27
10
1775
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https://omeka.binghamton.edu/omeka/files/original/f73da0fb227dd66078020449c45c4d4d.pdf
fbf89256db0512ad422046aa94a538a9
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y OF N E W Y O R K
D
E
P
A
R
T
DENISE BASSEN
O R G AN
Monday, May 5, 2014
8:00 pm
Fine Arts Room 21
W
M
[4
E
N
T
�PROGRAM
ABOUT THE PE RFORME R
(16851750)
DENISE BASSEN is a graduate of the Mannes College of Music,
the New School University, in New York City, where she received a
full tuition scholarship grant to complete her senior year from the
Helena Rubenstein Foundation.
. Felix MendelssohnBartholdy
She was awarded regional finalist in the Metropolitan Opera
auditions, and has sung professionally in opera, oratorio, and
liturgical music.
Prelude and Fugue in Gmajor, BWV 541 .
Sonata VI in Dminor
Johann Sebastian Bach
Chorale and Variations
Fugue
(18091847)
Denise pursued organ studies at Vassar College, and choir
conducting at the Centre d’Art Polyphonique in Alsace, France.
She has continued to pursue professional studies at Ho fstra
Andante
University, McGill University in Montreal, and the Yale University
School of Sacred Music in New Haven. She is a candidate for a
Variations sur un théme de Clement Jannequin .
Jehan Alain
(19111940)
Masters of Music in Organ Performance a t Binghamton University
(SU NY).
Denise has been Organist a t th e First Presbyterian Church of
Piece Heroique ..
. Cesar Franck
(18221890)
~ Wolff Organ ~
This program is offered in partial fulfillment of the requirements for the degree of
Master of Music. Denise Bassen is a student of Dr. Jonathan Biggers.
Pleasant Valley, Music Director at the Freedom Plains Presbyterian
Church, and Music Director for The Church of the Holy Trinity in
Poughkeepsie.
For more information, her website is: www.denisebassen.com
�Binghamton U niversity Musi c Department ’s
4
UPCOM ING EV ENTS
M
M
M
M
M
M
M
M
J
V
Tuesday, May 6 – Percussion Ensem ble Concert – 8:00 p.m. – Anderson
Center Chamber Hall $ 7 general public; $5 faculty/staff/seniors ; free for
students
Thursday, May 7 – Nukporfe African Drumming and Dance Ensemble
– 7:00 p.m. – Watters Theater $5 general admission at the door
Thursday, May 8 – Student Recognition MidDay Concert – 1 :20 p.m. –
Casadesus Recital Hall – free
Thursday, May 8 – Harpur Chroale and Women ’s Chorus Spring
Co n c ert – 8:00 p.m. – Anderson Center Chamber Hall $ 7 general public; $5
faculty/staff/seniors ; free for students
Friday, May 9 – String Orchestra Concert – 4:00 p.m. – Grand Corridor –
free
Friday, May 9 – Brass Ense mble Con cert – 5:00 p.m. – Casadesus Recital
Hall – free
Sunday, May 11 GrammyAward W inn in g vocal gu es t artist jacqueline
HornerKwiatek – 3 :00 p.m. – Casadesus Recital Hall $5 general public; free
for students
Wednesday, May 1 4 – German Diction Class Recital 8:00 p.m. ~
Casadesus Recital H all – free
[ = ] ys
—
For tickeu or to be added to our email list, visit andersonbinghamtonedu or
call (607) 7 7 7ARTS. For a complete list of our concerts call (6 0 7) 7 7 72592,
visit music.binghamton.edu or become a fan on Facebook.
i f you were inspired by this performance, consider supporting the Department
of Music with a financial gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our community.
Please make your donation payable to the Binghamton University Music
usic Department, P.O. Box 6000,
Department, and send your check to B U M
Binghamton, NY 13902 .
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
Duration
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41:09:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74946">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74946</a>
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Title
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Denise Bassen, organ recital
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bach, Mendelssohn-Bartholdy, Alain, Frank. Held at 8:00 p.m., May 5, 2014, Fine Arts room 21.
Creator
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Bassen, Denise
Publisher
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Binghamton University Libraries
Contributor
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Bach, Johann Sebastian, 1685-1750
Mendelssohn-Bartholdy, Felix
Alain, Jehan, 1911-1940
Franck, César, 1822-1890
Date
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5/5/14
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sound
-
https://omeka.binghamton.edu/omeka/files/original/3defcb321ed2ae7f89f40421766e1628.pdf
13e5198d13f91477f640794a7da2c1c7
PDF Text
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BINGHAMTON
U
N
I
V
E
R
U N I V E R S I T Y O F N E W Y O R K
C E P A B T M E N T
DEPARTMENT OF MUSIC
M ID D A Y R EC I T A L
Thursd ay, M arch 31, 2011
1:2 0 p.m.
Casadesus Recital Hall
�PROG RAM
Selected Songs...........
Violin Sonata No. 2 in D major, op. 94bis .............Sergey Prokofiev
(18911 953)
Scherzo : Presto
AAS :yg af
Antonin Dvorak
(18411 904)
V tak mnohém srdci mrtvo jest
. from Pisne milostne (Love songs), op. 83, no. 2
Ten ptacek, ten se nazpiva
from Vecerni pisné (Evening songs), op. 31, no. 5
James Hsia, violin
J ieun J ang, piano
KdyZ mne stara matka
\
from Cigédnské melodic (Gypsy melodies), op. 55, no. 4
:
y
Horn Concerto No. 1 in E flat major, Op 11
Movement 2
y
Richard Strauss
(18641949)
Robert M uller, French horn
Margaret Reitz, piano
La cour te paille ..
...Franc is Poulenc
(18991963)
Le sommeil
Quelle aventure!
La reine de coeur
Ba, Be, Bi Bo, B u
Les anges musiciens
Le carafon
Lune d’Avril
Laura MacAvoy, soprano
William James Lawson, piano
Briana S akamoto, soprano
Margaret Reitz, piano
‘
�Saturday, A pril 2 – Jun ior Recital: Ma rk Rossnag el, organ – 3:00
p.m. – First Presbyterian Church, Binghamton – free
Sunday, Ap ril 3 – Orga nist Jonath an Biggers – A Bach C elebration!!
Series – 4:00 p.m. – First Presbyterian Church, Binghamton – $10
general public; $5 faculty/staff/seniors; $2 students
Thursday, A pril 7 – MidDay C oncert – 1:20 p. m. – Casadesus Recital
Hall – free
.
Friday, Apr il 8 – Univers ity String O rchestra – 4:00 p.m. – Grand
Corridor – free
Saturday, A pril 9 – Bing hamton Un iversity Flute Tr i o Concert
(Natalie Mc Creary, Emily Morr is, Mark Zh uang) – 12 noon – Fine Arts
Room 21 – free
Saturday, A pril 9 – Mas ter’s Recita l: Victoria C annizzo, so prano –
2:00 p. m. – Casades us Recital Hall – free
Saturday, A pril 9 – Pian ist Michael Salmirs: Fo r the Love o f M usic –
8:00 p.m. – Anderson Center Chamber Hall – $15 general public; $10
faculty/staff/seniors; $5 students
Sunday, Ap ril 10 – Senior Recital: Lau ra MacAvo y, soprano – 3:00
p. m. – Casades us Recital Hall – free
Tuesday, A pril 12 – String Departmen t Recital: S tring Fever – 8.00
p.m. – Casa desus Recital Hall – free
Thursday, A pril 14 – Jazz M idDay Con cert with gu est artist – 1:20
p.m. – Osterhout Concer t T h e a t e r free (Cosp onsored by the
Binghamton University Music Department and the Harpur Jazz Project)
Thursday, A pril 14 – Harpu r Jazz Ense mble Conce rt with gues t
artist – 8:00 p.m. – Osterhout Concert T h e a t e r $10 general public; $5
faculty/staff/seniors; free for students (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
Friday, April 15 – Lectur e on “ B l i n d T o m ” W
iggins, 1 9 ” century
AfricanAm erican com poser b y Stephanie J ensenMou lton – 3:00
p.m. – Casa desus Recital Hall – free
For ticket information, please call the Anderson Box Office at 7 7 7ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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29:24:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145426">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145426</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Department of Music Mid-day Recital, March 31, 2011
Recital Tape 2011-3-31
Description
An account of the resource
Works by Prokofiev, Strauss, Poulenc, Dvorak. Held at 1:20 p.m., March 31, 2011, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Hsia, James
Jang, Jieun
Muller, Robert
Reitz, Margaret A.
MacAvoy, Laura
Lawson, William James
Sakamoto, Briana
Publisher
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Binghamton University Libraries
Date
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2011-03-31
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sound
Format
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audio/wav
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Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
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In copyright
Contributor
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Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
“Die deutschen Kleinstädter Regiebüch” written in black pen opening cover, signed with Max Reinhardt signature. Two loose pages found behind title page, labelled “Ständchen” and “Bukoliken”. Initials given for certain members on cast list. Includes list of performances. Heavily marked promptbook with extensive notes throughout, particularly at the beginning of each act. Stage sketches also found throughout. Markings in black pen, purple pen, black pencil, and red pencil. References/reordering of pages found towards end.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
27cm x 21.5cm
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.68
Production(s)
September 1914, Berlin
October 21, 1914, Berlin
October 30, 1914, Berlin
-Supporting materials: Box 3 Folder 41: Photographs
Box 13A Folder 18: Else Heims Roles
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Deutschen Kleinstädter : Lustspiel in vier Akten [promptbook]
Subject
The topic of the resource
Kotzebue, August von, 1761-1819
Promptbooks
Stage directions
Deutsches Theater zu Berlin -- Germany
Creator
An entity primarily responsible for making the resource
Kotzebue, August von, 1761-1819
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3163
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Deutsches Theater zu Berlin
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Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
All text in German. Some pages loose from binding. Heavily marked with stage sketches/directions and extensive notes.
Also includes book of lighting directions and prompts (Beleuchtung). Front cover, “Ein deutsches Weihnachtsspiel v. Otto Folkenberg,” (in red pencil). Four pages of lighting directions/prompts (Beleuchtung). Four pages of music directions “Musik zum Deutschen Weihnacthsspiel.” Also includes flyer pamphlet of song/carol lyrics “Christmas Concert.”
“Unter Leitung seines direktors Herrn Professor Hugo Rüdel.”
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
19.25cm x 13cm
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.17
Production(s)
December 9, 1915 (city unspecified); December 18, 1915, Berlin; December 27, 1915 (city unspecified).
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Deutsches Weihnachtsspiel [promptbook]
Subject
The topic of the resource
Falckenberg, Otto, 1873-1947
Promtpbooks
Stage Directions
Creator
An entity primarily responsible for making the resource
Falckenberg, Otto, 1873-1947
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3117
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (72 min.) sound, color
4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
72 min.
Collection
Big horror reading series (Binghamton Community Poets)
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244048">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244048</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Diane di Prima at Swat Sullivan's Hotel, April 28, 1988
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings from Diane di Prima at Swat Sullivan's Hotel in Binghamton, N.Y. The event was held on April 28, 1988 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Di Prima, Diane.
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1988/04/28
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Type
The nature or genre of the resource
Moving Image
Identifier
An unambiguous reference to the resource within a given context
PS615 B56 1988 4-28
Format
The file format, physical medium, or dimensions of the resource
video/mp4
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
This promptbook is in very poor condition, consisting of loose pages, of all different sizes, in a folder. All text in German. Black pencil on cover “Diener zweier Herren by C. Goldoni.” There is a separate loose cast list found on cast list page. Unspecified markings throughout are in purple pen, black pencil, and red pencil. Markings of note include a stage sketch and dialogue rewrites. Nearly all of the notes appear in purple pen. Item is a blank notebook, with all text handwritten in black pencil. Includes handwritten copes of certain scenes.
Act I, Scenes 1-4 (crossed out in black pencil); Act I, Scenes 14-24; Act II, Scenes 1-18.
Almost the entire notebook is filled with writing, except the last few pages, which are blank. Also includes a supplement folder containing various loose-leaf sheets with purple notes.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
20cm x 16.5cm
Earlier version
Earlier version (dcterms:isVersion Of)
Il servitore di due padroni
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.30
Production(s)
Not specified.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Diener zweier Herren : Lustspiel in drei Aufzügen [promptbook]
Subject
The topic of the resource
Goldoni, Carlo, 1707-1793. Servitore di due padroni -- Translations into German
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Goldoni, Carlo, 1707-1793
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3132
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
20:35
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59333
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59333"> Don Watters Memorial Service</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Don Watters Memorial Service
Description
An account of the resource
Held at 12:00, Noon, October 25, 1968, Harpur College Theater. In memory of Don Watters, Professor of Theater, State University of New York at Binghamton who died in 1968.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-10-25
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
3.9091E+13
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
4 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
41:09
13:57
25:39
18:46
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243592">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243592</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Donald Currier, recital, March 24, 1973
Recital Tape 1973-3-24
Description
An account of the resource
Works of Haydn, Beethoven, Schumann, Berkowitz and Chopin. Held at 8:15 pm, March 24, 1973, Recital Hall.
Creator
An entity primarily responsible for making the resource
Currier, Donald
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
3/24/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:14
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220"> Donna Hallen, Pianist, Senior Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Donna Hallen, Pianist, Senior Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Debussy, and Beethoven. Held at 3:00 pm, April 26, 1970, Recital Hall
Creator
An entity primarily responsible for making the resource
Hallen, Donna
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-26
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Debussy, Claude, 1862-1918
Beethoven, Ludwig van, 1770-1827
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064246
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
All text in German. Markings in purple pen, blue pencil, red pencil, and black pencil.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
20cm x 14cm
Earlier version
Earlier version (dcterms:isVersion Of)
Dorothea Angermann
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.39
Production(s)
November 1926, Vienna (Theater in der Josefstadt)
November 20, 1926, Vienna (Theater in der Josefstadt)
-Supporting materials (for all Vienna productions): Box 2 Folder 52-53: Characters and scenes, scenes
October 1927, Berlin (Deutsches Theater)
October 18, 1927, Berlin (Deutsches Theater)
-Supporting materials (for all Berlin productions): Box 2 Folder 54-55: Characters, scenes and artwork
Oversized mounted 9
Box 16 Folder 44: Programs; plays
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dorothea Angermann : Schauspiel [promptbook]
Subject
The topic of the resource
Hauptmann, Gerhart, 1862-1946. Dorothea Angermann : Schauspiel
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Hauptmann, Gerhart, 1862-1946
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1926/27
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3144
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Josefstadt; Deutsches Theater zu Berlin
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.