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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
The Department of Music

presents

A N

EVENING

OF

PUCCINI

by

Students frcm the Opera Workshop

William Lewis, director

Thursday, May 6, 1971
Friday, May 7, 1971
8 :15 PM

Music Recital Hall

�P R0 G R A M

I
Flower Duet from Act II of Madame Butterﬂy
Cio-eio-san---soprano----------Margaret Kotylo
Suzuki--------mezzo-soprano------Claire Wit lin

III
GIA NNI

SCHICCHI
Scene:

The bed–chamber of Buoso Donati
Time:
1299 in Florence

II

Excerpt from Act I of LaBoheme

O, mimi tu piu non torni (Rodolfo &amp;
Marcello)
Che gelida manina
(Rodolfo)
Si mi chiamano Mimi
(Mimi)
O soave fanciulla
(Duet)
Mimi-=-==------goprano---------Toby Jean Manker
Rodolfo-------tenor------------Serge Boldireﬀ
Marcello------baritone---------------Philip Wu

Characters:
Gianni Sehicehi-------=====--------Terrance Howell
Lauretta, his daughter---------May 6 Kvitka Cisyk
--m-m--=-May 7
Susan Ball

Zita, called the “0ld Woman,”

Buoso ’s cousin-------------Kathleen Tyrrell
Rinuceio , Z i ta ’ s nephew,
in love with Lauretta-------Anthony Brienza
Gherardo, Buoso ’s nephew-----------Charles Seltzer
Nella, his wife----=-======--eeeeee---–Beverly Penn

Gherardina, their daughter------------Nicole Lewis

i n t e r m i 3 s i o n

Simone, Buoso ’s OOUBLN~-=--------------Larry Zukof
La Ciesca, Buoso ’s niece-------------Linda Holgers
Master Spinelloceio, Physician--Robert Robertiello
Amantio Di Niecolao, Notary-----------Thomas Strain

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
DEPARTMENT OF MUSIC

SHARO N
ROBINSON
A n Evening of

Sonatas for Cello and Piano

WALTER
PONCE

SATURDAY, MARCH 5, 1977
8:15 P. M.
DON WATTERS THEATER

�PROGRAM

SHARON ROBINSON,

cello

WALTER PONCE, piano

Sonata for cello and piano.......Claude Debussy
Lent
Sérénade et Finale
Sonata for piano and cello......Johannes Brahms
e minor, Opus 38
Allegro non troppo
Allegretto quasi Menuetto–Trio
Allegro

INTERMISSION

Sonata for solo violon cello.......George Crumb

(1955)

Fantasia
Tema pastorale con variazioni
Toccata
Sonata for cello and piano...Serge Rachmanino ﬀ
g minor, Opus 19
Lento–Allegro Moderato
Allegro scherzando
Andante
Allegro mosso

�</text>
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                  <text>&lt;strong&gt;&lt;em&gt;Who is Max Reinhardt?&lt;/em&gt;&lt;/strong&gt; &lt;br /&gt;The celebrated &lt;span&gt;Austrian t&lt;/span&gt;heater director &lt;a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"&gt;Max Reinhardt&lt;/a&gt;, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;What is a prompt book?&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Why are his important?&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Acknowledgements&lt;/strong&gt;&lt;/em&gt; &lt;br /&gt;Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.</text>
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                  <text>&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2877"&gt;Full Display and German Transcription of Max Reinhardt's&lt;/a&gt;&lt;em&gt;&lt;a href="https://omeka.binghamton.edu/omeka/items/show/2877"&gt; Reigen Promptbook&lt;/a&gt;&lt;br /&gt;&lt;/em&gt;&lt;br /&gt;&lt;a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"&gt;&lt;span&gt;Max Reinhardt Archives and Library&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&amp;amp;tab=DigitalCollections&amp;amp;search_scope=DigitalCollections&amp;amp;vid=01SUNY_BIN:01SUNY_BIN&amp;amp;offset=0"&gt;Max Reinhardt Collection Photographs&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline"&gt;The Life and Times of Theater Director Max Reinhardt&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters"&gt;The Theaters of Max Reinhardt&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Jean Green,&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Binghamton University Students: &lt;br /&gt;Madelynn Cullings&lt;br /&gt;Kashawn Hernandez&lt;br /&gt;Aanyah Jhonson-Whyte&lt;br /&gt;Marisa Joseph&lt;br /&gt;Bethany Maloney&lt;br /&gt;Ashleigh Marie Sherman&lt;br /&gt;Thomas Tegtmeier&lt;br /&gt;Joseph Vitale</text>
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              <text>February 7, 1940, Hollywood performance&#13;
-Supporting materials: Box 9B Folder 36: Photographs&#13;
Box 9B Folder 51-52: Photographs&#13;
Box 16 Folder 62: Programs; workshops; programs&#13;
Box 16 Folder 70: Programs; school information</text>
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                    <text>BINGHAMTON
U N I V E R S I T Y

State University of Ne w York
I  I  l  J  B E

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F A C U L T Y  R E C I T A L
J A N E Y  C H O I , V IO L I N
w it h
M icha el Salmirs, p ia no

Saturd ay, Feb rua ry 24, 2007
8:00 p.m.
Casadesus Reci tal Hall

T

�ABOUT THE PERFOR MERS
Canadian­born violinist, JAN EY CHOI, gave her Carnegie

PROGRAM
Sonata for Violin and Piano in D major 
1. Adagio molto maestoso 

2. Allegro
3. Tambourin: Allegro vivace

Hall  recital  debut  in  1997  as  a  winner  of  the  Artists
International Auditions and continues an active performin g

Jean Leclair
(1697 ­ 1764)

Sonata for Piano and Violin .................weveeen.. L v . B
  eethoven
G major, op. 30 no.3
(1770 ­ 1827)

1. Allegro assai
2. Tempo di Minuetto ma molto moderato e grazioso
3. Allegro vivace

w
w
  INTERMISSION «3
Solo Sonata No.2 “Obsession”, op27 
1. Prélude: Poco vivace 
2. Malinconia: Poco Lento
3. Danse des Ombres: Saraba nde (lento)
4. Les Furies: Allegro Furioso

E. Ysaye
(1858 ­ 1931)

Sonata for Violin and Piano
1. Allegro vivo
2. Intermede : Fantasque et léger

C. Debussy
(1862 ­ 1918)

3. Finale: Tree animé

career  as  a  recitalist,  chamber,  and  orchestral  musician
throughout  the  country  and  abroad.  The  recipient  of
numerous  awards  including  the  Ontario  Arts  Council’s
Chalmers Performing Arts Training Grant and  First Prize
in the National Finals of the Canadian Music Competition,
she  has  participated  in such  festivals  as Juilliard’s  Focus
Festival, Norfolk, Taos, the Spoleto Festivals in the U.S. and
Italy,  Festival  Musical  de  Santo  Domingo,  the  Santa  Fe
Opera and the Sarasota Opera.
An  avid  inter­arts  and cross­genre collaborator ,  she  is  the
Music  Director  of  Thomas/Ortiz  Dance,  a  partnership
recognized by the American Music Center with a Live Music
for  Dance Grant,  and has performed numerous times with
the Parsons Dance Co., most notably at the Kennedy Center
in  Washington,  D.C.,  and  at  the  New  Victory  Theater  in
Times Square.  She  has recorded and appeared  with such
mainstream  performers  as  Bono  and  Quincy  Jones,  Enya,
Elton John, Sarah McLachla n, Lisa Loeb, Kanye West, Ja y­
Z  and  Beyoncé,  on  MTV,  Saturday  Night  Live,  at  Live  8
Philadelphia,  Radio City Music Hall and Royal Albert Hall
in London, England.
Dr.  Choi  attained  her  Doctor  of  Musical  Arts  degree  at
Rutgers University, studying with Arnold Steinhardt as the
recipient of the Graduate Fellowship Award. She holds bot h
Bachelor  and  Masters  degrees  from  The  Juilliard  School
where  her  major  teachers  were  Joseph  Fuchs  and  Joel
Smirnoﬀ.  Also  a  Teaching  Artist  for  the  New  York
Philharmonic,  Lincoln  Center  Institute,  Chamber  Music
Society  of  Lincoln  Center  and  the  Bloomingdale  School  of
Music  in  New  York  City,  she  joined  the  faculty  of
Binghamton University in Fa ll ‘06.

�MICHA EL  SALMI RS,  a  founding  member  and  artistic
director  of  the  Finger  Lakes  Chamber  Ensemble,  is  well

known  as  a  recitalist  and  chambe r  musicia n  perform ing
extensively  throughout  the  region.  He  has  appeared  as
soloist  with  the  Corning  Philharmonic,  Bingha mton
University Orchestra,  Cayuga Chamber Orchestra, and has
been a  featured pianist on their Sunday cha mber se ries. As
a  performer of contempo rary m usic,  he  has participated in
such  series  as  Bingha mton  University’s  Musica  Nova,
Cornell  University’s  Ensemble  X,  and  has  toured  and

recorded  for  the  Syracuse  Society  for  New  Music.  Salmirs
studied  at  the  New  England  Conserv atory  and  Eastma n

School of Music ; his tea chers h ave inc luded p ianists Leonard
Shure  and  Rebecca  Penneys  and  composer  Karel  Husa.
Salmirs  has  taught  at  the  Syracuse  University  School  of
Music  and  Hobart  and  William  Smith  Colleges.  He  is
currently a fac ulty me mber at Binghamton  University and
an  Aﬀiliat e  Artist  at  Cornell  University.  He  mainta ins  a
private piano studio in Ithaca and e njoys te aching students
of  all  ages  and  levels.  This  season,  Salmirs  will  perform
Poulenc’s Aubade with the Ca yuga Ch amber O rchestra .
* * * *
* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Comin g Even ts
S und a y , Fe b r u a ry 25 – U nive rsity W i n d  Ense m b le : A Wor ld T our –
3:00 p.m . – Anderson Center Cham ber Hall – free

S und a y , Fe b r u a ry 25 – B ach A gain!  Jonat ha n Bi g gers, or ganist –
4:00 p.m . – First Presbyte rian Church, Bing hamton ­ $15 gene ral public ;
$13 faculty/staﬀ/seniors; $7 students
Th urs d a y , M a r c h 1 – Mi d ­Da y Co n ce r t  ­­ 1:20 p.m. – Casadesus Recital
Hall – free

Saturd a y , M a rch 3 – Univers ity S y mp hony Or chestra – 8:00 p.m. –
Osterhou t Concer t Theate r –$9 general pub lics; $7 faculty/staﬀ/seniors;
free for students

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                    <text>BINGHAMTON
U N I V E R S I T Y
S TAT E   U N I V E R S I T Y   O F   N E W   Y O R K

o d e
O

D E P A R T M E N T

FACULTY RECITAL

Jinah Lee, Piano

Friday, M a y  6 , 2011
8 p.m.
Casadesus Recital Hall

�A

PROGRAM

B

O

JINAH LEE

..................Joseph Haydn
Sonata in A­Flat major, Hob.16/46 .....

(1732–1809)

Allegro moderato
Adagio
Finale: Presto

.....Sergei Rachmaninov
Sonata No.2 in B­Flat minor, op.36......
(1873–1943)
(1931 Edition) 

Allegro agitato
No n allegro – Lento – Pi u mosso
resto
Allegro molto – Poco me no mosso – P

INTERMISSION

Sonata in B­Flat major, 0 9 6 0  

Andante Sostenuto
za
Scher zo, Allegro vivace con delicatez
Allegro ma no n troppo

Fra nz Schubert
(17 97­ 182 8)

Jinah  Lee  is  currently  a faculty me

U

T

mb er in the  Music Department at

Seoul,  she  graduated  from  Seoul
Binghamton  University.  Born  in d 
her   master’s  degree  from  the
National  University  and  receive   she  continued  as  an  associate
Manhattan  School  of  Music,  where ts from the University of  Illinois at
instruc tor, and a Doctor of  Musical Ar ed  in  numerous  concerts  and
Urbana­Champaign.  She  has  per form
de  her  performance  at  Sunset
recitals  around  the  world, which inclu
inway

 New York , a recital at  Ste
Concer t at  Shandlee Music Festival in   an  Ensemble  Concer t  at  the
Hall  in  Ne w  Yor k  and   a  Recital  and
 Caplarora, Italy, where she  wasf
Concer to  Italiano  Music  Festival in
 at  Ar t Cult Center at Universit y o
awarded a full scholarship, a  recital rnational Music Festival. She made
Vienna, in  Austria and a Prague Intel debut as  th e winner  of the Ar tist
her  New York Carnegie Ha ll recita
, she had a solo recital at Seoul Art
International Competition. Same year de her  na me  known better in  the
Center in  Ko rea . Recently, Sh e h as ma nes  through  a  series  of  major
U.S. and  Korean classical  music  sce
Recital  at  Phillip  Hall  in  George
recitals  she  has  given,  such  as    UI  Symphony  Orchestra  as  a
Washington  University,  Concert  with
a, Illinois and Beethoven Sonata
Soloist at Krannert Art Center in UrbanSeoul,  and   Alice  Miller  Hall  at
Ser ies  recital  at  Wo oin   Art  Hall  in the  “Best  Per formance  of  Polish
Northwestern  Universit y.  She  won 
on  International  Pia no  Artists
Composer”  at  the  ﬁfth  Washingt s the gran d p rize  winner o f th e
Competition in 2007 and also she wa
ition in  2006.
University of Illinois Concer to Compet

�Bin gha mto n Uni ver sity  Mu sic D epa rtm ent ’s

U P C O M I N G  E V E N T S

ﬁﬁwﬁﬁﬁtﬁﬁwﬁ'ﬁtﬁﬁtﬁm
Satu rday,  May  7 – A frican  Drum  Ense mble  – 3:00 p.m. – Library Tower
(Spring Fling) – free
Satu rday,  May 7 – M aster ’s Re cital:  Rob ert M uller,  Fren ch ho rn – 3:00 p
. m.
– Casadesus Recital Hall – free
Satu rday,  May  7 – S tuden t Rec ital: B riana  Saka moto , sop rano  – 8:00 p.m
.
– Casadesus Recital Hall – free

Sund ay, M ay 8 – Sen ior Vo ice Recita l: Samantha Ban ton and M olly
A d a m s ­To o m e y  1:00 p. m. – Casadesus Recital Hall – free
Sund ay, M ay 8 – Un ivers ity C horu s wit h the  Univ ersit y Sym phon y
Orch estra : Mas s Ma sterw orks – 3:00 p.m. – Osterhout Concert T h e a t e r
$10 general public; $5 faculty/staﬀ/seniors; free for students

Sund ay, M ay 8 – Sen ior H onor s Recital: Ji eun J ang, piano  – 7:30 p.m. ­­
Casadesus Recital Hall – free
Tues day, May 10 – Perc ussio n Ens embl e – 8 p. m. – Anderson Center
Chamber Hall – free
Wed nesd ay, M ay 1 1  – Co mpos ition Semi nar C once rt (Loy) – 7 p. m. –
Casa desu s Recital Hall – free
Thur sday, May  1 2 – S tuden t Rec ognit ion Mid­Da y Con cert – 1:20 p.m.
 –
Casadesus Recital Hall – free

Frida y, May 13 – Chinese Music En semb le Class Co ncert  – 5:00 p.m. –
Casadesus Recital Hall – free
Wed nesd ay, M ay 18 – Voic e Cla ss Re cital (MUS143 C hmel a) – 1 1 a.m
. –
Casadesus Recital Hall – free

For ticket information, please call the
And erso n Cen ter B ox Oﬀic e at 77 7­A R T5.
To see all events, please visit mus ic. b ingh amto n. e du
or become a fan on Facebook by visiting
Bing ham ton Univ ersit y Mu sic Dep ar tmen t.

�</text>
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