32 10 1775 https://omeka.binghamton.edu/omeka/files/original/dc91b3d132a8a9511abe148885ed4ee4.pdf 2964c0df24bc637319243130750c6762 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Deparbnent of Music Lenox Quartet PETER MARSH, violin DELMAR PETTYS, violin TOBY APPEL, viola DONALD McCALL, cello Chamber Music Series February 2, 1975 8:15 PM Don A. Watters Theater �PROGRAM QUARTET IN A MAJOR opus 20, No. 6 THE 1975 CHAMBER MUSIC SERIES Feb 2 - Lenox Quartet Feb 22 - Lenox Quartet Mar 16 - Donald McCall, cello Walter Ponce, piano Apr 3 - Dorian Quintet Apr 13 - Lenox Quartet JOSEPH HAYDN Allegro di molto e scherzando Adagio Menuetto: Allegretto Finale: Allegro Fuga a 3 soggetti QUARTET NO. 6 (1939) BÉLA BARTÓK Mesto - Vivace Mesto - Marcia Mesto - Burletta Mesto I N T E R M IS S I O N QUARTET IN C MINOR opus 51, No. 1 JOHANNES BRAHMS Allegro Romanze (Poco Adagio) Allegretto molto moderato e comodo Allegro � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:15 31:24 33:06 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243412">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243412</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet, Recital, February 2, 1975 Recital tape 1975 2-2 Description An account of the resource Works of Haydn, Bartók, and Brahms. Held at 8:15 pm, February 2, 1975, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-2-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/df292f658af7aab63144d1fff44ba4c7.pdf ee69b193a4131fbd0ee8fff919278850 PDF Text Text STATE UNIVERSITY OF N EW YORK AT BINGHAMTON Harpur College Department of Music LENOX QUARTET with guest artist SEYMOUR FINK, piano Chamber Music Series December 13, 1974 8:15 PM Don A. Watters Theater �Peter Marsh, v i o l i n Delmar Pettys, violin Toby Appel, viola Donald McCall, cello >(>(J(4126JG**********d~********************************* QUARTET IN G MAJOR FRANZ JOSEPH HAYDN opus ls WHOL THE 1974–75 CHAMBER MUSIC SERIES Dec 13 Feb 2 Feb 22 Mar 16 Apr 3 Apr 13 Lenox Quartet Lenox Quartet Lenox Quartet Donald McCall, cello Walter Ponce, piano Dorian Quintet Lenox Quartet Allegro moderato Adagio Menuetto: Presto Finale: Presto QUARTET NO. 4 (World Premiere) EZRA LADERMAN in one movement INTERMISSION PIANO QUINTET IN A MAJOR opus 81 Allegro ma non tanto Dumka. Andante con moto Scherzo. Molto vivace Finale. Allegro Seymour Fink, piano ANTONIN DVORAK �Notes on String Quartet No. 4 by Ezra Laderman String Quartet No. 4, commissioned by the Lenox String Quartet, was completed in August of 1974. The Quartet is in one continuous movement with four connected sections. The ﬁ rs t section is a series of ever–extending soloistic phrases against which subsidiary material underscores the qualities found in each solo. These solos emerge as four distinct characters : Violin I, whose dynamic range is from ppp to ﬀ f , whose gesture is romantic, whose tempi is andante/rubato, whose sound is warm and expressive, whose attitude is quixotic, whose harmonic language is chromatic and whose meter is 5/4 and its derivatives; Violin II has a dynamic range that is either piano or mezzo forte or forte, its gesture is nee–classic, its tempo is very strict, its sound is secco (dry), its attitude is cool yet satiric, its harmonic language is astringent (dissonant within a tonal compass), its meter 2/4 (6/8); the Viola ’s dynamic range has sudden dramatic shifts and levels of intensity, his gesture is expressionistic, the tempo has violent extremes, the sound encom– passes a totality of possibilities, the attitude is dramatic and destructive, the harmonic language is aleatoric, pointillistic as well as modal, and the meter is free; the Cello ’s dynamic range is well deﬁned for each of its sections, its gesture is nee–baroque, its tempo is ﬂ owing (never–ending), its sound is rich and expansive, its attitude is compassionate, its harmonic language is triadic fourths and ﬁf ths and its meter is 3/4 (9/8). At the end of the last solo taken by the Cello, the Viola suddenly ¢ emerges, forming a transitional passage into the second section of the quartet. The second section is a series of four duets pitting the contrasting elements against each other; the ﬁ rs t duet engages the two Violins, the second duet the Viola and Cello, the third duet the Violin I and the Cello and the last duet the Violin II and the Viola. It is during the last duet that the third and then the fourth voice joins.. The third section begins at a point (measure 199) when the four voices are for the ﬁ rs t time equal. The four voices at ﬁ rs t go their separate ways. Perceptively though, they begin and do merge (measure 223) forming a uniﬁed oneness that lasts for one glorious moment (an inﬁnity). The diﬀering lines compress until the ﬁ nal contour of a new evolved line emerges (measure 275). The new phrase established, a series of propulsive variants explodes, exhalting in the moment, culminating and ending at measure 384. The transﬁgura tion of the material over, only the underlining ﬁgurations from Section 1 remain. The concluding section is concerned with the attempt to organize these subsidiary gestures into recognizable structures. These shapes become fewer and fewer until all are disintegrated, gone. The coda (measure 425) is a recall, a tear, a moment suspended in time. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:53 22:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243408">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243408</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Lenox String Quartet, December 13, 1974 Recital tape 1974 12-13 Description An account of the resource Works of Haydn, Laderman, Dvorak. Held at 8:15 pm, December 13, 1974, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-12-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a4f1d8a6b03ba05b0abbfff1175d7d2a.pdf e42c1c8437445400b7201b872872d387 PDF Text Text JT i} LJ ' § \ ( x ' h COLLEGN I 3 A AUS ICU A = ~ 8 D , mm E l t iy, oR (5 2i 7 l recital i o december 11 , 1974 at 8:15 p.m. �1— P R 0 G R A M CONCERTO GROSSO I N D MAJOR, Opus 6 , No . 1 Lar go – A l le g r o Lar go – A l le g r o Largo – Al le g r o Al le g r o ARCANGELO CORELLI 1653 17 13 Robert Seletsky, violin Dinah Voorhies, violin Howard Cohen, violoncello The Baroque Chamber Orchestra, Mitchell Mendelson, Conductor DUE ROSE FRESCHE LUCA MARENZIO 1 5 5 3 – 1 599 DA LE BELLE CONTRADE CIPRIANO DE RORE 1516 – 1565 CONTRAPPUNTO BESTIALE ALLA MENTE ADRTANO BANCHIERI 156 7 – 16 34 The Collegium Choir, Richard Berent, Assistant Conductor MICHAEL PRAETORIUS VILLAGE DANCE 157 1 – 1 621 PACING DANCE FIRE DANCE AND PROCESSION OVERTURE ( 1668) DIETRICH BECKER ALLEMANDE JOHN JENKINS 159 2 ~ 16 78 SARABANDE COURANTE AIR The Renaissance Consort �+ T E X T S A N D T R A N S L A T I 0 N S DUE ROSE FRESCHE Two fresh roses, gathered the other day in paradise, bloomed the ﬁrs t of May, a fair gift from a lover old and wise between two younger lovers equally divided With words so sweet and a smile that would enamor even a man wild––– this gift through brigh t and amorous rays caused the two lovers to change their faces. " “Such a pair of lovers the sun will never see, he said, laughing while he sighed; and holding both, he turned to look at one and then the other. Thus he divided the roses and the words, so that even now my heart is glad and fears. O happy eloquence, O joyful day! CONTRAPPUNTO BESTIALE Malcolm Ottaway, Bass, sings : “Nulla ﬁ d es gobbis Similiter est zoppis, Si squerzus bonus est, Super annalia scribe.” The other soloists are : Constance Stirling, cuckoo Rachel Gardner, owl Susan Lawson, cat Ann Baer, dog MEI NS TRAURENS IST DA L E BELLE CONTRADE From the beautiful villages of the East, clear and happy rises Ciprigna (the dawn) And I received in the arms of my divine idol That pleasure which does not exist humanly When I heard twofold an ardent sigh “Hope of my heart, sweet desire, Are you leaving? Alas! Do you leave me alone? Oh, God! What will become of me here, dark and dolorous? Ah, my cruel love! Well I court your sweetness Yet I doubt your caresses are well intended Since it still gives you pleasure That my extreme joy terminates in tears.” I was unable to say more, so closely were we joined , Repeating the embraces in so many knots That the ivy and the acanthus were never more entwined. \ My sadness , the cause of my brokenness, which I can tell no–one but you, my radiant sun, is that I bear pain because of you. I would rather –– believe me –– accept death than part from you like this. DIE BRUNNLIN From those ﬂowing fountains one should drink; wink at your dear companion, if you have one. Yes, a wink with your eyes and a kick with your foot –– Tough luck if you have to avoid your companion! �4 C 0 L L E G I U M I C U M S U M s . U . N . Y .'—— B 1 N G H A M T 0 N = PERSONNEL FOR CONCERT OF DECEMBER 11, 1974 COLLEGIUM CHOIR *+Rachel Gardner Sheryl Kaye +Deborah Lemon Nancy Roper Constance Stirling +Denise Trautmann +Louise Ulrich BASSES TENORS ALTOS SOPRANOS Carolyn Brooks Marilyn Bryan +Karen Clute Richard Berent Malcolm Ottaway Neil Rouda William Sherfey Paul Sweeny +Larry Zukof Ann Baer Alan Hymowitz Mitchell Mendelson Mary Deegan Carol Delton *Susan Lawson Helen Ottaway +Deborah Rogers Linda Shaw Caron Swift +Stacie Williams RENAISSANCE CONSORT RECORDER OBOE LUTE GUITAR Bonnie Bauman Vicki Berger Deborah Cohen Susan Lawson William Sherfey (Assistant Director) Gerda van de Vegte Judy Zuckerman Stewart Small Constance Stirling Paul Sweeny +Soloists in the Buxtehude Cantata 3 [ i T E X T S A N D T R A N S L A T I 0 N S (continued) GOD’S WORLD (by EDNA ST. VINCENT MILLAY) 0 world, I cannot hold thee close enough! Thy winds, thy wide grey skies! Thy mists that roll and rise! Thy woods, this autumn day, that ache and sag And all but cry with colour! Th a t g a un t c ra g To crush! To lift the lean of that black bluﬀ! World, World, I cannot get thee close enough! Long have I known a glory in it all, But never knew I this : Here such a passion i s As stretcheth me apart,––– Lord , I do fear Thou ’st made the world too beautiful this year ; My soul is all but out of me,––– let fall No burning leaf ; prithee, let no bird call. HERZLICH L I E B HAB’ I C H DICH, 0 HERR Versus I With all my heart I love Thee, Lord ; I pray Thee ne ’er to forsake me With Thy precious aid and grace. Worldly pleasures I abandon, Ask naught on earth nor in heaven, But Thine own secure Presence. And were my heart itself to break, In Thee could I ﬁ n d solace, Thou art goal of all my longing, By Thine own blood am I redeemed. Lord Jesus Christ, my God and Lord , Save me from all tribulation! VERSUS These are, Lord, received as gift from Thee. Body and Soul, and all I own In this poor life on earth, To be used to sing Thy praises, To help and serve my neighbor ; So give me Grace to do this. Protect me, Lord , from false doctrine, From Satanic death and lies shield me, Preserve me in all suﬀering , Let me bear the Cross in patience. Lord Jesus Christ, my Lord and God, Comfort my soul in deathly need! Versus ITT Lord , let at last Thine angels come, To Abraham ’s bosom bear me home; My body in its resting place, So soft, and free of suﬀering , Let sleep, till the Day of Judgement––– And then, from death awaken me, To behold Thee with mine own eyes, In fullest joy, 0 Son of God , My Saviour and my fount of Grace. Lord Jesus Christ, give ear to me, I shall praise Thee eternally. Amen. �5 PERSONNEL FOR CONCERT OF DECEMBER 11, 1974 (continued) B A R O Q U E C H A M B E R 0 R C H E S T R A VIOLIN I VIOLIN II VIOLA VIOLONCELLO Robert Seletskv, principal Denise Savas Joyce Capani John Hagopian Dinah Voorhies, principal Schyler Smith Carol Hutter, principal Joyce Capani Carol Isaacson Barbara Gorin Howard Cohen Stanley Ostrom, Jr. Tina Opie Donald Thaler DOUBLE BASS Michael Graven, Jr. TRUMPET +William Lockwood BASSOON ORGAN HARPSICHORD Lois Chantry Richard Berent Sharon Frachtenberg Paul Jordan Steve Winans CONDUCTOR Mitchell Mendelson (Karen Adler, Assistant) +Guest Artist �(i MEINS TRAURENS I S T PAUL HOFHAIMER 1459 – 15 37? D I E BRUNNLIN DIE DA FLIESSEN ("Gassenhawerlin” from C. Egenolf ’s collection, 1535) BALTHASAR ARTHOPIUS Constance Stirling, Soprano Paul Jordan, Counter–tenor SONATA GIOVANNI GABRIELI 1557 – 1612 The Renaissance Consort CONCERTO GROSSO IN F MINOR ("Winter” from ”The Seasons") Allegro non molto Largo Allegro Guest Artist ANTONIO VIVALDI 1675? – 1741 Delmar Pettys, violin The Baroque Chamber Orchestra, Mitchell Mendelson, Conductor I N T E R M I S S I O N GOD’S WORLD THOMAS COLVILLE 1941 — The Collegium Choir, Richard Berent, Assistant Conductor CHORALE – CANTATA, “HERZLICH L I E B HAB ICH DICH, 0 HERR” for S–part Chorus, 5–part String Orchestra, two Trumpets and Basso Continuo DIETRICH BUXTEHUDE 1637 – 1707 Versus I Versus II Versus III The Collegium Choir and Orchestra, Paul Jordan, Conductor � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:06 37:28 33:42 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collegium Musicum, December 11, 1974 Recital tape 1974 12-11 Description An account of the resource Works of Corelli, Marenzio, Praetorius, Becker, Vivaldi. Held at 8:15 pm, December 11, 1974, Recital Hall. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-12-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c8fb115474e84e8499b6a2de1e72d985.pdf bf21bb48931cf971f1f51164eabe0c1c PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC University CHORUS David L . Buttolph, con ductor December 5 , 1974 8 : 1 5 PM Don A . Wat t e r s T h eat e r �BERENICE BRAMSON, SOPRANO PROGRAM NOTES MAGN IFICAT I N D , JOHANN SEBASTIAN BACH The ﬁ rs t Christmas at Leipzig gives a good idea of the creative fury that possessed Johann Sebastian Bach. On each of the three feast–days he not only oﬀered a new cantata, but also, in the vesper service, his new Magniﬁcat was performed Magniﬁcat is one of the few works that Bach composed on a Latin text, here using Mary ’s hymn from the Vulgate which ends with the familiar doxology, ‘Gloria Patri.‘ To this setting Bach added four independent pieces, based partly on German, partly on Latin texts he (Bach) found in a Christmas cantata by Johann Kuhnau, his predecessor in Leipzig. The ﬁrst, a four–part motet based on the Lutheran Christmas song, ‘Vom Himmel Hoch'; the second, ‘Freut Euch und Jubiliert’ (Rejoice and be glad) set for three–part women ’s voices and tenors ; the third employs the liturgical text “Gloria in excelsis Deo ’ and is set for ﬁve–part chorus ; and the fourth is a duet for Soprano and Bass soli, ‘Virga Jesse Floruit’ which speaks of the coming of our Lord in the likeness of man in vocal lines of unusually long and melismatic character. In 1730, Bach revised this version of Magniﬁcat and changed the key from E ﬂ a t to B, a more suitable transposition for trumpets. He also added ﬂutes and removed the four additional pieces. As a result, they are usually omitted from modern performances. However, because they are particularly imbued with the Christmas spirit and bring the monumental character of the main work into full relief, we take pleasure in including them in tonight’s performance. GLORTA, FRANCIS POULENC Francis Poulenc was a member of the renowned French group ‘Les Six’ who are Berenice Bramson was born in Omaha, Nebraska, where she began serious study of the piano with Enid Lindborg, a pupil of Ernest Hutcheson. She came east to continue her piano and academic studies at Hunter College, New York University and Columbia. The young planist’s voice was soon discovered and she began her vocal studies with Boris Voronovsky. She also studied and coached with such famous musical ﬁgures as Pierre Bernac, Estelle Liebling, Paul Ulanowsky and Fausto Cleva, acquiring her unparalleled repertoire of lieder, orchestra works, operatic roles and chamber music works Of her New York recital in March 1973, Peter Davis wrote in the Times: '"Very rarely does an unheralded singer appear in Carnegie Recital Hall who can stand comparison with international superstars. On the basis of her concert Sunday night, Berenice Bramson can match talents with any soprano recitalist before the public today.” c known for their violint reaction to the aesthetic ideals of the pre–war generation of composers. Choral music always had a great attraction for Poulenc and many of his compositions in this ﬁ eld are of a religious nature. Gloria, written in 1959, was commissioned by the Koussevitzky Foundation and ﬁ rst performed under Charles Munch in January, 1961. : Whether writing for orchestra or voices, the art of Francis Poulenc is pre– eminently vocal. He combines in his Gloria a sure instinct for grace and elegance with a profound understanding and rendering of the more serious undertones of his text. Program notes by Andrea Birnbaum 1 0 i v o �PROGRAM Freut euch und j u b i l i e r t GLORIA FRANCIS POULENC Et misericordia 1899 – 1963 Gloria Laudamus te Domine Deus ALMA PONCE, contralto KEVIN MCPERMOTT, tenor Domine ﬁ l i unigenite Fecit potentiam Domine Deus, Agnus Dei Qui sedes ad dexteram patris Gloria i n e x c el s i s Deo BERENICE BRAMSON, soprano Deposuit p ot e n t es RAYMOND LARZELERE, tenor INTERMISSION Esurientes i mp l evi t bonis ALMA PONCE, co n tra l to MAGNIFICAT IN D JOHANN SEBASTIAN BACH Virga Jesse ﬂ o r u i t 1685 – 1750 Magniﬁcat . Et e x u l t a v i ESTHER PETTENGILL, soprano LARRY ZUKOF, baritone His t s p i r i t u s meus Suscepit Israel ALICE WEINTRAUB, soprano VomHimmel hooh Steut locutus e s t ) . roi . Quia resp e x i t humilitatem Gloria patri . BEVERLY PENN, soprano Ommes generationes With th e par ticipation o f th e Harpur Chorale Quia f e c i t mihi magna GARY LEVINE, basso 3 4 = A �THE HARPUR CHORALE David Buttolph, Direc tor Richard Berent, Asst. Conductor PERSONNEL SOPRANO Judi Kahan Deborah Lemon Chris Scott Paula Vanco Amy Beech Lauren Fleischer Laurie Goodheim Karen Haight ALTO Karen Adler Leslie Green Susan Hitchens Joan Jurich Jeanette Murphy Barbara Savage Linda Shaw Joy Smucker Andrea Birnbaum Molly Cargile Cheryl Choy Karen Clute Susan Glass Tenor Amy Adams Lori Alcon Cathy Castiglia Mary Davis Shelley Drazen Judith Elkin Jeanne Falinski Lois Fischthal Rachel Gardner Isobel Gavin Ellen Goldstein Laurie Goodheim Denise Griﬀith Roni Gross Grace Houghton Bernadine Berock Kensinger Wendy Kleinman Danette Lipton Grace Mehl Nancy Roper Ruth Roper Andrea Birnbaum Georgina Bruce Clara Budin Molly Cargile Cheryl Choy Karen Clute Joan Ebblie Margo Gelber Miriam Gilbert Susan Goldfarb Bette Goldwert Zack Bowen Robert Frankel Lee Gartenberg Alan Hymowitz Ian Kirschner Mark Lanze Robert Lischetti Tom Nytch Richard Ossias Stuart Silverman Stephen Straight Jud Wallis Floyd West Christine Scott David Rosenman Rich Ossias Jeﬀrey Taxman Howard Weinberg Leslie Green Ilene Grueneberg Nancy Julius Rhonda Klein Tsu Ning Ko Sue Lawson Judy Levine Marilyn Milkman Helen Ottaway Regina Rosenberger Dinah Ross Jane Shear Judith Solheim Margaret Starke Amy Zelenetz OFFICERS – UNIVERSITY CHORUS 1974–75 Andrea Birnbaum Michael Lamberta Sue Lawson Laurie Goodheim Amy Zelenetz BASS David McKenas David Mose W. Gregory Nissen Russell Senti Barry Shpizner John Tuttle Richard Bartmon Richard Berent Richard Briggs Michael Lamberta Geoﬀrey Magee Kenneth Martin Alto Lisa Serradilla Jodi Silbiger Susan Smith Noreen Spota Louise Ulrich TENOR Roger Cruttenden Richard Kaskan Ian Kirschner Kevin McDermott Soprano President Vice–President & Librarian Secretary Treasurer Publicity Chai–Kyu Mallinson, accompanist Bass Lynn Aylesworth Richard Berent Peter Bolan Donald Borsh Ian Cain Douglas Charles Richard Davis David Hanson Mark Karpman Michael J. Lamberta Thomas Lamphere Michael Little Andrew McKim David R. Mose Roger Norton Malcom Ottaway Mark Perlin Michael Pierce Larry Roth Russell Senti Steve Smith Roger Stein John Vineall Richard Mallinson Special thanks are owed to the voice faculty and to Barbara Garges for assistance in preparation of soloists. 6 5 J �ORCHESTRA PERSONNEL Violins Cellos Horns Mary Reynolds, Concertmistress Masako Matsumoto, Principal second Andrea Andros Mary Barton Janet Brady Craig Weaver, Principal Howard Cohen Myra Greenstein Kris Gunn David Heiss Seth Jacobs Tom Shaw Tracy Slack Steven Stalker Holly Wilson Robin Jackman Ellen Loring Barbara Quick Kenneth Steiger Rosa Campa Paul Childs I l r“I l I n l Diane Feigin Gregory Fulkerson Oscar Maxyell Susan Mitchell Elmar Oliveira Rita‘orzelek Cheryl Page Norman Reid Robert Seletsky Dinah Voorhies A lexandra Werb i zky Lydia Werbizky Violas Bassoons Lois Chantry Marsha Pivarnik Contrabassoon Ed Wadin Basses Trumpets Richard Thomas Dominique Hyatt Brian King Allan Winans Steve Winans “Flutes Trombones Fran Shafer Susan Clarvit Merrell Weiss Dennis Martin Grant Sullivan James Magacs Ron Carbone, prineipal Larry Bradford Barbara Gorin Carol Hutter Carol Isaacson Janis Lubinsky Sandra Robbins Jeanne Woodruﬀ Geoﬀrey Brooks Piccolo Harp Merrell Weiss Barbara Irish Harpsichord Oboes Chai–kyu Mallinson Nancy Ranger Eliot Friedman Geoﬀrey Barron English Horn Geoﬀrey Barron lu M x{ Personnel Manager Clarinets Percussion Geoﬀrey Barron Wendy Osteyee Joyce Rose Martin Ricciardi Bass Clarinet Donald Naiolo 7 I [ Tuba Tom Wood � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:31 40:37 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243399</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, University Chorus, December 5, 1974 Recital tape 1974b 12-5 Description An account of the resource Held December 5, 1974. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-12-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/39035bf59e0fa56260af6db1ae0ccc32.pdf bf21bb48931cf971f1f51164eabe0c1c PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC University CHORUS David L . Buttolph, con ductor December 5 , 1974 8 : 1 5 PM Don A . Wat t e r s T h eat e r �BERENICE BRAMSON, SOPRANO PROGRAM NOTES MAGN IFICAT I N D , JOHANN SEBASTIAN BACH The ﬁ rs t Christmas at Leipzig gives a good idea of the creative fury that possessed Johann Sebastian Bach. On each of the three feast–days he not only oﬀered a new cantata, but also, in the vesper service, his new Magniﬁcat was performed Magniﬁcat is one of the few works that Bach composed on a Latin text, here using Mary ’s hymn from the Vulgate which ends with the familiar doxology, ‘Gloria Patri.‘ To this setting Bach added four independent pieces, based partly on German, partly on Latin texts he (Bach) found in a Christmas cantata by Johann Kuhnau, his predecessor in Leipzig. The ﬁrst, a four–part motet based on the Lutheran Christmas song, ‘Vom Himmel Hoch'; the second, ‘Freut Euch und Jubiliert’ (Rejoice and be glad) set for three–part women ’s voices and tenors ; the third employs the liturgical text “Gloria in excelsis Deo ’ and is set for ﬁve–part chorus ; and the fourth is a duet for Soprano and Bass soli, ‘Virga Jesse Floruit’ which speaks of the coming of our Lord in the likeness of man in vocal lines of unusually long and melismatic character. In 1730, Bach revised this version of Magniﬁcat and changed the key from E ﬂ a t to B, a more suitable transposition for trumpets. He also added ﬂutes and removed the four additional pieces. As a result, they are usually omitted from modern performances. However, because they are particularly imbued with the Christmas spirit and bring the monumental character of the main work into full relief, we take pleasure in including them in tonight’s performance. GLORTA, FRANCIS POULENC Francis Poulenc was a member of the renowned French group ‘Les Six’ who are Berenice Bramson was born in Omaha, Nebraska, where she began serious study of the piano with Enid Lindborg, a pupil of Ernest Hutcheson. She came east to continue her piano and academic studies at Hunter College, New York University and Columbia. The young planist’s voice was soon discovered and she began her vocal studies with Boris Voronovsky. She also studied and coached with such famous musical ﬁgures as Pierre Bernac, Estelle Liebling, Paul Ulanowsky and Fausto Cleva, acquiring her unparalleled repertoire of lieder, orchestra works, operatic roles and chamber music works Of her New York recital in March 1973, Peter Davis wrote in the Times: '"Very rarely does an unheralded singer appear in Carnegie Recital Hall who can stand comparison with international superstars. On the basis of her concert Sunday night, Berenice Bramson can match talents with any soprano recitalist before the public today.” c known for their violint reaction to the aesthetic ideals of the pre–war generation of composers. Choral music always had a great attraction for Poulenc and many of his compositions in this ﬁ eld are of a religious nature. Gloria, written in 1959, was commissioned by the Koussevitzky Foundation and ﬁ rst performed under Charles Munch in January, 1961. : Whether writing for orchestra or voices, the art of Francis Poulenc is pre– eminently vocal. He combines in his Gloria a sure instinct for grace and elegance with a profound understanding and rendering of the more serious undertones of his text. Program notes by Andrea Birnbaum 1 0 i v o �PROGRAM Freut euch und j u b i l i e r t GLORIA FRANCIS POULENC Et misericordia 1899 – 1963 Gloria Laudamus te Domine Deus ALMA PONCE, contralto KEVIN MCPERMOTT, tenor Domine ﬁ l i unigenite Fecit potentiam Domine Deus, Agnus Dei Qui sedes ad dexteram patris Gloria i n e x c el s i s Deo BERENICE BRAMSON, soprano Deposuit p ot e n t es RAYMOND LARZELERE, tenor INTERMISSION Esurientes i mp l evi t bonis ALMA PONCE, co n tra l to MAGNIFICAT IN D JOHANN SEBASTIAN BACH Virga Jesse ﬂ o r u i t 1685 – 1750 Magniﬁcat . Et e x u l t a v i ESTHER PETTENGILL, soprano LARRY ZUKOF, baritone His t s p i r i t u s meus Suscepit Israel ALICE WEINTRAUB, soprano VomHimmel hooh Steut locutus e s t ) . roi . Quia resp e x i t humilitatem Gloria patri . BEVERLY PENN, soprano Ommes generationes With th e par ticipation o f th e Harpur Chorale Quia f e c i t mihi magna GARY LEVINE, basso 3 4 = A �THE HARPUR CHORALE David Buttolph, Direc tor Richard Berent, Asst. Conductor PERSONNEL SOPRANO Judi Kahan Deborah Lemon Chris Scott Paula Vanco Amy Beech Lauren Fleischer Laurie Goodheim Karen Haight ALTO Karen Adler Leslie Green Susan Hitchens Joan Jurich Jeanette Murphy Barbara Savage Linda Shaw Joy Smucker Andrea Birnbaum Molly Cargile Cheryl Choy Karen Clute Susan Glass Tenor Amy Adams Lori Alcon Cathy Castiglia Mary Davis Shelley Drazen Judith Elkin Jeanne Falinski Lois Fischthal Rachel Gardner Isobel Gavin Ellen Goldstein Laurie Goodheim Denise Griﬀith Roni Gross Grace Houghton Bernadine Berock Kensinger Wendy Kleinman Danette Lipton Grace Mehl Nancy Roper Ruth Roper Andrea Birnbaum Georgina Bruce Clara Budin Molly Cargile Cheryl Choy Karen Clute Joan Ebblie Margo Gelber Miriam Gilbert Susan Goldfarb Bette Goldwert Zack Bowen Robert Frankel Lee Gartenberg Alan Hymowitz Ian Kirschner Mark Lanze Robert Lischetti Tom Nytch Richard Ossias Stuart Silverman Stephen Straight Jud Wallis Floyd West Christine Scott David Rosenman Rich Ossias Jeﬀrey Taxman Howard Weinberg Leslie Green Ilene Grueneberg Nancy Julius Rhonda Klein Tsu Ning Ko Sue Lawson Judy Levine Marilyn Milkman Helen Ottaway Regina Rosenberger Dinah Ross Jane Shear Judith Solheim Margaret Starke Amy Zelenetz OFFICERS – UNIVERSITY CHORUS 1974–75 Andrea Birnbaum Michael Lamberta Sue Lawson Laurie Goodheim Amy Zelenetz BASS David McKenas David Mose W. Gregory Nissen Russell Senti Barry Shpizner John Tuttle Richard Bartmon Richard Berent Richard Briggs Michael Lamberta Geoﬀrey Magee Kenneth Martin Alto Lisa Serradilla Jodi Silbiger Susan Smith Noreen Spota Louise Ulrich TENOR Roger Cruttenden Richard Kaskan Ian Kirschner Kevin McDermott Soprano President Vice–President & Librarian Secretary Treasurer Publicity Chai–Kyu Mallinson, accompanist Bass Lynn Aylesworth Richard Berent Peter Bolan Donald Borsh Ian Cain Douglas Charles Richard Davis David Hanson Mark Karpman Michael J. Lamberta Thomas Lamphere Michael Little Andrew McKim David R. Mose Roger Norton Malcom Ottaway Mark Perlin Michael Pierce Larry Roth Russell Senti Steve Smith Roger Stein John Vineall Richard Mallinson Special thanks are owed to the voice faculty and to Barbara Garges for assistance in preparation of soloists. 6 5 J �ORCHESTRA PERSONNEL Violins Cellos Horns Mary Reynolds, Concertmistress Masako Matsumoto, Principal second Andrea Andros Mary Barton Janet Brady Craig Weaver, Principal Howard Cohen Myra Greenstein Kris Gunn David Heiss Seth Jacobs Tom Shaw Tracy Slack Steven Stalker Holly Wilson Robin Jackman Ellen Loring Barbara Quick Kenneth Steiger Rosa Campa Paul Childs I l r“I l I n l Diane Feigin Gregory Fulkerson Oscar Maxyell Susan Mitchell Elmar Oliveira Rita‘orzelek Cheryl Page Norman Reid Robert Seletsky Dinah Voorhies A lexandra Werb i zky Lydia Werbizky Violas Bassoons Lois Chantry Marsha Pivarnik Contrabassoon Ed Wadin Basses Trumpets Richard Thomas Dominique Hyatt Brian King Allan Winans Steve Winans “Flutes Trombones Fran Shafer Susan Clarvit Merrell Weiss Dennis Martin Grant Sullivan James Magacs Ron Carbone, prineipal Larry Bradford Barbara Gorin Carol Hutter Carol Isaacson Janis Lubinsky Sandra Robbins Jeanne Woodruﬀ Geoﬀrey Brooks Piccolo Harp Merrell Weiss Barbara Irish Harpsichord Oboes Chai–kyu Mallinson Nancy Ranger Eliot Friedman Geoﬀrey Barron English Horn Geoﬀrey Barron lu M x{ Personnel Manager Clarinets Percussion Geoﬀrey Barron Wendy Osteyee Joyce Rose Martin Ricciardi Bass Clarinet Donald Naiolo 7 I [ Tuba Tom Wood � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:59:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243396">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243396</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, University Chorus, December 5, 1974 Recital tape 1974 12-5 Description An account of the resource Works of Poulenc and Bach. Held at 8:15 pm, December 5, 1974, Watters Theater. Creator An entity primarily responsible for making the resource University Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-12-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6d485f76fbc737ed34cc41426d38b9ee.pdf 8b6d755720cb1aee87858fda0aa87ef1 PDF Text Text STATElJnnmmmxv'orIQBwrlkmm:Aernnnnuu10N Harpur College Department of Music The Coll egiu m Musicum, Pau l Jord an, d pres ents irector the Baroque Chamber > Orchestra i i < J \ i M \ H H i Y A \ November 20, 1974 Casa desu s R e c i t a l Hal l 8 : 1 5 PM w �THE BAROQUE CHAMBER ORCHESTRA OF THE COLLEGIUM MUSICUM PROGRAM FALL 19 74 Mitchell L. Mendelson, Music Director Paul Jordan, Music Advisor Karen Adler, Assistant Conductor ARCANGELO CORELLI ( 1653– 1713) CONCERTO GROSSO IN D MAJOR opus 6, no. 4 Adagio – Allegro Adagio – Vivace Allegro – Allegro PERSONNEL Robert Seletsky, violin Dinah Voorhies, violin Howard Cohen, violoncello JOHANN JOACHIM QUANTZ ( 169 7– 1773) CONCERTO IN C MAJOR for Flute and String Orchestra Allegro Amoroso Presto Sharon Kosakoﬀ, ﬂ ute Denise Savas, violin Schyler Smith, violin V i o l i n I Flute Robert Seletsky, principal Denise Savas Joyce Capani John Hagopian Andrew Kindler Sharon Kosakoﬀ, principal Wendy Herman Jane Gottlieb Violin II Barbara Segreto, principal Marilyn Schulkind Deborah Schnapf Dinah Voorhies, principal Schyler Smith Tina Opie Donald Thaler Carol Hutter, viola Howard Cohen, violoncello Viola CONCERTO GROSSO IN B–FLAT MAJOR for two Oboes and String Orchestra opus 3 , no . 1 GEORG FRIEDRICH HANDEL ( 1685– 1759 ) Violoncello Lar go A l le gro Howard Cohen, principal Stanley Ostrom Jr. Barbara Segreto, oboe Ma r i l yn Sch ulk ind , oboe Joyce Capani, violin Bass Michael Graven, Jr. INTERMISSION Over ture P la in te Re jo uissance Ca r i l l o n T in tama r e Loure Men ue t I / I I Carol Isaacson Barbara Gorin A l le gro ORCHESTRAL SUITE IN D MAJOR Carol Hutter, principal GEORG PHILIPP TELEMARN ( 1681– 176 7) Oboe Trumpet Steve Winans Bassoon Lois Chantry Harpsichord Sharon Frachtenberg �The Baroque Chamber Orchestra will join the Collegium Choir and the Renaissance Consort for a gala concert on Wednesday, December 11, 1974, at 8:15 PM in the Jean Casadesus Recital Hall, SUNY–Binghamton. Featured works will include Concerti Grossi by Corelli and Vivaldi and a Chorale Cantata by Buxtehude. Admission is free. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:10 37:17 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243392">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243392</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert,Baroque Chamber Orchestra, November 20, 1974 Recital tape 1974 11-20 Description An account of the resource Works of Corelli, Quanz, Handel, Telemann. Held at 8:15 pm, November 20, 1974, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Baroque Chamber Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-11-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b6b74638d8a549de366cd1ffef08c691.pdf 1cff1963b3d4ae156ccb405b5745063b PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Paul Jordan Chistline Lindsay Chamber Music Series November 9 , 1974 Jean Casadesus R e c i ta l Hall 2:15 and 8:15 PM �CHRISTINE LINDSAY, harpsichord INTERMISSION I PAUL JORDAN, organ and recorder * 3 § * * * * * * > § * > ( > ( J h l J b l X J t AW N “ ? * * * * * * J ( ~ * X ~ * > § * x ~ % a f x i x J i i ' i ' é k x ' a k i d ' i ' i ' x ka i i IV® SUITE IN A MAJOR SONATA IN D MINOR opus 1 , n o. 2 JEAN BAPTISTE LOEILLET La Veloutee L’Indeterminee La Frenetique La Brunette for Alto Recorder and Basso Continuo Adagio Allegro Largo Giga Gavotta SONATA IN D MAJOR, K. 492 JOSEPH BODIN de BOISMORTIER GEORG PHILIP TELEMANN SONATA IN F MINOR for Alto Recorder and Basso Continuo DOMENICO SCARLATTI SONATA IN G MINOR, K. 426 Triste Allegro Andante Vivace SONATA IN G MAJOR, K. 427 CONCERTO NO. III IN G MAJOR for two keyboard instruments EIGHT NEW CANONS from Logbook III (1974) PRELUDE AND FUGUE IN D MINOR MOONDOG (LOUIS HARDIN) JOHANN SEBASTIAN BACH Andantino Minue ANTONIO SOLER �THE 1974–75 CHAMBER MUSIC SERIES Nov 9 Nov 24 Dec 13 Feb 2 Feb 22 Mar 16 Apr 3 Apr 13 — — — Paul Jordan, organ and recorder Christine Lindsay, harpsichord Walter Ponce, piano Lenox Quartet Lenox Quartet Lenox Quartet Donald McCall, cello Walter Ponce, piano Dorian Quintet Lenox Quartet � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:02 37:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243388">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243388</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Paul Jordan and Christine Lindsay, November 9, 1974 Recital tape 1974 11-9 Description An account of the resource Works of Loeillet, Scarlatti, Bach, Telemann and Soler. Held at 2:15 and 8:15 pm, November 9, 1974, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Jordan, Paul Lindsay, Christine Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-11-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c240aa9444fb6890fdb8b2c87c75f1ce.pdf d46012b605c259f850ce2828f0bf57f1 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Harpur Symphony Oworetrsat Alfred Clinton Morris, conductor Don A. Wat ters T heater Thursday, October 31, 1974 8 : 1 5 PM �THE HARPUR SYMPHONY ORCHESTRA ALFRED CLINTON MORRIS, conductor MARY REYNOLDS, guest soloist* ORCHESTRA PERSONNEL JEAN S I B E L I U S ( 1 8 6 5 1 9 5 7 ) CONCERTO FOR VIOLIN AND ORCHESTRA IN D MINOR, OPUS 47 ALLEGRO MODERATO ADAGIO DI MOLTO ALLEGRO MA NON TROPPO MARY REYNOLDS, violin First Violins Cellos Horns Gregory Fulkerson Andrea Andros Robert Seletsky Cheryl Page Elmar Oliveira George Myers Bruce Berg Paul Goodman Robert Provell Lydia Werbizky Evelina Chao Oscar Maxwell Tom Shaw Robin Jackman Martin Burki Ken Weissman Ellen Loring Second Violins INTERMISSION LUDWIG VAN BEETHOVEN ( 1 7 7 0 1 8 2 7 ) SYMPHONY NO. 6 ("THE PASTORALE") ALLEGRO MA NON TROPPO Awakening of happy feelings on getting out into the country ANDANTE MOLTO MOSSO By the brook side ALLEGRO Peasants’ merrymaking ALLEGRO Thunderstorm ALLEGRETTO Shepherd’s song Happy and thankful feelings after the storm *FINALIST IN THE FIRST CONCERTO COMPETITION Janet Brady Rosa Campa Norman Reid Susan Mitchell Masako Matsumoto Alexandra Werbizky Paul Childs Dinah Voorhies Cordula Rosow Diane Feigin Rob er t Nosofsky Rita Orzelek David Heiss Dan McIntosh Holly Wilson Craig Weaver Seth Jacobs Steven Stalker Myra Greenstein Kris Gunn Howard Cohen Tracy Slack Trumpets Basses Richard Thomas Debra Neu Michael Sanders Dominique Hyatt Donal O ’Buckley Brian King Allan Winans Steve Winans Trombones Donald Robertson Michael Williamson Flutes Roger Keagle Fran Shafer Susan Clarvit Percussion Piccolo Martin Ricciardi Joseph Roma Merrell Weiss Personnel Manager Oboes Geoﬀrey Barron Violas Larry Bradford Mary Ba r ton Ron Carbone Geoﬀrey Brooks Eliot Friedman Carol Hutter Clarinets Barbara Gorin John Dexter Carol Isaacson Sandra Robbins Jeanne Woodruﬀ Janis Lubinsky Bassoons Louis Papastrat Brian Rozen Nancy Ranger Wendy Osteyee J o y c e Rose � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:18:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243385">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243385</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert,Harpur College Orchestra, October 31, 1974 Recital tape 1974 10-31 Description An account of the resource Works of Sibelius and Beethoven. Held at 8:15 pm, October 31, 1974, Watters Theater. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-10-31 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/2157b34c247df01c848123a66b0b7da9.pdf 59f6539982b6825c73313e35349c3d2f PDF Text Text THE LENOX STRING QUARTET �Peter Marsh, vi o l i n Delmar Pettys, violin Toby Appel, viola Donald McCall, cello A d d J U N G 5 & 1 i i J U D E i i ka a h l a h h h h h h k i ' M H Ea l J h ﬁ i ' X J G xx ' x a h k xx t h ﬁ THE 1974–75 CHAMBER MUSIC SERIES Oct 19 Feb 2 Feb 22 Mar 16 Lenox Quartet Paul Jordan, organ and recorder Christine Lindsay, harpsichord Walter Ponce, piano Lenox Quartet Lenox Quartet Lenox Quartet Donald McCall, cello Apr 3 Apr 13 Lenox Quartet Nov 9 Nov 24 Dec 13 Walter Ponce, piano QUARTET IN D MAJOR, K. 499 ("THE HOFFMEISTER") Allegretto Menuetto (Allegretto) Adagio Allegro QUARTET NO. 4 (1928) Allegro Prestissimo, con sordino Non troppo lento Allegretto pizzicato Allegro molto W. Mozart B. Bartok Dorian Quintet INTERMISSION QUARTET IN B FLAT MAJOR, OPUS 67 Vivace J. BRAHMS Andante Agitato, Allegretto non troppo Poco A l l e g r e t t o eon Variazioni � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:57 25:18 35:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243380">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243380</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital, Lenox String Quartet, October 19, 1974 Recital tape 1974 10-19 Description An account of the resource Works of Mozart, Bartok, and Brahms. Held at 8:15 pm, October 19, 1974, Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-10-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f45059780b1280da41dd3ab46fc44882.pdf ab6ce465d5c18841eff490da37cb0c6a PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Stein Fischer Conductor PAUL JORDAN, Organ and Celesta October 12, 1974 Jean Casadesus R e c i ta l Hall 8 : 1 5 PM I R R R . . . �PROGRAM HUNGARIAN SET: THE PEARLY BOUQUET (1943) for celesta and string orchestra IRWIN FISCHER 7 Allegretto 2. Andante 3. Poco Allegro 4. Andantino “Always have I inclined to the life of a shepherd” “Fly from my window, dear swallow” “The stars have already disappeared into the coming daylight” “Dew is sparkling on the grains of wheat” O F Adagio 6. Allegro moderato 7&8. Allegro giocoso v “Master, please pay me what you owe me” “Even lovely faces are false “My top boots are new” and “That lad’s a hopeless case CONCERTO IN G MAJOR, OPUS 4, NO. 1 (1738) for organ, strings and continuo GEORGE FRI DERI C HANDEL Allegro Adagio Allegro INTERMISSION CHORALE FANTASY (1938) for organ and orchestra IRWIN FISCHER � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:11 20:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243376">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243376</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hungarian Set: The Pearly Bouquet by Irwin Fisher, October 12, 1974 Recital tape 1974 10-12 Description An account of the resource Held at 8:15 pm, October 12, 1974, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1974-10-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound