29
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/386db7b463a359252042a20cbd997d4a.jpg
add71409be90eaa466c9bf2084f109ac
https://omeka.binghamton.edu/omeka/files/original/ca32a08eaed49f2820a2ec1b87cba8e4.jpg
04a5389ebde3be6a5b54086ebc485fa2
https://omeka.binghamton.edu/omeka/files/original/880c76d1696cade0fe23be5b6a8a97d5.jpg
2a51cbcf1b7c5d5da6b9081e385559ca
https://omeka.binghamton.edu/omeka/files/original/5d07611b7ff3098fe1466481be8b2ff7.jpg
36571617ab35cb07ed933e66d309b293
https://omeka.binghamton.edu/omeka/files/original/e41aea96226657b4c8ce2bd560fc019f.jpg
0b53d57ec9f709f856a0dbded8df082a
https://omeka.binghamton.edu/omeka/files/original/700868c42da89a8e8d10a1872b0a7544.jpg
fc9f86ecc852f35c1913b73b626203a1
https://omeka.binghamton.edu/omeka/files/original/52bcf77acf392930ed847ffbb6f1f0b5.jpg
5d44910f09c90cf7a5465b30ac3610e0
https://omeka.binghamton.edu/omeka/files/original/db9858e8dea13624f8cb84f47311c475.jpg
5df8f86b9f08750acdfe30bd5c3ee120
https://omeka.binghamton.edu/omeka/files/original/3d3aa6e96cf15a2deb4c1f6e8641cc4b.jpg
b28dc9f32fac2cd4d959c746e963cf6c
https://omeka.binghamton.edu/omeka/files/original/c79059fba022bad87c83a3cae3d7423f.jpg
4e3ebd2aa6a92e36367c9e4fdd3860d6
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Very few markings, almost all on first few pages. All markings in purple pen. Markings in first two pages include stage sketch and staging directions.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
18cm x 12.5cm
Earlier version
Earlier version (dcterms:isVersion Of)
Le Malade imaginaire
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.83
Production(s)
Leopoldskron Theater, Salzburg, Austria (date unspecified).
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Eingebildete Kranke : Lustspiel in drei Akten [promptbook]
Subject
The topic of the resource
Molière, 1622-1673. Malade imaginaire -- Translations into German
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Molière, 1622-1673
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3178
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Leopoldskron Theater
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/deade0cbfd995a3c6c0369a4521bb920.jpg
c8443a3aec04f206286e3379a2c0e96a
https://omeka.binghamton.edu/omeka/files/original/19d1fe6f39665760f90465feb495f370.jpg
163c4994d123a14592cb6c53026093c0
https://omeka.binghamton.edu/omeka/files/original/84b87f82a8a42c7d213af1ba248b78df.jpg
3aec5a3c0a866eae2b4cce3e71001c86
https://omeka.binghamton.edu/omeka/files/original/d1eb1328db7341832d47bbd79947c069.jpg
44286b844ee7c1397ff5f0e6e27426df
https://omeka.binghamton.edu/omeka/files/original/af7ff4e1a6b46c7b4650017f31bd71cd.jpg
ec5644f8fcf7ed55114aec7dde1210a4
https://omeka.binghamton.edu/omeka/files/original/6826ae553b70e9ca09afedf6e5cb69cf.jpg
c0fcc7853a0d50342528a2905097d5bf
https://omeka.binghamton.edu/omeka/files/original/3bde09a45bfa597f82525e969b039d9b.jpg
27de27925379e90d8b3f22d28aaba24d
https://omeka.binghamton.edu/omeka/files/original/27d87f356800b8a802f02a9768c875ab.jpg
0aac3fcdd7c790f9f52e84fc23ff8e10
https://omeka.binghamton.edu/omeka/files/original/a2a940caaa6ea081d85d2439cd26d233.jpg
d2904e24b54f72313421e60523518a9e
https://omeka.binghamton.edu/omeka/files/original/eae9320f262e33999e8527cb0aa69c5e.jpg
5c241a6f66a0e8395661d865e435321c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
From a collection of Molière’s works labelled “Molière’s Master Works.” "Der eingebildete Kranke" found on pages 205-266 and are the only pages with extensive markings throughout play. Detailed stage drawing found on first page although notes generally consist of comments on dialogue, small lines, or stage movements and directions. All notes in black pen.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
19.5cm x 13cm
Earlier version
Earlier version (dcterms:isVersion Of)
Le Malade imaginaire
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.86
Production(s)
January 13, 1916, Berlin; January 16, 1916, Berlin.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Eingebildete Kranke : Lustspiel in drei Akten [promptbook]
Subject
The topic of the resource
Molière, 1622-1673. Malade imaginaire -- Translations into German
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Molière, 1622-1673
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3181
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
NOTE: Not an original promptbook. This is a photocopy.
Cast list included. Contains stage drawings and markings within opening cover pages. Most markings are stage directions, dialogue notes, or general crossouts, etc. Extensive directions for stage movements found throughout entire book.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
Pages 1-93
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.62
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elektra : Tragödie in einem Aufzug : frei nach Sophokles [promptbook]
Subject
The topic of the resource
Hofmannsthal, Hugo von, 1874-1929
Promptbooks
Stage directions
Creator
An entity primarily responsible for making the resource
Hofmannsthal, Hugo von, 1874-1929
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3754x / R 3267
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/63cd968ac85c71e7de10400f7113a550.pdf
0140b954f57a0653b6e9e2aaec14653a
PDF Text
Text
BINGHAMTO N
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
de c
[4
D E P A R T M E N T
ELIJAH
F
E L I X MENDE
LSSOHN BARTH OLDY
Robert H eepyoun g Oh as Elijah
Meghan Cakalli, Soprano
Cabiria Jacobsen, Mezzo Soprano
Richard Leonbe rger, Tenor
Matthew Good heart as the Yout h
With the
Binghamton University C horus
And Sym phony O rchestra
Bruce Borton, Conductor
S unday, N ove m be r 13, 20 11
3 :00 p.m .
Osterho ut Conc e rt Theat er
�ELIJAH
P a rt I
P a rt I I
Opening
Opening
Introduction As God the Lord of Israel Liveth...........................El ijah
Overture.
Orchestra
Chorus Help, T o r d !
.. The people
Duet and Chorus Tord bow thine ear . .Soprano arid Me zzo
Soprano
Recit Ye People, rend your hearts
..................Obadiah
Aria If w
ith all your hearts
Obadiah
Chorus Yet doth the Lord see it not
The People
Scene 2
Recit and Chorus 4 s God the Lord............. E lijah, Ahab, The People
Chorus Baal we cry to thee ...
..
.. The People
Recit and Choru s Hear our Cry, O Baal
..Elijah and The People
Recit and Chorus Baal! B a a l !
..... El ijah and The People
Recit and Aria Draw near/Lord G od of Abraham.....................Elijah
Chorale Cast thy burden upon t he Lord
Chorus
Recit O Thou, w ho makest thine angels spirits.........................Elijah
Chorus The fire descends from Heav ’n
The People
Aria Is not his w ordlike a fi r e
...Elijah
Arioso Woe unto them who forsake Him.’... .
serene. MEZZO soprano
Scene 3
Recit O man of God help thy people
...Obadiah
Recit and Chorus Open the He a v e n s El1Jah A Youth The People
Chorus Thanks be to G
o
d
T
h
e People
Aria Hear ye, Israel! ...............
Chorus Be not afra1d
.. Soprano
The People
Scene 4
Recit The Lord hath exalted thee ........
.
...Elijah
Recit and Chorus Have ye not h e ar d ?
Jezebel and the people
Chorus Woe to him...
.. The People
Recit Man of God letm
my
“words be precious...
Obadiah and Elijah
Scene 5
Aria It is enough
Elijah
Recit See now he sleepeth............................................
....Tenor
Chorus Lift thine e y e s
... Angel Chorus
Chorus He, wat ching over
“Israel...
...Chorus
Scene 6
R ec t Arise, Elijah
The Angel and E lijah
Aria O rest in th e Lord
The Angel
Chorale He that shall endure...........................
..Chorus
Recit Night falle th round me...
Elijah and the A ngel
Chorus Behold, God the Lord passed by
Chorus
Closing
©
INT E RMISSION «3
Aria Then shall the righteous shine forth
Chorus And then shall your light break forth
»
Tenor
Chorus
�Mendelssohn’ s Elijah
A D ramat ic O utl ine
Part 1
Part 11
Opening scene : Elijah “spontane ously” appears on scene and utters
the curse of three years of drought upon the land of Israel because
they have forgott en the Lord and replaced him with worship of
Baal. The orchestra pla ys a dramatic ove rture beginning w ith a
Part ll opens with the soprano soloist admonishing t he people to
hold fast to the true God, and their chorus in response, “Be not
afraid, Thy help is near,” seems to suggest they are ready to do so.
But as we will se e, they eventually fall back into the ir old ways.
after another, gradually building to a monumental cl imax which
carries directly into the opening ch orus of t h e people crying out
“Help Lord.” The people, aided by the soprano a nd alto soloists,
lament their mise rable situation created by th ree years of droug ht.
The prophet Obad iah offers r e l i e f only they would “forsake your
idols and return t o God.” The people, howe ver, remain
unconvinced, cla iming “his wrath will pursue us till He destroy
us.”
Scene 4 : Elijah again con fronts Ahab who has allowed the people
to regress to their former ways. Q ueen Jezebel arouses people
against Elijah. Obadiah warns Elijah that the queen has convinced
the people to seek him out and kill him. He urges Elijah to flee.
restive b ut quiet series of entrances of one grou p o f instruments
Scene 2 : Elijah confronts Ahab and challe nges the Priests o f Baal
to a contest as to which God will a nswer. The challenge is to light
a sacrificial fire b ut rather than lighting it themselves, to call upon
their gods to do so. Although they call and pray and cut
themselves with knives and lancets, the entreaties o f the priests of
Baal and the peop le are met with si lence. Elijah mocks them and
offers a single pra yer to the “Lord God of Abraham.” His prayer is
answered by fire from heaven, the altar is lit, and El ijah calls on
the people to slay the false priests a nd follow the true god.
Scene 3: Obadiah asks Elijah to call upon God to se nd rain to the
parched land. Elijah sends a yo uth to the hilltop to watch for signs
of rain as he prays to God supported by the echoing prayers of t h e
people. A t first, t he yo ut h re ports n o sign o f rain, but a fter
continued prayers, he sights a smal l cloud (“like a m an ’s hand”).
The cloud grows, the storm gathers momentum, and finally
releases a massive rainstorm to wh ich the people cry “Thanks be to
God who reviveth the thirsty land!”
Scene 5 : Elijah escapes to the desert. He is weary oft h e struggle
and asks God to e nd his life. He falls asleep be neath a Juniper tree.
God sends angels to protect him and provide sustenance. The
angels sing in ass urance that the Lo rd will always offer help and
will never sleep.
Scene 6 : God ’s angel awakens Elijah and inform s him that he is
about to embark on a long journey. A discouraged El ijah reflects
on his failure to win the hearts and minds of the people, and wishes
again to die. The angel urges h im to “rest in the Lord” and “wait
patiently” for the Lord to provide for him. After journeying 40
days to Mount Horeb in the Sinai, an angel instructs him to stand
on the mount whe re he will see God face to face. The chorus
describes the encounter in which a mighty wind ren ds the
mountains, and u pheaves the sea, followed by earthq uake and fire.
Yet, we learn that the Lord was not in all oft h i s , but came only
after in a “still, small voice.”
The oratorio ends with a moralizing “sermon” sung by the tenor
stating t hat t h e righteous will o bta i n e v e r l a s t i n g in their
“Heavenly Father ’s realm.” This idea is echoed in the climactic
chorus “Then shall your light brea k forth / Lord our Creator.”
Ll
�ABOUT T H E PE RFOR ME RS
The Binghamton Univ ersity Chorus has been performing major work s for
chorus and orchestra since 1971. Its 125+ members include university
students, faculty, staff, and a large and loyal group of community singers from
throughout the Southern Tier and northern Pennsylvania. With representatives
of all ages and singing experience, it is the most diverse of all of the ensembles
at the University. lts repertoire has included virtually all the major choral
works in the standard repertoire including the major works o f Bach, Beethoven,
Brahms, Verdi, Mendelssohn, Mozart, Haydn, and a sizable number of
twentieth and twentyfi rst century composers. They perform regularly with the
Binghamton University Symphony and the Binghamton Philharmonic
including recent performances of Brahms Ein deutsches Requiem and
Beethoven Symphony No. 9 under conductor JoséLuis Novo.
Baritone, Robert Heep young Oh, is in his first year as a student in the Master
of Music program at Binghamton with a concentration in opera. He is also a
Resident Artist with the TriCities Opera. A native of Seoul, South Korea, Mr.
Oh received a Bachelor of Music degree in voi ce from the Korea Nati onal
University of Arts. He has sung leading and supporting roles with the Korea
Opera Company and the University of Texas at El Paso. His most recent
appearance was as the Registrar in the TCO ’s performance o f Madama
Butterfly. He was a KwangJ u International Vocal Competition winner, Ko rea
Vocal Competition 2nd Prize winner, Bimok V ocal Competition 2nd Prize
winner in Korea. In the U.S. his competition credits include the NATS
Competition Rio Grande chapter Adult Division 1st Prize winner & Most
Promising Singer Prize (201 0), Fifth Lois Alba Aria Competition 2nd Prize
winner & Audience Choice Prize (201 0), Fifth Charles A. Lynam Vocal
Competition Sem ifinal ist (2010) in U SA. His previous oratorio so lo
appearances include W eber Messe in Gdur, M ozart Coronation Mass , Handel
Messiah, and Beethoven Symphony 9.
Meghan Cakalli is a co loratura soprano from t he Philadelphia area. S he
performed recently with the Tri Cities Opera in May 201 1 as Olympia in Les
Contes D Hoffmann, in which role she was hai led as “a bright and fluid
coloratura.” Other notable opera roles include Kénigin der Nacht (Die
Zauberflote), Gianetta (L ‘Elisir D ’amore) during an apprenticeship with Center
City Opera Theater, and Barbarina (Le Nozze di Figaro) at Temple Un iversity,
where she graduated with a degree in vocal pe rformance. During her
undergraduate studies at Temple, Meghan attended the Daniel Ferro V ocal
Program in the advanced section, where she performed in public concerts
masterclasses in Greve in Chianti, Italy. She is currently pursuing a master’s
degree in Opera from Binghamton University and is a resident artist with Tri
Cities Opera in Binghamton, NY.
Mezzosoprano Cabiri a Jacobsen was recently praised as “A revelation” by the
Broome Arts Mirror, and as “one to watch as her career ascends,” for her
performance in the role of Dorabella / Cosi fan tutte at TriCities Opera . In
April and May 201 1, Cabiria won the Ilene D. Kaplan award in the Connecticut
Opera Guild’s annual scholarship competition, and was an Encouragement
Grant winner in the Career Bridges Foundation Competition. In August 2011
Cabiria sang the role of Cherubino / Le n
di Figaro at Opera North, where
the Classical Voice of New England called her performance “exquisite,” and
“intoxicatingly understated, yet believably endearing.”
As a Resident Artist at TriCities Opera, Cabiria has also performed the roles of
Nicklausse / Les contes d ’Hoffman and Cherubino / Le nozze di Figaro on the
mainstage, as well as Hansel / Hansel and Gretel; La Ciesca / Gianni Schicchi;
and Mom and Grandma / Litt le Red Riding Hood in their chamber opera and
outreach series. In the summer o f 201 0, Cabiria covered the role o f Siebel /
Faust t Opera New Jersey, under the direction of Mark Flint.
A proud native of Brooklyn, NY, Cabiria began singing at a young age with the
New York City Opera Children’s Chorus, and attended the Boston University
Tanglewood Institute the summer before her senior year at the Bronx High
School of Science. At Northwestern University, Cabiria continued to pursue
both opera and theater, graduating in 2006 with bachelor’s degrees in Voice as
well as Drama. She subsequently moved to Boston, where she performed with
the Lowell House Opera and OperaHub, a company she cofounded in 2007.
The South End News described her performance of Carmen’s arias at a
fundraiser for OperaHub as “fascinating and coquettish.” Cabiria joined the
Resident Artist Training Program at TriCities Opera in 2009, and entered the
University program with a full scholarship and teaching assistantship at
Binghamton University that January. She graduated in June 2011 with an MM in
Opera.
Richard G. Leonberg er, tenor, is originally from Waco, Texas, where he
studied voice under Lise Uhl at McLennan Community College. He sang lead
roles in multiple operas and sang as a soloist in concert works such as Mozart’s
Requiem Mass. Mr. Leonberger eventually completed his undergraduate
education at Stephen F. Austin State Universit y, studying under Dr. Scott
LaGraff. While at Stephen F. Austin, Mr. Leonberger continued to perform
opera roles including as Jenik in The Bartered Bride, Rinuccio in Gianni
Schicchi, and Little Bat in Susannah. He has performed with multiple chorus
groups presenting master works, singing as the tenor soloist in Handel ’s Messiah
and Haydn ’s Lord Nelson Mass. Mr. Leonberger has performed professionally
both in the United States and abroad, and now studies at Binghamton University
�THE UNIVERSITY CHORUS
Bruce Borton, conductor
William Lawson, rehearsal accom panist
under Tom Goodheart. Mr. Leonberger has sung both with TriCities Opera and
with Binghamton University, presenting roles such as Frantz in Les Contes
d ’Hoffmann, and Goro in Madama Butterfly , and sang last year at the
Binghamton University’s presentation o f Maciejewski ’s Requiem Mass.
Matt hew G ood h ea rt, Boy Soprano, was born in New York City into a singing
family. He spent his formative years listening to lessons, operatic rehearsals and
performances, including Amahl & the Night Visitors which was performed
annually at Purchase College Conservatory of Music where his parents were on
the voice faculty. Last sum mer Matthew participated in The Songe d ’été en
Musique Festival in Quebec and performed on CBC radio. Matthew joined the
The Parlor City Boys Choir when he was seven and last year was invited to
attend the American Boy Choir Academy Summer Program in Princeton, New
Jersey. Last Decem ber he performed the role of Amahl in A mahl & the Night
Visitors at the Anderson Center in a Binghamton University Music Department
Production. Locally he has performed in the Nutcracker, Circus Minimus and
The Dr amatic Arts workshop at The Discovery Center. EIe venyearold
Matthew is a sixth grade student at St. J ohn the Evangelist School. He is equall y
at home playing sports, especially basketball and baseball.
Bruce Borton has been director o f choral activities at Binghamton University
since 1988. H e was director of the Binghamton Symphony Chorus from 1988–
91, and continues to prepare choral performances for the Binghamton
Philharmonic. In addition to his conducting duties, Bo rton teaches
undergraduate and graduate conducting and choral techniques, choral
arranging, voice, and directs the Master of Music in Choral Conducting
program. He was Music Department chair from 1 998–2004. He presently
serves as Director o f Graduate Studies in Music.
Before com ing to N ew York, Borton taught at West Georgi a College near
Atlanta. While living in Georgia, he spe nt fourteen seasons as a member of and
conducting assistant with the Atlanta Sy mphony Chorus conducted by the late
Robert Shaw. Dr. Borton holds degrees from Illinois W esleyan University,
Southern Illinois University, and the University of Cincinnati, College
Conservatory of Music.
In addition to his University duties, Borton has been active in the Triple Cities
area serving as a church musician, member of the board of directors of t h e Tri
Cities Opera from 1998–2004, and is se rving in his first year as the Artistic
Director of the Madrigal Choir of Binghamton. In 2008, he was selected by the
Broome County Arts Council as a recip ient of the annual “Heart of the Arts”
award.
i
Soprano 1
Susan Bachman
AdaOsha Belleh
Ency Burhans
Ellen Chiu
Rose Ann Clough
April Drumm
Glenda Ely
Lorraine Emmons
Lorrina Fuentes
Mary Gilda
Emily Goetz
MayBelle Golis
Margaret Hays
Katherine Hutson
Susan MacLennan
Cathie Makowka
Mary Barb Martin
Megan Orcutt
Marilyn Ross
Ligita Roznere
Gloria Salamida
Sadie Schwartz
Barbara Alhart Simon
Barbara Thamasett
Faith Vis
Soprano 2
Teresa Almendros
Alida Cooke
Joanne Corey
Elaine Ezrapour
Barbara Heme
Harriet Horowitz Becker
Kelsey Krause
Sioux Petrow
Kelly Pueschel
Susan Sarzynski
Kimberly Torres
Deborah Vought
Lois Wilston
N. Eva Wu
A lto 1
Molly AdamsToomey
Carolyn E. Blake
Nanette Borton
Susan G. Campbell
Maria Luisa Cook
Carole Dickinson
Michelle Doherty
Diane A. Ferraccioli
Olivia Hon
Sylvia Horowitz
Grace Houghton
Cheryl Jacobson
Joan Kellam
Mallory Kotik
Claire Labbe
Pat Labzentis
Yan Lin
Arlene Lyon
Margit Mayberry
Katherine Moscowitch
Greta L. Myers
Anna Nicholas
Joyce Printz
Archana Susarla
Pam Turrigiano
Stephanie Wei
Mary Woestman
Alto 2
Kathryn Baine
Lois P. Bare
Anna Bitterbaum
Kate Bouman
Phyllis S. Burr
Renee Daily
Jeanne Fenzel
Janet Hammond
Maggie Kirkaldy
Cheryl Labban
Alina Martinez
Ethel F. Molessa
Samantha Ng
Shirley Rodgers
Jane Shear
Lee Shepherd
Tenor
Brad Bennett
Martin Bidney
Edward Brotons, Jr.
Carol Chandler
Kevin Doherty
H.B. King
Dennis Leipold
Dallas Marsh
David W. Martin
Kevin Mootoo
Brian Presser
Carlton Sackett Jr.
Judson Wallis
Sherry Williamson
Bass 1
Eric Bare
Ronald Beauchamp
Peter Cody
Richard Dutko
Kendrick Georges
Michael Jabo, J.D.
Joseph Keller
Daniel Kim
Wan Kim
Tom Lamphere
Edward J. Orosz
Myron F. Shlatz
William Clark Snyder
Nicholas Whitley
Bass 2
Ayal Adamit
Robert Armitage
Donald Blake
Carl Bugaiski
J ushin Choi
David DeMoya
Mark Epstein
Kevin B. Fischer
Adam Geier
David Hanson
Pak Lok Pio Lau
Greg Lipsit
Michael A. Little
Arlo H. Meeker
Joseph E. Nelson
Adam Rauth
David Schriber
Bob Sullivan
�University Symphony Orchestra Timothy Perry, Director
Flute
K e y bo a rd
Violoncello
Kaitlin Armstrong
Melanie Adler
Matthew Gukowsky
Paul Watrobski
Eric Wu u
Xander Edwards
Deborah Mariottini
Peter Hiraldo
Felicia Scalzetti
Natalie il/cCreary
Oboe
Kathy Karlsen
Timothy Perry
Clarinet
Jaclyn Adler
James Wu
Bass Clarinet
Zach Stanco
James Hsia
Ella Serrano
Yuansi Du
Nicholas Thompson
Sara Sunshine
Emily Wong
Jeffrey Lu*
Chris Rogers
Gregory G. Greene
Ashley Fancher
Alyssa Starrantino
Julia Kenny
Bassoon
Violin II
Natalie Spitzer
Paige Elliott
Gabrielle Maire
Natalie Bock
Siomon Benarie
Jaclyn Podd
Brandon Luu
Daniel Park
Karen Fu
Won Jae Lee
Jiwon Nam
Jin Park
Kimberly Griffin
French Horn
Matt Mc Auliffe
Zack Arenstein
Trumpet
V iolin l
Kevin Hannon
Nicholas Polacco
Trombone
Billy Marsiglia
Jacob Strohm
The USO employs rotating
seating; Woodwinds, Brass
and Percussion rotate by
composition and are listed
alphabetically. Strings
rotate by concert and are
listed in seating order.
Viola
Benjamin Pochily
Jillian Chen
Daniel Rodriguez
Kevin Christie
Daniel Rodabaugh
Maeve Murray
Mimi Nam
Alan Wang
Ryan Ference
Thank You for attending
today ‘s program.’
Since its inception in the late 1950 ’s, the University Symphony Orch estra has
provided a musical avenue for dedicated majors and nonmajors to rehearse and
perform a wide range of orchestral works from varying genres, periods and
nationalities. In addition to its formal concerts, whi ch o ften feature outstanding faculty
artists from the Department of Mus ic, the orchestra presents children’s concerts, holiday
concerts, works for chorus and orchestra, and winners of its biennial Student Concerto
& Aria Competition. The orchestra has been a featured performer in Binghamton
University’s Scottish and Greek Festivals and has been honored with an invitation to
present a second collaboration with New York’s Paul Taylor Dance Company in March
of 2012.
Next USO P ro gra m
Sunday, Decem ber 4th
A Dou ble Hol iday G ala!
Two joyous holidaythemed
events — in one afternoon!
holiday opera A mahl and
the Night Visitors
by Gian Carlo Menott,
presented withfu/lfrom
TriCities Opera
set/costumes!
At 3:00 pm move into the
Concert Theater for a one
hour concert of holiday
favorites for C hristmas and
Hanukah presented by the
Orchestra, Wind
Sy mphony, Harpur
Chorale and Women ‘s
Chorus, complete with
audience singalong!
One ticket gets you both!
1:30 Amahl + 3:00 Concert
or
3:00 Concert + 4:30 A mahl
~. 3 '
.,
' ,
> 3
At 1: 30 pm in the Cham ber
Hall (or at 4: 30) enjoy the
classic 40minute oneact
>
Ne w Beginnings
Back to our Roots
Beginnings
St. Patricks Cacholic Church
9 Leroy Street, B i n g h a m t o n ,
Trinity Memorial Church
44 Main Street, B inghamton, N Y
Sunday, O ctober 1 6 , 2 0 1 l . 4 : 0 0 p. m.
Lessons anil Carols tor Christmas
Sacurday, November 26, 2 0 1 1, 7 : 3 0 p. m. &
S uaday, N o v emb er 2 7 , 2 0 1 1 , 4 : 0 0 p. m.
Church o f the Holy Trinity
3 46 Prospect Street. B inghameon, NY
Sunday, March [ 1 , 2 0 1 2 , 4 : 00 p. m.
Crossroads
Sunday, June 3, 2 0 1 2 . 4 : 0 0 p. m.
Tabernacle United Methodist Church
$3 Main Street, Binghamton, N Y
For Tickers:
i ’ l ‘ fl “ f ' m a d r i g a l c h o i r . o
or c a l l 6 ” ? 7 3 0 4 “ 6 .
(
D
O 201
1201 2 2 34th Season
20 The Madrigal Choir of Binghamton
m
�Binghamton University Music Department ’s
U P C O M I N G E V E N T S
fi w m w t fi ' w w é o
MidDay concerts are held on Thursdays, 1 :20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Thursday, Nov ember 1 7 — Jazz MidDay C oncert w ith g uest art ist
— 1 :20 PM — Osterhout Concert Theater — free (Cosponsored by the
Binghamton University Music Department and the Harpur Jazz Project)
Thursday, Nov ember 1 7 — Harpur Jazz En semble Concert with
guest art ist — 8 PM — Osterhout Concert Theater — $10 general public;
$6 faculty/staff/seniors; $3 students (Cosponsored by the Binghamton
University Music Department and the Harpur Jazz Project)
University String Orchestra — 4:00 PM —
Friday, Novem ber 1 8 —
Grand Corridor — FREE
Monday, Novem ber 2 1 — Masterc lass w ith organist W ilma Jens en
— 7 PM — First Presbyterian Church, Binghamton — FREE
Thursday, December 1 — MidDay Concert (Burgess) — 1 :20 PM —
Casadesus Recital Hall – FREE
Friday, Decem ber 2 — Flute S tudio and Flute Chamber Conc ert —
1 0 :15 AM — Casadesus Recital Hall – FREE
Saturday, December 3 — E lizabethan Madr igal Feas te (Harpur
Chorale and Women ’s Chorus) — 6:30 PM — Mandela Room — $40
general public; $20 students (Special thanks to Sodexo for underwriting
the student price)
Sunday, December 4 — Holiday Extrav aganza! Holiday Gala
(University Symphony Orchest ra, Wind Symphony, Harpur
Chorale and W omen ’s Chorus) and “Amahl and the Night Visitors”
— 3 PM — Osterhout Concert Theater & Anderson Center Chamber Hall —
$10 general public; $6 faculty/staff/seniors; $3 children and students
W ednesday, Dec ember 7 — Composition Semin ar Class
Concert /Recital — 8 PM — Casadesus Recital Hall — free
I f you enjoyed and were inspired by this performance, please consider supporting the
Department of Music with a financial gift. Your support helps to continue the work of
students, faculty, and guest artists and their contributions to our larger community.
Please make your donation payable to the Binghamton University Music Department, and
send to P.O. Box 6000, Binghamton, NY 13902.
For ticket information, please call the
A nderson Center Box Office at 7 77ARTS.
t
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:53
27:30
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154616">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE154616</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elijah, November 13, 2011
Recital Tape 2011-11-13
Description
An account of the resource
Held at 3:00 p.m., November 13, 2011, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Mendelssohn-Bartholdy, Felix
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-11-13
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/4f56997515507c84d786213c4ddce59d.pdf
9adc890ff6c6c5d122d373083119c667
PDF Text
Text
E L I ZABE T H
KORT E
p i a n i s t
Music by Contempo rary American Composers
Sunday, May 16, 1971
8: 15 PM
Music Recital Hall
�The Artist
PROGRAM
Four Inventions
Ulysses Kaye
Andante moderate
Scherzando
Larghetto
Allegro
Two Preludes
Kent Kennan
Nocturne in E
Ninth Piano Sonata, Opus 58
Norman Dello Joio
Vincent Persichetti
(Moderato--allegro agilite--larghetto-allegro risoluto)
i n t e r m i s s i o n
At the age of 13 Elizabeth Korte was the
winner of the North Carolina state-wide competition. She went on to Juilliard School of Music
as a scholarship student, where she earned her
BS and MS degrees. She has studied with Alton
Jones, Ernest Hutcheson, Leonid Hambro, Julius
Herford. After a solo debut in New York City
Mrs. Korte appeared as soloist wi·th the Oklahoma
City Symphony, the Albuquerque Symphony and the
Brevard Music Festival Orchestras. She has accompanied for Anna Moffo and for . the Phoenix
Chamber Opera. In 1969 she performed in Binghamton
with the Buffalo Philharmonic. With the New York
Woodwind Quintet she has performed Karl Korte's
Matrix at SUNY Binghamton and at Columbia University, besides recording the same piece for CRI.
She is currently teaching privately in Binghamton
but has also taught at Russell Sage College, Emma
Willard School and SUNY at Binghamton.
The Composers
Aria (from Five Piano Pieces)
Peter Mennin
Syncopations
Sol Berkowitz
Etude
Mel Powell
Libby's Piece*
Prelude for a Pensive Pupil
Jack Martin
Peggy Glanville-Hicks
Allegro Giocoso
*Written especially for this program.
Leo Kraft
Ulysses Kaye
Born in Tucson, Arizona, Ulysses Kaye is a graduate of the Eastman School and he later studied with
Hindemith at Yale. He has won numerous prizes and awards including the Ditson Fellowship at Columbia
and two fellowships at the American Academy in Rome.
He is now teaching in New York City.
Kent Kennan
Since 1957, Kent Kennan has taught composition
orchestration and other facets of music at the University of Texas. A native of Wisconsin, he attended the
University of Michigan, the Eastman School and the
University of Rochester. He was the winner of the 1936
Prix de Rome.
Norman Dello Joio
Mr. Dello Joio was born in New York City. He
studied composition with Hindemith and has been organist and choir master in several New York churches. He
is currently chairman of the Contemporary Music Project.
�Vincent Persichetti
Born in Philadelphia, Vincent Persichetti received his musical training at the Curtis Institute.
He is now head of the composition department at the
Juilliard School of Music.
Peter Mennin
Currently President of the Juilliard School,
Mr. Mennin has been teaching there since 1947. He
was born in Erie, Pennsylvania.
Sol Berkowitz
Composer and pianist Sol Berkowitz was born in
Warren Ohio. Since 1960 he has written mostly for
theater and television. He did the scores for Miss
Emily Adam and Nowhere to Go but Up, ballet music
for The Unsinkable Molly Brown and music for The Garry
Moore Show and The Entertainers.
Mel Powell
Mr. Powell was born in New York and studied
composition with Hindemith. Etude was written to
celebrate the birth of Yehudi Wyner's son in 1957.
Jack Martin
Well known in the area, and now a resident of
Binghamton, Mr. Martin spent many years in New Orleans
and New York composing, arranging and teaching. He
was orchestrator for Alec Wilder and Columbia Records.
Libby's Piece is self-explanatory.
Peggy Glanville-Hicks
Miss Glanville-Hicks composes and writes about
modern composers. In 1955 she won an award from the
National Institute of Arts and Letters and in 1957
a Guggenheim Fellowship.
Leo Kraft
Mr. Kraft was born in Brooklyn. He studied at
Queens College and later, was the recipient of a
Fulbright Fellowship, with Nadia Boulanger in Paris.
Since 1947 he has been a member of the faculty at
Queens College, where he is Associate Professor of
Music.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:03:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63488
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63488">Elizabeth Korte, Pianist, Music by Contemporary American Composers</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth Korte, Pianist, Music by Contemporary American Composers
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Ulysses Kaye, Kent Kennan, Dello Joio, Persichetti. Held at 8:15 pm, May 16, 1971, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Korte, Elizabeth
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-5-16
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Kay, Ulysses, 1917-1995
Kennan, Kent, 1913-2003
Dello Joio, Norman, 1913-2008
Persichetti, Vincent, 1915-1987
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020069757
39091020069708
-
https://omeka.binghamton.edu/omeka/files/original/3bc471dc1858ea0ae0574c223d76ff54.pdf
8db29aa027d97b79437bd05237086bd6
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
Elizabeth Korte, Piano
Albert Hamme, Saxophone
April 12, 1970
Music Recital Hall
3:00 p.m.
PROGRAM
Sonata in C minor (1732)
Allegro
Adagio
Allegro assai
Georg Teleman
Scaramouche (1939)
Vif
Modéré
Brazileria
Darius Milhaud
STUDY For Alto Sax and Two Channel Tape
PREMIERE PERFORMANCE
Karl Korte
Intermission
Sonata in A major, op. 120 (1819)
Allegro moderato
Andante
Allegro
Franz Schubert
Rondo for Saxophone and Rhythm (1969)
PREMIERE PERFORMANCE
David Wilson, String Bass
Sonate (1943)
Ruhig bewegt
Lebhaft
Sehr langsam
Lebhaft
Jack Martin
Grover T. Craig, Percussion
Paul Hindemith
�PROGRAM NOTES
The C minor Sonata by Georg Philipp Teleman is the fourth of a set of
twelve Methodische Sonaten published in 1732 for flute and figured bass.
The continuo realization is by Richard Hervig and the Saxophone transcription was done by Himi.e Voxman.
Darius Milhaud originally wrote the Scaramouche Suite for two pianos
and later transcribed it for the saxophone. The original score was culled
from the stage music he had written for Moliete's play Le M edecin Volant.
The title Scaramouche was possibly given to this composition because the
play was originally presented in the Theater Scaramouche in 1937; although
it could have been derived from the nature of the music itself. (Scaramouche, a buffoon usually dressed in black, was a stock character in the
17th century farce Scaramuccia1.
Study for Alto Saxophone and Two Channel Tape was commissioned for
this recital and is the first composition for solo saxophone and tape.
The method of comJosition used by Karl Korte is now referred to as the
"Classical Studio Technique" of electronic music. In this case the sounds
on tape are existing musical sounds from the piano, which have been extensively altered through tape manipulation.
The A major Sonata, opus 120. is the crown of Schubert's early Sonatas
and was written during his stay at Steyr in 1819. Everything Schubert had
previously attempted he achieved in this perfect little work: variety, a
light touch and endearing melodies which add consistancy and interest to
each of the three movements.
Rondo for Saxophone and Rhythm is what Gunther Schuller would consider
to be "third stream" - the blending of European art music with American
jaz z. The first and recurring section of the compostion is one of changing
meter and shifting textures. The other sections are based on the jazz
) , waltz ( 3/4),a nd basso nova ( 7/4). Improvisation, one
forms of ballad ( 4/4)
of the basic elements in jazz, is a device used in the waltz section.
This Hindemith Sonata was written for alto horn in E ,but in parenthesis
the composer indicated: Waldhorn, Alt-Saxophon. While initially one might
argue that this is not a piece idiomatic to the saxophone, it is very much
suited to the instrument, for it shows the lyrical side of the saxophone and
the beauty of the sustained tones. The piano part is not only beautiful,
but also very formidable.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
10:29
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63205
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63205"> Elizabeth Korte, Piano, and Albert Hamme, Saxophone, Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth Korte, Piano, and Albert Hamme, Saxophone, Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Telemann, Milhaud, Korte, Schubert, Hindemith. Held at 3:00 pm, April 12, 1970 at Music Recital Hall
Creator
An entity primarily responsible for making the resource
Korte, Elizabeth
Hamme, Albert
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-12
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Telemann, Georg Philipp, 1681-1767
Milhaud, Darius, 1892-1974
Korte, Karl, 1928-
Schubert, Franz, 1797-1828
Hindemith, Paul, 1895-1963
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064386
39091020064436
39091020064485
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (120 min.) sound, color
4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
120 min.
Collection
Big horror reading series (Binghamton Community Poets)
Date of Digitization
10/27/22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243848">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243848</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth Thomas, Joel Dailey, and Dave Kelly at Broome Community College, May 21, 1988
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings from Elizabeth Thomas, Joel Dailey and Dave Kelly at Broome Community College in Binghamton, N.Y. The event was held on May 21, 1988 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Thomas, Elizabeth
Dailey, Joel
Kelly, Dave
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1988/05/21
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Type
The nature or genre of the resource
Moving Image
Identifier
An unambiguous reference to the resource within a given context
PS615 B56 1988 5-21
Format
The file format, physical medium, or dimensions of the resource
video/mp11
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (75 min.) sound, color
4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
75 min.
Collection
Big horror reading series (Binghamton Community Poets)
Date of Digitization
10/28/22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243905">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243905</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elizabeth Thomas, Joel Dailey, and John Miller at Benlin's, August 6, 1991
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings from Elizabeth Thomas, Joel Dailey and John Miller at Benlin's in Binghamton, N.Y. The event was held on August 6, 1991 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Thomas, Elizabeth
Dailey, Joel
Miller, John
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1991/08/06
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Type
The nature or genre of the resource
Moving Image
Identifier
An unambiguous reference to the resource within a given context
PS615 B56 1991 8-6
Format
The file format, physical medium, or dimensions of the resource
video/mp4
-
https://omeka.binghamton.edu/omeka/files/original/61f3aa99df1fb309729b2049b57da380.pdf
3cadc8c88defe770a7dc468ada4bc952
PDF Text
Text
STATE U N IVE R S I T Y O F N E W YO R K A T B I N G H A M TO N
l lARPl’R COLLEGE
TH E DE PARTMENT OF MUSIC
SENIOR RECITAL
Ellen Leinwand, pia no e David Crowe, pvrcu. . ion
/
January 5, 1 968
lr’ '
8 15 p.m.
Music Recital Hall
PROGRAM
Scherzo for Four Timpani
David Crowe, percussion
Rebecca Tobin, piano
Sonata No. 15, Op. 28 in D Ma jor
Allegro
Andante
Scherzo Allegro vivace T rio
Rondo Allegro ma non t roppo
E llen Leinwand, piano
Didier Graeffe
Ludwig v. Beethoven
Intermiss ion
Rondo for Ma rimba
.
‘
7
,
"
David Crowe, percussion
Susan Peters, piano
Intermezzo, Op. 117, No. 2 in B Flat Minor
Capriccio, Op. 76, No. 8 in C Major
Intermezzo, Op. 119, No. 1 in B Minor
Capriccio, Op. 116, No. 3 in C Minor
E llen Leinwand, piano
Hors d ’oeuvres
David Crowe, percussion
Barbara Garges, piano
T heodore Frazeur
Johannes Brahms
Roland Petit
A RECEPTION honoring t his evening’s performers will he held in the
Green Room Lounge ad jacent to the Recital Hall immediately following
the performance. All are cordially invited to attend.
T his recital is gi ve n in part ial f ulfil l m e nt of t he requi rements for t he
degree of Bachelor of Arts in Music.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
26:10
30:34
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60332
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60332"> Ellen Leinwand and David Crowe Senior Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Ellen Leinwand and David Crowe Senior Recital, January 5, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, January 5, 1968. Works by Graeffe, Beethoven, Frazeur, Brahms, Petit.
Creator
An entity primarily responsible for making the resource
Leinwand, Ellen
Crowe, David
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-01-05
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Brahms, Johannes, 1833-1897
Beethoven, Ludwig van, 1770-1827
Frazeur, Theodore
Petit, Roland
Graeffe, Didier
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Ellen Leinwand and David Crowe Senior Recital.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Binghamton Community Poets' Big Horror Reading Series
Subject
The topic of the resource
American poetry -- 20th century; Oral interpretation of poetry
Description
An account of the resource
<p>The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the <em>The Big Horror Reading Series</em> at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations.<br /><br />Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s.<br /><br />The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read.</p>
<p><strong>Digitization and DVD Production</strong> <br />After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes. Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. <br /><br /><strong>Preservation and Expanded Access</strong> <br />Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. <strong>(N.B.: They are only accessible on campus or via campus VPN.)</strong><br /><br />*The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries.</p>
Creator
An entity primarily responsible for making the resource
Binghamton Community Poets
Publisher
An entity responsible for making the resource available
Digital publisher: Binghamton University Libraries
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Contributor
An entity responsible for making contributions to the resource
Bern Mulligan
Erin Rushton
Ben Coury
David Schuster
Rachel Turner
David Floyd
Sasha Frizzell
Aynur de Rouen
Nicholas Eggleston
Alexxa O Bisnar (Student worker)
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 videodisc (84 min.) sound, color
4 3/4 in.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
84 min.
Collection
Big horror reading series (Binghamton Community Poets)
Date of Digitization
8/3/22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244069">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE244069</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Elliot Richman with "Open Mike" at the Amsterdam, April 19, 1994
Subject
The topic of the resource
American poetry -- 20th century
Oral interpretation of poetry
Description
An account of the resource
Features poetry readings from Elliot Richman at the Amsterdam in Binghamton, N.Y. Several local poets read their works during "open mike" sessions before the featured poet. The event was held on April 19, 1994 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan.
Creator
An entity primarily responsible for making the resource
Richman, Elliot
Source
A related resource from which the described resource is derived
DVD created from VHS recording of the event
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Binghamton Community Poets
Date
A point or period of time associated with an event in the lifecycle of the resource
1994/04/19
Rights
Information about rights held in and over the resource
In copyright
Language
A language of the resource
English
Type
The nature or genre of the resource
Moving Image
Identifier
An unambiguous reference to the resource within a given context
PS615 B56 1994 4-19
Format
The file format, physical medium, or dimensions of the resource
video/mp4