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T H E UNIVERS ITY CHORUS A N D ORCHES TRA
o f the
STATE UNIVERS ITY O F N E W Y O R K
AT BINGHAM TON
directed by ALFRED M O R R I S
pre s e n t
MAGNIFICAT
by
CARL I’HILII’I) EMANUEL BACH
FANTA SIA O N CHRIST MAS CAROL S
hy
RALPH VAUGHAN WILLIAMS
CHRIST MAS CONCE RTO
ANGELO CORELLI
MONDAY . DECEMB ER 18
8:15 p. m .
WATTER S THEATE R, SUNY - BINGHAM TON
�T H E HARPUR SYMPHONY ORCHESTRA
and
UNIVERSITY CHORUS
CHORUS :
Magn ifica t anima mea Dominum.
My soul doth magni f y the Lord .
And my sp i ri t hath re joiced i n
God my Saviour .
E t e xu l t av i t s p i r t us me us i n
Deo sa lu t ar i meo .
Alfred Clinton Morris, conductor
Nico la Maris i , assistant conductor
SOPRANO:
Q u i a respe xi t h umi l i t a t em
A N ADVENT CONCERT
PROGRAM
Concer to grosso, Op us 6, No . 8
(Chris t mas Conce r to)
For he hath regarded the
lowl iness of h is handmaiden .
For behold , f rom henceforth a l l
generations sha l l ca l l me b lessed .
anc i l lae suae : ecce enim ex
hoc beatam me dicen t omnes
genera t iones .
A rcange lo Core ll i
!
(1653-1718)
Vivace, grave
Allegro
Adagio, allegro, adagio
For he that i s migh ty hath
magn ified me ; and holy i s h is
Name.
po tens es t ; e t sanc t um nomen
e j us .
\
Vivace
TE‘IV OR :
Quia f ec i t mih i magna q u i
CHORUS:
Et misericordia e j us a
And h is mercy i s on them that
fear h im throughout a l l
genera t ions .
progenie i n progenies
t imen t ib us eum .
Allegro
Pastorale ad libitum
BASS
Feci t potentiam i n brach io
suo . Dispers i t superbos
mente cordis s u i .
so lo is ts
Benjamin Hudson, first violin
Browning Cramer, second vio lin
Carolyn MacIntosh, violoncello
Fan tas ia on Ch r is t mas Ca ro ls
ALTO and TENOR:
Deposui t potentes de sede ,
e t e xa l t avi t h umi les .
Esurien tes i mp levi t b on is ;
e t d ismis i t inanes .
He hath put down the migh ty f rom
their seat, and hath exal ted the
meek and h ud l le . He hath fi l l e d
the hungry w i th good th ings ; and
the rich he hath sent empty away .
Ra lph Vaughan Wi l l i ams
(187 2-1958 )
Brannon Hall , baritone soloist
INTERMISSION
C ar l P hi lipp E manue l Bach
Magn ifica t
He ha th showed s t rength w i th
h is arm. He hath scattered the
proud i n the imagina t ion of their
hear ts .
(1714-1788)
ALTO:
l
l
l
Suscepi t Is rae l puerum suum,
recordatus misericordiae suae .
S icut locut us es t ad pa t res
nos tros , Abraham e t semin i
He remeabering h is mercy hath
holpen h is servant Is rae l ; as he
promised to our forefathers,
Abraham and h is seed, for ever .
ejus in saecula.
CHORUS
Gloria Pa t ri , et Fi l i o ,
e t Sp i r i t ui Sancto.
Glory be to the Father, and to the
Son , and to the Holy Ghos t .
CHORUS
S icut erat i n p r inc i p io,
As i t was in the beginning ,
is now, and ever sha l l b e :
World wi thout end . Amen .
e t nunc , e t sempe r . E t i n
saecula saeculorum. Amen .
s olo is t s
Mareda Graves, soprano
Carole O ’Hara, mezzo-soprano
Jack Horton, tenor
Brannon Hall , baritone
i
e
The Gospel according to
Luke , I : 4 6-5 5
-3-
�ABOUT THE SOLOISTS
PROGRAM NOTES
Mareda Gai ther–Graves , a na t ive of Bal t imore , Mary land , was awarded a Mary–
land State Scholarsh ip to the Jui l l iard School of Mus ic , f rom wh ich she graduated w i th a Bachelor of Science Degree . Later , she was awarded a John Hay Wh i tney Oppor tuni ty Fe l lowsh ip to con t inue her s tud ies w i th Es te l le L ieb l ing . Under
the sponsorsh ip of a Fulb ri gh t Fe l lowsh ip Gran t , she s tudied i n Paris and was
awarded fi r s t prize i n f our compe t i t ions . Recen t ly , she acquired a Master of
Mus ic Degree f rom I thaca Co l lege and i s presen t ly teach ing and con t inuing stud–
ies toward an advanced degree . Mrs. Graves has appeared i n New York ’s Town Ha l l
Arcangelo Co re l l i par t icipa ted vi t a l ly i n the c rys tal l iza t ion of the con–
certo technique i n the Baroque Era . Born i n 1653 , Co re l l i was famed both as a
composer and as a performer, and was cer tainly noted f or h is advances on bow ing
techniques . The Concerto Grosso , composed of two un i ts (a sma l l body of ins t ru–
ments opposed to a larger one ) , reached i ts defin i t i ve form w i th Co re l l i . The
eigh th of the twelve Concertos bears the des igna t ion ”Concerto composed f or the
n i gh t of the N a t i vi ty . ” O r i g i na l ly perf ormed as par t of the church ceremony , i n
modern t imes i t has become known as the “Chris tmas Concer to . ”
The Fantasia on Christmas Carols f or bari tone so lo, chorus and orchestra
was fi r s t performed i n 19 1 2 . Ralph Vaughan Wi l l iams , an Eng l ish composer, based
h is f an tas ia upon four t rad i t iona l caro ls : The truth sent f rom above , Come a l l
you worthy gen t lemen , On Chris tmas n i gh t , and There i s a f oun tain . He a lso used
f ragmen ts of o ther caro ls .
i n concer t ; was gues t so lo is t w i th the Mo te t s inge rs ,
the Binghamton Symphony ,
and has performed w i th the T r i - Ci t ies Opera . Las t year she sang the soprano
so lo for the Univers i ty Chorus perf ormance of Brahms ’ Requiem .
'
!
In the open ing sec t ion the b ar i tone so lo is t ac ts as
a theologian dea l ing w i th the Crea t ion , the Fa l l , and the Redemp t ion . As the
p iece progresses , the mus ic i n t e ns ifies w i th the orches t ra , chorus and so lo is t
expressing the joyousness of the new born King .
i
’
Carole O ’ Hara was born i n Wheel ing , West V i r g in ia . She received her Bach–
elor degree i n Mus ic at Capi tal Univers i ty i n Columbus, Oh io, and started her
mus ical career as a pian is t and accompanist and later made her fi r s t pub l ic
appearances as a singer i n church and oratorio arrangements. She made her op–
erat ic debut w i th the New York Ci ty Opera Company and was a member of the NBC
Televis ion Opera Theatre un t i l i ts demise in 1960 . Miss O ’Hara has appeared as
a concert so lo is t throughout the United States and has had three appearances
w i th the NBC Concert Orchestra. She has sung w i th the New York Oratorio Soci–
e ty i n Carnegie Ha l l , the Cap i ta l H i l l Choral Soc ie ty i n Alb any , and a lso a t
Dar tmouth , Queens Co l lege and Wesleyan Un ive rs i ty .
Car l Ph i l ipp Emanuel Bach , born i n 1 714 , i s cons idered one of the most
impor tan t composers during the t rans i t ion period between the Baroque and Class–
i ca l Eras . Noted as the most impor tan t exponent of keyboard mus ic , he was also
a master of vocal forms and techniques . His M agnificat , composed i n 1749 , was
based on h is f ather ’ s model of the same work and thus refle c ts some of the more
conservat ive elemen ts of the Baroque Era . Some of the choruses, however , reveal
h is progress ive a t t i t udes and po in t to h is h is to r ic pos i t ion as a l i nk be tween
J . S . Bach and the C lass ica l composers Mozart and Haydn .
program notes by Larry Zukof
Jack Horton was graduated f rom West V irginia Univers i ty Creative Arts Cen–
te r , where he was a West V i r g i n i a Me t ropo l i tan Opera A ud i t ions w inne r . H is pro–
ABOUT THE CONDUCTOR
Al f red C l in ton Morris was born in Pi t tsburgh , Pennsy lvania on the seventh
of March, 1 946. Being the son of a concert p ian is t , Martha Skinner Morris , h is
mus ical t raining began at an ear ly age . Al f red Morris began h is vio l i n s tud ies
a t the age of ten and during the summe r of 196 1 , John Krueger, former conduc tor
of the Youngstown (Oh io) Ph i lharmon ic , heard Al f red conduct the orchestra at a
f es t iva l in Pennsy lvania and was ex tremely impressed w i th h is ta len t . From that
t ime un t i l 196 4 , Al f red worked w i th Mr . Krueger and was appoin ted the conductor
of the Youngs town Youth Symphony .
Mr . Morris had h is f orma l t ra in ing at the Mannes Conservatory of Mus ic i n
New York C i ty , where he s tudied w i th S tef an Bauer–Mengelberg, and f rom wh ich he
gradua ted w i th d is t inc t ion i n conduc t ing .
In 1969 Mr . Morris received a gran t f rom the North Caro l ina Schoo l of the
Arts to s tudy i n S iena , I ta ly at the Accademia Ch i g i ana . I t was then tha t he
met Maestro Franco Ferrara w i th whom he s tudied i n 1969 and 19 70 . Mr . Morris
has also received in terna t ional recogni t ion in France , I ta ly , and Denmark . In
January he has engagemen ts i n Sw i t ze r land and I t a ly .
a le
5
1
1
f ess ional credits inc lude three seasons w i th the Lake George Opera Fes t ival and
the Goldovsky Opera Theatre. He has toured and recorded w i th the Robert Shaw
Chorale , was f eatured so lo is t w i th the New York Sextet f or communi ty concerts
f rom coas t to coas t , and i s w e l l known throughout the coun try f or h is so lo work
w i th the Man of Concert Quar te t . He i s a 197 2 winner of the Wi l l i am Matheus
S ul l i van Founda t ion Award for outs tanding s ingers , and i s curren t ly the lead ing
tenor i n a concert attraction cal led Mus ic for the Theatre f rom Opera to Broad–
way . In December he w i l l s ing the ro le of L ione l i n the opera Martha for the
Miami Fami ly Opera Soc ie ty , and i n March , he w i l l have the lead tenor ro le i n
their production of Madame Bu t t erfly .
Brannon Ha l l was graduated f rom Howard Univers i ty in Washington, D . C .
w i th a major i n Drama and a minor i n Mus ic . He has since s tudied voice w i th
Professor Leonard Rudko i n New York, and has been coached voca l ly by Maestro
Wi l l iam Spada . He also has attended the New York Opera Theatre of the Manhat tan School of Mus ic .
i B
�UNIVERSITY CHORUS
ORCHESTRA PERSONNEL
Firs t Vio lins
Ce l los
Horns
Ben jamin Hudson,
concertmaster
Andrea A . Andros
Dan Mowrey
Mary Barton
Eve l ina Chao
Mar i jane Wo j tow i t z
Paul Goodman
Oscar Maxwel l
Barbara Duffo rd
Paul Friedman
Carolyn MacIn tosh ,
princi pa l
David Heiss
Rache l Abby
Ho l l y Wi lson
Fred Ra imi
Lo is Lawson
Myra Greenstein
Sa l ly Riemersma
Rob in Jackman
Mi chae l Barnard
Mar t in Burk i
Pa t Dowden
Trumpets
Brian King
Robert Lindstrom
Fred Backlund
Basses
Browning Cramer ,
principa l
Sydna Strassberger
Michae l S turm
Joan Tanenhaus
Carol Zeavin
Lydia Verbizky
Diane Fe i g in
John Ho j tow i t z
Ed Hie lunsk i
Marty Goldman
Ri t a Orzelek
El len Vavra
Vio las
Joe l Rosenberg ,
I
1
princi pa l
Peggy Acker
Zelman Bokser
Jennie Hansen
El len Wei l
Jan ice L ub insk i
sf
I
Trombones
Second Vio lins
.
Michae l Sanders ,
princi pa l
Mark Bergman
Rober t Sw id le r
Richard Thomas
Rober t Ko lbe r
Michael Rosen
Danny Addison
S teve Howe l l
o
’
Tuba
Flutes
Tom Wood
V incen t Tuf o
David Schapiro
Timpani
Pa t Ho l lenbeck
Oboes
Chimes
Dan ie l Cross
Nancy Ranger
Anna Hemmendinger
Dorian Schwartz
Joe Roma
Harpsichord
C larine ts
Charles E . Brewer
Heady Os teyée
Sheldon Berkowi tz
Organ
Bassoons
Edward Gob rech t
Tom Closser
Orchestra O ff i c e rs
President , Brian King
Vice Presiden t , Nancy Range r
Secretary , Peggy Acker
Librarian and Personne l
Manager , Anna Hemmendinger
ro
M . Lee Sui t o r
Fred Jones
1]
Kl
l
SOPRANOS
ALTOS
TENORS
Lynn Addison
Mar ia Belva
Kathy Calantone
L o i s Fis ch thal
E l l en Golds te in
L e s li e Green
Grace Houghton
Ann Hudock
Joan Janus zkiewic z
Joan Juri ch
Laur ie K i e ff e r
Janice Keenan
S tephanie K l e in
P h y ll i s Kr i s t al
I le ene Mi t t leman
Madlyn Nathanson
Nancy Perkins
Angela Pe tronio
Karen P is c io t ta
C lara Por ter
Barbara Ri ck le r
Jess ica R i le y
Adele R o lide r
Ri c a Rutmanowi t z
Chris ta Schafer
Susan Seppala
Karen A dle r
Joan Apple ton
Joan Aronow
Ann Baer
Adele Bass
Cyn thia Benne t t
Mery l Blackman
Cara Browne ll
Chery l Brozos t
C lara Budin
Jane t Cahn
Margare t Donelian
Jeanne F alinsk i
Marla Frazer
Karen Fung
Gl o r i a Gaumer
Sharon Gelf and
Mi r i am Gi lb e r t
Jess ie Godfrey
T e rr i Goldri ch
Susan Hami l t on
Susan Hi tchens
Zack Bowen
Anthony Brienza
Gregory Gibbs
Thomas Glauber
Jackie Jacobs
Luciano Lama
Craig Russe l l
Paul Suozzi
Richard Toulson
Jay Tran
Floyd West
Anna Sperr
Es ter S t e rling
Sherri S trichman
Denise Trautman
Linda Uhly
Louise U l r i ch
Karen Haskow
A l i c e Weintraub
Mar cia Wellwar th
Sara Whitmore
Nadene W i l l c o x
Judy Hoak
A l l i s on Jameson
Ka therine Kadish
E l l en Klarman
Nancy Lazeski
Mona Margari ta
Sandra Menter
Helen Ot taway
Irene P ap oulis
Gre tchen Pe terson
N i ck i Pokow i t z
Mar la Se li gs ohn
Jane Shear
Theresa Vaughan
S t ac ie W i l l i ams
Grace Hu
s
»
Rehearsal Accompanist
Jane Y ule
Chorus Offi cers
Presiden t , Mi t ch e l l Mendelson
Vice Presiden t , Kenneth Mar t in
Secretary , Jeanne Fa l insk i
Treasurer, Richard Toulson
Librarian , Louise U l rich
Pub lici ty , Clara Budin
P h i l i p Wu
John Ying
BASSES
Richard Berent
Richard Caves
H i l l e l Dolgenas
John Howard
Mar t in Kass
Thomas Lamphere
Kenneth Martin
Mi t che l l Mendelson
Malcolm Ottaway
Andrew Rosing
Randy Sei f er t
Russe l l Sen t i
Bernard Sheredy
Roger S tein
R . James Vivyan
Laurence Hexer
Geoffrey wheeler
Larry Zukof
�I
p
Acknowledgements
U . S . G . f or i ts support
Ka th ie Kad ish f or her ar twork
Un ive rs i ty P ub l ica t ions f or i t s ass is tance
Fred Thayer f or h is ass is tance i n conduc t ing
1
l
i
A concert f or two orchestras w i l l be presented by the Harpur
Symphony Orchestra, conducted by Al f red Cl in ton Morris , w i th the
Lenox Quartet on March 15 , 1973 , i n Watters Theater , perf orming
works by J . C . Bach , V i va ld i , Ives , and Schoenberg .
1
The Univers i ty Chorus w i th the Harpur Symphony Orchestra w i l l
presen t a concer t on May 9 , 19 7 3 , i n Ha t ters Thea ter w i th Ha l te r
Ponce, piano so lo is t . There w i l l be works by Verd i , Mozart, and
Bee thoven .
l
l
’
-
a
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audiotape reels
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19:24
53:22
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243549">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243549</a>
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Advent Concert, State University of New York at Binghamton, University Chorus and Orchestra, December 18, 1972
Recital tape 1972-12-18
Description
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Works of Corelli, Vaughan Williams, and C.P.E. Bach. Held at 8:15 pm, December 18, 1972, Watters Theater.
Creator
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Harpur College Orchestra
Publisher
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Binghamton University Libraries
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1972-12-18
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sound
-
https://omeka.binghamton.edu/omeka/files/original/7c5f660ea2aa4c3ede3e024a00e639cc.pdf
e90737bd19e36af8f1f5c6ceb50d62a8
PDF Text
Text
THE STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
A VIOLA AND PIANO RECITAL
Toby Appel, viola
with
Walter Ponce, piano
Wednesday, December 13, 197 2
Don A. Watters Theater - 8:15 p.m.
�PROGRAM
Igor Stravinsky
Sonata for viola and piano
Largo
Allegro
Largo
Allegro
Antonio Vivaldi
Elegie for unaccompanied viola
Lento
Premiere Sonate alto et piano
Entrée
I
II Francaise
III Air
IV Final
Darius Milhaud
Paul Hindemith
Sonate für Bratsche allein
Op. 25 Nr. 1
(Sonata for unaccompanied viola)
Breit Viertel
I
II Sehr Frisch und straff
III Sehr Langsam
IV Rasendes Zeitmas
V Langsam mit viel Ausdruck
(Pictures from Fairyland)
Märchenbilder
R. Schumann
viola and piano Op. 113
(moderato)
Nicht Schnell
Lebhaft (vivace)
(vivace)
Rasch
Langsam, mit melancholischem Ausdruck
(Lento malinconico)
- INTERMISSION -
The University Chorus and Orchestra conducted by
Alfred Clinton Morris with guest artists Mareda
Graves, soprano, Carole O'Hara, mezzo-s oprano,
Jack Horton, tenor, and Brannon Hall, Baritone,
will present C. P. E. Bach's Magnificat on Monday,
Decemb e r 18, 1972 at 8:15 p.m. in the Watters
theater.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:31
30:53
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243545">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243545</a>
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Viola and Piano Recital, Toby Appel and Walter Ponce, December 13, 1972
Recital tape 1972-12-13
Description
An account of the resource
Works of Vivaldi, Milhaud, Schumann, Stravinsky and Hindemith. Held at 8:15 pm, December 13, 1972, Watters Theater.
Creator
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Appel, Toby
Ponce, Walter
Publisher
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Binghamton University Libraries
Date
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1972-12-13
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/6977d43e6d928414e6f354bdb2323892.pdf
58cde290417c1bc3b42f940a3ffcbaf1
PDF Text
Text
�THE HARPUR CHORALE
PROGRAM
Fred Thayer, Director
Glory to God in.the Highest
PERSONNEL
Randall Thompson
(1899)
Alla Riva Del Tebro
G. P. da Palestrina
(1526-1594)
ranos
Abendlied Zu Gott
Robyn Friedman
Laurie Kieffer
Diane Krasinski
Karen Madsen
Valarie Overton
Susan Ball
Maria Bartolotta
Amy Beech
K a t h y Denmark
Victoria Devany
Doryce Penn
Jody Silbiger
F. Joseph Haydn
(1732-1809)
Ma r t i n K a s s , accompanist
Sherri Strichman
Carol Weir
Sara Whitmore
ENSEMBLE
Ri cha rd Tou lson , director
Altos
Sing We and Chant It
Marla Frazer
Karen Fung
Leslie Green
Deborah Hamilton
Susan Hamilton
Susan Hoffmeister
Karen Adler
Maria Belva
Wendy Bishop
Jill Borenstein
Jeanne Falinski
Lori Finkelstein
Allison Jameson
Marjorie Millan
Evelyn Pellicane
Barbara Savage
Barbara Wild
Stacie Williams
Song for Chorus and Piano
Richard Berent
R i c h a r d B e r e n t , accompanist
“Cum Sancto Spiritu”
_
from Petite Messe Solennelle
Tenors
Richard Berent
Marc Berman
Greg Gibbs
Ian Kirschner
Thomas Morley
(1557-1602)
(1954~
Gioacchino Rossini
(1792—1868)
Jill Borenstein,
Glen Lyons
Craig Russell
Kevin McDermott
Mitch Mendelson
David Roseman
Richard Toulson
Jay Tran
Philip Wu
Barbara Savage , accompanistas
INTERMISSION
Psalm 90
Charles Ives
(1874-1954)
Basses
R i c h a r d Brehm
Robert Halliday
Martin Kass
Gary Levine
Ross Levinson
Kenneth Martin
T i m Dungan
James Elniski
Ke i t h Go rhan
J ay Gronachan
President
Vincent Vito
A l l is o n Jameson
Ri cha rd Tou lson
J eanne F a l i ns k i
G re g G ib b s
S t ac i e W i l l i a ms
Home Area Manager
Tour Manager
Secretary
Treasunen
Librarian
R us s e l l S e n t i
P h i l i p Wu
She r r i S t r i ch man
Men’s Wardrobe
Women’s Wardrobe
_2_
Publicity
Sara Whitmore, orga
R o b e r t H a l l i d a y , B a r b a r a S ava g e, R i c h a r d To u l s o n ,
Barbara W i l d , percusgion
Laurie Kieffer , Philip Wu, soloists
Andrew Rosing
Bruce Sabacek
Russell Senti
David Swanda
OFFICERS
Gary Levine
)
Reincarnations
Mary Hynes
Anthony O ’Daly
The Coolin
Samuel Barber
(1910~
)
Great Day
Arr. Warren Martin
Susan Ba l l , Ri cha rd Brehm , Ke i t h Go rham ,
Ga ry Le v i ne , Jul
Don A . W a t t e r s T h e a t e r
4 8
December 1 1 , 1972
�ACKNOWLEDGEMENTS
We wish to thank our friends who have helped us
this fall, and a special thanks to the following:
Mr. Seymour Fink
U.S.C. Representatives
(particularly Mr. Fric Frank
and Mr. Peter Knapp)
Mr. A1 Hackling
Mrs. Leatha Houck
Mrs. Helen Donovan
Mrs. Irene Sabacek
Mr. Albert Hamme
Mr. Philip Ccnole
Mr. Chris Granger
Mr. Alfred G. Brooks
Mr. Harry Lincoln
Mrs. Barbara Maxwell
T r. Philip Friedhei m
Miss Pam Fentv
Mr. James Elnisl:i was the designer of the poster
and the program cover. Miss Linda Uhley and
Mrs. Patricia Thayer contributed their sewing
skills. Especial thanks to Mr. Philip Wu and his
friends in Taiwan for their contribution to the
Chorale.
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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19:24
53:22
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Kaleidoscope in Sound, Harpur Chorale, December 11, 1972
Recital tape 1972-12-11
Description
An account of the resource
Works of Thompson, Haydn, Morley, Rossini, Ives and Barber. Held on December 11, 1972, Watters Theater.
Creator
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Harpur Chorale
Publisher
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Binghamton University Libraries
Date
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1972-12-11
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sound
-
https://omeka.binghamton.edu/omeka/files/original/00bcfd43c010af342b4386ea641f3e7f.pdf
46aa26d698e1ee3d6a155ab8136d8fe2
PDF Text
Text
THESTATEUNIVERSITYOFNEWYORKATBI NGHAMTON
DEPARTMENT OF MUSIC
presents
THE LENOX STRING QUARTET
in residence
Peter Marsh,
violin
Delmar Pettys, violin
Toby Appel,
viola
Donald McCall, cello
Saturday, November 11, 1972
Recital Hall – 8:15 p.m.
Fine Arts Building
�Program Notes
All Beethoven Program
Tonight ’s Beethoven program has an unusual
feature.
Beethoven wrote Opus 130 between 1823
and 1826, the last years of his life, when he
was totally deaf.
In its original form, Opus 130
had as its finale The Grosse Fugue.
Quartet in A Major, Opus 18, No. 5
Beethoven
Allegro
Menuetto
Andante cantabile
Allegro
The Fugue,
considered unplayable by string players contem–
porary to Beethoven, was radical and incompre–
INTERMISSION
hensible to the audience at the fi rs t performance.
Artaria, Beethoven ’s publisher, persuaded him to
write a new finale , which proved to be the last
work completed before his death.
It is of
felicitous character, entirely different from the
heroic feeling and proportions of The Fugue. The
Fugue was later published as Opus 133, a separate
work. As you will notice, tonight ’s program
juxtaposes both finales of Opus 130.
Quartet in BP Major, Opus 130
Beethoven
Adagio, ma non troppo – Allegro
Presto
Andante con moto, ma non troppo
Allegro assai (Alla danza tedesca)
Cavatina
(Adagio molto espressivo)
Allegro
Quartet in BP Major, Opus 133
Beethoven
“The Grosse Fuge”
Overtura
Fuga (Allegro)
Meno mosso e moderato
Allegro molto e con brio
The next concert in the Chamber series will be
presented by Toby Appel, violist, and Walter Ponce,
pianist, Wednesday, December 13, 1972 at 8:15 p.m. in
the Don A. Watters Theater.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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43:31
30:53
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Lenox String Quartet, November 11, 1972
Recital tape 1972-11-11
Description
An account of the resource
All Beethoven program. Held at 8:15 pm, November 11, 1972, Recital Hall.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
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Binghamton University Libraries
Date
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1972-11-11
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In copyright
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sound
-
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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30:13
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Ezra Laderman Lecture, November 8, 1972
Recital tape 1972 11-8
Description
An account of the resource
Held November 8, 1972.
Creator
An entity primarily responsible for making the resource
Laderman, Ezra
Publisher
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Binghamton University Libraries
Date
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1972-11-08
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/aab91eb8735c192e4babe90ce20d6edd.pdf
9b9cceafe30aa71a3ae45040c2367908
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
THE HARPUR SYMPHONY ORCHESTRA
Alfred Clinton Morris, conductor
Seymour Fink, guest soloist
Friday, November 3, 1972
Don A. Watters Theater, 8:15 p.m.
�Trumpets
Brian King
Edward Helbein
Fred Back lund
Robert Lindstrom
Trombones
Michael Rosen
Danny Addison
Steve Howell
Tuba
Tom Wood
Timpani
Pat Hollenbeck
Joe Roma
Percussion
Michael Beebie
Dean Fidelman
Harp
Betsy Wagner
Orchestra Officers
President, Brian King
Vice President, Nancy Ranger
Secretary, Peggy Acker
Librarian and Personnel
Manager, Anna Hemmendinger
�
Dublin Core
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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30:23
12:58: 43:03
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Harpur Symphony Orchestra Concert, November 3, 1972
Recital tape 1972-11-3
Description
An account of the resource
Works of Copland, Beethoven and Franck. Held at 8:15 pm, November 3, 1972, Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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1972-11-03
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/fe26d6d3e5a21035b8f3fde3e436a168.pdf
594e68532b700db2537252406623a3b7
PDF Text
Text
THE STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
THE LENOX STRING QUARTET
i n res idence
Peter Marsh,
v io l in
Delmar Pe t tys , v io l i n
Toby Appe l ,
v io la
Dona ld McCa l l ,
c e l lo
Wednesday, October 25 , 1 9 72
Don A . Watters Theater – 8 : 1 5 p . m .
�P rogra m
Quar te t i n C Ma jor , Opus 33, No . 3
Haydn
“The Bird”
A l le g ro moderato
(A l le g re t to)
Scherzo
Ada g io
(P res to)
Rondo
Ezra Laderman
(1969)
Quartet No. 3
(Composer i n res idence)
In Four Movements
INTERMISSION
Quartet i n C Minor , Opus 5 1 , N o . l
Brahms
A l le g ro
Romanze (Poco adag io)
A l le g re t to mo l to moderato e comodo
A l le g ro
The Un i ve rs i t y Orches t ra conduc ted by A l f red Mor r is ,
w i t h gues t a r t is t Seymour Fink , p ian is t , w i l l presen t
the next concert November 3, 1 9 72 a t 8 : 1 5 p . m . i n the
Watters Thea te r . The Lenox Quar te t w i l l present the
nex t concert i n th is Chamber Se r ies Sa t ur day , Novem–
ber 1 1 , 1 9 7 2 .
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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38:34
41:14
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Dublin Core
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Lenox String Quartet, October 25, 1972
Recital Tape 1972-10-26
Creator
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Lenox String Quartet
Publisher
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Binghamton University Libraries
Date
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1972-10-25
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In copyright
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sound
-
Dublin Core
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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20:09
37:36
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Title
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William Masselos, Recital, October 7, 1972
Recital tape 1972 10-7
Description
An account of the resource
Held October 7, 1972.
Creator
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Masselos, William
Publisher
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Binghamton University Libraries
Date
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1972-10-07
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/695415479f9bfddad95a5dc3fc22a96c.pdf
1863e9bb9a84cf4b51c5cfa7b856f359
PDF Text
Text
Binghamton Symphonette
FRITZ WALLENBERG, Conductor
PETER MARSH, Soloist
SUNDAY, OCTOBER 1st, 1972, 7:30 P .M.
DON A. WATTERS THEATER
�PROGRAM
Branden burg Concerto No. 6 ..... . .................... . .. J . S. Bach
(16 5- 1750)
Adagio ma non troppo
Allegro
Chris tia n Ludwig, th e Ma rgrave of Bra ndenburg, commission d Bach to write
six concertos for orchestra, a n a sign men t completed in 1721. Va ri ous in strumen•
ta tion s a re used in th e different pie es. Th usua l coring is fo r a sma ll group
(th e "concertin o") in th e fo reground again t a la rger accompa nying group (th e
" ripieno"). The ixth concerto i most unu ua l in that Bach omi t· violins completely
a nd emph asizes lower trings, es pecia ll y the violas.
Violin Concerto No. 5, K. 219
W. A. Mozart
BY
JOS EPH
( J 732-1 09)
Adagio; Allegro
Largo
Allegro
CADENZAS
Symphony No. 88 .... . ... .. ......... . . . .... ..... . .... . ... J. Haydn
JOACH IM
(1756-1791)
Allegro aperto
Menuetto
Allegro con spirito
Th e Sym phony No.
was written in 17 7 a nd is proba bly the best kn own of
Hayd n's symphoni es prior to the Lo ndon gro up begun in 1791. It has th e wonderful
mixture of humour a nd ap pa rent na ivete' coupl ed with sophi sticated writin g that
endears Haydn to o ma ny listeners. The first movement exemplifies Ha ydn 's typical
treatment of sonata form by its s low, stately in trod uction fo ll owed by two closely
rela ted th emes which fo rm th e basis fo r the m a in portions of th e structure. Th e
cond movement is a song played by cello a nd oboe, follow ed by severa l va ri a tion .
In the middle of the mov ment drums a nd trumpets introdu ce a dra matic cha nge in
mood. Th e minuet is typica lly Hayd nesq ue in its peasa nt cha racte r a nd th e final e i a
m a rv el of ingrati a tin g melodic writing combined with effective contrap unta l
" working out" of the thema tic materi a ls.
Program N otes by Dr. Harry Lincoln
Adagio
Tempo di Menuetto
Mozart's duties a t th
ourt of the Archbi hop of
violin in the co urt or h tra a nd it wa natura l th a t h
at this tim f r the in tru m nt. The A Major
in 1775 by the nin eteen yea r old ompo r.
n
omp se con rto
of fiv e
mpl ted
Th e work , in t he traditi ona l thr e mov m nts , ha
evera l urpri •
Th
ol
pa rt in th first movement open with a n a ri oso, a im t impr vi ato ry in ha ra ter,
in tead o f th xpe ted fir t them . T h la t m v m n t i a n unu ua l combin a ti on
of minuet a nd rond o form in th middl
f whi ch there a pp a r a n i y a nd
humorou mel dy in "Turkish" ty le.
INTERMISSION
Ruma nian Folk Dances ............ ... ......... .... .... Bela Bartok
(I
J -1 45)
1. Da nce with
2.
3.
4.
6.
tick
Waistba nd Dan ce
Stamping Da nce
Hornpip Da ne
Rumani a n Po lka
Quick Dane
Bartok masterfully combin d hi s kn owledg a nd love fo r fo lk mu si with a eri ous
a nd ophi ti ated composit iona l techniqu . An example f thi s kill i th
et of
Rum a ni an Da ne s, ori gin a ll y writte n in 1915 fo r pia no, a nd h eard thi v ning in a
well kn own a rran g m nt fo r violin olo a nd or he tra by Zolta n zekely.
MEMBERS OF THE SYMPHONETTE
Violin
* Ra lph Wa d
* Ma ri a nn Wa llenberg
* Melba andb rg
Rev. Ri ha rd Leavi tt
* Judith Nile
• David Agard
• B tty Lou Aga rd
• hirl y ulliva n
Violas :
Ru sell Colton
Edward Pettengill
Joan Reuning
Cello :
Ruth Brown
Pa ul Ha nge n
Robert Knight
Fritz Wall n berg
Bas :
Ri chard Thomas
Flut :
Georg tta Ma iolo
Ob
ott Eddy
Da niel ros
Ba soon:
Thomas Clo er
French Horn :
Brian ternb rg
David Bann r
Trump ts:
Elmer Fa irba nk
J ohn Ha rp r
Timpani:
John Eng trom
Harpsichord
hri tine Lindsay
Personnel Manager:
Lillia n Burwasser
* Viola in the Brandenburg Concerto
We g rate fully ac kn owl edg e the generous servi ce donated by the following:
Thea ter Department, State Univer ity, Bingh a mton General Hospita l, Tripl e ities
Optimist Clubs, First-City Nationa l Bank, Friends of the Symphony, Peter Ma rsh,
Fritz Wa llenberg and the m mb rs of th e Binghamton ymphonette, Mrs. Herm a n
Burwasser, Mrs. a rlton Thomp on, Mrs. J oseph S hwa rtz, Philip Conole, WNBF,
WICZ, WK OP, WENE , WBJA , WEBO, Evening Press, Sun Bull etin , Vestal News,
Kent Drug tor , Ve tal Pl aza & Walton Mus ic House, Wa lton, N.Y.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 audiotape reels
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1:27:09
8:27
0:18
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Benefit Flood Relief Concert, Binghamton Symphony, October 1, 1972
Recital tape 1972 10-1
Description
An account of the resource
Works of Bach, Mozart, Bartok, and Haydn. Held at 7:30 pm, October 1, 1972, Watters Theater.
Creator
An entity primarily responsible for making the resource
Binghamton Symphony
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-10-01
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/d6bf5118817ee4cdfd2ecd4a20363b8a.pdf
2f3a12bd70438b4738f88cdf5e631dcf
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT O F MUSIC
presents
NEW YORK WOODWIND QUINTET
Thomas Nyfenger, Flute
Ronald Rosemen, Oboe
D avid G lazer , C lar ine t
Arthur Weisberg, Bassoon
Ralph Froelich, Horn
Sa t u rd a y , Se p tem ber 3 0 , 1 9 7 2 - 8 : 1 5
Don A. Watters Theater
�PROGRAM
Quintet in E Minor, Op. 67, No. 2
Danzi
Al leg ro Vivo
Largh etto
Minuetto
Allegretto
Kleine Kammermusik, Op. 24, No. 2
Hindemith
Lustig, Massig Schnelle Viertel
Wa lzer
R uhi g un d E in f ach
S c h n e l l e V i e r t e l - Se h r L e b h a f t
INTERMISSION
Divertimento No. 3
Mozart
Al leg ro
Adag i o
M inue t
Ron do Al legro Assai
Variations on Mozart’s “La ci darem la mano” Beethoven
Transcribed by Ronald Roseman (First Performance)
Trois Pieces Breves
Ibert
Al legro
Andante
Assez Ient - Allegro Scherzando
William Masselos, Pianist will present the next concert
in the Chamber Music Series on Saturday, October 7, 1972
at 8 :15 p.m. in the Watters Theater.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audiotape reels
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36:50
31:39
43:18
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
New York Woodwind Quintet, September 30, 1972
Recital tape 1972-9-30
Description
An account of the resource
Works of Danzi, Hindemith, Mozart, Beethoven and Ibert. Held at 8:15 pm, September 30, 1972, Watters Theater.
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1972-09-30
Rights
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In copyright
Type
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sound