25 10 1775 https://omeka.binghamton.edu/omeka/files/original/a95b5e398841e60b8583f62a0ce7ffe8.jpg 3961d1ad8b3343b768f6d4f4d8b5adfc https://omeka.binghamton.edu/omeka/files/original/3382098911f32d2c3bcd921e53cdff72.jpg c4b666b86bc1f053841812b3cf90a38c https://omeka.binghamton.edu/omeka/files/original/0a782214965de4bbbc26c5ac2c3c6929.jpg c6d60778a65f6d2ef5216f8ff32fedd0 https://omeka.binghamton.edu/omeka/files/original/ef071279b3b901fbd0c39b4679ac58b5.jpg 59ad9d709c5680ddca7e050d78102eb2 https://omeka.binghamton.edu/omeka/files/original/8420a9dfb69430a61c376091f69cae38.jpg 190e864b17efdbe45b300a224ca29560 https://omeka.binghamton.edu/omeka/files/original/8d1e2d8ac055a7b749354aa67c62da91.jpg 4f03cec82fbbbf1747c52d0ca077cef2 https://omeka.binghamton.edu/omeka/files/original/81a5b0c11db90e535596d30763d3826b.jpg 637c08e736a960f92197f06d55d46482 https://omeka.binghamton.edu/omeka/files/original/0085b1c909de62342e000ad8fe21fc21.jpg ec04cca5ec49409ecb331db064aef777 https://omeka.binghamton.edu/omeka/files/original/82a702dd8a1b5157cc92aebaa69904ee.jpg ea402a5400505840008a77e3fbf73835 https://omeka.binghamton.edu/omeka/files/original/3089ce248bd86c7a1fd75a88817c7335.jpg 8bc0dae3175670ff3c37fac77fee26a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Markings in red pencil, gray pencil, and blue pencil. Includes stage and stage movement sketches and music notes. Dated purple stamp found throughout book with different dates; stamp reads “Offizin W. Drugulin G. m. h. R.; LEIPZIG.” Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 22cm x 14.25cm Earlier version Earlier version (dcterms:isVersion Of) La Dama duende Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.10 Production(s) Possibly February 1920, Berlin April 3, 1920 (city unspecified) February 29, 1920, Berlin Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dame Kobold : Lustspiel in drei Aufzügen [promptbook] Subject The topic of the resource Calderón de la Barca, Pedro, 1600-1681. Dama duende -- Translations into German Promptbooks Stage directions Gramachs Theater Creator An entity primarily responsible for making the resource Calderón de la Barca, Pedro, 1600-1681 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3110 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Gramachs Theater Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/10df6b9a9e910066197bd5fb8c30a6ef.pdf af60b16e6b037f37886896b44ea6125d PDF Text Text BINGHAMTON UNIVERSITY - ._ STATE UNIVERSITY OF NEW YORK , usi DEPARTMENT DAN FAGEN AND SARAH FENSTER SENIOR RECITAL From the Studios of April Lucas and Sarah Chandler with Margaret Reitz, piano Saturday, November 14, 2009 8:00 p.m. Casadesus Recital Hall �PROGRAM Concerto No. 1 in F minor, Op. 73(1811) ...... Carl Maria von Weber (1786-1826) I Allegro moderato Sarah Fenster, clarinet Pej Reitz, piano Sonata (1732) ........................... ..... .................................... Henri Eccles (1670-1742) Sigurd Rascher, arr. I Largo II Courante III Adagio IV Presto Dan Fagen, alto saxophone Pej Reitz, piano Suite from the Victorian Kitchen Garden (1989) .............. Paul Reade (1943-1997) I Prelude II Spring III Mists IV Exotica V Summer Sarah Fenster, clarinet Pej Reitz, piano �Sonata, Op. 19 (1937)......... ............. ................ ................. Paul Creston (1906-1985) II With tranquility III With gaiety Dan Fagen, alto saxophone Pej Reitz, piano Eight Pieces, Op. 83 (1910) .............................................. Max Bruch (1838-1920) Harry Gee, arr. I Andante con moto II Allegro con moto III Allegro vivace, ma non troppo Dan Fagen, alto saxophone Sarah Fenster, clarinet Pej Reitz, piano �ABOUT THE PERFORMERS DAN FAGEN, from StatenIsland, NY, is a senior double majoring in music and psychology at Binghamton University. He began playing clarinet when he was 9 years old and began playing alto saxophone at age 13. In high school, he began studying jazz and improvisation with Ray Scro and Chris Garone. At Binghamton, he has continued to be involved with jazz music, playing lead alto saxophone in The Harpur Jazz Ensemble under the direction of Mike Carbone. He recently began studying classical saxophone with Professor April Lucas. He would like to thank Professor Lucas for fixing his long list of bad playing habits, Professor Reitz for accompanying him, and his parents and friends for their support. SARAH FENSTER, from Buffalo, NY, is a double major in Sociology and Geography at Binghamton University and will be graduating in May of 2010. She is a three-year member of the University Wind Symphony, and has also been studying with Sarah Chandler during her years at Binghamton. In the past, she has played with various Erie County and NYSSMA ensembles. She would like to thank her family and friends for always supporting her musical passion. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano performance with She attended Boston University, New England accompanying emphasis. Conservatory and Binghamton University. Ms. Reitz has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. Ms. Reitz was an official pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College and was invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble. Ms. Reitz was selected to accompany at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and at Mannes School of Music in the summer of 2008. She was a Guest Artist playing two concerts in Granada, Spain this past summer and accompanied the Barcelona Song Festival in July. She is the pianist for Theater Street Productions performing concerts in Lenox, Mass and Newport Rhode Island this fall. Ms. Reitz has been on the faculty at Binghamton University since 1991 and with the Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization. She is President of the local District VII Music Teachers _Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153184">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153184</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dan Fagen and Sarah Fenster senior recital: from the studios of April Lucas and Sarah Chandler, November 14, 2009 Recital Tape 2009-11-14 Description An account of the resource Held at 8:00 p.m., November 14, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Fagen, Dan Fenster, Sarah Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/abf89f292bcf5741c5d33b996c168abf.pdf 3574a8464be1914c623647509e68b77a PDF Text Text BINGHAMTON U  N  I  V  E  R  S  I  T  Y S T A TE   U N I V E R S I T Y   O F  N E W   Y O R K D E P A R T M E N T SENIOR R ECITAL D A N I VIALINOVSKY, P I A N O Bits and Pieces Saturday, May 2, 201 5 12 p.m. Casadesus Recital Hall �#  PROGRAM 3 Fantasiestilicke  Op. 12, No. 2 “Aufschwung”  3%  About the Performer # Robert Schumann (1810 ­ 1856) Da n Malinovsky  was  born  in  Jerusalem,  Israel  in  1993.  He sta rted studyin g  classical  piano  at  the age  of  5  and couldn ’t  stop ever since. Since moving to  the U.S in 2006, Dan  has expanded his repertoire Sonata in E Major, K531 . Domenico Scarlatti (1685  1757) 4  Sonata in B Minor, K27 ..  ..Domenico Scarlatti (1685­175 7) Piano Sonata No. 17  Op. 31, No. 2, Mvt. lll   . Ludwig van Beetho ven (1770 ­ 182 7) to  jazz and po pula r music.  During high school,  Dan  received  a  perfect score  on the highest level of the NYSSMA exam numerous  times. A t graduation ,  he  was  awarded  the  “Frederic  Chopin  Awa rd”  for outstanding  piano  performance,  and  the  “Best  Musician  Award".  He also performed with numerous orchestras including the Nassau­Suffolk Wind  Symphony.  Before  going  to  Binghamton  to  study fina nce, Dan worked on Long Island as a jazz pia nist. At  Binghamton, Dan stud ied  piano  performance  with  professors  Jinah Lee  and  Michael  Salmirs,  and  constantly  performed  at  university concerts and recitals. Additionally, he was the president of Piano Society, an  organization which h elps studen ts develop  piano performance skills and  give  back  to  the  community  through  fundraising  and  music education.  D a n  plans  to  continue  studying  piano  performance  after INTERMISSION Les Adieux  1  graduation. Franz Strauss (1822 ­ 1 9 0 5 ) with K athryn R. Saturnin o on Frenc h Horn Fantasie in C major .  Op. 17, Mvt.i  . Robert Schumann (1810 ­ 185 6) �Binghamton University Music Department’s Coming Events $ $ $ $ ¥ $ $ $ $ $ $ $ Sunday, May 3 – University Chorus and Symphony Orchestra: Mendelssohn’s “Lobgesang” –­  3 p.m. – Osterhout Concert Theater – $7 general public; $5 faculty/staff/ seniors/alumni; free for students Thursday, May 7 – Student Recognition Mid­Day Conc ert – 1:20 p.m. ­ Casadesus Recital Hall – free Thursday, May 7 –­  Harpur Chorale and Women’s Chorus Spring Concert ­­ 7:30 p.m. – Anderson Center Chamber Hall – $7 general public; $5 faculty/staff/seniors/alumni; free for students Friday, May 8 ­ Nukporfe African Drumming and Dance Ensemble –­ 7:30 p.m. – Watters Theater – $5 general admission at the door Sunday, May 3 ­ Senior Recital : Cole Tornberg, tenor – 7:30 p.m. – Casadesus Recital Hall – free Saturday, May 9 – Senior Recital: Caitlin Gotimer, soprano – 7:30 p.m. ­  Casadesus Recital Hall ­ free $ $ $ ¥ $ $ $ $ $ $ $ fi For ticket s or to be added to our email list, visit anderson.binghamton.edu o r call (607) 777­ARTS.  For  a  complete  list  of  our  concerts  call  (607)  777­2592,  visit music.binghamton.edu or become a fan on Facebook. [ = ]  = [ = ]   If you were inspired by this performance, consider supporting the Department of Music with a financial gift. Your support helps to continue the work of students, faculty, and guest artists and their [ = ]   E  contribut ions  to  our  community.  Please  make  your  donation payable to the Binghamton University M usic Depa rtment, and send your check to BU Music Departme nt, P.O. Box 6000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:01 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE82911">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE82911</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dan Malinovsky, senior recital, "Bits and Pieces," May 2, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings   Description An account of the resource Works by Schumann, Carlatti, Beethoven, Strauss. Held at 12:00 p.m., May 2, 2015, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Malinovsky, Daniel Saturnino, Kathryn Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2015-5-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/806a8d94bf70b1aa5c6e0332c2bc128b.jpg fb610948dfc67c2ec5df18b5bc704a76 https://omeka.binghamton.edu/omeka/files/original/adca86a45ac2ee8abf75aafe8b50b120.mp3 96a2555f15debbf44be5513533ad128d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Audio interviews Title A name given to the resource McKiernan Interviews Description An account of the resource Stephen McKiernan's collection of interviews includes more than two hundred interviews with prominent figures of the 1960s, which were collected between the mid-1990s to 2023 The collection provides narratives of people who were actively involved in or witnessed events in the 1960s, an era which spurred profound cultural and political transformation in the twentieth century. Interviewees include politicians, artists, scholars, musicians, authors, and veterans who delve into the decade’s most prominent issues and events, including the civil rights movement, the free speech movement, the anti-war movement, women’s rights, gay rights, segregation, the Vietnam War, Woodstock, Hippies, Yippies, and individualism.<br /><br /> <h3>The McKiernan 22</h3> <div>Stephen McKiernan interviewed legends of the 1960s. When asked in 2021 where one should start when sifting through his vast collection, he provided the following list:</div> <ul> <li><a href="https://omeka.binghamton.edu/omeka/items/show/854">Julian Bond</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1866">Bobby Muller</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1175">Craig McNamara</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/910">Dr. Arthur Levine</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/837">Diane Carlson Evans</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/942">Dr. Ellen Schrecker</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/876">Dr. Lee Edwards</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/841">Peter Coyote</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1233">Dr. Roosevelt Johnson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/899">Rennie Davis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1222">Kim Phuc</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/917">George McGovern</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/833">Frank Schaeffer</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/840">Rev. Dr. Frank Forrester Church </a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1240">Dr. Marilyn Young</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/842">James Fallows</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/835">Joseph Lee Galloway</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/911">John Lewis</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/839">Paul Critchlow</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/888">Steve Gunderson</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/1159">Charles Kaiser</a></li> <li><a href="https://omeka.binghamton.edu/omeka/items/show/2407">Joseph Lewis</a></li> </ul> Creator An entity primarily responsible for making the resource Stephen McKiernan Publisher An entity responsible for making the resource available Binghamton University Libraries Language A language of the resource English Rights Information about rights held in and over the resource In copyright. Template: Simple Audio Player (Amplitude.js) This template displays an audio player with the first attached image file as the 'cover image'. For its audio source, the template looks for the first attached audio file. If additional audio files exist, they should be combined using audio editing software, or a separate Omeka item should be made for each part. Interviewer The person(s) performing the interview Stephen McKiernan Interviewee The person(s) being interviewed Daniel Berrigan Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:31 Language English Digital Publisher Binghamton University Libraries Digital Format audio/mp4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data MicroCassette Material Type Sound Interview Format Video or Audio Audio Date of Interview ND Biographical Text Daniel Berrigan (May 9, 1921 – April 30, 2016), born in Virginia, Minnesota, was a poet, Jesuit priest, and peace activist .He received his Bachelor's degree from the St. Andrew-on-Hudson and his Master's degree from Woodstock College. Father Berrigan publicly protested U.S. policy in Southeast Asia during the Vietnam War. His defiant protests helped shape the tactics of opposition to the Vietnam War and caused his arrest in 1968. Berrigan wrote numerous volumes of poetry, including Time Without Number, which won the Lamont Poetry Prize; Prison Poems; Tulips in the Prison Yard: Selected Poems of Daniel Berrigan; and And the Risen Bread: Selected and New Poems 1957–1997. He died in the Bronx at the age of 94. Keywords 1960s; Vietnam; Vietnam War; Protests; Anti-war movement; Students; Activism; University of Virginia; Nixon; Boomers. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Rights Statement Many items in our digital collections are copyrighted. If you want to reuse any material in our collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down policy. If using any materials in this online digital collection for educational or research purposes, please cite accordingly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Berrigan https://omeka.binghamton.edu/omeka/files/original/0c4dd6c57c2234e5952d616ac6fc8203.pdf bf736dce7aa3dada467fb574a8d0815a PDF Text Text BINGHAMTON U  N  T V  E  R  S  T T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K M E T  A zedec N STUDENT RECITAL D A N I E L  BESSEL, BASSOON W it h Pes  Reitz; Prano­ Martha Weber, Bassoon   llicott; Bassoon Pa i g e E Melinda Lewis; Bassoon S u n d a y ,  November 7 ,  2 0 1 0 2.00 p . m Casadesus Hal I �PROGRAM Sonata, Op. 168­ Bassoon and Piano  l. Allegretto Moderato  Camille Saint­Seans (1835­1921) Sonata­ Bassoon and Piano .......................... ..........Alvin Etler I. Moderately Slow  (1913­1973) IL. Fast III. Slow IV. Fast =INTERMISSIONcs Impromptu, Op. 35, N09 ..........Reinhold Gliere (1875­1956) Humoresque, Op. 35, N08 ..........Reinhold Gliere (1875­1956) Sonata in C minor­ Poco Adagio..................... E Son ata I. Cantabile  II. Spiritoso III. Largo IV. Allegro V. Vivace S Bach   (1685­1750) Johann Emst Galliard (1687­1749) I was a Teenage Bassoon Player ...David Carrol & John Miller Martha Weber, Bassoon Paige Elliot, Bassoon Daniel Bessel, Bassoon Melinda Lewis, Bassoon From the Studio of Martha Weber A B O U T Daniel Bessel is a senior at Binghamton University from East Meadow,  NY,  and  is  majoring  in  Management  with Concentrations in Marketing, Consulting & Leadership. Daniel currently performs with the Binghamton University Symphony Orchestra, and studies under the studio of Professor Martha Weber.  He has  previously  performed  with the Metropolitan Youth  Orchestra,  Long  Island  Youth  Orchestra,  Nassau­ Suffolk Wind Ensemble, All­County Orchestra’s, and studied under Mr. Bill Katz. Daniel is also currently involved in the BU Student  Ambassador  Program,  the  Professional  Business Fraternity Alpha Kappa Psi, and is a Marketing Assistant with the  Tri­Cities  Opera.  He  would  like  to  thank  his  teachers, family, and friends, for all their help and continued support. Hope you enjoy the show! Pej Reitz is a monster piano player  that graciously teaches at Binghamton University and Ithaca College.  We are so fortunate to be able to work with her. Paige Elliot studied with Edward Gobrecht during high school and here at Binghamton with Martha Weber.  She has performed in the Binghamton Youth Symphony Orchestra, All State, Area All State and BCMEA organizations as well as with the Binghamton University Orchestra under Timothy Perry.  As a junior pursuing degrees  in  Social  Anthropology  and  History,  she  enjoys performing  and  participating  in  various  musical  opportunities which include Summer Savoyards and local musicals. Melinda Lewis is thrilled to be playing with Dan on the quartet portion of his recital!  She is the director of bands at Vestal High School and freelances on bassoon as frequently as she can in the Triple  Cities  area.  Melinda  earned  a  Bachelor  of  Bassoon Performance and Music Education from the Eastman School of Music  and  a  Master  of  Music  Education  degree  from  SUNY Fredonia.  Melinda wishes Dan the best of luck  in all his future endeavors! Martha Weber, Adjunct Professor of Bassoon, is actively involved as a teacher and performer of the bassoon.  She is so very happy to be participating in this Merry Band of Bassoons! �Bin gham tonUniversit   y Music D epariment ’s M P o e/ w  n v q  E V E N T S m e a s l y ­ a m m o Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE University Chorus:  First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ Student Recital:  Briana Sakamoto, soprano, Saturday, November 13, 2010, 8pm, Casadesus Recital Hall, FREE Friedheim Memorial Lecture/Recital series: Claudio Monteverdi, I l  lament dArianna, Thursday, November 18, 2010, 8 pm, Casadesus Recital Hall, $$$ Organist Jonathan Biggers:  A Bach Celebration, Friday, November 19, 2010, 8pm, FA21, $$$ Czech Vocal Music:  Mary Burgess, soprano; guest art/sts: Timothy LeFebvre, baritone; Timothy Cheek, piano, Sunday, November 21, 2010, 3pm, Anderson Center Chamber Hall, $33 Organist Jonathan Biggers:  A Bach Celebration, Tuesday, November 23, 2010 (11/19 repeat performance), 8pm, FA21, $38 Percussion Ensemble, Tuesday, November 23, 2010, 8pm, Anderson Center Chamber Hall, FREE For ticket information, please call the Anderson Center Box Office a t  777­AR TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:19 25:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Bessel, Bassoon Recital, November 7, 2010 Recital Tape 2010-11-7 Description An account of the resource Works by Saint-Saens, Gliere, Bach, Galliard, Carrol Creator An entity primarily responsible for making the resource Reitz, Margaret Weber, Martha Elliott, Paige Lewis, Melinda Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b902af4d29edefbc1fc6b01ee94313d1.pdf 041c55b7d2f5516756981b49e61261a9 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents DANIEL FARINA, alto saxophone Barbara Garges, piano * ~Mon., Dec. 13, 1971 – 8:15 » Recital Hall PROGRAM Sonata for Alto Saxophone and Piano Andante Courante Adagio Presto Particles for Alto Saxophone and Piano. Allegro–Lento–Allegro moderato e barbaro–Andante–Allegro Sonata for Alto Saxophone and Piano Allegro Andante sostenuto Allegro agitato Eccles (arr. Rascher) Armand Russell Garland Anderson INTERMISSION DUO for Alto Saxophone and Piano(1964) Walter S. Hartley Siciliene for Alto Saxophone and Piano Pierre Lantier Sonata for Alto Saxophone and Piano Ruhig bewegt Lebhaft Sehr langsam Lebhaft Hindemith � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:08:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63574 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63574"> Daniel Farina, Alta Saxophone and Barbara Garges, Piano, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Farina, Alto Saxophone, and Barbara Garges, Piano, Recital, December 13, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Eccles, Russell, Anderson, Hartley and Hindemith. Held at 8:15 pm, Dec. 13, 1971, Recital Hall. Creator An entity primarily responsible for making the resource Farina, Daniel Garges, Barbara Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-12-13 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Eccles, John, 1668-1735 Russell, Armand, 1932- Anderson, Garland, 1933- Hartley, Walter, 1927-2016 Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073254 39091020073791 https://omeka.binghamton.edu/omeka/files/original/6b9a215787772298a00b368362aac624.pdf b9f8603ba41c62072c39daf7ee9b3598 PDF Text Text BINGHAMTON B E Y E  R S I T Y STATE  U N I V E R S I T Y   OF  NEW  Y OR K [4 217224 D E P A R T M E N T Masters ’ Recital Daniel Ibeling, tenor with Amanda Chmela, soprano and Pej Reitz, piano Saturday, February 27, 2 0 1 0 8: 00pm Casadesus Recital Hall �Handel debuted his opera Atalanta in 1736, wh ich was created specifically for the wedding celebration of Frederick, the Prince of Wales.  While popular in its day, the opera is rarely performed. Aminta sings Di ad Irene in the third act, furious over Irene’s decision to leave him for another man. PROGRAM Di ad Irene from Atalanta George Friderick Handel (1685­1759) O wuss! ich doch den weg zuriick Sonntag ..Johannes Brahms (1833­1897) Di ad Irene Di ad Irene, tiranna, Infedele, ria, Go tell Irene, the tyrant, Crudele d’un mostro peggjore, . Ah, no... Dille, dille piuttosto,   ic, Dille ch’un core qunl e i l m Piu trovar non potra. Unfaithful, wicked, The m lone iswone fl un u m onsl e r Ah, m.,.tzll Plummet, Tell her that a heart better than mine. She will  never find Dille, Barbara, dille Ma ché 7 Tell, the barbarous one, tell her ., But what? No, che basta No, it is enough For my pure faith, To see those serene eyes With the first indication of loving compasion Wie bist du, meine Konigin Alla pura mia (E, Di veder quei begli occhi serene Con la prima amorosa pieta Four Moravian Duets, Op. 20. I.  Promény While most musicians struggle to gain recognition, in 1853 Robert Schu man wrote an article claiming 20­year old Johannes Brahms was “destined to give ideal expression to the times.” Though this placed the burden of expectation on him, Brahms would live up to his billing. These three selections are wonderful examples of the Romantic period, filled with rich harmonies, and delicate word painting. II.  Rozlou¢eni III. Chudoba Antonin Dvol‘ék (1841­1904) I V .  Vufe sohaj, vuie O wit/It ich doch den Weg zuriick 0 w ut  ich doch den Weg zufllck, Den lichen Weg zum Kinderland! O warum sucht’ ich nach dcm Gluck wlNTERMISSION a Poéme d ‘unjour... I.  Rencontre II.  Toujours Ill.Adieu To Julia  .  .  . I.  The bracelet II.  The maiden blush III. To daisies IV. The night piece V .  Julia’s hair VI. Cherry ripe Und lleB der Mutter Hand? ....Gabriel Fauré (1845­1924) Roger Quilter (1877­1953) O wie mich sehnet auszuruhn, Von keinem Streben aufgeweckt, Oh, if I only knew the road back, The deer road to childhood’s land! Oh, why did I search for happiness And leave my mother’s hand? Oh, how I long wben tmt, Not to be awakened by  anything, Die moden A ugen zuzutun, To shut my weary eyes, With love gently surrounding! Und nichts zu forschm, nichts zu splhn, Und nur zu traumen leicht und Iind, Der Zeiten Wandel nicht zu sehn, Zum zweiten Mal ein Klnd’ Only dreams, sweet and mild; Not to notice the changes of time, To be once more a child! Von Liebe sanft bedeckt! O zeigt mir doch den Weg zuruck, Den lieben Weg zum Kmderland! Vergebens such ich nach dem Gluck, Ringsum ist oder Strand! Nothing to search for, nothing to beware of, Oh, do show me the road back, The dear road to childhood’s land! In vain I search for happiness, around me naught but deserted beach and sand! �Sonntag So hab’ ich dochdieynuWoche Mein feines Liebchen nicht geaeh‘n, lch sah es an einem Sonntag Wohl vor der Tare steh’n: Das tausendschone Jungfraulein, Das tausendschone Herzelein, Wollte Gott, wollte Gott, ieh war’ lueute bei ihr! So will mir doch die ganze Woche Das Lachen nicht vergeh’n, Ich sah as an einem Sonntag Wohl in die Kirche geh’n: Das tausendschone Jungfraulein, Das tausendschone Herzelein, Wollte Gott, wollte Gott, ich war’ heute bei ihr! Wie bist du, meine Konigin Thiswholeweeltlhavena Sealmydeliclttsweefiuelrt IuwhaonSu mlIy. Standirginfimtofthedoor: m fi m d n m b e o u fi f u l g irl, ‘l’iuatthnusand­liuumbeluait‘uihfltt WouId,God,IwaewithktodayI This whole week, my laughing Has not ceased, I saw her on Sunday, Going to church: ‘That thousand­times beautiful girl, WoudlG .od ,I werewhti h  erotday! That thousand­tm i es beautiful heart, Du  lachle nur, Lenzdifte wehn Durch mein Gemiute, wonnevoll! How blissful you are, my queen, When you are gentle and good! Merely smile, and spring fragrance waits Though my spirit blissfully! Frisch aufgeblihter Rosen Glanz, Vergleich ich ihn dem deinigen? Shallloompartittoyouus? Wie bist du, meine Konigin, Durch sanfte Gute wonnevoll! Ach, uba alles, was da blaht, Ist deine Blitte wonnevoll! Durch tote Wasten wandle hin, Und griine Schatten breiten sich, Ob  furchterliche Schwile dort Ohn Ende brute, wonnevoll! Lab mich vergehn in deitietn Arm! Es ist ihm ja selbst der Tod, Ob auch die herbste Todesqual Die Brust durduwnte, wonnevoll! The brightness offruhly blooming roses, Ahsoaring over all thlthoonu Isyourblonun, blissful! Wander through dead wastelands, And green shadows will be spreading, Even if fearful sultriness Broods there without end... blissfully! Let me die in your arms! It is in them that death itself, Even iftheshatpestpain Ragesin mybrelst .. is blissful! Antonin Dvofak composed his Moravian Duets in 1875­1876, for soprano (or alto), and tenor.  The texts for each of the four songs are drawn from traditional Czech folk songs.  The text isn’t a dialogue in a true sense, but rather unison thoughts shared between two narrators, the second piece being the exception. No.1 Promény No.1 Transformations Darmo se ty trapis, In vain you pine, Nenosim ja tebe, I don’t carry you, ma jmliy synetku, Nenosim v srdecku; A j l t voja nebudu ani jednu hodinu. copak sob! mysli3,  m a mail panauko, Dyt ’ sit ty  to moje Rozmilé srderuko; A ty  musifi byt ma Lebo mi t& Pan Buu‘ h da My dear sweetheart, I d on ’tun y you i n m y l m tt; And I won‘t be yours For even one hour. Whatever are you thinking, My dear girl, For you are my Darling sweetheart, And you must be mine, Orthel iordGodwiIlgi veyoutome No.2 Rodoud‘ent’ No.2Slylng Farewell A ja se ti nezato¢im, In a circle as a ‘good night’! And I won‘t twirl around you, I must go to the field. Zatot se mn!, galartecko, NA  dobro noc do kola! Ja muslm jlt do pola. Do polecka sireiuo, Nevidet tam Zadného. Jenom vtatka sokolitka, Pana Boha samého. Twirl around me, sweetheart, To the wide  little field, ‘Where no one is in sight; Only a little falcon And the Lord God himself Zao t € sa okoo l  mia, Jako vtagek Jarabagek okolo pita! Twirl, sweetheart, Twirl around me, Like a little hawk Around a tree trunk! Udelej koletko,moja, Make a little c ircle, Bude3 moja You will be mine, ZatoX sat ty, galanoékn, Moja, ylmecko. No.1 Chudoba Ach, co je to za stavicek. Co tak pekn!, p&kné zpiva? Ach, to je muj najmilejsi, Ze mne se vysmiva. Ty se ze mne ntvysmuvej. Circle, my sweetheart, No.1 Poverty Ah, what is that, like a nightingale, What so nicely, nicely sings? Ah, that is my  dearest, At me he mocks. Don’t mock me, Z chudobnej siroty, A poor orphan, Ani Zadne 3aty. Nor any clothes. Ty se ze mne névysmivej, Z chudobnej siroty, a poor orphan, Chot’ ja némam ladnych penéz, Chot’ ja némam Zadnych penéz, Ani b dne  3aty. Jenom ten vinek zeleny, Kery mam na hlavt, A tenjedau Suranedek, Kery mam na sob! For I don‘t have any money, Don’t mock me, For I don’t have any money, Not any clothes Only this wreath green, Which I have on my head, And this one dress, Which I have on myself. �No.4 Vure Sohaj, vufe (Der letzte wunsch) Vufe 3ohaj, vuie V zelenyin héhofe, Polihni konitka Po hedbévne Si‘ii’ihe. Ta smite hedbdvnk na pole strhan, nevel‘, mila, never, 3ak je laska plan’a Neveéf, milk, nevfi, A b k  nemas Itemo Suhajek falesné Pojcde na vojno. Debech mela koiia, Sama bech s heinjela, Aspon bech videla, Kde bech zahynula. A zahynu­li ja, the helm­alpha T (HNo.4 Hepbm,  he plows, t e Las t W s i h ) he beloved plows You ask me to be quiet, In green hiII, He drives little horse Et de me’n aller, solitaire, Sans me rappeler quij aimais! and to depart alone without thinking of the one whom I love! ‘l’hat rein o f silk Rips on the field, Don’t believe, dear, For his love is false. Demandez plutdt aux etoi a De tomber dans I’immensité, A la nuit de perdre ses voiles, Au jour de perdre sa clarté, Yaimightmoreeailyaskthestars to fall fiorntluslry, or the nightto li ft its veils, Don’t believe, dear, don’t believe For you shouldn’t believe A false boy Demandezllamaimmense who will go to the army. Ulpaisersasombramnyotsl Irid,wla=itluwindsaretagingdanentedly, askfltemmmlmtheirdisnal sobbing! Iflhadaliorse, lumuldgaalonewithhim, Atleastlwouldsee Mais n’asperea pas que rnon dme S’arrache 4 ses dpres douel urs eanuptootitssomrw With silk reins, Wliaelwoulddie. And i fl  will die, we will both die, Zahyneme voba, Jenorn nas palate Do jednoho hroba. Just put us in o   ne grave. Do jedneho hroba, Do jedne trohlice, Bodo vo nks plaltat Bestrrzke deyciee In one grave, In one coffin, The girls from Bystrc will weep for us. Fauré’s song cycle Poéme d ‘un jour (poem of a day) is a fine example of melodic.  The narrator, a poet himself, ventures from flirtatious playfulness in Rencontre, to anger over his lover’s rejection of him in Toujours, and, most interestingly, to an optimistic indifferent departure in Adieu. Rencontre J’etais triste et pensif quand je t’ai rencontrée, Je sens moins aujourd’hui mon obstine tourment; O dis­moi, serais­tu la femme iriaeperee, Et le réve ideal pouisuivi vainement’! 0,passanta qudouxyeiogseriis—tudonc I’amie Qui reiulrait le bonheur au poete isolé, Eles—mnyonnasnnsonanuafiamie, Comme Ie ciel natal sur un eoeur d’eltilé” Ta  tristesse sauvage, a la mienne pareille, Aime a voir Ie soleil décliner sur la mer! Devant I’immensité ton extase s’eveille, Etleclunnedassoiisktabelleirruest chm Une mysterieuse et douce sympathie Déja m’enchaine a toi comme un vivant lien, E t mon ame frémit, par l’amour envahie Et mon coeur te cherit saris te connaitre bien! Toujaurs Vous me demandez de ma taire, lwissadandpensivewhenlmelyou, 1 sense less today my persistent torment; Tellme,waeyouthegirl Imetbyehanoe, the ideal dream I have vainly sought.” A passer­by with gentle eyes, were you the friend who brought happiness to a lonely poet? Did you shine upon my vacant bean like the native sky on an exiled spirit? Your shy sadness, so like my own, la vatowatchthesinsaovett l usa! Your delight is awakened before its immensity, and the evenings spent with your lovely soul are dear to me. A mysterious and gentle sympathy already binds me to you like a living bond, My soul trembles with overpowering love, And my heart cherishes you, knowing you hardly at all De fuir loin de vous pourjamais, Dedassechersasvamsflots, El,quandlavaitssoraaidana\ce, Et se depouille de sa flamme Comme Ie printemps dc ses fleurs! Adieu Comme tout meurt vita, la rose Declose. Et les frais manteaux diapres Des PMS; Les longs soupirs, les bienaimeea, Fumées! On voit dans ce monde lager Changer. Plus vite que les flots dea gréves, Nos raves, Plus vite que Ie givre en fleurs, Nos coeurs! A vous l’on se croyait fiddle, Cruelle, Mais helas! les plus longs amours Son! courts! Eije dis en quittan! vos oharrnea, Sans Iarmes, Presqu’au moment da mon aveu, Adieu! to flee from you forever to a distant place, ort l’udaytorid itselfof’its brightness! Asktheiinmenseooean todryupiuvastwatets, Butdanothopethatmysoul anddouseitsflame asthesming­timeoansheditsflowas! Like everything that dies quickly, the blown rose, h te fresh multi­colored flowers on the meadows. Long sighs, those we love, gone like smoke. One sees in this frivolous world, Change. Quicker than the waves on the beach, Our dreams. Quicker than frost on the flowers, Our hearts. One believes oneself faithful to you, Cruel, But alas! the longest of love affairs Are short! And I say on quitting your charms, Without tears, Close to the moment ofrn y avowal, Adieu! �Though he did venture into other branches, Roger Quilter is chiefly remembered for his contribution to art song. Quilter didn‘t participate in the early 20” century music evolution, and instead composed music with rich harmonies, filled with the sound of romantic wistfulness, and lust for past memories. He adopted work from the 17” century poet Robert Herrick to create To Julia, a six part song cycle for tenor and piano, which debuted in 1905 . I. The Bracelet IV. The night piece Julia, this my silken twist; For what other reason is  ‘t, The shooting stars attend thee, And the elves also, Wh y  I tie a bout thy wrist, But to show thee how, in part, Thou my pretty captive art? But thy bondslave is my heart, ‘1’is but silk that bindeth thee, Knap the thread and thou art free: But ‘tis otherwise with me, I am bound, and fast bound, so That from thee I cannot go,   I f could, I would not so. 11. The maiden ‘s blush Like the sparks of fi re, befriend thee. So look the mornings when the sun Paints them with fresh vermillion. So cherries blush, and Kethem pears, And apricocks in  youthful years; So corrals look more lovely red, And rubies lately polished So purest diaper doth shine, Stain’d by the beams of claret wine. As Julia looks when she doth dress Her either cheek with bashfulness. IIL To daisies Shut not so soon, the dull­ey’d night Has not as yet begun To make a seizure on the light, Or to seal up the sun No marigolds yet closed are, No shadows great appear; Nor doth the early shepherd‘s star Shine like a spanglc here. Stay but till my Julia close Her life­begetting eye, And let the whole world then dispose ltsel fto live or die. Her eyes the glow­worm lend thee, Whose little eyes glow Like the sparks of fire, befriend thee. No Will­o’­th’­Wisp mislight thee, Nor snake or slow­worm bite thee; But on, on thy way, Not making a stay, Since ghost there’s none to affright thee Let not the dark thee cumber: What though the moon does slumber? The stars of the night Will lend thee their light Like tapers clear without number. Then, Julia, let me woo thee, Thus, thus to come unto me ; And when I shall meet Thy silv ’ry feet My soul l ‘ ll  pour into thee V . Julia ’s hair Dew sat on Julia’s hair And spangled too, Like leaves that laden are With trembling dew: Or glitter’d to my sight, As when the beams Have their reflected light Danc’d by the streams. VI. Cherry ripe Cherry­ripe, ripe, ripe, I cry, Full and fair ones; come and buy lfso be you ask me where They do grow, I answer  there, Where my Julia’s lips do smile ; There’s the land, or cherry­isle, Whose plantations fully show All the year where cherries grow flfiout the Performers: fDam’dIfieBng, tenor Dan Ibeling is from Roselle, Illinois, and is currently pursuing his Masters of Opera degree with Binghamton University under the direction of Profs. Skrabalak and  Sicilian,  and  is  also  a member of  the  Tri­Cities  Opera  Resident  Artist Training Program.  Over the last two seasons, he  has appeared as Borsa in Rigoletto, Kaspar in Amahl and the Night Visitors, Don Curzio in Le nozze di Figaro, and Spoleha in Tosca.  Upcoming performances include the title role in Honegger‘s King David with the Binghamton University Chorus and Orchestra, and Gherardo in Gianni Schicchi at TCO.  Dan has also been an apprentice with the Des  Metro Opera, and  spent a summer in Graz, Austria studying at  the American Institute of Musical Studies.  Dan received his B.A. in Music from the University of Nevada, Las Vegas. Amanda Chmela, soprano Originally  from Lindenhurst,  New  York,  Ms  Chmela  is  currently  pursuing  a Master‘s in Opera Performance under the direction of Mary Burgess.  She is also a member of the Tri­Cities Opera Resident Artist Training Program.  Roles with Tri­Cities include Gretel (Hansel and Gretel), Barbarina (Le Nozze di Figaro), Ms. Pinkerton (The Old Maid and the Thief), Page (Amahl and the Night Visitors), and Page (Rigoletto).  Upcoming performances include the role of Ciesca (Gianni Schicchi),  and  as  the  soprano  soloist  in  Honegger’s  King  David  with  the Binghamton University Chorus and Orchestra.  During the summer of 2009, she performed with the CRS Barn Studio as Edith (Pirates of Penzance) and with the Summer Savoyards as Josephine (H.M.S. Pinafore). Ms. Chmela received her undergraduate degree in Musical Theatre from SUNY Fredonia where she studied under Julie Newell.  She performed the roles of Ann (A Little Night Music), the Sandman (Hansel and Gretel), and Mrs. Cratchit (A Christmas Carol), in addition to several scenes programs, a commencement eve concert, and performance trips to both Italy (2008) and Japan (2006). Margaret Rfitz, pianist Ms. Reitz is a native of [he Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and  Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United Slates, in England, South America, Spain and al the American Institute of Musical Studies in Gra z, Austria.  She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. She  was an  official  accompanist for the  MTNA  State  and  Eastern  Division Competition held at Ithaca College. She has been a guest chamber music artist in Morges, Switzerland.  She also was selected to attend the Accompanying Workshop for Singers and Pianisls held at Northwsslem University with Chicago Lyric Opera Faculty and Coaches. She was recently invited to the International Clarinet Conference to play a recital in Tokyo, Japan. She was a guest artist on the Cornell  Summer Series.  She was  an  official pianist  at  the International �Double Reed Competition and Convention in  2007  at Ithaca College and was invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble. She was selected to accompanying at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and  at Mannes School of Music summer 2008.  She was a Guest  Artist  playing two concerts in  Granada,  Spain  this  past  summer  and accompanied the Barcelona Song Festival in July.  She is the pianist for Theater Street  Productions  performing  concerts in  Lenox,  Mass  and  Newport  Rhode Island this fall. She is currently on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization.  She is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organi zation. T ri­Cities O pera 2009­2010 Season (sy  d o n i z e l l i e R ev FRIEDHElM MEMORIAL Lecture/Recital  H U M A N N ROBE/2 T SC  MOBIUS ENSEMBLE Janey Choi, Violin Roberta Crawford, Viola Michael Salmirs, Piano Stephen Stalker, Cello o p r i l   3 0   8  m a y   2 , 2 0 1 0 Thursday, March 4, 2010 8:00 p. m. Casadesus Recital Hall �Binghamton University Music Department ’s   U P C O M I N G  E V E N7­5 s e s a m e ­ m a c a w Thursday, March 4°”  Mid­Da y Concert, 1.20 PM ­ FREE Casadesus Recital Hall Th ursda y,  M a r ch  4 ”  Friedheim Memorial Lecture/Recital Series: Schumann (Mobius), 8:00 PM, Casadesus Recital Hall, $$ (FREE for students, 100 maximum tickets) Satur da y,  M ar ch  6% University Symphony Orchestra: Concerto & Ana Concert, 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) Sunday, March 7 ”  wind Symphony, 3:00 PM ­ FREE Anderson Center Chamber Hall   1”' Mid­Day Concert, 1 :20 PM ­ FREE Thursday, M ar ch 1 Casadesus Recital Hall   4 ”  Ewa Mackiewicz­ Wolfe: 1810 – 2010, A Chopin Su n da y,  M a r ch 1 Celebration, 3:00 PM, Anderson Center Chamber Hall, $$   8 ”  Mid­Day Concert, 1 :20 PM ­ FREE Thursday, M ar ch 1 Casadesus Recital Hall   8 ”  Harpur Chorale and Women s’  Chorus, Th ursda y, M a r ch 1 8:00 PM, Anderson Center Chamber Hall, FREE Sa t u r da y,  M a r ch  20° " Senior Honors Recital: Briana Sakamoto, soprano, 8:00 PM, Casadesus Recital Hall, FREE Su n da y,  M a r ch  21"t Senior Honors Recital: Marc Silvagni, percussion, 3:00 PM, Casadesus Recital Hall, FREE Thursday, M ar ch  25‘h Mid­Day Concert, 1 :20 PM ­ FREE Casadesus Recital Hall For ticket information, please call the Anderson Center Box O ff i ce  a t 777­ARTS To see all events, please visit music. b inghamton. e du Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:42 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154590">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154590</a>https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154590 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Ibeling, tenor, master's recital, February 27, 2010 Recital Tape 2010-2-27 Description An account of the resource Works By Handel, Brahms, Dvorak, Faure, Quilter. Held at 8:00 p.m., February 27, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Ibeling, Daniel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-02-27 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/13cef246a8ccad685fb7738cb37b608c.jpg 40bdf8fbef55d6c7bac8bdcfe8613dce https://omeka.binghamton.edu/omeka/files/original/7cd0f2f98cee041f2648af8e1c33545a.jpg 2dfaf55febbf959f13135865e5a47605 https://omeka.binghamton.edu/omeka/files/original/bf5ffd4b849c19571747fcf8e3a71c5f.jpg 026708d69199b7d6fa06d38dd12a844c https://omeka.binghamton.edu/omeka/files/original/e36a5582b3d756cb3c75d41ad911cf61.jpg d70927f7c1974bd6faecbc848b3d5195 https://omeka.binghamton.edu/omeka/files/original/ced1a75d2d97ec96404e980c4ad9a17e.jpg ef333273828ad6f54f273fb70a09c08d https://omeka.binghamton.edu/omeka/files/original/bc39ad14dfb07b9e97bc5b5b3e9de4f3.jpg ef4697b3cde0aac61d26b5cb16720f90 https://omeka.binghamton.edu/omeka/files/original/ce8fbb6ac20c63905fdc6ae9e6570aa5.jpg 152588c10ae7dedc82785377dd0b9ab4 https://omeka.binghamton.edu/omeka/files/original/b44dd6d0ec80142da030a7ed1cecba83.jpg 2f8ac8d01677085ba697be542a5431eb https://omeka.binghamton.edu/omeka/files/original/f9233025ae5a2a887609f89cdb3e933c.jpg 225025eb218f99a94381c31e30d9814d https://omeka.binghamton.edu/omeka/files/original/17f3b453d217876d4e76b5e3820d1017.jpg 038a6bf99d4a1cfa99d70e7d9ae0d6be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Notes extensive throughout entire book. Extensive stage drawings with staging instructions found on the first page of every act. Act III is especially extensive. Markings in black pencil, blue pencil, purple pen, and pink pen. Most written markings in black pencil. Partial cast list is included. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 19cm x 13cm Earlier version Earlier version (dcterms:isVersion Of) Danton Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.98 Production(s) December 15, 1919, Berlin, Großen Schauspielhaus December 22, 1919, Berlin, (likely Großen Schauspielhaus) February 22, 1920 (city and theater unspecified) -Supporting materials: Box 4B Folders 27-28: Photographs; promptbook and scene designs, scenes, and characters Oversized mounted 2, 4, 13 Box 14 Folder 27: Programs; plays Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Danton [promptbook] Subject The topic of the resource Rolland, Romain, 1866-1944. Danton -- Translations into German Promptbooks Stage directions Großen Schauspielhaus -- Germany Creator An entity primarily responsible for making the resource Rolland, Romain, 1866-1944 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3191 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/c3a488f3f3005f6673bb4b82e4532218.jpg 1a83e8630789f29fa186a7fd4f3e3879 https://omeka.binghamton.edu/omeka/files/original/89392e9b147f75a430897359b67efa13.jpg 79c2067de1c236ef1e59559dd9f8b4cf https://omeka.binghamton.edu/omeka/files/original/84a94e486c42d5ba15e882441313009f.jpg 898661b21f27495b1b56d38386e2b0eb https://omeka.binghamton.edu/omeka/files/original/8e232a3b149fcd2c4d6b42a1a87e366f.jpg 10825773749211256861a1f47ed57b1d https://omeka.binghamton.edu/omeka/files/original/ece36f25ad49e15faefdcee62d35e869.jpg 65eb5139703aa9ac6250e57e235db398 https://omeka.binghamton.edu/omeka/files/original/1ae48452f15c20b6bafee12cdf8ce533.jpg b0d2853e7ef2b284d27a347a23b5c2fb https://omeka.binghamton.edu/omeka/files/original/28e2164ffee508356a4d354e7a17a5a9.jpg a1e0b2f650d617ad3faf707b4a8e71af https://omeka.binghamton.edu/omeka/files/original/64af2e11e70db00641ee4ac2d0386a99.jpg 45529524c90d255b723ae5d9dc42f682 https://omeka.binghamton.edu/omeka/files/original/09db9177caa93c412e68d80a947b5eb6.jpg a023c04c949e79c3992ba9aff9217475 https://omeka.binghamton.edu/omeka/files/original/19fcfa938427557e944eaab47c549509.jpg 584d6ba4663668e7bed34a60b3275eec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource <strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;tab=DigitalCollections&amp;search_scope=DigitalCollections&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;offset=0">Max Reinhardt Collection Photographs</a></p> <p></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p> <p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,&nbsp;<br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale Promptbook Description Stamped throughout “Deutsches Theater zu Berlin - Guest conductor.” Director unknown.Markings in red pencil, blue pencil, black pencil, and black pen. Not many written notes throughout, found scattered. Colored pencil markings common. Reordering of pages common/ Collection Miscellaneous Promptbooks Dimensions Physical dimensions of item 18cm x 12.5cm Earlier version Earlier version (dcterms:isVersion Of) Dantons Tod Notes Located in Binghamton University Libraries Special Collections PT2635.E548 P752 v.3 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dantons Tod : ein Drama [promptbook] Subject The topic of the resource Büchner, Georg, 1813-1837. Dantons Tod : ein Drama Promptbooks Stage directions Deutsches Theater zu Berlin -- Germany Creator An entity primarily responsible for making the resource Büchner, Georg, 1813-1837 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource <p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p> <p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p> Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (99 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 99 min. Collection Big horror reading series (Binghamton Community Poets) Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE238452">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE238452</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Adams with "Open Mike" at Benlin's, June 9, 1992 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from David Adams at Benlin's in Binghamton, N.Y. Several local poets read during "open mike" sessions before and after the featured poet. The event was held on June 9, 1992 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Adams, David, 1946- Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1992/06/09 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1992 6-9 Format The file format, physical medium, or dimensions of the resource video/mp4