b3120a3e9e2bdebe https://omeka.binghamton.edu/omeka/files/original/48076eee52152478983136d97a9fef88.jpg f4d15c1851b06a73a6f200a185c530a4 https://omeka.binghamton.edu/omeka/files/original/d4803e83857314d24b930f15ae8b6800.jpg 4c9a35d95021184842aca5cf3436a520 https://omeka.binghamton.edu/omeka/files/original/d79e370c8296337aa9641d0e7e154d8d.jpg f5777dccb85a9aeb497261a26988d16d https://omeka.binghamton.edu/omeka/files/original/5a62a2b08d77f91c04ee01d6d32b608d.jpg 592b1a95897e65c234c15b19496f8346 https://omeka.binghamton.edu/omeka/files/original/d1b5e021a821a9b77a0f825c5f9982c2.jpg b71c41436b2855b8137dcec9f5d0079f https://omeka.binghamton.edu/omeka/files/original/863a7b1c337aafa232292de67a91f7cf.jpg 027b3fc3e53809c3f1677d9560b0de84 https://omeka.binghamton.edu/omeka/files/original/a439ed6f61ecf3fa2f24eec6b3004c45.jpg 0c9d3d67f53764da6145342f74fd2b8d https://omeka.binghamton.edu/omeka/files/original/f678206cddc0048f59721db63413259a.jpg fc8507057cc94f142ff80840a976ffb5 https://omeka.binghamton.edu/omeka/files/original/1172c50beb08d3f85fbb73d4d2fcc08d.jpg 4bdb5c326dbba6d0dbb2f50a0b3b8e0a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Typed manuscript loose in what appears to be a homemade paper folder, no publishing information. All text in German. Apparently from Hofmannsthal as a note indicates: "Typescript, containing changes, numerous handwritten comments and corrections in ink and pencil by Hofmannsthal for the Max Reinhardt production”(Quotation from previous library slip found inside). Last five pages for Act III, the rest for Act II. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29cm x 23cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.51 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cristinas Heimreise [promptbook] Subject The topic of the resource Hofmannsthal, Hugo von, 1874-1929 Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hofmannsthal, Hugo von, 1874-1929 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 5093 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.