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Eclhi ~ 1~P . .::::;>' ~ff ~;·-· . t:-· ~-~7 ·~ ...... --~-- ,.!":~~ .~---:;· .€y • •. ~ -·· ... ��The 1965 Colonist Binghamton) New York Harpur College �- - I L TAB LE OF CON TEN TS Administration . ..... ..... ..... ..... .. 4 School llistory . ..... ..... ..... ..... .. 6 Class Hzstor)' ..... ..... ... . ..... ... 11 Fashion . ..... ..... ..... ..... ..... .. 17 Pleasure ..... ..... ..... ..... ..... . .33 Instruction ..... . . ..... ..... ..... ... 93 l luman ities Soo"al Sciences J\fath and Sciences Senior Directory ..... ..... ..... .... I 37 Advertisers and Patrons ..... ..... ... /61 �-....-~ -·. . - l ~ J " ..~·,;/ ����"11u drnmg joa /1t1es u<re or:crcrocukd and drafly" "7711nv u•eu s1mplf1 Ihm " The thaw caused flooding and three feet of God's own water in the parking lot caused general distress. Noise continued as high school bands started practicmg on the football field bordering the E. J. clubhouse and a new dimension was added as a family of skunks established residence underneath the Colonial Building and was never, ever removed. By the end of the first year it was clear that the prefabs were shoddy and that the dining facilities were overcrowded and drafty. Some of the faculty ("we had a real bunch of screw balls") were found to be wanting and the mortality rate among profs was staggering. Thirty young profs left en masse and went to California and formed a Harpur College in exile. By the end of that first year, many would echo the sentiments of a veteran teacher who declared "it was a depressing place. I wouldn't go back for anything in the world." For the students, it was a rugged life. The students had a rough and ready enthusiasm: they drank hard, played hard, worked hard and, as far as existing data permits to conjecture, loved hard. Studmls had a roMgh anti rrat!J mlhwWJm" The students found that local dives were within walking distance and the Main Street Bar and Grill, now fabled in song and story, was a second home to many. If legend is correct, however, nothing could compare with the Oasis Tea Room, where lilting, inscrutable odors of the East mixed with the occasional flash of a diamond to create an atmosphere which even in memory paralyzes the senses, and makes mice out of the strongest men. ''Flooding caused gmaol distress · It is thus clear, dear reader, that Triple-Cities College was, in a physical sense, an academic outhouse. If this is so, what explains the fondness which many misty-eyed alumni and glassy-eyed faculty memhers look back upon those somewhat tossed-salad days? Because, things were simpler then. Familiarity was bred, to a point almost beyond endurance, in the womb-like environs of T.C.C. 1 �"Thr Oru1s Tea Room'' The vets were tough and town-gown relations were often strained, but their reputation as guys who could eat spiked shoes was severely hurt when a twenty-three year old freshman was stabbed by some punks from Union-Endicott High. After that, the college roughs could never gain back the psychological edge they had gained when the punks knew that these were men who had swallowed shrapnel somewhere in the blue Pacific. and if tho art all dr1!/ltd" In 1951 , the school was officially dedicated and Gov. Thomas E. Dewey, former candidate for President of the United States, came to the Triple Cities to dedicate the school. The campus police and all the dig~itaries greeted the governor. People who had wondered how Mr. Dewey had been able to capture the hearts of all Americans in 1948 wondered no more when they heard his extremely moving speech. I dtdrcalt Harpur College this soltmn night, pledged lo truth. I drdicalr ii pledgtd lo thr idta of frudom on /hrs tarlh, pledged lo /ht concept that tht d1gn1ty of mankind is more important than arty olhtr course, pluiged to faith m lht ri.11ht and tht surt knowtedgr that .1a1th in tilt right will tn"umph in tht end ''1'ow11-,11own rtla11onsJups Wtf( often stramed" About the time of the stabbing, the State University of New York grabbed the foundling from Syracuse and T.C.C. became Harpur College, Queen of the Liberal Arts. Now that the State ruled over the Endicott fire trap, the Provost, Glenn Gardner Bartle, could sec his dreams realized. (It was Dr. Bartle who coined the phrase "I have a dream." It \Vas Mr. Belniak, then an Instructor in Citizenship, who coined the phrase "those who don't know history are doomed to repeat it.") c. Bartie's dreams were almost shattered by the Korean \i\'ar which brought with it the fear that Harpur's males might be drafted. He said at that time: "even if mobilization should remove all male students, we shall carry a full program." However, the American people placed Dwight Eisenhower s into the vVhite House, and a just and honorable peace was made. These noble words did not alter the life on the dingy Endicott campus. The overhead pipes were still gathering rust. The school had a continually large turnover of faculty, but was becoming less vet-orientated. �It was at this point, in 1954, that it was announce d that homel y old Harpu r, dovt~Y old Harpu r, was going to be picked up and brough t to an academ ic mecca. The studen ts were happy wilb the n~s, and the townsp eople were happy . (It has been,-sug9ested that this mutua l happin ess was due to a shared reason : the Harpu r people wante d to get out of contac t with the good burghe rs of Endico tt, and the feeling of the Endico tt people was similar ly incline d toward a parting .) Men and materi als began to be moved over to the new campu s and a gym began to rise. When the dormit ories were constru cted, studen ts rode back and forth in the bus - going to classes and having meals in Endico tt and sleepin g in Vestal , where there was nough t but a great sea of mud. The old-tim ers were a little uneasy in the antisep tic dormit ories having gained an affinity for the earthy home life in historic old Endico tt, and the enterin g studen ts were struck by the schizophreni a of a split campu s. The hardes t hit groups , accord ing to observers, were the studen ts who had lived off-campus in Endico tt (where practic ally everything wasoff -campu s)or who had partici pated in good times at James dormit ory, a sort of latter-d ay House of the Rising Sun. For them, the sterile quarte rs in Vestal came as someth ing of a cultura l shock and the apathy of the period can be traced to the traum a of those who had known the Endico tt campu s (where things were simpler). So a site was picked - an idyllic, rolling area where the studen t could comm unicat e with nature and the univer sals - the kind of school Henry Thorea u would have attend ed, or Rousse au, or Joe Louis. Midst mooin g cows, and cooing doves, where the grass was tall, and childre n small, a place where dogs were wont to run in the summ er sun - here the State Univer sity of New York decide d to dump its bricks. Here would Bartie' s dream be built, here would the settler's lives be staked . brgall The gym was dedica ted by Harrim an in 1958, and by the fall of 1960, the move was comple te good-b y to Endico tt, the home of the Square Deal. Midst the bands playin g and the people lining the street to wave good-b y to the studen ts and admini strators , faculty and friends, tears could be seen in the eyes of the crustie st observers. "Thr vrrdallt pasturrs o/ l',.stal " Constr uction began and the buildin gs, done in stately brick, began to rise. The move from the Coloni al Buildi ng was done with great ceremo ny and all knew that if an old era were passin g then certainly, inevita bly, logically and irresist ably, a new era was coming . 9 ' ',\,fm a11d malrrtols . .. " mrn1111.~" "Fama// to thr hom' of lht Squart Deal" �Farewell to the Oasis Tea Room, to the skunks, to the punks from Union-Endicott, to the Main Street Bar and Grill, to James Dormitory and the Colonial Building. All these had been stitches in the great fabric, nay, the tapestry of early T.C.C. -- Harpur life. It is a story then, of humble beginnings, of defeats and triumphs over adversity - a time of testing for the embryonic liberal arts center. The pioneers who went out of this school, the vets who sought an education might easily feel out-of-place in the school of today, but can we condescend to them for that? They endured years of shadiness and kept a rather grim place alive. If there is a moral lesson to be learned from this history, it is that man cannot only endure but prevail. over skunks, freezing cold, banging pipes, blaring bands, and tmvn dwarfs - not only to get an education but to build something. Our predecessors gave more than they took and if Harpur is a school without a tradition, it is not a school without a past. The End ��This, however, is all impressionistic. What we certainly need now are the facts - the data. What actually happened during that year? We can report, without too much fear of contradiction, that a social life did not exist at Harpur College. The weekends were spent wandering around the student center, the evenings ultimately nesting in the Music Lounge, that goldfish bowl of dreams and sound where the people twisted until their small intestines cried for mercy. And while the people danced, others watched, their noses pressed against the glass, sizing up the same girls over and over, pointing and talking until the lights were doused at one o'clock and all trudged over the esplanade to Digman and Rafuse and Johnson and O'Connor to talk into the night: does God exist, can one derive an "is" from an "ought," who has the best body on campus? The Coffee House was founded that year - and everybody tried to squeeze into the small room to talk and sweat. eat knishes, and play with the candles on the table while somebody folk sang or Al Lupi sang "The Lady is a Tramp." And this is what happened on weekends, after the movies. But during that winter of 1961-62, there was something which hasn't been equalled since, and which cast a glow over December, January and Feburary: the basketball team and the Basketball Game as an event. The team won fourteen games that year - they won big, scoring 100 points against Plattsburgh, or they pulled them out at the end, but they always won. And basketball games brought out whatever spirit there existed at the time, and all the frustrations about going to a school nobody ever heard of were let out and drained because here we all were in the gym with the snow melting off our boots in the warmth, and we were going to win another one. We roared for Davis and Greenberg and then we walked up the hill in the snow and went to the Music Lounge. The sport has never played the same role in the life of the college that it played that winter, not only because the team has never been the same, but because winning has never seemed quite as sweet, or as necessary. 12 �Other events livened up the year. When Al Robinson and Barry Levine. both slightly tipsy, heisted a statue of the Christ Child off the Courthouse manger scene, Binghamtonites were outraged. In the spring, Harpur had the only first-class panty raid perpetrated in the four years, since some people actually got into O'Connor, although most of the cowards screaming for entrance fled in the opposite direction when the doors were opened. But it was a famous victory. Also, an extraordinary number of very notable people were showing up to speak. Eleanor Roosevelt, her sympathies won by a heart-rending letter written by Ronnie Bayer on the In· ternational Relations Club's state of abject poverty, arrived to speak. Harlan Cleveland, Linus Pauling, Norman Thomas, I. F. Stone, William Rusher and Brand Blanshard found their way here. The Hungarian String Quartet arrived to play a Bartok quartet which brought the house down. These, however, were events which came here. What were the students doing? Well, a group of students stood on the center mall to protest the resumption of nuclear testing by the Russians, a demonstration which took perhaps less courage to participate in than any other. Thirty-seven students took part in a Washington Peace March. Within the school, the key demonstration was the Bermuda Riot. (not a riot at all, really) in which students, in protest of an inane dress regulation banning bermudas in the dining hall, arrived en masse in bermudas to confront Dean Belniak and Mr. Marshall at the door. The result was that the ban was lifted . The year ended with a few more traumas. Dr. Bartle told us that some people in town thought that we were unclean, and that we might wash a little. He added that, oh yes. sophomore boys might live in the Carlton Hotel in 1962-63. We did a collective double-take and then saw visions of 200 boys hounding room service, climbing down fire escapes and dropping water balloons on cops - in a yearlong Marx Brothers orgy. The plan fell through and a chance to irrevocably destroy town-gown relations was lost. As the days lengthened and minds mischievously idled, some boys began to toy with he idea of "taking" a final, or two, or three. So the Katzenjammer Kids snuck into offices and read the exams into a tape recorder. The plan was perfect. except that they were caught and thrown out of school. So the first year ended, in relative calm. But there had been a portent: the state had picked Harpur as a guinea pig for the trimester and the first stirring of outrage began to be heard. Everything seemed to explode in our sophomore year. The girls were wondering what the new women's housing head, Miss Patricia Wilson, would be like. She was young, the girls were glad to see, and this assured at least a compassionate, contemporary ear to problems. This' notion was quickly disabused by a series of bed checks, flashlight searches, and other bits of nocturnal razzle-dazzle. Miss Wilson became a veritable lightning rod for invective and a cold war was started in the girls' dorms. 13 �The Student Center had changed, and in a very important way. The Music Lounge couldn't be used for dancing because WRAF was next door but a huge, new Snack Bar could, and the Snack Bar's new location had great significance. The new Snack Bar became the stream in which all bathed: it was not just a place to drop into, it became a social, cultural and intellectual necessity. Weekends once spent around the Music Lounge were now spent in the somewhat gloomy recesses of the Snack Bar. It became the womb within a womb and rock n' roll was a kind of Muzak of the Womb. The Snack Bar made us realize that sitting and talking, drinking coffee and chewing coffee sticks, were at the very root of Harpur life. Because if Harpur was not based on sheer verbiage, dll day long, and about everything, it was based on nothing. The Snack Bar was an open arena, a great stage and we realized how important it was to know what each and every person was doing. We were still insecure and the trimester kept us so. All our freshman fears about going to an anonymity were rekindled by the persistent belief that trimester would mean the plummeting of standards and the flight of most of the faculty. Bartle told us that it wasn't so bad, dropped his classic "its as if they were dead" quip and left us more worried than before. If trimester came, said scores of discordant voices, we will transfer. But it came, and we stayed, and do did the teachers. 14 �A new group called Students For A Democratic Community was worried about a whole range of issues and began challenging the Administration on everything from social regulations to educational policies. S.D.C. added to the excitement of the year by giving us the feeling that if we worked things out, the students would get everything, but everything, changed. Delusions of grandeur perhaps, but the election campaign that Spring was the first one that seemed to count. The Civil Rights Club, in its first year of operation, was attempting to sweep the cobwebs out of our consciences and one couldn't open his mailbox without C.R.C. announcement. The tutoring program they set up was the most constructive thing Harpur students had ever done, opening a line of communication with Binghamton. (Beer blasts, however, were closing lines of communication. One after the other, various legion halls were left in shambles. this reaching an apex with the S.O.S. Pounce, where an orgy of glass-smashing made the hall look like a bombed-out crystal palace.) Basketball games began to involve a kind of group monomania, centered on the wiry figure of Mickey Greenberg, upon whose shoulders fell the burden of carrying the team. And so we sat and asked, pleaded and implored the team to give the ball to him, the star, who did not relish the role. But he scored 45 one night, and brought light into a somewhat dim season. It was a year of chaos. Dr. Freimarck, lecturing on Gulliver's Travels found that the stage was ascending and descending and waved gamely to a delirious audience. A campus cop, entrusted with giving out numbered 1.8.M. cards on registration eve, cracked under the pressure and started giving them in the early evening, to anyone who happened by. Word began to filter out and by about 10:30 there was a virtual stampede of anguished boys from the dorms. (At this hour, of course, the girls were utterly trapped.) Scalpers started selling low numbered cards and Mr. Rishel was almost lynched when he arrived, roused from an evening of partying. Registration procedure was henceforth changed. Chaos extended to the great, rich and famous. W. H. Auden, resplendent in orange hush-puppies, lost his teeth before the unbelieving eyes of a properly reverent audience and Nelson Rockefeller was happy, very happy in fact, to be at Harpur with his old friend and trusted colleague, Glenn Bartlett. As finals approached, the primary uncertainty concerned the effects of the summer semester. A lot of things were being discussed in grandiose terms for the year 1963-64: curfews and the grading system must go, everything must be re-evaluated. But the one thing that was sure midst the flying debris was that the school had acquired an identity, and a certain air of excitement and spontaneity, and this would not easily be undone. 15 �enti al , but sum mer was a farce and is only tang mer sum the in ly, nge stra n bega year The the landand the leaves had changed already, so to our history. We returned in November er syswere on the verge of collapsing; a new Slat scape was brown. Bingham and End icott st to own ekn unb The Slater people, for reasons tem of served meals did, in fact, collapse. bow ead, he of the corn-fed tones and clip-on us, had whisked away lovable Wally Aitkenh d coul he lt insu imp ertu rbab le - there was no ties. Wally's successor was inscrutable and atio ns ldn' t coolly with stan d. His lucid ratio naliz not turn to his advantage, no slur he cou ire. adm with a dexterity stud ents were forced to for every move Slater made were done steak nse he made of "one dessert a meaf, one (Especially note wor thy was the brill iant defe s.) a week," at a time when there were nos teak was pus: l'aff aire Hau mon t. The whole business There was a shadow han ging over the cam ents Stud g. ythin y was supposed to know ever dark and alien to a campus where everybod : adm inist rato rs test ifyin g in closed sessions and hers teac es, oriti auth by etly secr ed interview to HarWhen investigators from Montreal came these were elements of a trou blin g affa ir. dram a the world like extras from a French spy pur to a look around, and looked for all mat ter seemed more shadowy than ever. or a very bad Bogart movie, the Hau mon t hing the Program which was, in man y ways, pus ion ntat Orie bral cere a ured feat Fall The ultim atel y to lift curfew ceilings, a drive that was S.D.C. program. Work began on a drive n dorms: with a front-page editorial calli ng for ope successful. The Colonial News came out about less d care and suddenly nobody could have the paper was dated November 22, 1963, ssination, was in a state of quie tus afte r the assa ity activ tical Poli CN. the or s, dorm open ting The favo rite intra -mu ral spo rt was lam bas this last ing unti l H.U.A.C. wen t to Buffalo. against along with the now trad ition al vendetta Bio. Sci., which the CN took for a cause, Miss Wilson. freshman or year is the absence of a mood. In our But wha t strikes one mos t abo ut the juni juni or the but sophomore year, change and doubt, year, there was inse curi ty and doubt; in the already were still active but they were inst ituti ons year was a calm one. C.R.C. and S.D.C. Servwas tion niza new organizations. The new orga and inst ituti ons are never as exciting as s, S.F.Y. except a kind of genial ambitiousnes to tied d moo no was e ther but th, You ices for feel didn 't stir the blood so much as make one and this kind of crypto-welfare organization at Har pur like this happening. Children would froli c ng ethi som was e ther that py hap ely vagu people oton y of a world with out children or old on weekends and break some of the mon or dogs or cats. ed like tings in the Coffee House which ofte n seem Students for Off Campus Housing had mee lved, invo narr ow to excite anyone except the boys cell meetings, but the purpose was too for whom it was a holy cause. , which ts to breathe some spo ntan eity into a year The stud ents atte mpt ed to contrive even sucable (or unusual). The dawn dance was a pass was, for the mos t part business as usual ter y, held at a more civilized hour, was a grea cess and the Stepping on the Coat ceremon success. 16 �Dr. Bartle retired , but this caused no gnashing of teeth, it was a year without traumas. After two years of turmoil, there was nothing which could shake us up anymore, not even Bill Hynes as editor of the CN. As we studied through the hot June and played stickball and sat on the patio watching the passing scene, as sen iors tried to finish theses, there was a kind of peace at last. The bulldozers were still shaping the physical Harpur, but the essential (that is to say, the metaphysical, intangible and extra-natural) Harpur had already changed. The inferiority complex was gone, and with it, the mass apathy. We knew that we were in a kind of womb, in an unreal world , and we knew that such a life was ephemeral and we would soon be out in the cold , in the brute world. So we sat on the patio and read and looked at the people - and soon we would look no more and fight our battles elsewhere, in a world we were being taught to understand, but didn 't. fIARPUR ;o '" ~'"#ll' IVt \ • I I .. I I , J J ... --------: ~· •.• _...:...iii&. .~............. ' " -..... ..- , I -..· .. .. " s"-' ... . - ~· . . . ~ C.... ui~·:~:;~,~~ ~''"'.,~ ~· . . . \:" . ~ . ~ . •• ' '. • :•... 'f ~I . I ~ -:::;:::.:. ~ . \:·' ~·. ~ .d?.~ ~ .. , f • ��ash ion ��. Fashion is change and represents what is happening in a formal sense. There is fad-fashion and eternal-fashion and sooner or later, everything one can think of gets involved. Is it done this year, or this month , or day, or instant? This is the key question of fad-fashion. Is what ~one: wearing jockey caps, saying " I might ever," going to Sullivan 's, eating clams, .taking a shower for 31 hours, going barefoot, wearing no socks, reading Ian Fleming, not reading J. D. Salinger, wearing round sunglasses or high boots or long scarfs or thin ties or army-navy raincoats. Are people alienated this year, or 1s it passe? It is all of importance because if one is out of fashion , he is out of his time and the rules of the game specify that that cannot hai: pen if one is to retain the respect of his fellows. So that a girls sans textured stockings is a girl sans chic and if a boy has a cap he is one up on most people. "Right" - an expression which dominated speech patterns for years is finally and unu(terably Out and nothing is generally In, although in small circles it became In to place the stress on the active verb of the sentence; e.g. , " I happen to be screwed up. " James Baldwin, last year's In is this year's Out, and Dr. Kraetsch 1s currently In. The patterns are relatively unstable and if the cravat seems very, very Out right now, one can never, ever, tell. But eternal-fashion is something else. This is re-occuring form , inevitable pattern . The seasons represent fashion to the nth degree, predictable yet always new, measurable yet exhilirating. In the fall, which trimester has erased for many (that is , most), there are sweaters and coats - the leaves bright, the air crisp but not penetrating. The haze softens the out- · lines of the buildings. The haze disappears as the cold sets in and more layers of covering must be added to bodies: thicker sweaters , heavy jackets, fleece-lined boots. The land scape studded with stark trees. The first becomes monotonic: brown hills socks , ski sweaters, leotards, snowfall results in heavier a successive layering and loden coats, parkas universe freezes over bundling as the whole kind of equality among until there is a the same figures, all men: all girls have are the same width . boys' shoulders ingly forever and it This lasts seemnecessity: is a fashion ofpeople wrapped like and bulkiness, able commodities. so many perish - ashion There is a brief time in There is no spring. and the Inferno when there between the Ice Age Spring never really happens, is a great deal of mud but dandelions and only the grass gives no flowers bloom, except for wild a sense of rebirth. As soon as the temperature goes above freezing, the lovely ladies are sprawled on the grass, behind the fences and in the pastures, to offer their bodies to the potent Sun. Fashion again involves sex rather than survival. When there is fashion of allure ment, fad again becomes a factor - there is more freedom of choice. So bermudas with pat terns on them are Out, wearing tennis sneakers without socks (which causes a substance known as Sneaker Butter to form on the inside of the sneaker) is In and sunglasses are always In, especially if you are very, very cool and wear them indoors. Stickball is In, sitting on the patio is In, and girls have figures again. Fashion is change and represents what is happening in a formal sense. ���LUNCII Boston Bean Soup w/ Saltines & Melba Toast Broiled Filet of Sole w/ Leraon Butter or Tartar Sauce or: Sweet & Sour Pork w/ Giblet Gravy Parslied Whole Potato Oriental Spinach Glazed Hubbard Squash Mexican Carrot & Raisin Salad Large CUrd Cottage Cheese en ·Bowl Tossed Lettuce Salad w/ Choice of Dressing Chinese Chews Glazed Strawberry Gelatin Whipped Topping or Shredded Coconut Black Forest Cherry Torte Fresh Fruit Freshly Baked I1onk•s Bread Creamery Butter Coffee, Tea, Milk Punch w/ �21 �����������'( ���Leasure ��Pleasure is that which causes temporary stability and suspension of the senses and causes the mind to focus on one thing. This is a debatable definition , and may, in fact, not be a definition at all. However, he who only will learn of pleasure through dry definition is beyond any human repair. Pleasure involves living and being conscious of that fact. It may involve doing something well, in sport or scholarly pursuit, or it may involve abandoning ~e self and merging it with something else - losing yourself in a crowd which is for the most part focusing its individual consciousness (es) on .the winning of a game, or the acting of a play. Pleasure is making sweet love far from the maddening crowd - lying still in a meadow aware only of silence and the eyes of the other. This is a pleasure not mentioned in college catalogues or even in most yearbooks, but it will be mentioned here, because it lurks in the backs of all our minds, in that part of the consciousness no reserve article can touch, no tutor can penetrate. Pleasure is walking by yourself when the weather is warm or in a crowd when it is cold. We perceive that cheerleaders are doing something pleasurable when they cheer; friends are doing something pleasurable when they lose an hour in the snack bar talking about anything of importance or unimportance. It is pleasurable to hear a_ good lecture; it is also pleasurable to look out the window during a bad one, especially if the snow is "carefully everywhere descending." A good panty raid is a pleasure of some magnitude, but there rarely is a good one. Pleasure is not measurable and covers the entire spectrum of GOllege experience: writing a good paper and knowing it, eating a good sandwich, watching a good-looking girl who is not aware that your glazed eyes are upon her, being aware that a good -looking girl is watching you, discovering that the textbook you despise 1s factually wrong and writing incisive marginal comments. It is pleasurable to walk midst the trees after a snowfall, to see that your mail box is full , to get high and , as a conse quence, hear yourself say profound , wonderful, witty, and tragicomic things you never thought yourself capable of. Any number of bars give pleasure, of sorts. For the desperate . eating fifteen cent hamburgers might give pleasure, but not half so much as playing football on the mall on a lazy afternoon. There is great pleasure to be had on a lazy afternoon if one is aware that it is precisely that type of afternoon. Merely to sit and talK, to lie on the grass and hear people around you talk, to direct your sensory apparatus to the perception of the everythingness of a large blue sky, is pleasurable. For some, making a social club is pleasurable, not merely for itself but for the promise of future pleasures. The same holds true for the acquisition of a car. leasure One can have pleasure at a patio dance by suppressing all possible inhibitions, but declaring one's major is never pleasurable - there is too much commitment for there to be real pleasure. True pleasure must be unbridled and if deep commitment is involved, then great disillusionmen t and harm is possible. If one is uncommitted to whatever pleasure is at hand, then one can't possibly be hurt 'by it, although the pleasure is not as great. That is why Humphrey Bogart could not be easily hurt by a babe, because he was disengaged. Pleasure is that which causes temporary stability and suspension of the senses and causes the mind to focus on one thing. ��eee 35 �· · , ·-::-.:=~ - ; :::: . I "";:,....... - • 1 1 36 ��38 �39 �������. presenting harpur follies �������·.·.· ............::>> . : : ::.: . . . .-.·.<· -:-:-:-. .·.· .·.· ��TENNIS TRACK 1964 1964 Harpur Harpur Opp. Union Hobart l 'tica Hamilton Hartwick A(fred Ithaca Oneonta GOLF 5 2 9 3 6 7 9 9 RPI Hamilton 4 7 0 6 3 LeM~)me Hartwick Oswego Brockport Cortland Ithaca 2 0 0 BASKETBALL 1964 20 1/2 20 112 47 12 30 100 87 1 ? 73 971/2 115 45 84 82 115 14 14 26 1965 Harpur Harpur 60 Hobart Oswego State Utica Oneonta Ithaca Cortland SOCCER 2 2112 14 112 4112 3112 CROSS COUNTRY 0 3 5 4 0 0 1 2 SWIMMING 20112 7 6112 12V2 22112 23112 Opp. 5 45 35 40 30 30 61 Opp. 62 83 94 73 62 61 53 75 61 67 59 60 53 44 55 63 75 97 79 54 64 89 95 102 6-1 60 75 60 74 69 54 1965 3 7 Oneonta Hamilton Union St. Bonaventure Wilkes Oswego Hamilton New Paltz Geneseo RPL Buffalo 1964 Harpur Oneonta Ithaca Union Hamilton Hartwick I Opp. 1964 Harpur Brooklyn Wilkes Utica Bap. Bible Sem. Hobart Hamilton Utica Hobart Alfred U. Union Geneseo Hamilton RPI Plattsburgh Hartwick Utica Stony Brook Wilkes Drew Albany Oneonta Maritime Opp. Opp. 18 22 18 20 38 55 Harpur Opp. 23 64 39 27 59 45 72 56 57 41 :J2 23 31 56 68 36 50 39 38 53 63 72 ���\fark Bassin Bob Brogan Stt>w Davis Mike Freedus Neil Wilensk} Barry Winkler John Wojcio. Larry Gainen Bob Vogel �Larry Kavana Keith Marcin Bill Matros :\1ikc Rice Mike Tillcs Shimkin Ken Bloom Dave Lcnorovitz Coach Frank Pollard. M~rs. Barrv �Swim Team Ed Avery John Berlenbach Ken Blatt Jerold Bogartz Ed Carroll Bob Cronin Charles Dayton John Devlin Richard Greenberg David Goldman David Graubard David Hammack Leslie Handelsman Gary Hinaman Lobert Holzhaur Todd Horwitt John Hudock Coach Thomas Russ Keeny - co-capt. Magnus Lakovics Dan Mahoney Elliot Lieberman Doug Lowin John Mahoney Steve Ramme Stuart Rossen Steve Saltzman Phil Schecter Paul Schulster Val Sakowsky mgr. Steve Treistm an Rich Walter co-capt. Art Tobias Rich Van lnwegen .. -· �Tennis Team Albert Benderson Joel Cohn James Friend William Gassman Joel Goldsholl David Goldstein Burt Kahn Coach Pollard Dennis Kibler Peter Lederman Melvin Maskin John McKee Barry Meadow Rodney Soltis David Weiner �Baseball Team Coach Affleck Mathew Coppola Stephen Davis Paul Deitchman Paul Feurstein Allen Israel Richard Liss Robert McCulloch Lance Pelter James Reif Christopher Rossi Barry Schneider Edward Sntder James Spring Stewart Rubin Lowell Tanzer W1ll1am Tuminello �Track and Cross Country Teams Coach Lyons Howard Burdick George Brun Charles Craig Michael Doehring Bruce Denker James Doig Ronald Ehringberg William Falla Ronald Faigin Robert Gelerter Gerald Gold Alan Hardy Ronald Hawley Gerald Hathaway John Hudock Robert Kalinich Harold Koenig Bruce Molnia David Juir Stephen Ostrander Harold Rabinowitz George Rogers Peter Rowlands Stanley Schantz Philip Schecter James Schultz Jack Sherman Edward Vavra Dennis Wayne Charles Weidig Arthur Westcott Ira Wolf Golf Team Coach Schum John Goddard Arthur Kaelin Russell Keeney Stephen Klimow Howard Levinton Gary Robbins Jeffrey Rothman Jerry Wager Neil Wilensky �Soccer Team Coach Schum Bob Booth Walt Bulawa George Contemanol1s Andy D1N1tto Roy French Bill Hackman Al Hamlin Bob Kurtz - mgr. Dave Lenorowitz Fred Peck Andy Pierce Bill Powell Sarge Russell Jim Schultz Al Shulkraut Rod Soltis Don Walford Phil Washburn Ross Williams Joe Wolfer Paul Za1acegkowsk1 �...r• rll ~- " �CLUB DIRECTORY Pi ntopplers Progressive Socialists Society Services For Youth Ski Club Spanish Club Student Christian Association Students for a Democratic Community Students for a Democratic Society Students for Peaceful Alternatives Synchronixed Swim Club Women's Recreation Association WRAF Young Americans for Freedom Alpha Phi Omega Civil Rights Club Debate Society Folk Dance Group French Club Friday Club German Club Harpur Dance Group International Relations Club Jewish Fellowship Math Society Methodist Fellowship Newman Club n College Choir College Orchestra College Wind Ensemble Jazz Workshop Madrigal Singers Men's Glee Club Pep Band Clarendon Colonial News Colonist The Humanities Review Toady Adelphi Baccacia Demetrean Society Dionysian Society Endymions Goliards Dragon Society Who's Who in American Colleges l.T.K. Odean Society Pandorans s.o.s. S.T.O. T.A.U. Central Appellate Boards Dorm Councils Dorm Judiciaries Judicial Review Board Student Center Board United Student Government 66 ����program colonial players \n 1'1 aft r.' {) re(lor D It twn of D . ii attn h I Brr ol. 11 DN /J 17 Jan I >- )I \-larch 7-9 ~Im 4-5 June "v[ur synchronized swim ( n 1 iv r J 1irnal Ch01efJ[!1apherl llj t/u Cluh dance group f rzda Satwd y Feb. 5 & h music department !\·ol. \,fG/' ( (Jr \!t1t'1 f,/ t Clul, 14 Dh. r l"' H di 1 lurtt ( und. 21 .Hay, 21 }rm. /)1 \e,on(o1d. 11 Jteb. /J \ I n, ( 011d. 7 11 June I Hay l 'J June �������HARPUR COLLEGE DANCE GROUP ����The Colonial News ~ \ 'J �TOADY HUMANITIES REVIEW CLARENDON ����I I I ' ./ I ~ \ '- ��ADELPHI Ronald Aronoff Kenny Bloorn Hal Cohen Ethan Fishman Bill Gassman Harry Geller Dave Graubard Bernie Grossberg Al Hamlin Tom Hillman Herb Kaufman Dave Kovel Howie Levinton Fred Peck Mark Perlman Harvey Pinsky R1ch1e Printz Peter Richman Bob Ro::.~ Mike Switzer Charlie We1d1g Barry Winkler Scott Winokur Charles Bob1s ALPHI PHI OMEGA Bob Ackland Mickey Bassell Vic Beenk Michael Burke Keith Darling Jim Dell Barry Ginsberg Jim Harrington Glenn Harvey Harry Meyers Bix Myers Toni Oliven Larry Pas1k Larry Rabinowitz Bill Ryall Morns Schorr Richard Serth Gary Simons LePage Spnssler John Traz1no Bruce Wasserman Paul We1sshaar BACCACIA Lee Adlow1tz (flee) Bill Bender (brain) Steve Diner (editor) Ron Ehrenberg (resigned) Mitch Gerhardt (treasurer) Paul Ginsburg (President) Chuck Glass (shiv) Marc Lumer (secretary) Steve Menyuk (YuK) John Novak (vice·Pres.) Stan Shantz (chaplain) Phil Sommers (adiourn) Rich Stoler (pledgemaster) DEMETREANS Corens Denker (vice.Pres.) Feldman (Pres.) Fleischman Frank Freyman Goldberg Goldstein Gordon Gruen Hirst Koch Leaderman Lerner Lebowitz (Sargent·at·arms) Mesh Miller Rosenblum Schechter S1egelman (Sec ) Snyder (Treas.) Weiner Zalaz~ DIONYSIANS PANDORA NS Rodney Alexander Terrence Augenbraun (V.P) Robert Boonan Daniel Denato Barry Forrest Michael Frevert Aaron Fuchs (Pres.) Steve Goldberg (Rec. Sec.) Roy Kaplan (Treas.) David Keisler Mark Konikoff Stave Markowitz Jack Massey Jeffrey Rothman Steve S1deroff Gil Sweet Rosemarie Ampula (Sgt at Arms) Pat Bernstein (Historian) Bridget Brooks (Rec. Sec ) Sharon Earnshaw Angie Erhard Jane Flannagan Jackie Ford Margie Hull Ilse Kornprobst (Corr. Sec.) Barbara McCoy Dorothy Meyer Mary Alice Northway Barbara Petryshyn Joyce Reaves (Pres.) Yvonne Rogers (treas.) Carolyn Shope Carol Tewes (VP) ENDYM IONS Marvin Cohn Ed Federman Bernie Feinberg (Rec. Sec.) Frank Frattalone (Corr Sec.) Jay Goldberg Mark Goldstein Bill Grossman (Treas.) Dave Kaminsky Richard Krubel Alan Lippel (Pres.) Martin Mango Paul P1yser Matt Price Mike Simon Peter Wenz Geoff Yager (Vice Pres.) GOLIA RDS Steve Davis Jim Fey Mike Freedus Jeff Goldman Gordy Gould Chuck Haas (V P.) Gary Hinaman Todd Horwitt (Sgt. at Arms) Jim lak Vern Jacobs Tom Kolvec Magnus Lakov1cs Harry Marten Keith Martin Bill Matros Mike Matthews Bob McCulloch (Sec.) Jim Reif (Treas.) Pete Rowlands Steve Schlam Bill St1bel Jim Spring (Pres.) Bill Tuminello Don Voorhees John WOJCIO ODEANS Jeff Augenlicht Lenny Augenlicht Je1 ry Cantor Tommy Carles Don Chattaway Frank Doberman Fred Eckhauser Carl Friedman Craig Hathaway Richie Hyman Al Kohler Larry Kresse! Stan Lindenfeld Ronny Nathan Jan Novak Larry Ravetz E:larry Reed Ron Scherhofer Jack Sherman John Spiegel Rick Ungerleider R1ch1e Walter Pledges Bob Barnes Gary Lemco Steve Wallach 88 SIGMA TAU OMEGA Sanford R Altman Joel G. Cohn Ben1am1n P. Erlitz Charles J. Fisher Matthew H Greenwald (V.P.) Barry D. Kass Marc. J. Leitner Lanny S. Levine (Treas.) Alan Lichstein Daniel Magalnick (Pres.) Harold Magalnick Robbins. Gary A. Lindsay A. Romanow Michael Smith Jeffrey I. Weinberger Mark L. Wolra1ch Jerold S. Yale s.o.s. Eden Grode. G. Grode. L. Miller Nanes Reed Sanborn Schieber Scott Shapiro Sh1mkin Sloane Wachsman TAU Harald Abrahamsen Bob Altavilla Jay Beniamin Bob Benson Bi II Broskett Bob Brown Frank Cerra Carlie Dayton Dick Flint Gene Godin George Hanley Neil Henry Denny McCudden Jerry Palmer Andy Pierce Bob Sessions Al Sturdevant Lee Valenta Jerry Wager Wayne Webster Ross Williams Paul Za1aceskowsk1 Bob Zolczer �T.A.U . DIONYSIANS �I 3 8:15 SffiING REVIEW 1 '7:30 Convoca- J ~ /rJ Ft43~ Final Ex.ams /Jf SffiING REVIEW /) /1 /f" La.st Day of Classes o-?/ Begin :Vovie 11 8: 15 Concert tions Comm. ;·ovie "The Big Store" 8: 15 Pop Concert o20 7:30 Convocations Conun. 8:15 Choir 'I Casablanca11 o/ 1 Commencemerd~ /j' ���~lLSON EL • • S.D.C. Asks USG: ean Clarifies µnctions of levise Registratio1i 0 EJrties Split USG PositionsJ t .Meetina Held Tuesda 1 SUPPORTS GOALS Liberty Wins 5 Spots; SDC SO FAR OFIHI~S.F.O.H. llT\... II ,fiets 7 Posts to''Pr0tect Us All "says 110011 Gi,·etl ro1• Goal Dr Gordon The present make-up of csr.,.. ves SDC 12 members (or 2/3•~ ' tho!ie \Oting,) in addition e Presidency, Liberty Party member!!, and the Student nion Party one member, Jean illenbrock (First Vice Presi1nt). eletted last Spring. The following Liberty P ('tmdirlales wel'e victorious their respectiYc dormit.o Neil Henry Whitney votes) over Corrine Muld SDC, (16 votes;) Johnson Ruth Barnes (Gl votes) o N?rma Pera, SOS, (50 .""ote Mal'k Levine 1>1gmnn - 1 .J ' • Last Wednesday, one-hunCont.rovP1·sy has ugain 11risen l · . • red seventy-eight people, a 1 regulnt1on~ att<>ndence 1t a few of whom were Har- over· ' r students offered to donaterelcvant to the periods just LeTh f 0 110 .· · f ' "' mg c of blood to the Broome ore vucatwns. .. letter has appParl'd over a . . t . ountJ Blood Bank. Of the.,e, . 1e-hundred forty two were ac- signature pl'oportmg to bt> tha f ••s SU.• . t Gordon'" pint "'° ·~~~;·i~heB~~:;t ~~~t~~::~:!o representative n:h~f ~h:d P!:~~ti::r~:n~: I of Lhe blood. Harpur's sev- s· UwaNr y· According to a 1 per cent is significantly above Answer soc uS<i N0te - ....._ILS, ANGER i In voles) over Ira Goldman, dependent, ( Hl votes) and d t I I • nc epen en (,u 1ante, Ed votes') Bingham • Laney (97 SvDoCtes) over , (71 vo \Ve1sl>rod, . b Jeff Stem Chenango (83 votes) over .Mark Sch S ) r: ner, SDC, (u3 votes , and ha Wolf, Independent, votes;) Endicott - ,Judi Si (100 votes) over Randy Bi Liberty, (70 votes). 1'he following SDC ca dates. were. uuopposed: . Ctnnpus - Barry Shapiro Peggy Rusin" votes) ( 44 vote;;.) There were write-in votes. Delaw'lr(• Terry Shortell (88 v.otcs). J USG Supports and •ules Berkeley FSM - Ordon Puts Emphasis 0 tudent <ioverment Limit ~::~:-~-:,·,:~0J:.::~:::~·J5~:::: EY . EL BERK ( S<i academic freedom, ~rnor Brown's action in den) ing ht to dt>monstrate. (3) demand relea,..e of those students \\ho tt'd, ( l) call for the immediate rr directives denying the right,; _t_· _in_ politicnl ad\ ocacy on ' . _ •n_g_aJ! _____________________ to achll'\e u A5k5 _ _ .._~ _ __ , The Unite-d Studen ernment is now ace applic.ations for chair Spring Weekend. _ _ Any intereste-d �nstruction �- VlRGl .... :r �Instruction is that which attempts to alter, reinforce or articulate our view of reality and, therefore, make one aware of what life is, and what the world is like. It is found in many places: in a lecture hall, in a music rehearsal room , an art studio , a teacher's office, the theatre, in the woods where botanists search . Harpur College of the State University of New York at Binghamton is supposed to exist for the expressed purpose of instructing and the goal is served in various ways, official and unofficial. We hear lectures, dozens of them, before we graduate. We take courses from about twentyfive different teachers: some alive, some pedantic, some inspiring, others stale. All these typ~s are found on every campus in the United States. They are our primary instructors. But a student faced with the task of shaping beauty out of a pile of clay, of creating form out of formlessness, is attempting to learn what the creative process is all about, and even if he creates something, he may never understand the process. A student staring at a blank sheet of paper, wondering how to create living, breathing human figures is faced with the same problem. This is also true of the actor. The process of discovery is a process of instruction . We hear lectures from those who visit and we can say that we have learned, if nothing else, that great names mean nothing, that rhetoric is not a substitute for ideas. Has not the Guarneri Quartet taught us something, not only about chamber music, but about beauty itself? We have learned as much from the films shown here as from a great mass of lit. and comp. and soc. sci. lectures. All of these things, this amalgam of experience, is instruction . But instruction 1s not merely that which we receive, but which programs of the Civil Rights we give out. The tutoring Youth make ·it Club and Services for possible others. No one who for us to instruct participated in these programs can deny that there was something excit- ing about play- nstruction mentor, of sharledge with people of ing meager know- transmission line for the wisdom of the West. We are taught by people paid to others. We are taught by role are taught to teach others; college is a and the starved for any kind of knowledge. We legends ing teach us, but also by a host of townspeople who think we are abominable, by other students whom we argue with, by the accumulated wisdom on men's room .walls, by crazy people. We learn from fighting for things we feel are important (some may suggest that violins are necessary here; this is cynical) and we learn from conceding intellectual defeat. We learn from getting drunk. We learn from making love. Instruction is that which attempts to alter, reinforce or articulate our view of reality, and therefore make one aware of what life is, and what the world is like. �Thb I• a Cut mcua;c unleu I • deferred char• -.ertr ls lnd1ca1cd by the WESTERN UNION proper rrmb91 136 ST UOV 24 TELEGRAM 64 SY 140 SF 1201 4-00) Ol. .. C.y Lntct NL•N•11h1 Lrncr LT•lntctna1lonal L.cnu r~ Y _Ji.. $60 PD NEW YORK N Y 11 ll.5P EST 0 • m FR • ., TON OH OX 767 Hll'.RPUR COLLhGE BINGHAMTON lIT :TY THANKS FOR LETT ~R OF 11/19 1 '.ICH I FOUND INTER ~STING YOU I ED MANY POINTS .,ST DI CUSSED D PERSONAL MEETING I WILL BE G .TI'FUL IF YOU CALL COLLECT AREA 212 9249050 SO THAT WE CAN .R NG ' TIME F'OR ME TO COME TO BINGHAMTOM AGAIN MANY THANKS PL l S , L T ME HEAR NICHOLAS KISBURG RESE RCH DIRECTOR INT BROTH TiLM.S7~Rs . �THE NEW YORK TIMES, TUESD AY, DECEM BER 8, 1964. would "SUJ>port the students- OD mpt fD the l!ormltar y all term. . JJH 1\) ! HARPUR STUDU\Pro GET TEAMSTER AID the ground that this Ues m with "Once tn a wldle l walk tn lour own campaig n against Gov- and Re my NCJiiilba U,.. lttr said. emor Rockefeller's 'back-door' Aaked wby he chose to ltwl otf ,borrowing." H e said the union campus, he replied, "~or pri· would ''finance and adVlse the va.cy, far a Rnae ot ,enional s tudent i; and marshal whatever freedom, for a place to think." 1 l pollt!cal support i n Albany we Harpur College's tuition ts Union Joins Their Protest can get ." . $200 a trimeste r plU3 $22~ fOl' . . . . I The union ha~ long food and '150 for a dormitor y on Financi ng Dormito ries ~Governor Rockefel!l'r focrr iticized issuing room. Mr. Freeston said he had _ ~public authority bor.ds, charg- read in the newspao ers a.bout, ing that th.is was a subter fuge. the teamster .' prep?rin g to By PHILIP BE:-1.JA'.\11:-1 The union contends t hat the bring su1t agairu;t foe state S1><c:a1 to Th• Ne• York T!am Governo r ts ~impl y trying to bond tssu1ng authorit ies and BINGHA MTON, N .Y .. Dec. 7 escape lntere.st and &mortiza- had written to the \llion for . . tion m the budget, and advice and help. -The Teamste rs Union joined thus char~ present a balanced budget. Repreeen tatives of the student.a' today with a group of students The student committe e's committ ee met with Mr. Klsat Harpur College here In their chairman ls Robert Freeston, ot burg' at the Sheraton Inn here. tight to live off campus. Yonkers, a bearded, 21-Ye&r• Mr. Ki.burg Mid the 1'ea.mste rs Thf' students are not joining old senior majoring in sociology. Union was prep&rtD g to bring the union. nor Is the union He says It ls cheaper for him. suit acamst the State Housing intereste d ln off-camp us hous· uto live in a.n apartme nt tha.n Finance Agency to restrain lng. The arrangem ent was made ~ on campus. bom:S.-l8s because both object to thel "It costs me $80 a month to'lssllt.n atng authorttJ es trom method of financing dormitor y 1llve In a dormitor y, two to a As g any more bonds. for the studeut fight, he construct ion. iroom," he said. "I share a threethat U\e Dorm!to ry AuHarpur. whlch Is 18 years old 1room apartmen t in town with said tharttv and the collep, in ordu and is part of the State UnH another student, S8JM a (to pay off tJl• bcmd9, ~=­ versity, has a contract with thermon th, unturnt.s bed.for Alld I IPDI! Ing ill .ttect '"to a poor State Dormito ry Authorit y,t 1e.- for food than the •15 a li.ng-cla.q tid. °YOU move onto under which the college guara.n- ,week I would pay on campus.." the campus and pay hlg2l8r tees U!.at revenue from its room He gets to and from the col- rent'". rents will pay the interest and lege on a motor scatter. S. principal on dormitor y construe - Under the college's roles a of Utestewart Gordon, the dean college, sald·tha t he was tlon bonds. male student may live ott cam- bound The Teamate n Union ts op- pus If the dormitor ies are tull •State "by wh&tevt t rules the, universi ty set.a up iJL posed to the authority bonds, or if there are health reasons terms of I~ cozuract with ~ which It says COit one-balf of that requires s pecial food that j State Donmto ry Authorit y." ·1 per cent more than bonds ls- is not available on campus. , '"I assume this is somethin g sued by the state ltaelf. Until now the dormitor ies have we will have to enforce." Dean C-Ommltt.ee Orpatze d been full. But next term, rol- 1Gordon ~d. "I don't parUcu• lege authoriti es there willjlarly relish the idea, because The protestin g students co!\- be empty space say, in the dormi- f lt la not an educatio nal matter. tend that about $20 million in tortes. but I wolfld haw to enforce bonds have beei;t sold for dofmi- One student. junior, ts the agreeme nt. As far u I am 8 tory construc tion at Harpur. malntain lng residence s both on concerne d educatio n can be u 1 The Interest, they say, Is $50,000 and off the campus, paying rmt good more than the Interest on stA1e•1n both places At the beginnin g but I in one place "'3 in another bond.s would be, and that the of the term · he said, he wae ment." must enforce the agreecollege Is forcing them to live told by the c~llege that h could .Mayor John J . Bums sa1d that 'ion campus so that it can payl not live off the campus. e ' thl!I tawn.lpeople were in favor the State Dormito ry Au~nty. "I said, 'I'll pay your room •of student.I living off-camp us -~ ~~ =~b:~t rent, but I'll still In my own · \!e~hb~ ght l.ncreaaed aapartme nt ' " the student said revenu e own. 3Q, ~ 1a ~ the 'Students' todav. • : for Ott~pus Housing, who He said he had not spent al live In their own apartmen ts. 1 Two weeks ago they were told by the college that they wouldl have to move to the campus IO that the donnitor lea wollld be 100 per cent full. About 50 of the 1,800 students at Harpur now live off campus. The student committee was formed last spring when the Issue first came up, Today, at the requei;t of the committe e. Nicholas M. Klsburg, legislativ e represen tative and research director of the Teamste rs Joint Council 16 of New York City, came~ to disc:u• the issue. Mr. Kt!lburg said the unlQG I ! = Uve becaUS: �96 �tutorials and nursery school �����Heads: Dept. K Lindsay Des Arts S Pitcher Belles Lettres . P. Weigand •. . Tongues. Tongues S Levin Germanic Classical an d Ba 1uc �Art c . Eldred s F<'rbc1 C K.1dish l) Schneider E. \\ ilson 1 Zupnick f;nf!/Hh f.1/tra/urr G Adams P. Baumgartner z. Bowen . O. Brownstcm G Burne i\ Clcmenis D . Colville M. DiCcsare \ Freimarck L Gouheim S. Grebstem J Hagan_ J Hagopian B. Huppe R. Kroc1sch B. Levy P. Mauhe1scn L. MosS F. Newman H. Reinhart J Reu1c-r Santangello E. Schwanz M Seidt·n J. Walker J Wt"ld Crnnan Rus sian Clanics M Bochnak L. Duroche v LoCiccro J Orloff z. Pavolovskis E. Schick G . Schmidt J. C. Stephens R . \\'c1ss Phtlosop h>·! Communicatrons J Billings T. P. Brown W. Derbyshire L. Golds1c-in L. Larsen R. Neidorf W. Pizante A. Preus E. Roma S Thomas E \'as1lew .Husl( Thratrr A. Jackson .\ Brooks K Korte p Frit'c!he1m H. Lincoln J . Gilfillan R. Schlosser p Isham Roma11a !.anifuagn M Jasena.\ R. Anderson R. Keicham C. Bachellcr G. Kim M Bourgeal J. Lak1ch c. Coaies G DelRio A. Marsland R. Mignani B Branch K. Mintchcff A Fischler G. Moral Philosop h y - J Kaminsky Music P. Nelson . D Watters . Dramaucs · A Pellegnn1 Romance La~gua~es C. Gruber Division Cha1rma G Gullace �Marian Alexander William Becker Diane Burhyte Rosemarie Ampula Michelle Bloomfield Patricia Bury William Anton Amy Bookshin Carolee Caposella Monika Bastian Elvira Boxhill Jcrie Cejka Paul Beatty Stephanie Bruno Dolores Chapo �Patricia Clancy Judi th Damin Antonina Colella Martha Davis Raymond Collins Peter Davis Susan Cooper Andrea Diprima Virginia Crane Linda Eastman 105 �Llewellyn Edwards Molly Foran Cora Ginsberg Jody Greenfield Kenneth Heinrich Judi th Eisler Lynn Forchheimer Jacob Goldberg Marcia Hamburg Marilyn Hersey Ellen Finkelstein Jacqueline Ford Naomi Goldwasser Ute Hanisch Alice Hill Sheila Finkelstein Jean Foster Marcia Goodman Johanne Hansen Karl Hillie Carol Fletcher Thomas Friedman Lolita Gray Elizabeth Harvey Phyllis Hoffman 106 ��Judith Hymowitz Russell Knapp Deenah Landau Diane Kaelin Ilse Kornprobst Marion Lane Bonnie Jane Kaufman Sandra Koser Stefani Levinos Judith Kazan Beverly Kozak Alan Lippe! William Kepner Frances Kugler Alice Lipponer 108 �George Loudon Robert McCulloch Susanne Louer Nancy McGuire Kathleen Mandry David McNally Harry Marten Mehrer J eannettc Dennis McCudden Jesse Miller �Abigail Mohn Priscilla Osovski Michael Press Judith Munro Georgia Palmer Richard Printz Judith Newman Marcia Perlstein Carol Reese Pamela Nichols Judith Petty Ursula Rehm Carol Oestrich David Popkin Marilyn Rose �Hedy Rollin Susan Sheinman Gail Satterlee Linda Sher Philip Schechter Terry Shortell Barbara Shapiro Nancy Smith Joan Sheeks Susan Solomon �Benita Somerfield Gary Taylor Louise Wagner Joan Sonnanburg Michael Tilles Janet Warner Ellen Stimmel Ellyn Uram Alice Weinstein Evelyn Sucher Laurie Urbscheit Donna Wilke Ellen Super Elia Valenta Claudia Wilson �Judith Winchell Kenneth Zimmerman Barbara Wittenberg Robert Zolczer John Wojcio James Yacapino Frederick Young �����Harold Abrahamsen Terry Beital Anthony Brankman Mel Appelbaum Robert Benson William Braskett Robert Argersinger Andrew Bergman Robert Brown Jeffrey Augenlicht James Bertan Carol Burnham Harvey Bayer Charles Bobis Susan Calkins �Doris Caplan Carol Decker Thomas Carles Brian Eden George Cole Stuart Eisner Randy Cummings Bobbie Erpelding Raymond D'Agastino Anna Farrugia �Richard Feldman Paul Ginsburg James Harrington Allen Frankel Harvey Goldstein Glenn Harvey Robert Freeston Eudora Gorthey Charles Hollon Anne Gaylord Charles Haas William Hynes Mitchell Gerhardt Alan Hardy James Jacobs �Ronald Jarmuth Carol Keck Kenneth J 0 h nson El Jen Kerstem . Robert Kasch k . a avid Kiesler D Lawrence Ka vana Stephen Kl.1mow George Kaye Barbara K urz �Violet Laws Ira Makashay Roger Miller Fred Lawson Mary Mallabar Julius Mongi Alfred Lehtonen William Maney Harry Morgan Eleanor Levine Ronald Mayers Helen Multila Richard Levy John McLellen Thomas Nelson �Patricia Newman Gerald Rosenblum Mary Northway Robert Ross Keith Palmer Arnold Rothbaum Lawrence Rabinowitz Anne Sasinek Bruce Rogers Deborah Schachncr �George Schieber John Spiegel Samual Tambura Peter Vietze Susan Weiser Barry Shapiro James Spring Mary Trapani jerry Wager Stephen Weiss Mary Senft Richard Stoler Arthur Umlas Richard Walter Ross Williams Richard Siegelman Michael Switzer Howard Verb Mark Wasserman Harriet Zellner Elaine Sirota Thomas Syvertsen Amy Vietze Annette Weinstein Anne Zimmerman 12+ �����\ atrmil P/11/oso/'h> (; Schum.1cht>r Dep'l tk.1d \\ Bauin J Fm·h1h.ll J Gn('r;on S Landr\ A Muellt'r ·y Murphy M ')chellie; R Trumbort• .J \\rlmolh Ii Pmncr C. l leckroue Alchtm> Dcp'l I kad G Clt•mcnl C. Hull S. B. McDuffie ~adan C. Meyers B. Norcro" \I Paul E. Schncr L. \'eihi1 Gtoloif.) Dcp't Ht'ad \1 Bodtn<' D Coate' H Robt·r;on J Sorauf 'l Simkin Math Dcp't llc-ad K. Anderson H. Huntn J. Kent H. Bc-ard 0 Bdl B. Clin'!'er G Craft D. B. F A H C. Hall Lcrcht'r \\ rie;ht Zeiber Kronk Houe;hton A !';horb Ph)'Sl(f R Hart Dcp't Head K Chune; B. Goss1ck N Grecnbrre; W. Kalyan-Masih F. McGar R. Penfield C. Stannard Psy<holozy W Heyman Dep't Head R. Burne;ht G. Deane H Fagin J H.ll'hardson A. Slrouthcs J Ranney \\' \ andamem �Dennis Barek Robert Bernstein Charles Dayton Gail Bradbard Susan Bullowa Mary DeGillio Hannah Bernhard San to Casella Daniel Denato Allan Bernstein Frank Cerra Arthur Diamond Ira Bernstein Donald Chattaway Mary Dietrich �Frances Duda Michael Freedus Angela Erhard Wesson Gaige Carmen Farr Albert Galante Edward Federman Robert Gelerter Bernard Feinberg Barry Ginsberg 131 �John Goddard Ronald Gruen William Iak Maxene Klein Stuart Lerner Morton Goldberg Dana Harri Howard Ka tor Mark Konikoff Enid Liss Andrew Goldstein Stephen Hiller Frank Kearly Richard Krubel Robert Loewinger Mark Goldstein Charlotte Hood Virginia Kelsey William Kwalwasser Carol Connolly Lucey Blake Gordon Donald Hood Elliot Kinberg Stevan Leiden Mary Ann Lynch 132 ��Hana Machotka Roger Nanes Berl Nussbaum Keith Martin Carl Nelson Norman Obst Russell Miller Karen Nezelf"k Anna Papa Mona Milstein Ginit Nevin Karen Perlman Andrea Moore Norma Nichols Barbara Petrychyn �Michael Radzikowski Warren Rottmann Lawrence Reed VictlJr Saks Leon Reynolds JoAnn Samson Louise Robinson Barbara Schonwald Yvonne Rogers Marilyn Schuman �Barbara Schwanz Louis Smith Dennis Wayne Billie Sherris Robert Strohschein Joseph \\ebs1er Barry Shimkin Rov Sundick Joel \\.'eingartncr Carol Shonsleeves Carol Tewes Jean Willenbrock Michael Simo n Richard l ' ngcrleidcr Barry Winkler �senzors not photographed Eugene Woloszn Harvey Zalazneck Marcia Zetren Susan Zimmerman Judith Zipp Susie Adler Johathan Balk Mary Boburka Allen Breit Alexandria Bahuniak Sharon Brewer Arthur Costas Samuel Delorenzo Ben Franklin Ronald Green Barbara Grinder William Hackman David Hicks Rita Hogan Marilyn Huie Thomas Kolvek Richard Mandych Melvin Maskin David Ross Leonard Sachs David Sambora John Taylor James Teneglia Sanford Tyndale Paul Zajaceskowski Carol Angell Patricia Anzideo Robert Baron Marcia Burnett Marvin Cohen David Douglas Susan Frady Frank Frattalone Ernest Giodani Marlene Goodwin Barbara Hazilla Michael Hertzberg Jutta Heygel Giles Hoyt Regina Jumbeck Howard Kelly Daniel Kim Dennis K1mmage Karen Kleven Rima Lunin Wanda Matacia John Mc Kee Wayne Olsen Daniel Pierce Sylvia Tewes George Tomara Frank Vangeli Robert Witney George Varnes Alan Baker Nelson Condon Robert Cukier Roy Fergurson Dennis Kibbler Douglas Patchen Constance Platt Anne Sasinek Steven Smith Roy Subitsky Robert Weiner �etc. �"What Hop?" 1s lht flip jldt o( Dann>· & /ht }rs' At The ..---•.,. ·•• n• C.I'. () • ..1 ..: I " ! wen/ lo Dmvu for 2 day.r a11d thm I wtnl for I day lo Rochtslrr a11d Ihm for 3 da}'l I wmt lo New YorA and lhtn In Great Brllam. ·· �''ltm'rr met'' "CSE" "II'r u m11 lhr I ' .. etc. "lour mo/ha .. " / tnl({hl rur" 137 �ENTRAL APPELLATE BOARD >an Canavan (Clerk) ~on Denc1to 01bmo Kriegsman (Rec. Sec.) anet Kurz larci'1 Pei l••ein (Choir.! .\argorct Slock m;rie Thcilheimer uc V/achs 'nm Wolfson :II/IL RIGHTS CLUB yccutivc Comm.: Jonny Domofl Jim Jacobs ike Kc:sper ~ito Levit;: 11y 1-.lordwind Comm. Chair.: John Evonsohn ilob Freeston obert Holl Pat Jahmtone CLARENDON Sharon Moyberry Anton Sheryl Bellman Paul Bresnick Susan Wile Cooper Jean C zoprock i Marcia Greenstein Kori Hillie Steven Kellman Ellen Krcindcl Lorry Krc,.el Jonathon Plutnick Ellen Schustcrson Bruce Scrlen Roy Sniffen Ke11 Stern Debbie Tonnen Alon Vcrte1 Donn<• Wilke (Edi to•) Stephen l.A'intcr Arlvi!.ot: K1ochth COLLEGE CHOIR '· Soprano: Co1CI Anthony Virginia Baker Millicent Conklin Jone Fried Malit<i Frogate Anne HothCJway Alice Hill Sydell Horowit: Miriam Houghton Koy Kusimki (Lib.) Beverly Ko=ok Ri to Kromnicz Cathy Penta Bell)' Robbins Alice Stitelamn Kathy Ze><lov•ky Alto: Sond1 ...1 Boum901 tner Simonf> Buel to Sue Bernhardt Eloine Bolton Jcrie Cejkc• Mortho Oovis C;·nthio Gilchreisr Koren Goodmcm Mc11garet Jockson Ellen Leinwand Cm0I McAvoy Pomelo Sto11 Cynthio Sto~ (Accon1poni1tl Tenor: John Benne thum Horvey Bornf ield David Crowe Be11jomin Erl itz Roy Gordon Alan Hardy Zone Kalter (Lib.\ Doniel lippine1 John Taylor Boss: Jomes Baldwin Bruce Choddock Poul Darnell Jeffrey Gin1prich Seth Kosten Michael Pawlicki Al Sturdevant Ed Vavro Peter Wenz Robert Whitney Director: Nelson ORCHESTRA Arr Abrohams Robert Bein•lein Henry Bl ouser Debbie Cohn Robert Cuk ier Frnnces Duda Candy Duncan Johri Evomohn Paulo Fenimore Anne Gaylord Kathy Gruber George Grupsymth Joy Al Ian Horolds Heddo Herzog Margaret Jackson Chri• Livingstone Lonny Levine Jahn McClellan Abigal I Mahn Irene Powozek Stuart Rosen Caroline Sharp Anita Walls Steve Walker Su5CH' Zimmerman .l\dvisor: Wollenberg WIND ENSEMBLE Art Abrahams Lee Adlowitz Jomes Baldwin Marlene Bo" Sondrn Boumgortner David Crowe Candy Duncan Joseph Freedman Mery Gornevilus Ed Ginsberg Gene Godin Al Hardy Joy Horolds Pot Jedrek Fronk Kearly Douglas Kendc•ll Al Kenien Lindo Koenig Steve Lt! iden Lonny Levine Gory Lovejoy Chesle• Lupton John Mele II on Carol Martin Betsy Postow Gory Ravert Ellen Reid Steve Rosenberg Lee Sharp Don Welford Wayne Webster Art We1tcott Ira Wolf Advisor: Nelson COLONIAL NEWS Editorial Boord: Albert Benderson Sony Blirsrein Bob Cronin William Hyne• (Edirori Rid1ord Levy Michael Orgil MClrcia Perlstein Bi II ie Sherrls Mory Trapani (Mong. Ed.) Edi toriol Stoff: Mm·gic Srohom Ben Erlitz Sill Fozio Mitch Gerhardt Ronald Jormuth Harvey Landress Ron linden Mon.. Loomer Rode• ick Meeme Doug Novarick Kole O'Hare Peggy Rushworth Ed Subitsky Dennis Wayne Eloine Weyuker DEBATE SOC IE TY R0>emory Bc.ker Sharon Bannon R<;ndy Birch Candy Cohen Margaret Divel Pc1t Drown Philip Feldberg Morcio Fisch Stu Fleischmon Lou Gurmon Steve Kellman Richard Levy David Lorton (Pres.) Poul Peyser Lorry Roik in Bruce Rogers Non Rou Alice Sardell Corl Sh:>olmcn (2nd V. Pres.) Bory Simons Stephen Weiss Al Wildstein Steve Young (Isl V. Pres.) Advisor: Vosilew COLONIAL PLAYERS Koy Hoban IV. Pres.) Mory Beth Hobnn Hoffman (Treas.) George Loudon (Sec'y) Steve N..wman (Pres.) DANCE GROUP Mndon Alexcmder Christine Bon1)ey Corol Brei tbort Tino Corl ino Setty Enos Anno Farrugia R0>e Feit (Pres.J Jody Greenfield Rick Hoffman Phy II is Joeg.:>r Alice Jelline Jill Koplon Rita Karp Marsha Korol Deenoh Londou Eleonor Levine Rito Pollot.. Pat Newmon Ruth Reichek (Sec.) Morthn Sch\'/ortz Benito Samerfiuld Kenneth Stern Ca>"Olyn T1ocy Fronk Frottalone DRAGON SOCIETti' Joe 8ress Sue Calkins Susan Wile Cooper Anno Farrugia Andy Goldstein Jin Jacobs Bonnie Kurz Richard Levy Bob McCulloch Jim Spring Eilen Super Richie Wolter Ross Williarns John Spiegel Jeannette Mehrer Edword Federman Andrew Bergman Barry Sli<1piro Horvey Zolaznick Alon Hardy FOLK DANCE CLUB Chris Bcnzoquin Cluis Bonney Mmgie Braham Sondra Cohen (Sec'y) Jeff De"hin Richc•rd Fried (Pres.)" Barrie Goldman Kathy Grube1 Morcio Greenstein Allon Rubenstein Jock Sperling Roy Sniffen Jomes Tenaglia Eylond Washington Advi50r: Filley JAZZ WORKSHOP Dove Crow Chuck Gloss Gene Godin Doug Kendall Al Kenien John Pork Nick Pawlicki Stu Roso11 Alon Sturdevant Ben Tittler Woyne Webster JoAnn·Sinovoi Art Westcott Lisa Sohr Advisor: Lockwood Carol Srusn JEWISH FELLOWSHIP Ann Steven• Sue Auerbach (Sec'y) Sherry Teitelbaum Sandy Stern (Treas.) Sylvia Wolf Joyce Warshaw (Sec'y) FRENCH CLUB Coro G iruberg (Pres.) Morion Al~xcnder (Pres.) David Groubord (V. Pres.) Poul Anderson JUDICIAL REVIEW BOARD Nancy Coplon Kathy Annabel Sob Cohen ( Treos.) Jim Jacobs Vicki Doub (Sect.) Berl Nussbau<n Jock Ellen .Joel Soffin Susan Krebs Susan Solomon Dick Levy Jim Tenogl ia Rilo Pollock MADRIGAL SINGERS Bi 11 Schee ter Alice Hill Bmboro Shapiro (V. -Poe•.) Pamela Sta<r Ellen s~per John Taylor Ruth Trv~hin Bob Whitney Barbaro Wit tc1~>erg Advisor: Lincoln Advisor: Coates MATH CLUB THE FRIDAY CLUB Marilyn Boker Hedda Herzog William Barker (Sec'y-Trees) Carol Spccto1 Stephen Bu.sewil: Naolo Gersten Douglas Causey Suson Wachs Peggy Cosgrove Deborah Zwecher Ken Elstein Craig O'Neill Sue Fulton Adeline Levine Dennis Geller Sonnie Wortman Margaret Haywood Elaine Gulker ' Burt Holland (Pre>.) Hone Machotko Dorry Kiken Chris Ben~oquin Nichoel Kroposki Mory Hendershot Barbaro Lasker HISPANIC CLUB Stephen Levi tos Leonard Breeze Lindo Lyon Ronald Heller Borboro McCoy Robert Klplitz Fessi Metter Morgore t Lourie Alison Nosh Georgia Palmer Pahicio Olmste<>d Arlene folonker Lindo Seger (V. Pres.) Charles Wognct Barbaro Simpson Kenneth Zimmerman Carole Tucke• Advisors: Anderson, de IR io Maddy Webster HUMANITIES REVIEW Barbaro Weins Andy Bergman Advisors: Kronk / Beard David Lorton MEN'S GLEE CLUB Bill Mason John Benne ihum Morcio Perlstein Roy Brown Nancy Lee Smith Poul Darnell Susan Solomon Ben Erlitz Cl<Judia Wilson Roy Gordon Advisors: Newman, 8oumgortoor INTERNATIONAL RELATIONS CLUB Williorn Grossman Ronald Gruen Jerome Block Alon Hardy Mork Bouji~ian Stephen Hiller (Pres.) Deena Brown Zone Kai ter (V . -Pres.) David Crowe Michael McMullen Ed Delahey Michael Pawlicki Andy DiNitto (V. Pres.) Michael Stvrgeon Irene Durham (Sec'y) Jo~n Taylor Kenneth Elstein METHODIST STUDENT FELLOWSHIP Jone Freemon J. Chris Conero (Treas.) Ira Gold1T1on (Pres.) Kenneth Johnson (Pres.) Michael Hanken Dow no Lombard (Sec'y . ) More Leitner NEWMAN CLUB Dione Levy Gene Godin (Treas.) David Mortin John Gollcent (V. Pres •.1 Elisabeth Menne• (T1eos.) Stephanie Miranda (Pres.) Richard Mermey Anno PCJpo (Sec'y.) Rosol ie Mewberg Al Hardy Hedda HcflOIJ Judy Hirt Deborah Kane Susan Krebs Do11ald Macleod Hone Mocholko Jessi Metter Alison Nosh Betty Nordwind Kole O'Hare Croig O'Neill Dogmoro Poilovs Lynn Posmentier (Treas.) Sus Rosenberg Martha Schwartz Roberta Silverstein Ruth Olsen Mike Orgill �����PEP BAND Art Abrahams Lee Adlowitz Merli Boss Dove Crowe Al Hardy Steve Leiden Lonny Levine John Mclellan Jahn Park Gary Ravert Lee Sharpe Al Sturdevant Wayne Webster PINTOPPLERS Harold Abrahamsen (Pres.) Mickey Bassel Harvey Bayer Deon Belniak Dove Bernstein Howard Blitzer Bob Boonim Bob Brawn (Treas.) Earl Campbell Mike Doehring Richard Feldman Rick Freyman Dr. Fischthal Al Fronk Barbaro Gura Jim Gustafson Ike Heir Dr. Hull Mr. Ives Ron Jormuth Ken Johnson Steve Kl imaw (Sec'y) Russ Knapp Ron Kach Solly LaSalle Mork Lamer Steve Menyuk Harry Meyers Stets Newcomb Rob Niles George Parker Richmond Porker Andy Pierce Deon Porter Dr. Schumacher Joel Saffin Dick Sowden Bill Standish Dr. Trumball Janice Tuller Grant VonHaesen Fred Valkwein Dr. Weigand Mork Weiss Poul Weisshorr Bill Whittaker Dr. Wilmoth Phil Wyde Harvey Zal azn ick SENIOR KEY COMMITTEE Michelle Bloomfield Bonnie Cohen Judy Domin Anna Farrugia Carol Goldstein Jody Greenfield (Chair.) Maxene Klein (Sect.) Marcia Perlstein Amy Supton Nancy Thompson Alice Weinstein SERVICES FOR YOUTH Executive Board: Laurie Billig Charles Bobis Wolter Gern Neale Gersten Joy Goldberg Barry Goldman Jeff Goldman Craig Hathaway Marlo Levine Jesse Miller (Chair.) Felice Mc 11 ick Diano Ralph Robert Ross Jim Spring Jim Yacopino SKI CLUB Marcia Fisch (Sec.) Lynne Marmareck (Pres.) Marshal I Mosesson (V. Pres.) Ronnie Steinglass (Treas.) STUDENT CENTER BOARD Joe Bress Bi II Cooperman (Treas . ) Ron Ehrenberg (Chair.) Sue Horan Charney Nemoy (Co-Choir.) Mike Simon Mork Wasserman Roz Benjamin Vicki Goldman Marcia Greenstein Fran Masse (Sec'y) STUDENT CHRISTIAN ASSOC. Caryn Gettler (Sec-Treas.) Judith Keene (Pres.) Ellie Maticko (V. Pres.) STUDENTS FOR DEMOCRATIC COMMUNITY Bill Barker James Barnes Chris Benznquin Judy Bernstein Sue Calkins George Cole Bill Crepet Steve Derse Ben Erlitz John Evonsohn Jone Fried (Vice Choir.) Tom Friedman Gail Greenbaum Marcia Greenstein Bill Hynes Ron Jormuth Carol Keck Bonnie Kurz Robert Lebman (Sec 'y-Treos.) Elly Levine Fron Mazze Stephanie Mirando Arnie Rothboum (Chair.) Alice Sordell Seth Segall Barry Shapiro Terry Shortell John Spiegel Stan Tish Steve Trosty Claudio Wilson Advisors: Eberts, Horowitz STUDENTS FOR PEACEFUL Al TERNA TIVES Nancy Coplan (Sec'y) Pete Davis John Evonsohn Ayn Fox Tom Friedman Pot Johnstone Victor Saks Mork Levine Mike Kasper Lorry Kresse! Wayne Olson Ellen Schusterson Helaine Selen Debby Tannen Mike Tillis Advisors: Beall, Sterling SYNCHRONIZED SWIM Rosemary Breister Linda Eastman Angie Erhard Lindo Fishkin Ellen Frey Ann Gordner Ann Gaylord Andrea Hamilton Linda Herman Fran Kugler Thea Marks Mally McGinnis Pam Moore Sandy Parker Dagi Poilovs Laure Safar Mory Ellen Schutt Joan Sheeks Nancy Smith Joyce Strozzabasca Ellen Super Joann l.Jgenti Lorraine Walch Bonnie Werthman Advisor: Walling THE TOADY Albert Benderson Amy Bookshin Nancy Coplan Robert Cohen Catherine Curtis Carol Decker Patricia Ferrara Thomas Friedman Joel Goldsholl Elaine Gulker Judy Hymowitz Lorry K resse I Cressido Leoche Rima Lunin Ellen Schusterson Richard Wolter Elaine Weyuker UNITED STUDENT GOVERNMENT Ruth Barnes Sue Calkins (Corres. Sec'y) Ed Deloney Ben Erlitz John Evonsohn (Advocate) Neil Henry Carol Keck (Rec'd. Sec.) Bonnie Kurz (2nd V. Pres.) Eleonor Levine Mork Levine Peggy Rushworth Barry Shapiro Judy Shepps Terry Shor tel I Judi Siegel John Spiegel (Treas.) Jeff Steinberg Jeon Willenbrock (Isl V. Pres.) Claudio Wilson (Pres.) WHO'S WHO IN AMERICAN COLLEGES Andy Bergman Pot Buty Bonnie Cohen Susan Wile Cooper Peter Davis Anna Farrugia Anne Gaylord Marilyn Hersey Candy Hykin Jim Jacobs Bonnie Kurz Richard Levy Jeonne!te Mehrer Jesse Miller Barry Shapiro Terry Shortell John Spiegel Ellen Super Jim Tenaglia Richard Walter Mork Wasserman Claudio Wilson WOMEN'S RECREATION ASSOCA TION Marney Boron Mory Lou Dietrich Ellen Frey Ann McGovun Anne Gaylord Gail Greenbaum Barbaro Lashes (Sect. - Treas.) Solly Langmuir (V.-Pres.) Midge Lourie Andrea Moore Sally Ross Lourie Sajor Joanne Sharpe Joan Sheeks Bi 11 ie Sherris Coren Spronk le Ellen Super (Pres.) Diena Yehnert Advisors: Godfrey, Chandler, Averdorf, Walling WRAF Jacklin Adison Lee Aldowitz Ginny Boker Don Baty Vic Benck Poul Block Joe Bress (Gen. Mong.) Dole Bryant Dove Cooper Bil I Cooperman Irene Durham Judi Ellerman Charles Fis her Al Horris Dove Jekel Mike Jasefsberg Zane Kolter Harvey Kaplan Cobert Kap Ii tz George Kaye Bill Kwolwasser Al Mcinnes Jerry Miller Pot Owens John Pail Irwin Romane• Bob Sage• Steve Schwartz Mike Simon Ed Subitsky Richard Welter Robert Wordwel I Tony Zodin Advisor: Vosilew YOUNG AMERICANS FOR FREEDOM Robert Argersinger Eleonor Block Elaine Bolton J>eggy Cosgrove Julie DeTor Sue Fulton Harvey Goldstein John Hagle Alon Harris Suzanne Hayword Denr.is Hoerner David Horrocks Al Kenien Bill Kepner Rita Kromnicz Fred Lawson Rick Longhurst Brion Morse Mike Nichols Bruce Nissin Wayne Schriever Carol Wendi Robert Winthrop ���ROBERT E. BERNSTEIN BETTE JO BUNDY 36 26 211 St .. Bayside 1275 Conklin Rd., Conklin Science CAROL HYKIN BURNHAM JAMES A. BERTAN 2532 Woodhull Ave.. Bronx 104 Rotterdam St.. Schenectady Poilt1cal Science Dean's List Sociology Dean's List Senior Honors: Who's Who m American Colleges: S.D.C., C.R.C.·Exec Tutorial Program Chair: U.S.G; Senior Key Comm.; Academic Affairs Comm., Chair : l.R.C .. Gallery Comm. MICHELLE BLOOMFIELD 164 Allen St., New York English Lit "I helped set the fire alarm m Whitney our fresh· man year." MARCIA L. BURNETT 401 Carl St., Endicott Humanities CHARLES BOBIS 2825 River Ave., Oceanside. L.I. DIANE ALICE BURHYTE Business Enterprise. Accounting Soccer; Adelphi S.F.Y. 6 Kirkland Ave., Clinton English Lit. Ski Club: German Club; Colonial Players. MARY A. BOBURKA 43 Lydia St., Binghamton Social Science PATRICIA BURY 910 Stark St.. Utica Enghsh Lit. Dean's List Who's Who in American Colleges; Debate Club· Pres .. Newman Club; German Club; Orientation Advisor. AMY LOIS BOOKSHIN Ocean Parkway, Brooklyn 30 French Lit. Junior Honors C.N.; Outing Club; Issues Comm. Today; French Club. Chairman; SUSAN LEE CALKINS 118 Aletha Rd Needham, Mass. Sociology C.R.C.·Exec. Comm.; U.S.G.-Corres. Sect.; S.D.C.: Student Counselor; Orientation Chairman. ··1 was one of a Vigilante Group who put up the LIBERTY sign on the C.A. building. I have also thrown cherry 1am out my window and 1t remained on the window sill below for many weeks." GAIL SUSAN BRAOBARD 79 Bobolink Lane, Lev1ttown Psychology Dean's List WRA; Pintopplers; Jewish Fellowship; Dorm Coun· cil. ELVIRA M. BOXHILL 453 Lynn St., Staten Island Spanish Dean's List Counselor; Cheerleader: Light Council. CAROLEE CAPOSSELA Chorus: 100 Rice Ave.. N. Tarrytown General and Eng. Lit. Colonial Players Dorm DORIS SUE CAPLAN 166·05 Highland Ave., Jamaica Socia logy Dean's List Harpur College Survey Comm.-Chair.; Colonist; Pmtopplers. "In one semester, I collected a service for ten of Slater dishes and silverware. I now have the ini· tial distinction of being the last of the original Odean·ettes." ANTHONY C. BRANKMAN Essex History Newman Club·Treas.; USG committees. SHARON BREWER 144 Roosevelt Rd . Hyde Park Social Science THOMAS STEPHEN CARLES WILLIAM F. BROSKETT 170-38 84th St .. Jamaica Political Science Dean's List Odeans "Let's have lower admission standards, stop im· maturity: and stop the robbing cradles and let in older, more stable students." 93 Kettering Dr., Kenmore Social Science ROBERT L. BROWN Box 356, Edwards Georgraphy TAU SANTO CASELLA 251 E. 10 St., New York STEPHANIE A. BRUNO Psychology Dorm Council; NSA Comm.; Cafeteria Comm.: Debate Club; Drama; Softball. 2214 Pinnacle Dr.. Utica Humanities Colonist JERIE JOY CEJKA SUSAN EMILIE BULLOWA 9 Price St.. Dobbs Ferry Biology 146 2 Cranberry Dr., Islip French Lit. Choir; Light Chorus; WRA. �RAYMOND ROBERT D'AGOSTINO 8 McClelland Dr., Auburn Po!it1ca Science A.P.O.·V. Pres.; Newman Club. FRANK B. CERRA 26 Chase St . Worcester Science DOLORES J. CHAPO 94 Grant St., Tonawanda Humanities JUDITH A. DAMIN R.D. # 2. St Johnsville Humanities DONALD R. CHATTAWAY 318 Sixth St., Greenport Mathematics Odeans, Band; Counselor MARTHA ANNE DAVIS RFD # l, Westport English Lit Dean's List Counselor. Light Chorus-Treas.; Council·Treas. PATRICIA ANN CLANCY 36·50 Corp. Kennedy St., Bayside 61 EngLsh Lit. Dean's List 1.R C.. C.R.C. Band; Dorm PETER DAVIS 71 Village Line Rd.. Babylon English MARVIN STUART COHN 27 Van Nl!ss Rd.. Binghamton Science CHARLES W. DAYTON Church St., Alexander Biology TAU; Sw1mm1ng, Tennis; Dorm Judicial Board. GEORGE SHERMAN COLE 92-30 56 Ave., Elmhurst 73 Economics Dean's List Jr Honors; l.R.C.: C.R.C. CAROL LYNN DECKER Hobart History Dorm Council; Counselor "I proposed the dawn dance here at Harpur. In my sophomore year a bat got in my room. and was there for two nights." ANTON INA COLELLA 4706 Church Ave. , Brooklyn Humanities RAYMOND DOUGLAS COLLINS 79 Syracuse St., Baldwinsville English MARY A. OE GILLIO 245 Main St.. Cooperstown SAMUEL P. DELORENZO l2 Livingston St . Binghamton NELSON RAYMOND CONDEN R.D. # 1 Owego Science History Y.A.F.·Pres. Newman Club. SUSAN WILE COOPER 85-54 148TH St .. Jamaica English Lit. Who's Who in American Colleges: Dance Group; C.RC.; Clarendon-Ed. "I was one of the few to get caught sneaking back into a dorm after curfew." DANIEL R. DENATO 113 Lexington Pl . Utica Chemistry D1onys1ans· Treas.: WRAF " I do think, because of the increasing size of the school, that there should be a committee of pco· pie, since 1t 1s too much for one person, to hold regular hours (9·5) in the Snack Bar." ARTHUR L. COSTAS Hawleyton Rd .. R.D. # 2, Binghamton Social Science RICHARD M. DEUTERMAN 10 Rathburn Ave.. White Plains Science VIRGINIA M. CRANE Star Route. Whitney Point Humanities -- ROBERT I. CUKIER 820 West End Ave.. New York Science ARTHUR H. DIAMOND 840 E. 17 St.. Brooklyn Science MARY L. DIETRICH 504 Fairway Dr • Lewiston Science RANDY CRAIG CUMMINGS • 109 Hazel Dr.. Vestal Accounting 147 �ANDREA LEE DIPRIMA EDWARD JOHN FEDERMAN 2966 Ave S , Brooklyn General Lit. Dean's List 2318 Avenue P, Brooklyn Math Dragon Society Track: Endym1ons·Soc1al Chair. and Pledge Mas· ter; C.N.·Sports Ed.: Colon1st·Bus1ness Manager. DOUGLAS, DAVID C. 20 Conklm Ave.. Binghamton Human1t1es BERNARD FEINBERG 1117 Pelham Pkwy N., New York Science FRANCES ANNE DUDA 308 Kasson Rd., Camillus Biology Orchestra RICHARD M. FELDMAN 515 E. 14th St , New York Accounting; Pre·Med. Dorm Council: Pintopplers·V. Pres.; Demetreass Pres. LINDA FORD EASTMAN 438 Argyle Rd.. East Meadow Art History Dean's list Jr. Honors Dorm Judicial Board-Chair.; Appellate Board; Synch. Swim Club; Colonist-Ed. Bd. "I never belonged to a woman's social club. I don't play cards, never play Guggenheim, etc. I caused a great envy by having Senior Key as a junior-must confess I didn't use 1t enough (every night). Pulled ftre alarm in Whitney during abor· tive (as usual) panty raid in freshman year." ROY A. FERGUSON Smith Rd.. R;D. # l , E Syracuse Science ELLEN FINKELSTEIN 577 E. 94th St., Brooklyn Philosophy Dean's List Counselor; Dorm Council; Toady, Carnival. BRIAN B. EDEN 437 Hathorn Court, Elmira Social Science LLEWELLYN CLIFFORD EDWARDS SHEILA FINKELSTEIN R.D. # 1. Avoca Literature Wind Ensemble; C.N. 226 30 Manor Rd., Jamaica Humanities JUDITH A. EISLER 888 Cleveland St., W. Hempstead CAROL L FLETCHER Rotterdam Rd., Sodus French Human1t1es STUART H. EISNER LYNN A. FORCHHEIMER 136 10 72 Ave.. Flushing 67 111 Thornbury Rd., Scarsdale Social Science Humanities DENNIS R. ELLSWORTH JACQUELINE NELSON FORD 512 Main St., Johnson City Humanities 522 Davis Ave., Endicott Engltsh Lit. Pandorans·Sec. ANGELIKA ERHARD 89 H1lls1de Ave.. Suffern Biology Dean's List Pandoran Society; Synch, Swim Club; Counselor. JEAN ROSALIE FOSTER Riverview Rd.. Selkirk Gen. lit. Transfer·Fash1on Institute of Technology, Interior Design. U.S.G.·Corr. Sec.; Choir; Light Chorus. BOBBIE S. ERPELDING 147·25 Northern Blvd., Flushing Politteal Science Dean's list Honor Roll; Dorm Council; l.R.S.·Sec. SUSAN K. FRADY Humanities CARMEN JUANITA FARR 17 Lincoln St.. Gloversville Geology AUEN BARRY FRANKEL 2896 West 8th St., Brooklyn Social Science ANNA FARRUGIA 7 Park Ave., New York Soc. Sci. and Theatre Who's Who in American Colleges " I helped set off the fire alarm in Whitney our freshman year." REV. BEN FRANKLIN 289 Front St., Owego Social Science 148 �FRANK J. FRATTALONE 548 South 16 St.. Binghamton Humanities BARRY HOWARD GINSBERG 24·77 Collier Ave., Far Rockaway Chemistry Dean·s List A.P.O. MICHAEL S. FREEDUS 79 Sheridan Ave.. Mt. Vernon Science CORA A. GINSBERG 45-54 215 Place, Bayside Literature Jewish Fellowship, Pres.; S.C.B., C.N.-Ed.Bd.; On· entat1on Advisor: Follies: C.R.C.: Blood Drive. "In an attempt to promote good clean fun, folk singing, outdoor camping, and lots of etcE!tera, I organized 2 campfires on Bunn Hill and a third at Ross Park. The first attracted healthy American youth, the 2nd, the Vestal Police Dept .. and 3 fire trucks (a whole engine and ladder com pany), and the third, the local Park Dept. officials. ROBERT JOSEPH FREESTON 856 Palisade Ave., Yonkers Sociology C.R.C ·Chair.; S.D.C.; Academic Affai rs Comm.; SFOH. "I looked most idiotic in 1964 Raft Race; was called intellectual slob by woman over WENE ra· d10; get a "D" in statistics simply because I was obnoxious in class; made worst pies at Martha At. Spaghetti Festival; before he left, Dr. Marz shook my hand." PAUL B. GINSBURG 1590 Metropolitan Ave, New York Economics Dean's List Baccacia·Pres.; C.N.·Exchange Ed. THOMAS EDWARD FRIEDMAN 33-43 166 St., Flushing 58 English and Gen. Lit. Dean's List C.R.C.; S.D.C.; P.S.S.; S.P.A.; Colonial Players. "I liked Bio. Sci. so much I purposely failed it so I could take it again; Slater gave me a whole year of free meals when I lived off campus; student with lowest cum. average ever to take Jr. and Sr. Honors (failed 11 credits); unsuccessful Toady candidate for Sec.; evicted from apt. 3 times in one year." ERNEST C. GIORDANI 28 Riverside St., Binghamton Humanities JAY S. GOLDBERG 40 Harvest Lane, Levittown Humanities WESSON ELWYN GAIGE R. D. # 2, Bi ngha mton Math Dean's List MORTON GOLDBERG 46-10 61 St, Woodside 77 Math Dean's List Track; Cross-Country; Math Club: Demetreans. ALBERT A. GALANTE 2 Avon Rd.. New Hyde Park Science ANDREW LAWRENCE GOLDSTEIN 175 Dolphin Dr.. Woodmere Chemistry De<jn's List Cross-Country; Debate Team; Ski Demetreans; Cafeteria Comm. ANTHONY GANCE R.D. # 2, Richford HARVEY GOLDSTEIN 410 Clubhouse Rd .. Binghamton 'History Dorm Council; Geology Club; History Club; Outing Club; C.N.; Y.A.F. "I have spent more time at Harpur than anyone: freshman in 1956. I am the noted and most vocal campus conservative. also ex-Army sargent." ANNE ELIZABETH GAYLORD 10 Brown Sq., Ontario Geography Anthro. Assistantship Dean's List Who's Who in American Colleges; Synch. Swim Club; Counselor; Orientation Advise•; Orchestra: Methodist Student Fellowship. MARK NEIL GOLDSTEIN 929 E. 28th St.. Brooklyn Biology Dean's List Tennis; Endymions. ROGERT ERIC GELERTER 226·30 Mentone Ave.. Laurelton Math Track; Cross-Country. MITCHELL B. GERHARDT 24 12 Healy Ave., Far Rockway Accounting Dean's List C.N .. Bus.Mgr.: Baccacia·Treas.. Council. Club-Pres.; Men·s NAOMI RUTH GOLDWASSER 338 Hart Ave . Staten Island Eng. Lit. Dean's List Social Regulations Comm.; O'Conner Jud1ctal Bd.; S.C.B. Dorm 149 ��CHARLOTTE A. HOOD 705 Delano Ave., Vestal Science HELEN KAPLAN 1 Lancaster Dr , Endicott Humanities DONALD C. HOOD 969 Little Whalenec, N. Merrick Science HOWARD I, KATOR 24 Metropolitan Oval. Bronx Biology GILES R. HOYT 62 Evans St.. Binghamton Humanities KAUFMAN, BONNIE COHEN 16 F Centre Ave., New Rochelle Humanities Counselor; S.C.B. MARILYN JEANN HUIES Glenmere Homes1tes, Florida Social Science ROBERT J. KASCHAK 145 Crestmont Rd., Binghamton Social Science WILLIAM A. HYNES 563 Beach 68 St., Arverne Span./ltl. Social Science C.N.·Editor-in·Ch1ef; Newman Club; P.S.S.; S.D.E.: Hindustani Study Group. "I would like to see a more lively and opinionated newspaper.·' LAWRENCE D. KAVANA 9 Forbes Ave., Rensselaer Social Science GEORGE THOMAS KAYE 10 Meadow Dr., Troy Sociology Dean's List S.F.Y.; C.N. WILLIAM J. IAK 406 Duane St.. Hornell Science JUDITH GRACE KAZAN 10 Gale Ave., Baldwin French U.S.G.; C.N.; Orientation Advisor: French Club; Orchestra. "I too was in the group who pulled the fire alarm in Whitney." JAMES B. JACOBS 356 St .. John's Pl., Brooklyn Political Science Who's Who in American Colleges; Dean's List; Honor Roll. C.R.C.; P.S.S.; S.F.Y.; J.R.B. "I hold the longest record for living in a con demned apartment - 9 months; member of the 1964 Grass in their stunning game against the Renaissance All-Stars. I would like to have been Miss Wilson's informer." FRANK EDGAR KEARLY 87 Walter Ave., Tonawanda Physics Band; Orchestra; Brass Sextet; Spring Review: Track. RONALD EDWIN JARMUTH 230 W. 79th St., New York Psychology WRAF-Chief Engineer; Ski Club-V.Pres.; C.N.-Ed.Bd.; Founder of Opera Club; Cafeteria Comm.: Cross-Country: Swimming; S.D.C. "'I was a spy for the C.N.; possessor of a cattle prod for the cattle who live on my floor; orga· nizer of "Year-end" - competition supplement of "Colonist": only frosh to avoid getting red "H" for not wearing beanie, by jumping off esplanade many times when apparently trapped; organizer of coed-social club whose charter was refused; leader of the opposition to the Dawn Dance: one of the two publications staff members to "crack· up" the F.S.A. wagon (the other was Barry Shap1· ro)." CAROL ANN KECK West Main St .. Eastport Political Science Dean's List W.R.A.; Newman Club; C.R.C.; Band; S.D.C.; C.N.Ed.Bd.; U.S.G.-Rec. Sec. HOWARD RICHARD KELLY liberty St., Whitney Point French Lit. Goliards VIRGINIA ANNE KELSEY 318 Oakridge Dr .. Schenectady Math Wind Ensemble. KENNETH DOUGLAS JOHNSON Shore Dr., Tomahawk Lake, Blooming Grove Accounting Dean's List Counselor; Methodist Student Fellowship-Pres .. Pintopplers. WILLIAM C. KEPNER 3853 Lake St., Wilson Humanities REGINA JUMBECK Humanities ELLEN RAE KERSTEIN 67·07 Fresh Meadow Lane, Flushing History Spring Review: Synch, Swim Club; Debate Club. DIANE MARIE KAELIN 1008 Green St.. Utica Languages-German, French Dean's List Winter and Spring Weekend-Co-Chair.; U.S.G.; Cheerleader; Orientation Advisor; German Club. "I was one of the many who helped to pull the fire alarm in Whitney our freshman year." DENNIS FRANCIS KIBLER 2170 Clover Ct.. East Meadow Math Dean's List Tennis; Fencing 151 �FRANCES JOY KUGLER 35-07 147th St., Flushing 54 Art History Colonist DAVID J. KIESLER 46 Hufton Ave.• Nanuet Business Enterprise Dean·s List D1onysians·V.Pres.: Soccer. BARBARA ANNE KURZ 183-20 143 Ave., Springfield Grove Sociology Who's Who in American Colleges Undergraduate Assistantship; Orientation Advisor: Cheerleader; S.C.B.-Chair., Counselor; U.S.G.-2nd Chorus; V.Pres. "Had I been here one more hour, I would have worn dungarees." DANIEL KIM Rosbury Humanities DENNIS A. KIMMAGE 224 Hillside Ave., Yon kers Humanities ELLIOT J. KINBERG 5 Charles St .. Ellenville Math MAXENE KLEIN 1480 East 22 St., Brooklyn Mat h Dean's List C.N.: W.R.A.: C.R.C.; Sr. Key WILLIAM DAVID KWALWASSER 2167 Cruger Ave .. Bronx Chemistry Dean's List Cross-Country; WRAF. DEENAH LANDAU 3339 Hull Ave., New York Humanities Comm. MARION S. LANE Box 27, Mt. Tremper Humanities KAREN L. KLEVEN 164 Poningo St., Port Chester Humanities FRED 0. LAWSON Social Science STEPHEN KLIMOW 19 Seymour St .. Binghamton Accounting Pintopplers-Pres.: Golf VIOLET K. LAWS 129 West End Ave., Binghamton Social Science RUSSELL G. KNAPP 96 Linwood Ave., N. Tonawanda Humanities ALFRED A. LEHTONEN 60 Seventh Ave., Huntington Station Political Science Dean's List Cross-Country; Ski Club: J.R.B. THOMAS JOHN KOLVEK 39 Laurel St .. Johnson City Social Science STEVAN H. LEIDEN 710 Wyngate Dr., E. Valley Sream Physics Dean's List Band; Brass Ensemble; Orchestra. ' 'This school has been very good to me - I've met many fine people and naturally some rats. I treasure the f ine people. About the rats . MARK A. KONIKOFF 44 Euclid Ave., Troy Biology Dean's List Dionysians I would have organized the UN AWARE APATH ISTS, but I missed the first meeting." STUART ALAN LERNER 11 1-50 76 Rd., Forest Hills Biology Dean's List Demetreans: Dorm Council.V.Chair. ILSE J. KORNPROBST 57 Ardsley Rd .. Binghamton Gen. Lit. ·German Lit. Dean's List German Club-Pres.: Pandorans-Corrs.Sec. ELEANOR S. LEVINE 2775 Kingsbridge Te.. Bronx Sociology U.S.G.; Orientation Chair.: Social Regulations Comm.-Chair. " I was a member of the Vigilante Group that wrote LIBERTY HALL on the C.A. building." SANORA G. KOSER 651 West 24 St., New York Humanities BEVERLY A. KOZAK 11 Merritt Dr., Schenectady Humanities STEFANI KATHERINE LEVINOS 308 Academy Dr.. Vestal Languages - Latin and French Dean's List; Jr. Honor Newman Club. RICHARD CARL KRUBEL 1305 E. 18 St .. Brooklyn Chemistry Orientation Comm.; Dorm Council; S.C.B. 152 �HOWARD LEVINTON RICHARD H. MANDYCK 16 Shepherd St .. Rockvtlle Center Accounting Adelph1·Pres.; Soccer; Golf: S.F.Y.; S.C.B. 119 Odell Ave., Endicott Social Science WILLIAM KENNETH MANEY RICHARD LEVY 1040 Euclid Ave .. Syracuse Social Science ALAN C. LIPPEL 1780 Eastburn Ave.. Bronx 57 Human1t1es ALICE C. LIPPONER 172 E. Lakewood St .. Patchogue Gen. Lit. 41 Rogers St., Johnson City Political Science Newman Club; Pintopplers. HARRY P. MARTEN 3544 Dekalb Ave., Bronx Humanities KEITH L. MARTIN 108 Taxter Rd., Irvington Math Basketball; Goliards ENID M. LISS MELVIN MASKIN 3 Major Court, Rockville Centre 75 Lasalle St .. New York Social Science Science RIMA LUNIN 13 Taylor Ave., Peekskill Humanities ROBERT J. LOEWINGER 1069 E. 7th St., Brooklyn Chemistry Dean's List. WANDA MATACIA Rhodes Rd , Apalachin Humanities RONALD BURTON MAYERS Upper Lisle Rd .. Whitney Point History DENNIS J. McCUDDEN GEORGE WALLACE LOUDON 504 Allen Rd., N. Syracuse Gen. Lit. Colonial Players-Pres. 183 Murray Ave.. Goshen Humanities ROBERT H. McCULLOCH SUSANNE LOUER 12 Huntley Pl., Lancaster Eng. Lit. Dean's List; Jr. Honors; Dorm Council. CAROL CONNOLLY LUCEY 11 North St, Binghamton Science MARY ANNE LYNCH Social Science '~~ ~~ ..., ... .. . ,-~ .. 2555 Soper Ave., Baldwin Spanish Lit. Baseball; Basketball; Goliards. JOHN B. McKEE 234 Flower Ave., Watertown Humanities JOHN H. McLELLAN R.D # 2, Pre· Emption Rd .. Phelps History Wind Ensemble·Pres.: Light Chorus: Glee Club: Harpur Trio; Spring Review; Binghamton Symph.; Orchestra: Pintopplers. HANA M. MACHOTKA -.· 313 Grant Ave., Endicott Biology Fol kda ncers· Pres. DAVID R. McNALLY 204 Ridgewood Dr., N. Syracuse English lit. Men's Dorm Council-Sec. IRA NORMAN MAKASHAY 435 Ocean Parkway, Borrklyn Economics Dean's List MARY ELIZABETH MALLABAR 6 South Sconondoa, Vernon Sociology Band; W.R.A.; Methodist Student Fellowship. KATHLEEN ELIZABETH MANDRY 1209 Catherine St.• Utica Gen. Lit. Colonial Players; J.R.B.; Central Appelate Bd.: Spring Review JEANETTE S. MEHRER 68 Lincoln St .. Babylon Art Who's Who in American Colleges: Dean's List: Drdgon Society; Art Studio Assistant Colonist 1965 Editor-in-Chief, 1964-Associate Editor; C.N.: Friday Club: Gallery Comm.: J.R B.: Onen· tat1on Advisor: Sundry U S.G. Committees "One of the few not to get away with cutting got called into Dean Richardson: up for two beauty (?) contests at Harpur and lost both. I pulled the fire alarm in Whitney." �JESSE ALAN MILLER GINIT SUE NEVIN 14 Tarence. Rockville Centre Eng. Lit Who's Who in American Colleges; Dean's List; S.F.Y. Pres.; C.R.C.; l.R.C.: S.O.S.; S.U.P.·Pres. 418 Franklin St .. Fayetteville Science JUDITH E. NEWMAN 1720 University Ave., Bronx 53 Spanish Lit. Dean's List Spanish Club. RUSSELL LOWELL MILLER 76-40 167 St. Flushing 66 Biology Dean's List Math Club·V.Pres.; C.R.C. tutor. PATRICIA ANN NEWMAN 99 22 64 Ave. Forest Hills Science 16 Asbury Court, Binghamton Anthropology Cheerleader; Spring Review; Dance Group: Outing Club. ABIGAIL K. MOHN NORMA A. NICHOLS 133 Fayette St. Ithaca Humanities 1 R1tton St .. Sidney Science JULIUS (FREDERICK KIFAI) MONGt PAMELA S. NICHOLS MONA T. MILSTEIN 53 Fountain St., Clinton Humanities Marangu Mauwo, c/o Kibo Postal Agency, Moshi, Tanganyika Eonomics C.N .. Photographer; Soccer MARY ALICE NORTHWAY Wilcox Place. Jamesville Anthropology Newman Club; Pandorans. ANDREA J. MOORE 4 Clinton, Potsdam Chemistry Dean 's List Chorus; S.C.A. BERL EDWARD NUSSBAUM 315 Central Park West, New York Biology Dean's List Soccer; Swimming; C.R.C.; U.S.G.: Counselor. HARRY WILLIAM MORGAN R.D. # 1, Woodcrestway, Conklin Sociology Newman Club NORMAN P. OBST 798 E. 34 St., Brooklyn 10 Math Dean's List Math Club; Chess Club. HELEN LENORE MUTILA 324 Ithaca Rd., Spencer History Dean's List Chorus; S.C.A. WAYNE H. OLSEN 13 Rd. 1, Bainbridge Humanities JUDITH ANN MUNRO PRISCILLA A. OSOVSKL 46 Normandy Dr.. Northport French W.R.A. V.pres.; Student Christian Ass .. Sec .. Treas.; Counselor. Main St., Newark Valley Humanities GEORGIA R. PALMER ROGER NANES 801 Magnolia Dr., Franklin Square Spanish Dean's List Spanish Club; C.R.C .. Orientation Advisor: C.N.; Colonist. "I helped pull the fire alarm in Whitney our Freshman year. I promise to be on time for graduation.'' 1437 E. 17th St., Brooklyn 30 Chemistry Dean's List S.O.S. Treas.; Band: Counselor. CARL W. NELSON 610 Bassett Ave., Endicott Science KEITH L. PALMER 181 Achley Ave., Johnson City Accounting lntramurals THOMAS J. NELSON 610 Bassett Ave., Endicott Social Science 154 �• ANNA CAMILLE PAPA 225 83 St.. Brooklyn Math Newman Club-Pres.; Or•entat1on Advisor. CAROL REESE tiii'tl. .;... ....... ~ I DOUGLAS G. PATCHEN \. Fifth Road, North Rose Science KAREN ELAINE PERLMAN 1020 Lyd1g Ave .. Bronx Biology Counselor; Jewish Fellowship ·~ -:-· 572 Fletcher St.. Tonawanda Humanities .t., '' J URSULA A. REHM 132Thompson St , Poughkeepsie General Lit. Dean's List Counselor; C.R.C.; S.C.B LEON M. REYNOLDS 210 Mam St.. Penn Yan Science MARCIA H. PERLSTEIN 60 Knolls Crescent, New York Eng. Lit C N.-Culture Editor; Central Appellate Board; J.R.B.; Humanities Review Ed. Board; Colonial Players. Chairman One Acts Comm. LOUISE R. ROBINSON 3824 Walso Ave., New York Chemistry Dean's List C;N., C.R.C.; and vanous spaghetti sauces. BARBARA ANN PETRYSHYN 120 Webster Ave., Yonkers Math Newman Club; Pandorans; Colonial Players. BRUCE D. ROGERS 1520 Shendan Ave., Bronx Political Science C.N. Asst. Ed.; Debate Club; U.S.G Comm; Frerich Club, Jewish Fellowship. DANIEL PIERCE 20 Front St .. Binghamton Humanities CONSTANCEL.PLATT 58 Clinton St., Binghamton Finance YVONNE A. ROGERS Dr.. Lancaster Science 2 Huntley Science DAVID SEYMOUR POPKIN 324 Beach 59 St., Arverne 92 English Lit. Dean's List; Jr. Honors Pintopplers. HEDY ROLLIN 119 Travers Ave., Yonkers Eng. and Gen. Lit. Chorus: Light Chorus; Orientation Comm.; S C.B. MICHAEL PRESS 1579 Metropolitan, Bronx Social Sc1ence/ Ph1lo. Honor Roll Debate Team; C.N.; U .S.G. Seminar on "Automa· GERALD JAY ROSENBWM 26 Pine Dr., Woodbury Accounting Dean's List Demetreans-Pres.; J.R.B.; Dorm Coun1l-Treas. t1on ." RICHARD LAWRENCE PRINTZ 25 W. 81 St .. New York English Lit. Honor Sophomore Class Pres.; Adelph1-V.Pres.: J R.B.: Colonial Players. ROBERT DAVID ROSS 729 Ocean Parkway, Brooklyn Business Enterpnse Adelphi: S.F.Y.; Radio Workshop; lntramurals. DAVID ROSS LAWRENCE MICHAEL RABINOWITZ 11 Balsa Dr., Hicksville Mitchell Ave • Newburgh Humamttes History A.P.0.-Treas.; Soccer; Jewish Fellowship. ARNOLD ROTHBAUM 234 Sycamore St., West Hempstead Social Science MICHAEL RADZIKOWSKI 63 Greely Ave.. Sayville Science WARREN LEONARD ROTTMANN 2118 Alan Dr.. Seaford BtoloSY LAWRENCE S. REED 154 N. Little Ter. Rd., New York Science 155 �LEONARD M. SACHS BARBARA R. SHAPIRO 867 West 181 St., New York 3030 Surf Ave., Brooklyn Social Science Humanities Counselor; French Club-V.Pres. VICTOR HAROLD SAKS 2675 Creston Ave Bronx 68 JOAN SHEEKS Post Office Rd., Barrytown Humanities Matt- JO-ANN SAMSON 1601 Butternut Dr., Vestal Biology ANNE LISA SASINEK 4 Edna Ave., Binghamton History Dean's List French Club SUSAN SHEINMAN 63 61 Yellowstone, Forest Hills Humanities LINDA HELENE SHER 35 Tudor Rd., Hicksville Spanish U.S.G.; Dorm Council-Treas.; Spring Wk. Comm.; Orientation Advisor; Counselor. "'I , too, was one of those who pulled the fire alarm in Whitney." GAIL PATRICIA SATTERLEE R.D., Coxsackie Literature W.R.A; M.S.F. DEBORAH ELLEN SCHACHNER 150 Corbin Pl., Brooklyn 37 History C.N BILLIE STEFANI SHERRIS 1184 Grant Ave., Bronx Math Dorm Council; Math Society-Pres.; C.N.; W.R A. PHILIP SCHECHTER 105 Knight St., Oceanside Spanish Dean's List Track Mgr., Cross-Country Mgr.; DemetreamsSerg.at-Arms. BARRY EDWARD SHIMKIN 853 Empire Blvd., Brooklyn Biology Winter/Spring Wk.·Chair.; SOS Treas.; Basketball; S.F.Y., Senior Class Comm. GEORGE J. SCHIEBER 2946 Murdock Rd., Wantagh Social Science BARBARA G. SCHONWALD 24 Cabrini Blvd., New York TERRY ANN SHORTELL 443 Elizabeth St., OnP.ida Art History Who's Who in American Colleges U .S.G.; F.S.A.; S.D.C.; Newman Club; Colonist; Orientation Comm. "I, too, was one of those vigilantes who put LIB· ERTY on the C.A. bldg." Science MARILYN SCHUMAN 192 18 48 Ave., Flushing 65 Science BARBARA SCHWARTZ 36 Regina Rd., Farmingdale Math Dean's List Colonist; W.R.A.; Bowling; Jewish Fellowship. "The most worthwhile thing I have gotten out of this school 1s one lovely diamond ring anci a gold band to come.·' CAROL SHORTSLEEVES 168 Circular St , Saratoga Springs Science RICHARD JAY SIEGELMAN 163-18 Willets Point Blvd., Whitestone 57 Sociology Dean's List C.R.C.; Math Club; Cross.Country; Tennis; Demetreans-Sec. "I went the way of all flesh, from science to sociology." MARY LOUISE SENFT 7 Westview Ave., White Plains Anthropology Dean's List Light Chorus BARRY MICHAEL SHAPIRO 1555 Unionport Rd., Bronx Political Science Honor Roll; Dean's List: Who's Who in American Colleges. C.N.-Ed ; Demetreans-Pres.; Dorm Jud1c1al Board; C.R.C., 1.R.C.; S.P.8.; U.S.G. "I was the only C.N. editor 1n history whose recommendation for new editor was not accept- ed" MICHAEL R. SIMON 4 Dawn Lane, Hicksville Biology Dean's List S.C B., Convocations Comm.; Spanish Club; Calendar Comm.; Endym1ons-Corr. Sec. 156 �ELAINE SIROTA 1230 Avenue Y. Brooklyn Social Science ROBERT JOHN STROHSCHEIN 10 Rowley Dr.. Northport Chemistry Dean's List LOUIS H. SMITH 3109 Bums Rd .. Vestal Chemistry Debate Club-Pres. ROBERT STUCKART 2 Knight Ave , Endicott Science EDWARD SUBITZKY 36 Central Pkwy, Mt. Vernon Science NANCY LEE SMITH Moriah Center Philosophy Dean's List: Jr. Honors Synch. Swim Club: Counselor; Humanities Review. "I would have liked to organize a Let's·sit-down· and-discuss-th1s-rationally-and.cons1der· BOTH-s1des-of-the-quest1on Club." EVELYN F. SUCHER 11 ft. George Hill. New York Humanities ROY STUART SUNDICK 976 E. 13 St.. Brooklyn Biology Track, Cross-Country; Outing Club; C.R.C SUSAN EUEN SOLOMON 139 Rosedale Rd., Yonkers English Lit. Dean's List J.R.B.·Ch1ef Justice; Summer Wkd.·Co·Cha1r. "I went the whole summer trimester without crossing the esplanade." ELLEN RUTH SUPER 73-24 194 St., flushing French Dean's List: Dragon Society; Jr. Honors-French; Who's Who 1n American Colleges. W.R.A.·Pres.; French Club: Jewish Fellowship: Couselor; Synch. Swim Club; Dorm Judicial Board; Senior Class Comm. BENITA SOMERFIELD 67 05 186 Lane, New York Humanities JOAN SONNANBURG 114·86 225 St., Cambria Hights Eng. and Gen. Lit. An unofficial co-chairman of the publicity commit· tee of the flagrantly unsuccessful student-facul· ty coffee hours; C.R.C. MICHAEL HOWARD SWITZER 326 W Waukena Ave., Oceanside Accounting and Business Dean's List Adelphi-Treas.; Counselor; freshman Class Treas. JOHN FRANKLIN SPIEGEL 105 Arden St., New York Political Science Dean's List; Dragon Society; Who's Who in Amen. can Colleges. Colonial Players; Soccer: U.S.G.-Treas.: Counselor; Convocations Comm.; Odeans. "I recommend the following new courses: lnterd1· visional Science and Humanities: Body English 101, Theology 101: Upservice, and Dance 301 (lst graduate course): Bump and Grind." THOMAS H. SYVERTSEN 1610 Highland Ave.. New Hyde Park Social Science SAMUEL MICHAEL TAMBURO 9 Easterly Ave.. Auburn Sociology Dean's List Newman Club; Baseball: Counselor. JAMES H. SPRING Qtrs. 6 Fort Schuyler, Bronx 65 History Dorm Council; Goliards-Pres.: Baseball: Newman Club: S.F.Y. G~RY ELLEN SUSAN STIMMEL 56-07 218 St., Bayside Spanish . Jr. year at Facultad de Filosofia y Letras, Umver· s1dad Nacional Autonoma de Mexico, Mexico, JOHN TAYLOR 300 Church St., New Milford, Pa. Social Science CHARLES TAYLOR 204 E. William St .. Bath Enghsh and Gen. Lit. Gohards·Sec.: lntramurals. JAMES MICHA TENAGLIA 30 Carmen Dr.. Nanuet Social Science Who's Whom American Colleges. o.v. "Psychological Counseling Services, Or. Ellen Stimmel, LSMFT; Or. Susan Weiser. LSD; Dr. Jo Hanssen, TNT; Correctional Therapy in Rela· tions of all natures." RICHARD C. STOLER 438 Beach 122 St .. Rockaway Park Anthropology Dean's "other " list Baccac1a-Sec.; C.N.-Sports Ed. "I was given a special award foe being the only one to pass out at the C.N. "Open Woods" orgy this summer. HAIL HELIOS . . . FARE· WELL MORPHEUS." CAROL TEWES 7205 Star Route Auburn Science Dean's List Dorm Council; lnterdorm Council; C.N.-Circulation Ed.; Pandorans: Or1entat1on Advisor; German Club 157 ��ALICE JOAN WEINSTEIN JOHN P. WOJCIO 2845 Un1vers1ty Ave., New York 68 Art History Jr, Honors; Dean·s List Sophomore Class-Sec.: Senior Key; Colonist-Ed. Bd. Box 104, Lake Katrine Spanish Gohards; Basketball. EUGENE J. WOLOSZYN 195 N. Broad St., Johnson City Physics ANNETTE HELEN WEINSTEIN 114 Standish Dr., Syracuse Biology Dean's List Debate Club: Jewish Fellowship JAMES DAVID YACOPINO 252 High Ave., Nyack Philosophy Dean's List Husband "I would hke to have organized a Thursday After· noon Club in rivalry to the Monday Afternoon Club, here at Harpur, to add to the local col· or." SUSAN MARIAN WEISER 1479 Cromwell Ave., Bronx Sociology U.S.G.p Dorm Judicial Brd .. Social Reg. Comm. S.DC. "Psychological Counseling Service Inc .. Dr Susan Weiser, L.S.D.; Dr. Ellen Stimmel, L.S.M.F.T.; Dr. Jo Hanssen, T N.T; Correctional Therapy in relations of all natures." GEORGE F. VARNES 19 Proctor St .. Binghamton Humanities FREDERICK ARTHUR YOUNG STEPHEN F. WEISS 51 Logan St., Auburn German Assistantship m German S.D.C. Chair.; German Club. 1430 Parkchester Rd., New York History C.N.·Photographer; Colonist ROBERT C. WHITNEY PAUL D. ZAJACESKOWSKI 661 Palisade Ave., Yonkers Human1t1es Star Route. Hagaman Social Science HARVEY ZALAZNICK DONNA GRAHAM WILKE Pine Plains English Lit. Jr Honors Clarendon ·Ed. 18 Park St., Ellenville Chemistry Dragon Society Demetreans-Pres.: U.S.G; C N ·Sports Ed.; Pres1· dent's Council; Baseball. ROSS JOSEPH WILLIAMS MARCIA RUTH ZETREN 49 Prince St., Red Hook Economics TAU; U.S.G., Dorm Council; lntramurals. 160 Sweetf1eld Cr•• Yonkers Biology Dean's List Chorus; Ski Club; C.N. "What a privilege to have a key; I can stay m the lab ·till 2 or 3 A.M." CLAUDIA MARIE WILSON 2257 University Ave., New York English Lit. Honor Roll: Dean's List; Jr. Honors; Who's Who in American Colleges. S.D.C.-V.Cha1r.; Dorm Council-Pres.; C.R.C.; Hu· mamt1es Review: U.S.G.-President. "I ne1ped write LIBERTY ON THE C.A building; was a memoer of the Delaware Hall <.;ounc1I for Revolution." ANNE S. ZIMMERMAN 136 Grove St., Albany Social Science KENNETH JAY ZIMMERMAN 2421 Cedar Ave., New York 68 Spanish Dean's List Orientation Comm.: Academic Affairs Comm. JUDITH I. WINCHELL 133 William Rd., Massapequa English Lit. Jr. Honors; Dean's List Freshman Class-Sec.; Sophomore Class-V.PrP.s.; S.C.B.; Cheerleader. SUSAN JANE ZIMMERMAN 1575 New Scotland Rd., Shngerlands Math Dean's Ltst; Honor Roll Orchestra: C.R.C. BARRY STEVEN WINKLER JUDITH MIRIAM ZIPP 1928 19th Lane, Brooklyn 14 Biology Dean's' List Adelphi; Basketball. 44 Ocean Ave., Islip Psychology Dean's List Colonial Players BARBARA LIBBY WITTENBERG 1055 Jerome Ave., New York French Lit. Dean's List Counselor. Dorm Council-Chair.; Pres.; C.R.C. ROBERT L. ZOLCZER 38 Susan Lane. Cheektowaga German Lit. Dean's List TAU; German Club, Soccer. French Club· 159 �BARTLE SAID: "Look to your left and look to your right were on your right and left. 160 ,, Yes, they �Ill AU [. •1J ECGEXIE'S SECRE1.' :QUTH l I PE:AJl,LS ~:~:: M 0 { ~"~1\1~~ ~~·...!-.....K ~ ~ ;#> :rnJ<; WHl'n•: B R O S .,, PRO P ACI -I RS, DllESS :llAKE * lo:--:o :--:o: --:o : --:o:- -:o:- -:ol . BEAU TY & FRAG RANC E 'f * "--:o: --:o:- - :ol !o :- - : o : - - : o : - -io ARE COMMUNICATED TO ":"aE MOUTH BY 8 1 7 o n d t.ll 9 B1·oncl way, N . Y . Propnch'e I ndicator Sy•tem of Cuttlni: i~ the only one ent thnt Kl'·e• a perff.'Ct tit: It r"pro.luce ll the measurem o[ Ladif@, and nrn•t i:ive t h<' exnct pnttern of Walers, requires never It Prince<. Ba•que•, Cloak•. Dolmnn•. oltt!rution or refl.1 tin,!.!.~<> trnnhk~mc for Dr~flmakrrf'. • <;an be ttrng-ht by lt·ttc1· Ill'( we11 n~ nt our e1:4ti1blitthme11t.. Lach<-"' ~eudlu~ their mCfl.liUrc \\ 111 rect·iv~ a pnttcrn C'nt, sud" lrh lt:l 1>hoto1trs1>hic ,·tewor th<' h ulicstor. $ 1000 i• puld for" mi•flt produced hy our ln<llcutur. ~1 r. Pro· pach will vi~lt all the principal cities to ocwn Bl(<'nrir•. JnRf'ilJmn~iblt· p~trti...,, wn11H-d e,·crywhcr e. ::'\. B.-1'h£" d icutor is 11800 by all t he principal dre8smakct'I! in N. Y. 1t1•eNl tong, • oz.. weight, For the old, th~ young, 1 'l'uudet, lhc ~t echnnic. No "lui ns. 1'\o trouble. E. & HT. ANTHONY & co., X. Y . $10 n11ct upwurd. Our 1tpparnt.11s is •upcrior to nil others tm/>rovcm ents. Our nt &1.nw pril·1•, hn\'i11g patented 0 J 11~tru<·t ou book !rco wltll plotee nrc :l1:tc> the ht·~t. euch t'(lUl~1mc11t. '' Send for price-li•L Broa dwR ~·· 1;91 Rq11ipow111~, IS-LA ND ~'J.'ATEN We~t NEW. L. SHA W, 14th St., n e ar 6th Ave ., Ne w York. N Bentley's Art Needlework ESTAB LISHME NTS, SOi Bro1dn"a 7. X. Y P bf1!lolans reoommen d them on BCC< raUve p roportlee. 'Ibey fur nlah a wo1 f or S1nf.lca::m , Hen cunou , Ccnn :I Del llheu1!11Lct1 and Pan!yt's. their eaoct bet to t he weare r. Prtce(acco rding to tho1 lated platealf S& $ 12eaoh: abdomina l, t or d eecrtptive clrcular . For &ale by le THOllSOI, LAllODOll A C0. 1 "· Y., SCLE t -_,,,kl yn. • ~~nrl \\ llll lite 1'crfccllvl l. Llldk-s cannot fail to oht<en·e, otonce, the wonderful lv narnral effect nf t he Water Wave in the above !liust11ition. ,-r o ohtuin t he.· ge1111ine urti<'le tht'Y shonlrl Cllll nt my "M•hll•hm ent. wh,•rP lht•Y "ill t\nd, ns w..it. \\'l Switdwe, Unmnn Brni<h". GrPC'iHn Knott1 CliifP (.;urltt, &\.,All Of the tinc!{l q11111ity o( h11m1111 I Tbo remn 1 ve nle n <!l", com ' d ed ln1vro v e• n hJ t·n~n- " Gnly nntl white hnir A 00<lo(i8 wn1 runr~I ft~ rcprl'tlClllt"<i or mon-:· Attt"ntion i• •l•o cnlled to a full line of mo~I un i~tlc clc.o1lgntl. "eNlty "t.o I \ll•lt VI tht:ti > th1>1:•e wt. from the celcbratt'd P11rfu111er le "<.'apil• A. SlllO:\'SOX. :H Eost 14th St.. nu· !!.ole Age nt for the C ~itdv~~i'i~h~cr~:~~f,, f?,r;~r,a;t~;:r~~i E~tRhli~ht"fl I ~i4 For <" 1n llJIH !'lfAllY HI N 'I P.O. Box 16,'; PhoteH!rnph~ SiOO 33 fc1r ArtAlhuuH o:,. '\ft~hln it t on ho.. e IOT\·I \\1lt1wt.r Advertisers and Patrons i_~Jlr'~t01tLCII. me11L. ;,t ,, , curly h1 ·>nc sr ,,,_... n \ 1!3 1:'11 •ins an 1DllK>rU ,. ftl\d' (I t o & ' e a-ant • >'.l-4 Cft11 6Cllt,C.O. D LflditR' D1·t.~-tl'K, CihakA. Uubts, d:c.• of all falJrttR, and ! ully M.'itltout .,.fppin.11 A t<• t.cmat17.t'<l a11Pw every dcp1u1mc nt of our bu,.inCNl, we c 111 cout1c1cntly promise t11c he!!t ret'oults, and unul'ually p rompt return of goods. Correspon dence lnvlt~'<.I. Good• re<:eived amt relllmed by cxpre..s and by mall. DAICR E'J."J " NEPHE WS&. co., ____ ____ _s_ aud 7 .J"obu St. , N. v. 1 THE WOVEN CORSET. TAU kt'r1r a wtr.Hll Ctwttl. ma.de in on1 ,Ji'ttt, t:tndai 1u'fll' 100 Done• """'"' diaronall y ;,. flu h«i.}' ef f lu cqrsd, retain• It.I W I RE G AU Z E Non-Explosive OIL STOV E. 01 ~~~ ;Jii, 0Ulfr. b~·1~. on the /. ~rvolr, prioclple or the Sia Hew h~~~~:rt· :t:~ r:i:;1~~~~ :'\'on-Ex plo.lve. s hapo nnder all cU.,um 1tan; ce1, al flu " "' " fim1 ~/dinr to all t !t1 !;/) moti.tm.s if Jiu 'ftMa rw . 1Air 11 Jiu "" '7 t'tw• sd m an11/actu r1d Ilia/ t:an m nke rot>d tliis c/.oi111.. JI is a 1U"'W 1'1tflnl/11m '!/' lutely wm nnt iunoJ..e \\ heu placed lo THE NOVELTY CORSET WORKS, N. Y. o. drou11ht, Reservoir ftolshe<I lo Imitation n[ Scotch Or t.cite EVERY LADY WHO HAS E VER WORN ONE, OR DESIRES A SHAPEL Y FIGURE, WILL ASK FOR A ND In1ut upon h&Ting the 1-"'ROlfTS. And man\· other valunble im1lrnYPmf'nt~. HEND FOK CA.TAJ,OG~E. 'tG THI J r TOQ' 1"~1" OUR Jl.S .t. CTI P"UL CJ.ROS 1Lt.OSTR~Tll PO!IT.t.CK. E 10 1n W o:ico&R.S o r Tit s WORLD, SE~D SIJ: rKNTS Tbe Adam• & ~ Summer St .. B°"t0n. 96L&lce St., ChlC"'fo. '\Ve •tlake Mflr. Co . '·~I Ile<'kmAo St., N. Y 7 E. Fourteenth lit .. N. Y. I uB The Largest Establishment i GASTRIJ Reme<ly for ltlliiqatin n and Dr•P'1 oupleftpan t feellnKs aft<•r eating. R ..,..,U:lcntM . Sold hy Drug~lstl<. DEPO'I ', 59 l'lurray ~l 1 Pl~ Rl~J,\ TOL' S 1'Jme. Julian• • S pecltle 111 t: remedr, for removrng rndicnlly and aunoy.ug dl•6& u r c n1e 11t• from Chin, Arm~. &c., without iniuring t mny addreas :Mme. JULIAN, ~o. 4$ ll who ar1 t'!r so/1 tftat1 11/ 1u/urt'rs. B~:: 1~~E~,St<s~~~s1m.y~~;~ CHu• ~CY J 11 11 ,.1 ]tandard Pianos of DOUBLE HIP PEtrECT rITTlNa Warerooms: Steinway Hall ADAM S &. )VEST LA Kt-: the 1 ~-· I oT I 4tt o r the most .. bhon•te •tyles, clellncd o r d)·cd eucc<!t!sOTH BRV.. R ECA R!> l"OR 'lr•• Grn ~oio.1 ou . OFFICES Gentlc..·men'!'I. Gnnncntt' rVantd or d11td tcholt. Curt,1111s, \\'lndow - Shadrs, Tahle - Cowrs, CarpeL•, &r. , cit'"""'' o r d)'ed. Employi11g the best attal11tthlc ekill ~nd Dl<"t lmpro\'l!d appiiancee , and hnvmg sys· M~~:~ "WJ lhl• chur rnment ti\' 111 & oo. O'f'lllN G NE"' Ell tha n Storks and C'at.-tnile cau be found at most of t he roncy work Buaan!, liut N>metbiug eloe may alwaya be &eeo a t 8lze ll!l9 Brot\dn"t\J , nenr 29 th St., X. Y. 279 Fu lion St•• Brooldyr1. 47 :\'or1h Eh; h(h S t., l'hlla delpl1la. JlO West Baltimore St., Balllmon. Dye, Clean, nnd Rrjit1iRh Drees Goods nnd Gttrmen t11. H.0. 1'.K OOB & No false, wig-like •ppearanc e (like all other waYeto) made of u•tural \\avy hair, nnd faateued on the hcaa "ithout a single hair pin. From ~ to $10. Speci•I •hntlcs extrs. G HA Y AND WHITE HAIR A SPE CIALTY . Ill11•tra1ed price-HM f ree of ch•rge. Goo<ls •en t to all parw of t he couut ry, C.O.D., witlt prl\'ilege of returuloi:. _ _ ESTABLISHMENT, SEND $ 1. 50 for ••mnle do7.en FANCY 5DYEING 7 ;John St. , Ne w Vork. om ce, .uhject• <;oru: Pll OTO<h o,·er BRANCH } Our price• are lower than those of a ln tbc city. Orden by llla ll PrompU7 .ltter L. Shaw's MariB AntoinBttB wavB. i ~ f orl1ulic!:ln11<1gcn 11cmeu, for t he Protc~m·, the S1111!enl the Arti~t. tlie Honiton and Irish Point Er U nc•qu a lle d for c onve nie n ce and comfort , impro\•lt1g thu loo ka of • youn&" and o ld charmingl y. SOLD BY DRUGG ISTS. PHOTOGRAPHY MADE EASY. $4 SOMETHI~G RO,T "hlch rendcre the teech ""t11T1t, th e .rum• r c m o vc.e ._nd Us e bre atb ~"'EFT. It thoro u1rh t31 a.rtar from th e t eeth and pre ' e ou decay. REAL DUCHESS LA CE VESTS Al\ No acid refined Chinese lrnlr nor worthle.., Italian Comblng11ut\<!d,11<> detriment al to heAlth. The h•lr we u~r I• prepared on our prcmi•cs. Cut from Jh•e, healthy French or o~rm811 pe886DU, and warrautcd a• such. s 'v 1·rc 11 ES, all long hair, 2Srluch 54 SO ZO DO NT , 8pan ish and Guipurc Scarfs an< Bead F and le Chenil HUMAN HAIR. Cll A IR di Ile~ Crom al thP otlwr ~l:ltimrnrY or rt."<"lln· ing chairt' in thtH it ,.._ \)P tt e r , !oof t"OU f: ... r • und Qlnti>le r ; i!'\ rulnptNI to the l1<H1~t.·, Lawn. porcf1, or cArnp, am! i~ jUSt churk full Of QUil't COlllfort llllcl hl<"•'•'<I ref<!. It Is fur tlttpt·rior to the 1lammnck in t•\·er~· way, and can he pnt up t"\O ns to he ah\l\YS in tht• ~luull' . . The c h 1'11 pe~ t ll nd th<' I><'•! Arti<'l c In th e world f o r the e njo) nu.~ ut o f fr<""-h n l r. lt 11~sun11·~ and cnn bt• tt!:'lt.."<I in uuy po~ition . from l'h· occu· tin~ up to lytngdow n, without any t•'(ertlon of the panr. and :tupport~ n11d rt 1 !'11"" OH' lmtly in whRh'\'t•r po1o1f. be to ns 'v lion tt is phtcet1,,vh tle th e prlt't> 1., so Jo · within the r ench of 0 \ 1 e r y one . Frlce. $ 4 .00. Sold In •II h1ri.:e 1Mrk~r•. G OODEL L CO. , An trim. X. H., Jta nufacture rs. BEA.CT I, For the complexio n . Prodncet! a heoutlful transparency. It Is r..commcu ded by phy&iCi¥t18. Price, $1 per box. t:nrivalled Yli:LOUTI:'\E FACE POWDER S, OOC. and $I per bnx. ~ly CO~I PLE:XI0:-1 MASK, pat~nt<'d Sept 4, lSiT, Price, $2, ~o highly reeomm~nded sud unsurpol!l!Od. Complete. Beware or lmitsuona . , HOUGES FACE and LIP NE SAr'FOLI Indtl!ble $1 atHI :tl.00 per bottlr. INSTA~DYEING Cor 'E, sADOm:\ !llnrshall' F. F. 1'ANEOt. :SLY the hair, the beard, the ~y!'11ro"" and eydu•he& light brown, brown, o r bt..ck, "It bout "()il!ni; the skin. No lellllen hue or redcll•h tluL $USO per lloL Applied on premise• if t1 ...lrcd. .lOE:\'TS WASTED F.HRYWJ IERE. JTA l\LUOC llf0 t::oi1' AI ~ 9F u r- K\J c:. DOUBLE RIP PEBFECT FITTING PRICE, ti s;n WOVE N CORSE T. Fgnaub.}'al1 ~~~1i11t!u, .lf !f. ~"7ma i4 SHO PPIN In all branch~J. hy t rained and exp AcldrCM AMEtdCA N PURCUA SI 196 Broadway , New York City. CaL our RubberPr lnti J \f M ITT&... .t pies free. IT PAYS toscll h andM>n r,•BD COLLECTOBS.-A ... _ ,... T"+ ' • ·• ·-··- �Best Wishes to the Yearbook Mr. and Mrs. A. H. Abrahamsen Mr. and Mrs. Paul S. Abrams Mr. and Mrs. Paul Adelman Mr. and Mrs. Chester R. Ainslie Rev. and Mrs. T. Howard Akland Mrs. Isidore Alexander Mr. and Mrs. Morns Alstadter Mr. and Mrs. Joseph Allen, Sr. Mr. and Mrs H. W Amidon Mr. and Mrs. Boley Ampula Mr. and Mrs Dorr Anderson SFC and Mrs. D. R. Andrus Mrs. Agnes Anthony Harold and Felicia Anton Mr. and Mrs Angelo Anzideo Mr. and Mrs. George Appelbaum Mrs. Katherine Argersinger Mr. and Mrs. Nat Augenlicht Dr and Mrs. Morris Axelrod Mr. and Mrs. Peter Baker Mr and Mrs. Warren Baker Mr and Mrs. Frank C. Balcom Mr. and Mrs. Milton Barek Mr. and Mrs. Jay D. Barnes Solomon Barnett Mr. and Mrs. Morns Bassin Mr and Mrs. F. Bastian Mr and Mrs. Walter J. Baumstein Miss Mallory Be1tal, Abraham and Sophie Be1tal Mr and Mrs. Nathan Bellman Mr. and Mrs Edward W Bender Mr. and Mrs Jacob Benderson Mr. and Mrs. Warren Beniamrn Benza's Barber Shop Mr and Mrs. Wilham Berkowitz Mr. and Mrs. Bernard Bernhardt Mr. and Mrs. Samuel Bernstein Mr. and Mrs. Jospeh M Berstein Mr. and Mrs. Selig Bernstein and Bruce Mr. and Mrs. L. Besser and Family Mr. and Bertram J. Black Mr and Mrs Lloyd J. Blair Mr. and Mrs. Merle R. Blauvelt Mr. and Mrs. Harry Bl1tstein Sol Bloomfield Mrs. Mary E. Boburka Mr. and Mrs. Bartel G. Bonney Mr. and Mrs. M Bornf1eld James J. Bou11k1an Mr and Mrs. Thomas F. Boylan Mr and Mrs. James Breeze Mrs. Lewis Bresnick L. N Bress Morns and Anne Brier Abraham Brinn Mr and Mrs. Stephen A. Bruno Mr and Mrs. James Bullowa Mr and Mrs. Isadore Burdick Mr and Mrs. Kenneth C. Burhyte Mr. and Mrs. Perrin Burke Vincent Burr Mr. and Mrs. Robert Calvin J. Loring Campbell Mr. and Mrs. Mott Campbell Mr. and Mrs. Albert Cantor Mr. and Mrs. Wilham Capalbo Mrs. Am1el Caolan Mr. and Mrs. R. R. Caplan Mr. and Mrs. E. Carles Mrs. Ralph B. Carhart Mr. and Mrs. Robert Carl1nd Mr. and Mrs. R. H Carson A. J. Case Mr. and Mrs. Jerry J. Ceika Mr. and Mrs. John Chapo Dr. and Mrs. Rudolph J. Cherkauer Christine Livingstone Mr. and Mrs. W. Clancy Mrs. Robert W. Coburn Dr. and Mrs. Albert Cohen Mr. and Mrs. Barnie Cohen Lottie and Samuel J. Cohen Mr. and Mrs. Philip H. Cole Mr. and Mrs. Ray Collins Mr. and Mrs. Robert D. Conner Mrs. Dorothy S. Conte Mr. and Mrs. Wilham T. Conway Mr. and Mrs. Robert J. Cooke Dr. and Mrs. N. V Cooper Mr. and Mrs. Charles Cornelius \.1r. and Mrs. David L. Coveney Mr. and Mrs. Robert B. Cronin Robert D. Cronk Crystal Tea Room Michel F. Cuk1er Mr. & Mrs. Edward Damin Mr and Mrs. A. L. Daub Mr and Mrs. Charles C. Daucher Dominick A Daversa Mr. and Mrs. Sol David Mrs. Betty Davis Dr and Mrs. H. R. Davis Mr. and Mrs. William F. Davis Mr. and Mrs. Garry DeBoer Mr. and Mrs. David W. Decker Mr. and Mrs. Earl F. Decker, Sr. Mr. and Mrs. Philip I. De1tcham Mr. and Mrs. Edward V. Delaney Samuel and Diana Delrn Mr. and Mrs. Frederick M. Dell Mr. and Mrs. Carmen Denato Mr and Mrs. Mortimer Denker Mr. and Mrs. H. C. Detweiler Albert deVilleneuve Mr. and Mrs. Frank E. Devlin Mr. and Mrs. Benjamin Diamond Mr. and Mrs. Lawrence Dick Mr and Mrs. Otto A. Dietrich Mr. and Mrs. Raymond D1Prima Esther Dakerman Mr. and Mrs. James M. Doig John Donovan Gertrude Dorr Mr. and Mrs. Peter Dragan Mr. and Mrs. Louis Driller Mr. and Mrs. Michael Dronsick Mr. and Mrs. John P Drown Mr and Mrs Joseph Duda Rev. and Mrs. Wilton J Dubrick Mr. and Mrs. Clyde Dupler Josephine Durham Mr. and Mrs. James T. Dwyer Mr. and Mrs. Robert Edelson Dr and Mrs. A. Edelstein Mr. and Mrs. David Effel Mr and Mrs. Jack Ehrenberg Mr and Mrs. Samuel Eisner Mr. and Mrs. Robert Elrauch Mr. and Mrs S. Ehrenberg Mr. and Mrs A Ellenbogen Paul D Elste1n Leonard and Selma Ellerman Mr. and Mrs. Jack Epstein E. C. Erbstoeszer Mr. and Mrs. H. Erhard Mr. and Mrs. Edward Etkin Mr. and Mrs. J. Evansohn Solomon and Ada Fernberg Mr and Mrs. Irving Feingold and Famtly Mr and Mrs. Irving Fe1rstern Mr and Mrs. Richard Fenicchia Mr and Mrs. Horace C. Fey Mr. and Mrs. Harold P. Fink Mr and Mrs. Bernard Fisher Mr and Mrs. Harry Fischer Mr and Mrs. Vincent Fletcher Mr and Mrs. Charles Flom Mr and Mrs. Herman Forman Mr. and Mrs. Jolian Forrest Mrs. Muriel Fox Mr. and Mrs. Edward Foyt Mrs. David Federman Mr and Mrs. Gerson Feit Manuel Finkler Mr. and Mrs. Aaron A. Fleischman Mr. and Mrs. Burton Fraleigh Mr. and Mrs. Bernard Frank Mr. and Mrs. Harry Frankel Mr. and Mrs. Michael Frattalone Dr. and Mrs. B. J . Freid Mr. and Mrs. Sydney Fried Mr and Mrs. Ben Friedman Dr. and Mrs. Morris Friedman Mr. and Mrs. Willard Friedman Mr. and Mrs. Arthur E. Frieman A Friend Mr. and Mrs. Adolf Frey Mr. and Mrs. Nathan A. Garnen Mr. and Mrs. Umberto Galante Morris Garber Abraham I. Gartner Mr. and Mrs. Charles D. Gaylord Mr. and Mrs. Jack Geller Mr and Mrs. Geo. Georgopoulos Martin Gerhardt Mr. and Mrs. J. Gettler, Jr. Mr. and Mrs. J. Giambalvo Walter and Ruby G1lchriest Dr. and Mrs. I. 0. Gimprich Mr. and Mrs. Irving Ginsburg Mr. and Mrs. Lester L. Gittelson Mr. and Mrs. Morris Glunts Mr. and Mrs. Arthur J. Goddard Mrs. Althea Goldberg Lillie and Jack Goldberg Mr. and Mrs. Milton Goldberger Mr. and Mrs. Goldman Mrs. Ira G. Goldman Mr. and Mrs. Lester Goldman Mr. and Mrs. Bernard Goldsmith �Mr and Mrs. Nat R. Goldstein Mr. and Mrs. Rubin Goldwasser Mrs. Jean D. Goodfned Mr. and Mrs. Howard W. Gordon Mr. and Mrs. Lawrence Gordon Mr. and Mrs. E. L. Gothelf Mr. and Mrs. Milton Gottlieb Edgar Grant Mr. and Mrs. Edwin Grant Mr and Mrs. Henry Greenfield Emanuel Greenstein Mr. and Mrs. Milton M. Grey Mr and Mrs. David Grossberg George Grun Mr. and Mrs. Robert F Haa s Mr and Mrs. Paul R. Haines Raymond. Mary and Michael Hall Mr and Mrs. S. Handelsman Mr and Mrs. Leon Handfinger Mr. and Mrs. Ench G. Hanisch Mr and Mrs. Duane Hardy Mr. and Mrs. Hartman Mr. and Mrs. LOUIS Harolds Mr. and Mrs. Glenn Harvey Mr. and Mrs. Frank W. Hayward Luke Hazilla Richard and Enka Heller Mr. and Mrs S. Heller Mr. and Mrs. Joseph Hellman LOUIS Henken Mr. and Mrs. Harold Henry John Herold H1 Ball Bar and Gnll Mr and Mrs. Russell Hill Mr. and Mrs. Howard Hillie Mr. and Mrs. Carl J. Hoerner Mr. and Mrs. Irving Hoffman Mr. and Mrs. Jeremiah Hollon Mr. and Mrs. Marvin L. Holzer Mr. and Mrs. Murray Holzman Mr. and Mrs. David Hood Milton A. Horowitz Louise Hosking Mr. and Mrs. George Hoyt Mr. and Mrs. Ralph K. Hoyt Mr. and Mrs. Joseph Huberman John P. Hudock. M.D., F.A.C.S. Mr. and Mrs. E. J. Huebner Mr. and Mrs. C. Max Hull Mr. and Moms Hyman Mr. and Mrs. William Hynes Mr. and Mrs. George Wayne lak Mr. and Mrs. Bernard J. lantosca Mr. and Mrs. Sanford Izzo Mr. and Mrs. Harry Jacker Mr. and Mrs. Vernon Jacobs v. Jacobs Barnet Jaffe Henry and Dorothy Jakel Mrs. Sylvia L. Jarmuth Dr. and Mrs. Henry JaStk Mr. and Mrs. Robert Jelline Mr. and Mrs. W. Kenneth Johnson Mr. and Mrs. Howard Judd Mr. Gerald E. Kalen Mr. and Mrs. H. A. Kalter Mr. and Mrs. Harry Kaplan Mr. and Mrs. Solomon H. Kaplan Mr. and Mrs. Jack D. Karp Mr. and Mrs. Sol Kasten Mr. and Mrs. Adam Kasupsk1 Mr Nat Kaufman Mr and Mrs. Lawrence Kavana Mrs. Ruth Kee Mr and Mrs. Russell B. Keeney Mr. and Mrs. Ernst Keller Mr and Mrs Patnck J. Kelly Mr. and Mrs. Arthur Kendall. Jr. Mr. and Mrs. Samuel Kera Mr Leo J. Kern Mr. and Mrs Paul Kerstein Mr. and Mrs. R. K1ken Mr and Mrs. Andrew E. K1mmage Harry Kirchner Mr and Mrs. Nathan Klein Mr. and Mrs Wilham C Klem Willis H. Kleven Mr. and Mrs. Joseph Khban Mr. and Mrs. Henry Khmow Mr. and Mrs Sidney Koch Mr. and Mrs. Harold H. Koenig Mrs. Isabel Kogel Mr and Mrs H . Koren Mr. and Mrs. S. Koser Rose Kovel W Kowalski Mr and Mrs Walter J. Kozak Mr. and Mrs. Sol Kramer Mr. and Mrs. Edgar P. Kroposki Mr. and Mrs. Arthur W Krubel Mr and Mrs. Robert B. Kurtze, Sr. Dr. M. Lakov1cs Mr. and Mrs. J. Lamond Mr. and Mrs. Malcolm L. Land Mr. and Mrs. Jacob Landau Mr. and Mrs. J. Landress Mr. and Mrs. Burton R. Lane Mrs. Woodrow W. Lawson Mrs. V1v1an Leblang Dr and Mrs. M. Lebowitz Mr. and Mrs. Murray Leitner Mr. a:id Mrs. Bert Le1bow1tz Mr. and Mrs Milton Levine Mr and Mrs. Richard Levine Mr. and Mrs Sidney Levine Mr. and Mrs. Carl Lev1nton Mr. and Mrs. Ephraim D. Levy Mr and Mrs. Milton W. Levy Mr. and Mrs. Sol Levy Mr. and Mrs. William J. Levy Mr. and Mrs. Al Lichtenberg Mr. and Mrs. Herbert Lieberman Mr and Mrs. S. L1ppel and Carolyn Mr. and Mrs. Rudy L1pponer Mr. and Mrs. Isadore Lipson Mr. and Mrs. Rubin Literman Paul H. Loewmger Mr. and Mrs. George Loudon Mr. and Mrs. Joseph E Loren Mr. Virgil G. Lorenzini Mrs. Alma M. Lovejoy Henry Lowin Mr. and Mrs. George Lubow Milton and Nettie Lunm Mr. and Mrs. Philip Manheim Mr. and Mrs. James P Manouse Mane's House of Sportswear Albert L. Mark0w1tz Mr and Mrs. Joseph R. Martello Mr and Mrs. Arthur P. Martin Mr. and Mrs. John S. Massey Mr. and Mrs. J Mat1cka Mr. and Mrs. Donald H. Macleod. Sr. Mr. and Mrs. Rodenck MacRae, Jr. A. McGovern Mr. and Mrs. Jos. A. McCudden Mr. and Mrs. Robt. McCulloch Mr. and Mrs. Harold J. McGuire Mr. and Mrs. Ben Makashay Mr. and Mrs. Jack Mandel Mr and Mrs. William K. Maney, Sr. Dr. Nathan R. Margolies Mr. and Mrs. Franklyn C. Martin Mr. and Mrs. L. Mash Mr. and Mrs. Matros Barry Goldwater Mehrer Mrs. Harry K. Mehrer Dr. and Mrs. Ernest Mendels Mr. and Mrs. Emanuel Mesh Fred Meyers Mr. and Mrs. Walter Mick Mr. and Mrs. Michael M1Gliore Edna and Arnold Miller Mr and Mrs George Miller Mr and Mrs. Louis Miller Lt. Col. and Mrs. A. C. Miller. Jr. Dr and Mrs. A. Milstein Mr. and Mrs. John Miranda Mr. and Mrs. Isidore Molhck Mr and Mrs. David S. Molnia Edward J. Monahan Mr. and Mrs. Norwood C. Moore Bernard Mosesson Mr. and Mrs. Simon Moss Mr and Mrs. Gordon Muck Mr. and Mrs. Michael Nagy Mr. and Mrs. Sidney Nanes Mr. and Mrs. Jack Nash Rith and Julius Nash W S. Newcomb A. Neher Honig Mrs. Laurette E. Newman Mr. and Mrs. Sidney B. Newman Mr. and Mrs. Arthur N1sselson The Nordwrnd Family Mr and Mrs. Harry Northway Nicholas Noviello, Jr , Esq. Dr. and Mrs. Jacob Nussbaum Mrs. James W. O'Dea, Sr. Mr. and Mrs. Carl W. Oestnch Mr. and Mrs. Abraham Olener Dr. and Mrs. Gaspar A. Oliven Mr. and Mrs. Philip Olmstead Evelyn O' Neill Mr. and Mrs. John Onysyk Mr. and Mrs. Orloff Mr and Mrs. Charles G. Owens Mr. and Mrs. Pasquale Paglia Ethel Pankratz Mr. and Mrs. Harry Papenn Mr. and Mrs. Abraham Pass Mr. and Mrs. M. Pawl1ck1 Mr. and Mrs. I. Pearl Mr. and Mrs. John Pera Bernard Perlman Philip A. Peters Mr. and Mrs. Peter Petryshyn Mr. and Mrs. Abraham Pinsky Tarqurny C. Pironti Dr. and Mrs. Has Pollak Mr. and Mrs. Abe Polsky Mr and Mrs. Samuel Popkin Mr and Mrs. David Poris �Milton and Sophie Posment1er Mr. and Mrs. C. Wesley Powell Mr and Mrs. A. T. Preston Mr. and Mrs. Jerome Price Pridmore Dr. and Mrs. J. James Printz Mr. and Mrs. Aaron Rabinowitz Mr. and Mrs. Daniel Rabinowitz Carmine Raffaele Mr. and Mrs. Jack Rabinowitz Mr. and Mrs. Jack Rappaport Mr. and Mrs. George E. Ravert Mr. and Mrs. Julius Reader Lionel and Frances Reed Mr. and Mrs. Joseph S. Reese Gertrude and Philip Richman Sarah E. Rinker Mrs. Clara B. Risk Mr. and Mrs. Fred Ritchey Mr. and Mrs. Arthur Rogers Mr. and Mrs. Werner Rogers Mr. and Mrs. Jack Romaner Mr. and Mrs. Louis Rosen Mr. and Mrs. Willa rd Rose Mr. and Mrs. Joseph Rosen Mr. and Mrs. Alfred Rosenberg Mr. David L. Rosenberg Mr. and Mrs. Sidney S. Rosenberg Mr. and Mrs. Herman Rosenblum Mr. and Mrs. Abraham M. Rosenfeld Mr. and Mrs. H. Rosenstreich Mr. and Mrs. Arnold Ross Mr. and Mrs. Carl F. Rossel Arnold Rothbaum Ann and Isadore Rothman Mr. and Mrs. Mortimer Rothschild Ben1am1n Rot k1n Mrs. Irene Rottmann Mr. and Mrs. Donald Rowlands Mr. and Mrs. David Russell Mr. and Mrs. Nathan Sadik Laddie and Mary Sajor Mr. and Mrs. Aksel Salo Mr. and Mrs. Michael Sanders Mr. and Mrs. L. Sandler Mr. and Mrs. E. H. Sargent, Jr. Mr. and Mrs. John Satterlee Mr. and Mrs. N. H. Sauberman Richard D. Schaeffer Mr. and Mrs. David Schapira Mr. and Mrs. Theodore Schattner Mr. and Mrs. B. R. Schecter Mr. and Mrs. Carl Schechter Mrs. Harriet Schieber Mr. and Mrs. Ben Schierman Mr. and Mrs. Martin Schildkraut Claire Schneiderman Mr. and Mrs. G. Schneiderman Mr. and Mrs. Sam Schonwald Mr. and Mrs. T. P. Schottke, Jr. Mrs. Milton Schriever Mr. and Mrs. William Schelster Mr and Mrs. Michael Schuman Mr. and Mrs. Emile C. Schurmacher Mr. and Mrs. Maurice Schwadron Mr. and Mrs. Henry L. Schwam Mr. and Mrs. C. H. Schwartz Mr. and Mrs. Eugene Schwilrtz Mr. and Mrs. Israel C. Schwartz, Stuart and Marilyn Mr. and Mrs. Michael Schwartz Mr. and Mrs. Joseph R. Scimeca Mr. and Mrs. Leslie Scott Ned M. Seidler Mr. and Mrs. Harold Seligman Benjamin Selsby John B. Sepenoski Mr. and Mrs. Finley Serlen Mr. and Mrs. William L. Serth Mr. and Mrs. George Shapiro Helen and Gus Shapiro Mr. and Mrs. Max Shapiro Mr. and Mrs. Myron Shapiro Mr. and Mrs. Sam Shapiro Richard N. Shaw Mr. and Mrs. Mack E. Shea Barbara I. Sheeks Mr. and Mrs. Edward Sherhofer and Family Mr. and Mrs. Abraham Sherris Mr. and Mrs. George Shope, Jr. Robert Shortsleeves Mr. and Mrs. Otto L. Shortell Mr. and Mrs. S. Siegel Mr. and Mrs. Sidney J. Simon Mr. and Mrs. Charles Sinclair Mr. and Mrs. J. Sinovo1 Mr. and Mrs. Edward Small and Family Mr. and Mrs. Bird J. Smith Mr. and Mrs. Ernest A. Smith Frederick and Grace Smith Mr. and Mrs. Gerald S. Smith Mr. and Mrs. Harold P. Smith. Sr. Mr. and Mrs. Richard M. Smith Mr. and Mrs. Myron Smaller Edwin Sonnanburg Mr. and Mrs. Richard G. Sowden, Sr. Tawel A. Spakovsky Mrs. Mollie Spatz Mr. and Mrs. David G. Spencer Frederick J. Spiegel Capt. and Mrs. Arthur J. Spring Estelle Starke Mr. and Mrs. Michael M. Starr Mr. and Mrs. Sam Stein Mr. and Mrs. Edward Steinfeld Mr. and Mrs. Paul Steinglass Mr. and Mrs. Lester Stimmel Moses D. Stivers Mr. and Mrs. G. Strazzabosco Mr. and Mrs. G. A. Strohschein Mr. and Mrs. Fred Strumpf Mr. and Mrs. Nathan Subitzky Alfred and Greta Sucher Mr. and Mrs. Philip G. Sundick Paula Super Mr. and Mrs. H. Sussman Mr. and Mrs. M. J. Sweetgall Mr. and Mrs. Leon R. Switzer Mr. and Mrs. Joseph C. Sykora Mr. and Mrs. Samuel T. Tamburo Samuel J. Tascione Mr. and Mrs. K. Tauber Mr. and Mrs. A. Tenaglia Carol Tewes Mr. J. Tish Mr. and Mrs. Anthony Tomaski Mr. and Mrs. Michael Trapani Mr. and Mrs. Louis Trazino and Family Mr. and Mrs. Julius B. Treistman Mrs. Mae Trosty Mr. and Mrs. Irwin Tucker Mr. and Mrs. L. Gerald Tuller Mr. and Mrs. Charles M. Turner Harry Ungerleider Mr. and Mrs. Frank Urgo Mr. and Mrs. Jesse Valenta Mr. and Mrs. B. W. Vanlnwegen Mr. and Mrs. Samuel H Verb Mr. and Mrs. Irving Verter Mr. and Mrs. Enc Vietze Mr. and Mrs. William Vogel Madeleine P. Voorhees Mr. and Mrs. Eugene Vrooman Mr. and Mrs. Edwin Wack James and Mary Wagner Mr. and Mrs. Murray Wagshel Lee F. Walker Mr. and Mrs. William L. Walls Mr. and Mrs. Edward Walsh Mr. and Mrs. David Walter E. Elizabeth Wardwell Isadore J. Warshaw Mrs. A. J. Washburn Mr. and Mrs. Hyman Wasserman Mr. and Mrs. Rubin R. Wasserman Mr. and Mrs. Howard S. Webster Weeks and D1ck1nson Mr. and Mrs. Kurt We1d1g Mr. and Mrs. Lauri Weinberg Mr. and Mrs. Fred Weinberger Mr. and Mrs. Maurice Weiner Mr. and Mrs. Charles S. Weingartner Dr. and Mrs. Irvine Weinstein Mr. and Mrs. Morry Weiss Mr. and Mrs. Howard Weissman Mr. and Mrs. Irving Wenz Mr. and Mrs. Marx Weyuker Mr. and Mrs. Milton C. Wiesing Mr. and Mrs. Morns Wilkes Mr. and Mrs. B. D. Willenbrock Mr. and Mrs. Roscoe L. Williams Mr. and Mrs. George H. Wilson Mr. and Mrs. Robert A. Wilson Mr. and Mrs. Wi lliam Winchell Mr. and Mrs. Al Winkler Mr. and Mrs. Bernard Winokur Mr. and Mrs. Irving Winston Ozmun F. Winters Mr. and Mrs. Louis Wittenberg Mr. and Mrs. Stanley Wo1tanowsk1 Mr. and Mrs. Jackson T. Yager Dr. and Mrs. Harold Yelhn Mr. and Mrs. Edgar S. Young Mr. and Mrs. George Zackin Mr. and Mrs. Andie Za1aceskowsk1 Mr. and Mrs. Sidney Zeitlin Louis and Mary Zelizer Mr. M. M. Zellner Mr. and Mrs. Herman M. Zetren Mr. and Mrs. Alex Zimmerman Mr. and Mrs. Leo Zipkin and Alan and Jerry Mr. and Mrs. Oliver K. Zipp Mr . & Mrs. L. Zolczer Mr. and Mrs. Herbert Zusi Mr. and Mrs. John Zygmunt �Clinton Mill Ends Congratulat ions from 99 Clinton St. BARBAR A MOSS Fashwn with a Flair 22 Court St. Binghamton , N.Y. Complunenls of MONTG OMERY WARD Binghamto n RA3-8297 Fabrics for Every .Need GOOD LUC K TO THE 1965 GRADUA TES 36-38 Mazn St. MacLenna ns Florist B inghamton Your one-stop shopping center Binghamton 499 Upper Court St. BEST WISH ES TO THE CLAS S OF 1965 PHOTO & REPRO DIVISION GENER AL ANILIN E & FILM CORPO RATION 140 WEST 51 STREET , r'\JEW YORK, NEW YORK 10020 Mrs. Muriel Baron Mr. and Mrs. Wilton Baty Richard Benzaqutn Mr. and Mrs Max Bradbard Mr. and Mrs. John Broban Mr. and Mrs. Wilham Dean Mr and Mrs. Charles Freedman R M. Horrocks Mr. and Mrs. Samuel Kanef N . T. Jones Mr. and Mrs. A V. Mandry Mr. and Mrs. Milton Miller Mr and Mrs. Carl Nelson Dr. and Mrs Jospeh Obst Mr and Mrs. Julius Parker Mr. and Mrs. LOUIS Perlman Mr. and Mrs. Casper Reaves Mr and Mr. and Mr and Mr and Mr. and Mrs Samuel Sade Mrs. Herman Schaffer Mrs. Samuel Turan Mrs. Bernard Uram Mrs. Harold Wager �VAUGHN'S CLOTHING INC. Congratulations Men and Boys TWO STORES SEARS, ROEBUCK & CO., INC. "Vestal Plaza" & Endicott (Union Dist.), N.Y. 174 Court Street "Formals Rented For All Occasions" '"fornmy J-Jair 1 s Studio Book Shop 104 Court Street Binghamton Sty Jists 78 Court Street RA-·l-086b AIR CONDITIONED TELEPHONES 723·5457 723-5458 SENTRY COLONIAL MOTOR INN DINING ROOM & COCKTAIL LOUNGE RA 9-4901 BINGHAMTON'S FINEST ACCOMMODATIONS Private Tile Baths - Steam Heat Room Phones 21 0 Rooms - Baths AIR CONDITIONING 3 SWIMMING POOLS 3 Miles West of Binghamton On Highway 17 Nearest to the Harpur Campus Member of American Express & Diner's Club AAA Hilton Carte Blanche AMHA �Comp liment s of THE SHORT LINE BUS CO~ Austin Robbi ns, owner The Star Dry Clea ners 73 Nonh Ave, 72 1 Harn· L. Dri \ c Comp liment s of your Owc~o. :'\c'~ Johns on City, N.Y. VIC TOR Y SUP ER MAR KET S York \ 'c tal Parkw ay Vest.II, NC\v York RL-4 -2444 MU-7 -3550 Best wishes to the class of 1964 from your campus insura nce agency. COUPER-ACKERMAN-SAMPSON, INC. 63 Carol Street NRY'S Bingh amton , N . Y. 163 Main St., Binghamton Phone : 772-1 444 George F. High""a)', cndweJI �BEN'S CLOTHES SHOP Main and Willow St. Johnson City, New York. (fi1n9hamton Optical DISPE NSERS · IN C. "Clothes of distinction for dad and lad." 130'J ,\ fonror Street E11d1coll 17 ,\1a111 Sim t 8111ghamton OLUM'S Ins ta nt R adio ... Complete Home Furnisbings WENE 114 Clinton St. Binghamton, N . Y. ... dial 1 130 222 Main Street Johnson City, N. Y. Congratulations to the Class of 1965 ENDICO TT TRUST COMPAN Y M E M B ER OF F E D ER A L D E P0 SI T I N SU R A N C E C 0 R P 0 RA T I 0 N 4 CONVENIENT LOCATIONS MAIN OFFICE : EN DWELL 35-41 WASHINGTON AVENUE : 3225 EAST MAIN STREET VESTAL : WEST CORNERS 148 VESTAL PARKWAY EAST : WEST CORNERS PLAZA PERSON TO PERSON BANKING SER \'ICE �THE ~ittQe 9hop l MAIN STREEl BINGHAMTON NEW YORK I elephOllL RA Con1.patulations to the Class of 1965 from Your Yest al Carvel Stand J· I 8uJ Compliments of Compliments of ... MUSKA'S TA VERN I 19 Harry L. Drive REED'S FOOT\\.'EAR ~laine Trotters "Outsta11d111f!, Charin Bus Salllce" H eadquarters for Old Johnson City Congratulat1ons lo the Class of 1965 from the CAMPUS BOOK STORE TRIPLE CITIES T R ACTION CORP. Air-Conditioned Lavatory R adio-P .. \ . Svstcm Card Tables .\ ii Ri de R \-2-2391 375 ~tatt· Street Bin!.{hamton . .:\. Y �Harmo ny in the home can't be found in family jars- SPECIAL IZING IN CUSTOM MADE LSTERIN G S£R\llC£ 0RAP£RI CS, SL PC0\1£RS ANO REUPHO i Weeks Dickinson Exn Sno P "Jal,.", J,,. /' 1, 111 J /,,,.,/ CLI.: \TO'\ .\In,L 99 CLINTO N STREET BINGHA MTON. N Y RA 3.8297 Than k you ~ Binghamton, N. Y. 34 Chenango St. OW L TA XI - Class of 1965 Come back and see us again ME TER ED CA BS The Binghamton Card Center, Inc. 124 Cour t Stree t CARDS - GIFTS - PARTY GOODS 29 Court Street - RA 2-74 97 - Binghamton 72 -2-3447 CO NG RA TU LA TIO NS TO TH E CLA SS OF 1965 ALWAYS A STEP AHEAD �=aRAe lD DELIVDIY$£/lYICE' 4 RA2 -7S8 RA :Z·S217 OR CORNER OF HAIN & FRONT 10 MAIN ST. BINGHAMTON "No Parking Problem When You Phone" .•• YOUR NEW PET SHOPPING CENTER AT THE VESTAL PLAZA PARADISE AQUARIUM Mid-Way Recreation Inc. "For the Best In Bowling " VESTAL LANES 48 Modern AMF Automa tics 213 Jensen Rd., VESTA L, N. Y. RA 9-3538 FRANKIE and JOHNNIE SNACK BAR MAN OR HOUSE LANES 24 New AMF Automa tics Bingham ton Plaza West State St ., BINGH AMTON , N. Y. RA 4-1366 Cocktail Lounge -Snack Bar Caterin g to our Harpur College Friends both in Regular Leagues and Open Bowling Down The Road From The New Campus �RUSSELL complunmls rif CAB ROGERS COMPANY ST 5-3335 smart clothes for men and women I 07 Co urt St reet Best Wishes to the 1965 Gradu a tes IDEAL LAUNDRY Bingham ton Harmony in the home can't be found in family jars- & W eeks Dickinson -.) AND CLEANERS 34 Chenango St . Binghamton, N. Y. There is no final stage in edu cation; it is an unending search for knowledge and the continuing development of wisdom. Through them we can recognize and develop opportunities to the fullest extent. Together they are the formula for individual and world progress. INTERNATIONAL BUSINESS MACHINES CORPORATION �What's • In your future? Whatever your goal in life, it's wise to back up your future plans with a steadily increasing savings account. Money in the bank is one of the surest roads to security we know ... it will help you achieve what you want for your future. ' l ' I I F: 62-69 Exchange Street Binghamton, N Y Member Federal Deposit Insurance Corporation �co111/1funrnt.1 o/ H ESSE M USIC COMPA:"JY SCHOOL OF DANCE Member: Dance Ed ucators of A merica 389 Harry L. Drive . .Johnson Cit' Phone R A9-4430 34 Broad St. Johnson C ity SAFETY SERVICE LUBRICATIO N • W ASH Joss P OLISHING • P ICKU P AND D ELIVERY • . Pa rlor C ity Shoe C o. ROGER DOOLITTLE H-46 Court Street Bin~hamton, Ne'' York ATLANTIC SERVICE STATION I OPPOSITE COLONIAL MOTEL l VES T AL PAR KWAY EAST V ESTAL. N Y. "Fmo footwear for the /i11111h" 6 A M . . 11 PM DAILY PHONE: 797.5537 ELK'S BAKE SHOP "Best Baited Goods in Town" 110 Washington Avenue Endicott, N. Y. com/1liments of LARAWAY JEWELERS 70 Court S t reet - ST 5-2051 - R esnicks Compliments of down town Bin15ham ton and Vestal Plaza LlnLE VEN ICE RESTAURANT 22 Chenango St. ''First cho1rr for co-rds" Carrulli Brothers �Howard's Florist and Gar den Center Vestal Parkway East P I-8-8774 "F/own.1 /iJr all orcasion.i" TOM'S TEXACO SERVICE VESTAL PLAZA Minor Repairs Mufflers 797-514:? • Lubrication • Tailpipes Lifetime Guarantee Firestone Tires Goodyear Tires Trml )'011rulf lo the 1•er) brs/. Guys and Dolls Beauty Salon Reduced Prices for Students ror appointments dial RA-3-4310 138 Washington Street Binghamton MARINE MIDLAND TRUST COIVIPANV OF SOUTHERN NE\N YORK Member Federal Deposit Insurance Corporation �EDWARD L. NEZELEK, INC. CONTRACTORS Builders of: Broom e, C h en a n go, and D ela wa re D orms Newing H a ll a nd t he Greenhouse JOHNSON CITY, N.Y. �SALL STEAR NS HUB DELICATESSEN & RESTA URAN T 137 \ \ashin~ton /hf /1111 1/011 fm 111111 mu! B i n~ h a m ton's Street, Bin!{hamton " \'\'e spccia liz(' in kosher corn beef. pasu,uni, salam i, ton~ue. smoked \\ h it(•fish. smoked salmon and sable plMc." )'1111111? m111 La rge, t R :\-2-7780 ll Court Street nationally adv<."rt ised EMPIR E COIN COMP ANY J c\',1el D iamonds A ppliances \\'atches R adios Cum/1/u11mt~ o( T. \'. BALI N'S JEWELERS JOHN SON CITY, 238 MAIN STR EET JOHNSON CITY. N NEW YORK Y MORRIE BALIN PHONE RA 9 4 431 JEWELER C01u~ralulal 1011s and BtSt iVi.1/11 1 To the Clrns of 1965 From MER IN STU DIO S OF PHO TOG RAP HY Official Photogra phers to the 1965 "COLON IST " All portraits appearing in this pu bli cation have been placed on file in our Studio and can be duplicated a t any time. Write or ' Phone us for Information. W Alnut 3-0146 0147 0148 1010 C hestn ut Street Phi ladelphia 7, Pa. �''Hello There'' "I'm the fellow who tries so hard to keep yOtJ interested in the latest, most vital news . . . I try to bring a smile into your life with the cream of the comics ... I want you to feel that I am the friendliest newspaper you've ever read, 'cause I really am." "Your Fri endly Hometown Newspaper" EVERYONE READS THE PRESS (almost) and WIN R TV-RADIO �HOME DAIRY Cm1l!,rat11lat 10m lo the Cla.11 ?f 1965 Bakery - Delicatessen - Sandwiches (to go) Vestal Plaza Cafeteria - Bakery - Delicatessen ~\\~ FEDERAL ELECTRONICS INC. Wholesale Distributors EMBERS Vestal, N.Y. Vestal Parkway SUPPER CLUB 56-58 Court Street Than!. Fou Clnss of '65 comp/mun/~ of tht COME BACK and SEE US AGAIN ENDICO TT FLORIS T HYKUR'S 754-2424 119 \..\'ashington Street, Endicott Feminine Apparel Binghamton The Fairview Press ·Printi n ~ Compliments of BENNER WHOLESALE COMPANY Endicott, New York Commercial and Social ·Pictures ·Framin q ·Art ist Supplies ·Rubbn Stamps Binghamton . 12 Henr\' Street phone RA-2-777 l ~ CHENA NGO STUDIOS Bin~hamton , :'\cw York Campus Esso Service \'cstal Parkwa\ East candid portraits commercial identificatio n "the f111est in photol!,rn/>hr" R \-9-9491 opposit\' tlw Colonial Motor Inn Y. �HOW BANKS HELP YOU TO we've enioyed your friendship To the departing 1964 graduates. the Vestal Parkway Office of First-City National Bank says "thank you" for your friendship and patronage during your stay at Harpur College. We hope your association with us has helped you learn the value of bank standing. VESTAL PARKWAY OFFICE FIRST-CITY NATIONA L BANK MEMBER FEDERAL DEPOSIT INSURANCE CORPORATION �HILKIN S JEWELERS Good Luck Class of HO\\',\ RD ' G"i JOH~SO'.';'S ~tOTOR Keepsa ke Diamonds LODG E Our lllth 't c,11 V t•sta l. :'-1 .Y. Route 17 Your e.ood llt'lf!.hlwr 111.1/ dou•11 flu l11e.lu,•<1)' 46 Washington Avenue New York Endicott 1204 WITHERILL STREET, ENDICOTT, NEW YORK CONT RACT ORS Hugh John son & Co., Inc. Lo uis N. P1 cc1 AN 0 and SO N TEL. Rl 4-2222 HEATING VENTILATING AIR CONDITI ONING INDUSTRIAL PIPING PLUMBING SPRINKLER FABRICATING FOWLER, DICK & WALKER Mem bers New York Stock Exch ange Per so n,d In q•st nwn t Sen ice Stocks Bonds \1 utual Funds GENNARELLl'S For Flowers Bingha mton, New York Properly Delivere d-Select ed We salute the June Gradua tes of HARPU R COLLE GE Clustered- Presented I I I Court Street May Success Always Be Yours RA 2-7666 RA 3-3658 �In .\fmwrr ol Dnl'lfl Gordon KINNEY'S Barnes Flowers and Interiors 6 Mam Street Bm[?hamton, New Yori.. i ·estnl Pln::a, Vr1tal Ral eigh Square Kinney Kaper Flings RA-4-4326 Joe Lapchu/.. Stuart I l olmn goo d I uck , CLASS OF 1965! Slater School and College Services wishes to tha nk the members of the graduating class for the ir patronage-to say farewell, good luck, and good health. Your school's administration realizes that classroom performance often depends on planned nutrition. Through ARA Slater, they hove wisely invested in quality food , prepared and served in friendly style. We hope you have enjoyed Slater meals and servicethat mealtime provided a pleasant social break in the day's busy ro utine. From all of us, good luck and good health in the years ahead! SLATE R SCHOO L AND COLLE GE SERVIC ES PHILADELPHIA 46, PA. Slater Now Serves More Than 220 Schools In 32 States and Puerto Rico �6~ Co urt St. CONG RATU LATIONS TO T HE CLAS S OF '65 Bingha mton, N. Y . t he yo u ng lookt he DAY JDS look Britts IOC111 Discou nt T o l la r p u r S tude nts on a ll Repairs a nd Mercha ndise DEPARTMENT STORE R a ppapo rt J ewele rs 20 Chenantto St1eel B mglwmlon VEST AL PLAZA RA -2-7873 Ca nn y Trucking Co . Inc. 6-18 SPRING FOREST AVENUE, BINGHAMTON . NEW YORK PHONE RAymond 4-1357 TERMINALS: New York City 99-109 Jane Street CHelsea 3-1360 Clifton, New Jersey GRegory 1-1696 Elmira, New York 53-55 Sheridan Avenue REgent 2-5027 Scranton, Penn.. 1708 Nay-Aug Avenue Diamond 6-3854 �DUTCHESS LOUNGE Compli111111/ 1 o( C:or. H arry L Drive & Lester Ave. HOTEL BINGHA M Famous for Pizza and 1/1r1d1rJ A II ta/..r out ordrrs 182 \\',1shinl{ton ~l!Tl't, Binghamton We Cater To Parties and Banquets Phones RA 9-9·114 SW 7_q939 THE E'.\'DICOTT PRl:\'TI'.\'G CO. All CommtrC1al Przntmg Programs and Brochures Wedding lnu1tatzons Announetmm/s l''JU:D L. YEHDO:\ DISPENSING OPTIC'A~ 124 Nanticoke Avenue . ENDICOTT, N . Y Phone 7 85-9441 94 FRONT STREET BINGHAMTON. NEW YORK " W htrr Quality Std/ Counts" OF AMERICA 11011 IMAM J IS CON VINllNI lOCAllONS • • • • • • • • • • • • Year-round Air Conditioning Swimming Pool Eree Advance Reservations Telephone in every room-24 Hr. Service Meeting Facilities for all occasions Children under 12 admitted FREE (When using same facilities with parents) Baby Sitters • Baby Beds House Physicians Appetizing Food served • Free Ice Valet and Laundry Service All-tile Baths • Television Free Kennels & Ken-L-Ratio n Upper Court Street Bingha mton . . Y. Phone RA 3-709 1 Vestal Parkway Binghamton, . Y. Phone RA 9-637 1 �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1948 - Title A name given to the resource Binghamton University Yearbooks Subject The topic of the resource Harpur College -- Students; State University of New York at Binghamton -- Students; Harpur College; State University of New York at Binghamton; Students; Yearbooks Contributor An entity responsible for making contributions to the resource <p>Blythe E. Roveland-Brenton, Director of Special Collections &amp; Library Preservation<br />Caitlin Holton, Digital Initiatives Assistant<br />Maggie McNeely, University Archivist<br />Erin Rushton, Head of Digital Initiatives</p> Description An account of the resource <p>Binghamton University’s yearbook was published under several different titles. It was first called <em>The Colonist</em> in 1948, then became <em>The Yearer</em> in 1970, <em>Pegasus</em> in 1973 and finally <em>Binghamton University</em> in 2004. Yearbooks are a popular resource for alumni and can be used for primary source research. Each book typically contains class lists, class photos, candid photos, faculty and academic department information, campus and institutional facts, illustrations and ads, and editorials. They document student organizations, campus events, athletic teams as well as local and global events. Yearbooks offer a window into the traditions and culture of a time and place from the point of view of a select group of students on behalf of the student body. They are among the richest sources of student-driven content for an academic institution. For more information regarding yearbooks and the history of the University, please contact <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a> at 607-777-4844 or speccoll@binghamton.edu.</p> <p>We welcome your comments about <span><span>our collection of digitized yearbooks.&nbsp; <a href="https://binghamton.libwizard.com/id/c6121588e483da04f66dba76f0460bb5">Please share comments via our feedback form</a>.&nbsp;</span></span></p> <p><strong>Acknowledgment of sensitive content</strong><br />Binghamton University Libraries provide digital access to select materials held within the Special Collections department. <span>Historical yearbooks provide a vibrant window into life at the University.</span> However, they also expose insensitive, and at times offensive, racial and gender stereotypes that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these volumes available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. <a href="https://www.binghamton.edu/libraries/about/collections/digital/">Digital Collections</a> are created for educational and historical purposes only. It is our intention to present the content as it originally appeared.</p> Rights Information about rights held in and over the resource <p>The yearbooks in this collection are copyrighted. If you want to reuse any material in this collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down request policy.<br /><br />If using any materials in this online digital collection for educational or research purposes, please cite accordingly. When citing documents, researchers / educators should credit Special Collections as the custodian of the collection.<br /><br />The following is a suggested citation: Binghamton University Yearbooks Digital Collection, [yearbook title and year], Special Collections, Binghamton University Libraries.”</p> Date A point or period of time associated with an event in the lifecycle of the resource 1948-1972 Is Part Of A related resource in which the described resource is physically or logically included. <a href="https://archivesspace.binghamton.edu/public/repositories/2/archival_objects/38366" target="_blank" rel="noopener">Binghamton University Student Publications: Yearbook, 1948- present</a> Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Collection Binghamton University Yearbooks Digital Format PDF Date of Digitization THE COLONIST_1965.pdf PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Format The file format, physical medium, or dimensions of the resource Text Title A name given to the resource Colonist 1965 Subject The topic of the resource State University of New York at Binghamton -- Students school yearbooks Creator An entity primarily responsible for making the resource Binghamton, N.Y. : Harpur College ; Binghamton, N.Y. : State University of New York at Binghamton Publisher An entity responsible for making the resource available State University of New York at Binghamton Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource In Copyright Description An account of the resource Student yearbook of Triple Cities College (1948- 1950), Harpur College (1951- 1965), and the State University of New York at Binghamton (1966- present). https://omeka.binghamton.edu/omeka/files/original/67b1032736b2b3423553f6b24e1bc583.pdf 88114d94a7bbd53dfb3071696a21319a PDF Text Text THE HARPUR COLLEGE ORCHESTRA VIOLIN I Cukier, Robert Concertmaster Bernstein, Robert Fenimore, Paula Shope, Caroline Wade, Ralph Wallenberg, Marianne Walls, Anita VIOLIN II Blauser, Henry Duda, Frances Gaylord, Anne Gothelf, Sarah Grupsmyth, George Pettengill, Edward Powazek, Irene Robbins, Nancy VIOLA Colton, Russell Herzog, Hedda House, Laura Isham, Patricia CELLO Battin, William Gruber, Kathy Livingstone, Christine Zimmerman, Susan BASS Thomas, Richard FLUTE Jackson, Margaret Cohn, Debbie OBOE Mohn, Abigail Stolarcyk, Richard CLARINET McLellan, John Abrahams, Arthur Duncan, Candy BASSOON Walker, Stephen Eddy, Scott FRENCH HORN Evansohn, John McCool, Martha TRUMPET Harolds, Jay Allan Drobak, John TIMPANI Levine, Lanny ANNOUNCEMENTS January 31 - 3:15 p.m. Guarneri Quartet February 4 - 8:30 p.m. Jean Casadesus, pianist February 5 - 8:15 p.m. Harpur College Dance Group February 6 - 2:15 p.m. Harpur College Dance Group February 6 - 8:15 p.m. Yale Russian Chorus February 7 - 8:15 p.m. Guarneri Quartet February 14 - 8:15 p.m. Harpur College Wind Ensemble Harpur College Theater THE HARPUR COLLEGE ORCHESTRA Fritz Wallenberg, Conductor January 24, 1965 8:15 P.M. HARPUR THEATER PROGRAM Symphony No. 1 in C-major, Op. 21..................... L. van Beethoven (1770 - 1827) Adagio molto; Allegro con brio Andante cantabile con moto Menuetto. Allegro molto e vivace Adagio; Allegro molto e vivace The first performance of Beethoven's Symphony No. 1 took place on April 2, 1800 at the Hofbergtheater, at which Beethoven made his first public appearance. Sketches for the final movement can be found among the counterpoint exercises Beethoven wrote for his teacher, Albrechtsberger, in 1796. The Symphony itself was probably written during the Winter of 1799-1800. A review of the concert in the Allgemeine Musikalische Zeitung found the Symphony to have "much art, novelty and wealth of ideas" but criticized it for "too much use of the wind-instruments, so that the music sounded more as if written for military band then an orchestra." The Introduction to the first movement begins with a cadence in F, and two measures later a cadence in G before settling into C major. The first subject of the second movement is treated fugally . The Menuetto, actually a Scherzo, is built upon a scale pattern. And the scale also dominates the final movement. W. R. S. ****INTERMISSION**** Andante for Flute and orchestra, K. 315................. W. A. Mozart (1756 - 1791) Soloist: Marlene Bass During his Mannheim tour in 1777-78, Mozart received a commission from the Dutch amateur flutist, M. de Jean, to write six quartets and six concerti for the flute. The letters of Mozart to his father bears evidence that he did not cherish this commission. The important Flute Quartet in D (K. 285) was soon followed by two quartets of lesser stature (K. 285a and K. Anh. 171), which betray Mozart's waning interest in this form. After writing the original Concerto in G major (K. 313), Mozart took an earlier Oboe Concerto (K. 314), adapted it for the flute and transposed it from C to D major. When it was apparent that M. de Jean had no intention of rewarding Mozart for his effort, the commission was left incomplete. The Andante in C (K. 315) may have been written with a third concerto in mind or, as Einstein conjectures, it may be a substitute for the second movement of the G major Concerto as M. de Jean found the original slow movement a bit too difficult. W. R. S. Simple Symphony - for String Orchestra............... Benjamin Britten (1913 - ) I. Boisterous Bourrée (1926) II. Playful Pizzicato (1924) III. Sentimental Saraband (1925) IV. Frolicsome Finale (1926) Benjamin Britten is the leading figure today in English contemporary music. His genius has been recognized in works for voice especially, including the operas "Peter Grimes," "Billy Budd," and very recently "A Midsummer Night's Dream." Earlier works include "Les Illuminations for solo voice and string orchestra and "A Ceremony of Carols" for boys' voices and harp. All of his works are marked by great emotional power, penetrating beauty, and a completely individual manner of writing. This "Simple Symphony" is based entirely on material from piano pieces which the composer wrote between the ages of nine and twelve. (The actual date is printed after each movement. ) Although the development of the themes is new in many places, there a re large sections which have been taken from the early pieces - save for the re-scoring for strings. The string orchestra "symphony" was written in 1934. Three German Dances K. 605........................ W. A. Mozart Upon Gluck's death in 1787, Mozart received the post of Royal and Imperial Court Composer with the modest salary of 800 gulden annually. However, if Mozart were to expect commissions for larger works, he was soon disappointed. He merely had to supply dances for Imperial occasions. The Viennese public, that had so warmly supported him a few years before, had simply lost interest. So Mozart was soon to find himself in financial straits, as the piteous letters to his friend, Michael Puchberg, requesting money bear witness. In the first three months of 1791, in addition to the Piano Concerto in Bb (K. 595), two Fantasias for mechanical organ and three children's song, Mozart wrote twelve sets of dances; Ländler, Menuets and German Dances . In his catalogue of his own works, the first two dances on tonight's program were entered February 12, 1791. The third dance is missing. As the autograph is lost, we must rely upon several manuscript copies to determine that the three dances belong together. Mozart often used a humorous type of orchestration in the Trios of his dances . The Trio in the third dance entitled Die Schlittenfahrt (the Sleigh-ride) is an excellent example, scored for Bassoon, two Posthorns, five tuned Sleighbells and Strings. W. R. S. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:38 25:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54344">Harpur College Orchestra Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Orchestra Recital Tape 1965-1-24 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Mozart and Britten. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Mozart, Wolfgang Amadeus, 1756-1791 Britten, Benjamin, 1913-1976 Date A point or period of time associated with an event in the lifecycle of the resource 1965-01-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Orchestra Recital Tape 1965-1-24.pdf https://omeka.binghamton.edu/omeka/files/original/0ee18bc7fb7fe2a74ae875a71d7293da.pdf 08b47027bdb0e2fa8e16f6cf23b6f8d1 PDF Text Text 0 (J I 0 (J PRESENTED BY THE HARPUR COLLEGE CONVOCATIONS COMMITTEE �INTERMISSION NON-RUSSIAN AND COMPOSED MUSIC PROGRAM LITURG ICAL SONGS Mozart l. Ave Verum 2. Les Marina de Groix Dutilleux This is an arrangement of a tradi ti onal French song, 1, Teb e Bohs Khvalim (Te Deum Laudamus) Bortniansky An offertory chant by Catherine the Great's c ourt composer, the first Russian c omposer to make use of Western techniques. 3. 2, Tebe Poem ( To Thee We Sing ) This song is sung in the Mass Host, Ne Sedl Jemo ( Don 1 t Sit Jemo) Macedonian Jemo, don't purs ue the slave-girl Fatima; you will be in danger from t h a Turks, Furthermore, Fatima mi ght be your sister. 4. Svete Ti kh ij (He avenly Light) Kastalsky Th is tw enti eth century ve spe r chant, a set ting of an el eventh c entu r y me l ody to a third century text, effe ctively contrasts Russi an and Byzant ine melodic formulae. Kas Tie Tadi (Wh o Are Those?) Who are those t h a t sing at sunset? subject to a strict master. 5. Bandura Ukrainian In this Uk ra i n i an song , a young man takes a bandura,en Ukr ainian folk instrument, t h e better to expre s s his love. Bl a zhen Muzh (Blessed 6. z a Dunaem Shaporin Beyond the Danub e , there is marching aga inst t he Turks ; at home in the gr een garden, a b e aut iful wife wept wh en she l earned th at viol ent Vanya's h ead had ro ll ed, 3. Tchaikovsky during t he consecration of the Be The Man) Tra ditional Chant or t he Kie vo-Peche rsky Mona stery This version of t he First Ps alm of Da vid da te s back to the Si xte en th c ent ury, FOLK AND SOLDIER SONGS FOLK SONGS 1. Ukra inian Cossack Song Oi Na Hore ( On The Hi 11) On the hi ll, the peas ants ar e mowing , but in the valley the Coss a cks are riding. l . Paiduly Vyidulya (I'll Go To The Valley ) Gr et chaninoff Down in t he valley a g irl goes to me et h er soldi er boyfriend. The song describes th eir c onvers ation. 2, Kalinka (The Snowball Vniz Po Matushk e Po Volge (Down The Mother Volga) Down t he wide Mother Volga , nothing c an be seen among the waves except a sma ll boat. The c aptain sits at the stern in a bla ck velv et c ape. A violent storm arises. Nothing is s een among the waves of the wide river. 3, Akh Ty St ep ( Oh You St eppe So Wide) Oh you steppes o wide, y ou Volga so free. It is no t an eagle which rises over the st eppe; it is a barge haul er who has b roken f r ee. The eagle is warned not to r eturn to t h e r iv er bank. Varlamov Metelitsa (The Snow Storm) A snowstorm sweeps along the street and beh ind it my beloved walks. Linger, linger, my beloved one, and let me look at you longer, 4. Borodino Po em by Lermontov This s ong re c ounts the f amous battle of Borodino fought against Napol eon in 1812. 2. Vdo l' Da Po Rechke (Along The Ka zanka River) A young man walks along t he Ka zanka River and pretty gi rl wi ll comb his hair. 3. <0 5. 6. Latvi an They are all orphans wonder s which Vlotsa The blue smok e curling from the chimneys, of bis village makes the Co s s ack soldi er decide to fight harder. Zhilo Dv ena dsat• Razboinikov (The Legend of The Twelve Brigands) A fierce brigand chief, who has robbed and killed many people, s uddenly has a ohang e of h eart, and enters a monastery as a hermit. In the last line we find that it, is he himself who tells this tale. r Tre e ) raspberry in the gar den rem inds the singer of A little the girl who s e love h e seeks. Yekhal Ya Na Pobyvku (Furlough Time) This song was written after World War 11, As a soldier h1t oh -h1 ke s home from Berlin, he decides that t he prettiest girls live in his home village, Unl es s otherwise indicated, these songs have been arranged by Denis Mickiewicz. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:24 33:33 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54382">Yale Russian Chorus Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yale Russian Chorus Recital Tape 1965-2-6 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Arrangements by Denis Mickiewicz. Works by Tchaikovsky, Kastalsky, folk songs, soldier songs. Creator An entity primarily responsible for making the resource Yale Russian Chorus Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mickiewicz, Denis, 1929- Tchaikovsky, Peter Ilich, 1840-1893 Kastalʹskiĭ, Aleksandr Dmitrievich, 1856-1926 Date A point or period of time associated with an event in the lifecycle of the resource 1965-02-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Yale Russian Chorus Recital Tape 1965-2-6.pdf https://omeka.binghamton.edu/omeka/files/original/6c00f3e7454e396553a260859d77f5ed.pdf 90301d76725067fa684aa0c608765e2c PDF Text Text State University of New York HARPUR COLLEGE, BINGHAMTON, N. Y. The Department of Music GUARNERI presents THE GUARNERI QUARTET (in residence) Arnold Steinhardt, violin John Dalley, violin Michael Tree, viola David Sayer, cello RECITALS O SEASON 1964-65 I Tuesday, August 4 Sunday, September 20 Monday, September 28 Saturday, October 3 Sunday, November 29 Sunday, December 6 Sunday, January 10 Sunday, January 31 Sunday, February 7 Sunday, Mar c h 14 Sunday , March 28 Sunday, April 4 Friday, April 30 Sunday, May 23 Sunday, May 30 All performances at 8:15 p. m . in the Harpur College Theater Ushering courtesy of Alpha Phi Omega OPEN REHEARSALS The public is cordially invited to attend the quartet's rehearsals, held the day prior to each recital, at 3 p. m., in the music room (CA-183) near the theater. HARPUR �NOTES ■ The Serenade Op. 25 is usually ascribed to the same period (c. 1795-1797) as the Op.8 serenade, although not published until 1802. These stylistically similar works, together with the Septet Op. 20, are akin to the divertimento and represent a lighter facet of Beethoven's chamber music. A divertimento generally consisted of many short, gay movements, usually in major keys and based on simple binary or ternary dance forms, designed to "divert" the listener. Op. 25 has seven movements, the first being a type of fanfare to capture the attention of the audience. This is followed by a minuet with two trios, the first devoted to the strings, the second featuring the flute. The third movement presents the only extended contrasting minor section of the work. Then follows a simple theme with three variations, each exploiting a different instrument, and a closing coda. The fifth and sixth movements are very short - the former consisting of a lively scherzo and the latter serving as a slow introduction to the rollicking rondo which closes the work. ■ Quartet No. 2 of Bartok, written between 1915 and 1917 while Bartok was a piano teacher at the Budapest Academy of Music, foreshadows the style of his following four works in this genre. Though deeply disturbed by the war, Bartok continued his study of the folk music of his own country and neighboring areas, imbibing and assimilating their musical cultures. The characteristic elements of his style, a folklike idiom, thematic unity, and an architectonic musical structure, begin to manifest themselves in this work. In the first movement, Bartok uses the fourth (a favorite interval in folk melodies and in Bartok's later works) as a generating motive from which the other themes of the composition are derived. Syncopations and constantly changing meters join with the continuous contrapuntal interplay of the four instruments to create a texture characterized by dissonance and restless activity. In the second movement, a rondo of barbaric and demonic force, Bartok continues to develop the style he had introduced in his AllegroBarbaro of 1911. Driving rhythm, the masterful use of alternating major and minor thirds and the tritone, and the employment of all the percussive devices of which the string instruments are capable combine to give this movement amazing power and virility. In contrast, the third movement with its folk-like parlando style gathers the germinal motives from the other movements into a reflective summation of the whole and closes the work with a sense of unity and consummation. ■ The Quartet in G Major, Op. 161, the last quartet which Schubert wrote, was composed between June 20 and 30, 1826. Originally intended as the third in a group of quartets, Op. 29, this work was not published until 1851 and then as Op. 161, while the intended Op. 29 #2 ("Death and the Maiden") was published posthumously in 1831 without any opus number. Thus only Op. 29 #1 in A Minor was published during Schubert's lifetime. However, the first movement ofOp.161 was performed during his life at the only concert the composer gave of his own works, in 1828 on the anniversary of Beethoven's death. This quartet is perhaps more orchestrally conceived than either of the preceding two and includes tremolo sections and unison passages, which produce a thicker texture than is usual for Schubert. The whole work fluctuates between major and minor tonalities, evoking a rapid interplay of light and shade. A dotted rhythmic figure appearing in various guises in each movement promotes a sense of unity. The cello is singled out in the second movement for a particularly lovely lyrical solo which Schubert later set to words and used for a song in his cycle Die Winterreise. The trio of the third movement is a typically Schubertian ländler with an ostinato accompaniment simulating bagpipes. Patricia Isham PROGRAM Thirteenth Recital Friday, April 30, 1965 SERENADE in D Major, Op. 25 BEETHOVEN for Flute, Violin, and Viola Entrata. Allegro Tempo ordinario d'un Menuetto Allegro molto Andante con Variazioni Allegro scherzando e vivace Adagio Allegro vivace disinvolto (N. Dalley-flute; J . Dalley-violin; M. Tree-viola) QUARTET No. 2, Op. 17 BARTOK Moderato Allegro molto capriccioso Lento INTERMISSION STRING QUARTET in G Major, Op. 161 Allegro molto moderato Andante un poco moto Scherzo - Allegro vivace Allegro assai SCHUBERT � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:22 45:23 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54394">Thirteenth Recital Guarneri Quartet</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thirteenth Recital Guarneri Quartet Recital Tape 1965-4-30 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Beethoven, Bartok, Schubert. Creator An entity primarily responsible for making the resource Guarneri Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Schubert, Franz, 1797-1828 Bartók, Béla, 1881-1945 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-04-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Thirteenth Recital Guarneri Quartet Recital Tape 1965-4-30.pdf https://omeka.binghamton.edu/omeka/files/original/ed2e883f67959182a88b2050bdbc9294.pdf f4b3e67657538e501071e8d3a2c752b9 PDF Text Text • • Ha·r pur Coll,e ge Orchestra w I May 21, 1965 Note iS ----·- -, Vivaldi is remembered today chi,e fly fo,r his i.nstrumental works., ·b,u t he was a prolifi,c ,c ,o mposer in all genres. a brilliant violinist, and the p,rofessor of vio,l in and ma.estro dei co,ncerti. (fro:m 1.716) at the Ospitale della Pi,e ta in V•e nic,e (a ·conservatory fo,r foundling girls),.. It was in the latter capacity that he composed his numero·u s co,n certi gros.s i, concerti ripieni, an,d solo, concerto,s. (,o v,e r 40 0)·, for h,e had to, provide his students c,o ntinuously with fresh. material.. The C•o n.certo in E. Minor, found in manuscript in Turin,, demonstrates a. half-way point b,etween t.he c,o ncerto grosso with its-two o,p posing g .r oup,s and t .h.e opera_,o vertur,e or sinfonia,, for it has, neither solo parts n.o r introduces an opera. Thus it falls in a. category designated by Vivaldi as a. con,c erto ripieno•, in which the fo,u r string sections are ,e ,q ually bal.ance•d and poly·p ho:n ically used. The first an,d last movements, of this parti cular wor·k. a.re very contrapunt.a l, while th.e se,c ,o n.d mo,v e ment is lyric an.d..homophonic. A. proof of the individuality and. pro,v ,o cativ,e character o,J Vivaldi 1·s works lies in the fact th.at ,J . S. Bach later u,s ed many of them as raw material for his ,o·w n compositions . Vi va1di himself o,f ten us·e d his own them.e s mo,re than once and anoth.e :r concerto of .h is •o pens with a theme very similar to the first theme ,o f the first movement in this wo.r k. His themes are often characterize·d by repeated notes while· .hi.s gen,e ral style is ide:n tifiable by its rh.y thmi.c drive a.n d. vitality. 1 w ·ag.n ,e r composed the Siegfried Idyll in 1870 as a b,i rthday p:res.ent to his wife Cosima and it was perf',o r:m ed. as a ,s erenade by a sm.a ll or,c hestr.a on the stairway ,o,f their home. One of the few pi,e c,e s of 11 absolute" music Wagner-- wrote, it is 'b ased on two the.m es he had written ,e arlier in 1864 and had intended for a string quartet . The pie,c e is scored fo,r strings,. flut.e, oboe~ 'b,a soon, trumpet,, 2 clarinets, and 2 ho,rns,, and is delicately an.d intricately orche strated. Although. written i.11 one movem.e nt it has several .s ,e ctions ·p resenting a vart-ety of moo,ds an.d textures. One of the most prolific composers flourisl1ing ,d uring the first half of the eighteenth ce11tury, Georg Philipp Telemann (1681-1767), composed over 170 concertos, besides numerous other works ranging fr,o m. ope ras to fantasias for solo violin. His fame as a com.p ose.r and particularly .a ,s a ,c ontrapuntalist spread throughout E·urope, and twi,c e· he was given precedence over Bach in b,eing off,e r,e d positio,n s. (It was o.n ly after he and a second choice ha.d refused the coveted post of twon music dir,e ctor and cantor of the Thomassch.ule a.t L •e·ipzig th.a t Bach was offered this position . ) Telema.n.n . serv,e ,d a.t Ha.m.b,u.rg fr,o m 1721 until his ,d eath as town music di.rector, composing and directing operas) passionsJ cantatas., an,d. v.a rious ch.a mber ensembles. His w·orks reflect many diverse influences inclu.ding the orn.a te Italia.n opera 1 the French suite 1, tl1e polyphonic ,c oncert,o gro:s so, and the simpler, folk-like d.iv·e rtiment!:>. This c·o ncerto d:e rives its form from the B.a roque S·o nata da. cch i.esa o,r church sonata with four· mo·v ements of .a .lternating tempi , th,e first and third being ,s low, th.e fo,rmer in duple and th,e latter in. triple m ,e ter. It also ,c ontains elements of the concerto gro,ss,o , in wh.ich two groups of different siz•e are contrasted;: here the oboe takes the place of the smaller g·roup (con.c ertino,),, wh.i.ch is pitted against th·e main b,ody of strings (the ripieno),. Haydn co,m pose,ci the Symp,h ony No. 99 in 1793-94 ,d u.r in.g the inte.r im between his two t .r ips to Lon,d o.n . This wa.s the ,s eventh of the so-call ed. "London Symph.o,n ies 0 --Nos . 93-104- •-· written fo,r th.e imp,ressario Salomon, who had .a rrang,e d Haydn's visit to London an.d conducted his con.c ert series there. It is the first symph.o.n y in which H.a ydn used the clarinet altho·u gh 'h e ha,d used it pr,e viou.s ly in oth,e r works. Th·e first movement o,p,e ns with a slow ·introducti.,o n followed by an allegro in so,n .a ta :form... The ,s ec.on,d theme upon whic.h the development se ,c tion is based proves to b,e ,o f great,e r significance tha.n the ftrst theme,. and. th.e recapitulatto:n continu,e s to dev,e lop and expand this subj•e ct m .a tter. Th•e second. movement is cast in a de,e per, .m :o.r e meditative mo,o dt co,n trastin.g sharply with th,e gayj, folklike quality of the minuet . The contrapuntal ,c har.a cter of the last movement,, calling fo·r fugue -like ii.mitati,o n at breathless spe·ed. forms a fittin.g and joyful climax to the work. 1 STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur Co,I le ge· ***Th•e Ha.r pur Colleg·e Orchestra*** Fritz. Wa.llenberg, Condu,c tor F ril day,. Ma.y 21 8:15 P . M. Harpur Theater �• The Harpur Coll,e ge ,o rchestra ____P'ROGRAM ________ ___ _____ Violin I F ,e nimore, P 'a ula - Concerlma.s t,e r Is.ham., Patricia Prytula, Christine , , C ,o n ,c e rto in e •- min ,o r for strin.g ,s . . . . . . . . Ant onto Vival ,d i (1678 - 17',41) . ·R obb,ins, N:ancy 1 • Bas,s. Duroche., Leo, Flutes Jack.s on, :M argaret Wallenb,,e rg,, Marianne Walls, Anita Cohn, Debbi.e ,Q boe ' Allegr ,o, moderato Andante Allegro Siegfried Idyll. lil!f, •111 ll!llli i l o i ! 1 1 j j1 ll!l •ji; 1• 1 .. • 1111 1 19111 '• • ' I ., ,• • Richard Wa ,g ner (18,13 ... 188 .3 ) 1 Conc ,e rto for ·O boe and strings in •e -minor ... ,G eorge Philipp Telemann (16, 81 ... 1767) Andante Violin. II Blauser, Henry Duda,, G.r ances Gaylord, Anne Gothe lf, 1S arah Grup:s m.ith, ,Q,e,o rg,e Loewenstein., Fr'itz Pow·a.zek., Irene Viola Colto•n , .R usse 11 C•o lt,o n, Mart'h.a Sajor·, Laurie· - Cello, Battin, William Grub,er, Kathy Livings.tone .,, Christin':! Zimmerm.a n. Susan Allegr ,o m •o lt ,o, Largo Mohn, Abigail S,t olarc.y k, Ri cha.rd Clarinet - A--.; .rt _-' h ur A-._b rah_ams, Duncan,. Candy . - ~--: -- ··1,·· 1 _- --- -1, - B assoon Walk.e r, Stephen Eddy, Scott Fren.c h Hor.n Evansohn, Jo,h n McC,o o,1, Martha Trumpet Mayer, .J ack Backlund, Fr,e d Timp.a ni . lac.o v,a z z.i, F rar1k Alle ,g ro Continuio Ro•b bins,, Do,n ald Ha:r psicho•r d: Courtes,y of Do,n ald Robbins Solo•is.t: .L aila Storch INTERMISS,I ON Sym ·p hony No . 99 ., l ll e -flat m.a.jor. . t ; t , 1 1• • i . •• . Joseph Haydn (173 .2 - 18 09) 1 Adagio; Vivace assai Ad ago Me,nuetto Allegrett ,o Vivace • I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54398">Concert Recital Tape</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concert, 1965-05-21 Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Works by Vivaldi, Wagner, Telemann, and Haydn. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vivaldi, Antonio, 1678-1741 ; Wagner, Richard, 1813-1883 ; Telemann, Georg Philipp, 1681-1767 ; Haydn, Joseph, 1732-1809 ; State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-05-21 Rights Information about rights held in and over the resource This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019618952 ; 39091019619000 https://omeka.binghamton.edu/omeka/files/original/2fc9bab0b9426ce97fbcce9d0fe6a3c4.pdf 02f4ce4c49857df3d64a171d1905d639 PDF Text Text Harpur College Orchestra May 21, 1965 Notes Vivaldi is remembered today chiefly for his instrumental works, but he was a prolific composer in all genres, a brilliant violinist, and the professor of violin and maestro dei concerti (from 1716) at the Ospitale della Pietà in Venice (a ·conservatory for foundling girls) . It was in the latter capacity that he composed his numerous concerti grossi, concerti ripieni, and solo concertos (over 400), for he had to provide his students continuously with fresh material. The Concerto in E. Minor, found in manuscript in Turin, demonstrates a half-way point between the concerto grosso with its two opposing groups and the opera overture or sinfonia, for it has neither solo parts nor introduces an opera. Thus it falls in a category designated by Vivaldi as a concerto ripieno, in which the four string sections are equally balanced and polyphonically used. The first and last movements of this particular work are very contrapuntal, while the second move ment is lyric and homophonic. A proof of the individuality and provocative character of Vivaldi's works lies in th e fact that J. S. Bach later used many of them as raw material for his own compositions. Vivaldi himself often used his own themes more than once and another concerto of his opens with a theme very similar to the first theme of the first movement in this work. His themes are often characterized by repe ated notes while his general style is identifiable by its rhythmic drive and vitality. STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College *** Wagner compos e d the Siegfried Idyll in 1870 as a birthday present to his wife Cosima and it was performe d as a serenade by a small orchestra on the stairway of their home. One of the few pieces of "absolute" music Wagner wrote , it is based on two themes he had written earli e r in 1864 and had intended for a string quartet. The piece is scored for strings, flute, oboe, basoon, trumpet, 2 clarinets, and 2 horns, and is delicately and intricately orche strated. Although written in one movement it has several sections pre senting a variety of moods and t extures. *** One of the most prolific compos e rs flourishin g during th e first half of the eighteenth century, Georg Philipp T e l e mann (1681-1767), composed over 170 concertos, besides numerous other works ran g ing from ope ras to fantasias for solo violin. His fame as a composer and particularly as a contrapuntalist sp re ad throughout Europe, and twice he was giv e n pre c edence over Bach in b e in g offe red positions. (It was only after he and a second choice had refus e d th e covete d post of twon musi c director and cantor of th e Thomasschule at Leipzig that Bach was offere d this position.) Tele mann served at Hamburg from 1721 until his death as town music director, composing and directing operas, passions, cantatas, and various chambe r ensembles. His works refle ct many diverse influences including the ornate Italian opera, the French suite, the polyphonic concerto grosso, and the simpler, folk-lik e divertimento. This conc e rto derives its form from the Baroque Sonata da chiesa or church sonata with four movements of alternating tempi, the first and third being slow, th e forme r in duple and th e latter in triple meter. It also contains elements of the concerto grosso, in which two groups of different size are contrasted; here the oboe takes the place of the smaller group (concertino), which is pitted against the main body of strings (the ripieno). Haydn composed the Symphony No. 99 in 1793-94 during the interim between his two trips to London. This was the seventh of the so-called "London Symphonies"--Nos. 93-10 4 - ·• written for the impressario Salomon, who had arranged Haydn's visit to London and conducted his concert series there . It is the first symphony in which Haydn used the clarinet although he had used it previously in other works. The first movement opens with a slow introduction followed by an allegro in sonata form. The second theme upon which the development section is based proves to be of greater significance than the first theme, and the recapitulation continues to develop and expand this subject matter. The second movement is cast in a deeper, more meditative mood, contrasting sharply with the gay, folklike quality of the minuet. The contrapuntal character of the last movement, calling for fugue-like imitation at breathless speed, forms a fitting and joyful climax to the work. ***The Harpur College Orchestra*** Fritz Wallenberg, Conductor Friday, May 21 8:15 P. M. Harpur Theater �The Harpur College Orchestra PROGRAM ------------- Concerto in e -minor for strings . . . . . . . . Antonio Vivaldi (1678 - 1741) Violin I Fenimore, Paula - Concertmaster Isham, Patricia Prytula, Christine Robbins, Nancy Wallenberg, Marianne Walls, Anita All egro mod e rato Andante Allegro Siegfri e d Idyll. . . . . . . . . . . . . . . . . . . . . . . . Ri c hard Wagner (1813 - 1 883) Concerto for Oboe and strings in e-minor .. George Philipp Telemann (16 81 - 1767) Andant e Violin II Blauser, Henry Duda, Grances Gaylord, Anne Gothelf, Sarah Grupsmith, George Loew enstein, Fritz Powazek, Irene Viola Colton, Russell Colton, Martha Sajor, Laurie Cello Battin, William Gruber, Kathy Livingstone, Christin'? Zimmerman, Susan All eg ro molto Largo Bass Duroche, Leo Flutes Jackson, Margaret Cohn, Debbie Oboe Mohn, Abigail Stolarcyk, Richard Clarinet Abrahams, Arthur Duncan, Candy Bassoon Walker, Stephen Eddy, Scott French Horn Evansohn, John McCool, Martha Trumpet Maye r, Jack Backlund, Fred Timpani Iacovazzi, Frank All e gro Continuo Robbins, Donald Harpsichord: Courtesy of Donald Robbins Soloist : Laila Storch INTERMISSION Symphony No . 99 in e -flat major. . Joseph Haydn (17 3 2 - 1809) Adagio; Vivace assai Ad ago Menuetto Allegretto Vivace � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:02 28:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54398">Harpur College Orchestra Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Orchestra Recital Tape 1965-5-21 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Vivaldi, Wagner, Telemann, and Hayden. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vivaldi, Antonio, 1678-1741 Wagner, Richard, 1813-1883 Telemann, Georg Philipp, 1681-1767 Haydn, Joseph, 1732-1809 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-05-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Orchestra Recital Tape 1965-5-21.pdf https://omeka.binghamton.edu/omeka/files/original/da04e0eb3a3bc862db9196e53cc1de5a.pdf 994c2e516d5ffc15362e5dc0dcb77a79 PDF Text Text NOTES Continued ■ Beethoven's Quartet Op. 135 was begun in July 1826 while the composer was working on Op. 131 and was completed around the first of October. Although this work has not the monumental proportions of the other late quartets, the very c one iseness of its motives and the extreme economy of their development, combined with the amazing variety of the contrapuntal texture, place it among the greatest. In the first movement, based on a series of short question and answer motives, the sonata-allegro form takes on new meaning through the ceaseless interweaving, variation, and contrapuntal manipulation of these motivic fragments. Reminisc enses of both the main fugal theme of Op. 133 and of its second main variation are found interwoven with a motive very suggestive of the Theme Russe in Op. 59 #2. The second movement, a scherzo and trio although undesignated as such, features a simple bass line in the cello against which the violins play a syncopated harmonization. The trio section opens with a scale-like subject, which, however, gradually ascends by stepwise modulations until it reaches a wild climax in a Bacchanalian dance in which the first violin cavorts with wide-spread leaps accompanied by a frenzied ostinato in the lower strings. In the expressive thi rd movement Beethoven approaches most nearly the meditative mood of the other late quartets. The fourth movement has achieved prominence as the source of a typical Beethovenian anecdote. Beethoven wrote in the manuscript over this movement, Der schwer gefasste Entschluss (the difficult resolution), and placed the motive and its inversion at the top with the words Muss es sein? (Mustitbe ? ) and Es muss sein! (Itmustbe). Various accounts as to the origin of this question and its answer have been given by Beethoven's biographers. One relates that Beethoven held this conversation weekly with his housekeeper when she requested money. Another says thi s refers to an episode in which Beethoven had to copy his own manuscript and was bemoaning the lack of copyists, while still another claims it deals with an incident of a publisher requesting money from Beethoven. What is definitely known is that Beethoven wrote a canon to Ignaz Dembscher on these words in April 1826, later incorporating the motive i n his quartet. The movement opens with a slow and somber minor introduction based on the questioning motive, followed by an eighth note passage which occurs later in a lighter guise in the allegro. The actual body of the movement in allegro presents the inverted motive as the reply and is worked out with the most masterful contrapuntal variety ending with a delightful pizzicato coda leading into a fortissimo affirmation of the motive. Patri cia Isham I All performances at 8:15 p. m . in the Harpur College Theater Ushering courtesy of Alpha Phi Omega OPEN REHEARSALS The public is cordially invited to attend the quartet's rehearsals, held the day prior to each recital, at 3 p. m., in the music room (CA-183) near the theater. HARPUR �NOTES ■ The quartets of Mozart are often divided into two groups: the sixteen early quartets, written between 1770 and 1773, which reflect his knowledge of the pre-classic Italian and Mannheim symphonists and are primarily homophonic in texture, and the ten "great" quartets, dating from the years 1782-1790, which show the influence of Haydn and can be numbered among the highest achievements of the mature Mozart. K . 171, the fourth in a set of six quartets written in Vienna in 1773, lies within the former category, but its texture reveals a more idiomatic treatment of the string quartet medium than the preceding works. The seventeenyear old Mozart had recently become acquainted with the Op. 17 and Op. 20 quartets of Haydn, in which the older man had introduced a more contrapuntal texture and a greater independence of the individual voices than are found in his earlier works. Thus, in K. 171 passages of imitative and polyphonic writing alternate with those in unison or in homophonic style, as in the first and second movements. At times, such as the Andante movements, Mozart reveals a lyricism and ornamentation akin to that of W. F. Bae h. Thus this set of quartets (K. 168-173} marks a transitory phase in Mozart's quartet writing and stands as an interesting example of the formative stage in the life of this great master. State University of New York HARPUR COLLEGE, BINGHAMTON, N. Y. The Department of Music presents THE GUARNERI QUARTET (in residence) Arnold Steinhardt, violin John Dalley, violin Michael Tree, viola David Soyer, cello PROGRAM Fourteenth Recital Sunday, May 23, 1965 QUARTET in þÿ E&m Major, K. 171 MOZART Adagio-Allegro assai-Adagio Menuetto ■ Bartok's Quartet No. 5, commissioned by the Elizabeth Sprague Coolidge Foundation, was composed between August 6 and September 6, 1934, after his return from Turkey, where he had been collecting folk songs for the Hungarian Academy of Science. In this work and the preceding quartet (1928), Bartok' s style changed decidedly from the more dissonant and expressionistic music of the early twenties. He described his music as increasing in polyphonic complexity as it became harmonically simpler, while folk elements were totally integrated. These two quartets (Nos. 4 and 5) are constructed in an architectonic arch form, in which the first and fifth movements and the second and fourth movements reflect each other in mood and thematic material while the third movement, in each case, is the keystone of the arch. Although Quartet No. 5 is not diatonic in any sense, each movement is centered around a tone, the first and fifth on þÿ B&m the, second, a third above on D, the fourth, a third below on G, and the third on C#. Unity is achieved not only through the arch structure and the related tone centers, but also through motivic relationships between all the movements. The first movement, in a type of sonata-allegro form, opens with a forceful rhythmic figure which combines with a theme based on a chromatic progression opening into an augmented fourth (tritone) to form the kernel motives of the first and fifth movements. The second and fourth movements, ternary in form, run closely parallel; for example, trills in the former become pizzicati and glissandi in the latter, and plain double stops become tremolo. The interval of the fourth is a highly important motive in both cases. The third movement stands as a sharp contrast to the slow movements encompassing it. It is written in 9/ 8 time, but according to its designation alla bulgarese, in Bulgarian rhythm - each measure is subdivided irregularly in groups of four, two, and three. The trio in 10/ 8, grouped in three, two, two, and three, has a highly chromatic ostinato figure, first running through the first violin part and later taken up by the other instruments. This movement demonstrates the complete integration of the folk idiom in the composer's own personal style. A simple folk melody is introduced in the fifth movement in an incongruous setting in a short, humorous, polytonal section showing still another aspect of Bartok' s use of folk material. (Continued on back) Andante Allegro assai STRING QUARTET No. 5 BARTOK Allegro Adagio molto Scherzo, alla bulgarese Andante Finale. Allegro vivace INTERMISSION STRING QUARTET in F Major Op. 135 BEETHOVEN Allegretto Vivace Lento assai, cantante e tranquillo Finale: Grave, ma non troppo tratto - Alle gro � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:59 26:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54402">Fourteenth Recital Guarneri Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fourteenth Recital Guarneri Quartet Recital Tape 1965-5-23 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Bartok and Beethoven. Creator An entity primarily responsible for making the resource Guarneri Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Bartók, Béla, 1881-1945 Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-05-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Fourteenth Recital Guarneri Quartet Recital Tape 1965-5-23.pdf https://omeka.binghamton.edu/omeka/files/original/81389031c2886debc8450d567cae5d0f.pdf e1d5d34a73c8083a03e5123a538dcaae PDF Text Text WP- 5 State University of New York at Binghamton Harpur College T H E D E P A R T ME N T OF lI U S IC STUDENT RECITAL From the Studios of: Roberta Schlosser 9 voice Elizabeth Korte and MIyron Fink , piano Patricia Isham, violin Laila Storch, woodwind quintet Sunday 9 June 6, 1965 College Theater 3:00 P.M. PROGRAM Romance in G Paula Fenimore 9 violin Barbara Garges 9 piano Prelude and Fugue in D Major James Baldwin, piano Beethoven J. S. Bach Duet: "La ci darem la mano" (Don Giovanni) Malita Frogate, soprano Paul Darnell , bass W. A. IIozart "Non piu andrai" (Le Nozze di Figaro) baritone Paul Darnell , W. A. Mozart Nocturne Michael Pawlicki, piano Scenas Infantis Corre, Corre Roda, Roda Marcha 9 Soldadino Dorme, Nene Salta, Salta Duo Pianists: Ellen Leinwand Cecile Berkowi tz Chopin Octavio Pinto �-200 Passacaille Quintet A. Barthe in Eb Major, Op. 88, No. 2 A. Reicha Lento-Allegro Noderato Andante grazioso Allegro Molto Woodwind Quintet: Margaret Jackson, flute Arthur Abrahams, clarinet Abigail Mohn, oboe Stephen Walker, bassoon John Evansohn, horn INTERMISSION Concerto in þÿB&m, K. 191 Andante Allegro Steven Leiden, tuba Philip Friedheim, piano 0 Mozart Schumann Four Lieder Widmung Hor ich das Liedchen Klingen Ein Jungling liebt ein Mädchen Wanderlied Paul Dieke, tenor Allegro from Sonata in D, K 205 Alice Stitelman,piano Mozart "Stride la vampa" (Il Trovatore) Debbi Pollack, mezzo soprano "M' Verdi appari" (Hartha) John Taylor, tenor von Flotow "Voi lo sapete" (Cavalleria Rusticana) Millicent Conklin, soprano Scaramouche Vif Modéré Brazileira Duo Pianists: Ellen Leinwand Cynthia Stone *** Vocal Accompanist - Barbara Garges Mascagni Milhaud � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:14 32:59 33:47 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54406">Student Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Student Recital Recital Tape 1965-6-6 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Beethoven, J. S. Bach, W. A. Mozart, Chopin, Octavio Pinto, A. Barthe, A. Reicha, Shumann, Verdi, von Flotow, Mascagni, Milhaud Creator An entity primarily responsible for making the resource Scholosser, Roberta Korte, Elizabeth Fink, Myron Isham, Patricia Storch, Laila Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Pinto, Octavio, 1890-1950 Barthe, Adrien, 1828-1898 Reicha, Anton, 1770-1836 Verdi, Giuseppe 1813-1901 von Flotow, Friedrich, 1812-1883 Mascagni, Pietro, 1863-1945 Milhaud, Darius, 1892-1974 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-06-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Student Recital Recital Tape 1965-6-6.pdf https://omeka.binghamton.edu/omeka/files/original/b79649e747c764e819e6283d78ccab7d.pdf 8c3cb679a97ffdd92c47b3d546eb9574 PDF Text Text i- 2 BARITONES Jeffrey Fitzgerald William Grossman Ronald Gruen Mark Selsby BASSES Roy Brown Paul Darnell Danny Dushman Bert Edelstein Stephen Hiller Danny Lippiner State University of New York at Binghamton HARPUR COLLEGE ORCHESTRA Violins Pat Isham Concertmaster Nancy Robbins Judy Niles David Einfeldt Edward Pettingill (Principal) Edith Osborne Fritz Loewenstein Sarah Gotthelf Violas -i'lussell Colton (Principal) Martha Colton Anne Ziegler Howard Isham Cellos Ruth Brown (Principal) Christine Livingston Kathy Gruber Bas s --reo Duroche (Principal) David Wilson Flutes M a r l e Bass ne Esther Hall Oboe --XOigail Mohn Clarinets Arthur Abrahams Candace Duncan Bassoons Steve Walker David Gagne Horns John Evansohn Brian Sternberg Martha McCool Steven Fry Trumpets William Lockwood P e ter Boor Richard Hamlin MUSIC OF THE TWENTIETH CENTURY College Choir Men's Glee Club Orchestra Trombones James Babbitt Stephen Phinney Fra nk Kearly Tuba Stevan DAVID BUTTOLPH Condu ctor Leiden 8:30 p. m. June 11 , 1965 Timpani Lanny Levine HARPUR THEATER Percussion Donald Seely Organ -reeEngstrom �HARPUR COLLEGE CHOIR PROGRAM 0, Clap Your Hands . . . . . . . . Ralph Vaughan Williams with Brass Choir, Timpani and Organ To Be Sung On A Summer Night . . . Frederick Delius This Have I Done For My True Love . . . Gustav Holst 1st SOPRANOS Virginia Baker Marcia Burnett Judith Elterman Malita Frogate Sydell Horowitz Chrystyna Prytula Elizabeth Robbins Kathleen Zaslovsky 2nd SOPRANOS Carol Anthony Sue Best Beverly Calistri Millicent Conklin Cathy Dellapenta Candy Duncan Nancy Kliban Kay Kosinski Alice Stitelman Cynthia Stone 1st ALTOS Sue Be rnhardt Elaine Bolton Linda Fishkin Ellen Leinwand Linda Lewis 2nd ALTOS Simone Buelta Joy Cejka Martha Davis Mary Beth Hoban Margaret Jackson Pamela Starr TENORS John Bennethum Harvey Bornfield Paul Dieke Benjamin Erlitz Alan Hardy Zane Kalter John Taylor BASSES James Baldwin David Crowe Paul Darnell Seth Kasten Michael Pawlicki Alan Sturdevant Peter Wenz Gilroy Zuckerman HARPUR COLLEGE CHOIR Don't Leave Me Only Tell Me Bela Bartok HARPUR COLLEGE CHOIR Four Slovak Folk Songs . . . . . Soldier's Song . . . . . . . . . with Trumpet and Snare Drum . Bela Bartok Zoltan Kodaly MEN'S GLEE CLUB The Gong of Time . . . . . . . . . . . . . . Robert Starer with Brass Quartet Song of the Open Road . . . . . . . . . . Norman Dello Joio William Lockwood, Trumpet Solo Cynthia Stone, Piano HARPUR COLLEGE CHOIR Choir Officers: - - Intermission - Te Deum . . . . . . . . . . . . . . . . . . Zoltan Kodaly assisted by Betty Hartman, Soprano Soloist and members of the Harpur College and Community Orchestra. I Choir Librarian: Accompanist: Alan Hardy, Martha Davis, Paul Darnell, Peter Wenz Kay Kosinski Cynthia Stone MEN'S GLEE CLUB 1st TENOR Roy Gordon Zane Kalter John Taylor 2nd TENOR John Bennethum David Crowe Alan Hardy � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:38 28:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54197">Music of the Twentieth Century College Choir, Men's Glee Club, Orhcestra, David Buttolph, Conductor</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music of the Twentieth Century College Choir, Men's Glee Club, Orchestra, David Buttolph, Conductor Recital Tape 1965-6-11 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource College Choir, Men's Glee Club, Orchestra, David Buttolph, conductor. Works by Ralph Vaughan Williams, Gustav Holst, Bela Bartok, Zoltan Kodaly, Robert Starer, Norman Dello Joio. Creator An entity primarily responsible for making the resource Harpur College Choir Buttolph, David, 1902-1983 State University of New York at Binghamton. Department of Music Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vaughan Williams, Ralph, 1872-1958 Holst, Gustav, 1874-1934 Bartók, Béla, 1881-1945 Kodály, Zoltán, 1882-1967 Starer, Robert Dello Joio, Norman, 1913- Date A point or period of time associated with an event in the lifecycle of the resource 1965-06-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Music of the Twentieth Century College Choir, Men's Glee Club, Orchestra, David Buttolph, Conductor Recital Tape 1965-6-11.pdf https://omeka.binghamton.edu/omeka/files/original/99eea5f25e4c63cb1c8a78693ab4fbae.pdf e21c8e0df4c68826296b77f007c547ae PDF Text Text GUARNERI SEVE VARIA TIO S BEETHOVE on "Bei Manne rn welche Liebe fuhlen" fr om Mozart's The Magic Flute SO ATA in E Mino r, Op. 38 BRAHMS Allegro non troppo Allegretto quasi menuetto Allegro I TERMISSIO DEBUSSY SO ATA in D Minor (1915) Prologue Serenade Finale SONATA in G Mino r, Op. 19 HARPUR RACHMA Lento - Alleg r o moderate Allegr o scherzando Andante Allegr o mosso David Soyer, cello Zaidee Parkinson, piano SU SEASON 1965-66 ER SERIE Fifth Rec i ta! Sunday, October 10, 1965 ov �NOTES by Patricia Isham ■ Be ethove n's l as ting interest i n the va r iation fo r m i s evince d by t he more than t hi r ty compositions of this type whi ch he wr ote during his lifetime (not incl uding move ments within l arger wo r ks), wnd his musi cal de ve l opm ent can almost be t r aced in his handling of this form . The t hree sets of variations for ce llo and piano (two based on themes fr om M ozart's Magic Flute and the other on one from H andel ' s Judas Maccabäus ) exe mplify his earl y use of this formal structur e al ong lines cl ose l y adhering to those of Haydn and M ozart. M ozart's Th e Magic Flute had been pr oduced earl y in 1801 in Vienna and had been greeted with great ac c l aim, and its subsequent popul arity pr obabl y pro vi ded B eethoven with the stimul us to wri te the Sev en Varia t i ons (180 1) dedicated t o Count von Browne. Mozart's simple fourteen - measure m el ody is divided into two paralle l antecedent phrases of four m easur es each and a contrasting consequent phrase of six me asur es, and B ee thoven adheres to this structural design throughout. The cello and piano alternate in presenting and imitat in g the material in the four measure phrases, but often j oin in dialogue in the co nsequent phr as e . T he orna m entation in the first thr ee variations be co mes success ivel y co mpl ex in the use of thi r t y -s econd notes, trill s, and other embellishments . T he minor mode is used in the fourth variati on while the fifth, sixth and seventh va riations are given differ ent tempo indica ti ons - "Allegretto," "Adagio," and "Allegro ma non tr oppo" r espe cti ve l y . T he seve nth va riation is extend ed by a coda which modul ates to C minor, but the composition closes with a return t o the opening gigue - like rhythm and gaiety of this fina l variation . ■ The Sonata for ce llo and piano, Op . 38, was the first of seve n sonatas Brahms wr ot e for piano and s ol o instrum ent, (two for cello, three for violin, and two fo r cl arinet). T he first two movements were writ ten in 1862, with an Adagio which B rahms l ater des tr oyed , while the final Allegro was not co mposed unti l 1865. Dedi cat ed t o Josef Gansbacher, a profess o r at th e Vi enna Akad emi e, the sonata abounds with many of Brahms' chara ct eristi c passages -- syncopations hei ghtene d by ti es over the ba rl ines, unmetri cal acc entuations, wide-spaced l eaps, and m el odi es present ed in parallel thirds or sixths or in thi ck chor ds . Gei ringer in his book on Brahms suggests the who l e sonata might be in homage to J. S . Bach . He points out a possible r el ati onship betwee n the first th em e of the first movement and B ach's Third Cont rapw1 ctus from the Art of the Fugue and again a m a rked sim il arity betwee n t he them e of Brahms ' fugu e subject in the last m ove m ent and that of Cont r apunctus 13 fr om th e sam e work of Ba ch. T he fir t m ovement i n sonata fo r m expl o res t he l yric potentia l ities of U1e cello's l o west r egi st er , but the deve l opm ent section r ea hes a cli max of g r eat intensity with arpeggios and widespaced l eaps in both instrum ents. T he second movement is built on a four-note figur e first pl ayed by the piano , which forms the k e rn el m oti ve of both the Quas i Menuetto and its contrasting tri o . T he final e is a thr ee - part fugu e, in which the subj t is stated in th e bass r egister of th e piano, i answered by the ce llo and is stated th e third tim e in the treb l e r egis t e r of th e piano . T his m ov m ent co m ines the el em ents of fugue and sonata form, f o r the fu ga l expos iti on is fo llowed by a deve l opm ent section of gr eat complexity in which the fugue subject r eappea rs in inver si on and various other guises . I n th e r ecapitu l a i on Brahms expands th e fugu e into a quasi-triple fugu e by pres enting both his f o rm e r counte rsubj ects simu l taneousl y with each entry of the fugu e subj ect. T he m ove m ent cl os es with a Piu Pre to of gr at brilliance and vi rtuosit y . ■ D ebussy's only ce llo sonata, compl eted in 19 15, was the first of a project ed gr oup of six sonatas . T he su ccee ding two works for flut e, viol a, and ha r p and for violin and piano wer e finish ed, but of th e fourth contemp l ated wor k onl y th e instrum entati on -- oboe, horn, and ha r psi chord -- is known. Wilfrid M ell ers in his dis cussi on of Debuss y suggests that the co mpos er was preoccupied with the contradictions r epresented b y Harlequin in ol d Italian co m edy -- the co ntrasts b etwee n the m y thol ogical , idea l ized wor l d and the wo r l d of sor did r ealit y . I n the ce llo sonata, for which D ebussy proposed the epigraph " Pie r r ot fâché avec la l une ," he juxtaposes these el ements and expresses his own disillus i onment. T he sonata op ns with a rhaps odic Prologue in which fragmentary melodic arabesques appear in eve r- changing va r iants, intensified by rhythmi c fr eedo m and changes of tempo . T he second m ove m ent éré n ad enlists va ri ous novel effects t o make the cello simulate a mandolin, a guitar , a flute, or a tamb ourine . M ell e r characteriz es this "fr ustrated" m ove m ent as "the m os t signiii ca ntly modern ." T he Final is gaye r and more fo lk-like in (Continued) �State University of New York at Binghamton, HARPUR COLLEGE The Department of Music presents THE GUARNERI STRING QUARTET (in residence) Arn old Steinh ardt violin lich ae l Tree viola John Dalley violi.n RECIT A LS Da id S oyer cello O SE A SO N 1 96 5 -66 S UMMER S ERIE S WIN TER SE RIES S PRI NG SE RIE S Sund ay, Augu s t 1 Sund ay, August 8 Sund ay , Augu s t 15 Sun d ay , August 22 Su n d ay , O c tob er 10 Sund ay , ov emb e r 14 S und ay, D ecem b er 5 Su nd a , Ja nuary 2 S unday , Ja nuary 9 Su nday , F ebru a ry 1 3 Mo nday, Ma rch 28 Su nday , Ap ril 3 Sund ay, April 10 A ll p er forman ces a t 8 :15 p.m. in th e Harpur Co ll ege Th ea te r. Late com er s will be s eated af ter th first quar t t. Ush e rin g courtesy OPEN REHEARS A LS of Alp h a Ph i Om ega Th e pub lic is co rd ia l! in it d to a tt nd th q ua rt t' r h a rsa ls, h Id th e day p rio r to eac h rec it a l, a t 3 p.m. (d u rin g ugus t 10 a. m.). in th mu s ic ro o m (C -183) n ea r th e th a te r. NOTES Continued c haracte r, but is inte r rupted by s eve r al s lower s ecti ons of a darke r mood (one is ma r ked • con of the m o rbidezza• ), which ar e reminiscent earli e r move ments. ■ The Cello Sonata in G Minor of Rac hmaninov, compos ed in 190 1, dates fr om the sam e pe riod as the Second Pi ano Conce rto a nd is similar in m ood . The compos e r s ee ms to have expe rienced a ce rtain cr eati ve r ebirth at this time, fo r these wo rks probabl y r epre s ent his highest point of artist r y . Thes e compositions might be charac te r ized as "elegiac a nd tragic," "restrained and Al though Ra chma ni nov wr ote an Ele original." giac T rio in m emory of Ts chaikows ky, a piano tri o, and a string quintet, t he latte r two works have neve r been publi s hed, and the s onata r emains the onl y chambe r workfo r whi ch thecom powe r is r e m e mbe r ed toda y . Alt hough s ome write r s have complained of the ove r -br ill ia nt piano pa r t de mandi ng the utmost virtuosity, Rac hmaninov has been highl y pr aised fo r his idiomati c hand.ling of the ce llo as a highl y elegi ac and l yr i cal inst r ument. F elix Salmond, the gifted ce lli s t , ha s called it "a beautiful and inspi r ed work." � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:19:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54201">Summer Series, Fifth Recital Guarneri Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summer Series, Fifth Recital Guarneri Quartet Recital Tape 1965-10-10 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Brahmms, Debussy and Rachmaninov. Creator An entity primarily responsible for making the resource Guarneri Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Brahms, Johannes, 1833-1897 Debussy, Claude, 1862-1918 Rachmaninoff, Sergei, 1873-1943 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-10-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Summer Series, Fifth Recital Guarneri Quartet Recital Tape 1965-10-10.pdf