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                  <text>&lt;p&gt;The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the &lt;em&gt;The Big Horror Reading Series&lt;/em&gt; at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.&lt;br /&gt;&lt;br /&gt;Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.&lt;br /&gt;&lt;br /&gt;The collection also &lt;a href="https://omeka.binghamton.edu/omeka/collections/show/31"&gt;includes twelve excerpted poems&lt;/a&gt; that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;strong&gt;Digitization and DVD Production&lt;/strong&gt; &lt;br /&gt;After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.&amp;nbsp; Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Preservation and Expanded Access&lt;/strong&gt; &lt;br /&gt;Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. &lt;strong&gt;(N.B.: They are only accessible on campus or via campus VPN.)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from &lt;a href="https://www.pinterest.com/pin/548805904585058425/"&gt;Pinterest&lt;/a&gt;. If you are the rights holder, please contact The Libraries.&lt;/p&gt;</text>
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                  <text>Bern Mulligan&#13;
Erin Rushton&#13;
Ben Coury&#13;
David Schuster&#13;
Rachel Turner &#13;
David Floyd&#13;
Sasha Frizzell&#13;
Aynur de Rouen&#13;
Nicholas Eggleston&#13;
Alexxa O Bisnar (Student worker)&#13;
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                  <text>Bern Mulligan&#13;
Erin Rushton&#13;
Ben Coury&#13;
David Schuster&#13;
Rachel Turner &#13;
David Floyd&#13;
Sasha Frizzell&#13;
Aynur de Rouen&#13;
Nicholas Eggleston&#13;
Alexxa O Bisnar (Student worker)&#13;
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC

DAVID C L A T W O R T H Y
Baritone

E

i

&gt;

t

i

c

h

a

c

d

s

o

n

TUESDAY, MARCH 29, 1977
8:15 P. M.
DON WATTERS THEATER

�PROGRAM

I
Already the sun

I

Gia il sole dal Gange
Dolente immagine di Fille mia
Ma rendi pur contento
Maliconia, Ninfa gentile

A. Scarlatti
Bellini
Bellini

Bellini

II

Der Jungling und der Tod
Gruppe aus dem Tartarus
Abendstern
Rastlose Liebe

Schubert
Schubert
Schubert
Schubert

III

G. Verdi

Per me giunto
from Don Carlo

A. Scarlatti

Already the sun sparkles
more clearly from the Ganges,
and wipes away every tear
from the weeping dawn,
He adorns every stem
with a golden ray,
and paints the stars of the sky
in the ﬁeld.
Oh love, bring contentment

Bellini

Oh love, bring contentment
to my beloved ’s heart
and I shall forgive you
if my own heart is heavy.
I fear her suﬀerings
more than my own,
because I live more in her
than in myself.

IV
Chanson gaillarder
La maitresse volage
Chanson a boire
Madrigal
.
Invocation aux parques
Couplets bachiques
L ’oﬀrande
La belle jeunesse
Serenade
V
?H 7?
H

F. Poulenc

Sad likeness of my Phyllis

Bellini

Sad likeness of my Phyllis ,
Why do you sit by me so gloomily?
What more do you desire?
I have been shedding
bitter tears over your ashes.
Do you fear that, my sacred vows forgotten,
another ﬂ ame could set me on ﬁ re?
Ghost of Phyllis, rest in peace,
the old passion of love is inextinguishable ;
ghost of Phyllis.
Melancholy, sweet nymph
Melancholy, sweet nymph,
I consecrate my life to you ;
he who despises your pleasures
is not born of true pleasure.
I asked the gods for fountains and hills ;
they heard me at last, I shall live contented
nor shall I ever wish to pass
beyond that spring or that hill,
nor ever desire to go further,
nor ever go further, no, no, never.

Bellini

�Johann Wolfgang von Goethe

Restless love
Into the snow, into the rain,
Against the wind,
II

Josef von Spaun

The youth and death
Youth:

The sun ’s setting, ah, could I but go with it,
Escape with its last ray!
Ah, avoid these unnamed torments
And move out into fairer worlds!
Oh, come, death, loosen these bonds,
I smile at you, skeleton,
Lightly take me to dreamt–of lands!
0, come, do touch me, now, o, come!

Death:

Rest is cool and gentle in my arms,
You call –– I ’ll take pity on your plight.

Group from Tartarus

Friedrich von Schiller

Hark –– ressembling the murmur of the lashing seas,
And as the river sobbing carves its way through pale and bare rock,
So rises from dark depths an empty, heasy
Tortured groan.
Pain distorts
Their features –– their jaws

A cursing chasm of despair.

They ’re asking in-urgent whispers,
Is fulﬁlment not yet near?
O’er their heads, eternal circles ––
And the scythe of Saturn breaks.

Why are you so lonely in the sky,
0, fairest star? –– And so mild ;
Why does the array resplendent
Of brother–stars keep away from you?
“I am true love,s obedient star,
They keep from love away.”

Rather through suﬀering
would I win through,
Than be forced to bear
The pleasures of life!
All that longing
From heart to heart,

Oh, how unique
Is this agony!
How can I ﬂ ee ,
Shall I to the forests?
All is in vain!
Crown of life,
Bliss without peace,
Love this is you!
IV
Anonymous
17th century

Chanson gaillarder

La maitresse volage
My mistress is ﬁckle, my rival is happy.

Hollow are their eyes –– straining to peer
With anguished looks toward Cocytus ’ bridge.
Following tearfully the river ’s mournful course.

Star of eve

Through spray from cliﬀs,
Through fog and mist,
Keep on, keep on!
No rest, no peace!

\

"

Chanson a boire
The kings of Egypt and Syria had their bodies embalmed
so as to enjoy a life after death. Come, let us drink, drink
“and embalm ourselves before death. How sweet is this balm!

Madrigal
You are beautiful as an angel, sweet as a little lamb.

Johann Mayrhafdr

Invocation aux parques
E swear to love you as long as I live. Fates, who hold
the thread of life in your hands, I pray you to prolong mine

as long as you can.
Couplets bachiques
When I see a bottle without wine I am sad ; if it is full
I am happy. When I am with my wife I am sober –– if the pretty
girls take me on I am jolly.
L ’oﬀrande
A maiden oﬀered a candle to the god of love in order to
gain a lover.

Smiling at the request, the god said,“Beauty,

while waiting, always yourself be the oﬀering.”

�La belle jeunesse
One needs to love but not always to marry. Make love
to many, but if you are wise you ’ll not marry.

Sérénade
With so beautiful a hand and such charms, how well
you use Cupid ’s weapon.

BIOGRAPHICAL BACKGROUND

DAVID CLATWORTHY is enjoying his ﬁfteenth consecutive year as a leading
baritone with the N.Y.C.Opera Company. As a student at the University of
Arizona, he was encouraged by the legandary Metropolitan baritone Richard
Bonelli to study seriously for an operatic career. After completing
undergraduate college studies and two years service as an oﬀicer in the
U.S.Army,Mr. Clatworthy enrolled at the Juilliard School of Music and
Columbia University where he received his Master of Arts degree. His
appearances at Lincoln Center have featured him in a variety of roles from
the Count in Mozart ’s The Marriage of Figaro to such contemporary operas
as Janacek ’s The Makropolos A ﬀ air and Gianstera ’s Don Rodrigo. In addition
to his performances with opera companies in San Francisco, Chicago, Houston,
Fort Worth, and Central City, the Michigan born singer has appeared as soloist
with the Boston, Chicago, Detroit, and Dallas Symphonies, as well as the
Philadelphia Orchestra and the New York Philharmonic. He has made recordings
for RCA Victor, Mercury, and Vanguard record companies, and has appeared
periodically on CBS, NBC, and ABC television networks. Next month Mr.
Clatworthy will appear with the Ft. worth Opera Company, and in May he will
be heard at Spoleto West, Charleston, South Carolina, in a new production of
The Consul, staged by its composer Gian–Carlo Menotti, and participate in
its recording on Columbia records.
DIANE RICHARDSON attended the Oberlin Conservatory of Music as a piano
scholarship student and received her Bachelors of Music degree. To pursue
an early interest in the art of accompanying, she traveled to New York to
work with Sergius Kagen, Robert Starer, and Adele Marcus at the Juilliard
School of Music. Later she attended Columbia University and received a
Master of Arts degree. Miss Richardson has toured throughout the United
States and Europe in the past ﬁ v e years. Being equally at home in operatic
and lieder repertoire, she has collaborated in recitals and privately coached
many leading artists from the Metropolitan Opera Company, the N.Y.C.Opera,
Covent Garden, and Sadlers Wells Opera Company. She has been on the faculty
of the Oberlin Conservatory and Juilliard School, and is presently an assistant
conductor and coach with the New York City Opera Company.

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                    <text>BINGHAMTON

5  F e )

U  N  I  V  E  R  S  I  T  Y 
S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K

D E P A R T M E N T

D AVID GAITA:

MUSIC B Y  THE PIANIST &amp;
COMPOSER

Sunday, April, 28, 2013
7:30 p.m.
Casadesus Recital Hall

�PROGRAM
Introduction by Shane Thorn

J.S. Bach
(1685­1750)

Goldberg Variations. Aria ..

.composed by Shane Thorn
and David Gaita

La Bicicletta .. 

There is music by one composer
and there is music by another.
There is also music by both, neither,
and most interestingly, from
anywhere in between.

Shane Thorn, vocals
David Gaita, piano

J.S. Bach
(1685­1750)

WTC Book I, Prelude in E major .

. poetry by Mario Moroni
composed by Dav id Gaita

Recitare le Ceneri .

Mario Moroni, reciter

Briana Sakamoto, soprano
David Gaita, piano
R) INTERMISSIONC’J
W TC Book 1. Prelude in Eb minor . 

Veteran’s Day Parade (video recording). 

.J.S. Bach

(1685­1750)
.David Gaita

Daniel Salinas. vio lin I, Carmen Johnson­Péjaro, violin II,
Benjamin Pochily, viola, Laura Andrade, cello

Piano Sonata No. 5
Goldberg Variations. Aria da Capo ..

.Alexander Scriabin

(1872­1915)
.J.S. Bach

(1685­1750)

�Binghamton University Music Department ’s
Coming Events
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Sunday, April 28 —T  ri­Cities Opera presents Mascagnr’s “CA VALLERIA RUST/CANA " and
  :00 p.m. – The Forum Theatre – call (607) 7720400 for
  / " ­ 3
Leoncava/lo’s “PAGUACC
tickets
Tue’day, April 30 – Percussion Ensemble Concert – 8:00 p.m. – Anderson C en fer
Chamber Hall – $6 gen eral public: $3 faculty/staﬀ/seniors: free for students
Wednesday. May I – Percussion Recital: Devan Tracy and Andres Castillo – 8:00 p. m. ­
Casadesus Recital Hall ~ free
Thursday. May2 – Mid­Day Concert – 1:20 p.m. – Anderson Center Chamber Hall – free
Thursday, May2 – Opera Scenes – 8:00 p.m. – Anderson Center Chamber Hall – $6
general public: $3 faculty/staf/seniors; free for students

Friday. May 3 ­­ Music from the Seminar (Christopher Loy’s Class) – 7 p.m. ­ Casadesus
Recital Hall – free

Saturday, May 4 – Master’s Recital: Molly Adana­Toomey, mezzo­soprano – 8 p.m. –
Casadesus Recital Hall – free
S unday. May 5 – University Symphony Orchestra and Chorus: Schubert’s “Unﬁnished

Symphony ” &amp; Duruﬂé's “Requiem " – 3:00 p.m. – Osterhout Concert Theater – $6
general public: $3 faculty/staﬀ/seniors; free for students

Wednesday. May 8 – Nukporfe African Drumming and Dance Ensemble – 7:00 p.m. –

Watter’s Theater – $3 general admission at the door

Thursday. May 9 – Student Recognition Mid­Day Concert – 1:20 p.m. – Casadesus Recital
Hall – free
Thursday. May 9 – Recital/Masterclass:  Guest Artist Victor Chavez Jr.. clarinet­ 4:30 – 6
p.m. – Casadesus Recital Hall – free
Thursday. May 9 – Harpur Chorale and Wbmen ‘s Chorus – 8:00 p.m. – Anderson C en fer
Chamber Hall – $6 gen eral public; $3 faculty/staﬀ/seniors; free for students
Friday. May 10 – Junior Recital: Kerianna Krebushewki. soprano – 8:00 p.m. – Casadesus
Recital Hall – free
Saturday, May 11 – Sophomore Recital: Daniel Rosenau. organ – 4:00 p.m. – Trinity
Memorial Church ­ free

M é ﬁ w m wia ﬂ a ﬁ w é ﬂ a ﬁ b

For tickets or to be added to our email list. visit anderson.binghamton.edu or
call (607) 777­ARTS. For a complete list of our concerts call (607) 777­2592,
visit music . binghamfon.edu or become a_ fan on Facebook.
–
E 

If   you  were  inspired  by  this  performance.  consider
p  
= [ = ]   supporting the  Department  of Music   with a  ﬁnancial gift.
Your support helps to continue the work of students, faculty,
and guest artists and their contributions to our community.

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
MUSIC DEPARTMENT
presents
DELMAR PETTYS, violin
PAUL HERSH, piano
Friday , Sept. 17, 19 71

Don A. Watters Theater - 8 :15 PM

program
Sonata No. 1 in g minor for Violin solo
Adagio
Fuga
Siciliana
Presto
Fantasia in C Major - Op. 159

J. S. Bach

Schubert

Andante molto-Allegretto Andantino(variat ions)-Tempo IAllegro Vivace-Allegrett o-Presto
intermission
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Adagio Sostenuto:Presto
Andante con Variazioni
Presto

Beethoven

�</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                    <text>State  University  of  New  York  at  Binghamton
Harpur  College
Department  of  Music

Delmar  Pettys

Seymour Fink

Saturday,  November  6, 1976
8:15  P.  M.
Don  A.  Watters  Theater

�—
PROGRAM
Sonata  i n  G  Ma jor ,  Opus  96 
Al legro  moderato
Adag io  espressivo
Scher zo :  Al legro
Poco  Alleg r et to
Delma r Pet tys,  v i o l in  

Seymour  Fink,   p iano

L .   van  Beethoven

Sonata  i n  g  minor   (1917) 

Claud e Debussy
Al legro  v ivo
Interméde :  Fantasque  e t 1léger
F inale :  Trds  animé
INTERMISSION

Sp ir i t ed
Andan te
Intense
Al legro

Sonata  i n  d  minor  
Johannes  Brahms
Alleg ro
Adag io
Un  poco  pres to  e  con  sen t imen to
P r e s t o  ag i ta to

�COMING  EVENTS
Nov. 8, Mon.  Harpur  Symphony
Nov.13,  Sat.  Harpur  Chorale

Nov.14,  Sun.  Jazz  Ensemble (3 :00 p.m.)
Concert  Series  – Peter  Marsh  and  Friends
Dec. 4,  Sat.  University  Chorus &amp;  Orchestra  Bicentennial
Dec. 9, Thur. Collegium  Musicum (University  Union)
Dec.12, Sun.  Concert  Series  – Laredo,Robinson,Ponce

Dec.13, Mon.  Wind  Ensemble
All  concerts  will  begin  at 8 :15  p.m.
unless  otherwise  indicated.

~

�</text>
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