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                    <text>P E T E R  M A R S H

W A L T E R  P O N C E

ALL  BRAHMS  PROGRAM

Chamber  Music  Series
October  5,  1974
Don  A.  Watters  Theater
8:15  PM

�A BRAHMS  SONATA  RECITAL

Peter Marsh,  vi o l i n

Coming  Events

Walter  Ponce,  piano

éhhhf****&amp;*X~****J§*******************************

October 12

October 19

Conductor,  composer  and  organist
IRWIN  FISCHER  comes  to  Harpur  to
conduct  his  own  music.  Paul  Jordan
at the  organ.  CASADESUS  RECITAL
HALL.  8:15  PM.  Free.

Sonata  No.  1  i n  G major,  opus  78

Vivace  ma  non  troppo
Adagio
Allegro  molto  moderato

Chamber  Series  Concert.
The  Lenox  Quartet. Watters  Theater.
8 : 1 5   PM

October 27

Sonata  No.  2 i n  A major,  opus  100

Allegro amabile

Andante  t ra n qu i l l o  ­  Vivace

THE  HARPUR  WIND  ENSEMBLE.

Sunday,  Don  A.  Watters  Theater.
Free.
October 31

Allegretto  grazioso  (quasi  Andante)

THE  HARPUR  SYMPHONY  ORCHESTRA,
directed  by  Alfred  Clinton  Morris.
Works  by  Beethoven  and  Sibelius.
Watters  Theater,  Thursday,  8:15  PM.

INTERMISSION
I 
­ 

Sonata  No.  3  i n  D minor,  opus  108
Allegro
Adagio

Un  poco  presto  e con  sentimento
Presto  agitato

E — — —

E—

E

 

­

—

�THE  1974–75  CHAMBER  MUSIC  SERIES

Oct 5

Oct 19
Nov 9

Nov 24
Dec 13
Feb 2
Feb 22
Mar 16

Apr 3
Apr 13

Peter  Marsh,  violin
Walter  Ponce,  piano
Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
Walter  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

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                    <text> 
2 s Binghamton Symphonette
FRITZ WALLENBERG, Conductor

SOLOISTS

Georgetta Maiolo, Flute
Harry Lincoln, F lute
James Wallenberg, Violin
Madeleine Brooks, Piano
Christine Lindsay, Piano

7 4   M.
SUNDAY, SEPTEMBER  22nd, 1 9 ­ 7:30 P. 
THE DON  A. WATTERS THEATER

STATE  UNIVERSITY

�PROGRAM
Brandenburg Concerto No. 4 in G­major .
Allegro

I. S. Bach

(1685­1750)

Andante

Presto
Soloists:  Georgetta  Maiolo, Flute
Harry Lincoln, Flute
James Wallenberg, Violin
The  six  Brandenburg  Concertos  were  written  during  Bach’s  employment  in  the
court at Coethen, a period during which he composed much of his secular instrumental
music. They were dedicated on March 24, 1721, to Christian Ludwig, the Margrave of

the Prussian province of  Brandenburg.

The solo group  (concertino)  for the fourth concerto was originally scored for two
recorders  and  violin.  The three movements  are of  contrasting  character, the  ﬁrst  in  a
dance­like triple meter, the second  an  Andante with many phrased couplets  giving the
eﬀect of  chains of sighs, and the third is a fast fugal Presto which features ﬂorid passage
work for the solo violin.  Throughout the work the concertino interacts  with the back­
ground group (ripieno) more in the sense of friendly rivalry (“concertare”) and sharing
of materials than the setting oﬀ  of a solo to an accompaniment of secondary interest.

Concerto for two pianos in d­minor 

Allegro ma non troppo

F. Poulenc

(1899­1963)

Larghetto

Allegro molto
Soloists:  Madeleine Brooks
Christine Lindsay
Poulenc  was commissioned to  write this concerto for a  performance by the  com­
poser  and  Jacque  F ebrier  at  the  International  Festival  of  Contemporary  Music  at
Venice in 1932. As is characteristic of many of  Poulenc’s works the concerto is sophisti­
cated and gay, yet uncomplicated. The buoyant ﬁrst movement closes with eﬀects which
reﬂect the Balinese music Poulenc heard at the Colonial Exposition  in 1931.  The slow
movement’s outer sections are reminiscent of  Mozart while the middle part of the move­
ment is openly Romantic in style. The very free Finale is exuberant  and brilliant.  The
total work is a successful treatment of the two­piano concerto, a  genre explored by few
composers.

INTERMISSION

�Symphony No. 94 in G­major ( “Surprise”) . 

I. Haydn

(1732­1809)

Adagio cantabile; Vivace assai
Andante
Menuetto–Allegro molto
Allegro di molto

This is one of  the best­known  of  the twelve  “London” symphonies  Haydn  wrote
during two sojourns in England, 1791­1795.  These last  symphonies by  Haydn are ma­
ture works of  great imagination which  inﬂuenced composers through much of  the nine­
teenth  century.  The opening  notes of  the slow introduction  to the ﬁrst  movement  are
transformed, with slight  rhythmical change,  into the main theme  of  the  Allegro.  The
slow movement, a  theme with f our variations, is noted,  of  course, f or its tutti surprise

chord at one of  the cadences.  More droll are the  humorous contrasts  in the pompous
second  variation in a minor key.  The seemingly  straightforward  minuet  breaks  into  a
clever piece of  canonic writing in its second section. The last movement, jolly and bois­
terous, hides a  humorous and fast moving reference to  the ﬁrst  movement  which  is  a
challenge for the listener to catch.
Program Notes by Dr. Harry Lincoln

MEMBERS  OF THE  SYMPHONETTE
Violins: 
Ralph Wade 
Marianne Wallenberg 
R  . R ’  h  d 
‘tt

Cellos: 
Daniel McIntosh 
Robert Knight 

Bassoons:
Thomas Closser
Betsy Sturdevant

Jas Sting)  a :  

Bass: 

French Horns:

Betty Lou Agard 
Eliza Tan 

Flutes: 
Georgetta Maiolo
Harry Lincoln 

James Wallenberg 
Maryjane Woytowitz 
Edward Pettengill 
;  : 
Judith Niles 

Violas:

Russell Colton 
Dorothy Basos 
Shirley Sullivan 

Richard Thomas 
Haroon: 
Donna P 1 
­
ylypsiw 

Oboes:
Scott Eddy
Jeﬀrey Barron

Brian Stemberg
Stephen Couch

Trumpets:

Elmer Fairbank
John Harper

Timpani:
John Engstrom

1974­1975 SEASON

FIRST  SYMPHONY CONCERT
SUNDAY, N OV.  3rd, 7:30 p.m. – Wes t Junior High School

Soloist: Eileen Farrell
A l l  Wagner Program

SUBSCRIBE NOW!
Brochures for the 1974­75 season are in your program.
There will be an opportunity at intermission to subscribe now for the coming season.

�BINGHAMTON  SYMPHONY  AND CHORAL  SOCIETY, INC.
Oﬀicers
President
Vice President
.  Secretary
Treasurer

George R. Dunham 
Mrs. Eugene Peckham . 
Mrs. Robert Jergel 
Miss Sophie Horowitz 

Directors
James Babbitt 

Morris Gitlitz 

William Bridegam 
Mrs. Edwin L. Crawford 
George R. Dunham 
Robert Eckert 
Mrs. Jane Kihner Ellison 
Miss Sharon Emmons 
Donald Forriter 

Miss Sophie Horowitz 
J. Scott Husted 
Mrs. Robert Jergel 
Mrs. F. Thomas Jones 
Dr. Harry Lincoln 
Mrs. James Little 
Keith Martin 
Mrs. Alice Mitchell 

Mrs. Eugene Baxter 

Dr. Philip Friedheim 

Mrs. Morris Gitlitz 

Choral Committee 

Chairman–Mrs. F. Thomas Jones 
Vice­Chairman–Miss Sharon Emmons 

Secy. Treasurer—Edward Schappert 
Librarian–Mr. and Mrs. Scott Husted

Mrs. Charles Joseph, Mrs. Jan Shephard,

Miss Ethel Molessa

Dr. Francis E. Moore

Dr. Cliﬀord Myers
Mrs. Eugene Peckham
Mrs. Conrad Ross
Mrs. Everett Shimp
Mrs. Roy Sova
Mrs. Fritz Wallenberg
Mrs. Charles Yungkurth
LouisE. Zell, Jr.

Fund Raising Committee

Chairman–Cliﬀord Myers
Secretary Treasurer–Mrs. Donal O’Buckley
Mrs. Vincent Cherrone, Mrs. Kent Turner

R on Hamilt
Hamilton 

Publicity Committee

Orchestra 
Personnel Manager–Miss Ethel Molessa 
Concert Manager–Edward Pettengill 

Chairman–Mrs. Roy Sova
Vice­Chairmen–Mrs. Michael Middaugh
Jerauld  Manter

Librarian–Jane Whitmore 

Art Work–Mrs. Carlton Thompson

Executive Committee of The Friends of the Symphony
President—Mrs. James Little
Mrs.  Paul  Brooks,  Mrs. John  Convertino,  Mrs.  Edwin  Crawford,  Mrs.  Philip  Mattice,

Mrs. John Fenzel

We  wish  to  extend  our  thanks to  the Evening  Press,  The  Sun­Bulletin,  WBNG,
WICZ, WKOP, WENE, WBJA, WEBO, Hi­Fi Record Shop, Kent  Drug Stores, Harpur
College, Marvin  Kelley,  Jr.,  Mr. and  Mrs.  John  Richard  Reidy,  Vestal  News,  Carrols
Drive­In, and to all other friends whose support has made this concert possible. Special
thanks to Welcome Wagon for dispensing information and advertising materials.
This concert is made possible in part by support received from the New York State
Council on the Arts.

�</text>
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                    <text>THURSDAY  RECITALS  AT  1:10
JEAN  CASADESUS  RECITAL  HALL,  SEPT.  12,  1974

Ho

ie,

' ce 
%

Walter  Ponce,  plano 
W

a

n

k

­

.

m

'  m
”

h

a

m

.

“

Brahms

Quartet  in  A minor, Opus  51, No.  2 
Allegro  non  troppo
Andante  moderato
Quasi  Minuetto,  moderato

Allegro  non  assai
The  Lenox  3triag  Quartet

Peter  Marsh, violin 

Toby  Appel, viola

Delmar  Pettye,  violin 

Donald  McCall, cello

l

&gt;»

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

LENOX  QUARTET

Chamber  Music  Series
September  7 ,  1974

Don  A.  Wa t t e rs  T h ea t e r
8:16  p.m.

�Peter  Marsh,  violin 
Delmar  Pettys,  violin 

Toby  Appel,  viola
Donald  McCall,  cello

ahhhht­thﬁx­X­thhhhhhhhf*****************************

Concert  S e r i e s  T i c k e t s  w i l l  
continue  t o  b e   s o l d  a t  i n t e r m i ss i o n .

. 
’ 
Anyone  holding 
a single 
4 
; 
 ao . 

admission  t i c k e t  can  c r e d i t  i t s  

cost  towards  the  purchase  of 

a  S e r i e s  T i c k e t  a t  th at   t i m e.

QUARTET  IN  E FLAT  MAJOR

op.  33,  no.  2 (THE  JOKE) 

Allegro  moderato,  cantabile
Scherzo :(Allegro)

F.  Haydn

o
argo  sostenuto
Presto

QUARTET  IN  G MINOR,  op.  10 
Anime  e t  t r e s  d e c i d e

Debussy

Assez  vif  et  bien  rythme
Andantino,  doucement  expressif
Tres  modere  ­ Tres  mouvemente  et  avec
passion

INTERMISSION
QUARTET  IN  C MAJOR,  op.  69,  no.  3 
Beethoven
Andante  con  moto  ­ Allegro  vivace
Andante  con  moto  quasi  Allegreto
Menuetto  (Grazioso)
Allegro  molto

�THE 1974–75  CONCERT  SERIES
Sept 7
Oct 5
Oct 19

Nov 9

Nov 24
Dec 13

Feb 2
Feb 22
Mar 16
Apr 3
Apr 13

ne

8­74

Lenox  Quartet
Peter Marsh,  v i o l i n
&amp; W.  Ponce,  piano
Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
&amp; W.  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

�</text>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at &lt;a href="mailto:orb@binghamton.edu"&gt;orb@binghamton.edu&lt;/a&gt;.</description>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

LENOX  QUARTET

{ .

Summer  S e r i e s
June  22,  1974  a t  8:30  p.m.
U n i v e r s i t y   Union  S o c i a l   Room

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Peter  Marsh,  violin 

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JUNE  1
Beethoven  opus  18,3
Bartok  Second  String  Quartet
Ravel  Quartet  in  F
JUNE 

8 
Haydn  opus  64,5
Prokoﬁev  Quartet  #2
Brahms  opus  61,2

JUNE  16

Schubert  Quartetsatz 
Beethoven  opus  18,4
g 
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Mendelssohn  D minor  Trio 

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ARTET  IN  A MAJOR,  K.464 
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( Walter  Ponce,  p i a n i s t )

JUNE  22 

INTERMISSION
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Beethoven  opus  69,1
QUARTET  IN  F MAJOR,  opus  69,1 

a e a e &gt; e &gt; e &gt; e * * * * * * * * * &gt; ﬁ * * * * * * * * * * * * *

LUDWIG  von  BEETHOVEN

Allegro

.  $3.00 
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students 

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�</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="39549">
                <text>Works of Mozart and Beethoven. Held at 8:30 pm, June 22, 1974, Social Room.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Lenox String Quartet</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="39551">
                <text>Binghamton University Libraries</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="39552">
                <text>1974-6-22</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="39553">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="39554">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
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