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                  <text>&lt;strong&gt;&lt;em&gt;Who is Max Reinhardt?&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;The celebrated &lt;span&gt;Austrian t&lt;/span&gt;heater director &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"&gt;Max Reinhardt&lt;/a&gt;, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;What is a prompt book?&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Why are his important?&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Acknowledgements&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.</text>
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                  <text>&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2877"&gt;Full Display and German Transcription of Max Reinhardt's&lt;/a&gt;&lt;em&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2877"&gt; Reigen Promptbook&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"&gt;&lt;span&gt;Max Reinhardt Archives and Library&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;amp;tab=DigitalCollections&amp;amp;search_scope=DigitalCollections&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;offset=0"&gt;Max Reinhardt Collection Photographs&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline"&gt;The Life and Times of Theater Director Max Reinhardt&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters"&gt;The Theaters of Max Reinhardt&lt;/a&gt;&lt;/p&gt;</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                    <text>The nextrecital in the Summer Recital Series wi
ill takeplace
on September 25 when Martha Fouse, soprano accompanied by
William Jones, Jr., will give a program of songs by Vivaldi,
Brahms, Obradors, Samuel Barber, and Benjamin Britten. The
recital will be at 8:15 p.m. in the Theater.

�State Universityof New York at
Harpur College

Binghamton

PIECES OE CLAVECIN EN CONCERT
þÿIII.I
Concert
La La Polinière
La Timide
þÿ 1 I ³ T a m b o u r i n
þÿ2.ITambourin en rondeau

The CONVOCATIONS COMMITTEE and the
DEPARTMENT of MUSIC present

CHRISTINE LINDSAY, harpsichord
JOHN HSU, viola da gamba

þÿv.I Concert

NANCY DALLEY, flute
AN EVENING OF FRENCH ANO GERMAN BAROQUE MUSIC
OF THE 18th CENTURY

Thursday, Sep. 22, 1966

8:15 P.M.

J.-Ph. Rameau

The

College

La Forqueray
La Cupis
La Marais
þÿIV.IConcert
La Pantomime
L'Indiscrète
La Rameau

Theater

A RECEPTION honoring Mrs. Lindsay, Mrs. Dalley and
Mr. Hsu w ill be held in the Faculty Lounge adjacentto the theater immediately following the recital. The audience is cordially invited to attend.

THIS EVENING'S ARTISTS
SONAT A IN A MINOR for viola da gamba and harpsichord
G.P. Telemann, 168 1-1767
Largo
Allegro
Soave
Allegro
SUITE IND MINOR for viola da gamba and harpsichord
M. Marais
1656-1728
Prelude
Couplets des Folies d'Espagne
P IECES FOR HARPSICHORD

J.-Ph. Rameau, 1683-1764

Les Tendres Plaintes
Les Niais de Sologne
SON ATA IN E FLAT MAJOR for flute and harpsichord
J.S. Bach, 1685-1750

Allegro moderato

Siciliano

Allegro
INTERMISSION

�</text>
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                    <text>Q M  E V E N I N G  @ F ’
@ R E E K  F ® E K  M @ @ ﬂ @
A N D  E Q N @ E
MAY  9 ,  1970
8:15 PM :

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�D A N C E R S
Rowena Robertson
Saul Stahl
Mark Weinheim er
Jacoba Westerhuis
Stephanie Zunno

Bunny Mednick 
Marcey Meinwald 
Barbara Moskowitz 
Sandy Orzelek 
Barry Polsky 

I N S T R U M E N T A L I S T S
Cimbalom 
Sotirios Chianis 

Def i
Sue Estler

Clarinet 

Dumbek

Contrabass 
Else Jones 

Guitar
Tom  Uhring

Abraham Shophet

Dan Birenbaum 

Laouto
Else  Jones

V O C A L I S T
Kathleen  Tyrrell,  Soprano

�S TAT E  UNIVERSITY  OF  NEW  YORK

BINGHAMTON
D E P A R TM EN T  OF  M U S I C
–PRESENTS  —

AN  EVENW  O
 F GREEK  FOLK  MUSIC
and

DANCE
K L E P H T IK O
T he m os t popular c ategory of f olk songs throughout c entral and
southern Greec e i s the Klephtiko.  Its highly expres sive m e lod y set
in f ree ­ m eter truly r eﬂe c ts the village pastoral  way of  lif e.

KALAMATIANOS  HOROS 

Kathleen Tyrrell,  soprano

The Kalam atiano,  danc ed in all regions of Gre ec e,  i s a  highly
spirited dance in whic h the leader displays his m any intricate steps
and ac robatic  leaps .  Both the danc e and m usic are set in 7 / 8 m eter
divided :  3 + 2 + 2.  The title of  this Kalam atiano song is Aegiotis sa
(Aegean Maiden ) and the text,  in translation,  begins :

“I pas s by your  door,  beautif ul Aegean m aiden,
And I pass by your neig hborhood
m aid en with your beauty spo ts and dark eyes,
Why are you always c ry ing ? ”
NIZAMIKOS
F rom  the nothern regions of  Greece i s the f olk danc e known as
the Niz am ikos .  The m usic  i s highly c haracteristic of  m ost Greek
f olk m usic  (A B f orm ) and the  strongly played drum m ing patterns
are an integral part of  both the m usic and the danc e.

�TRATA
The  Trata danc e com es f rom  the eastern shores of the Pelop onnesus
where s m all ﬁs hing villages can be f ound  in great numbers.  The dance
represents the people pulling in  the seines.
Kathleen Tyr rell,  soprano

POGONISSIO 

The northw estern area of  Greec e i s an extrem ely w ealthy f olkloristic
region.  Mu c h of  the m usic is pentatonic in nature and the danc es tend  to
quite stately,  rhythm ic ally strong and danc ed  at a  relatively s lo w tem po.
This particular danc e alternates the c haracteristic  s lo w tem po  with the
m ore live ly tem po f ound in other parts of  Greec e.  In trans lation,  the text
of  the song begins :

“Let m e becom e a basil plant at your window
And I ’ ll rem ain a bachelor f or  your pleasure. "

ZEIBEKIKOS HOROS
From  the eastern Aegean Islands  as f rom the Cyclades com es the ever
“ W  
popular Zeibekiko danc e.  Danced either in solo or in pair s,  it is extrem ely
expres sive and m ost of  the  m ovem ents are im provised by the perf orm er(s ).
The m usic i s set to a  9 / 4  m eter (4 +  5) and the tem po i s s lo w .
Rowena Robertson and Stephani e Zunno
DUMBEK SOLO

Abraham  Shophet,  Dumbek
BALLOS  NISIOTIKOS
Though the Ballos i s a popular is land f olk danc e w ith a song text set in

a romantic idiom, only the m usic is presented here.  Of  all the folk m usic
of Greece,  the Ballos is the m ost  “Western'',  The Ballos is  a m ulti­ sec ­
tional com position and always set in m eter  2 / 4.
PENTOZALI

The Pentozali (literally :  ﬁve ­ s teps ) i s a  highly traditional f olk dance
f rom the is land of  Crete.  Its tem po begins live ly and as the  danc e prog res ses
the spirit becom es even livelier,

�KARAGOUN A 

Kathleen  Tyrrell,  soprano

In habiting the broad plain s of  Thes saly are the Karagounid hes .  They
contin ue to retain  their  ric h cultu ral f olk tradition s,  costum es,  way of
lif e and espec ially their c haracteristi c songs and danc es .  The tem po of
the  dance altern ates f rom  slow to f ast.

SOUSTA
The Sousta  is especiall y com m on in the isl ands of the  southern Ae gean
(nam ely :  The Dodecanese and th e island of  Crete),  A live ly dance wit h s m all
intric ate steps,  the Sousta i s a f avorite at w eddings,  nam e ­ days,  and other
celebrations where villa ge people gather to hav e a day (or  several day s) of
eating,  d rinking and  danc ing.  The s ty le of this So usta is  d eﬁnite ly Cretan.

Saul Stahl,  Principal dancer
S TON APA NO MAHALA 

Kathleen  Tyrrell,  soprano

This f olk song an d ac com panying dan c e i s a true f avorite in th e northern
regions of  Greece.  The text m ost vividly  reﬂects the spirit of  village lif e :

On the ston e ­ covered thr eshing ﬂoor ,  violins and  drums  sound
So that the b ride may dance  with her Mother ­in­ law
In the  village abov e,  violins and  drums are a lso heard
The earthen oven is bri ghtly glowing,  ready for the  wedding cakes
So the brid e and the M other ­ in ­ la w m ay enjoy the m .

TSAMIKOS  HOROS
In all of  Greece no d ance is as h eroic and m as culine as th e Tsam iko..
Though the  basic steps of the danc e are m aintained by the group o f  dancers,
it i s the leader that i s f ree to displ ay abilities  in the f orm  of  leaps,  turns,
ﬂi p s and other  ac robatics.  It  i s in the  Tsam iko also,  that the prin cipal in­
strum entalist sho ws his skill in the form  of f ree im provisation .

Saul Stahl,  Principal dancer
NEVE R ON S UNDA Y 

Mus ic by Manos  Had jidakis

DANCE FROM  “ZORBA ” 
Kathleen  Tyrrell,  soprano

Music by M ikis Theodo rakis

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                    <text>STATE UNIVERSITY OF N E W YORK  AT BINGHAMTON

HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC

EVENING  OF  GREEK  FOLK  SONGS  AND  DANCES
Director: Sotirios  Chianis
Sam 

Ma y 16, 1969 

8 :15 p.m. 

"  , ~"

Music Recital Hall

PROGRAM
OUZO­OUZO 

( Zeibekiko  Dance)

BALLOS 
( Island  Dance)
Rowena  Robertson  .  .  .  .  .  .  .  .  . . .   .  Cimbalum
Abraham  Shophet  .  .  .  .  .  .  .  .  .  .  .  .  .  Dumbek
NISIOTIKOS  SYRTOS 

(Dance  of  Rhodes ,  Dodecanese)

KERKYRAIKOS  HOROS 
(Dance  from  Kerkyra  [Corfuj)
Stephanie  Zunno  .  .  .  .  .  .  .  .  .  .  .  .  .  Cimbalum
Rowena Robertson  .  .  .  .  .  .  .  .  .  .  .  .  Dumbek
TSAKONIKOS 

( Dance from  the  C entral  Peloponnesus)

KA LA MATIANO 
( Pan­Hellenic  Dance)
L a r i saC l a r k...................Saz
Stephanie  Zunno .  .  .  .  .  .  .  .  .  .  .  .  .  o C imbalum
Mary Morrisson  .  .  .  .  .  .  .  .  .  .  .  .  . Cimbalum
Rowena Robertson  .  .  .  .  .  .  .  .  .  .  .  .  .  Dumbek

DUMBEK  SOLO
KALAMATIANO 
KARAGOUNA 

Abraham Shophet

(Pan­Hellenic  Dance)
(Dance  of  Thessaly)

TSA MIKOS 
( Dance  of  Roumeli  and  the  Peloponnesus)
Bob Saunders .  .  .  .  . . .   .  .  .  .  . Principal Dancer
KLEPHTIKO 

( Song of  the  Peloponnesus)

�( Butcher ’s  Dance)
HASSAPIKO 
Sotirios Chianis  .  .  .  .  .  .  .  .  .  .  .  .  .  Cimbalum
Abraham Shophet  .  .  .  .  .  .  .  .  .  .  .  .  .  .  Dumbek

POGONISSIO 

(Dance  of  Northern  Greece)

PENTOZALI 

(Dance  of  Crete)

Jacoba Westerhuis
Bob Saunders

P AIDHIA  TOU  PEREOU  (NEVER ON SUNDAY) 

Manos Hadjidakis

Mikos Theodorakis
DANCE  FROM  l‘ZORBA” 
Kathleen  Tyrrell  .  .  .  .  .  .  .  .  .  .  .  .  .  Soprano
A  RECEPT ION  will be held immediately af ter this evening’s perform­
ance  in the  Green  Room.  The audience is cordially invited to attend
and meet the performers.

DANCERS
Larisa Clark
Bunny Mednick
Rowena Robertson
Judy Sackser
Bob Saunders
Jacoba Westerhuis

Stephanie Zunno

  EN T A LISTS
INSTR UM
Laouto
Cimbalum 
Tom Ehring
Mary Morrisson 
Sue Jones
Rowena Robertson 
Stephanie  Zunno
C ontra  Bass
Sotirios  Chianis 
Sue Jones
Saz
clarinet
Larisa C lark 
Sotirios Chianis
Deﬁ 
Sue Jones
Guitar
Dumbek 
Tom Ehring
Abraham Shophet 

VOCALIST
Kathleen T yrrell

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                    <text>TH E HARPUR

COLLE GE WIN D ENSE MBLE
H om

larinet

Arthur Abrahams
Allan Hymes
Donna Genung
M. Joffee
K. Bach
usan Wehrlen
Elizabeth Hull
Joseph Freedman
E Flat Clarinet

andacc Duncan
Alto

Larin t

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Bass

la rinel

Jay Davi s

ick Maragus
Alan Hardy
ylvia Seehausen
Tru mpet

Dave Stoll s
Linda Matthews
Glenn Utter
Craig Jacobson
Dave Hurd
Bernard Shifrin
T rombone

John Baldon
Terry Goodwin
Tom Demi lio
Howard imonin
Grant Sullivan

axophon es

Ewell n ok
Rod Bernard
Ka ren Ringe rs
Ma rvin B lumenhan z

Baritone H om

Thomas May nard
J ames Meyers
Tuba

Obo

String Qua rtet
Woodwind Quint et
Percussion E nsemble
Harpur Wind En s emb le

and English H om

co te Eddy
i llia m Mc ure
Di ana hepardson

G ilbert R oeder

Bassoon

P ercussion

Pe ter ovick
Don a ld R obbin s

E moke Berce z
David Crowe
L anny Levin e

Flut

Gary Mellin s on
John Simp s on

Mary T re feth en

8 :1 5 P .

Sunday, February 6
College The ater

cevan L eide n

Mars ha Kadleck
E li ot Fin ru s hel
Es che r Ha ll
Jud y Morabito

Ir ing Bass

�State Universit y of ew York at Binghamton
HARPUR COLLEGE

J

Department of Music
Prese nt s

(fr om

A
INSTRUM E

EVENI G
of
TALE SEMBLE M SI C

, JOYOFM N'
anca ca 1 7)

DE IR

Bach
tr an s cri bed for band
by Eri k Leidzen

G

Beethoven
Al E
Bee th oven
PO LO AI E
( Bo ch of ch e e c ompos ici ons were c omposed for
Military Ba nd in 18 10)

E O

Howa rd Han s on

HORA L · A DAL L EL IA

PRO G RA M
Moza rt
QUARTET IND MAJOR , K. 575
Alleg re tt o
c hu berc
TRIO IN B FLAT MAJOR (18 17)
(in one move ment )
A lleg ro
Paul a Fenimore , viol i n
L a ur a E ri nge r , vio la
Sa ra Gothe If . violin
C hri s Li v in gs con e c e llo
(Quartet and Trio c oac hed by P a trici a Is ha m)

LA C HEMINEE DU ROI RE E

The Harpu r Wind En se mb le
d irec ted by Philip el son

Recep t ion hono ring this e ening' s pe r/onne rs wi ll be he ld
in th Facult L oung imm diately afte r the conce rt. Th e
audien c is co rdial! invited to att end.

Milh aud

(Suite for Wo od win d Quintet)
5. Joutes su r I' re
J. Co rteg e
6. Chass e a alabre
2. Aubade
octurne
ladrigal 3. Jon gle urs
4. L a Ma ous in gl ade
Arthur Abrah a ms , c la rinet
Margaret J ac kson , flut e
J ohn E va nsohn , horn
Scott Eddy , ob oe
Scevan Walker , bassoon
(Quintet coached by Wyllis Barrett )
J ack McK en z ie
THREE DANCES
Samba
Tang o
Bo le ro
David Crowe , Lann y L evi ne , J ohn im ps on
SONATINA
A. Tche repni n
David C rowe , Cy nthi a Scone
(Percussion Ensemble di rect ed by Da vid Buttol p h)
INTERMISSION

Robert Ward

PRA IRI E OVERT RE

EVENTS

CALENDAR

LI prog rams are al

:1 5 p. m. in the College T hea te r

FE• B. 9
Wednesday

RALPH

FEB . 11

THE

Friday

Japa n ese Fi lm (s ubt itl es)

E . I
und ay

FEB. 16
edne day
F O. 19
Saturday

ALLE N

L ec tu re : The C omedy of Des pair
LO WER

GU ARN E RI

D EPT HS

C ONCERT

o lo rec ital : Arn old Ste inhardt, vio lin
A LAN L O MA X

Fo l k 1usic in the Cont empo ra r y Worl d
THE

Fi lm

S AV AGE

EYE

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK
AT BINGHAMTON

THE DEPARTMENT OF MUSIC

OPERA WORKSHOP
DIRECTORS
Roberta Schlosser, David Clatworthy

presents

An Evening of Opera Scenes
from
COSI FAN TUTTE
THE ABDUCTION FROM THE SERAGLIO
CARMEN

LA TRAVIATA

FEBRUARY 24, 25, 1977

8:15 P.M.
CASADESUS RECITAL HALL

�Eh

Program

Characters
Cosi Fan Tutte

COSI FAN TUTTE

Wolfgang Amadeus Mozart

Act I. Scene 1.
A café in Naples.
Act I. Scene 2.
Place – The garden of the villa of Fiordiligi and Dorabella
on the Bay of Naples.

Guglielmo, oﬀicer betrothed
to Fiordiligi
Ferrando, oﬀicer, betrothed
to Dorabella Don Alfonso, an old philosopher
Fiordiligi
Dorabella

Preston Stockman, tenor
Christopher Arneson, baritone
Karen Haight, soprano
Jacquelyne Forbes, mezzo-soprano

Ladies from Ferrara and Sisters living in Naples

Time – Late eighteenth century.

THE ABDUCTION FROM
THE SERAGLIO

Richard Bartmon, baritone

The Abduction From the Seraglio
Wolfgang Amadeus Mozari

Act I. Scene 2.

Belmonte, a Spanish Nobleman
Osmin, overseer of the country
palace of the Pasha

David Jennings, tenor
Eugene Sawczyn, bass

Place – Square in front of the country palace of Pasha Selim.
Time – Middle of the sixteenth century.

Carmen
CARMEN

'

Georges Bizet

P l a c e Lillas Pastia’s Inn, near Seville.

Time – About 1820.

Place – A country house near Paris.
Time – About 1850.

Danette Lipten, soprano

La Traviata
(in order of appearance)

—INTERMISSION —

Act II.

Carolyn Dow, soprano

Frasquita

} Companions of Carmen {
Mercedes
. Jill Small, soprano
El Dancairo .. }
1
Christopher Arneson, baritone
El Remendado
Smugglers [
r
m Preston Stockman, tenor

Act II. Quintet.

LA TRAVIATA

Carmen, a Gypsy Girl

Giuseppe Verdi

Alfredo Germont, lover of Violetta
Annina, Violetta’s maid
Violetta Valery, a courtesan
Giuseppe, servant to Violetta
Giorgio Germont, Alfredo’s father
Commissioner

David Jennings, tenor
Danette Lipten, soprano
Rachel Gardner Stanton, soprano
Richard Bartmon, baritone
Michael David Quinn, baritone
Christopher Arneson, baritone

�ACKNOWLEDGEMENTS
Musical Preparation
Stage Director

Roberta Schlosser, David Clatworthy
-- David Clatworthy

Accompanist and Coach
( ‘Cosi’ and ‘Carmen’ scenes)

Chai-kyou Mallinson

Accompanist and Coach
(‘Abduction’ scene)

William Lawson

Accompanist and Coach
( ‘La Traviata’)

Barbara Carges

Lighting .

Philip Kennedy, Evan Luskin

Technical Consultants
Stage Managers

John E. Vestal, Michael Baumgarten
Preston Stockman, David Jennings,
Danette Lipten, Rachel Stanton

Properties ..

Danette Lipten

Opera Workshop Oﬀicers

President, Richard Bartmon
Secretary, Jill Small
Treasurer, Rachel Stanton

Opera Workshop is SA funded.

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
The Department of Music

presents

A N

EVENING

OF

PUCCINI

by

Students frcm the Opera Workshop

William Lewis, director

Thursday, May 6, 1971
Friday, May 7, 1971
8 :15 PM

Music Recital Hall

�P R0 G R A M

I
Flower Duet from Act II of Madame Butterﬂy
Cio-eio-san---soprano----------Margaret Kotylo
Suzuki--------mezzo-soprano------Claire Wit lin

III
GIA NNI

SCHICCHI
Scene:

The bed–chamber of Buoso Donati
Time:
1299 in Florence

II

Excerpt from Act I of LaBoheme

O, mimi tu piu non torni (Rodolfo &amp;
Marcello)
Che gelida manina
(Rodolfo)
Si mi chiamano Mimi
(Mimi)
O soave fanciulla
(Duet)
Mimi-=-==------goprano---------Toby Jean Manker
Rodolfo-------tenor------------Serge Boldireﬀ
Marcello------baritone---------------Philip Wu

Characters:
Gianni Sehicehi-------=====--------Terrance Howell
Lauretta, his daughter---------May 6 Kvitka Cisyk
--m-m--=-May 7
Susan Ball

Zita, called the “0ld Woman,”

Buoso ’s cousin-------------Kathleen Tyrrell
Rinuceio , Z i ta ’ s nephew,
in love with Lauretta-------Anthony Brienza
Gherardo, Buoso ’s nephew-----------Charles Seltzer
Nella, his wife----=-======--eeeeee---–Beverly Penn

Gherardina, their daughter------------Nicole Lewis

i n t e r m i 3 s i o n

Simone, Buoso ’s OOUBLN~-=--------------Larry Zukof
La Ciesca, Buoso ’s niece-------------Linda Holgers
Master Spinelloceio, Physician--Robert Robertiello
Amantio Di Niecolao, Notary-----------Thomas Strain

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