25 10 1775 https://omeka.binghamton.edu/omeka/files/original/c5288cd8fbedb5cc2f2b09fc203b6f55.pdf 13950515fec3c6b0891d4726e99cf60c PDF Text Text \ "--- / / I ,/ / _, / . / , / / 'i ../ / / ��'' , ,"'. ' • • • ;' I I 2 ��I ; ' .. ~ . I I I I i II I I I I // ~h -- �J ~ �6 �7 �8 �L 9 �10 �11 ��NEW YORK ~ 16 --·-- --- -- .. ��----- �I f \ I I \ 19 �1 / �- 21 �/ \ / �~lV\t\O\l~JS>~ ~~ ~ ~--- ~ ?3 �24 �25 �26 �27 ��30 �/ , . • 31 �32 �\ :: ==-·. �34 f �35 �36 �37 �0 ��41 �l2 �43 ��48 ��58 ��65 ��68 �t' " ~,·d.:~ .~ f I I ~ 69 , ' . ��I \ / -- / / / ~ ../ / / ./ �.. .. . ��.., 76 �77 ��- . I - - L' ~· _ ; J ' �81 ��84 ��r 86 �87 ��89 �90 ��92 ��Psychology ren Swim Program, Hillcrest Home lutoring, Delaware Day, Athletics Committee of Univ. Assembly. Freshman Basketball Team, SCB Spring/Winter Committee, lntramurals. Fall 1968 saw a super-straight (by any standards) smalltown boy coming to a small but growing college Now, four years later, a super-straight (well, by Harpur standards anyway) small-town boy is leaving. What, if anything, of significance happened to the young man and to the school? The school is easy to deal with - a small college was substantially transformed into an extremely liberal The boy was little changed by this University Center new environment. However, his parents, old friends, new friends and especially his roommate proved to be excellent examples to follow. He picked up a little knowledge about the nature of life, but that's all I guess you're supposed to look back years from now and say, "Those were the good old days," and think kindly of the old Alma Mater. In keeping with my pro-establishment character, I duly submit my "Senior Comment". KENNETH BIRNBAUM 200 North Broad Street Johnson City, New York President of Broome Hall, Newing College Council Rep., Newing Delegate to Harpur College Council, Vice Chairman of Jewish Fellowship, Hovevie-Tzion, Student Information Coordinator for Student Activities Feel free to be free. STEVEN RICHARD BISKER 64-11 102 Street Rego Park, New York Economics RONALD J. BUTLER Addison, New York Smith Hall President '70, S.H.l.T. Intramural Wrestling, SCB Committee Accounting Varsity Tennis Team Captain, Tau Alpha Upsilon, U. A. Athletics Committee Chairman. "We entered this WOMB crude and searching, " We are expelled from it tarnished and lost - The Shepherd SANDRA CARD 3 Walnut Street Binghamton JOE BREDDAN 64 Shepherd Lane Levittown, New York Psychology Math of Psych. CAROL SUSAN CERINO 24 Mitchell Avenue West Caldwell, New Jersey PATRICIA A. BRODER ICK 9797 Ridge Road Middleport, New York Theatre English Literature Dance Production, Wind Ensemble Secretary Newing College Council '68-'69. CATHERINE CHRISTIAN 11 St. Charles Street Johnson City, New York RICHARD BROOKS 122 Cornwall Avenue Utica, New York Sociology BILL C. BURNSIDE Montour Falls, New York Chemistry FRANK CIOCH R. D.#3 Frankfort, New York Swim Team, Co-Rec. Volleyball, Soft Ball, Faculty Child Math 94 �LENORA CLODFELTER 535 Thatf ord A venue Brooklyn, New York Hinman Delegate to Univ. Assembly and USG, Intramural Basketball, Resident Assistant and Counselor, Hinman Night Security Guard, Harpur High Honor Roll . English Literature "Those who search for neverending euphoria find only doom." Afro-American Studies, Afro-American Theater Workshop, Black Student Union. DIANE CUMMINS 24 Heron Street Long Beach, New York SANDI COLMAN 448 East 20 Street New York, New York Psychology Psychology WRA Bowling, Ski Club, Publicity Committee, Volunteer Tutor WHRW, Dance Group, SCB Weekend Committees, B.A.A . It was the best of years; it was the worst of years. The education, not so much academically as socially, was incredible to say the least. "Where are you going? Where are you going? Will you take me with you? For my hand is cold and needs warmth Where are you going? Far beyond where the horizon lies And the land sinks into mellow blueness 0 please, take me with you .. . Let me skip the road with you." Hey guys - wait for me for dinner. I'll be back at 5. Hold on, I'm coming. My years at Harpur have been filled with many people. Some that I've known : 7 & 7, Dean, Rhodies, The Big C, Chimele, Baby Snookums, E. B., Bear, 0 Dick, B. J., Tap, Gap, and Crap; and many more that I haven't known: B.G.S., P.B., D.B.B.G.S., F.A., Horseface, Ponyface, Perfect Perfect, Round Wisp, Deadface, Skunkhead, Pookie, Little Pune, E.V. Whitehorse and Mouse. I suppose when it comes down to it Harpur is kind of a people zoo, with many different variations of the same species. Harpur has changed a lot in four years and it will probably change even more in the next four, and for that reason, when someone mentions Binghie, it's the people I'll always remember and not the school. It's funny but somehow in the space of 8 semesters many factions of people somehow melted into one blob and I guess that blob will stick with me for a long time . JOSEPH F. CYNKUS 754 Allen Street Syracuse, New York Geography SUSAN RAFF COOPER 925 Roxbury Drive Westbury, New York Spent three years in the Delaware Basement and the handball courts. Even loved the rest of Harpur. If anyone . wants to find me, write my parents for the address of my kibbutz in Israel. It's been decent . Political Science Dean's List, Fall Weekend '70, Co-Chairman of the Carnival Weekend Auction '71, WHRW. SHELDON DAGEN 1841 East 31 Street Brooklyn, New York ELLEN LOUISE COSNETI 1 Chenango Avenue Clinton, New York German Math Chairman Newing College Council, Resident Assistant, Newing College Judicial Board. KEVIN ALBERT CUDNEY 173 Saratoga Avenue Yonkers, New York LORNE DANN 222 Ackley Avenue Johnson City, New York Political Science Theater and Philosophy 95 �Theatre Department Productions, Colonial Players el or two and took some time out to talk to a few people. Organizations? I did that trip in high schoo l, and nothing much got organized Somebody get me out of this black box! Amen. Where now is the revolution? Where the apocalypse? Microcosm exploded Students become people Schooling gives way to education What were horizons Must now be path ways .. And then? The revoluti on? The apocalypse? Will you know . love understand . me better? I -you? us - them? When we have made these changes LYNNE DEGANI Fort Schuyler Bronx, New York Math LINDA DEL POTTER 34-E Cambridge Court Lakewood, New Jersey English Literature MARK F. DIEFENDORF 45 Mohawk Street Fort Plain, New York SUE EILENBERG 375 Garden Street East Meadow, New York History Psychology and German SHEILA DOHNALEK 913 Reynolds Road Johnson City, New York Wind Ensemble, German Club I will never forget Harpur - it left a deep impression on me. The rain - mud - worms - the most understanding profs! Such interesting courses! What sma ll classes!!! But, for some reason I'll sti ll miss Harpur. The people who made it what it was for me - them I' ll miss. I wish everyGood luck and all the happiness in the one I know world. The time went so fast - especially that Tuesday that was cancelled due to lack of interest! Math PHILIP H. EDELSTEIN 959 Cliffside Avenue Valley Stream, New York Accounting JOYCE ELLENSON 32 DeHaven Drive Yonkers, New York KATHLEEN T. EDMOND 8 North Tyson Avenue Floral Park, New York Psychology English Literature Newman Association, Fire Marshal Delaware Hall - First Floor - Spring '71, Fire Marshal Delaware Hall - Third Floor - Fall '71 (kicked upstairs) GERRY EPSTEIN 45-20 156 Street Flushing, New York In my three years at Hooper, there was good and there was bad. I believe that now there will be better. Goodbye Hoop Ies. I've had my turn, happily. Psychology If nothing else - I certainly learned how to live. GARY L. EIKENBERRY R. D.# 1 Chenango Forks, New York HILARIE FABERMAN 15 Brisbane Street New Hyde Park, New York English Lit. and Creative Writing Activities? I wrote a nov- Art History 96 ��Ad Hoc Committee Hong Kong Chinese Students Association MITCHELL ALBERT GREENBERG 1601 Avenue N Brooklyn, New York CHRISTINE GARDINEER 62 Sickletown Road West Nyack, New York Theater Member and President of Colonial Players, Student Adviso ry Board to Theater Department, Actor, Director, Drummer of the "Ga duntz ", Painist in Ja zz Quintet, Member of Innovative Satire Group at WHRW, Member of Human Race Psychology IRWIN GARSKOF 1415 Noel Ct. North Merrick, New York If four years at Harpur have not taught me how to learn, I have learned they may have taught me how to live . that if one spends too much time trying to learn what the learned teachers teach that we must learn, one will miss out on much of what makes living a worthwhile experience. Okay, all you freaks, WAKE UP! Biology STUART GITLITZ 2675 East 7 Street Brooklyn, New York MARGARFT R. GRUCZA 92 Chestnut Street Westfield, New York Political Science Dorm Council, President Endicott Dorm , Intramural Sports, Intramural Referee, Student Manager Economics TENDER: Nice night, huh?! SONJA HABER 3424 Kingsbridge Avenue Bronx, New York RICHARD LAWRENCE GOLD 3205 Grand Concourse Bronx, New York Psychology " Of Mice Or Men" History Student Counselor, Colonial News (remember?), Demetreans (where are they now?) SANDRA R. HANDEL 2171 Bragg Street Brooklyn, New York To all the people (especially those with the funny names): I leave with a quiet confide nce. It's a good feeling. You've helped instill it and for that I thank you. It's a confidence that extends for us all. I hope we stay together in spirit if not in proximity. I also hope that: As long as we can see, we will keep looking. As long as we can walk, we will keep moving . As long as we ca n stand, we will keep fighting. If my confidence by quiet, let my emotion be heard - I love you all very, very, much. (D.G.) Psychology DAVID HARVEY 66 Denton Avenue Lynbrook, N.Y. Studio Art Co-Chairman Undergraduate Art Majors' Committee 7071, Chairman 71-72. JAMES VINCENT GORMAN 5838 Park Road Marcy, New York Political Science PAMELA HARWOOD 3135 Johnson Avenue Bronx, New York l.R.A., B.F.A., Greaser Dance D.J. Literature 98 ��SHEILA HELENE KARBEL 54 Friendly lane Jericho, New York Psychology "The only world I know without walls, Is that of illusion and poetry For me that is the only liberation I don't believe man can be changed by outer systems It has to come from within" - "To be Nobody Else" French MARILYN KASNER 31 Top Notch Road little Falls, New York Psychology Varsity Cheerleader, lntramurals, Co-Rec. Counci l, Newing Judicial Board, Jewish Fellowship MICHAEL KASS 75 Coronado Street Atlantic Beach, New York EDMUND KEUNG 45 Granville Road 3/F Kowloon, Hong Kong Chemistry JAMES A. KIRBY Valley Park lot 47 R.D.;t 2 Owego, New York Chemistry Administrative Science Harpur Chorale - Treasurer & Manager, University Chorus, Roger's Rosy Hips, Procrastination FREDERICK SETH KOSLOV 54 Baker Hill Road Great Neck, New York Be Usefu l ! English literature DAVID J. KAUFMANN 324C Larchmont Acres Larchmont, New York Broome Hall Dorm Council, High Hopes Drug Crisis Center '71-'72, Rock Groups: The Joint Project, The Plate Glass, Magnolia Thunderpuss, Smiles, The Mudsharks Political Science "lord, I know that the day will come, When the both of us will set down and strum on our guitars, And you'll see I really am a lot like you." -Paco "Have a good life" - Crazy Fred Administrative Assistant to Master of Hinman College, Co-Founder and Acting Director of SUNY Binghamton law Society, Student Chairman of Harpur College Committee on Urban Affairs, Vice President for Academic Affairs - Hinman College PATRICIA A. KELLY 249 Rice Avenue Staten Island, New York MARGARET V. KREUTER 88-02 104 Street Richmond Hill, New York History English literature ROBERT D. KENDALL, JR. 372 Bennett Street North Tonawanda, New York IXTH US, Teen Center "Tears, idle tears, I know not what they mean, Tears from the depth of some divine despair Rise in the heart, and gather to the eyes, In looking on the happy autumn fields, And thinking of they days that are no more. "Dear as remembered kisses after death, And sweet as those by hopeless fancy feigned On lips that are for others; deep as love, Deep as first love, and wi ld with all regret 0 Death in life, the days that are no more? English literature Harpur Chorale - President & Treasurer CAROL J. KESSLER 71-16 Loubet Street Forest Hills, New York 100 ��STEPHANIE ANN LOWE 120 Glengariff Road Massapequa Park, New York CAROL MASON 82 West Street Albany, New York English Literature American History RICHARD JOSEPH MACEYAK Tarrytown, New York TIM McCARTHY 212 Pleasant Street lthica, New York Economics History Chorus, Football, Alpha Phi Omega, House Counsel, Head Resident, Community Relations Committe Intramural Soccer JOSEPH T. MALLOY 95 Oak Street Binghamton, New York NANCY L. McVEAN 272 Chestnut Street Watertown, New York English Literature Psychology Chief Engineer of WHRW '68-'69, WHRW Tech. Director '69-'70, Program Director '70-'71, Gen. Manager '71-'72, Student Manager, Orientation Advisor, Mozart Freak '68'72 From "darn" to "fuck" in four years. HARVEY LAZUR MILLER 21 Captains Road North Woodmere, New York Wenn Tugend und Gerechtigkeit Der Grossen Pfad mit Ruhm bestreut, Dann ist die erd ein Himmelreich, Und Sterbliche den Gottern gleich. Sociology Es siegte die Starke, und Kronet zum Lohn, Die Schonheir und Weishett mit ewiger kron. -W.A. Mozart I came in scared, now I only realize that I know more and am stil l confused and will always be that way. The Harpur Dogs have grown, and they aren't too friendly. M ust be because there are too many people around here actin' friendly to them. Yeah, I learned how we pay the price. But I didn't take Sociology to learn that, I just realized it. The winters were grey and with the summer scents and girlfriends' perfumes - that's how I'll remember Harpur. I just absorbed the rest; it became part of me. It's not a memory. I've changed, I can take the bumps a little better, but it didn't take Sociology to teach me that! AB.A. in English: how unique! (and how useful!). Actually, I wanted to be a musicologist . Goodbye and best wishes to WHRW and those who made it what it is, I hope you advance in the next years in the same way you have in the past. If you can (and I think you will) WHRW will be the only radio station worth listening to (an unbiased statement). Thank you, Harpur College, for a host of unlikely things among which are Mozart, Chaucer, Aristotle, and computers! LAURENCE MINERS 27 Cleveland Avenue Massapequa, New York Laura: See you later (831). Economics CAROL E. MARX 88-43 St. James Avenue Elmhurst, New York Varsity Basketbal I ROBERTS. MON HEIT 429 Fernside Place Far Rockaway, New York Anthropology WHRW Secretary to the Board, Ski Club, SCB Transportation Committee, Jewish Fellowship, Riding Club President, Intercollegiate Riding Team - Captain Political Science 10? ��SHIRLEY RUTH OTCHIN 1030 Ocean Avenue Brooklyn, New York Psychology JULIANNE PIRAINO 33 Fair Street Nunda, New York Studio Art May we all be happy and live in peace. Biology WILLIAM JOSEPH OWENS 95-55114 Street Richmond Hill, New York JEFFREY PREISER 562 East Main Street Middletown, New York Psychology Theater Varsity Basketball Varsity Swimming; Colonial Players, Intramural Football, Tennis PATRICIA PALLESCHI 112 Village Lane Hauppauge, New York This school has given me the basic learning and training I needed to pursue a living in the theater. I feel the department I worked under was as well organized as it could have been at the present time. There is always room for improvement, but they already know that. One thing which I am growing more and more to dislike is a majority of "coll ege hippie kids". The destruction of themselves is inevitable, since they have found it necessary to destroy almost everyth ing else. Literature & Rhetoric DEBORAH PANSON Lake Oniad Drive Wappingers Falls, New York Studio Art BARRY MITCHELL PRIZANT 2270Plumb1st Street Brooklyn, New York Lehman Hall President, Hinman College Council, V. P. for Academic Affairs - Hinman College Linguistics BETTSIE ANN PARK East Main Street Apalachin, New York GROK, Thunderpuss, The Mud Sharks, Spring Weekend Committee '70 English Literature It has always been somewhat of a joke to consider Harpur as one part of our existence, and the" outside world" as the other part. Living in this protected little community has done everything but prepare me for the "ruthless", "vicious" outside world. It will be hard to adjust to any way of life different than that I've experienced here. At least I've learned what people and friendship are made of. Harpur Chorale '68-'69, Wind Ensemble '68, Brass Choir '68 With all due respect to Zach Bowen, "hey kids, these are hard times" ya-da-da, ya-da-da! ELSIESHAR I PASSI KOFF 635 East 14 Street New York, New York PAUL REINGOLD 37-56 87 Street Jackson Heights, New York French Literature Sociology Dance group Students for Israel, Hovevei Zion - R.Z.A. BARRY M . PEARL R.D.# 6 Duell Road Kirkwood, New York It is with intense sorrow and regret that I find that the school I entered as a freshman, Harpur College, has gone the way of the buffalo. I find that I have graduated from 10 4 ��History That is not what I meant, at all.'" -T.S. Eliot Dramatics, Voice, lntramurals, Entertainment for Newing, Canvassing during Spring '70 Strike REGINA SABLAUSKAS Rochester, New York " When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight." - Kahlil Gibran Math Harpur Chorale, University Chorus ELIOT RUBIN 732 Imperial Drive Baldwin, New York PETER SALGO 1595 Uniport Road New York, New York Dickinson College Advocate, Chair. of Dickinson College Judicial Board History "Keep smi ling It makes everybody wonder what you've been up to!" Pipe Dream Editor, Hi story Dept. Student Advisory Committee, lntramurals, Orientation Advisor KAREN RUBIN 48-47 190 Street Flushing, New York SARA J. SAUNDERS Verm ont Street Holland, New York Sociology Geography & Anthropology Image Editor, Pipe Dream, Women's Varsity Tennis CAROLINE ELIZABETH SAVAGE Yonkers, New York PETER CHARLES RUBINGER Blind Brook Lodge Rye, New York Art Hi story Economics JEAN SCHAB Lake Walton Road Wappingers Falls, New York Games Room Manager Psychology ANDREA RUBINSTEIN 1062 Gipson Street Far Rockaway, New York ROBERT SCHNAPP 3299 Cambridge Avenue Bronx, New York Art History " And would it have been worth it, after all, Would it have been worth while, Aher the sunsets and the dooryeards and the sprinkl ed streets, After the novels, after the teacups, after the skirts that trail along the floor And this, and so much more? It is impossible to say just what I mean! But as if a magic lantern threw the nerves in patterns on a screen : Would it have been worth while If one, settling a pillow or throwing off a shawl, And turning toward the window, should say: 'That is not it at all, Economics SCB Carniva l '71, D emetrea ns Sec. '69, Endicott Dorm President '69, Dean's Li st I can only say that these four years have been the best four years of my life. I will remember forever al l my friends here at Harpur . MICHELE SCOTTO 360 Alvarez Calderon San Isidro Lima, Peru 106 ��Hinman Social Chairman, Hinman Exec. Committee, C.N., Dean 's List, SCB Committees, Carnival Com., lntramurals, Visiting Student Colgate University, Women's Varsity Tennis ROBERT A. STONE Old Cahoonzie Road Sparrowbush, New York Math . . There are many really fond and great memories. What stands out is the memory of making the most out of these four yea rs and making them as enjoyable as possible. Now, of course, the inevitable is before me - I am confused about what I want to do, but after all, isn't almost everyone! MARTHA ELLEN STRASSBERGER 20 Orlando Road South Norwalk, Connecticut Music EVA WONG TROY 154-2515 Avenue Whitestone, New York Harpur Orchestra, Tri-Cities Opera Orchestra, Orientation Advisor " If music be the food of love, play on; " School of Management - Shakespeare Roommate to Fire Marshall of Deleware Dorm '71, School of Management Undergrad. Committee MARK ALAN SWIDLER 29 Wantaugh Avenue Pougkeepsie, New York An old friend met In a far country .. Rain after drought Psychology DORIS TASSIN Kirkwood Manor 6D Kifkwcod, New York KAREN VOIGHT Eastchester, New York Sociology German Language and Literature Harpur College German Club It's enough for an elephant to walk alone, let alone with all those embellishments. ROBERT H. THOMAS 91 Avenue C Port Washington, New York ROBERT WALDMANN 86-37 251 Street Bellerose, New York Sociology History Keep On Truckin' Society, Jack Cassady Fan Club lxthus, Odeans, Inter-Frat. Council, Student Manager, Inter-Faith Center Board , lntramurals Let all become all each is capab le of being. PEACE! .. As my friends plan to go their separate ways, I have to thank them for making the last four years unforgettable. The suite . . the "bio boys " ... lxthus and many others all contributed toward making the studying, reading, testtaking, and academics bearable, and the tota l experience enjoyable. With the future ahead of us I can only wish my friends the best of good fortune and hope that the memories will not be forgotten but relived for many yea rs. To CMH, a special thanks; and to my many professors, a '' B -- ,, . BONNIE THURSCHWELL 2258 Batchelder Street Brooklyn, New York French Language LY N TEICHMAN 75 Stratford South Roslyn Heights, New York Psychology GARY RICHARD WALLACE 7 Field crest Lane Farmingdale, New York Orientation Advisor, Dorm Rep., Hinm an Secretary, 108 ��Delaware Dorm Council, Newing Academic Committee, Wind Ensemble, Orchestra, lntramurals, Rep. to Co-Ed. Athletics PATRICIA J. YOUNG 58 Glen Avenue Little Falls, New York All the activities that Robert has listed were done before his senior year. Robert was a lazy senior. Robert was not a clubbie; Robert was not a hippie. What was Robert anyway? Chemistry Bobanjan Larry tried to change Bob's mind but he was too far gone Jan had him in her hand. He was going to be her man. Larry warned Bob of the Fate of his Kind But his thoughts were of flower and song. To him, she was the fairest in the land, And she was going to be his woman his Jan. So, unable to remove Bob from his bind Larry bid Bob and Jan "so long." Happiness as multiple as grains of sand He wished them as he ran. For he had to return to his balance pan. Band, Synch . Swimming, Ski Club Harpur was never a home for me (I still can't tolerate the place in a bad mood), but I feel that I've gained from my 4 years here - knowledge which is not only academic. I sha ll not forget the place easily. GIUSEPPE MARINO ZACCAGNINI 260 Buttonwood Avenue Peekskill, New York Italian Goliards, Varsity Soccor & Wrestling RONALD LOUIS YACKEL 101 West Cheltenham Road Syracuse, New York ARLEEN ZIMMERMAN 140-21 31 Road Flushing, New Yqrk English Literature Psychology Y. JOY YAGMAN Route 25A-Box 95 Mt. Sinai, New York DEBBY ZUBOW 88-76 62 Drive Rego Park, New York History Anthropology IM Volleyball, SCB Transportation Committee, Jewish Fellowship. Terminal Beach Club �) Howard Abramoff Audrey Adler Linda Allen Marcia Alter Nancy Altman Stuart Altschuler �Robert Andrews Ann Balitsky Jeff Appleman Nancy Auten Beverley Balas Norman Barouch �Douglas Barshter Michael Bass Curtes Bay David Beaudreau Nancy Beeman Wayne Belding �Sheldon Benardo Gary Bergman Michael Bennetti Janice Bergman Robert Berger Nancy Beekowitz �Claudia Berkowitz Ira Bierman Ray Berman Kenneth Birnbaum Sheryl Bernard Paula Birr �I' I Steven Bisker Susan Bolla Michele Blecker Robert Boni Roslyn Bodofsky Jeffrey Bonne �Norman Bowell Bonnie Bower Harvey Braudwein I Joe Breddan Robyn Breiman Roni Breite �Patricia Broderick Linda Brodt Richard Brooks Elizabeth Brown Robert Browne Linda Buczkowski �Donna Bunansley Ron Bulter Carrie Burchardt Bill Burnside Steve Cakr Philomena Cannuso �Stephen Caputo Mary Catrini Sandra Card John Caughney Mary Catter Carol Cerino �Robert Chauncey Marc Cherna Elvera Chiccarelli \ '~ Connie Cirille Allen Church Judy Cigna �Frank Cioch Warren Clark Leonora Clodfelter Bernard Cohen Michael Cohen Mitch Cohen �Robert Coleman Sandi Colman Warren Cooper Julie Coots Susan Cooper Ellen Cosnett �Patricia Coury Joan Craig Linda Creveling Catherine Cronin Angela Csida Kevin Cudney �I Diane Cummins Joseph Cynkus Michael Curtin George Custen Sheldon Dagan Ralph Daina 12!1 �Lorne Dann Diane Dean Lynne Degani I Dariel Degennaro Cecelia Delgado John D'Este �Veronica DiComo Vtary Ellen Domblewski Mark Diefendorf Daniel Dorfman Sheila Dohnalik Tom Doring �Michael DuBow Dan Durek Stewart Early Philip Edelstein Ken Dymond Kathleen Edmond �Sue Eilenberg Nancy Eldridge Edward Ellenbogen Joyce Cllenson Cary Ell is Douglas Epstein �Gerry Epstein Robert Evans Jon Erlitz Hilarie Faberman Mitchell Essig James Fahey �Maria Falantano Daure Feldman Tom Farrell john Fenner Martin Feinberg Sharon Fenner �Richard Fenton Linda Field Andrea Ferran Charles Fialkin Anita Fisher Laurie Fox 13? �Alan Fraade Felicity, Frank Robert Fravenglas Francine Freedham Barton Frahlick Leon Fried �Susan Fried Mark Friedlander Bruce Friedman \ Elaine Friedman Ellyn Friedman 134 Miles Friedman �William}. Froehlich } effrey Frost Marietta Fuentes Anne Fundalinski Rowenne Fung Tobie Gabriele 135 �Christine Gardineer Ed Gardner Robert Gengerke Laura Genua Fred Gilbert Carol Gill 136 �Gary Gilitz Carol Glusman Stuart Gitlitz David Gold 137 Ira Glick Richard Gold �Marsha Goldberg Sheldon Goldfarb Paul Goodman James Gorman 138 Marilyn Golub George Greene �Judith Greenberg Leonore Greenberg Mitchell Greenberg Larry Greenwald Judy Cross Richard Crossman 139 �Margaret Grucza Ralph Gumpert Debi Guralnick Sonja Haber Patty Hakes Mark Halperin 140 �Lynn Hamburger Sandra Handel Robert Handelman Cheryl Harvey Michael Harvey Pamela Harwwod 1111 �Stephen Heckman Laura Held Marc Hendler Peter Henry Alexander Hentschel Alan Hertel 142 �Susan Hoffman Ellen Holian Joseph Hogan Alan Holmes 143 Michael Hohn Joseph Hollander �Joseph Hoolihan James Homanich Dan Homokay Thomas Hornick Charlene Howe Joan Hraban 144 �Agatha Huang Marc Hurst Alan Hutchinsin Leonard 11/felder Mitchell R. Joelson Darryl Johnson 14~ �Ronald Johnson Debra Kanter Roberta Kadish Joel Kanter 146 Anne Kamen Alan Kaplan �Marc Kaplan Michael Kass Loren Karro Lynn Kasner Aviva Katz Jay Katz 14 7 �Leonard W. Kaye Patricia Keller Robert Kendall Carol Kessler 148 Pat Kelley Emmund Keung �James A. Kirby Roberta Kirstein Lynn Kleinbaum Wendy Klepetar Stephen Koscomb Fred Kos/av 149 �Maryann Kovarik Margaret Kreuter Roger Kramer Jo Marlene Kroczynski l~O Debora Kreitzberg Martha Kraker �Julia Ker/pa Sanford Langbart Robert Lacey Charles Lange 1 ~1 John Landau Linda Lankenau �Susan Lasky Gordon Leavitt Paul Leff Dale Lerter Marcia Lesser Susan Lesser 152 �Anthony Leung Howard Leventhal Martin Levine Judy Levy Sheryl Lewit joAnne Liesenberg IS3 �Jack Liften Edward Lanky Lucy Sai-Yin Jin Stefanie Lowe Nancy Linder Richard Maceyak �Adrienne Maidenbaum Arthur Markey Joseph Malloy Barry Marcus Michael Marks Claudia Martin �Sandra Marx Carol Mason Lenore Mauleos Ann Meadow Sandra Medgio Eric Mendelsohn 156 �Patricia Merry Santa Militello Susan Michelson Harvey Miller 157 Frances Miksits Harve y Miller �Joseph Miller Nicholas Miller Kevin Mohr Robert Monheit 1:i8 Laurence Miners James Moore �Betty Morales Michele Morgan Regina Moss Joan Marie Mullaney !!,9 Lawrence Moss Me/eta Murdock �Donald Musante Barbara McGarry Ben McKenzie 0 Elaine McLain Thomas McTigue 160 Nancy Mcvean �Wendy Nalter Deena Nathan Fred Nelson Kije Nemovicher 161 Susan Naughton Jeffrey Nevid ' �john Niessen John Nowak Howard Nussbaum Elaine Ofen/ock Karen Olyha Shirley Otchin 162 �William O'Reilly Evelyn Orta Nicola Paciocco Philip Padrid 163 William Owens Diana Paferath �Patricia Pallischi Susan Paisley Deborah Panson Bettsie, Park 164 George Panathus Elise Passekoff �Barry Pearl Barry Pemsler Amy Peck Julianne Peraino 16~ Simone Pelzman Virginia Pieczontka �Terry Pitts Nancy Anne Preston Linda Potter Rosamond Preti Jefferey Preiser Janice Purnhagen .. 166 �f\ttary Rafalowski Penelope Rahm George Ramseyer I Howard Ratner Sandra Rousso 167 Paul Reingold �Richard Reese Alan Resnick Ellen Rhodes Rowena Robertson Clifford Rogers Robert Rohrberg 168 �Judith Rosen Allan Rosenblum Denise Roseman Allen Rosenthal Kenneth Rosow Steven Rothfarb 169 �Alan Rothberger Barry J<othenberg Jane Rothman Paul Rothman Peter Rubinger George Rubens �Andrea Rubinstein Zelda Rubenstein Dave Rubin Eliot Rubin Karen Rubin Sylvia Rubin 111 �Eric Rypins Anne Samchalk Regina Sablauskas David Sandgrund 17? Peter Sa/go Sara Saunders �Caroline Savage Walter Sawicki Mike Scalzo jean Schab Martha Schad Ann Schappert 173 �Carol Scheer Peter Scheibe Jon Sehl issel William Schmolze Martin Schnabel Robert Schnapp 174 �Arlene Schneyman Francis Schorr Andrew Schwartz Caren Schwartz Howard Schwartz Michela Scotto I 75 �I Perry Segal Sidney Segall Jill Se/sky Sharon Sessler Carol Sevush Irene Shapiro 176 �Dale Shapiro Jane Shenk Anne Sherman Vicki Sherman Abraham Shophet Edward Shores 117 �Cheryl Siegel Debbie Silverman Peter Silverman Linda Singer Eshwar Sitaramya Judith Smith 178 �William Smith Howard Sobel Robert Somer Steve Sperling 179 Robert Sobel Miriam Sprau/ �Elyse Springer Harriet Steiner Joyce Steitz Judy Stern Terry Stern Robert Stone 180 �Martha Strassberger Maureen Sullivan Clayton Sutton Frank Swingle Mark Swidler David Swierkosz 181 �Donald Sztabnik Susan Takaroff Steve Ta/mare \; Dorris Tassin Lynn Teichman 18? Betty Gean Twiet �Ross Tobin Gary Trager Burton Thelander Thomas Trovato 183 Bonnie Thurschwell Eva Troy �Catherine Tucker Edwin Van Alstyne Roslyn Tunes Kathleen Tyrrell James Vanderhoff Elise Vider 134 �Karen Voight Cynthia Vos Esther Waisblatt Robert Waldmann Richard Walderman Helane Wohl 18~ �Barbara Weber Louis Weinstein Robert Weiner Stewart Weinstein 186 Debra Weinrit john Weinrich �Philip Weis Dennis Winiker ' Steven Weisberg Gerhard Wenk 1&1 Patricia Weiser Kathleen White �Robert Wilson Beverly Williams Ruth Williams Roy Wolf Chet Wolfsont Jacqueline Wong IS8 �Mary Elizabeth Woodhull Cary Woonteiler Ronald Yackel joy Yagman Cretchan Yodeal Kathryn Young !39 �Jayne Youmans Patricia Young Barbara Youngberg Renee Zaccarini Martin Zander Martin Zehr 190 �Janet Zusselman Debbie Zubow Joann Zeuther Deborah Zeplin Stephanie Zunno Gwen Zupnick 191 �Row 1: Mark Goldstein Irwin Garskof Virginia Pieczontka Row 2: Lynn Teichman Laura Genua Row3 : Mark Gartenfeld David J. Kaufman 192 �A wila Castro Kevin P. Donovan Mary Jane Berman THE SKIN GAME LEATHER SHOP - BING, N.Y. HARPUR'S BAZAAR 40 Shops and Stores to serve you Health, Happiness, and Peace It's been our pleasure. VEST AL PLAZA MERCHANTS 193 �T PRESCRIPTION DRUG STORES Binghamton · Endwell - Vestal ~ BATES TROY LAUNDRY E; CLEANERS FINEST SINCE 1852 --- -- -- - --- -- -- ------- ==---- - ---- - . -® �Best Wishes from ~ endico~~~c~~?~ 143 AM 10 5. 5 FM THANKS FOR LISTENING BEST OF LUCK MERV GRIFFIN STATIONS ~ffordable fashions in footwe ar ROGER DOOLITTLE ATLANT IC SERV ICE STAT ION 2..+ HOUR SE RV IC E V ES f A L PKWY E. 797-6537 VEST AL PLAZA ELECTRONIC TUNE-UPS VOLVO DATSUN l~ PARKWAY AUTO SALES & SERVICE 3101 VESTAL PARKWAY E. VESTAl, NEW YORK AR OLD ROMALDINI Phone 729-3511 c;~~ri' II ' - 3109 STEWART ROAD VESTAL, NEW YORK EARL SEPHTON Phone 729-3512 • • • • • • Brakes Carbu retors Ignition Mufflers Radiator Repairs Front End Work L ~;)\ 1; .~~:J l' ~J f~~ ...__. ----· Road Service 797-7894 Wrecker Service Vestal Parkway E. In Front Of Britts N .Y. State Inspection Staion We Pick Up & Deliver • Complete Auto Repairs Bunn Hill Texaco 4009 Vestal Parkway Snow Plowing �To he fully informed You better read both ... THE PRESS The Sun• Bulletin VAUGHAN'S "The people who care about the way you look" I S~!(kk)lI I I Ii~" Stickle• B.1kery S"cr Sive~ NEW LOCATION PHO TOGRAPH/C supplies & service •CAMERA STORE - t_ --PLA ZA DRIVE ~--, VESTAL "''~'"'"9 PLAZA loboro•orr rm ·~· -.1 ~ !i • A..,d10 Vnvo l 200 Plaza Drive, Vestal Plaza • lnduiit1ol. C,oph1c B1nghamton. N . y . 13903 Phone: 607-729-9311 " In business , induslry, al hom e . A111 Suppl· ~ • CONGRATULAT IONS CLASS '72 THC SPIR IT SHOPPE 1n l L . . _ __ _ _ . STICKLEY -SIVER co mple te s th e ptelurc." COLONIAL MOTOR INN AIR COND ITIONED ROOMS COLOR CABLE TV �Geared to money matters. Broome County Bankers' Association Bankers Trust Industrial Bank of Binghamton The Binghamton Savings Bank Endicott Bank of New York Endicott Trust Company First-City National Bank Marine Midland Bank - South ern 197 �the heart of your yearbook ARBOOK PHOTOGRAPHERS COMPLIMENTS OF POLAR FOOD SERVICE INC. 15 ALICE STREET BINGHAMTON, N. Y. 723-8351 CONGRATULATIONS TO THE CLASS OF 1972 FROM THE CAMPUS STORE �........... McNEIL ~~ -~~~~. ~,, . •••••• M 1~•r •• • Vestal Plaza Ithaca - Cortland Bob Paoletti's Esso Vestal Parkway East Foreign Car Repairs Our Speciality 797-1583 Krissel Brothers Road Service - Ignition - Brakes - Mufflers -Tailpipes - Kelly Tires - Batteries - Official Inspection Station cal I 797 -999 3 Vestal Pkwy East (next to Colonial Motel) Floral Avenue Market 269 Floral Avenue, Johnson City Open 6 A.M. to 1 A.M. All Week 365 Days Per Year Discipline of Mind, Training of Body HIDY OCHIAl'S Triple Cities School of Judo and Karate 290 Floral Avenue, Johnson City, N.Y. • BOSTON SANDWICHES • NEW YORK DRINKS • SAN FRANCISCO ATMOSPHERE I - 3744 Vestal Pkwy East 729-9053 II -1224 Campville Road, Endicott, 785-9809 �THE " The KINGS of COLOR" PAINT BUCKET TUTHILL 'S PHOTO CENTER TUTHILL'S AUDIO-VISUAL CENTER HEADQUARTERS FOR THE LEADING NAMES IN PHOTOGRAPHIC AND AUDIO- VISUAL EQUIPMENT Get th e COLOR of Your CHOIC E w ith M U RPH Y'S C OLOR PHO N IC PAI NTS Bring the color sample you want matched to The PA I NT BUC KET NOW ON TH E Vestal Parkway East, Vestal Across from Colonial Motel PHON E729-1541 VISIT OUR NEW AND IMPROVED LOCATION ONLY MINUTES FROM MAIN ROUTES OF TRAVEL OUT STATE STREET -1 MILE NORTH OF C O U RT ONE BLOCK OFF BRANDYWINE (ROUTES 81AND17) 412 CHENAGO ST. BINGHAMTON, NEW YORK -(AC ROSS FROM Bl NGHAMTON PLAZA) the HOUSE of YU In The Colonia l Motor Inn , Vestal Parkway E., Vesta • Phone 7'29-1017 LUNCHES and DI NNERS SE RVED Specializing In A Complete Menu Of: CHINESE-AMERICAN FOOD Cantonese and Mandarin " ENTERTAINMENT" Monday th ru Thursday & Saturday " HAPPY HOUR" 4106 p.m. FOWLE RS �... - �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1948 - Title A name given to the resource Binghamton University Yearbooks Subject The topic of the resource Harpur College -- Students; State University of New York at Binghamton -- Students; Harpur College; State University of New York at Binghamton; Students; Yearbooks Contributor An entity responsible for making contributions to the resource Blythe E. Roveland-Brenton, Director of Special Collections & Library Preservation Caitlin Holton, Digital Initiatives Assistant Maggie McNeely, University Archivist Erin Rushton, Head of Digital Initiatives Description An account of the resource Binghamton University’s yearbook was published under several different titles. It was first called The Colonist in 1948, then became The Yearer in 1970, Pegasus in 1973 and finally Binghamton University in 2004. Yearbooks are a popular resource for alumni and can be used for primary source research. Each book typically contains class lists, class photos, candid photos, faculty and academic department information, campus and institutional facts, illustrations and ads, and editorials. They document student organizations, campus events, athletic teams as well as local and global events. Yearbooks offer a window into the traditions and culture of a time and place from the point of view of a select group of students on behalf of the student body. They are among the richest sources of student-driven content for an academic institution. For more information regarding yearbooks and the history of the University, please contact <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a> at 607-777-4844 or speccoll@binghamton.edu. We welcome your comments about our collection of digitized yearbooks.  <a href="https://binghamton.libwizard.com/id/c6121588e483da04f66dba76f0460bb5">Please share comments via our feedback form</a>.  Acknowledgment of sensitive content Binghamton University Libraries provide digital access to select materials held within the Special Collections department. Historical yearbooks provide a vibrant window into life at the University. However, they also expose insensitive, and at times offensive, racial and gender stereotypes that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these volumes available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. <a href="https://www.binghamton.edu/libraries/about/collections/digital/">Digital Collections</a> are created for educational and historical purposes only. It is our intention to present the content as it originally appeared. Rights Information about rights held in and over the resource The yearbooks in this collection are copyrighted. If you want to reuse any material in this collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down request policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. When citing documents, researchers / educators should credit Special Collections as the custodian of the collection. The following is a suggested citation: Binghamton University Yearbooks Digital Collection, [yearbook title and year], Special Collections, Binghamton University Libraries.” Date A point or period of time associated with an event in the lifecycle of the resource 1948-1972 Is Part Of A related resource in which the described resource is physically or logically included. <a href="https://archivesspace.binghamton.edu/public/repositories/2/archival_objects/38366" target="_blank" rel="noopener">Binghamton University Student Publications: Yearbook, 1948- present</a> Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Collection Binghamton University Yearbooks Digital Publisher State University of New York at Binghamton Digital Format PDF Identifier dc:identifier THE YEARER_1972.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yearer 1972 Subject The topic of the resource State University of New York at Binghamton -- Students school yearbooks Creator An entity primarily responsible for making the resource Binghamton, N.Y. : State University of New York at Binghamton Publisher An entity responsible for making the resource available State University of New York at Binghamton Date A point or period of time associated with an event in the lifecycle of the resource 1972 Rights Information about rights held in and over the resource In copyright. Description An account of the resource Student yearbook of Triple Cities College (1948- 1950), Harpur College (1951- 1965), and the State University of New York at Binghamton (1966- present). https://omeka.binghamton.edu/omeka/files/original/3869f4d23c19e1c750f8b6c192c7148d.pdf 085dd9d68ae5373895f99e815d56c2c9 PDF Text Text L V N U l y R i ] A V L a ~ U l r . l (© { 1 R C BINGHAMTON l x I \ l l { \ l l l State University of New York pe . , i “ \ l < i l l Flutist G eorgetta Maiolo a nd F riends M usic fro m t he 1 8 ” c e nt u ry to two world premieres J onat ha n Biggers, harpsichord Stephen Stalker, cello M a ry Burgess, soprano Marlon Torres, dancer Ma rga ret Reitz, piano Ti mothy Michael Rolls, composer l ’aul Goldstaub, composer Sat u rda y, September 1 7, 2005 8 :00 p.m. A nderson Center C ha m be r Hall l l l i I i l �P ROG R A M Sonate Opus 2, No. 4, g minor, “La Lumagne”..........Michel Blavet for ﬂute, harpsichord and basso continuo ( 1 7001 768) Adagio Allemande Sicilienne Presto Le Lutin Jonathan Biggers, harpsichord Stephen Stalker, cello Aria, “Rossignols Amoureux ”, ...JeanPhilippe Rameau from the opera Hippolyte et Aricie, ( 16381 764) for voice and ﬂute and harpsichord ( 1 733) Sonate en Concert, Opus 1 7, pour Flute, Cello et Piano ( 1 946) Stephen Stalker, cello Margaret Reitz, piano JeanMichel Damase (b. 1928) Wot on C1) ~INTERMISSION~ “A Child ’s Life” for Solo Flute (2005)........ Timothy Michael Rolls (b. 1967) (World Premiere) 1. A Child ’s Life 2. Dance 1: A Spring A fternoon 3. A Child ’s Nightmare 4. Dance I I: Holiday Break Mary Burgess, soprano Jonathan Biggers, harpsichord L a Capinera ( The Wren)... m(l88l) for soprano, ﬂute and piano 0’ Syrinx for Flute and Dancer (1912)........................ Claude Debussy ( 18621 918) Choreographed by Marlon Torres Sir Julius Benedict ( 1804 I 885) Mary Burgess, soprano Margaret Reitz, piano Marlon Torres, dancer . X X V Opera Snatches.. for Unaccompanied F Jute ( 1978) Deux Stcles Orientées pour Chant et Flute ( 1 925) I. Mon amante a les vertus de I ’ e a u . I I. On me dit... Mary Burgess, soprano Jacques Ibert (1890 I 962) ...William Schumann (19101992) Pastorale I I for Flute A lone (2005)............cccceueuue.... Paul Goldstaub (b. 1 947) ( World Premiere) Duet for Flute and Dancer ( (1966)...........ccoueeeeee....... [Ezra Laderman (b. 1924) (”horeographcd by Marlon Torres Marlon Torres, dancer �TRANSLATIONS A ria, “ Rossignols Amou re u x ” (Amorous Nightingales) Rameau Amorous nightingales, respond to our wishes b y the sweetness o f your warbling! Render the tendercst homage to the divinity who reigns in our woods! Deux Stéles Orientées (Two Monoliths Oriented ) Ibe rt I. Mon a ma nt e a les v ertus de I ’eau . . . (M y love has t he vi rt ues of water) My love has the virtues of water: a clear smile, ﬂowing movements, a voice pure and harmonious, drop by drop. And when sometimesin spite of Now, W l N D changes direction, it’s peremptory. Thus, do not take this woman.” And then, there’s the commentary, listen: “He’s hurling himself against rocks! He’s entering a bramblepatch! He’s putting on a hairshirt..." and other criticisms which it is better to leave unsaid. ﬂames, simmering : water thro wn “~ upon red coals. My “water” lives, here she is, spread out, all on the ground! She slips by, she escapes me...and l‘m thirsty, and I run after her. With my hands I make a cup. With my two hands I scoop it up with intoxication I grab her, I bring her to my lips And I swallow a handful of deception. I I . On me dit... (They tell me...) They tell me, “You should not marry her. All the omens agree, and are unluck y : notice, in her name. W A TER, ﬂung to its fate, is replaced by WlNl). 7 l Do not, then, choose this woman. A Child ’s Life for Solo Fl ute. Timothy Michael Rolls l . ‘‘A Child ’s Life” The theme starts out much like a child: a small fragment that ultimately develops into it’s own full idea. 2. Dance 1: A Spring Afternoon With the end of winter, the children quickly and gleefully I answer : Admittedly, there are dubious omens. emerge from their captivity to t he freedom of the outdoors. 3. A Child’s Nightmare To a child, monsters are very real and frightening creatures. While they don’t want to see them, for some reason they feel the need to get up and look for their monster. While this child is looking for his monster, the monster is following close behind, as if playing tag. Everytime the child moves, the monster follows (represented by the ﬂuttertongue playing). Finally, the child tums and sees the monster and runs back to bed to hide under the covers, mockingly followed by it’s ever faithful monster. B ut let us not gi ve t he m too m u c h importance. After all, she is a widow; and all o f that concerns her ﬁrst husband! Prepare the chair for the wedding ceremony! La Capinera ( The \Vre n) Benedict myselfthe ﬁre comes into my eyes, she kno ws how to fan the P ROGRAM NOTES With sweet April’s return, You return. my dear onc, And come to sing your song A mong the lovely ﬂowers on my balcony. Your voice gives me such pleasure That it gives me the desire to sing! 4. Dance 11: Holiday Break This dance is reminiscent of kids getting out o f school and running home as fast as they can so as to not waste a moment of their precious play time. Let ’s si n g toge t he ryo u lead! Let’s sing of love, of youth! Let’s sing together o f love and youth. The plants and ﬂowers greet you In that secret langua ge o f theirs. The murmur of the breeze Seems to seek a k iss from you. And while my heart, close to you, I s full o f bliss div ine, I wish to sing! You lcad me Let ’s sing together o f lo v e and youth! l \ Pas torale II for Flute Alone .................ccuucuu.e...... Paul Goldstaub Dedicated to Georgetta Maiolo, begins with a short, introspective phrase that uniﬁes the piece. The pitches (C# G#) and the rhythm (dotted eighth, sixteenth, eighth in compound time ) recur in man y forms as the piece grows to its highpoint and then returns to its origins. �ABOUT T H E PERFORM ERS GEORGE TTA MAIOLO is on the faculty of Binghamton University and Broome Community College teaching Flute and directing Flute Ensembles. From 1977 to 1996, she held the position of Assistant Professor of Flute at Ithaca College, Ithaca, New York. She also taught ﬂute at West Virginia University, Morgantown, West Virginia. Ms. Maiolo i s a graduate o f D uquesne University, Pittsburgh, Pennsylvania, and attended graduate school at West Virginia University, Morgantown, West Virginia. She studied with Bernard Goldberg, principal ﬂutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At the age of 15, she made her solo debut with the Pittsburgh Symphony. Ms. Maiolo is the recipient of numerous honors, including the NCMEA National Music Award, the Pittsburgh Tuesday Musical Club, the Enola M. Lewis Scholarship and the Mu Phi Epsilon Sterling Achievement A ward. Ms. Maiolo is the principal ﬂutist of the Binghamton Philharmonic Orchestra, TriCities Opera Orchestra, Southern Tier Concert Band, and Downtown Singers Orchestra. In addition to her playing positions, she concertizies as a soloist, recitalist, and chamber musician. Ms. Maiolo conducted the 1983 NYSSMA AllState Flute Choir. She served as the ﬂute chairperson for the NYSSMA Manual from 1981 to 2001. She is a “clinician” for the Selmer Company. She has recorded for Crest Records and NPR. JONATHAN BIGGERS, cited as “one of the most outstanding concert organists i n the United States,” maintains an active carcer as both a pro fessor o f & organ and as a concert organist of the ﬁrst order. Presently Chair of the Department of Music and Professor of Organ and Harpsichord at Binghamton University in New York, Dr. Biggers has presented concerts in church and university settings throughout the United States, Canada, and Europe. He has also appeared with various orchestras in North America. and has been featured on NPR, Canadian Broadcast Corporation, and Radio Suisse Romande broadcasts. The Kansas City Star, in a review of a concert by Biggers, noted that his performance demonstrated “authority and eloquence™ a nd stated “were there more pla yers like this, the organ would be far less a minority interest.” Dr. Biggers studied with Russell Saunders (Eastman School of Music), Lionel Rogg (Conservatory of Music. Geneva, Switzerland), J. Warren Hutton (The University of Alabama), Wallace Zimmerman (Atlanta), Harold Vogel (Bremen, Germany), and has won numerous prizes in many diﬀerent competitions. In particular, he was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, secondprize in the 1982 A merican Guild o f Organists National Organ Playing Competition, and unanimously won the 1990 Calgary International Organ Festival Concerto Competition. Two highly acclaimed Compact Disc recordings o f his work (“Slecpers, Wake! A Reger Perspective” and “Bach on the Fritts!™) have been issued by Calcante Recordings, and Dr. Biggers will be recording several other releases in the future, to be issued by Loft Recordings. STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. H e formerl y taught at Colgate University, Mansﬁeld University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Ca yuga Chamber Orchestra in Ithaca, NY. M ARY BURGESS, soprano, a graduate of the Curtis Instit ute of Music, has been a member of the Binghamton University voice faculty for over twenty years. Ms. Burgess made her U. S. operatic debut with New York City Opera while still a student at the Curtis Institute, and subsequently appeared with Santa Fe Opera, Washington Opera, New Orleans Opera, Nevada Opera, and many other regional companies including TriCities Opera in Binghamton. Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaic in Brussels, and with Dublin Grand Opera. Burgess has appeared as soloist with more than two dozen U. S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such prestigious festivals as Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati Ma y Festival. Her repertory of forty roles in ﬁve languages ranges from Monteverdi and Cavalli to Britten and V irgil Thomson. Her performances o f Britten’s Les Illuminations and Mahler’s Symphony No. 2 with the Omaha Symphony were ﬁlmed for broadcast by Nebraska ETV. She has recorded for Columbia, Masterworks, CRI, Sony Classical and Telarc. M A R L O N TORRES is a native o f Caracas, Venezuela, where he was active in dance and entertainment including several scasons on a popular TV show as a featured performer. In the United States, he studied Musical Theatre at Tampa University before graduating with a degree in Theatre from Binghamton University, where he received the prestigious Friars Foundation Award for Excellence in the Arts. Marlon performed with several theatre and dance companies in New York and Indiana before becoming a principal dancer with Galumpa ( formerly The Second Hand Dance Company). Mr. Torres hopes in t he fut u re to c reat e a n Institute for t he Pe rfo rm i ng A rts in his hom eto wn o f Caracas. �M AR GA RE T R EIT Z is a native o f the Binghamton area. She recei ved he r Bac helor and M aster o f M usic degrees in pia no performa nce with accompany ing emphasis. She attended Boston Un iversit y, Ne w England Conse rva tor y a nd Bingha mton U niversity. She has acco mpanied throughout the U nited States , in England, South Ame rica, a nd at the A me rica n I nst itute o f M usical St udi es in Graz, A ust ria. She and Binghamton U niversity fac ult y mem bers Timothy Pe rry and Stephen Sta lker were invited to pr ese nt a recital at the International Cl arinet Conference in Tokyo this past sum me r. She has been on the facult y at Bingha mton U niversity since 199 1 a nd Ithaca College School of M usic s ince 1999. She ma inta ins a private piano studio in Vesta l, N ew York. She is on the Execut ive Board of the New York District MTNA organization. She is past President of the local Sout hern Tier Mu sic Teachers Association and is an act ive adjudicator for the National Piano Guild Organization. TI MO TH Y MI CH AE L R OL LS joi ned the faculty of Binghamton U niv ersity since 1999 teaching music t heory, mu sicianship a nd technology. He ea rne d an AA from Broome Comm uni ty Colleg e, a BA in Music from State U nivers ity of New York at Ne w Paltz, a n M M in Composition from Bi nghamton U niv ersity and a DM A i n Composition from th e U niversity of Houston. His work s have been performed in the South America , Japan, a nd South Korea as well as t he United States. In the spring of 2005 , his work Oligopoly was premiered by th e Bingha mton Universit y Wind Ens em ble. Unity for Alto Sax, Vio la (or Cla rinet), and Piano was commissi oned by the Universit y of Houston and premiered in 2004. A work comme morat ing the Dece mber 2004 South East Asia Tsunam i has bee n commissi oned by the Bingha mton Comm uni ty Orchestra to be pre mie red du ring t hei r 2 005 06 season. PA UL GO LD ST AU B is Associate Pro fessor of Theory a nd Compositio n, a nd direct s the annual Musica No va concer t o f contemporary music . His work s h ave been pla yed by ensem bles here at Bingha mton Universit y and ma ny other col leges and universit ies, the St. Paul Cham ber Orchestra, the M innesota O pera, and the East ma n W ind Ensem ble. He has present ed guest lect ures at the O berlin Conse rva tory, the Chautauqua Institu tion, SUNY Potsda m, the Universit y of Minnesota, Sanford Universit y (Birm ingham, A labama), and the College M usic Soc iety, the NationalAssoc iation o f Schools o f Music and sta te music educ ation organizat ions in Massachusetts, Ne w Jersey, and Vermont. His mu sic is published by La wsonGould Publish ing, Roger Dean Publishing, and the Int ernational Trombone Assoc iation Press. Dr. Goldstaub, who earned the DM A degree at the Eastman Sch ool of Music, has taught at the College Co nse rva tory o f Music in Cincin nat i, the Sta te Un ive rsit y of Mi nnesota (Mank ato), Ithaca College School of Music, and Eastem Michigan Un iversit y. He joined the fac ult y at B inghamton Universit y in 1998. Special Thanks to: Steve Machlin, Dan Sonnen. Jane Zuckerman and Marnie Wrigher � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:09:00 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flutist Georgetta Maiolo and friends: music from the 18th century to two world premieres, September 17, 2005 Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Works of Blavet, Rameau, Debussy, Ibert, Damase, Rolls, Benedict, Schumann, Goldstaub, Laderman. Held at 8:00 p.m., September 17, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Biggers, Jonathan Stalker, Stephen Burgess, Mary Torres, Marlon Reitz, Margaret Rolls, Timothy Michael Goldstaub, Paul Source A related resource from which the described resource is derived Library Catalog Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-9-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context BIN01-001764199 https://omeka.binghamton.edu/omeka/files/original/118c822193c3b36442298db1bee97261.pdf b26d4f72e7ef86f26c014fac1c63a672 PDF Text Text ni 9 ) 1 1 1 l A St ate University of New York \ A ~ . a ’ N D ~ N N J “ ~ \ / / e e s c c Master ’s Recital M a r k Sch midt, tenor Joan na Heckert, piano i i l l Saturday, August 27, 2005 3 :00 p.m. Casadesus Recital Hall �P rogram Translations I. Arias from Messiah... ...George Frederick Handel Arioso, “Comfort Ye” (16851759) Air, “Every Valley” Air, “Thou Shalt Break Them” II. BEOMRIEEE ........cocovnsneiosssosmioqsinssessrniitiiibnsin–sts Paolo Tosti Ideale La serenata Non t’amo piu! (1846–1916) L’ultima canzone II. Ideale Perfection I followed you like a rainbow o serenade, ﬂy. I felt you in the light, in the air, The moon is shining white; silence spreads its wings, and behind the veils in the dark alcove a lamp is lit: the moon is shining white. I followed you like a friendly torch in the veil of night. in t he scent o f t h e ﬂowe rs ; the lonely room was full of you, and your beauty. –INTERMISSION– III. Berceuse, from Jocelyn... s i s i i m p r a i s o s m s iTa mTi sIs s Godard “Oh! N e t ’ éveille pas” (18491895) From Schwanengesang, D. 957 IV. Standchen VIII. Der Atlas XIII. Der Doppelganger X. Das Fischermadchen IV. Franz Schubert (1 7971828) V. Aria of Cavaradossi, “Recondita armonia,”........... Giacomo Puccini from Tosca, Act 1 (18581924) is resting between her sheets: of peace across the paths of the sky: Entranced by you, by the sound of your voice, Fly, anguish of the world in that dream. turns between her sheets: o serenade, ﬂy. I dreamt at length; and I forgot all the trouble and C o m e back, dear perfection, come back for a moment and smile on me again, and a new dawn will shine o n me from your face. L a Serenata Serenade Fly, o serenade: my beloved is alone, and with her lovely head lying back, o serenade : my beloved is alone; but, smiling, still half asleep, The waves dream on the shore, the wind is amid the branches; my fair lady still denies shelter to my kisses! On the shore the waves dream... �Non t ’amo piu! I love you no longer! Do you remember the day we met ; do you still remember the promises you made? Madly in love, I followed you, we fell in love, and by your side I dreamed, madly in love. Happily I dreamed of endless caresses and kisses stretching into heaven: but your words were false, for your soul is made of ice. I no longer place my faith in you now, n o more are yo u m y great desire, or my dream of love: I do not seek your kisses, nor think of you; I dream of another perfection; I love you no longer. Lo In those dear days we spent together, I strewed your path with ﬂowers: you were the single hope of my heart; the only thought in my mind. You saw me beg, grow pale, you saw me weeping before you: I solely to satisfy your least desire, would have given my blood and my faith. I no longer place m y faith in you now, no more are you my great desire, or my dream of love: I do not seek your kisses, nor think of you; I dream of another perfection; I love you no longer. I I Leaf of mint!” long thread of gold, child, let it be complete. III. O h! Ne t ’éveille pas O h! Do not awaken Hidden in this retreat where God has led us, united by misfortune, during the long nights we both rest sleeping under their veils, where we pray to the gazes of the trembling stars! Nina, you ’re to be wed, and yet I still sing my serenade to you! There, on the empty plains, there, in the shady valley, Oh! Do not awaken yet, so the beautiful angel of your dream may ﬁnish unwinding his long thread of gold, child, let it be complete. how often I ’ve sung it to you! “Rose petal, o amaranth ﬂower, even though you marry, I’ll be with you still, rose petal.” you ’ll Oh! Do not awaken yet, so the beautiful angel of your dream the kisses I gave you! L ’ultima canzone The last song They’ve told me that tomorrow, Tomorrow “Leaf of mint, ﬂower of pomegranate, Nina, remember Sleep! The day has hardly shown! Holy Virgin, watch over her! be surrounded by celebration, smiles and ﬂowers, you won’t give a thought to our old love. But night and day, forever ﬁlled with passion, lamenting, my song will come to you. I I Under the wing of the Lord far from the noise of the crowd; And like a holy wave that softly ﬂows away, we have seen days pass after days, without ever growing weary of imploring His help. may ﬁnish unwinding his Sleep! The day has hardly shown! Holy Virgin, watch over her! IV. Stindchen Serenade Softly through the night my songs entreat you; Come down to me, sweetheart, in the still glade! Slender treetops rustle and whisper in the moonlight. O, fair one, have no fear of those who might listen and betray! Do you hear the singing of the nightingales? Ah, how they too implore you, with the sound of their sweet lament. They know the yearnings of the soul, the pain of love, and touch each gentle heart with their silvery tones. �Then let your heart be stirred, my love, O hear me! Trembling, I await you come give me joy! Der Atlas Atlas I, wretched Atlas, must bear the world, a whole world of sorrows. I bear the unbearable, and within my body my heart would break. O arrogant heart, this was your desire! You wanted happiness, inﬁnite happiness or inﬁnite misery; and now, proud heart, misery! you have Der Doppelgﬁnger The Double The night is still, the narrow “streets are sleeping. In this house lived my sweetheart who left the town long ago. But the house is still in the same place. A man stands there, staring up at it, wringing his hands in silent grief; I shudder as I see his face – for the moon reveals my own image. You counterfeit, pallid companion of mine! Why do you mimic the suﬀering of love, which tormented me here on many a night, in times gone by? Das Fischermidchen The FisherMaiden O beautiful ﬁshermaiden, bring your small boat to the shore. Come here to me, and sit with me lovingly hand in hand. V. Recondita Armonia Hidden ha rm on y Hidden harmony of diverse beauties! Floria, my ardent lover, is dark, and you, unknown beauty, are surrounded with blonde hair. You have blue eyes, Tosca has black eyes! Art in its mystery mixes the diverse beauties together: But in painting this wo m a n... My only thought, Ah! my only thought is you! Tosca, is you! Lay your dear head upon my breast; and do not be too afraid: you who entrust yourself each day to the sea so free of care! My heart is just like the ocean, with its storms and ebbs and ﬂows; and in its depths is resting many a beautiful pearl. n �About the Performers Mark GizziSchmidt, tenor, currently resides in Rochester, NY, where he teaches vocal music and performs. In his two seasons as a Resident Artist at TriCities Opera, he was seen as Alfred in Die Fledermaus, Kaspar in Amahl and the Night Visitors, Prince Yamadori in Madama Butterﬂy, the ﬁrst man in Armor in the Magic Flute, and the Chief of Police and the Imam in Kismet. He has sung extensively with Opera Theater of Rochester in a variety of concerts and operas including the leading roles of Canio in I Pagliacci and Alfredo in La Traviata. He has performed in Buﬀalo, NY on several occasions most notably in Buﬀalo Opera Unlimited’s production of Tosca as Cavaradossi and as Alfredo in La Traviata. He has also performed with Opera Theater of Memphis and Central Florida Lyric Opera. His range of performances as a tenor oratorio soloist have included such great works as Mendelssohn’s Elijah, Haydn’s Creation, Handel’s Messiah, Rossini ’s Stabat Mater, Mozart’s Requiem, and Verdi ’s Requiem. Mark has also appeared on the musical theater stage as Billy Bigelow in Carousel, Curly in Oklahoma and Tony in West Side Story. He received his undergraduate degree from the Eastman School of Music in Rochester. NY. He currently studies voice with Mary Burgess. Joan na Heckert, piano, was born in Edinburgh, Scotland and moved to the United States at the age of four where she was raised in Florida. She holds a Bachelor of Music degree in Piano Performance from the University of Central Florida, where she received the prestigious Presser Award ‘and eventually became a staﬀ accompanist. She also played for the University choral groups, and in over 100 student forums and recitals. Joanna was a member of Sigma Alpha Iota while at UCF, and was also inducted into Pi Kappa Lambda and Omicron Delta Kappa. She received a Masters Degree in Piano Performance from Bob Jones University in Greenville, South Carolina, where she played for a great number of Masters Recitals. She also served as the rehearsal pianist for all of the University’s operatic productions. Other credits include performances with Orlando Opera Factory, the Rochester Opera Factory and numerous churches and community groups. She currently resides in Syracuse, NY, and serves as accompanist for several school districts in Rochester, New York while maintaining her own private studio. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243774&amp;change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243774&amp;change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243774&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, Mark Schmidt, tenor, August 27, 2005 Description An account of the resource Works of Handel, Tosti, Godard, Schubert, Puccini. Held at 3:00 p.m., August 27, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schmidt, Mark Heckert, Joanna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-8-27 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/b854925fc50feb56b6e2b118172c73b7.pdf cd0b94ed7169bbb853fea158c74a78db PDF Text Text ARC Recita l UN I V tape 2005 BINGHAMTON 4-3 UNIV ERSIT Y SPEC COL State University of New York Department of Music The Harpur Trumpet Ensemble Ben Aldridge, director Stephen Boel, conductor · Judith Zhu, piano Sunday, April 3, 2005 7:30 pm Casadesus Recital Hall �Program Royal Fanfare ............................................................. Josquin des Prez (1450-1521) Sonata for Trumpet and Piano .................................... Paul Hindemith (1895-1963) Massig bewegt - Trauermusic Stephen Boel, trumpet; Judy Zhu, piano Madrigal ........................................................................ Don Schaeffer Canzona................................................................... Fiorenzo Maschera Madrigal ................................................................... G.P. da Palestrina Fugue from Saint Paul ................... .......................... Felix Mendelssohn (1809-1847) Trumpet Salutations ..................................................... Nigel Coombes (b. 1974) Buckaroo Holiday from "Rodeo" ................................ Aaron Copland (1900-1990) The Harpur Brass Quintet Concerto for Seven Clarini ·························:······--Johann E. Altenburg ( 1734-1801) Allegro - Andante - Vivace �About the Performers BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the international Trumpet Guild, and has been recorded on Columbia and Redwood records. STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel double-majored in Music Education and Music Performance. He also fulfilled the requirements for the Choral Conducting Certificate of ENC while serving for three years as the student director of the A Cappella Choir and Chamber Singers under the mentorship of Timothy Shetler. Boel served as director of music for the Wollaston Church of the Nazarene on the campus of his alma mater, played trumpet in the brass septet Tribute in Brass and assisted with the Wind Ensemble of Eastern Nazarene College. He serves as assistant director of the Binghamton University Wind Ensemble. JUDY ZHU a native from Bejing, China, is a graduate student majoring in piano at Binghamton University. Zhu received her Bachelor of Science in Information Science from Peking University, Bejing, China and her Master of Arts in Anthropology from Binghamton University. She has also been admitted to the M.S. Accounting program at Binghamton University. Zhu is a teaching assistant for the Music Department and studies piano with Ewa Mackiewicz-Wolfe at Binghamton University. �The Harpur Trumpet Ensemble Ben Aldridge, conductor Stephen Boel Garret Clarke Phillip Deitz Derek Ersbak Erinn Hibbard Thomas Osa Finan Pan Glen Widjeskog The Harpur Brass Quintet Stephen Boel, trumpet Erinn Hibbard, trumpet Patrick Lokken, horn David Henann, trombone Daniel Gallagher, tuba � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:43:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243749&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243749&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243749&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur Trumpet Ensemble, April 3, 2005 Description An account of the resource Works of des Prez, Hindemith, Schaeffer, Maschera, da Palestrina, Mendelssohn, Coombes, Copland, Altenburg. Held at 7:30 p.m., April 3, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Aldridge, Benjamin Boel, Stephen Zhu, Judy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-3 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/365910e09b57926aa6dc9b1ab56887fa.pdf 1618eb83dfa85987d1f1f36b313be0ec PDF Text Text Binghamton University Department of Music Fo Yoge, C k BF) THURSDAY MID–DAY CONCERT October 20, 2005 – 1 :20 P.M. – Casadesus Recital Hall S PE C A F A C U L T Y S P L A S H RODE Schumann Adagio and Allegro, Op. TORELL .......ocsoiithemsssinciossssssossssssstnsnssrssssnsiasessssipessansessess (18101856) Roberta Crawford, viola Michael Salmirs, piano Ne poi, K I T E . . . l.. ..coniihbermiurainssnatumarssssssassissssssassasssnslbmeleeriimonses Sergei Rachmaninoﬀ ( 18731943) Organ Fugue in G M (The Little) o o Song to the M From RUSALKA ‘ Mary Burgess, soprano Duane Skrabala k, piano i n n ATTORIN Dvorak (18411904) S Bach ( 16851 750) Adapted for piano and edited by Olga Samaroﬀ o r J ChaiKyou Mallinson, piano Notturno for Violin, Cello, and Piano D897................ adagio Patricia Sunwoo, violin Stephen Stalker, cello Michael Salmirs, piano Franz Schubert ( 1 7971 828) dy From OldAmerican SOMES ..onisssccssscsssssssasissrssssncassssnsansassasssansassasassasensassascass8ils by Aaron Copland (19001990) Boatmen’s Dance At the River ChingARing Chaw Timothy LeFebvre, baritone ChaiKyou Mallinson, piano Grooves....... 1. Bop 2. Hocket and Rock!t 3. Sultry Waltz 4. Bulgarian Blues ceeeenenene. Philip Parker (b. 1953) Timothy Perry, clarinet Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:48:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243785&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert: a faculty splash, October 20, 2005 Description An account of the resource Works of Schumann, Rachmaninoff, Dvorak, Bach, Schubert, Copland, Parker. Held at 1:20 p.m., October 20, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Crawford, Roberta Salmirs, Michael Burgess, Mary Skrabalak, Duane Mallinson, Chai-Kyou Sunwoo, Patricia Stalker, Stephen LeFebvre, Timothy Perry, Timothy Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-20 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/92f82251ae3155099f36b7df9ff47e33.pdf c9e50263534476627ad7cabbb8e6573c PDF Text Text UN i fe - a 0 g, . r 9 BIN U N I V E R N Y State University of New York Department of Music Chamber Music Masterpieces Patricia Sunwoo, violin Roberta Crawford, viola Stephen Stalker, cello Mary Burgess, soprano Michael Salmirs, piano with guest artist Rebecca Ansel, violin April 10, 2005 3:00 p.m. Anderson Center Chamber Hall �Program String Quartet in D Major, Op. 20, No. 4.........Franz Joseph Haydn (1732-1809) Allegro di molto Un poco adagio aﬀettuoso Menuetto: Allegretto alla zingarese Presto scherzando Rebecca Ansel, violin; Patricia Sunwoo, violin Roberta Crawford, viola; Stephen Stalker, cello Seven Romances on Poems of Alexander Blok, Op. 127 Dmitri Shostakovich (1906-1975) 1. Ophelia’s song 2. Hamayun, the prophetic bird 3. We were together 4. The city is asleep 5. The storm 6. Secret signs 7. Music Ma ry Burgess, soprano; Michael Salmirs, piano Patricia Sunwoo, violin, Stephen Stalker, cello --Intermission-Piano Quintet in F Minor... Molto moderato quasi lento—Allegro César Franck (1822-1890) Lento, con molto sentimento Allegro non troppo, ma con fuoco Rebecca Ansel, violin ; Patricia Sunwoo, violin Roberta Crawford, viola ; Stephen Stalker, cello Michael Salmirs, piano �Program Notes String Quartet Op. 20, No. 4 in D major Haydn’s six Opus 20 string quartets are known as the “Sun” Quartets because of the publisher’s emblem (a rising Sun) on the title page of the 1772 edition. Among his most frequently performed chamber works, these quartets are representative of the mature composer, writing a steady supply of music to be performed at the Esterhazy court. The opening Allegro di molto is both fresh and lyrical: in the development section, the four instruments converse with one another in triplet runs. The Un poco Adagio aﬀetuoso, in the parallel minor key is a theme with variations which feature each instrument in turn: it is followed by a bright Menuetto in D major, with “gypsy” cross-accents and syncopation. The quartet closes with a typical, high-spirited Haydn rondo. Shostakovich: Seven Romances on Poems of Alexander Blok, Op. 127 Written in 1967 when Shostakovich was recovering from a heart attack, the Seven Romances were commissioned by cellist Mstislav Rostropovich and dedicated to Rostropovich’s wife, the soprano Galina Vishnevskaya. They were premiered in October of that year at the Moscow Conservatory, the performance marking the 50th anniversary of the October Revolution. The original performers were Rostropovich, Vishnevskaya, violinist David Oistrakh, and pianist Mieczyslaw Vainberg. The poetic texts by the highly inﬂuential, early 20th Century poet Alexander Blok are almost relentlessly dark and pessimistic. Near the end of a diﬀicult life and facing what may have seemed like imminent death, Shostakovich (who lived until 1975) chose poems that demonstrated Blok’s grim prescience of coming catastrophes. His musical settings make it clear that he expected nothing better in the future. Nevertheless, the last song movingly ﬁnds the composer (and poet) oﬀering up his ﬁnal “passion” to Music, “empress of the universe,” from her “unworthy slave.” l �In her memoirs, Vishnevskaya wrote of the cycle: “This work of agonizing beauty occupies a unique place in Shostakovich’s oeuvre. He wrote it in the hospital after his heart attack, after his confrontation with death and return to life. He seems to survey his life journey as if from the vault of the heavens, and he addresses himself to those spiritual values for whose sake alone life is worth living.” ¢ l Franck : Piano Quintet in F Minor César Franck was 57 when he completed his Piano Quintet. It was the ﬁrst piece of chamber music he had written in 30 years, and its romantic mood contrasted with Franck’s earlier work. The choice of medium is explained by the recent launching of the Société Nationale de Musique, which set as its goal to promote chamber music. As for the mood, the likely explanation is Franck’s infatuation with his student Augusta Holmes, a beautiful and gifted woman 25 years his junior. The novelties of the work were not lost on the audience of the ﬁrst performance. The premiere left some unpleasant memories: the piano part was played by Camille SaintSaéns, who was Franck’s rival and had little aﬀinity for the emotional intensity of the piece. When the performance was ﬁnished Saint-Saéns left the stage rather abruptly, leaving the manuscript on the piano in a gesture everyone interpreted as very ill mannered. Another person who was appalled by the new work was Frank’s wife Félicité, who had no doubts about the inspiration behind it. Frank based nearly all of his mature works on musical ideas that recur in all the movements, a technique he had learned primarily from Franz Liszt. 4 l �l About the Performers Violinist REBECCA ANSEL earned her BM from Rice University and her MM and DMA from the University of Michigan, where she served as a teaching assistant for ﬁve years. Her primary teachers were Kathleen Winkler and Paul Kantor. Her summers have been spent at numerous music festivals including Aspen, Bowdoin, Music Academy of the West, Brandeis and Taos, where she had the opportunity to work with the American, Brentano, Takacs, Chicago and Lydian string quartets. Dr. Ansel previously taught at Ohio State University, Blue Lake Fine Arts Camp, the Rocky Mountain Summer Conservatory and the ASTA String Institute at Ithaca College. She is currently Assistant Professor of Violin at Ithaca College, where she is also a member of the Ariadne String Quartet. Additionally, she is on the faculty of The Adriatic Chamber Music Festival in Bonefro Italy. Dr Ansel is an active recitalist and has performed with many ensembles in Ann Arbor, Michigan, the Iris Chamber Orchestra in Memphis, Tennessee, Pro Musica Chamber Orchestra and the Columbus Bach Ensemble in Ohio, The Roycroft Chamber Players in East Aurora, NY and the Cayuga Chamber Orchestra and Ensemble X in Ithaca, NY. Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent engagements include appearances at the Carnegie Hall’s Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. ; �ROBERTA CRAWFORD, violist, performs extensively as a recitalist and chamber musician. As Associate Director and a founding member of the Finger Lake Chamber Ensemble, Crawford has participated in over one-hundred solo, chamber, and lecture-recitals presented by the ensemble since its formation in 1990. She has performed with the Catskill Chamber Players, appeared frequently on the Cayuga Chamber Orchestra’s Sunday Chamber Music Series and has been a guest performer with the Ariadne String Quartet. Crawford has played with the Portland and Syracuse symphonies and is Associate Principal Violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford has premiered numerous works featuring viola and has had several works dedicated to her. She has participated in music festivals throughout the United States and in the Caribbean and has appeared in live performance broadcasts for public radio and television. A dedicated teacher, Crawford has served as clinician, coach, and adjudicator for numerous music organizations and is Director of ViolaFest at Binghamton. She has been a guest faculty member at Phillips Academy, the Quartet Program, Ithaca College, and the Eastman School of Music and is currently Coordinator of Strings at Binghamton University " [ STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumberg Chamber Music Competition, and was an Artist-in-Residence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. A l �MARY BURGESS, associate professor of voice at Binghamton University, recently celebrated the fortieth anniversary of her New York City Opera debut, which occurred while she was still an undergraduate at the Curtis Institute of Music in Philadelphia. Her European operatic debut at the Holland Festival, in the title role of Cavalli’s L’Erismena, brought engagements at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, and several consecutive seasons in leading roles at Dublin Grand Opera in Ireland. Her repertoire of thirty-eight roles in ﬁve languages includes six which she has performed in Binghamton at Tri-Cities Opera: Madama Butterﬂy, La Traviata, Tosca, Marguerite in Faust, The Merry Widow, and Norma. A frequent soloist with orchestras, Burgess has appeared with more than two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel, Eduardo Mata), Chicago Symphony (with Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati May Festival. In August 1996, at Monadnock Music Festival in New Hampshire, Burgess made a critically acclaimed debut in the role of Susan B. Anthony in Virgil Thomson’s The Mother of Us All, honoring the centenary of his birth. She returned to Monadnock Festival in August 1997 as Violetta in a gala concert performance of Verdi’s La Traviata, . prompting the Boston Herald to comment: “...she negotiated Ah, fors’e lui and Sempre libera with warmth and speciﬁcity of expression. She also produced beautiful, ﬂoaty pianissimos in the aria. More importantly, she had a minutely detailed conception of the character and the role that informed her singing. It was a revelation to watch her.” Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. �COMING EVENTS Wednesday, April 13 – Master ’s Recital : Jennifer Perkins, soprano – 8:00 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Mid-Day Concert with faculty and student performers – 1:20 p.m. – Casadesus Recital Hall – free Thursday, April 14 – Senior Honor’s Recital: Nancy Schneider, piano – 8:00 p.m. - Casadesus Recital Hall – free Friday, April 15 – Student Recital : Sut-Han Che, piano – 8:00 p.m. Casadesus Recital Hall – free Saturday, April 16 – Senior Honor’s Recital: Talitha Phillips, string bass – 3:00 p.m. – Casadesus Recital Hall – free Saturday, April 16 -- University Chorus and Orchestra – Coronation and Confrontation – 8:00 p.m. – Anderson Center Osterhout Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Sunday, April 17 – Student Recital : Caroline Bravo, clarinet – 7:30 p.m. – Casadesus Recital Hall – free Tuesday, April 1 9 – Student Brass Quintet – 8:00 p.m. ~ Casadesus Recital Hall – free Thursday, April 21 – Mid-Day Jazz Concert with guest artist artist - 1 :20 p.m. – Anderson Center Osterhout Concert Theater – free Thursday, April 21 – Harpur Jazz Ensemble with guest artist – 1 :20 p.m. – Anderson Center Osterhout Concert Theater - $10 general public; $7 faculty/staﬀ/seniors; free for students Tuesday, April 26 – University Percussion Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, April 28 – Mid-Day Concert with guest artist artist - 1:20 p.m. – Casadesus Recital Hall – free Saturday, April 30 – University Flute Ensemble – 12 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Senior Honor ’s Recital : Deanna Bunal, mezzo-soprano – 3 p.m. – Casadesus Recital Hall – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50:34;38:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243755&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chamber music masterpieces, April 10, 2005 Description An account of the resource Works of Haydn, Shostakovich, Franck. Held at 3:00 p.m., April 10, 2005, Anderson Chamber Hall. Creator An entity primarily responsible for making the resource Sunwoo, Patricia Crawford, Roberta Stalker, Stephen Burgess, Mary Salmirs, Michael Ansel, Rebecca Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-4-10 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/022b1355fa954ead21e6aa091c0e7db3.pdf 66e5b1977fb0c2097f51341bc25b2149 PDF Text Text K \ . . i BINGHAMTON + 1 \ a 10\" U N I V E R S I T Y State U n i v e r s i t y o d e [4 D E P A R T M E N T A Beneﬁt Conce rt A Bach Ce lebration Music of Johann Sebastian Bach (16851750) with Faculty Artists Jonathan Biggers, organ Timothy LeFebvre, baritone John Lathwell, oboe Michael Salmirs, piano Stephen Stalker, violoncello and the * University Chamber Orchestra Timothy Perry, conductor Sat urda y, October 1 5, 2005 8 :00 p. m . A nderson Center C ha m be r Hall �The Binghamton University Department of Music presents a Beneﬁt Concert Cantata No. 82 “Ich habe genug,” BWV 82 A Bach Celebration Nr. 3 Aria “Schlummert ein” Music of Johann Sebastian Bach (16851750) with Faculty Artists Nr. 4 Recitative and Arioso Nr. 5 Aria “Ich freue mich ” Timothy LeFebvre, baritone Jo h n Lathwell, oboe Jonathan Biggers, organ Timothy LeFebvre, baritone John Lathwell, oboe Michael Salmirs, piano Stephen Stalker, violoncello Sinfonia from Cantata No. 29, BWV 29 “Wir danken dir, Gott, wir danken dir” a nd the Jonathan Biggers, organ University Chamber Orchestra Timothy Perry, conductor PROGRA M Concerto in F minor, BWV 1056 Allegro Largo Presto Michael Salmirs, piano Suite in G Major for Violoncello Solo, BWV 1 007 Ld Nr. 1 Aria “Ich habe genug ’ Nr. 2 Recitative and Arioso Prelude Allemande Courante Sarabande Menuet I & I1 Gigue Stephen Stal ker, violoncello Passacaglia in C minor, BWV 582 Jonathan Biggers, organ ~I NTERMISSION~ ﬁ t t t t t t t t t ‘ t t t t t t t i t t ‘ t t t ‘ t t t ‘ t t t t t t t t t t t t ﬁ Text Translation for Cantata No. 82 “lch habe genug ” 1. Aria I have now enough, I have now my Savior, the hope of the faithful Within my desiring embrace now enfolded; l have now enough! On him have I gazed, My faith now hath Jesus impressed on my heart; I would now, today yet, with gladness Make hence my departure. 2. Recit. l have now enough. = My hope is this alone, That Jesus might belong to me and I to him. In faith I hold to him, For I, too, see with Simeon The gladness of that life beyond. Let us in this man’s burden join! Ah! Would that from the bondage of my body The Lord might free me. Ah! My departure, were it here, With joy I’d say to thee, O world: I have now enough. 3. Aria Slumber now, ye eyes so weary, Fall in soft and calm repose! World, I dwell no longer here. Since I have no share in thee Which my soul could oﬀer comfort. Here I must with sorrow reckon, But yet. there, there 1 shall witness Sweet repose and quiet rest. 4. Recit. My God! When comes that blessed “Now!” When I in peace shall walk forever Both in the sand o f earth’s own coolness And there within thy bosom rest? My parting is achieved. O world, good night! 5. Aria Rejoicing do I greet my death, Ah, would that it had come already. I’ll escape then all the woe Which doth here in the world conﬁne me. © Z Philip Ambrose, translator. Web pub/Icallon hllp u’ww uvm eduLclassics/faculry/bach �ABOUT T H E MUSIC “Not ‘brook ’ (Bach) but ‘sea ’ should he be called – because of his inﬁnite, inexhaustible rich ness in tonecombinations and harmonies " Ludwig van Beethoven written by Timothy Perry No matter how many beautiful and profound works we encounter, study or perform, all musicians stand in humility before t he achievements of Johann Sebastian Bach. If the sheer staggering quantity and quality of his oeuvre were not enough, Bach’s depth of passion, the balance of form and content, and his ability to create a fullyformed microcosm of human emotions from any instrument, ensemble, or voice these strike every m usician worthy of the name into stunned awe. This evening’s musical celebration of Bach oﬀers a diverse, albeit tiny, handful from a treasurechest laden with inestimable gems. I _\ The fourteen concertos for harpsichord, strings and continuo all date from the last period of Bach’s term as Director of the Collegium Musicum in Leipzig (173540). All are now believed to be transcriptions from concerti composed for other instruments, a lthough many of these original versions are now lost to us. T he source of the o uter movements for tonight ’s Concerto in F minor is a lost oboe concerto in g m inor. Although the shortest of the concerti, it is the most popular today, owing to its transcendently beautiful Adagio middle “We ‘re all plodders compared to him. " Robert Schumann movement, w hose singing tone has ma d e it a favorite o f pianists since t he mid nineteenth century. (The Adagio was further recycled as the openingmovement Sinfonia to Canta ta 1 56 ‘I stand with o ne foot in the gra ve'). The ﬁrst movement is a taut, restless aﬀair in which the rhythmic germ of the movement contends between onbeat accentuation (in the bass) and oﬀbeats (in treble). The orchestral tuttis a re likewise played o ﬀ a gainst the predom inant sextuplets o f the solo part, doubtless reworked and elaborated by Bach from their original. The ﬁnale employs a similarly subtle juxtaposition of oﬀbeat accent and hemiola to keep the music in a state of muscular imbalance which is only brought back into its normal 3/8 accentuation at the point of cadence. Cantata 82 is one of a mere handful of works for solo voice based on ltalian models of Scarlatti and Handel. These few Bach himself titled ‘cantatas ’: the others, when named at all, Bach called ‘concerti ’. The devotional text derives from St. Luke ’s account of Simeon’s encounter with the baby Jesus as Mary brings him to the temple. Th e meeting fulﬁlls the promise of t he Holy Spirit and frees Simeon for death in the famous nunc demittis “Lord, now lettest thou thy servant depart in peace, according to thy word.” The sense of spiritual fulﬁllment is echoed in the repetitions of text on “1 have now enough’ and ‘With joy’ which bind the movements toget her. The obbligato oboe is here less a moumful presenc e than one of warmth and comfort. The ﬁrst two arias have overtones o f lullaby rhythms, the ﬁrst restless and yearning and the second awaiting a peace ful departure from earthly life. The ﬁnal movement, again in minor but with strong dance overtones, emphasizes the believer’s joyous cagerness for the blessed world which is soon to come. Study Bach! There you will ﬁnd everything! Johannes Brahms > The six suites for solo cello, like the more spectacularly written six sonatapartitas for solo violin, date from Bach ’s tenure in Cothe n (around 1720). This was a period in which many instrumental masterpieces like the Brandenburg Concerti and the ﬁrst Orchestral Suite were composed. Many musicologists have remarked upon the relatively more spare, even ‘m inimalist’ texture of the cello suites as compared to the violin partitas. Whether this stemmed from a conscious desire by Bach to write in a more succinct way, or was driven by the need to accommodate the acoustics and/or playing techniques of the cellos of the period is unclear ; the result, though, is spectacularly eﬀective. Bach employs the standard suite form of his day, namely a free prelude followed by four dances (a llemande, courant, sarabande and gigue). In each suite Bach i nserts a ‘new’ dance after the sarabande, in this case a pair of Minuets. The magic of these works is how Bach manages to extract a balance of melody, harmony and counterpoint from the musical thread o f single line. Unlike many other genres, whose composition was conﬁned to one or another period of his residence and employment, the works for organ cover virtually the entire gamut of Bach’s composing li fe. While the majority were composed while Bach was court organist for Duke Wilhelm in Weimar between 1708 and 1717, the majestic Passacaglia and Fugue in c minor may date back to Bach'’s earlier work in Arnstadt (1 7031707). The work shows the inﬂuence of Danish organist Dietrich Buxtehude who himself composed a number of noteworthy passacaglia and whose playing Bach walked 200 miles to hear in concert in Liibeck. The thematic ground borrows from a passacaglia theme by a French composer André Raison. Bach’s theme and the countersubject he derived from it ﬂower through so me twenty variations before the culminating fugue, a compositional tour de force, weaving all the various thematic threads into a stupendous climax worthy of Bach the greatest organ virtuoso of his age. At last, this is som ething from which I can learn! Wolfgang Amadeus Mozart l l It is no surprise that Bach borrowed constantly from himself, recycling works for other occasions in which he felt the y could do justice to the spirit of the event. Thus the Sinfonia from Cantata 29, which premiered for the inauguration of the Leipzig town council in 1731, made use of the opening movement of the E major violin partita (BWV 1006). No one does ‘brilliant’ better than Bach, as he here further bumishcs the organ’s solo part with the addition of three clarini and timpani. There are few more dazzling threeminute cpisodes in all o f music. Enjoy! �ABOUT THE PERFORMERS JONATHAN BIGGERS, cited as “one of the most outstanding concert organists in the United States,” maintains an active career as both a professor of organ and as a concert organist of the ﬁrst order. Presently Chair of the Department of Music and Professor of Organ and Harpsichord at Binghamton University in New York, Dr. Biggers has presented concerts in church and university settings throughout the United States, Canada, and Europe. He has also appeared with various orchestras in North America, and has been featured on NPR, Canadian Broadcast Corporation, and Radio Suisse Romande broadcasts. The Kansas City Star, in a review of a concert by Biggers, noted that his performance demonstrated “authority and eloquence” and stated “were there more players like this, the organ would be far less a minority interest.” Dr. Biggers studied with Russell Saunders (Eastman School of Music), Lionel Rogg (Conservatory of Music, Geneva, Switzerland), J. Warren Hutton (The University of Alabama), Wallace Zimmerman (Atlanta), Harold Vogel (Bremen, Germany), and has won numerous prizes in many diﬀerent competitions. In particular, he was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, secondprize in the 1982 American Guild of Organists National Organ Playing Competition, and unanimously won the 1990 Calgary International Organ Festival Concerto Competition. Two highly acclaimed Compact Disc recordings of his work (“Sleepers, Wake! A Reger Perspective” and “Bach on the Fritts!”) have been issued by Calcante Recordings, and Dr. Biggers will be recording several other releases in the future, to be issued by Loft Recordings. Baritone TIMOTHY LEFEBVRE’S recent performances include Beethoven’s 9” Symphony with Syracuse Symphony, Sharpless in Madama Butterﬂy with Syracuse Opera, a solo recital at Binghamton University and Messiah with Pensacola Symphony. LeFebvre has appeared in concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has also appeared in concert at New York ’s Camegie Hall and Alice Tully Hall. LeFebvre ’s operatic experience includes leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera, Indianapolis Opera, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner of the New York Liederkranz Vocal Competition, and other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently on the faculty at Binghamton University. His 20052006 engagements include appearances with the New Dominion Chorale in Brahms’ Requiem, West Virginia Symphony in Mozart ’s Requiem, Jacksonville Symphony in Bemstein’s Arias and Barcarolles and Central City Opera in Ballad o f Baby Doe. “ JOHN LATHWELL is the principal oboist of the Binghamton Philharmonic, the TriCities Opera and the Cayuga Chamber Orchestra. He also performs regularly with the North Eastern Pennsylvania Philharmonic, the Skaneateles Festival and is active as a chamber musician throughout the central New York area. In New York City, Mr. Lathwell has performed with the Orchestra of St. Lukes, the New York Chamber Symphony, the American Composers Orchestra, the Westchester Philharmonic and the Brooklyn Philharmonic among many others. Mr. Lathwell is a member of the music faculty at both Binghamton University and the Tennessee Governor’s School for the Arts. He has also taught at Ithaca College. His primary teachers have been Joseph Robinson, principal oboist of the New York Philharmonic and Richard Killmer, Professor of Oboe at the Eastman School o f Music. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary musjc, he has participated in such series as Binghamton University’s Musica Nova, Cornell University’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. This season, Salmirs will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra. STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. He formerly taught at Colgate University, Mansﬁeld University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY. TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the Binghamton University faculty in 1986 as director of the orchestral and wind ensemble programs and instructor of studio conducting and clarinet. Perry holds D.M.A., M.M.A. and M.M. degree from the Yale School of Music and a B. Mus. degree from the Manhattan School of Music. Dr. Perry ’s more than two hundred programs include ten seasons as Music Director of the Binghamton Community Orchestra and as guest conductor of both the Catskill Symphony and Binghamton Philharmonic orchestras. Perry is widely known as a virtuoso solo and chamber music clarinetist, touring Latin America and the Caribbean as a United States Musical Ambassador and appearing at international festivals in Europe and Asia. He presented his third artist recital at an International Clarinet Conference this past summer in Tokyo. �UNIVERSI TY CHAM BER ORCH ESTRA Violin I Alisa Selman Marie Mizuno Claire Bym e Elizabeth Sterling Viola Melissa Lee Sarah Sterli ng Melissa Ma ttern Beth Vayshenker Violin II Akira Maezawa Alexander Wong Anna Cardillo Molly Ariotti Cello Heajung Kim John Choi Nicholas Ca pone Clarini William Gi lchrist Bethany Bo nhoﬀ Gregg Acke rman Bass Elizabeth Bartlett Timpani Mark Turle y * * t * * * * * * * * * * * * * * * * * * * * * * * * * * * * COMI NG EVENT S Th ursday, October 20 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free Sat urda y, October 2 2 – A n Evening of Rodgers a nd Hammerstein – University Orchestra, Harpur Chorale and soloists – 8:00 p.m. – Osterhout Concert Theater $18 general public; $16 fac ulty/staﬀ/seniors; $10 students ( A Beneﬁt for the Music Department) Th ursda y, October 27 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall free F riday, Octobe r 28 – G uest Organist : Robert Poovey – 8:00 p.m. – First Presbyterian Church, Chenango St., Binghamton $14 general public; $ 12 faculty/staﬀ/seniors; $6 st udents Sunda y, October 30 – University Wind Ensemble – 3:00 p.m. Anderson Center Chamber Hall – free Th ursda y, November 3 – MidDay Concert with faculty and student performers 1 :20 p.m. – Casadesus Recital Hall free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:56; 28:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243778&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A benefit concert, a Bach celebration: music of Johann Sebastian Bach (1685-1750), October 15, 2005 Description An account of the resource Works of Bach. Held at 8:00 p.m., October 15, 2005, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Biggers, Jonathan LeFebvre, Timothy Lathwell, John Salmirs, Michael Stalker, Stephen Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-10-15 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/4eb857e33924504c1656371b6c63ca87.pdf 4ff6ee066dcce87fbfc0010f9e88ccae PDF Text Text LIN i . e BINGHAMTON ,\ s‘ t , \ \ H O N yop >) : I V E R S I T Y State University of New York Department of Music ‘Around the Horn’ University Symphony Orchestra Timothy Perry, Director and French Horn Soloists Emie Epelman G reg Cecere Patrick Lokken Alfred Jacobsen Sa turday, M a rch 5, 2005 8 :00 p. m . O s t er h o n t C on c ert T h e a t e r �The Binghamton University Department o f M usic presents ‘Around the Horn’ with the 1 l University Symphony Orchestra Timothy Perry, Director And French Horn Soloists Greg Cecere Alfred Jacobsen Ernie Epelman Patrick Lokken 8 :00 P.M. Osterhout Concert Theater Saturday, March 5, 2005 Anderson Center for the Arts Program I. Prelude to /'Aprésmidi d’un Faune (The afternoon of a faun) Konzertst iick in F Major. Op. 86 for Four Horns and Orchestra Claude Debussy ( 1 862 191 8) Robert Schumann ( 18 10 1856 ) Le b h a ﬁ Romanze– Sehr l e b h a ﬁ Soloists Mr. Cecre, Ms. Epelman, Mr. Jacobsen, Mr. Lokken “~ I n lerm ission—F ifteen minutes EL] i l 5 ' Symphony No. 2 in D Major, Op. 36........... Ludwig van Beetho ven Adagio moltoAllegro con brio ( 1 7701827) Larghctto Scherzo & Trio ( A llegro) A llegro molto a The University Symphony and University Chorus w ill present their Spring concert on Saturday. A pril 1 6 " , p erforming the Coronation Scene from Mussorgsk y ’s opera Boris Godonov and the secular cantata The Fir st WalpurgisNight by Felix Mendelssohn. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:08:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243842&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Around the horn, March 5, 2005 Description An account of the resource Works of Debussy, Schumann, Beethoven. Held at 8:00 p.m., March 5, 2005, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Perry, Timothy Cecere, Greg Epelman, Emie Jacobsen, Alfred Lokken, Patrick Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-3-5 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/143d8c4d58b9ec7a39c5bec247d91feb.pdf fcada20481c1b6544e8a14e06013ae16 PDF Text Text BINGHAMTON UNIVERSI TY State University of New York Binghamton University Department of Music THURSDA Y MID-DAY RECOGNITION CONCERT May 5, 2005 -1:20 P.M. Casadesus Recital Hall Etude inc-sharp minor, Op. 25, No.7 ..................................................................... Frédéric Chopin (1810-1849) Nancy Schneider, piano Recognized by Michael Salmirs, Professor ofpiano Andante .................. ............................................................................................ Serge Koussivitzky (1874-1951) Talitha Phillips, double bass Margaret Reitz, piano Recognized by Stephen Stalker, Professor of cello Fripperies ..................................................................................................................... Lowell Shaw (b. 1930) Ballad Allegro Greg Cecere, Ernie Epelman, Al Jacobsen, Pat Lokken, horns Recognized by Brian Sternberg, Professor of French horn Nur, wer die Sehnsucht kennt, Op. 6, no. 6 .................... ....................................... P. Tschaikowsky (1840-1893) Deanna Bunal, mezzo-soprano Chai-Kyou Mallinson, piano Recognized by Mary Burgess, Professor of voice Romance for Violin and Piano, Op. 3 ............................. ... ...................................... Reinhold Glière (1875-1956) Christina Wan, violin Jody Schum, piano Recognized by Patricia Sunwoo, Professor of violin (please tum over) �Canci6n de cuna para dormir a un negrito ....................................................... Xavier Montsalvatge (b. 1912) Amber Alarcon, mezzo-soprano Chai-Kyou Mallinson Recognized by Mary Burgess, Professor of voice Sonata for Two Clarinets ......................................................................................... Francis Poulenc (1899-1963) Presto Theresa Perrone, clarinet Caroline Bravo, clarinet Recognized by Timothy Perry, Professor of clarinet Estampes: III. "Jardins Sous La Pluie" .............................................................................. Cluade Debussy (1862-1918) Jessica Cheng, piano Recognized by Eva Mackiewicz-Wolfe, Professor ofpiano The Year's at the Spring .................................................................................... ............. Amy Beach (1867-1944) Timothy Fallon, tenor Chai-Kyou Mallinson, piano Recognized by Timothy LeFebvre, Professor of voice • • o cara"............................................................................... Gi1useppe verdi1 Scene an d Duet, "P ar1g1, (1813-1901) (from Act III, La Traviata) Leslie Hochman, soprano (Violetta) Timothy Fallon, tenor (Alfredo) Julia Ebner, soprano (Annina) Duane Skrabalak, piano Recognized by Duane Skrabalak and Peter Sicilian, Professors of opera Erinn Hibbard, trumpet- recognized by Benjamin Aldridge, Professor of trumpet Stephen Boe[, , instrumental conducting and trumpet - recognized by Timothy Perry, Professor of music and recognized by Benjamin Aldridge, Professor of trumpet Christian Ritter, composition - recognized by Paul Goldstaub, Professor of composition **Please join us for a reception in the Green Room following the concert** �About the Performers NANCY SCHNEIDER is being recognized for her many accomplishments. Having graduated from the Decker School of Nursing last Spring, she is completing her BA in Music this semester. Throughout the intensive nursing program, Nancy has found time to organize, direct, and perform three multimedia productions in addition to performing her Honors Recital for which she earned High Honors. She is a member of the Golden Key International Honor's Society and will be leaving for St. Petersburg, Russia as a Rotary International Cultural Ambassadorial Scholar. Most of all, Nancy is being recognized for her devotion to music and for her sincere, good heart, evident to all who know her. I will miss her greatly. Michael Salmirs TALITHA PHILLIPS Bravo, Talitha. Congratulations on your four years of exceptional achievement in the Music Department. You came in as a virtual beginner on the upright bass, starting from scratch, so to speak, and made remarkable progress. You became a main stay in the jazz program, but also continued to pursue the bass as a classical, solo instrument. You gave us many colorful performances in the String Seminars. You were the Music Director for the Dickenson College production of Godspell. Your Honors Recital was a wonderful demonstration of your many diverse achievements. It has been great having you with us. Best wishes and good luck to you in your future endeavors. · Stephen Stalker GREG CECERE, EMIE EPELMAN, AL JACOBSEN, PAT LOKKEN The four members that comprise this horn quartet came together over the last two years to fashion a close-knit team that has accomplished some lofty deeds. The culmination of their efforts was the preparation of the extremely difficult Konzertstucke for four horns and orchestra by Robert Schumann. This piece calls for virtuoso playing from each member. They performed this with the University Orchestra this spring. Each has been a regular participant in the major performing organizations, as well as various chamber ensembles. They are performing here as a quartet although each deserves personal recognition. The music selected today was written by horn player Lowell Shaw specifically for horn players. Al, Pat, and Greg will be graduating this semester. They will be missed. Brian Sternberg �DEANNA BUNAL, mezzo, is from Lee Center, NY, and is completing her B. A. in Music as a voice major studying with Prof. Mary Burgess. Always the activist, Deanna has been a member of the Harpur Jazz Project, the Undergraduate Music Advisory Committee (UMAC), the Executive Committee of Music Organizations, and Students for Music. She has sung with Harpur Chorale for seven semesters, currently serving as President of that organization. Outside the Music Department Deanna has continued to support the awareness and appreciation of music through groups such as WHRW, the campus radio station, and REALM, a group dedicated to the open-minded sharing of music and viewpoints. Deanna is the recipient of the Nielsen Music/Theatre scholarship, 2003-2005, and the Arnold G. and Lenora Meyer Scholarship, 2003-2005. Chosen by the Music Dept. faculty to receive the 2005 Stevenson Barrett Memorial Award, given to a senior for highest achievement in vocal performance, Deanna performed an Honors Recital in Casadesus Hall last Saturday. She plans to pursue a Masters of Teaching in music education.------Deanna is recognized by her teacher for outstanding improvement and for her tireless efforts on behalf of the Music Department. Mary Burgess CHRISTIAN WAN is the 2004-05 recipient of the Janet Brady Memorial Scholarship, in recognition of outstanding leadership and dedication to music performance. She has been concertmaster of the University Orchestra, and contributed her services to the Music Department in innumerable ways. She will graduate with a BA in Music Performance, and plans to continue her studies in graduate school. Her presence will be missed. Patricia Sunwoo AMBER ALARCON, mezzo, is a native of Los Angeles, CA. She earned a B.Mus. degree in vocal performance and choral-vocal music education from California State University, Long Beach, and is now completing her Master's degree in Voice as a student of Prof. Mary Burgess. Amber has been active in Harpur Chorale and in Tri-Cities Opera Chorus; has appeared as soloist with the University Chorus and Orchestra under the direction of Prof. Perry; and after graduation will join the Resident Artists Training Program at Tri-Cities Opera. Amber received a Clark Fellowship here at Binghamton and has been a most valuable teaching assistant in the Music Department, where her duties included, among many others, teaching a class in beginning voice and maintaining a large studio of private voice students. How did Amber come to Binghamton from Los Angeles? Prof. Colleen Reardon heard her in Los Angeles and urged her to apply for the Voice program here. Colleen and Amber, as it happened, studied with the same voice teacher in Los Angeles!---Amber is recognized by her teacher for her outstanding improvement and for exemplary contributions to the Music Department. Mary Burgess �THERESA PERONNE a graduate of Ithaca College, teaches elementary vocal music in the Greene school district. A member of the University Orchestra, she presents her first Master's Clarinet recital this coming Saturday. In addition to studies at Binghamton and maintaining a full-time teaching position, Theresa manages to maintain a private studio of woodwind students. She is a delightful example that those that teach, CAN in fact 'do' ! Timothy Perry CAROLINE BRAVO graduates next week with a bachelor1s degree in History. She has participated in the Wind Ensemble and the University Orchestra throughout her career at Binghamton, sometimes performing in both, and completed her studio studies with her senior recital on April 17th. She is cofounder and e-board member of Binghamton University's culinary club, Taste Buds, and a member of the honors fraternity Sigma Alpha Lambda. Caroline will take time off to travel next year before moving onwards towards graduate Law School. Timothy Perry JESSICA CHENG has been my student for the last four years. She is very bright, a quick learner and an excellent musician. I have been very fortunate to have her in my studio for the last four years. In November, 2001 she was a winner of B.U. Symphony Orchestra Concerto Competition; in 20022003 she performed a piano duo recital as well as Chopin joint recital, both with pianist Lisa Wang; in October 2004, she performed the Carnival of the Animals by C. Saint-Saens, with fellow pianist Jody Schum and B.U. Symphony Orchestra; and in April, 2005 she presented a Senior Honors Recital, a very demanding program including R. Schumann Carnaval which is usually performed on the graduate level. She received the Highest Honors. On campus, she is an active member and a past President of the Taiwanese Student Organization. Majoring in music and accounting, Jessica will graduate in May and will be working full time as an auditor at KPMG, one of the Big 4 accounting firms in the U.S. Ewa Mackiewicz-Wolfe TIMOTHY FALLON, tenor, is a native of Binghamton New York. He is a graduating Master of Music major in opera student and sings with Tri-Cities Opera. He has performed several roles with the company including Beppe in Pagliacci and Tonio in La Fille du Regiment and will appear this May as Alfredo in LaTraviata. This past summer he performed at the Music Academy of the West in Santa Barbara, CA under the tutelage of Marilyn Horne. This coming summer he will perform public masterclasses with Marilyn Horne in Villecroze, France and perform with the Merola Program of the San Francisco Opera in San Francisco, California. In the Fall Mr. Fallon will be a member of Juilliard Opera Center at the Juilliard School of Music in New York City. Mr. Fallon holds a B.A. degree from Westminster Choir College, Princeton, NJ. Timothy LeFebvre �LESLIE HOCHMAN graduates this year with a Master of Music degree with Opera Specialization. In addition to her academic successes, Leslie has appeared at Tri-Cities Opera as the Sandman in Humperdinck's Hansel and Gretel, Sister Genevieve in Puccini's Suor Angelica, Mrs. Gobineaux in Menotti's The Medium, Belinda in Purcell's Dido and Aeneas, and will appear as Violetta in a special matinee performance of Verdi's La Traviata on May 9th at 10:00 a.m. We wish her the best ofluck and continued success in her career. Duane Skrabalak and Peter Sicilian ERINN HIBBARD, trumpet, completed her undergraduate studies at Ithaca College where she studied with Frank Campos. She was a teaching assistant in the Department of Music and was the recipient of the Music Faculty Award. She has performed with distinction as a member of the Orchestra, the Trumpet Ensemble and Brass Quintet, and the Jazz Ensemble, in addition to having presented very successful solo and chamber recitals during her tenure at BU. She performs throughout the Southern Tier in various performing groups. Erinn's accomplishments are all the more significant in light of the serious health problems she has had to endure while pursuing her degree here. Benjamin Aldridge STEPHEN BOEL is a graduate student in Instrumental Conducting at Binghamton University, where he studies with Timothy Perry. A graduate of Eastern Nazarene College in Quincy, MA, Boel doublemajored in Music Education and Music Performance. Stephen Boel, in addition to his excellent large ensemble conducting work, has given numerous strong performances on trumpet in both solo and ensemble capacities. Additionally, he also organized, and did most of the rehearsal/preparation for, what has easily been the best (and most active) brass quintet we've had on campus in many, many years. He has been an outstanding student conductor, leader and human being. Stephen is a hard worker who nonetheless always goes beyond what is 'expected' to produce results which are consistently excellent. He brings to his work an unfailingly positive attitude, a desire for personal improvement, and an abiding respect not only for the musical tasks before him but for each person with whom he works. He is a model of a young conductor. Timothy Perry and Benjamin Aldridge CHRISTIAN RITTER is completing the Master of Music in Composition, and has been chosen for special recognition by Dr. Goldstaub. Christian has composed over a dozen pieces and a 38-minute thesis since last year, writing for organ, brass, orchestra, percussion, solo voice, synthesized sounds, piano and chorus. His music is high quality, interesting and enjoyable, and, most significantly, he has earned the respect of the musicians who have devoted their time to performing his music. Christian also has been an excellent teaching assistant in theory and musicianship classes, where his organizational skills and personality have been a great asset. His latest contribution is his assistance in the creation of the new graduate theory web page, which will allow all incoming students to practice dictation online. It has been a pleasure to work with Christian, and we wish him great success as he moves on to new opportunities as a composer and music educator. Paul Goldstaub � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 9:20;29:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en" title="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243745&change_lng=en</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day recognition concert, May 5, 2005 Description An account of the resource Works of Chopin, Koussivitzky, Shaw, Tschaikowsky, Glière, Montsalvatge, Poulenc, Debussy, Beach, Verdi. Held at 1:20 p.m., May 5, 2005, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Schneider, Nancy Philips, Talitha Cecere, Greg Epelman, Emie Jacobsen, Al Lokken, Pat Bunal, Deanna Mallinson, Chai-Kyou Perrone, Theresa Bravo, Caroline Cheng, Jessica Fallon, Timothy Hochman, Leslie Ebner, Julia Skrabalak, Duane Boel, Stephen Ritter, Christian Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2005-5-5 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/ab846900a603d660ef35d73d7340ee6f.jpg 5c875f561b854e2ddb97bb7a87f7edaa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Individual Poems from the Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The twelve excerpted poems found here are an introduction to the Binghamton Community Poets' Big Horror Reading Series. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. The full recordings are available on the<a href="https://omeka.binghamton.edu/omeka/collections/show/29"> Binghamton Community Poets' Big Horror Reading Series</a> Collection's page. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Language A language of the resource English Template: Panopto Streaming Video For video media that has been uploaded to Panopto. To set up, add the video's DELIVERY ID to the DELIVERY ID metadata field, below. The video's DELIVERY ID can be found by going to that video while logged into Panopto, then SETTINGS > MANAGE. Copy and Paste the delivery ID into the metadata field that follows. Delivery ID Pasted from the video's SETTINGS > MANAGE screen in the Panopto interface. 59b3e101-68ab-41e4-a3c1-af0b01218e42 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3:15 Related Links <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990018821950204802">Barney Bush, Jerome Rothenberg, and Martin Bidney at Swat Sullivan's Hotel, May 6, 1987 (DVD) in Find It!</a> <a href="https://suny-bin.primo.exlibrisgroup.com/permalink/01SUNY_BIN/8bi7k1/alma990001321020204802">Poland/1931 (book) in Find It!</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Wedding" read by Jerome Rothenberg, May 6, 1987 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Jerome Rothenberg reads his poem "The Wedding” from his collection Poland/1931 accompanied by Martin Bidney on May 6, 1987 at Swat Sullivan's Hotel in Binghamton, N.Y. as part of the Binghamton Community Poets' Big Horror Reading Series. Creator An entity primarily responsible for making the resource Rothenberg, Jerome, 1931- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1987-05-06