36
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/f21256b3fd313b991dd0492c7d577d59.pdf
82cb833d08ae07499ff8d56e15422499
PDF Text
Text
Harpur • Season 66·67
Summer Series
�PROGRAM
Sunday , Ju ly 24, 1966
8:15 p . m . College Theate r
QUINTET, Op . 115, F OR C LARINET, TWO
VIOLINS, VIO LA, AND VIOLONCELLO
Allegro
Adagio
Andantino, Presto non assai ma con
sentimento
Con Moto
J . BRAHMS
Harold Wright, Clarinet
STRING QUARTET No . 2 (1958)
Mode rato, Allegro Moderato
Adagio
Allegr o Molto
(played without pause )
L . KIRCHNER
intermission
QUARTE T, Op . 131
Adagio, ma non troppo e molto e spre ssivo
L. V . BEETHOVE N
A RECEPTION honoring the Quartet will be
held in the Fa culty Lounge adjacent to the
theater fo llowing this evening's recital. The
audience is most cordially invited to attend.
�Notes
by William Klenz
he clarinet quartet of Brahms is one of
his most generally admired chamber
works. Like the other works for clarinet
it was inspired by the remarkable playing
of Mühfeld, to whom we owe thanks for
extending Brahms' chamber output beyond Op. ill.
The combination of instruments, although not without
problems for the performers, gives rise to a great
variety of tone color ranging from brilliant to sombre .
Also, the presence of the visiting wind instrument
with its long range and variety of articulation leads
to the creation of thematic types and textures which
go beyond the normal language of Brahms' string
quartet writing. The work dates from ca. 1892 and
exhibits at every turn the consummate craftsmanship of the experienced master, especially his infallible rhythmic sense.
The work, in the key of G minor, has been described as •sorrowful," but it seems more proper
to say that it is passionate, alternating fire with
melancholy and lyricism. The movements are spacious and completely developed. The most remarkable moment is the central portion of the adagio
where the clarinet "takes off" with the stunning
arabesques which are the characteristic feature of
Hungarian popular music. Genuinely rhapsodic in
nature, disturbing and exotic, they are descendants
of the oriental influences which intrigued the Greeks
(to the dismay of Plato and Aristotle) and predecessors of the wonderful uses of Bartok, whose
Contrasts were recently heard in this room.
• The second string quartet of Leon Kirchner bears
the date, 1958. It is in three movements played
without pause, but with many incidental changes of
pace. It is composed accordrng to no system except
that of the composer's own powers of invention and
conception which are primarily directed toward the
creation of intrinsically beautiful, even delicate,
sonorities from whose exploration an inner logic
�emerges. It makes no use of arbitrary techniques
or method. The musical ideas and motives retain
their identities but are subject to metamorphosis
as their interaction, which creates the structure,
unfolds. The mood is lyrical and unharried, and the
substance light and transparent.
These properties characte rize the first movement, Moderato Allegro Moderato, which is a "construct," free in form but using traditional, logical
methods including recapitulation and repetition. The
second movement, Adagio, is rhapsodic in nature,
mercurial and yet poetic. The last movement, Allegro Molto is also a unique structure which combines
the characteristics of the other two in intensified
form. A formal recapitulation in an almost classical
sense (bar 259) follows a quotation from the second
movement, gains momentum and then gives way to a
calm coda, which brings the work to an end in serene
lyricism.
• The Quartet in C Sharp Minor from the year 1822
is the fourteenth of Beethoven's quartets. It is in
six movements played without a break. They are 1:
Adagio, Fugue, C#; 2: Allegro Vivace, Sonatina, D;
3: Recitative and Andante with seven variations, A;
4: Presto, Scherzo, E; 5: Adagio, Lied, G#; 6:
Allegro, Sonata, with extended terminal development,
C#.
The fugue is on an austere subject, granitic and
gnomic which inevitably reminds us of Bach's fugue
in the same key from the first book of the Well
Tempered. It is a philosophical discussion of the
thorny subject which somehow manages to clarify
and lighten itself, but remains the generating idea
of the thematic materials of the entire quartet.
The second section is in extreme contrast, a
simplified sonata form with only one real subject
which flows without hindrance to its natural conclusion. The third section begins with a recitative and
proceeds to a theme and variations whose successive
emotional states are the assurances needed to balance
the disturbance of the initial fugue.
The Presto, No. 4, is a Scherzo of headlong
energy
and drive, the kind of movement which is the exclusive property of Beethoven. The Adagio, Lied, is a
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
violin
John Dalley
violin
Michael Tree
viola
David Sayer
cello
R EC IT AL S O S EA SO N 1 966-67
SUMMER SERIES
W INTE R SE RIES
SPRI NG SE RIES
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday, November 6
Tuesday, December 13
Wednesday, January 4
Wednesday, January 11
Sunday, February 12
Sunday, March 12
Saturday, March 18
Sunda y, April 2
Sunday , April 30
Satu rd ay, May 6
July 10
July 24
August 7
August 14
September 11
October 9
All performances at 8:15 p.m. in the Harpur College Theater .
Late com ers will be s eated after the first quartet.
Ushering courtesy of Alpha Phi Ome ga and Gamma Sigma Sigma.
OPEN R E HEARSALS The public is cordially invited to atte nd the quartet's
r ehearsals, held the day prior to each r ecital, at 3 p.m. (during August 10 a .m .),
in the music room (CA - 183) near the theater.
NOTES (Continued}
concentrated expression of sublime calm and assurance which engenders
the confidence to undertake the const ru cti on of the final, sonata, move ment.
This is a vast constructi on which unites the m ate ri a ls of the pre ceding sections and comments on their underlying unity and ends with the incandescent
dithyrambic transfor mation of the or iginal proposition.
TONIGHT'S GUEST ARTIST
HAROLD WRIGI-IT is the first c larinetist of the ationa l Symphony and has made
numerous solo appearances with the Was hington, D. C. Orchestra. He has been heard
in c hamber music performances with the Budapest and Juilliard String Quartet s .
In addition, Mr. Wright has participate d in the Casals Festiva l in Pue rto Ri co and
at Marlboro, Vermont. He has r ecorded extensively for Columbia Records.
Program design by William Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:55
17:17
38:50
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54462">Summer Series Recital Guarneri Quartet Recital </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer Series Recital Guarneri Quartet
Recital Tape 1966-7-24
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Brahms, Kirchner, Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Brahms, Johannes, 1833-1897
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-7-24
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Summer Series Recital Guarneri Quartet Recital Tape 1966-7-24.pdf
-
https://omeka.binghamton.edu/omeka/files/original/3706516d0d029c76c93d4e95e745d917.pdf
6cff451854c6bf3b731183c2cc10aad6
PDF Text
Text
�PROGRAM
Sunday, August 14, 1966
8:15 p. m
College Theater
QUARTET in F MAJOR, K. 590
Allegro moderato
Allegretto
Menuetto, Allegretto
Allegro
W . A. MO ZART
CONCERTI NO for STRING QUARTET
(1920)
I. STRAVI NSKY
intermission
QUARTET Op. 130 in B FLAT
I Adagio, ma non troppo; Allegro
II Presto - L'istesso tempo
III Andante con moto, ma non troppo
IV Alla d anza tedesca. Allegro assai
V Cavatina. Adagio motto espressivo
VI Finale; Grand Fugue (Op. 133)
L. v . BEETHOVE N
A RECEPTION honoring the Quartet will be
held in the Faculty Lounge adjacent to the
theater following this evening's recital . The
audience is most cordially invited to attend.
�Notes
by William
Kl enz
ozart's last quartet, K. 590 in F Major, is the
third of the (proposed)
series of six (17B9-90)
for Frederick William II of Prussia. It is the
largest in scale and of brilliant, masterly effect,
relying upon no unusual forms or procedures.
The highly developed 'cello part is in recognition
of the patron's predilection for that instrument.
€ The Concertino
of Stravinsky 1s a concise, highly inte-
grated work relieved by some elements of virtuosity by the
first violin. Written in 1920, it reflects the reaction of the
period against "systematic" composition and traditional
forms and seeks to exploit and extend tonal resources, speci-
fically by de-emphasizing the classical consonant relationships of thirds, and supplanting them with fourths. The
unsentimental and even cynical aphorism that results is a
c l ear reflection of the post World War I era.
• The Quartet in B Flat, Op. 130 is one of the three works
undertaken fo r P rince Nicholas van Galitzin. The series
begins with op. 127 in 1823-24, followed by Op. 132 in 1825
and Op. 130 in 1826. (The seeming contradiction in order is
the result of the order of publication.) With an unusually
large number of movements, the work is complex, varied
and extensive. In the original version, performed this evening, the work ended with a iitanic fugue.
At the first performance, 1826, the second and fourth
movements had to be repeated whereas the final fugue, which
is of transcendent difficulty for both player and listener,
was felt to be without effect. For this,and practical reasons
suggested by the publisher (with an eye to sales I), Beethoven
supplied in November, 1826 a new finale which was his last
completed composition. The "Grand Fugue"was published,
and is often played, separately as Op. 133 with a dedication
to Archduke Rudolph.
The first movement is a sonata form which begins with a
slow introduction before its brilliant principal theme. The
movement is complicated by a number of reappearances of
the introductory material at crucial moments in the form,
e .g. the beginning of the development and of the coda. This
most unusual procedure may at first disturb the listener's
formal accounting, but in reality it is a powerful unifying
factor imposing both order and moments of respite-variety
upon the somewhat intractable materials of the sonata proper.
�The multipl icity of movements is occasi oned by Beethoven ' s use of two Scherzi, one in bina r y meter, one in
ternary meter, movements II and I V . T he i ncl usion of the
second may have been due to its pre-existence. Intended
originally for the A Minor quartet, Op. 127, where it was to
have been in A MaJor, it is labelled "Alla danza tedesca"
("like a German dance"). Its popular elements are welcome
in the rarefied, intense atmosphere of the rest of the work.
Another possible reason fo r its removal to this quartet where
it appea r s in the key of G 1s that this key per mits the use of
the hurdy-gurdy drone-like "open" D stringinthewaltz-like
passages of the first violin i n the trio.
T he third movement, Andante _ ts, in the classic Viennese
tradition, the result of the application of the pri nciples of
Sonata development an d variation to lyr ic {r ather than theatrical) materials. The resulting richness, variety and fantasy of design el ements and texture are nowhere surpassed
even by Beethoven himself. The Cavatina, V, is as its name
implies, a direct lyric utterance of s i mple form without
extensive deve lopment. It is of the exal ted, subllmeexpressio11 accessible only to the greatest maste r s.
The Fugue-finale 1s accordmg to Beethoven'sownsuperscription "now free, now st r ict,• and r esembles no other
then existing work. Its form:
I. Introduction ("Overtura")
a stark exposition of its "Euclidian" or perhaps better "Cartesian" kernel-theme,
which incidentally bears not a little resemblance to
the co r e-materials of both Op. 131 and 132. Also presented are fragments of a second fugue theme.
ll. First Fugue (strict, subject in wide, jagged intervals
accompanied by kernel-theme) followed by three variations or (free) developments.
a. Triplets.
b. Eighths and sixteenths .
c. Subject (wide intervals mod1f1ed by triplets).
III. Second Fugue (strict, subject flowing sixteenths with
kernel-theme) followed by the va r iations or (free)
devel opments.
a. Allegro, /(, kerne l -theme .
b. Kernel-theme augmented and subject inverted.
c. Subject diminished, modulation.
IV. Threefold deve lopment of the two fugues, reminiscences and development of preceding sections.
V. I. Repetition of first variation of the second fugue.
2. Further development of second fugue.
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Departm ent of Music presents
TH E GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
John Dalley
violin
violin
R EC I TALS
O
Michae l Tree
viola
SEASON 1966-67
SUMMER SERIES
WI NTER SER IES
Sunday,
Sunday,
Sunday.
Sunday ,
Sunday,
Sunday ,
Sunday, November 6
Tuesday, December 13
July 10
J uly 24
August 7
August 14
Septembe r 11
October 9
Dav id Soyer
cello
Wedne sday , January 4
Wednesday, January 11
Sunday , February 12
SPR ING SER IES
Sunday, March 12
Saturday, Ma r ch 18
Sunday , April 2
Sunday , April 30
Saturday, May 6
All performances at 8:15 p.m. in the Harpur College Theater.
Lafe comers will be seated after the first quartet.
Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma.
OPEN REHEARS ALS
During the month o! August, the Guarneri Quartet
will be holding open rehearsals according to the following schedule:
Mondays . . . . . . . . . . . . . . . . . . . . . . . . . . August 15, 22
Wednesda ys . . . . . . . . . . . . . . . . . . . . . . August 10 , 17 , 24
Fridays . . . . . . . . . . . . . . . . . August 12 (at 3:00 p.m.), 19 , 26
All rehe arsals will be held in the Musi c Rehearsal Room (Classroom• Administrahon
Building-Room 183), and will begin at 11 :00 a.m., except for the August 12 rehearsal.
The public is cordially invited to attend. Persons may quietly enter and leave the
rehearsal a rea at anytime.
NOTES (Continued)
VI. Coda
l. Ke rnel•theme //, massive, unison.
2. Subject of second fugue, (transformation
by tr ill s) .
3. Recapitulation of first subject (wide mtervals v. 1) with kernel•theme
in augmentation (v . 2 , 'cello) and characte risti c rhythm (in viola).
4. Brilliant, r esonant statement of simplest e lements of the subject.
A towe r ing edifi ce indeed, nor is its access easy, o r gamed at the hrst attempt!
Program design by William Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:27
09:57
37:21
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54650">Summer Series Recital Guarneri Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Summer Series Recital Guarneri Quartet, August 14, 1966
Recital Tape 1966-8-14
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Stravinsky, and Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Stravinsky, Igor, 1882-1971
Beethoven, Ludwig van, 1770-1827
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-8-14
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Summer Series Recital Guarneri Quartet, August 14, 1966 Recital Tape 1966-8-14.pdf
-
https://omeka.binghamton.edu/omeka/files/original/9b6a51e99b90c24e91090516995b0385.pdf
c75cc5e108f40a2da0d6abc2242353c4
PDF Text
Text
STATE UNIVERSITY OF NE\V YORK AT BINGHAMTON
CONVOCATIONS COMMITTEE
presents
Shinichi and Yasuko Yuize
8:15
AUGUST 15, 1966
COLLEGE
THEATER
�PROGRAM
GODANGINUTA (Five Sections )
THIS EVENING 'S ARTISTS
Kengyo Mitsuzaku
(d. 1853)
(koto duet)
AKIKAZE ( The Autumn Wind )
Kengyo Mitsuzaki
(koto solo)
A THEME AND VARIATIONS
Shinichi Yuize
(1923-
)
(koto solo)
THREE STUDI ES
Yasuko Yuize
(1926-
)
(koto solo)
UMEGAE ( A Plum Tree)
(voice, koto and sangen)
MIDARE HI NZETSU (Disorder)
Jodan Yatsuhashi
(1614-1685)
(koto duet)
KlNUTA (The Sound of Billowing Cloth )
Michio Miyagi
(1894-1956)
(koto duet)
Kozaburo Hirai
( 1910)
ARABESQUES
Flowing, moderato ma
Shinichi Yuize, celebrated koto player and one of Japan's best-known
composers, has been in New York for the spring semester at Columbia
University on a Rockefeller Fund grant as artist-in-residence to train
Americans in koto playing and to lecture on Japanese music. Born in
Hokkaido, Japan, he began the study of koto at the age of 3, and to write
music at the age of 6. He first came to this country several years ago as
koto virtuoso soloistwith the Azuma Kabuki Company, touring with this
group al50in Britain, Italy, Holland, Germany, and France. lie ha, also
performed in Iran and Israel. l n Europe, he has appeared in joint concerts
with Yehudi Menuhin, David Oistrakh, and Ravi Shankar.Henry Cowell
for hlm which he performed last Spring ( 1965) at
wrote a koto concerto
Dartmouth College in premiere with Mr. Cowellpresent. For many seasons, Shinichi Yuize ha, also presented in the fall in Tokyo a concert of
his own compositions--works in large and smaller forms, and of various
combinations and solo instruments. He has been the
representative of his
country in international festivals abroad, and music congresses
at home.
Mrs. Yuize is a graduate of Peninsula College in California. Both
artists are members of families celebrated in Japan for musical heritage
Both also graduated from the Tokyo University of Arts, and have studied
koto with the late Michio Miyagi. The couple recently made their duo
recital debut in New York at Carnegie Recital Hall on May 24th. During
early June, Mr. Yuize was koto soloistwith the New York Philharmonic
Orchestra, Andre Kostelanetz conducting, at three Philharmonic Hall
Promenade Concerts, in a concerto by his teacher, Michio Miyagi, titled
"The Sea in Springtime."
Shinichi Yuize's solo records include one recently made for Nonesuch
also an earlier Cook album. With Tony Scott, clarinetist, Mr. Yuize has
recorded for Verve Records, and with his wife for B. A. M. of France.
con spirito
Contrast, Pocolento
Harmony,
Allegrocon l,rio
(koto duet)
Ushering courtest 01 Alpha Phi Omega and Gamma Sigma Sigma.
Masao Matsumoto
(1915l
WOOD AND STONE
Smoking is allowed in the lobby, but
not
in the theater.
A Scene,, Andante
A
A Struggle, vivace
In order to accomodate •• many people as possible for each of the
Convocations Committee events, the following system of seatpriorities has
been established.
Peace, Rondo
(koto duet)
A RECEPTION honoring the Yuizes will be held by the residents of Johnson I/all in the Lounge of their dormitory immediately following the performance.
The audience is cordially
invited to attend. Johnson Hall is situated
directly across
Center Drir,e from the Student Cente r Building.
Seat reservations will not be honored after 8:15 p. m. In case of a
sell-out seats not occupied at that time will be re-sold. Should a patron
arrive late and find that his seat has been resold, the purchase price of
his ticket will be refunded. No refunds will be made to persons not attending the concert.
This policy has beenadopted
so that while advance reservations may
be made, no one will be turned away from a program while there are
empty seats in the theater.
�EVENTS CALENDAR
t
All programs at 8: 15 p. m. in the College Theater
unless otherwise specified.
• A presentation of the Convocations Committee
Admission charge. Tickets available at College Box Office, 798-2165.
SEPT. 16, 17, 18
Friday, Saturday,
Sunday
þÿ'" " T HFIREBUGS"
E
An exciting new play by one of Germany's leading
playwrights, Max Frisch. Presented by the Theater
Department, and directed by Al Brooks.
SEPTEMBER 21
Wednesday
þÿ'" F I L
"HAND
M:
lN HAND"
"Hand in Hand" dramatizes with warmth and insight the friendship of a boy and a girl. Their
world is happy and serene until it is invaded by a
religious prejudice.
AUGUST 16
Tuesday
!Oa.m.
C.A. 183
LECTU RE / DISCUSSION ON JAPANESE MUSIC
Shinichi and Yasuko Yuize in an informal discussion
of Japanese music. Mr. Yuize is one of Japan's foremost composers.
AUGUST 17
FILM: "THE CRANES ARE FLYING"
Cannes Grand Prize drama of two young lovers
caught up in the tragic eventsof World War II
which strikes a universal note and is revealing of
SEPTEMBER23
Friday
°FILM: "WHAT PRICE GLORY" (United States,
by Mikhail
Russian dialogue,
subtitles. Presented by the Student Center Board.
BEGIN SU!'.1\1 ER RECESS
SEPTEMBER 25
Sunday
°MARTHA FOUSE, SOPRANO
Youth Artists Series
SEPTEMBER 30
Friday
°FILM: "ANTIGONE" (Greece, 1961 )
T he problem of Sophocles play lies in the rival
claims of the state and the individual conscience:
on the one hand, the state's need to prosecute the
war on its enemies ruthlessly and, on the other
hand. the individual's need to honor his personal
sense of justice. Irene Pappas stars.
OCTOBER 2
Sunday
YATES, PIANIST
þÿ'"FRANCES
Young Artists Series
OCTOBER 5
Wednesday
°SEYMOUR LIPSET,LECTU RE
Internationally known for his studies of political
sociology in the United States and Europe and in
emerging nations.
Wednesday
attitudes
AUGUST 20
Kalatozov,
Directed
Saturday
AUGUST 28
Sunday
AUGUST 29
Monday
SEPTEMBER 2
Friday
SEPTEMBER4
Sunday
SEPTEMBER
9
Friday
SEPTEMBER 10
Saturday
7:00
Gymnasium
SEPTEMBER 11
Sunday
FILM: " MIDNIGHT LACE"
A spellbinding and starkly realistic mystery drama
with a shocking climax. Doris Day gives a fascinating and emotional performance. Presented by the
Student Center Board
CLASSES RESU!'.1E
°FILM: "THE GOOD SOLDIE R SCHWEIK"
(Germany, 1961 ) The Germans know all about
good soldiers. and this comedy ( from the novel by
Jaroslav Hasek) shows us some of what they have
learned. At least, the film is saying, somebody must
be crazy.
°AN EVENING OF FOLK SONG
English, Irish. Scottish and American songs and
ballads, sung by Hollis Rinehart. baritone, accompanying himself on the guitar. Young Artists Series
SUMMER WEEKEND FILM
(to be announced)
Presented by Student Center Board
þÿ'"
"THE CAMBRIDGE CIRCUS"
From five months at the West End in London , and
six months touring Australia and New Zealand, this
mirthful revue with music is directed by John
Cle,,;,, and produced by John II. Morris, Jr., producer of "THE ESTABLISHMENT••
GUARNERI STRING Q UART ET
Quarter in C Major, K. 387, Mozart; Quartet in F
Major, Op. 18 c'>o. I. Beethoven; Quartet in G
Minor, Grieg.
SEPTEMBER 22
Thursday
CHRISTINE LINDSAY, HARPSICHORDIST
Presented
by the Music Department.
1926)
w ay play, starring Victor Broadw
McLaglen, Edmund
EnglishLowe,
and Dolores Del Rio.
OCTOBER 6
Thursday
°FRANK PULLANO, BARITONE
Young Artists Series
OCTOBER 7
Friday
°FILMS: "THE RED BALLOON" AND "LORD
OF THE FLIES'"
Two films about what children are: one shows us
a child whose delight is the vulnerable and beautiful balloon that accompanies him through the
vaguely hostile streets of Paris; the other shows us
whose game is war and whose toys are
OCTOBER 8
Saturday
þÿ'" F I L"DOCTOR
M:
STRANGELOVE"
This film has been granted some sixty intcma·
tional awards. It is a brilliant example of screen
satire at its finest and funniest. Starring George C
Scott and Peter Sellers. Presented by the Student
Center Board.
children
weapons
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:54
26:04
22:06
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54655">Duo Concert of Japanese for Koto, Voice and Sangen Shinichi and Yasuko Yuize Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Duo Concert of Japanese for Koto, Voice and Sangen Shinichi and Yasuko Yuize, August 15, 1966
Recital Tape 1966-8-15
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mitsuzaki, Yuize, Yatsuhashi, Matsumoto.
Creator
An entity primarily responsible for making the resource
Yuize, Shin'ichi
Yuize, Yasuko
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mitsuzaki Kengyō, -1853?
Yuize, Shin'ichi
Yatsuhashi Kengyō, 1614-1685
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-8-15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Duo Concert of Japanese for Koto, Voice and Sangen Shinichi and Yasuko Yuize Recital Tape 1966-8-15.pdf
-
https://omeka.binghamton.edu/omeka/files/original/e52c2a49b1bb63ee685596e8d610b0ac.pdf
0b901fb317b13fc38358b80729768f06
PDF Text
Text
The nextrecital in the Summer Recital Series wi
ill takeplace
on September 25 when Martha Fouse, soprano accompanied by
William Jones, Jr., will give a program of songs by Vivaldi,
Brahms, Obradors, Samuel Barber, and Benjamin Britten. The
recital will be at 8:15 p.m. in the Theater.
�State Universityof New York at
Harpur College
Binghamton
PIECES OE CLAVECIN EN CONCERT
þÿIII.I
Concert
La La Polinière
La Timide
þÿ 1 I ³ T a m b o u r i n
þÿ2.ITambourin en rondeau
The CONVOCATIONS COMMITTEE and the
DEPARTMENT of MUSIC present
CHRISTINE LINDSAY, harpsichord
JOHN HSU, viola da gamba
þÿv.I Concert
NANCY DALLEY, flute
AN EVENING OF FRENCH ANO GERMAN BAROQUE MUSIC
OF THE 18th CENTURY
Thursday, Sep. 22, 1966
8:15 P.M.
J.-Ph. Rameau
The
College
La Forqueray
La Cupis
La Marais
þÿIV.IConcert
La Pantomime
L'Indiscrète
La Rameau
Theater
A RECEPTION honoring Mrs. Lindsay, Mrs. Dalley and
Mr. Hsu w ill be held in the Faculty Lounge adjacentto the theater immediately following the recital. The audience is cordially invited to attend.
THIS EVENING'S ARTISTS
SONAT A IN A MINOR for viola da gamba and harpsichord
G.P. Telemann, 168 1-1767
Largo
Allegro
Soave
Allegro
SUITE IND MINOR for viola da gamba and harpsichord
M. Marais
1656-1728
Prelude
Couplets des Folies d'Espagne
P IECES FOR HARPSICHORD
J.-Ph. Rameau, 1683-1764
Les Tendres Plaintes
Les Niais de Sologne
SON ATA IN E FLAT MAJOR for flute and harpsichord
J.S. Bach, 1685-1750
Allegro moderato
Siciliano
Allegro
INTERMISSION
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39:34
28:56
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54660">Evening of French and German Baroque Music of the 18th Century - Christine Lindsey, Harpsichord; John Hsu, Viola De Gamba; Nancy Dalley, Flute Recital </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evening of French and German Baroque Music of the 18th Century, September 22, 1966
Recital Tape 1966-9-25
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 8:15 pm, Sept. 22, 1966, Harpur College Theater. Works of Telemann, Marais, Rameau, Bach.
John Hsu, Viola De Gamba
Nancy Dalley, Flute
Creator
An entity primarily responsible for making the resource
Lindsey, Christine
Hsu, John
Dalley, Nancy
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Telemann, Georg Philipp, 1681-1767
Marais, Marin, 1656-1728
Rameau, Jean-Philippe, 1683-1764
Bach, Johann Sebastian, 1685-1750
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-9-22
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Evening of French and German Baroque Music of the 18th Century, September 22, 1966 Recital Tape 1966-9-25.pdf
-
https://omeka.binghamton.edu/omeka/files/original/b12cddfb6b4485192d90d5d074140725.pdf
5a16fd72edc20e35f6f8568ba385921e
PDF Text
Text
�Sinewy entangle ment of flora, liquids, decoratio n and general
whatnot succeede d the rigid formality of Victorian England. It was
called A rt Nouveau (as is virtually every other artistic moveme nt at
it outset). It is softly, gently concerne d with gardens, both interior
and exterior. Aubrey Beardsly, the ne plus ultra of the moveme nt,
raised art to new heights of ribaldry and eroticism . The moveme nt
was more than an artistic one; it was philosop hic in its unificati on
of life under the banner of design. There was an infiltrati on or style
mto every aspect of existence . The organic quality. the fluid asymmetricali ty of fulfilled design, the lush greennes s of Art Nouveau
is, we feel , an eminentl y appropri ate analogue for the yearbook of
Harpur College of the Universi ty Center at Bingham ton of the
State Universi ty of New York (at Bingham ton?).
��������12
��t~ l'E(JESJS
OJ .A ..MJSSJ.N(l
cf. l' c
I.
({1/11r lite fare" gromt.
({11/ar tltt' fart greeJI.
ll'as tltt bla11I: farrt' 111i11t
{1f is it !f{11tr f/11Slt
tltat lt11rts 1111· brni11 wltile?
ll'ns ii 1111· ltnrd l:Jtot
of 011r loviltg !Ital ltn1tged.
Qr is it lite wro11gat /leslt?
2.
.AJ1swas arc rltcnpa tltnJI W{1fd:>:
,A11;,·wtrs arc rltill grq ro111tds
Qj silmrc b11rst OJI lite ronri11g
J1igltt. OJI lite tom aJ1d tcnriJ1!f
slteets. (!JI lite /Q11d dnw11 birds.
.A11swers arc dtenpr:r tltn11 l1n11ds.
3.
/((lr/:S wi// 11cva 111e11d lite fool
wltosc ltoldi11g anrl:ed lite s1111g pltrnst.
Ropes wQ11/d m:nrly n101111t lite so11/
lo lteave11 /Ital 111ost descn·es its lotcll.
4.
V(l/lf /are ro11/d blow 111e Io a blnrl: f/JSt'.
a red lltom, yo11r W(lrds 11111SI be lite /11st'.
-Robert KrQc/sdt
�So11rctimes J ltavc to
bt alo1te, to scr if J 'JJI
still 111c. to make s11rc
J 1:!1ow wltaf /kn/
llfCfllfS .
• •
�����20
�������c ..
����Sanford Clark
George Contemanoils
Stephen Davis
Randall Fadem
Allen Frank
Louis Giambalvo
Roy Gordon
Michael Halperin
Vernon Jacobs
Marc Kaufman
Alan Krebs
Richard Liss
James Reil
Arnold Schwartz
Michael Shaw
Edward Snyder
Michael Stone
Howard Turetsky
Robert Velazquez
Maury Weisel
Richard Wieczorek
Warren Zucker
������SI~\l"[ UNl~'ERSfl"\'
()I. \E\\t ·YORK
HARPUR
COLLEGE
'·~·<t~
l
x
��������John S. Bennethan
Jacques A deCoster
Peter S Ehrman
Wilham J. Gale
Kenneth M. Hausfathe:
James L. Holley
Wilham K Howard
Roger A. Katz
Robert B Kurtze
Marc J. Leitner
Wilham A Matros
Sidney Milman
Bruce F. Molnia
Abdul Nanp
Abram B Ran1bar
Irving Reed
Thomas L Sperling
Thomas Segman
John Visser
Donald L Walford
Sepp J Weelker
�����SU){M8K 1966
����������..,
B\ '>11. FTB\ l l
F1.111k l'oll,ud
( <J.tlh
lk1l.111t
II llrookorl
.., ( ·1.11k
l ( ..1i111·11
F («><Kindl
fl (. ro"ht·r~
.I llihdr
I<''"'
I\ \lltlrn'
J ' ""["
I\ l',irk,•r
\ I Hin·
(
'>dim ill<'
1· r ur.111
' \\ 1ft. 11,k, captain
\tanager"
J
Kt•am·
[) l .«11orm1t/
Hl'I (i7 ll arp11r ) I
llarp 111 77 \ lfrt'd 7.)
11 arpu r (i(; ( .t'IH',t'O Ii I
l lan1ilto11 '>Cl I larp111 <N
\lha11\ 7() llarpm lil
\\ 1\J.p, SI 1larpnr 61
I l.11 pur 100 l ll<'.< '>0
ll .1rprn 70 llohart )h
I l.11 Jllll >7 l'llhlll 'i2
ll.11t\\1<-l. 'l7 11 ,upur 7.3
I l,11p111 -; I l'l.1tt-hm!! f>:3
I l.11 p111 'ih '>tom hrool. ).!
I la1 p111 '>f>- l llt·.i 70
D n·" "IG I l<1rpm -;~
ll;11p11r 72 On<'onta !i'J
I la rpm 72 \laritinw .)9
----
/
./
�Mermen Lose to Oswego ~
As Meet Cioes to Wire ~
.....
by MSD Na mor
Satu r day, the Colonia l mer men played host to an over confid ent Os wego t eam. The
res urgent Colonials took t he
Lakers to the brink before
finall y losing , 53- 12. The Colonials, fired up after a surprisingly
strong
performance
against Stony Brook, f elt they
could win t his one against a
team that, on paper, w:is far
!stronger than they. And they
fell short by a trifle.
Mermen ~ ho w ~ tr e n gt h Early
The mermen demonstrat ed
to Oswego in th<' medley relay that they were in for a
tight contest. Both teams went
for the medley relay with
thei r strongest teams, and the
Colonials came out on top. T he
r elay, cons is ting of Gerr y
St arr, Dave Hammack, ;\fag.
n us Lako vics, and Ed J\,·ery,
cau ght Os wego by i; urprise.
turnin g in a time of 1 :21.8
and g ivin g H arpu r a 7-0 advantage.
Oswego came back, taking
fi r st in th e 200 y d. freestyle,
but t he Colonials stayed close
with Tony H eller and Bill
Schecter taking second an<l
third places respectivel y. Schect er, who has done yeoman duty
fo r the Colon ia ls all year,
turned in his best time by
tak ing a crucial third for the
ermen.
In the 50 yd. freestyle, E d
Aver y, still tired from a strong
anchor leg in t he medley r e-
lay, was upset and could only 3,
take s econd.
;<
Ma honey Sets Mark ; Places 2 nd ~
• :r
-::::: -::s c: -
~
-~~:s~
~- =: ~ i- g -
);*::f
-E
~- 3 ~ ;. > ; · 3
~~a. ~ Q.~ ,....:; - ;
~C°t"(i)"' &. <~;C"'-;
<
0 '< v: - ·
~
2,_o~
::
<
roen)q.o- o:».-. i::
IP '"> '.; :l :::- :l
~
~...;
~ ....-
rr. •
:.:
.... ..... : .
3 ..;~:;~5e: : ':< ,,..
tn ~ ::3 ~
": ~ ~ ~ 3 ~ :S. ;!.
~
~ ..... 1Q
~
"' - °'-O:l
3
"""!
~-
~
~g~ ~=>a.. ; :r
'<N:> ~;
-, o.o
....,
<
r.i
~
a. §o g l» ro '< _.
.....
:l
:r
:::r
s-o o :....': -ci
;>;" .....
:;· ·.:
.,.
::: !..
e;
c..
~
::::r' c-- -
......
::;·
t
~
i5
. :;q·
.:.il~
0
00:r 0-~ll"n:!;
;;::n~og~!;
~g-:T'"gttls- ::: ~
.
,....
~
~
::;·
en
i:.:i
~
<""'"
-·
o ~ ., ~cr"'4'
~ 5·
0.
g.
~-· Ci)
~ ~ ~;
1»~ 0.
r.n ~
'°:r .;·l! :;:..-,,-en
:; ; 2. g l!
0
3
,,
o. en ..,- · ::s0
c::
·3
_
;;'
er
-<
"'-g
~
'<
~
~
.... ..,
c::: ::: -·
m- ::s o3o -
z
~
,......
QI
~~~
!t:s-~
3 -·.., ' ....,
';:!
?.~c.>c::~
~
3
.,0
c::
=
0- <.-o
0
'P !" o· ;!. 3 ~ o 3
N)~::S'iJJ~
0-Q
°'
.., 01»
· cn.-1»en..
.,..,3::!
to.-4
=
1-"t
VI 053
I» :;· ..,
~ c:: .., ,.. ~
"O
o~
:r
Cb
rog.~~~_,.1»
3 ~ ::!. 5·
(') ::s 0
•
~~
-· - · ....,
:l
- · 1Q
l
c:: c:
..,
:l
0
.. =
"'
3
0 -
5· ,.. ::s
3c;-go. ::c:
~"oz1»cn o-
3_.=-,....,~ -<
Cb~ >-3 l!°2c:
en :r
:l
~
..,
,.. ""d
ci.
Ill
<.111»..,~("):_<
::s
I
CD
("'f"
0
""ocnN _
~g:s"'
CD
C"1"
0
:r
n- CD
g
""'h
-·
~
rt-
VI
C
"'
'"'!
en:r
<'>'<
en Cb ::C: ~
0
...
N>
~ 1 7 7 ......
..... <'> °' ,..
::C:::C: N> ::C: ll>"' C;>-j'<j
~ "'a '<'d~ g_ g_ 3Cb~~
~ ;;;
'd
r:: 3 0. c::
'"" 0 •
?
!"' i» "
0
;.;- !:;"
!"'g.o...,;;J ui
- :l
,., I»
'< m o ,.,
z . .,.
· · ~::r
ti>~
::r:~- ._<n
1-- ~ . ~
..... :?..j~,..;:
<1>CDC..
<
~..,
VI~ '<
~ z
~on-~::s
c: B
~ .
~
~~gg·&r~o.cn
. . ,..!» • • ,..::S1»:!1
~ ~ ·~ ;;3 §: ;;;·:.< 3· ....
~
v
~..,
...
2" 0 3 ,.. .....
:1 ..., ~ ~ :r
...
"'
....
""•
,,.,,
-
..._
~
-·
5·
0.,..1» 3 ~§;~3
-
...
°'
,..g:...-O»en °OodOQ
....
o~oen'< cnM
~o
oo:~"t:So
(D .., '
,..
tr: 3
;
'd
< ,,;
g §"~gs.~
~
::c:
c::
.... ,..
=.
...
..,
- · ;:i• .
U1~-n-i:::s
OQ
,.. ~ S" :r ~ .... ::. §.
~ :l ? "' ';'" g 3 Q
..-'!
>-3
::s ....
. . - 6 :r [ ._, -g.
g
~
3Cbcn~'<:l
,., c; if ~- 1Q g-
. . . . ....
-C ~. ,
...
=· ~..,
o~
:r Ill
-
~ o.. :;·
(1)
<t>~~
-
0
-< .n
-a .....
(D
-
-
;>;"
"' 3
(D
-
0 •- . .
i»::t>en:;.:
~
~..,
-
=
~
~..,
...,---,;;
g: . .
§
"' ~ ~ 3 ~ ~a·~"'
en
...
°' -·
...
_
C"""n ~ -----,.
~C/lo;::;;
l
:::::r-
._
•
,,.,,
=
....
...
-
•
I
�-...
SWIM TEAM
Coach Thomas
Ed Avery
Bob Cronin
Steven Goldberg
Mike Goldstein
Dave Hammack
Tony Heller
B ob Holzhauer
Lucien Jassy
Magnus Lakov1cs
John Mahoney
Brant Maltby
Jeff Power
Bill Schecter
Jerry Starr
Harold Van Wart
Bruce Vogel-Manager
-
~
...
•
•~•
••
"
..~
~
••
~
~
•= =""'
==
= .,•
ew Paltz 65-30;
~
~
I in Harpur Loss
e the :New
;he excellent
on Mahoney
took second
ctively for
~ swept the
with Dave
t hird for
~
~
~
,. .
•'
...
~
,.,_
..= ••
~
@I!
rlJ.
In the final event of the
meet, the 400-yd. freestyle relay, Ed Avery once again set
the pace as he surged to an
early lead, which the rest of
the team - Bob Cronin, Tony
Heller and John Mahoney managed t o hold, cutting the
final score to 65-30, New Paltz.
•• •••
,
Two
1-8
l
I
I
·.
~
I
3
E;
...;:r
,.,,.,
'<
:=!
3 ...
!Jl
....
....
~
0
¥'
=:
���������������.
spr111g
weeke11d
��'41 Pll4. NII 0\fltd
\ll'f"t"f
J..
tll~•
A""-Ull(' f..J1to)f
-tJN,
It.Jiil Aw_. I J,uc
,.,,.
.. '"'''"' ,,,.,,,,\.-Jr
\f l l
~··
if!'fW"
fio1•111t1
''·1•/.. J H,11111
1~,,. /It•
\ 11: 4.f>t-fll•
JuJ}
°"""'
\f..ltll~
~,,,,,,.
llo7PU
11,..,1111..,..J,
j..,..,
41 A..,..,.,.
TA__, It ,, I .riMJ
''" "
nn. T ""'
•11't K•t
Ill
-·..
'-'
" ,._
tt.tJ,, Krttf;'P
H,,,,,
"H« f(/4
(-. . . .
,,.,..
,""",
\f~lN
I
..
•
J/111
,,,.,
,.,,,,
II'
I
l'kJ1~
·-
"''MU
twtlt
,...
1
"""''" hc..nurcr
'J-n1, A•t
/t.111.1.
..
'"'~w.,
\,,...,.fn t'rC""&ki:u
n, u•.-
,_
•
•tt.,,,,.\ir:c~1
'c--•
l\
c.,~ lddot
Ii.pi.:;.
f:Jisor
S.aNJi 11 ..... 11
111(~
Edrt
""u
• ' - l11J.\dn11 .\...'COUftUtU
)tNpll , ,,,., 4.J ..crtl'4t1i \f P'
1• ...,,....,.. ...
Gorr
ot ~
<O/ll\ld
~
f.d.k\f
I tatiua hht""
l'1 4 H.U:
,,.._•.ti.-.-......
,,...,.,., 4Wfftl
lJ
''"""• l;1.ln
J-.it,,JJ..11
..,..,Ma..,,.,~,.
14"• /fnlilt,;vt
1'!1lf'l<l4
If..,"~··
rfl/IJ. Rl.a:4
Cir.mi""&~
}rtJ(Jw/{'11
<.W,,.:.- (Ml-11
hf r.1 ""'
Jw.611.-•,,..,.
"·"''':
.\ff'plt(lt ,,,.,
\,.,.},./Jhawrt
'~"lJ''"'""
/},,,
''""' '''''"""luirn.i.n
,,,...,,,,,,."""""'<
/J,. 111.J."/flft#'t'
I Qnc. \«..
lf.'2bm11 JI 'J.viMr 1 re»u1cr
,...
!).,J,I! JI,,,...
z
,.~.
flr..JvJ..t1!11
h Af'.bt
,,.,,.,.,.,.. A.ircllttn
IJ,..,.,,• btd
,,,,,.,'111.,.,,,
J.t• A"""
Jin A lttt
Ttn >,...,
\.th l..S.11/.r
\inn J....0--
"•"714.:•
CURI \/Kl\
lf,,...,.i,1.,Ci
\UUt ldtur
R'*n" hrJ "~' l\ut
h1d«
\1ou.C"""'- lc.-1"rn"-!4
~11- fu.t1UUl41%Ur
lrliJz
It~,,,,,.,.,,.,_
,,,• ..,.
°'"
,,..,.,,,,,.,.I'
1... 1..,...wu,,.
""'• A•rrrt f.S..
,....
I IJ
"'PK!w
11-,.c,...:{ipp" l diwr
,.. 'Jtt
/fl\'°i!'lt
UMOll I
f!/.1'1t '
p.,,,,
J MtN-•
CO/OHil \ f t t \
I ti 14"'...,. l.1
t:.J1i.w
\ t f l l l t . ,..
I
Ml•(b~f
�Rrm /1100 .... 11:
lie1fUa/1,1nt'
•nn
\fiJ)'f'f
Brltr \frlflitltrJ..
I 1nro1ln \(1ks
l.J./roi \ 1.tt'I
r"''"'"o,.f'l'I'
Jrrrim~ Ru1I..
~rctJ.t'\
\kmhcr-il·lar!'.<"
(,.ln Ruu. Jir1 PrniJcnt
lfon.;:J Rt"uJ:iJn
I mJ,u1 Rc11tt'1rio-...
l'Jultr \'a,.ith
John \chr)ic'r
''·"'''''
\''"'"'""·
l11r... nr Sthn
H1llium Smuh
A<"nn~
-4/1.l.1 .\ldhl
rh Stt'>"n \ -.:c t>rc,1Jcn1
,.,,,, SU\f'nf
-t!1<t' \mr!nwn
A,1r11'1 \trru1111.J
Shf'rr\ lt'1trlt>Gum
l.Jrr) R<>tJ..1"
Jrlf RoH
Df:\ffTRF < \~
1.-.n\ •r1acJ
la• Blumhr{J
l,rtt'T Coro11
\faro· lr111/.f-rx
S1e1-1· ff'ldm.m Rca•rJm1 Sc..n
R11h frllnum
/lu°"'it F/a..:.mun
R('•
''"'d' n Prt,1dC'nt
\l1J.t'Jf1J/~rm
B·ll11ilm
.'1/tJf.1p) Jf1nt
B,'Jh
lfoJ:hJu1<r
f.rrl)/ 1...u.krm.,u1
l/,Jth')
/d/Tl
\1ua" Ur111a
P<t<r H,.n: PrvJu..cr (If \rnnr: Rt\U(
/>-4 \ ( I c,ROl f'
Rurlt HaT1frJ ! P'rc:~ )
\'.va R.1ri</
(Ari.Sim~ 8 n"('~
luJ ( h.11/)
/Jf'bb• Cohn(~,\)
1<( IJ.--'r1h111
Pa""''' Dr\10
\tr•<" hM
\f.111hnf'oH
Jill Aupf111"1
/',;ni \f1uh
C11rol \f1d.
Hill \ftlta/J.,,
/'1m \file''
Homla \f1/lrr
Jrrmrn
Rml.
l'hll .'illhJ/Ji
\furth.1 ,\,Jr,.1m:
Arnnrth \urn
lf1·1um.11f
BiVftfua /1mtorl
J11
111801 Cl.lR
Hru r Bell
1'a
8.-fTnJ'I
)9/tn ( '110
(ad
lf>'fll"ulP
( .1r.,/ frank.
/ .,c;a; G·1rnu11
Prc\1Jrn1
H1//iam
llllU~
frca\UfC:r
\fork fm·m ..n
Al f>"tl'll..
IJ'l.kn/l...rum
l.Htn
,,,,., \f4J11on
'''"~
ht \ i<:c
J,m \I,
\f'S''""
B<'vr'I \agrl
Ira \ Of'd/11 lit
8n1.(' \JQI
\-l<'c' \,
j:.,,..irt: C"C'rrt'P
~t'\.:h
J>rnnu Xh14.at. S<rgc.snt-.1i..tnn'f;,J J Sn1Jtr
H.iAt' /urnn
BWi i •tlrvt :nd \·11,:C' PreilJcnt
nl \JOCIUTIC I /RtRAI Cl! H
R1,11111t'
H<'rt
/Jut,./ Bin.Jn
\fun Da1
Ant Flett m Chairm.tn
R,.111111 f1Jlrr ('o~re"r Scd~
D.un A1l..rn
Jun l.f'1thton
lt'Jf Wanttt
lt1JJ'1 \ fr /)an1m~h
In RuJ
Snit R.QftcrlJ
l<Jf Rru,
Stt>tt' f roJU
Co~(·h.urm•n
.\•bla U 'olf lrca..,urc:r
I \D) \ffO\S
Stu ll<'(''klri
Phil f</Jt.,'1
,,,.. , """'""''t:e'
\
,,,, """"''"
l.1s ll.Jn.J!t'J""3n
/lob A.11rnA"mp
\f.Jrtl l\rr.iJt,VJJ
81rt AttQrfo)'l...!.-r
H(Jb /1t_.,n.1n
lk.1uxlas I .;ncoln
Prc~1J.cn1
\furrt"r
J1•r.n '""'' l/,mJln
\.rm \l&l'lo.O"ll:
�l ..un' \f1l!r1 mattn,.
I •m \f1T(Jn,/,1h m.h r
lt'rn \f,><Jre
l.nut.r I t l t
Ruh (hh.znd!rr
Arn p,.,cu
I.rt• Sm111th.md!a
'""\ \'10/a}wnd
l'etr U tnl
)ark. Sf't'rlmJ
>.n
CO \f\f/17Fl.
'""' <mul1111,1 Jr
\f..ir11m !11rJ,,n11ttA
/..1.: '"'"'
Dwnt 11, 1,Jm11rt
1-.smr llot. liftalm1
Sut: /lfJ/t:er
0
(i1r/1" \ fr\ll t' \··'JffJTlh
Sur- C hamrld
Pct:,~)
C"t11J:ro)·r
c,m,f)
L>umcm
JuJuh Utt'mlfm S(1.:rC't.tr)
Llndr1 lforjm1111 .\lumnJc Sc1.1\.
A,1/h) /fort Prt:,1J(nt
R11rhtm1 /lumphrt')
I
OTl1llllt'
J1)St"jt•h
Tt·rr) AKun
Sh11ron l-1.·un
C()tl,\ \f11ldiJn
Rnn \frlmchc->.. H1,lllt1.tn
l.a11ra \fmtlr.l
'41/ucm \wh
Pi.11 Oitrm
htl•n. Poupc1
( ltrtt Ro(ff\
~alnr...
,\ht,li.o .'.!nJ \ P
Joam1 { gr1111
l't \ P
Pl(J~c mu.1rc1.,
OttWJ.f
<,()//~RDS
<irm/I Cim1/d
Stt'~r Fwto~
R1e h I uh o Sc... r(t.11)
I mu /Jcolla lrc.our(r
Jvhn l/irlr.o
.\.tr\r K1Jtt
\(.J~nut /
Dmr
.i<JAtnUJ
IA.·t1<11m11:
John \fuhQnt''
Rill \f1.11rm
\ttH• H..mirne
lt1hn R1u,udt'JlcJ
\f14.e R1cf"o \ h.< prei1J(nl
.\al Ruh11111 Prc,1Jcnt
\·rr\t' lrtt".Um.m
l~u:ttt'lt:;J..1
//~RI'( R Rf I If II
Ad/rnurt f.JHOI m C'h.1cl
\·1qhn1 A l111i:«·r l-J1tcn.il R..larJ
1/1111/.. Aune
J:.'llcn S<hur An Ld1tor
.
Ollf-~.\'S
I rtzonatJ Aus:<·nhi ht
llu'(h llm:.dlt'lll'
Jamt'J (j,·nt11: ( hapl.un
Dun l.1ppt·na
R1<h11rJ
/.«rt)
Ron Trc.i.,urC'r
Rvl~an
.frncLI S1 lnuut:
Ji')it/ Silaum:
Jud; Sh~nnan Prc"JJcnt
lt'ff Smollt'r
E.,/ Turan
Sttlc HcJfllJf.h
\"1cc-Prt~1Jcn1
\t'ii H n1brocl
.)/).)
s,,.,,,,,..,K
Jr
Slhluiit"/l>t·r1:
J~mmr T:.all
/1)
l .d ·llt·r• S(r~tetnl·al·.arm'
.\'and> ('/pt/.;
Iran/,. ConctJ
\tt'~fn
/'um
hlf llmr
Hat"'"'·' U ,uhbum
.~HblU U tJ/f
JfJhll
Htm \fdml'l1l'k
S1/~J11
J11d1 .\111dasr
Scr..1,(' Ch.urmom
Ch.mm.m
\f1du h· A'rvttJ·.Jq
Gml l..t11tm
/,,urrl .'41/rn
Dan Ankli!t
SteH·n BaramJ..
Ri1rlkuc1 IJdum
Judi Bnmttm
J 1111 Htalobrt· sA 1
1-tmta Rrtmrrr
,\.f'uKm Brmn
\fon A du Brod,
Janrt Burkt1rd
\'uiun Cummt·t
lvun Charnrr
Drnul Cohtrr
Rr\11 Coht'n
p.,,,/ (ool.
.4da D'..fmtllo
Ruth Datt1.1n
l~ah Dt'/,mJ
Dt·.,,.<"s1
l/uro/J {)o,//
\fanfrcJ Dodi
\f:nd~ Duu:
Joan £Jrmwn
Simla EHc·nbtr~
Rob<-rt Fl'tns1t·1n
B.u-~cJ
f:n~ lfomm
\fare <itn.nwn
Clum• Fru·dman
/Om Fnrdman
�( ,µ.i <lrt nlvt,;
hr 1um1
/(l('J..
l'aul '1t1rJi1h
\ , T/lld'f
11.zl,lflJ
/li..lth.1r11Jl,1rr1
D,i,J. I OJda
Robtn 1,- .:i:'/Ut•
-ilan I tt~t
'4r/t',, iun1d.
~(.inn
I «II
aru
of
btr~
-tll.111 ll hui·m.111
Id
lit1M1mm
/4rr llf/I
lfilf.iJ /Mt'lg'
\f,irr<ll'u·/lr,J..
A,-n l/,1111j,11h..,
.1
Stn•11r1 llt"/f,1n.I
lot'/ ( 1.1h('n Puhhc Ile
J,lfft'
At"11
/J1n1 ;, ~·rh
lf''} Alft•
H.11h A.'nn
l>f'brcl A,~ al 1f
)amt A ratrA
I/ 1rr Art/fl
\ tJ Aruu'
J1Jrn1
Jc h
Jrrr /,.
~
ro
llli.llh
/l.:m.mn ( ru.
\ cc Prt,1Jcnt
!><.J1·"/ /JtdUl mJ ~c.. rct.tr.
H,-n u111ur f.r/1 •
Trt.t..,urtr
//,,,, 1 11.mtu/.;.
Ju\ A.01, hn
/..VT) f-c'T/11~
i m /J4
~C--tJ..:nt
lmt~n
Jl,uo/J \f.tr;a •uch
Ur 11.im \(, \f.inn 'xW ( h.unt
'"I>/ \TC I \ f l R HlJ.tRJ>
\:qhtn iKrk' ( h.urm:i.n
f>.vr A A ,,
I't'") A• , \ l\.t <li..urman
II.JI \f :i ruch hl'• urC'
/ro \orcP">i'
\nit /fobetl
\f.v R gV"f
sn~ctu'\o
hen R1 ""!"'l'1t
H.JTbaru \n-ton
J'411 (Ii,,,
( #tttlf
l'ror
Ir 11
\1t"11 \a1h,11SM
c.mf<Jlul....r
lrt"tit'l',//od.
11.i,,
R.1b1111 Kii
l't•tt'
R•mcl
\r1h Hohutf
Huh Hogns
H
ROJt'nkl!
I n,L1 R<
I
1 R1
11<11 H
g
111
rn/wrg
\/t'•I' ~~tal
\w11Jv \!em
f>.11,Jft('l1lr/,-,
\ttw Hnu
J11n ).,,.
,.,
RiclMrJ •th·n
Hob Barrttrt
lm n,n .im11J
J~w!,/
.\fC'lf'
R1>g,11:
\"t\.'t'
Pre,u.knl
tolvmm
<1 <1•nt..,,w,,0!11
Pledgcm.bl~r
lh.irln J>dfrtt
1nh/1.111
R"hln
H R 4<
\f1fa,,1t
/J,l. 111'11
C1tnt' Vfl./.1:
\t1l llc11n Prt"1Jen1
\f,;v, A.aur'11Ut1
/)IJl,6
i\t'fl·
1
J Ir /,(''I)
Rt J.. /.Q1;ghu,.n
k. Jr,, l. \f.l(R,u
/J.cb \(, \c
/11 p.,...'f'" TrusurnJ<"' r~Jll' i
Roh '.'>tm"
Bob~="°"'
R na/J I <.J1t.il!rTlJ/I
C1nd> la1
na,, .\04Utt&afl
John Thompum
�u,,,,,,,
f>l(4.
, • .,...t
It 1,c:t.rtA. \tttctary
"a llolj
l \flln \ l l f>l\f(JOJl:R.l\ \fl:.\'J
R1~t11.kl
,11,,.,,,•nt
&iJ.tT
1C •rlC'f"''nJini S«yJ
1 irt:llJIQ
\lur•Jt. OnA.
,,,,.,,.f_,, ..nrr1n
/'JmiJ(,,q/ttf
()mJJ fwn1'1b
/IJllon
lr111rl A.wr:
BtJti /
l I 1n1 Vtcc Prn)
Ht'llt I .Df"llrlltlt'I" ~ Sc<orwJ \ k'C Prc•J
f1vtt1t1
,bmo,.
IN \f"ah.t01RA:<.>rJ1nt: Sa:\}
f "" \f. G. ....-rn
\(· " '
tPTnl
Iv l'atbanKnt.&tJ:.t.'I)
ROIW.41 Rtapn
""" r(1t11r:,,....
\I llarl 'i'.lia- l tru.1)
"t
""''" i..u..o
/;Jc.4. '),.,,
l«•w n .~1141141
HllRU
11.,.orJ .f.l!u
\1114'1 ·~IT,,
illruti.>r
\r-
Ruliflhl
.ff~,,.
'°lport! I>11«t0f
1:1/JJAU/J'll< (,
J/,./nvlkr(lft>.Ut
lrAtfK \hnAJrl
/A,Jl,·
g,.,,,..,
'liht'il<J
C.t(''lf
C b1c1 -\Jtnoun~cr
PJ11!tp f,ou
Jt1Jt
G'""(''
-4""'"""
Gr;.Jlft
rrc~\\lld
Hno '1rrtn
l:i.mL G<11;dhc·')!
\I lffl l/mtdrtntrr
Cir,v:on ll1.1rmJ
Af,m l/<.Vn\
Ct.mu.Al \fuHC'.' .\J\ ISClt
\tqltn1 lfwru
JI, ...,;J llttrrJlo.lt
FILot lhrrlu"
1-ft<JJ'k'll..,,,,
"ifkutt
lt:•o... ~
B•Jb A.apl...ri
Rflt.<'" Au::.
/JnwAt'/Lr
°"''• ,,..,,..,.11
/,I Alopott
l<J!rt A
l.
TM~ Aontltt'n<r
lt'rrll ra.l<r
l'tkrr l.11,....1.1.J..
Pt'ttr l..-1tU
\rJ /~""'
(,,;sr,.. 1-rri<O
lwl l.~nrr
f ,Uftt \(J/fdtf/
\foll.tilt \l,,,dflfl
c·1in1tt \llJ1
l\1J \(;lmu11
fl."' \lind;tr
R<'Ka
\f-~,,.
(u•o1rf.:'{1lflt•r
Chru
\.r1111t
1>111/J(Vf.•J"''·
\a11.Jm Ro/ft1
Ii.WI R.11,11J
/n.111 R, m,mrr
"'" {<,Jff'"""
(1c tJI \t1nagc1
l/.p,1fJ11'>' Cru:
H<1n.J1 />u4..m
l.*1h/JrrruJ..\
11k4. R.;tbrrr
Hob"'" ,\,~lit
'-''""" \'rttJl
11'JWl>ur"4m,
Progum
l>1rcdo..>t
A.ml:.stoi
Hnr}Omlrt l.rl 1:
Jlah I
ttmfQll
),,,,/ ~lnK>fl
P.i.JJ•'.\lt.rni.oo.I
\(.;v,
,,.,,,,,
IL1!ur 5rrutJt
Rd/ Tt"Mbrtt
)1#all11t ,,..,.
II •'fJJl'Jlnkr
I toltfUJ I tld
rrur >"'7X'I
HlrJllJ.
R.
\1.-.~.,
{,
I~
,,
.,,,,
C"'°*•~
Clknt ,_..l
R'1l' H1111t .1.
Sf"/'P U()Jtf-..tr
11.1,,., Uau.bl.. n
\fwrt111./11w. s,
TtthCJ\.-l~ 01rc.;:10f
���-er
CD
G
I»
CD
CD
.,
Winter
Weekend
���������������....I
~
°'
z0 <(
><(
-
UJ
....I ....I
0
.u
Q..
��THE 1EPARTMENT OF TIIEATRE
OF HARPUR COLLEGE
VOLPONE
OR
�s
p
R
I
N
G
R
E
v
I
E
w
DAMN YANKEES
1
��-
•
�Apthek er Talks to 1,300;
Many Applau d, 1 Heckles
By BOB DOLAN
Dr. Herbert Aptheker, a historian and Communist, drew
applause and sometimes laughter last night as he discussed
American Negro history and
countered the mockery of a
woman in the audience.
Dr. Aplhekcr spoke before
about 1,300 persons m the Harpur College gymnasium.
Though the audience included
a delegation of uniformed
American Legionaires and a
group of protest pickets who
had checked their signs at polite request, there was no other
hrckling.
Dr. Aptheker was guarded by
two plainclothes sheriff's deputics starting with his arrival at
the llarpur campus. lie never
1:011frontt."CI the pickets posted by
Young Americans for Freedom
lo protest his presence.
without any protest from him."
"White chauvinism views the
Negro as a people with no history - mimics, clowns. beasts
and monsters-as a people to
whom things happened,'' Dr.
*
Appearance
Criticized
began Dr. Aptheker. Again, Mrs.
Brooks laughed.
"Perhaps I should c o r re c t
that. It invokes hysterical laughter," the speaker said. He drew
laughter and aonl;i11«<> frnm •'-~.
*
*
'Watts Was Gwrious,
. .. In Right Context' IWDArJ:!
Did Dr. Herbert Aptheker, Communist theoresay in a recent speech that "Watts was J?lor-
jtician,
DR. \PTll EKER 'S talk conDr. Herbert Aptheker
tamed few refrren<'es to com. , . at press conference.
rr.unism or Marxism. IL was
an academic treatment of Ne- or ~cit'ntific Negro historiogragro history, .a subject on which ph)'"
ne has published 16 books.
Dr. Aptheker criticized white
The applause seemed to come writers of American history for
mostly from students and facul- "two great sins, ontission and
tv membt'rs, some of whom in- commission."
dicaled in conversation that He criticized Henry S t e e I e
they resented. the off-campus Commager, one of the mos l
pre~sures agamst Dr. Apthe- prominent American historians, 1
ker s appearance.
for failing to include "a single
Dr. Apthckcr was .introduced word written or spoken by a Neby Edward N Wilson, Jr., asso- gro" in his book, '·Documents of
cialc professor of art.
American History."
Glancing around the nearly- The speaker said l\fr. Comf i 11 e d gymnasium bleacher mager's book was "clearly misseats. Dr. Aptheker got a laugh titled - it should be "Docu-
I
'" '" :?e:~:;;:~-i~~~:~e:~l
Objections on moral grounds to the forthcoming visit
of Communist theorist Herbert Aptheker may be unfounded, a letter to The Press sa) s. "It is most unlikely tbat an
admitt.edly Communist speaker "ill 'flaunt his allegiance
to a foreign power.' H be does. he is likely to go over like
a lead balloon and serve as a salutary antidote . . . "
;·g~ fi~
g~::z::(J'Q
r-- 0 _ . .., .....
•
•
~en·
:::s°:}g-:c
NON-APPLAUDERS - Disapproving contingent of American Leg1onna1res "'C> 0...,
e!. "d ..... ~
~ ;i.,
..,
""'1
is among Dr. Aptheker's listeners. Legion had criticized Communist's op- 5: ..... ~.; ;::.·,;--g
::l"8.0.~~ .... r--~
pearance on state campus.
~ ~ ~ -· o. ~ ~ ~
SZ"·
r'P-':;!o..~::=
�1o ve m o er
z 'I
I
New
CITAL
York
Opera
DH
.i sted
.......
~
I..>
<::i
~
s::
0
"i;:
;~
I
... c'
<I>
::i
• l.l
....;::
'::.
• <...
I !:
.~
0
I..>
'-
f-
(/
!.L
;;
VOCAT IONS COMMITTEE
-~C
;
C\, ~;
<
f-
;.>
<
:i:
a.
�����������,l
I
�������ART: Dept. Head: Lindsay K . Bruno, V.,
Connolly. J., Eldred. C.: Ferber S.. Marx,
R . Roma, K.. Voelkle W.. Wilson. E .
Zupmck, I . CLASSICAL, SEMANTIC,
AND SLAVI C STUDIES AND LINGUISTICS: Dept. Head: Levin. S., Bochnak. M .
Derbyshire. W.: Mittlestadt, M.: Orloff, I..
Pavlovskis. Z . Semaan, K : Stephans,
J. ENGLISH AND GENERAL LITERATURE: Dept. Head: Huppe. B., Andreach.
R.: Baumgartner. P.. Bowen. Z.: Burne,
G : Chayes, I : Clements, A.; Colville. D..
Dearing. B.. D1 Cesare. M.; Fre1marck,
V : Garber. F, Gordon. S.; Gotthe1m, L ..
Grebste1n, S Gruber. C: Hagan. J.:
Hagopian. J . Hewitt, E.; Kane, P :
Kessler. M . Kroetsch, R.: Lerch. C :
Levy, B.: Matthe1sen, P. Moss. L :
Newman, F.. Pitcher. S.. Reuter. J.:
Rinehart. H .. Santangelo. G .. Schonhorn.
M. Schwartz. E Seiden. M .. Spanos. W.•
Stein. W, Vas1lew, E.. Walker, J : Weld.
J. GERMAN: Dept. Head: Schmidt. G :
Gillespie. G., Graf, G.: Mizelle. M.:
Norton, R.. Schick, E.: Shaver, G.. Sny
der, W , Weigand, P . Weiss. R. MUSIC:
Dept. Head: Nelson. P.: Buttolph, D.:
Casadesus, J., Fre1dhe1m, P., Gilfillan.
J.: Klenz. W. : Korte, K.: Lincoln. H .
Schlosser, R.: Werner, R , Williams. D.
PHILOSOPHY: Dept. Head: Goldstein.
L.. Brown, T P.: Dykstra. V: Funk, R ,
Kaminsky, J . Nasser. A., Ne1dorf, R..
P1zante. W, Preus. A.: Roma. E. Sinisi.
V : Thomas. S.. von Leyden. W. ROMANCE LANGUAGES AND LITERATURE: Dept. Head: Pellegrini, A . Apple
white, J.: Bacheller, C.. Bernard. M.,
Bernardo, A.-Division Head; Belle L.:
Bourgeal. M .. Coates, C.. Del Rio, G.:
Fischler. A. Gullace. G.: Jasenas. E .
Khn. G.. Lak1ch, J.: Marsland. A.:
Masters. G . Mintcheff. K.; M1gnani. R :
Ramsey. J., Rodnguez Luis. J . Sarmiento.
E: St1cca. S; Winkelmann, K THEATER:
Dept. Head: Watters, D.. Barrett, J ..
B1elenberg, J.. Brooks. A. , Grandey. L.:
Jackson. A , Mills J
�Martha Baumstein
Joanne Bleezarde
Arthur Abrahams
Eleanor Amidon
James Baldwin
Elvire Balsam
11 8
Carol Breitbart
Eleanor Block
Christine Bonney
Elaine Camhi
�Jean Deering
Stephen Derse
Patricia Donovan
Bruce Chaddock
Patricia Clark
Carol Conklin
Joan Canavan
Harriet Eagle
Martin Eber
I
-Sharon Ehrenberg
119
�Yvonne Fritz
Caryn Feinberg
Ins Finkelbrand
Richard Flint
Karen Freedman
Laura Gabel
Rodney Gierasch
Barrie Goldman
David Goldman
Henrietta
Gootzeit
�James Gustafson
Anne Hathaway
Arthur Heifetz
•
Sara Gothelf
Irene Greengerg
Beverly Gross
Sharon Hinkson
Aaron Gurwitz
Barbara Hladik
Janet Hosie
�Janet Horowitz
Marilyn Ismail
Mary Hudson
Vida Katkin
Steven Kellman
Keith Jones
Susan Jurkowski
Jill Kaplan
122
Michael Kasper
Seth Kasten
�Mark Klein
Patricia Kennely
Kathryn Kent
Naomi Kleid
Stephen Klinger
Ellen Kreindel
Dian Lawson
Shem Leitner
Janet Levine
Harriet Matthews
�Lucille Mackechnie
Anthony Miranda
Sally Morehouse
Carol Mick
William Mihalko
Rosanne Milligan
Bonita Miller
Stanton Miler
George Mohn
David Muir
�Joanna Osif
John Park
Jerome Raik
Joan B. Rosenberg
Stephannie
Russack
Robert Niles
Lawrence Ramer
125
Ruth Reichek
Lindsay Romanow
Wilma Rosenberg
�Arnold Smith
Joan Senft
Eugene Shapiro
Rochelle Sandak
Paula Sauberman
Martha Schwartz
Mary Sellazzo
126
Jack Sherman
Laura Simms
Jeffrey Steinberg
�Michelle Sussman
Rosemary Tascione
Ellen Tauber
Sandra Stern
·~:..,
,
.
.
'
Kenneth Stern
Ann Stevens
Alice Stitelman
Linda Thompkins
Judith Treiber
Stephen Trosty
127
�Rosalie Wiesen
Albert W1ldstein
Dean Wyand
Joyce Warshaw
Robert Valins
Arlene Vernick
Susan Wachs
Donald Walford
Francine Weinberg
Babette Weiss
Peter Wenz
��DIVISION OF SCIENCE AND MATHEMATICS
BIOLOGY
Dept. Head: Trombore, R.
Mueller. A.
Battin. W
Murphy. T
Fischthal. J.
Posner. H
Grierson. J.
Schelltg·Hackett. M.
Heckrotte. C.
Schumacher. G
Kells. H.
Shrift. A
Landry. S.
Wilmoth. J.
Lazaroff , N
CHEMISTRY
Dept. Head: Hull C.
Clement, G.
Janauer. G.
Kaskan, W
Konowalow. D.
Madan. S.
McDuffie. B
Myers. C.
Norcross. B
Schrier, E
Verbit. C.
GEOLOGY
K1ssl1ng. D.
MacDonald, W.
Roberson . H
Sorauf. J.
Dept. Head: Bodine, M.
Coates. D.
Donnelly. T.
Hunter, H.
MATHEMATICS:
Dept. Head: Beard, H.
Anderson. K.
Clinger, B.
Craft, G.
Hall, D W.
Houghton. C.
Kent. J.
Kronk. H.
Lercher, B.
Rozycki. E.
Slifker, J.
Sterling, N .
Transue. W
Wright. F
Z1ebur. A.
PHYSICS
Dept. Head: Raboy, S.
Chung. K P
Ga1galas. A
Greenberg, N.
Hart. R.
Kalyan·Mas1h, W W.
McGar. F
Moore. G
Penfield, R.
Stannard. C
PSYCHOLOGY
Dept. Head: Deane. G.
Burright. R.
Donov1ck. P.
Fagin, H
Fallon, D.
Heyman. W.
Ranney. J
Richardson , J.
Strouthes, A.
Vandament. W.
�Douglas Cherkauer
David Cooper
Marilyn Baker
George Bauer
111
Frank
Doberman
Leonard
Augenlicht
Roland Einhorn
William Bentley
Jerome Block
Carol Capaces
132
�Steven Guberman
David Hamma ck
Naola Gerstan
Charles Fisher
Ayn Fox
Bernard Ginsberg
Gene Godin
Ellen Frey
Carol Lynn Goldman
Curtis Graeber
�Jay Harolds
Harold Koenig, Jr.
Linda Herman
David Jake
l
Terry Kwan
l
Gail Johnson
Robert Kaplitz
Marshall Kent
Ronald Krizinafsk1
Magnus Lakovics
�Errol Leaderman
David Lenoriv1tz
Lanny Levine
Harold Magalnick
Marilyn Margulis
Stephen Levitas
Barbara Lasher
13.5
Jonathan Levy
John Lick
Stanley Lmdenfeld
�Sara Stintson
William Standish
Jonatha Smith
Timothy Smith
Edward Snyder
Gary Stoller
Loretta Strumpf
Lawrence Tedesco
Steve Treistman
�Paul Weisshaar
Ph ilip Wyde
Shirley Weitz
Ira Wolf
Jo Ann Ugenti
Gloria Valeski
Steven Walker
Steven Wallach
Mark Zipkin
�DIVISION OF SOCIAL SCIENCES:
ANTHROPOLOGY: Dept. Head:
Sweet L: Coult. A.. Hoffmann.
H : Horowitz. M .. Lipe. W.: Lynch.
0: Moench. R.: van der Merwe. N ..
Waldron. S.; BUSINESS ENTERPRISE AND ACCOUNTING: Dept.
Head : P1aker. P.. Budin, M .; Ch1ao,
L.. Gray, R. Kom1sar. J.: Stlber·
berg, E.;Sterltng. R.. Van Handel. R.
Waxman, J .. Weinrich. J . Wilson,
C ECONOMICS: Dept. Head: Furu
botn, E, Beall. J.: Carlip. A: Cohn.
S.; Eapen. A. T.; Hamilton, E.:
LaTourelte. J.: Leamer. l , Leigh
ton, R.: Lerman, M .. Lovejoy, R:
Lovell. CAK.; Melville. R.; Mt
chal. J . Vukasrn. P . Weinrich, J
GEOGRAPHY: Dept. Head: Van
Riper. J Butler, J : Kemp. W.,
Lancaster. M.; T1mofeeff. N.
HISTORY: Ak n, W: Amann. P,
Donnelly, A.. Gilbert A., emeritus;
Hamilton. E.. Harcave, S.. House.
A. Kadish, G.: Kaplan. E.: Kelley.
D Mason. B, Oggins, R.: Roi·
ltns, A. Shefftz. M : Stein. G
POLITICAL SCIENCE: Dept. Head:
Young. J .. Cohen. M.. Dekmej1an.
R., Ewing. B: Filley, W. Gra1ower.
R. Hakman. N.: Peterson. D.:
Shell. K.. Smit h. P, Ulc. O.; Wat
ntck M SOCIOLOGY: Dept. Head:
Beale. L . Casparis, J .. Farsoun,
S. Flint. J . Gyman. H.: Macho tka.
0 . Rehberg. R . Sampson. P .
Trow, D.
��Carol Bauer
Wendy Bauman
Robert Brogan
Robert Akland
Nancy Cabasin
Lorraine Bekar
Da.vid Bernstein
Judith Bernstein
Robert Bova
Marjorie Braham
�Peter Corens
John Cecconi
Harold Cohen
Joel Cohn
Janice Damski
Vicki Daub
Jeffrey Delin
David Diamond
Marsha Dick
Diane Dorfman
�Sandra Parker Dorr
Marilyn Foyt
Ira Edelman
Beniamin Erlitz
Ellen Frimerman
David Garber
Dorthy Fiarman
Richard Fino
Madeline Firetag
Allan Frank
�Roy Gordon
Andrew Grant
Mathew Greenwald
Kathleen Hart
Jeffrey Gordon
Patricia
Hastings
Ronald Grodevant
115
Bernard Grossberg
Norman Handler
Linda Hartman
�t:j
-Michael Hern
Robert Hirst
Kenneth Hausfather
Margaret Hayward
Gail Helmer
Neil Henry
1-16
Franklin Housten
Eric Hochstadt
Dorothy House
Irene Hrab
�Kathleen Krebs
Michaele Krotosky
Robert Kurtz, Jr.
Herbert Kaufman
Barry Kass
ldo Joseph Klear
Barry Kramer
Ida Lane
Robert Lebm.:in
Mrchdel Lebowrt1
J.f 7
�John McCabe
Richard Mason
Alan Lichstein
Beth Lowenstein
Linda Lyon
Barbara McCoy
Mary Ellen McGinnis
Robert McNeil
Ann McGovern
Rosemary Migliore
J
�Irving Reed
Kenneth Rich
Judy Ritchey
I
Fredric Miller
Inez Nichthauser
Larry Poelma
Allan Rockmael
Douglas Saxton
Cheryl Purvis
Robert Saunders
�John Schryver
Susan Schurmacher
Stanley Schantz
Margaret Slack
Karen Smallwood
Nita Seligman
Robert Sessions
Daniel Shanahan
150
Lois Shapiro
Gary Simons
�Nancy Stanley
Timothy Smith
Rodney S. Soltis
Jessica Steinfeld
Henry Stone
Carol Spector
Daniel Sussman
Kathleen Sykora
Justine Tzall
Art Umlas
�Glenn Utter
Jeffrey Wilkes
Patnc1a Valusek
Robert Wardwell
Jerold Yale
Gilroy Zuckerman
Madeline Webster
Wayne Webster
Nell Wilensky
Pamela Wolfson
�88/VJO~
:DJ~&ero~v
�\hnlhJ.tn' \ rthur
9J(J 'mthumlx:rland
\<.·ht.•Jlt'<.'l.td\
rtuu.:r Gc:orge
"9 1 Otx•,m \n·
\\'t•.. t f\hp ' '
,,
\l ,tth.
U.l~md.
.) '>ooth \ t un ~trrel
";herh11mt' '\ Y
\n t hropolc~· ·\lpha Phi Omt·J.:a
\ltm.m Jq z.1hn
10 llou..10;1 \ \'Cllllt.'
\ hddletown ')
J.i,l
B;.n11nan \\'t•nch
5.1-21 11Klth \t
Flmhin~ ().') \ '
\ nthrnpolc)f.!.\' \ \ oo<lro\' \\'11\on F1·1low\h1p '011\11Mtlon. J)t-ar1·,
l"t. \ ql"/ h.t,k«th.111. ,oftl>ill. field hock<''
Bd..M l .orrame
1113 >0th Stre«t
\\ 1tXl.. 1d·~ ' '
.-.,,,1nford
\I lW '>t
\ lt111;.m
l~Wl
Ot•itn°\
Rubert
llhtor\. DC",m' l.i\t. Scf"'\·1c·f•, for Youth Pn•\llll'nt. \ F ) \ uf'\t:n
"K:hoo£ Ch:unnan. <\111dt·nt Crnul\t•lor. ~:nwr kt•\· ( ommiltc.•t•
Brom. ' '
Bcn.1Jrntn .l·"
\mido11 Ele;u1or
201 \ llound1m
l.'l:l Ch.1pu1 ">t
Bmchanllon ' \
' \ t'"'·'P<"iua ' Y
Ct"nn.. n. P<·•l<.:t'
Btntlt•\' \\'dh;.un
ij()1(
7~
\ 111..{t.•nlKht Leonard
I I)() Parkd1c,tt.·r tld
T upp«r L.t~« "
Rronx fi2 ' \
B1nl1>f0, l)can·, U\t. ~·1al Ch.unn.i.n. <\ecrt.•tan. Prc..uk·nt of
Odc.m' Sc<-rc:tar\ Trca,urn and Pr...-..1dt•nt or l.S.C ( .. Colorn;d
Bt.·m,tcrn J),1v1J
CiOC> Th"\ .lilt'' Pla,...1 •
' cw )ork ' )
Ph1vc~. Sf Y
I \\tll tn1h· mi"' 1t. ft\.-
pit.~
I ,h,111 forget
flc.·n1\lt·m Judith
l:l 17 I Ith St
\ •It'll Bl.1k1·
109 tl,1rn">(:m \ H·nm·
Enditott ' '
Hak<·r Karen
.'3 21.; \\t• II
Bsookh11 ' '
Ua~t.·r
\>"'""' \)
Politic.ti \c·umc.·t•: Dt.:;.111\ J.1,t ..,.D.S.. Judiual ll<.''.tt'\\ B<xtrd
O'Connor Dorm Coun<:1I. Poht 1cal \ fT;.UT\ C:omm1ltct.'. l S.( ...
s I' \ .:
Pt•rfonned in the Rr, t Stt•ppm~ On-Tht-Ctx.11 C:t:r~rnoll\ .11 Jl.1rp11r
Billrnl,!COO C hde
"> 12 C.r,md \ vt.•
Bin~hamton ' C\\ Yori..
\l ,trih·n
Ill '>ull"''" lid
I 1tn111n~d.1le. ' \
Dt•ou1' l .l't, ' ewnltut C \uh \t'Cfl'l.1n ~.( B. "ioci..11 Comrmttrt~;
Dunn~ four vea~ of ma1onn~ 111 IH<Uh. innn~ llllllllw~ h;1\.·e grown
dt·.ir In"" h...irt 1.111 ~.1116. 2~1'>• •u1d e1pecialh C~'>12(\'>IJ
Blro..1rdc Jo..uuH_
•
~
\t..1<li..on ht•nut·
R;.1H·11. ' )
Eu~h..h
I ht'lcl the: do<c..t eq11i\·ale11t to the: t0alon, 111 tht· m.u11wr ol \1tne
Ht!'com1t~r
B.tld\\iu J<1111<''
HD I llor;in Rd
\ ·e,t.1.I , y
ll um~m1r1c ... \ l11,1c· I.>cJn·., I .1 ..t. Junior al\d S<>nior l lonor-. 111 m1Nc
\\ md En,t.·rnbk. Clttt• Cluh. Chrnr \ 'tt't· Pn.•,1dt·nt . Spnnit He\.11~
"fM1_ \l1.,.u:;1l D1n·<"tor), rat! Revue:. \1 11,1<. .tl Dtrt.·<.:tor
BaJ..~1111 Ehtrt'
152.) llt·nn ll u<hon
Bronx ' '
B,;m.'Omh
Rlo<.:J.. Elt•anor
I 17'1 '""' 12 St
Broold \'n ~t.·\\ York
Phi!o,opJl\ _ PnlitK.11 tx·1t•nte. ( J\11 Hicht' Cl11h, k.ldcnu<.· \ ffa11,
Comm1ttt•e, ' \ F
Block Jcronw
IOfiJ \ lartin Pl.u.·t.•
\ '11.llt\
"itr<·a111 \'
271~ \l.mlMttt•n D
Br)(:hllO\Kh John
Ii DJ\ ton \t
l·:ndwoll \;\
Phn1t·,
Joht1Vlll (
j MOC\
Barnt•, Rohert J
19.J Pc111hertv11 Bo,ttl
lloche-t« 22 \ \
R.trr C.eon:e
157 Bu~clo" Strt.'t't
B1ngha111ton ' \
It\
\ '
Honm.·v Chri,tin<.>
321\ Re<lmaplt• Dnw;• South
\\'ant.lt..ih ' "'
Englhh .tn<.I Ccm.•r;.1! l .itt.'r;.Hurc; o..... m"' L1 .. t D.mtt.' Croup. Spnn~
Re\'1t.•\\ (;m, .ind Dollv, () F ' ' ur-t•n S<.hool da,hr.ad Student
Co1111-.elor <:olonht St.lff 196..5• .rnd £cfitMi.tl lk>ard l 9fi6
U.omAcld 11.trve\
llitmptnn ht·nuC'
Sc:IWll('('tJJ_v ' '
~) I
tl.wcr (Mol
t).'lQ Vhtph.'<:rt.·'t Dnve
\ lkllmor« ' \
tl1'ton. l.>t.-.m·, l.1\t llonor Holl. lh,ton Cluh, Donn JudkMI
lloarcl Cha.1 rman
11<>,J Roherl
2:!9 Columbu\ \ \ t.·nue
Pc>rt ( he,tt·r ' \
�H1,tnn .Stud1·11t ( 1't11.'c.·111r . ~ _H."t' Prr,1clc.·nt ol I l.1rp11r ( 1l11·i.:t
Dt.·hatt· Socu.·t.\. Donn C.0tmc.:1I 1rc.l\t1r<·r, l111c.·t 11,tll C:mu1<·1l 'M.·c.·rt·
~ ( B (:om nut lee.• ( :o ( ·h,urrn.rn
\ldlt•r, I im·\\
oht~11
(
Rrt'HIJJ.rt \.J.rol
11 I J C..tnt~J \\ c..·nm·
Broll\ . ' '
I :uc.11,h .rnd ( .t·1wrnl l.1tc.·1,1tu1t.•: Jl.trp11r ( .otln~t· l).111<.c t:1oup
\pnt•i! lle\1t·\\ \L.1 Cluh.
J am proud I> .aruu>1111<c· d1.tl ~ftt·r 11111t loni: .mJ .trduou' ,c
rnc.·,tc:~ .at ll.a1pur Collc~t.· <J v·mt.·,lt.'I' on c·um jHo. HunL.t"<I out
ouc.·t• .rnd Olll." '>f.'111<-'lt't cm .1 c·ontr.u;t I 11.f.\ 1.· fmJI ' i:r.athMtt'd
lhuokh11 ' '
\c.)('1e,l11~\ t
Brt'\H't
J Peh'r
'onl.c.·" ' '
E.c.·011u111u:.,.. Cro,, (.ountn B,1,J..c.·tl,..U. l \ (. I .1lir.tn Corru111th.oe
t·~pt·m.·1u:c ,,111d~. for
th1.· mO\l p;1rt 1 nmld
ha'-c.' hc.·~·n <l•HH' \\ ithuul
tlUlnll'-
( ohn Jot'!
;!210 i'1d•out \\('
Bron~ ' '
Poht1(;.d "'K·1t'ln-t \1c.e l'rt-..iclt·ot lllld Puhhc Hd.t11tlC1' J)1n l•>r ul
\TO \kn", ~K·MI Cluh, ll1hmt·,.,. \ l ,111.11.:p of ( ·utoni.11 'C'"'· \ 1tt·
P11·,1c.lcnl ol Jt."\\ ,,)i Ft·llcm ,tup. lt·r1111' I t·.1111 <h1t·11t,1tmn \th ,,or,
I .1ll(;rdl -\rh ( 'ollc.•t:t lu·l1)\ OJ\t' fmd 00t'\('lf .md 1'111 ~l.ul I round
( oopl'r D.1,1<l
J
.)h ~·".trd l .. uw {,
<:hc.·,tc.-r P.1
1
1
\\l·,tlm" ' '
( lwm1,1n 111c."«llt.·11H 1191 ··p11•·11u-d' - 1 111.iclc 1t f.• Jd£1•1,011 \h"<.I
Dc.·J.11·, J 1,t 01a~11t1 ~X"1c.·t\ <.c.uc..r.11 \l.u1al.!1· r \\'H \I' \\I .md
\\I llH\ ~ \I \\ho\ \\ li•>lh \11u-rita11 l 111' 1 1,1111·'
~·hrv,c.·r anti I ht up tlll' C.hn,lJll,l\ ltt·t· 111 l1111r 196t Jlu 'Ulc.t'''
0£ ,lJn. t·ullt·~t.' Or\.!,illll.1.ltlllfl don 1111t It~• Ill lum It I" 11111. hut hm\
5\r;l('U"'t' ' '
C.ah.t'm ' anc.·\
IO \lien Ro.1J
lloc.·l.\lllc.• Ct•ntrc.· ' '
lh ... to~ l)t•J n\ 1.1\t , S.F \
l2 \l.u11 'it
J... irh1ocMxl ' '
llllmJmht'
~2.5 ~:,1',~~: 'b~,(
Bure.lid. 11~>\\.ard
209 11.t.tdwood \\1:nm·
\! ur-.<.•r\ \c:hool. Jntlh·i.11 Ho.nd
tht· 1x-oplt·
tlil \ht't'
ltl"ll
.5Y ._hiller \t
B111~h.unton ' '
{
(..unlu Ela.111t·
15'>1 (;,,., "
' r"
.ttt•
nm
l'dt
i.'">"5 'ttlu ..m,J \\1·
'orl. ' '
Pohl!< .11 \(·11·11tt..· l >c.·.111 s I 1...i I >t-owllt'J.fl ~"' 11'1\
\1111ttnt·r hJ,J..t'lh.111 tc.·.1111
'e"
I chdn'l t'.ll tht• 11m1t' \tJll
111l' droui;:ht 11,1, t•1uk·d~
E.ht \teado" ' '
Frt:nc.·h l .1tcrJtur1· r>orm ( nunnl, J11d1n.tl Bo.ire.I
(.Jna,.m Joan
n ... 01<1
.111 lht·m
22;1 1'111111\i I \t
n°'
0
:l('
\ _Ju
( 011kh11 (.uni
~~ f~':,'.~~,~~l'
(
llll' mmh ll('fcnt
11.J.l"pur
J I Cr.uad Rhd
B111c,hamto11 ' '
\c.·,,m.rn Cluh.
11.upur. an 1ntcn•,t111~
.11Mllll
1.10\d
litr\.
~-ort
' \
Fort John""'·
L1h•rJturt <,111d1·11t CQ\111 ... do1 ( .t·11trJI \ppdl.ttt· llt>.ml II .all J11d1
<:1.t l l\o.1rd .... \\ H \ Sport't<l.n Ch.urmun
IW\t'f l ·llllt'
\O
\'1l t'
Pn•,1d;·11t
I nt•\t•r lut"" \ldJ">l
Cro'h" I 1i,,d
P•~\I \1oh1l1· ( ourt
\1u.lac.h111 ' '
111,tur'
J),1Brc.•\u.1 To111
211 \\'r,t \1.ui1 '°"l
lla11t·x·l. 't·\\ YorL.
rn~h'11 .mcl ( ·l'nc.·ral I I(
1
Jl.td p1~tuu· t.llt·11I1,t \t'.tr "Ill "''ml prmt 111 m•.&r fu111u
1>.uu.. l..1 J.m11 t•
C..1,t Paul
RD I
llin~h.untou ' '
5 \'ill"'cr B< cJ
Hmh·u I h-11.~hh ' '
111,ton Dt·.rn·, 1.i ..1 '\hult·11t < oumc.·lor, \I ' 'ur.t·I\ "-hoot
('h.1ddod llnin·
l).uuloff \1llh.tcl
10fi \\'t,•\t \i.011 'l
End1l<>tl '\ \
En~lhh.
Jumo1 .u1d ~·n1~lt IJonor.. in
l·.u~li,h ,
">o>c.·1.11 loi<·a·nc·c: llcmor'
17 PatnUil ''
U111)!hamt1•t. ' \
'4:KU) ~;l('IHI'
tfrt•,hnrnn '. Chou
DA\ id ... 011 t..1·1111cth
10.1 JhJl.,.1d1· \\l'
Ch.ul•p \llan
llotfmJ.n \tn;t'l
F.lnur.& '\'
llt,trm·. '\'llhOt1.1l Hq> of Ddt.1 Phi Fp,ilnn
\fount \ t•mou ' '
J()l)
Fort'll,i)I "'H.'T\'l('C' fr,1
"'' (1~ <.'OOque ...\\, rm loo muc.h ... ~c·ntlt-111.dll to rnt.·ut1on lht·m
11.ur11.·
h'
Cht•rl..,mcr Oou~la'
111 Thornd1tf Ru..1c.I
k t·111111
ft• ,,
Cnlwn llamld
67 11 215 Strt'<'l
Ba,,idt· ' '
lh . . tun Pohr1t.dl "lc..1c.·11c."t"
J >..~~m\
11,t.
·tti"- Hrtithn'
4)
Jt.u1
' Ort 1 i'IHrU
IA'\\l,lClll ' '
l~·1tc:lu11.111 J .1111
1-t lO f...111)..(,Jmclcc.· \\1
Urnn.x ' )
p,Hholl•~\ l)t "" \ l l\I '.tn.ll\ l1.M~1.tll 'l"'Jl" f :Chtot (_If c'
IJ.:ml'lrt'.lll' \t11dt·nt ( .ouu~·lm
I n·mt·mhcr J..1111:kt·r, ill llu· f'oU11 \. th111 ic.t· ou J..,,L. I u·hc:nn.m,
n'lur c.·ommt·nt.11) ou tlu· r.&tlm, H1"t·11lx·rg't;, ''"" ,,,·.tk, Hmt·11
lwr~\ "ilo1t1·r numL .. j.!1\ltT(,". R1N·nl'f'n.~'
F'
.\c.lelph1 \ll"u' ""_x 1al ( loh 111ml I quit
'hll O\H~ Ille 3 Im.•. th r...t. I onc:T fod S)o11p\ d <.:..mh h..&r
l.1\'
Dc.:eriug
'j).';
(('0111'
l:>t·lm l<"lhr\
2h httf1~' l ..uw
�\l.tl.1\\.tll :'\'
"01 l.1!
l)u
~ 11 u~·i•
(Ju 111hlt\
\ntl1rn1>< 11 ~\
l11·IJ,\1lh1·\1n1lii11•'
I \t. >
l1\.1ll.1fr.1•ul
P1·11t11 le11nur1\,1l1.u.h.1
l·Jf,\\orlh
1l\ ' '
111~\
l~r,1 \trp111.·11
II th 111 "'
I' Jrt J~·J"\I' ' '
\It I ft,IOf\ l)t 311' f 1'1 f><1m1 ( (lUll(
\1111!1 111 ( 111l1•r Un ~ul ( !t unn.111
1 ( Ofl\<K.t(IOll\ ( '
>1nm1tll:'t•
l.X.'.tn
'Jo
l.1,1
\'n.1· l'rt·,1d1·11t .uul \t•nl't.tr\
111
\\111frr \\1·1·~1·1111 C.01111111l11~ (HOJ•'tllf'llll'l
l11t" C ,11, t.,P(' \dm1111,tr.tll'>n I' ~ml to I~ IHm aoc:r.1t1c. .uuJ
f>(''' 11 h111 th1' )H't 1,n·1 lrw• \I Q<,t of thou .1h\,I\ ... greet fll<"
C m11111t1t1·
u11d111~
llell1> 07.'> iJ..._91 ,.,..
Diel \l.ir.. tia
''
)I\ Pol1t1c.1l '°i<:ltl\l'I' n...u.~ I.ht l '\(, rt·pn·'t'nt.111\e ">i..·111<11
"'1 \ ( 111u111tlrt, "iF) 'ur't'f\ 'id1ool J11du.1.1I H1·\l«.''" Bn.trcl
111'1
fil'l ~·r
llw 111 ( rmi.d lu ~'T:utu.1lr I '"1'h thir-.t· th.11
full11\\ 1111· C.od,pc:c.·d \l\4"1. ( p.utlc. 1p.t11•d m tht• 111f.tmo11' ( oulhu
\\t \lnp pol1·1 1-!·lllll' f nr ntlwt pl.t\t•r w1· C'oloni't '6~
\I. Ifie
h
Prt•,1ek11t ol P111
J.Ulll''\
>rth 'ht It"\
Iii t• n
l>t.·:.ic .. 1 ht
">C~,..) Ou· 111 Pl"'
Brnol..hu ' '
Poht1c1l '°'1<:1t·11c-,· i'fL',11lt·nt ol l "I(, '"'JC.hth t"<htot of ( ol,u11.1\
'• "'· C olom.11 PIJH·r-- '''\' ' •rl "lt.111 h.11nu.111 or '·•tiou.11
'itHd1·11!
\"Ol'l.llloll
\
J' ()
(
1111 !I
l
Ji
Ill
~.ti I\.
.1hn
,.!Of- "t I\-.,,
llmo•h
I .n ·I
'l
,f, II
I
ll 111
f' 1rh\ \hra
IC 1l~_u11 T1:na<'t.!
h)O\ 1"11 't
rl1l"1llt
Bn~ If
I rllt1 lh111.unm
'i f <> "I( H. C.h.111111.m of C 1111pm Hd.1111111'\ C om1111tft.'(" P11hl11.1t\
'°
lwll1H... d
123 I 1ri. '-•
l>1.1111011d D.t\ld
'.\llh ' r1
(
lhnd1 nntou ''i
.:!Oi'; \\.tll.1t1· \\r
Bron\ ' '
1'11hl1<.1I "c.H'll(t·
1,I
l.?.t l'.trl \\t•
lhnJ.,.f1amlt•1 ' \
l'1IH< 1l "l<ll'11tt IN-1 .. 11'\t \\1),x1 l c:1m,,}up1101111nef l "'
ii uter c.ouumtti"\
h.n!1,
fll C r w.:L.1·r \\• 11111
1>1..•11 Miii (
John ;n (
l>t•.111' f
lnppJi-1, l\,lt <:olllol
'<
n~er-. ' \
IJu;:lt .. h dllll C.t.·111·r,11 I 1ti·r 1h111•
J l'lllht>r~ { .lr'\11
Hn 'ortllt'm Pb"
l 1l.un\1t·\\ \ )
~ >;.~~ 01~<;:~r ~,,. <-1
~ ldlltl.Ui Dc>rnt}l\
H1ri,'\(';t1r ' '
2.> h11ci.tll nd
1
J..1 rulLll l'l ' j
\nlhr •pol~ lk·.m \ I ."t '\tuc.J.•111 c.otm"tlor
f 1~l.u1 John
ltl D.1,111
l>.u1111lh
J
\\1
\1 ...1.11 ' '
1111
.:1'1 ll.C\1"\'\tft't"I
F1111
lh11~l1.1111l•..M1 , ,
Buh.ml
\ l1ho11 l"mnp1k1•
\l1ho11 ' '
llotto\,111 P.1ln<·1a
P11ht1t.1l
~·11·m·t.·
lhl' t111tlho111..,
ln1111.:tou ' '
I .u ~h,h .md ( .1·m•r.1l l 1trr.1t11n·
Firc·t.1!.!, \l,\dduw
IW1 I
l\'>trt t
Broo)khn \ )
~ \ F \
\,K"1r1I
l>11rfo111 l>ur
Ill) Ji.. or fi1
n1 m1 l'u ' '
'-K10l1
J). \11
1.J'I Jmlicul I~ ml, ( 1•11tral \ppd.ttc Ho.ml
J11thc11l H1
~"" 11 .ird '-·111 •1 "'t•\ I{( ml
\\ fh(" I''' •I tlic.· lo< ro,qf I
rndtLitlt I \\\,Ji lh<•'-t n)io
I "''" C,t)t.J,p1c:"ll
Judu 1.1.I
1~_..ml
1-'a..lu· ( harl1·,
't
II)\\
l<J'';°
't·\\ )
•r~ ' '
( 1111111,tr'
Fl.u1111 1:111·11
11 \1n111' Ho;.td
'iprutl.! \
.11!1·\ \ )
Fl111t Huh,1rtl
I Ch'l1 !Id
\onh" ' '
I lier \l.1r 111
..? < hur,h \t
' <.olf
I\1.am
1teral' trf'
I tarn
ro\ \ n
fUI ( OUC't:•nl ht
ltl I h 1 r
\\ 1111 .. 11;111 l'.1tl ' '
,.,,, bol~~ r~."'.ll1° l l~t )11 ..ll(t" ,f I <ht al H.t \1( \\ H ml I It ..h
ad\1-.0r J',Hho111'{\ ( h1h \k111.1I 1f,,,p11.,1' 1)11ntt·1.·t 'fudc.·11t
< "11M·lor 't·rb.tl It nurn~ '''JK"fll11l'11tc. \J· )
;l'\ }:d\\
LI
\\
\t. 1111
I
''
I
··~
"' H 111
li1111I
-fl (
uhh
mc11
\\t'IHI('
l 1 u1L..l111 "-1n.uc· ' \
"Ip 111i..h I 111
1.l!.:,t
1'111!torn H11l 11ul
lli!) Ill "I \\c
\\ t111t .... 1 Iii
\'
111d l ller.ttlm
I o\t \1.mh11
107 C.l1·1m.:1otl \\i
U111ch.1111t11u ' '
I h \ton, Dt'.111 ' I 1.. t l>.u1<.T C.11111p ( )rw11t.1t1on \dv1'111 I .\t'f. 11t1\ t
Ho.ml ~I· '\
~
r.ml \lll'n
71 J.a,t tJ1 "tnl't
�Hrool.hu '\\
\c.t J1111t111e, B11,111t ' I :d•r10lllll' \1.1tht 111.11 IC.\ ( 111 IHl't \ \ ,u,11\
l),1,di.111, IA·mdtt.·.111, "l)(•rl' 1..h.urm.u1
l 11·1111 111!.1 r lh-c·I H1111!,t111luu .uul ''' 1"" '\1t·.1~ u11I ( h.111t•\ ( l.trL..
.11111 m~ fn,I d.1" at 1l.1rp111 int.' htJ\LI' ''llli "\: Jt r ' trnl 1m
hrod r 1oru111.11t- \\ \!\\' "''t'l"<JO '1 \\\ m1h Ir
I 1.ml IA. Jll Ir
l lj Brool' \H
\, •l ol \\
''"\\llMlt ( luh lrt'.1,u1<·1 I \l ~:<td.lt\ 1.t11 \\ 111..
·rd11·,lr.1 l'ml ippl1
m fu~t ,, fnr 'pnni: He·\ u"
'°
1
( .oldman ( 1nl I \nu
lifl "'111111. "I
\1.1 ..... 1pt~I''·' l'•uL '\ )
ro·\ I llc·11
B10l1~\ 11.upnr \(·h11l.tr,l111' 1)1 1,1:1111 ''"''ll'I\ " tudrnl ( t'lll1•1
Ho..1 rcl 1'11hli1·1l\ ( ·1 .11mu 11. '°wTH !JI\ \ 111 f h.nnu.m I re .1 . . 1111·1
l I .u ll'
I 1\oh '\)
\\ H \
<
\ l.,1lum.1tu.'.
"'itutlrnl c.•nmwliJf
I< \I IJilc"'J
B •olh 1 \ \
I n ,h,fa •UJc <.1 neral I r ratuu
1·r1·1Ht. l>can' I 1,l
B1nlnt.~.'
l'l.11hlimKli ' \
J 1op haucl
(.0Mm.u1 H.ar
f"rt'1."tlio.u l'\ un1
\ le d"'\ 1..uu
'-lt111l1·nt
l1'l ..,,,11ih \\\
.?21 11•.:toluKI Bhd
f{"' u7 I rc.°'1•
I Ju,h111~ \\
~·11~,1.1t
< '•hu J ni.:,·n<
!!'m11,l,l1n. \I \
1 11111111~ '''1111 l1·.u11 lumr
1111,dni
( .oldm.rn f},l\ul
h \ I 11-c.·rh
\\1
I nd11, 11 '\\
1'1111urm,111 l'llc.·11
11 \l1m1' H r.;ltl
;f:::'~~ \allt' \ )
r.old·1t m I ra
I nl.t: \\01111c.·
I \I ll u~tin I uu·
c.oldm.u1 Jtff
1y,o ~ ., 't
Hr mlhn '\\
11 Pt•nn..,h.ima \\t
lhn '1.u 11011 \ \
\ \ 1 '-I f,IJp \ \
h1·11d1 'p.1111,h
( h,11r111.u1
De.111" 11. .1. Ii I \
1),11111 < Mme. 11. (.mm.ti
( .ole \\ ilh un
110 .!O 1 17 lit
I'm lm 11 t'\t 1t111c, \c.'.tr' .ll '\ l ' ) B
lh.111l \II, \ \ 11,011, 111\
lt•,ul1•1 I r,111~ Dohn1u.111. ''ho '"' n111 Ill\ t\\ 111 .md ~t.1u I 111tl1·11
kid " li n 1.. not tn\ utht·r rc1111111111.tt1
<.>1111·11, \ 1ll1c.•-. ''I
<••thtl I 1ur.1 lkrt.
IW u lfol~r H• ul
l'ha...u11\1ll<' \ )
<.ooc:l.. 1t \lm
I 11 '-trat~1 ltr
Bm~h.tmton '\)
J mi:tm;t10
I), au'
( •.11 mtl•J \ l..tr
1.21 "':>t11Jul1 \\I
I i"t
l>nnn (
JUU<
I '\I )
I r~m h ( lnh
111..r
Dt•au' I .1,t
1n
\)
( . .ul ,., J).1\ul
-,o~ "M.·1·h·' Hd
t .. ndu11 Jdfn\
t
lt'IJIUH
lhl1 l h Ii \\t·
\\1.u 11,1· \ )
1·'.tonomu " D1·.m', I 1.. 1 J hrnrn Holl l l m1uh 111I101w1111t·' l '-1 ( ,
llrprr~·nt.tl1\l· '-lh1tlc.·nt \fl .111" ( 111t1111t11·c \ 1 ult·mu \ff.ur"i C' 111
n11ll1·c l11t r.u1111r,11 fr,c:1tho1ll md h.1 ...dl.111
(.1rlm
\11
'11'1 ln1t.1111ur.1h Jail\\ 01~,hnp. \\111d 1 11101·111hl1
H<l\
l\I
, ..
\1
~r.xl..1\11
'\)
\ couutm• lkml'll'f'oln'VKtct\ l re:rnmr,l'u~1clenl 11.npur< 11
11 1 C t1111r \ I<'• prr,llk11t, \l1 n '< .)t'1· ( luh I mmr \ ;U,lh '91;'('C•r
'\\
\ I, \
\ )111 1'11" \ \
( -<"'> ,1.11lll\ I),
11.KI I
( •.ud11t \1111
llll Jdlt1'1•11 \t
\ P"'H\ B.t.'f har ( }-( .aptalll
J1 tn
Jh,! \lilK•\ \l
'"'"~J k"f11.1 ~ l'l ')
( .1·1.... tt·11
X"<"t
117 11 !<1 \\("
1im.Ju11
<.uu:r.11
\,1la111.mi
"'ih ,
<..JQtle1t l l1nmtta
n, Jd
ll1111t1U :I 11 '\ \
(,.tn1(" f{ I'
\
(. 1thf'lt "\.tr.1
11 r; B11i:f1\ Hd
Hrot1l..h11 ' )
J nt:.li'li 111d <.1 ru•rJ.I I 1tt 1 1!1111
'\,iul.
';2: ( l.tt1·11do11 J)r
( olonht
I >t_;tt1' I i...t Ord11-...11.1 '\ I \
I ii'>
\ .1ll t•\ \lrt'.1111 '\ \
B1ul1r,..r\ l">.·.u1' l.1,t
~
F ) l'\t•<u l l\t hoard
J,.,,,,fi
l't Jl,m ... lup
(.1,111f1nl• m l Rnlw:rt
161 \ 111h1·"t '\1t1 I
Brookh1 \\
(.uulcl ( .ouion
1'12 nul~e lh1<i
I udltN\1111 '\)
\mem u1 l f1...tor\ (,ohar<b
'-ll I 1d •c.. I' t\t"m ( mum fl
On(11t.tl11;u ~all
h1
'1mn•
hi
\ 11tlno1)j
<.u fil"'(h f\,xfne'
'J\ l.d..:e\\Jl1 r
B.t\port \ \
\\1
1.ra1 her < mt 1;
1\oo'J k nj '\\h 111 \\
i\llun
1
c.ra1 lic.r
(.1mht·1i.: H1·111.tul
111";" Duuchh Bhd
I i\\lt'll(I ' '
( ltc 1111 .. lr\ (}1•,111' ( 1,1, Prt:'1dt·nt of Jt'\' l"h l't•llcm,fup l 'rt·,ich•u
()I \111.1t1·m H.ulw c· tuh ">1·l r d.tr\ of H1111.!l1.u11 l)vrm < 1111.11~11
•,J \
1·,p.m\inn '1'1'111' to ht• cl•lOlllltl\! 11 upur to cl1'( lim 1
\ \
11.U
\-.,f) .._°'''" lton \\t
l\111mon ' \
'<11·11(1 ual \ I.1th 1·... , .. hol1~\
H.t\l11
lhnl•>f:\ { h1!1
\.1r,1h
<.r.ml \m.h t"''
\( 10 j tiJOM•I \\t.'
H1\frcl 11 '\\
llt.m ' 1 't
1 1•1 1111~ l111n1111111.tl"
\t•\\IJl,t.11 < li1!1
'"
�l'vlilltat 'xu·m,· Jt•\\l._,h Fc.·llo""h1p. J)onn ( ou11<11, \\ H \I\\ flH\\ h1\!)11tTr \llW)llll(('I rr.dlrc.: \t..11.1~er I rt".l\llft'r
\I 11.u,mr f1t>.iUllt.J tht" mt•.u11ni,: u( l}u krtn
lift C.od '' 1101 dt:acJ
\Ohc.'1"1, .. o \{lt1u-hoc.h ha' tn
'Ion '' Ill\
ltr
°111f1111 lt• """'
\h·rnd, ' \
\l·t.
Ln<hmw11 \.1xu l\
11111111..
111t
111,t cf0t-su I \\,ml to •1 I 111
11.ufnuu I .111d.1
~7 J 1,.)\l.J1 I llW Rd
l..tn<:a,tcr ' '
~"(1t·t.U"\ P11hh<1f\
"\01·1u1~>\!\ \lethodt\t ..,tudt 11 tdl(!"'h'I)
C'h,unu.111 \ 'oluntt"'·r .at 'it.lh llcr.p11.tl, l'111l opplt I', Lari\ 'M.•n1<.t'
'-.elf' int\. (:h.u1t>r \h·nihc.·r J.ncl \lumna "\t·t n:tan '-tudt nt ( ,0011\l'
lor Donn { ounul Ed11t.ll1u11.1l ( li.unn.111
(.rt·clil't·tl" lrt·nt"
lfarol<!, f.t\.
111~ 11 ~lu<:<'ll' Ulvd
I"' \\ t~trn111,frr Ho.tJ
Hod,,·1llt· (
t'Hlfc ' \
\rt 111,lor\., l..l.:dn\ L1't
Ko.mJ ~·<:rd.an.·
( oloni,11 '~"''' Durm ( rnmul. J11du.MI
(.rt·t·ulwr~ R1c·ho&rcl
~ f),,,·1d Court
(.lrf1l'O"'' ' )
rme\t Jl11t.. ' \
l3inl1))..'\. IX,111\ I 1,t Pro<·tor. B.md. Or<hr,tr.1. l).uRt' H,md.
Jfn,pilal \"olu111t"f'r Pn ...1tl1·n1 of tl11· 1-\ronnu Dru111 ( ou11<·1l, luh'r
drmn ( uum:1) Jt·\1.1,h Ft'llo\H!11 p
l.1tt·raturc
llMt K.Hhlt.•t-n
l'HI (),tcrlitl'
( ~tt'('UWdld
\(.hcnlx·tJ<h ' \
\nthropoloi~,. Dean\ I hi ~t·mor Conunlth'C. Prt·,1tlt:11t of tht•
\fattht•\\
''"" )url \)
"'°~1olnt.:\
rt·p. \HT
l)t·.m' l.1\t
l\\l(l"
111
Pn•,iclc·nt of \TO ( '
fn\\
.1;
111
l)orm ( oorn:ll flc,.ir
..11tf
C.tt'i,!0111 H 1u.1ld
12 "w.tulln ''
Huu~h.untoo \)
lf.1,tm!!' Palnu.t
\oc;1ol~
ff"fl , ,
J Jim~ou C.,,,
't'\\llMH (
luh,
19 Ran,orn
~"lfddr\
of
c.h.1ptt·r ,)t
'iDS. (
hamn.m ol c ... 11 H1 :,ht'
cont-
\11·111ht·r •I ,.1tiou.1I
Youne, Pt·opl1•' 'i·1C,.1.1l1,I I ~.1·~111
I l.1rp111 .. t.uicl.. ,1t u c.·ro''·ruJth 1t '' 1t-ud11u: tu ht't 1111t.· u houu.:
for tilt' 111·rvt'lt'"· "<tlwn,Ht"<f" 1N:mlo 1t1tt'llt•<:t11.1I, or 1t <.111 ht•
<"'m1~· ,1 tnit· pt:oplt··, u111\t·r,1t\
I .wcut1\.t' ( oinmlltrt"'
\\e1111(!
I IJ.11,f.i.ther Kt•rn•eth
1-;q \\.t!'-fm Pla<."f
Frt·t·port ' \
11,,,.e, \lu.:t:'
I \nhlc\ Ro.id
C:n"' BPt:rh
B111\!h;.tmton \ '
l2N:l ,o,trJnd ht·n1u-
I fa\ ward \for{!.arC'I
';':l B.i.uhidt• Dt1\t'
Centerport ' )
\fl('lt.'111 lf1,lon <.1rl Sc:<mt Lt'.Hkl
l"rn11,1>0rtation ( ,011111utke;
1
~t.md "' tht• Fifth \1111·11d111t•nt
Broolh11 ' '
I 1t1·1.1t11rt•. l":,\11, l.1...1 Frc.·,Jin1.111 l lotwr... Jt1dtc.·1,1I Bn.11d, <.c.·11tr.1l
\ppl'l11h· li1Mrd. sen. l \(;. SI·\ llHr'l'I\ \thool .uul luton.11. llu
m.m1ll('' Hc•\U.'\\ Dorm Co11rn:1l, ( ,mll\.tl 11.upur l'ollw' f).wu·
\\ orl.Jlop. Colvm.tl ' t:'"'
"'()1H' ~c·nt.•rJllOn JM'wth ·'"·'' .uul .111otlw1 l!;t·m·r.. 11011 t't>111dl1 hur
l:c.d1·'1.1'tt·s 1 i
th1· t.uth .1h1ddh for t'\f·r
(,u"'l~ ·rc:
H1·m.ml
"\horc: Pl"'
lhoc·lh11 ' '
'1)1,.ll)lo\,"'
JJ ,,,p1tal \ohu1tt"<·r
\l(f.'\\t'lld ' '
< luh. \\ 1lli.1111 I .. \hxm.·
)I.JO.)
"\t,lh'
\tmlm \r1
\\ 10'·'" \ \
Dr.m \ lJ\I,
Oean' l.1,t.
ll.1.th.1\1..l\ \rmf'
c:nth1li l'.tul
21 l'.uk "
l.<'flllOlllll'I
'MJrr>tll\,
l Imm-. tlu- rnt:jnHI~ of tht· mud .md c-hu l..t·n JO~t· .md tht· 't."t'fd
Qf \1,ldJmt• Fiti' I Jho h,1\1• t1u· vuh 100111111ah \\ho t.1lt'' 3
houf'\ I \\I to fl \\t to dt"<'<,r.tlt: .t C"hn,tm.h ht·e c O\t \ti·' TS
FH0\1 .\ FRIF\D lX·•.r tl.1rh <iml g1·ntl1· J>c1>plt ,,J, h't md
loH· 1n our homt· lO\\ll 7 \\l'' .2 10 tt nr\\ 1
>I Crocl.t•r \\t."
John'°'' C1h ' \
C.ri·,lo ( .trnl
.?.'"i \\
~;rY1te
(,1rl\,
;2J.,J0 \tmTI' \vc
\\'t'
\ .tf'll\ 8.-t,J..dbdll rc-.m1. Frt·,)1m.u1 Hrpu 't°l1t.HI\(' to
,,(. \dt·lph1
h h,l\ hn:n a 11ut·,tw11 of Bill and Bt .tr' 11
\\H \ fl('ld hcKkc·\
..,(
n
Jk1(t ll' .\rthur
Ui i1 .2JS \trec-t
0
ll,t\\ldl· , ,
F111!,h'h and C~t·1wr.tl I 1h·r.Hllft·
ll1·l111t·r (..,ul
)..l ~trt-ct
Bruolh11 ' )
ht~
f11,lor\
(,11)
111.tll "\fr\Cll
l J>~f F4"t 10 I "''
Hroukhn ' \
(.111"\\111' \dr•1n
'>I lhllto1> lid
Lc \lll1J\\U ' '
1111)0,nilh\
0
(;U,t.tl\<ltl j;.t10t.'\
HD 2
.um·,to" n ' )
!1'110,oph\
ll.0111110.ul D,l•.ad
to) Thurlwr ..,trt."t't
''<nr,1< "'~· ' \
11.tndlt•r ' on11a.n
.?~ \1h c·r Bud1
lfr11J"\ 't·il
lfi \\ illim l)m.e
'• \\ R0<:hdle ' )
Pohllt.11 Xumce. l)r.t~on ~Xlt'I\, ~udt•nt \t.,1'h<41 Jt J<bt, l!r.tdud
hon \\11ih1t:~ .md Di~rn.111 Pm~ Pou~ ( h.1111p1nn, l ~C loci \' P
1,t ,. P
\\ 'h1tth.'\
Dorm Ht·p ( h.urm.ui .mtl 111t·111l)4.:r
•11 \.lnnu'
l'Omuutte~·,
1· <. \t nwrnht·r fl,t\'-thnrnc· Uft"t·t Ht·'t"1rd1 C.rnup.
Pn·,1d«11t ' ( ·lflUIH\."1J1 111 ~111 \tuclt·nl 1.111·. I" \l l'rt"1dn1I "'ltutlt·ttt
<..otm~lor
11.i.rpur f'ullu·'· lntr.tmHrJI 'JlC>rh
II D 11 L " o I \ ' S. I. I I\ \\ ·1 I. T ll \I TI I' \1 0 \ F.
Furtht'm\ort-. I lntl\' lwhl•\t' t)u, .mcl \\rmlcl 1uh1w .111 11.trpur
'tud,.:nh to follo\\ 'tut
I h-rni.m LmcLt
1112 l...1kc.-.h,1rt.· Dn' .,.
\l;;t",lJ>t..'11\IJ. ' \
llt·m \li (.·h.wl
791 H1111Nl11 Rd
llo1.·ht•,tt•r \)
�F.-t ..1 \mor.1 ' '
Fn .. h...h .111d (.ctwrnl l.Jtt·r.1h11t
llrroltl Jul111
hO';" I ,,fl\\Ood l>n\t.'
Hmm·''
lng1,1h.m1 Hoht·11
lli llt•r R.trh.u.1
\(> ( ht·11.tni,:.n
11 IJ1 ..k '-It
lnhu,un ( 1h ' )
Crt·
Ill' ' '
\t
\rt JJi,tnn
J•k..1 n.• "d
Jhllt•r (.t'f)f\.!t'
u I 1i..J.. ""'' ·t
J•th<w1 111-t~hh ' \
ll ltl 'II \t
( ..ul
Joho
f<,ol11l\!)fl ( 11\ , ,
l l\.rn1:kc.·rlw:,..:lr1
)~,,thl)lo1~
Pl.Ull\ll'\\ , ,
lhrw \rtluu
Joh11'4 II l1nt•ph
i;cu t ·1111•'I""' Hil
nn = 1
1\1011\. \ '
c·olt·nM11 Hd
\nthropol- "'-."
)
lltui,!h.1111lo11. '
lli"'t n1)hc~1t
11'°1 tJC) 'lrcl \'11l\t'" GarcJt.11, ' '
J1•w..
\t·t·o1mtm~. lh~h 1101101
th:nt of D1·11wlrt·.111 \onc·t'
.uul tlw u......t 111 h.1
Holl. \\ ooclrm\ \\ 11... m \n111111c"I•. Prr,1
'-IF) . l "(, H'ft. \\Oil lk.t't 111 lk.wh
h.1·1th
lfU r.ui, l)n't'
l'tlt.1 ' '
Ph1lmoph\
"'ili..)01-n
Jnrlu" ,l_,
t'H"r
9IO l'n·udt·n:,.c't
tor l "'i(. Pit 'u.h ·ut l ......,, tht· "'m111h ht·lllt.:. rn.ulc \\ h.lt
happt·ru-,1 to tht• t:ir1 \\ho nurrir' for h,,, .., I htx<111 t' ' ' 1rt
\u-..u
J.ltll(',t0\\11 , ,
I ll.1d1k B.trh.u"
.!2 \ 'alh.11!.1 Pl.u:c;
\ .1lhalla ' \
l\.,lt·' C.n.tld
2oi I .(·.. tn \H
1·>hll
llo,1dlc' l ..·or.1
72 ( ·it:vd,rnd \' t'
..... pl.111
Jill
Hrot1\ ' '
I hk h,t.1dt Ertl
hl.? \n:,1< Hn..id
Brnolln1 ')
Lc.oiiom1t·'· ( ·h,1imtan uf \kn', lutt·rdmm (~•until. nh·1nl~1 of
"i( B. Ch.111m.m C.lmpu' Hd"t'on' < omnulh"t• mt·mber of '4:>c.1al
( omm1tlt-.• and Tr.u"port.thn11 ( omnHllt't lntrotmm.tl "1ftlldll
.uni footlull
I ) t·•-. T 111 h-<l<h \ hrnlhrr' 'l'I' l'H'>-1 C·010111,l 2 I t .urn..• to
tlu .. '-<.'hool ''t·,111nl!, ~1.1 ....1·.. fo1 f.tr,1~htt•dn1 '.' I k.t\t· "'"''tni!
l.t'•'t'' n• 1\\ l"·cau't I rn a' 11t·otr..1i:,htrtl .t' " : ·.tl <>H l I l11td1
lnl..<"<.f to ( 111.tch dunu~ tht• y,. 1f'I hhu.lfcl of l(Jh~. 11 tcw)L 10
hour. to ~t·t tht·rt· antf 10 hour" t·) ~ 1111t· h.tt l.. rmni Bulf.tlo to
B1111.!h,unto11 1" thC' FHll' I \( h. \ \\ \ ' \ \
I lornwit.1 J.uu-l
-f;t; Urnd' ,,,.
Brom ' '
Fnc.h,h . Junior I lc:>no" 111 Enl!,li,h, 'K·11w1 llo11oi" Pto!.!r.un llnum
Holl.
')
llh"i \\'1)"111 hi
H111t.:_h;)mlo11 ' )
I l't, \lur1.?1·11 1~·c11uu
1t11Ch nkht /II [n1h'
Dt•.111,
\'t'C l l'
0
Ml ( 11"
1d1 t'lll nNw'
l..t·ht·11
.thc:r
f1w.1t1·t I 1ltr.1turt· l'>ic.·;in) l.J,l, 1111111r Holl, (,nt"IM Dr,1 ~11
( .,1. 1111.tl l').t,t·r' D.1nu· <.rcmp. Ski ( luh "'pr111 Ht·"u· I •II
Hc.·\11t· Follit...
\h1tt·
·nw
h..1pht.1 l\oht_·rt
NCXl K.ult•\ ht
Broll\ ' ' \\ H IF \\!IHI\ F\I
f>,Hhnl<>.:'
~i'Jb,. 't~i~~.~t:~·, ,1
1
'('\\ '\nrl
Fm~Ji,lt
'°'
.wcl C1·1w1.tl I it n.1tur1·
~ ·''' l\.un
IZO ll<•lc·fl '>t
\\ c ..t l\;1h\ tun ' '
\nthrnpolc-,..." I ~ .m·, I 1,t
'-i
10. 11,ul'IUI H1·,111·
t..:.1 ' "'if1rfl
lf).11 H.l\ P.\t~\\,I\
llmu: Jom1·t
Brookh.1t ' )
I l'i h.1111h,1ll Ho.ld
\t•,l.t1 , ,
Fn..'tKh. Dt"m·, I f\t
Om· of th1· nn~nal '"ku1p ''°'lll)c,·r
1':~hlt'll \<-th
.,;; 11 l'•I \Ito \t
11,,1h , ,
\lm1l· orc..1u , Dt•.ui' I l\t,
"\\'h.11 (·.111 I,,,, >"
lfim,t· l)nrotli\
10'} l.,11h11f'\I ht·
' ' - i\f.i('ll\t
Collr~1uri. \111,11 nrn ,
h..ttlm '-111'-4.11 \1tl"
11 \l.m.' "itn·d
11011,ton 1·r.mllm
.?Ol C'hapm.m
Bloo111ht·ld 'I
Fui.!h'h .111d (;n1n'.1l l .1tN.ll1111
PIJC't'
IJ1111r.l ' '
\n mmt 1111:.. "t( B \\ mh·r •.md \pnn~ \\ t•c:k1·ncl ConnmUtT.
11.Hpnr ( 0U1·c1· "' .t.. cncJtl fm 111r. I lt·.mu"tl
I "''' onh
11.ll't'
ll rJ.h ln.•1u·
111 R()o\,("\ t•h \ ""
C.1rt•rt·t ' J
Jh, tor'
hnr\h.
''
'"'t•ll"\
hdort.•
(
llU\\ f1u
·~ t'\lllt
.t
lol .1hou1 hfo
J\.u1f111.t11 llnl
rt
II BnKhtou \t
f\r<w:1kh11 r; ' '
h. ellu u1 'itt·\t·u
l.~h \\t•Ollt• \l
Rrool..h11 ' '
t:1u.:,h'h .rnd (,f·1wr,tl l.1t .• C.r;1.11tt"<i Juiuoi llonor' \t·u1'.11 ll nunr
Prr)Cr.un. Pw ..1<l(•11t H.1rpur C h.t/'llt:r l}·lt.1 \1gm.t Hho I .m h.a_pJM
\lp1u1• Dean·, I l'l, Jlouor Hnl Editor 111 C:hwf ll~q>ur Ht.•\ ll'\\.
cltnl
I nm
Pr ,.. 1 Lditor ( lart-ndon. D1:h.1lt' "' tt·t Tt·•
"'t
�f•uhht:al li"Mt' Hoard
\11111d1 h ,1 "IC' tr
c.lot •
"1(1nl1l1.t_\
tli'Hllt
~enl
c
.~od
I rr
.11111
~ t
~IHllllllt't
t
lf.11p1"'
Ilic- \\ ,,,.
J.ll!U'i
I.!! I- Jtq
m \\
't
H1
k"an 1t"n
Hnad
~1 •n!Of~
\( I\
\Ht: ( h.111111.u1
"'1roflh "er' JCt' ( h.;1.trnau
lc.1<"lrl.111W11n
\ct.:oonl m~ nu"lllt"'"
l..1l..o1\I\...
ljl!W> (
~It 1J1 \l.n\..
Cc
lorn ti Pl 1\r t..,
(.tr..,.
'w·o llt
\l.11.,'hll...
\lrrc.l
JUrt
t II< l ' '
Ii.!"' I 1,t .?.Ith \
!Ir kh
I'\
C l1c.'1111''" I~ 111
~~!~:t"cJ~;;~·H~~\I! ;I': Jl~I;: ~t~~~~lll~ ~~1:::~111111~ 11 till
I \t \
="lh
Ci:- ... (our.I') Ira ).. h.un
·111 I \
I 1111 1111011, 1·t..u1
lJ .... f-hTI\\
\\("OUC"
111 ( I ' \
khn1,!c•J 'l1·p~lt'll
1J; IA ff, rh \\If"
Hruol..hu ' '
I 1~twr H d
""nn(':t. ' \
\I.1th I"' HI .. f.1,t \\ R \
.r 111d ( mc'Our't
'ti~,,
C.t111•1.1l
I ttn.1tm1•
lluold
S.i J J.u i..~~···
1
'"ul \\
C.11!1 ucJs \1r H"'
( 11\...e 'm1.Jr•1K'
111r <
'('"
\.UI(\
!\•Hiii~
1 ht'
'
I hn011t ' \
'hlf'!"ll\ \ \
I 11cl1..h .uul
'irl• Ill\ ll.1IJ 1'1· (
~)(1 d lL:lt:tl
\111f!'m. Ill , , 11
~.? 'It rlmt?
l"<:
l\,t.u hlo
'h lfi i I \trc."• l
l\l1ha1J
H1
l,.u.l .ind"-'• a
t: nu
llllll()rtt\ t.:,T )HP'
ollct?<"
J\:J)l.t
tl\1
t\:.athn11
H "l9\\
l\cKfu.,tc-1 \)
1~t ( )1,1u111.111
l
"•mt'<ia\ 111
111111011 .t111,;.tl111i.1
hO
f), ,1r1 ">
"'( B \\ mt•·r uul \prmi: \\ ~ d.t nd C muutlt:
X:t 1111'"1~ 1~ 1t~l
, Hf·l11Kl.1 ( Ottft
\mth n.1h\lo11 , ,
ru..:h.J1 I Lii .llur J•1t1mJlljm llt-m .. 1 t
\II th "·rid
(Ml f ..b.ul
\ I llK' cth <.11th n 'I
I \.rile
1111) 2
,,n,
'•r.111~.1
'P"'"'!" \ \
\\,.,, ll11111hlt
B1olog'.\ l)tan' I 1,! \4r H) 11.u.~ ( ha1rn1a11 11111 ( i1Uh\ll ""K
< h.urru u1 '( H ( ., ( 11 un m ot \\ rnlt·r \\ l'd,1·1.d JI)()( '1n111~
\\ N•lc·11d }tJfl(1 .111d \11111nu·1 \\ tTkt·11cl lt)hh
l11uil \uo lc1 \l1ttlwtl lr111 \l)C) ()11(.tt.1 ( amluul~c ( 11111\ and
\I ~
~nu11
l,a\\\.OO l>1an
l~h 21.l \ Hcl
( ~Ul.l'tflt.t. '
.!
\
l..i: dnnl.ln .._fT 11
!JI
B.11t111.111 'itr1·t'l
\1011111 \1nnon ' \
t·i \tt-plwn
ll-. (di.rt\ ht
B1ol0<~
Hr•· ·lhn ' '
1A'htn.tn. H·:>IM.·rl
I 11~!1 ..ti Jtt111 r ll11uu1
( t·.1tu11· I l>tlof nf ( \
l'1wlf\ hl1tm nf
( 'l.ut•nclon. 11.U'J>llr He\ I("\\. \tutlt•fll l'11hh<-.tl101 no.ucl llllf'll
cl·
~
I "
11
n.
Dta!!l•ll '°Klt'h
tn ... l.i\t l \(, l~t·p arid
1·1f't \ ·Ju: Prt·,11knt \mm~ H1·p11hh,.rn, l'rt·,1dc·nt J1·""h r,·111,,,
0
'-~ n
l\01111l Burt
: 1~,H~:t:: .1~ ' \
11
l\raJIH'f
"'7 J)i\'l'.,UHI \lrt•t'I
\111..,hrd.un ' \
l't)l1t1c.\I \(.1rm1.
l\;trr\
,fup C:t'rlll<lll ( !uh
I c.rn't·d th(' ...u·ult\ \c..·11alt' lo lllt't I h\Jc.·c· 111 ow• tln I 1/1111
l 'C. "llPl"'lrte<l I> D11c:l.. l1u l'n .. ul1~111 "·" re (•kxtt-cl t 1t'11
1 11;
tt-.:1 I 1nl \ 1< 1 Pr1·-.1dt nt
.21.J...,. I.am
l.e!') O\\Jlt
\I
111 u1-
\q ue
' " ' ( 11 ' '
I li...tof\ I >r.tl:1lll "•o(.'lt'I\ f)t.,m, I J't t'I<
l'lw ( ' I lllor 111
C }ud \ \(, \ 111 al \tml111t ''"-.1.1tio11 C os1111tlt C ~ ~•rma11
HJ.t.('i\tii 1t•11
lC'
l11tramur.th
Cl11t' ''t:•·J.. .1ltt
111t·n11~ t' .1 £11..J1111.111 I \\rot< 1 fooh .. h lt·th·r
1l)lutt l'1(hh., \\ 1lr.1• \\huh\\'" 111.1l1<11•ml\ t>thtt>tl I" \111h B··ri.:,
nun ''"' 11...11lt I \\a~ L..1tln.1ppc."<I \\Ith l'.-111.• ( ortr" I' ( ultJ
' ) 11100\t t~al thl· l1dn 1ppc.•r\ l-..1 L.. to .1mpu.., 111111 h.ul t.' 10111
B.u·c.1<.11 .me.I IMLiHtlt' c·c.litor 11! tlw ( ' to '111ch1.tl1 111\\f•lf
l·Ju,hm1..:,, ' \
P1>l1tK.ll \i:'H"lll't
l\rt"f.,... k.t.thlttn
If l1lc.Al '°)I
\l.t ......('lt.t
\'
l\tt"lll
lllt
)ti1 II
\\ 1111('
1 h ,
I
I,.·)\,
\1.1h
i
d
n
tv.IMKI \\t'llllt'
\)
nil
IA t IU. \1
2l10 H,u\...1·r h1·111w
t'r1111\ \ )
IA hll'r \h,rri
1r1On111 \ve11111·
Hroo\...l\11 ' ' \
1.ns:,h'h IJtc.-raturt
1·111 ..}11111 ' '
l1•\11w.J.i1w l
~fl.f. ~
~I k II tld
41 lq I hrJ' 1 l>m ,.
H111c,h.unl 1u ' \
lc <'lllllt.:'
27 Hck~.t\\~\ Tumpt\...1
I ,a\\lt'fl«" ' '
'11ou11.J1 I .. 1ni:;11.t~c.· .md l .1h'r.tturc.· Di·.111 ·.., J.1.,I J11c.lu:1,1l he.·\ u·\\
l~urcl H1•(1wlt·r .111d \t.·ouir J11,IJ<·t· l "IC: Hrp \e:·lf
Ht'\! D(>flll
11~11 ( (MIO(I) ( a(t•tl•rl.J. ( OIOJJlltlt'C'
l\rot
l1,. \1wh.u:lc
).lll ll
\'\tlll1t
Hr"'lhn \\
\'OU ...i1~.1rt"tl \1th•...,
th.it 111h.th1t tlir prott·dl't' \\,tll of 1 toll1·.t.:1•
c.:<>rnpl.1111 of \our hu1d1·11 1
\r,• \OU \0 ''C1l 1h.1t \:Ml C1lf10()l ("::trn a ptblilt'
( >h
\1.>ll
�I.um\
lt•\1111
Hrnn\ ' '
11tJ \\.ti! ,,,, .-1
'I• pl· lll
IA'\ll '
21 \It
'it
lt
~roll\
lll\1
')
J f1,ton Dra11' I J'l "'illulrnt ( oun,c·li r ,,.," 11
l 'luli \Kt l'n_•,1d•·nt l~mu < ount. 11 \1h 1,
r Ho..ul
'Jf,l..tr.. ' '
( htUU
\la~111m'' I •·1~h
11;1 1.t.m dl Road
\l,u~lt(1rt' Ho,t·111.1r\
l'J"l} \luluwr \\t'l;m·
J··1~tth•m
U.; Br m'
l .1,t
Id
\l,ttlw111.lt1<'
(,t•\\
~ " I 1f'."llll'I \J..,.11, Juclo 1.al Hl'\1t'\\ Ho.ml
( .<h-rM C omn11tlt'f' C' \ol1111htr "1tl.. 1
~Ill hJ.mlon 'I.ill' \l1111.tl 11. 'llllrtl
Ill ..
\IC> t~w<>ul.nt
"'4.ht'lll'(f,l(h , ,
''
\\h.t11\
n.
H1ol1~\
l lll 1 ' \
PIH'"- 1>.: ..m,11,t P1c."'1tlt·11tand lrta,uu·ol "'ilO \ltnlili"'lt1.1I
( luh Om t.tl!Oll \i.h 1""-H ·1t11111' Ir 1111 Ord1t'I r J.. \\ md I 11.,~:111hlt
f< 1>'1111<.'
u1 (
luh I h'ton
\l.1horu' l>.uut·I
I l <,Jt1·t1\\,l\ Tt·rr.«.'t
tn
I u.h•hll \
i!97<J \1.tfl I
Fnte't lhlh ' '
•11
otfll lll
\\l"llllt'
lln111\. ' \
\l.11111' \\ 11li.un
,I Fr.mll111 "\llrt•t
\I d<llt'lm\TI ' '
l.1tk )11h11
IN (.1.trnl
\\t•11u1
')
P1·ul H1''
I 1K1t 11fr
,!J.jt"j
1:-..1,t
"\l,
"\ft,
'i9th
El111l1111, ' '
D1·m
( h1·1111,tn
of du· Otlt· 111
\I 1111 '11 lllllt
..._ 11 \1"1 .... ,
f n"I 11111 ' )
t,.,
t ''I lrt.1,11tt·r. \u1 Ptt-...1dt:nt
"\F\ lnlot
u1d l'rt-..1dt•11t
'illt:1t•l\
t.1,1 l>.i\\d
lOI 0.1l 11111 \\<·
Lmh 1H ' '
( hr\(
_•l W
).J\I
\1.1ri:"11h' \1.mhn
1't•\\ Fort·'t t uw
J'nr1·,t lhll' ' '
P"c holi1i.:;\ lh.•.\n\ I 1,I p,,tJ1oln~' l:th ·l"l't.rnt p,Hholo!!'
( lnl• "\I' tulot hie ,1,tr1 '-l..1timl.I\ prn{:.111111 J1•\\1,li I t:llm"lllp
lX-111"r1!1 I 1ht·r.tl ( luh Lwlwo tt Omtl 1 luor ' 11h111.i1.I < luh
-~ti
lrc1~111·r
I \\fO tn Lndu ntl h.1"\l rm ut \\ hc:-n It '.inL.
It
HD \liller lld
\br,h.tll
}r..t• 1t
\tH'l<
''"'h 11.
"
Lod.. 11dc.1 1110111.1,
HD l lhq·r 1111
\l,,",.1 Hu h.11d
HD 1 < .tllr11\ I hll
( .1,tldo11 11 lliul" 1. ' )
rud1('f'Jtt ' \
\l.11~\ ' '
\u·o111H111J: l),_,111' I
l.1k·\\1.. .1t.111 lkth
( ..111<'\ llrll II< rd
( 1ulddl.lt "-' 1111· ' \
\\11•> 111
'K.11·11t'<' Tft·au·, J..'l,f 1>1.11..,. 1 "\.ic:·1t'l' \\'hi
\m1·m..111 l 111'1 r'ttu·'· :!ml\ 11 fll t ·,c: \'u:t ( h.mrn.111 "i( H Pu"'.\1
Poltt11..•1I
<knt Johmnn 11.tll. Prt•,ult·nt J)\•l.t\\.trt' II.ill. l"n .. f'llll'I lt·\\1,h
l-"'t•llo\\,J11p. fln·,idt·nt \\01111·11·, Jut 111111 ( 0111u:1l. I'\\ l \< ' ' \
dt.•<. llOH\, l'oh'll,,'TI "'it11dt•1th \t·1111>r ( 01111Ullh;t•. ( 011111111111( llUlfl\
( om1111llt't' C'h,ur111.111 o! l .tll ()rwut.111011 1966, \\1111t·r \\r1·L1·1ul
<.011u111ttt·r "'p1111g \\tTkrml ( om1111llt't, lr.u.I.. 1:.un
1
l1\1lu' 111 )1.1rhool \ 1 l11tcrn.11ional ll.111
h,1 ol
I .1111
"ru
l1111tt~
1f llu onh pc..'C>plt" to""' .m .aU c.unpth l ")(, dt 11••1
't1<l11r,t·mt•nt l 1lta'l' d· 11 t tat th1 11.U\11' I \\tlll
\011 h,1\1 I•
1~t
\l.tttht...,, lfarnd
I L!O <,, ( •n1oour~·
Brom ' )
'P Ull'h Dc.m' IJ ..t 'if') l11ton11~ J11d1<.i.1I Board n.1th.1
\I.um I '"' n·11c·1
V-.1 \<Jl.i1n•1·t
B1,,u~h11 ' '
l'"dt•
\u~
\\ t·11t f1
el ,11
l
1ni
rKh y11011
°'cM.H h
1•1 4 o1ho11 to (), .,.11 ~ I "' h\ l ' ' a 1'111t: 'rnuln 'JHflh,
,,. <'t.'dt· m;1li,, 01m11.1 m\ll •Hltur, no .. d mutumur in
illi,
\\lllioul ( '
'" 'lr.th~ht tnu·,1<'1' tnd h.1p1>(11 to lilt• lhrpur II
<Ill
I
'P
tht· untkrlmttl
11
t)lll''
.art· 111•1'1 1rnpcltt.111t
l..n11c J.., Holwrt
l'.t.·tlfHllHH '· 'ino\\ ~ ulphut•
;2J").I I ltul\(NI 'ii
'-IH,lt'U't' ' )
( •l"<>l
1~
)}.
Ill'
J \\ ''
r .,t \ ,\f°'ll\
l"r.H I..
I 1·.uu. FtM'Jtl 11!
,~,L.t'lh.111
( 'H1lt·'t
'i\\,llllP
l11tra111m,1I loollMll
'to111pc.·r'
\Id m Barf 1ra
'it
111.1
\k(.111111, \1.tl'\
)2 C 1111hruh:,1· \\t·
(,,mlrn t I I \ ' \
\nlhtopolr~\ 1>1-.m\ I t'I 'i\ndurn1111·d '"Im C"l11l1 l'11·,1tltnl.
'il 11d1•11t ( Ollll'dOI
I "-C'Jil th-41 \.1l1·11t1ut c; 1ul I 1 I
I \ h ·" 'ott·no'
:211 ( ourt "\tn•1·I
B1ne,h.u11l11n ' '
1llt·
\h(,O\i'rll
1'in~tou \\e
.?1fl l'atH1t
l'>rt )•·" ,, "
E11~Ii,hu11d(.t111:r,1ll.alt•r.1tuu• l>.:.0111,JJ,I 11,>norBoll }'-Ulk1\l;lfll
111 }111111 r and ~111
>1
I{ 111•lr' 111 I
th ralun
Dorm ( om1ol I "P
Donn ( fllllllll 'i"(rt:l.tr\ , Ht·,1dr11<(' ll.111 ( on,ht1111rn1 (
k ll1uold
1 n:; Pdluun Pl..\"'
\l,1g.1l11u
of the• or1g111.1l
l'<«l-k1ll ' '
1;10 Btt"(h 'i!r1·rt
\tl.utllt Ht II h ' \
\1.1d.t"(lt11tt I
ott<"
n.n
( t1lM1\\ Jt1tf1th
'll1
\Id .1hc John
J,; Oh'' "'
Joh11,1m ("1t\ ' '
n11111llt'C
\Lt'""?t
\1111
'*
llLl
1'.ul ' \
\le l ..1ul:.hl111 R1-<;:u1.1ld
\tu·t"t
l 1J
\\nt hlip ' '
u•.• n,
B1ol0){'
�\t<. \hll.• n n.•lph
"
h2 Churd1
(),.,,
\hlh~..11
"it
\ rt J h,tOJ). Colomdl
\k'\t:il Holwtl
Hi"'''
Ko.HI
:i 1:~~~ ~'(·rt·Lu'\· of T \l'
1
~t udt·ut ( .01m..,.IOr,
I.(,
Ro\..l.nnt
)(t2 R.tmt"\ A 'l.t'nur
~Hol('U\t• \ , '
Jh,ton C:luh \t"<·rt.· t.in.. C'oloma1 '\t'""'·
\I
''''\'"tall
\tmlb1to Jr>--eph
21 \\'t· ..t c.;ott Sl
\of"'-'1<.·h \,)
\hr.md.1 .\nthom
In~ IN mwoocl
L.tm·,1,tt"r ' '
\1ct·kt·1 ( .1xir~r
107 Knf)thl I"'
<.cnn.m. fonnerh Biolos.,,I\· \, Y <\ 'K·hol.tr lnt-cnt1\·t": Fndnniom
\thlc.•t1t Cha1nnan, J11tr.1mural\· fonthall. '"-1mm111c. 1~,(1·thall.
h.tndh.111. lntramur.tl Rdt•rtt c1.nd Ofht·1.1.I '\1·um.u1 ( ·111'1, Judo
Cluh. \tt"n·, J ud.1<.i.tl Ho.url
l:-~nd1<-ntt \)
Crnn.m l .11n.tture-
\ lrlnt<hc·k 11<-tt'
fi.~ T\\('11\ 1 ..U1t"
~tatrn hi.and \, Y
Pwdwlo~y <: (\.~.
!11,tornm. l'.S.C Churt<·r Comrn1tlt'C. p,"
t\('·\ · C:mnin1tte<'.
Commt•nl., from a fnend Too modi re-d . RNt\ 6 .\ \ t "' .Jk\
ah'a" nuuuni.: to a "1ohn·•
thnh>c\ Cluh. "it·n1or
~t~f;~~~~~~~ ~trN•t
Bmgh.i.mtnn "\)
Ph1IO'oophy lt onor flo11 Fchruotn· .rnd Juh IC)f)t; 'f:me'h'"
\ lorcho1M•. Salh
I Km\;'lon ·\\ l'"nuc
Poul:hl.rt'fMC, \, )
\lick ( .trol
2.1-M 2fl(l 'lrt·N
Rwwf1· ' '
Ent:h'h and Cf.'nc:r.11 1.1tn<&tnrc.
<\ F \
\t o''""111 \t .u·~hall
JOfi..1 \lead1>'-' La
'i<:.1lorcl ,y
EnRlid1 and C:c·nt>ral l.1h•r,.t11rt•, Dc.m\ J.1.,t. D.ulf.'t" ( .ruup.
\"nlunlt't'r in Stoth· I lcl\p1tal
\t1halko Wilham
~;
Jtm
'·•!!)
John,111t C1t \ \ '
S1Ud10 \rt ' X•an' l.l\t \\1Hf, \\'ho
P.tul
PO !lox 106
Clenfirld 'Y
nne or ltlt· or1~rn..1 \\.\it.lllp 'lOHlJ'M'h. d\ t"<11tur or ttw '!>Carhool. I
fii,) \\ .un St
'\t·\1. Yorl \, Y
\t
in r\merl<·•1n Colle~e\. Sfnlor
C:ommhh'<'. ( 'nlnnl\I \taff lt)fi.1 1%5,. C:oloni't Edi tonal Jloard
l•)fi(t C'olrKU\t Editor 19fii \ P 0 }rel \"1c:t• Prt·\Jdt.•nl D-.tlH;(•
C.roup. \ipru11,! Ht·vu·" ICJh.t;' "-·t l><..,il.'Tl' Cl')f)l>. (\PH..
i,:.mu:d \alu .. hlt· l.no\'lt-dcr. \uc.h a' rht· m('iUll01t, of the ··nunt.."
.uHI "mud .t11cl <:hKlf'n·· )iikt·\. ho" lo tolll. du \;lft·t~ ofhu·r mto
hrt"akrn~ nilt-, .&t 100 •' 111. .nul how to c.."Onvinu: l)("<lplc: th.lt tht·
\t•.-rhnol. 1' mort· 1mpm1.mt th.u1 pa.,,mi.: tomorrow\ C'\am
\ftllt.·r Romt.a
"-1·211 I ti \t
arnau:.a 'll \,)
·'.nc.lh.h \p.llll\h Art 111 \lflr\ l>f..in\ l ''t. \\'ooc:lro'' \\'1l\011
\c.·hahtr.lup '\orni11('(' St.•c.·rt·t..an Ut•,1<1em·e 1lall I\.('~ Coinrnlth>t'.
~';.n~rr Hnu·\\ 1<.J6.5, Ct·ntrdl \ p1>t.•lltlte- Bo..mJ. "Cm·" and Do11'
l
( ·han...• dl KI ( tx,fm1011.
ordn.
"~ohtude. lm,;a~11Atm11
uuf Love- in that
'\..ti...lric:l l)ougl.t'
'\f't.·nan \he.~
Ill) l
llokomh ,y
\ f.tth. Dt•An\ l..i\l. llonor Roll
'\cwm.111 Club, Donn Cc"int1l.
'\t·mo\ ( ha.me"·
bl \fountain,·1ew \\r
,,,~('II\('''
\ldtht.·matlt:'. Dt-an·, l.i,t, 5 C.B C:hd1mrnn,
F'ello\\\lup. Dela"""' Judicial Board
\:e,tlt· Lf'"''~
IOk Raclnor .\ve
Cm1on -01dlodo;.oo. \,)
'eutm1 C..a.rla
lhllor f"rl'<lnr
11.5 l.A.•no\ Hd
firoolhn \,\
I fJ,ton 1louor Holl, 111,ton ( ·111h Pre'l-1dent ,
C Arnt• to lo10" ttnd lo,.(" I IMpur .tftcr fu11b11't at 1rripc.,..\lhlC' to
tr.i.mfn Dr Shdft1 lnf'" "'' namt.·, iilnd I hrl1'W'd tount '-,.T 0
\\'ootlm<'H' \, \
\t,uht•mat1t '· l>t-.u1\ I ..1 ..1 I. :2 l
'\01111nf' 1
t
\ e,h1"1r
•lfl
a, b
\ \ oodm" \\"11\011 Frllo"
SC B. \\ R \ F Amdloun Donn <:ounc:1I, Om·nld
l)e.hn1t1011 ol a t~111cal llJ.rpur Ftt°'hman. on<' who pulh dll all
mdltt"r hdort• .u1 <>riPntat1on lflf.•t"tm~ he<:aU\t' he.· d1dn·t rc•td tht·
t NJlllrt'tl
\lillc.·r
' 1dit El11..1heth
11 \tom: Road
81ndi.anuon '\")
\il1·< llohl'rt
2.5 Cht"itnut St
B1n11hamlon \ ·y
\l1lll'r r..·rald
1n;.1 <)i1t·ntm Pl.-<·<'
'hip
16 llotd1k1" )t
B11w,h.rn1ton ' '
houL.,
"it.111ton
20lq B\n111 \\c•
Elrnnot ' '
R1olnl'.t' ()t·.;m\ ll\t, Fil'\l Prilt" 10 ll~upnr \~ ( omr::·
t1llon l<Jfifi. P.utlnpalt'(f Ill lht :20 Conl...lin ·ht• Stnp Po t>r
g.1mC" l .lit• tht• mun' otnd h~f"tl tllt'm. I h11111.t rtl\ humdn out_,1dt•
\tud10 \rt ,
IlrMul \:r,uni.: m nw Junior Vt·dr. I c.1.mpc.'<J nut 111 front of \\hit
nt·\ 11~11 I "a' lhmle-d h\ hoth \luelle"
'ol.tn \lad1ael
:;2<1 f \lame Road
John">n C:1h ')
ti.11,\1an. Dean\ L1\t "*nior Hono"
1
'\
(1rdhohn Paul
Zl.5 r ,\\t le ( rC<"k
B11w.harnton '\Y
Old' CoihtanC"t
R<)\ t'J.l
' "'"'rl Valle'
Oliv~ri
'>\
\nthon\.·
i'7 Colom Lane
"i\O\M•l \')
Tred,urcr~.
J t"'A1\h
�( hc.·umtn. l ndt·rgradu~tt• Hn1•Md1 part1c1p.mt In Chc.•1111,tl"'\ dl
~tcltt' l '11J\c· r,1h ()( '<.'\\ York .tt Bmcj1amt<,.1. '-iurnnwr )966.
\ I'() '°wl(.1.tl Ch,unnan
lorn.11 PLnt·f"o Pu·,td<·nt \I d Jot Jfo1t·, m 011('(• l pcm a \fatlrt"'-'·
I n th<' "'ih:tdO\' of th(' (:l('n, \ \ i('\\ fnlm tht- Hndi:c.·. \ Thou,and
( lo"m. Hfood \\Nkl in~. \nt Tim" 1·11 \111~ I() \ ou. lntr-.unur-.ll
h
("1( Jo,mn.a
::?IO A.iJd,,m "'itr('('t
" '-1111.ft•nt (
J ohn,011 (.11\ \)
Hnv,i.1.11 . Hu'''"'' ( luh. Panclon,m,,
<.·c.. foundt·1 .111d one of tht> on~'l1i.tl ,w,uup 'tompt•r-..
lr>.·h.1tt-
l'h1lvlphh' Donn J.nd mtc.·rh.lll counc:1h. 1an \\Orl,hop. \\R \F
mtr.unnr1h
Pt•rl11111ttt·r D.•"1d
20 D,tln 'itrt·t.•t
' t·" I h cit• P.trk. ' '
\1:ltht•n111t1<''· J)t-.rn .. I t\l Dr.n!,on '°w:K"1CI\ jt.'''"'' 1 ~1•Jlm, .. tup
fr<"''urrr. \"1t·t• Prt• ..1dl·nt Dnrlll ( 'oun(.'11. ~·c. n·t""'• I rln .m·r,
"' ( A \"KP ( 'h•unnan. \tucln1t C0tm,t·lor
tht•
ff.xii
fl nt"\\
dr
c·111h. l \C.
P("tc:" Thnmd ..
h.t..lt·tl~ll
lh·
~11rtl ~od
1117 F11n.l Hd
\t·,t.il , ,
\l.1th1·m.1t1(.''-. Et~mom1c·,
Ht•1'fl
i.;1 '
ln·111~
l 1ttk Tor lid
't"\\ (II\ ' '
dOf' nnt d1l111c•
lh C\flJU,1 >n
Eud\H·IJ ')
\I.1th
Jt'''l'h Fello"'h1p.
l·orr11.~n "'tudt•r11, Co111m1tttt
111t1a111ur.al'
J fi,tM' ( ollf"e,t· l)emoc. r.thc Cluh.
Jl.1rp11r lo&ll tC'mJtn .1 d'11.t1111t t"<hl('atmn.d
1'~r; 11.,11 "'
lh lntt"ltt'(lu.11
ut\11t11tron "'' loni.: J\
forn·htlnc•..,,
Hu·h 1\.1.:nnt'th
'NC'M')
Ph1lhp' C'l.1r<'llt(' <,r
\\t•
111
H.1111t·r l ..t 11rcnn•
:'.!,Z,,.(}.I \tron)!irnf'I \q•
.un.uc·,1 ' '
·n~Ji,h. lll'tor, l)(·.u1\ f 1,1, I \t·mt·,tn'.
PMk fnh11
I Jq \\ \1,un "'
R1pl.- "
l fi
I ""'' the .. m•.JI .,, lid
•1111 .... )1
lernwd h\ Dr \\;tth·,., ·'' lht· .tdor v.ho \\tM1ld "'.iadd
mcu,mu to tht> knn ·,htpu.I 'f'I'\ a111' ...
l~Ull:'\
\\.
Brom ' '~'it-net•
1•11l11u.:~1I
\
johu ..on C1t\ ' '
c·ht•m1,tl"\
H1thtt<r
Podm.t I un
I >:Y>I R1<h:,t· tlooul
\lln o11 "
'wl<.10.lo~ lntf'r f.uth Counnl. l'n.ttc"<I C.•mpu' \11111,tnt·'· \lrth<>d1\l '-;tucknt Fl'ilmn.hip Prt•\1tknt
\\ ,.,t
J·''
10 Hu h.ud Orn t·
,,,1d•. \ '
l"olJllC"d.f "·it•fl('C
H1t<ht•\ Jnd'
l>t-Jr, 1rn Ut m Rd
1'><·1··'·'""
'°KKiolc~·
PoJ.."-' Bari\
IL3.5 h'. m1.." l h~h"a'
SF\ , Ch;tinrhtll of C:aftti•n;t ( .omnutlt't'
Jtnc. ~01.1d \llan
Broolhn ' '
R11,111t·'" \d1n1n1\trat1on
-2 ~ ~~ \(
,,.,, 'orL. ' '
Politit·.11 \(•1t·11c-e. \t-hlt·\·1·d tht· loll\ t1tlt nf \I('( Pu.·..,Klent of
~ ·i <> J,,.·for<· rt"'''l..'llllll:,.
• \t t· 1mt ft'll throuith h" h.:md..
Poppt.•ht'f"'. l lrikc
~}.I \h trTd\
Popt• \\ 1l11J111
12 f'J.H"\ tt'" \vc
B10dumto11 ' '
flmlMJh> \I.mo
Ifill
U11u~h.1mtoo ' '
71 rrout Strt•ct
Bint:h.unton ' '
Hom.rn '" l .md....., \
72 \•II<" Hd
't'\\ H1xht>llr ' '
Pn tt1Lt. ("hn,hn.\
115 C"rt·,trnnut Rd
Bmdumtnn ' '
Riolo•••" ( 'hom' Orc-he't r.1
Pu~~c·lh
~harem
'-itud11> Tht.'.llt:'r
Hm<"nhnc; \\"ilm;t
j fr.t•ph
111 l'l'.lrl ~.
Clm.t•r.,1llt· ' '
Ho;.ld
\Ult'IUJ , ,
Ru"1.m l.ltnalurt•; llonor Holl. Dt·Jn·, l .1,t
RMr11f1·ld. Joan
ll-17 Ill f"tth \\t•nue
r1i1,hinc ' \
Pur''' ( lwnl
!l ~, ( hc:rn "'
Pouchkt•t•p.. 11· ' \
Dorm Council Tu·.1'ur1•r of \\'hitl\("\, \\ R \
tuhmMf ( ·omm1tt<'C for Oft ( ampu' "°ltudt:nh
~lnmt>,tN ''·" ,1 \Uc:<.·t''-' in 1h hr .. t \('lilt''t~;r
~K:1nlog_'
( 011\tl·
Put~o" .. k1
J..... uh!cen
~ \l urr,t\ lhll
Bm~.unto11 ' '
Raff.wk Thoma ..
10L:? \l1lhurn ' '
H..1ld"m ' '
Rail Jt·romt·
:"J.1 J.') .31 hr!Hlf'
hton,1 ' '
Studio .11wJtc·r Captain _of l'u".' Ca101c,. Intramural '\ofthaU
Champ1om Jt»fi.5. S. ~~' 'ur'\rn Sc:hool StudC'ut ( 01111,•·lor ( o·
Fu•nc.h I 111t,'\1J~~· taml I 1tt"r.tlurt· Ol·.m·, I hi Frrnch ( luh
l' \ 'ur-rn Vhnol, \<h ,u1<t"fl Tnt•mal and B1i;: \1,trr Pr01.,~.tnh
'-I
Ito"
J·tnlt.''
ft,,? f 1,hn Hd
F1,lw1, ' \
Hu''-lt k \tt.·ph.mu~
I I \\l11tt-hn11'e- Ho
\\h1lf l'l,un., ' '
Lnj.!hh .u1<.! \fecfo·ul l .al!'r;tturt• IXau' 1.a't J1111tor ~nd ~mor
fl n1or l '101?rilm' "iit·ruor 1'°t'\ (' •1111mtttt, B111c,hJmlon \t.11r ti n..
')11.ll \ ohwti·t•r. f'rrnth C lub.
:Jllt"tl Hin \c1 Ct'O '-le I 1uul \IAth I IO· '' thl\ .1 n·tord' \1or~t'll
(•in nt'tlt'' 1<'1wn, .1l)t'r \\t·<.:\.,, 1111d1 nn·ht 111 fmlh'
1
lw~mnt· itli
lhl"t•tl Jit\111'
Frout \trttt
~
�Hu11~1amton
fh<1l 'l{\
'\
...._·rc.t·r H••lM:"rt
2 Huli111 \\i·nm
"i.1cn l.uKl.t
Iii) H.11d \\"n1m·
"t.1tc:11 "1.uul ' '
\l.1th1:m 11
De· u1 \ ( l"I llr,1~or1 "w.>t HI\ \t.1th """' 11·f\ l'tt~.
\ 1u· l'rr
J), •nl ( J1t111ol 1'1t·.t, . ...,,,M.iaJ ( 0111111
jt•\\ ,,}i h llo"
,fi1p l'rM l 'i(. ( hartr.r ( Jtnrn, <>rw11U1t1011 \•h.1,11r
"i.11or l.1t11r11
""i-;'"'
1od
\\('fl\\
~t
'-t1f j1 H
!; H'"'''t'\\·lt \\t•
"w·"u'u'
lfl~l
1.1
H~wrt
J...1·1111t·th \H
\t"Clr•J"\\ ' '
J)r
1... ,t \It- ( lJ~\ ' '
\l.1thnn.1tl(' IA·Ju l.1,1 ( 0111111,t (;(-. i:Cl1tr)f ( olo1mt h.) Ech·
ton.11 Ho.ml. I· nd.t\ ( luh. ( \ Dorm fud1u,1l Ho.1rd
'-1ml.1k Hoc. hdlt1 l· I' 11 "ttn'4·1
I 111.., hl.111cl C.1t \ '
f-.11cl1 J, .md ( .1·11t.•ral I 1h:r.1t11n
f)a,.u.fll,,1m.
ll.·an·, J i,I lflmor Hnll. 'i F'
"i,mh(·r111.l11 P<.1111,1
11 Bru\\ I! nu.ad
(.p ..11
\t·ll.1110 \I.in
,,., 'ii.th-
(},,Ill I\.. ' \
1'111t.."tn11 ' '
7 Broo~ I .uw
Ph ,,,,11l\11l1· ' '
"i.uul:,:nuul P 1tn
B11n!h.u11t•»r, ' )
c......:1.1ptl\
I (,\I
'ih11fc.·r (.t'C>J"t!(.•
9 B1gt•lm\ 'it
B1111i)1.1111tou \)
'11.uldh.iu f).,uurl
llFI> llm 21'1
( h.1th.111 ' '
\h,1p1ro Lut!t•11t·
'•"<"'- '\
Eui.:,h'h I 1tc·:.1t11u· D•·.rn "" I J,\ \d ho11, ( K1m11ttf't.: to 1·11d th1·
\\,u 111 \idn.nn. J11t11<1.1I Ho.nd. "i\mhrnm1t-d "''1111 ( luh.
2.11:? Brun-.; P.trl.
\c.·\\ 'url. ' '
P111toppl1·1.,
;:!:·1~r;10~ n~;n~·1
\.1111ult·1, H11lw•rt
Fon·,t lhll' ' '
"M-x·iolol{\' l~·.rn' I 1\t . J)c:mo<:ral n· I .1heral. C:luh C.urrt''l>onchn~
-).~
1'11111,\h,1111<1 \\c'
~:::e~~;~ltt~IK~~ "'-tlt'fl(.t'\
t\1Mnt·" \l.Ul 1\!l't "f;'j ( olOTU\l,
llw tro11!,!, ,qth ha\111i;: .u1 f1pc.·11 nurul .11 11.trpur "th.u 1>eopl1
d.fl'
.1h'·"'
1~1llmc tlim(' 111 11
~~·;t;'()n~.~~·I\ r:k\\ \
.....1\11111 l>i>11~1.1,
•2 \ln.tmlt-r
~A:I~\~,",!
Brnokhn \ \
"ii
P"<holo~\
''
'itwnn.111 Jjt·l
17~ Hocl...1\\a\ Pl."'
"4.h.11111 "t.mle\
IO"t \\onl1·11 \\t•1111t•
Brookhn 1:2 \)
Fn\!,li'h I 11t.'r.ttlirt· 'tt1cl10 \rt JA..m\ J .1\l, O<lt t11\ \ ' P , Colcllll\l
·1r; l:d1tnrl.ll Bo.ml. Tr,1c.l Tt-.1111 , \l.111.1cn Jtl(I puhl 1 ut~ dirn·tor
''"'lrU\\ \ '
ol thl· ( harlit· \\ t·nh'.! .ll 11 :JI 'hm\l'r
\(.hm·\1•r \\,nnc·
lclt•t \\t'
Fl1 .ti l'.ul. ' '
t)Lht l
"'<tu
t.;,hultt..., Juh1L'
lfil \ Ho,,ll R•.ad
End\\rll '-"\
l(fU
\1
'11 \ Ill' \t
()Ji..111 , ,
<"w1t1;tl
~u·mc·
\11thropoln~\ ,
ur (
1111· h~hh
hn\llll.I\
l).1,ul ( nnpf'f
~-.1,11t1
D1-.rn\ I 1,t.
\illlH'
on
.111 rm ll rt·i,:.1rdlr" of
'lll nt
'°IUIU1101\'
fltt·\\,l1·1 ' '
\ .H\ll\ ( hl.·nlt-.uln, ( otUt\t•lor, Cha1rm~m \c.·u1or J..t·\
( 'h,urm.111 ~ 'it•t·rdal\ ( t·nlr,1) \pplt·1.~att· Uo.trd.
( <llUlllltlt't'
"""'Jin,h r Jmbth
16 l\o\d
"'-t
l.011~ lh-.1c.h ' '
"'h".nt, \l.mhn
lH •.!1 "il1 '1
OtOht" 1 .trL
'\
\ t
')(.h,,,11t1 \l.uth.1
11 \1r.ult• I .mt•
\\t,lhun
b i,:h't
'1·1\
D.111
'ork
Cr 1p
Pr~\ldt·11t
of lnkr·"ion.\I ( !uh Coundl,
\\'illi.1111
1'l~ I Cht"na11~11 "it
B111ch.muon ' \
Bq, ,-
J11dH 1.11 Ht•\ 11·\\ Board J11eho.1I Ho.ml. \t•o1·t.tr\ Y.,o<.·u1
llnll' (.c>1111111ttn· \\ H \ ll rx~t'\ lt'jlll
"i1tlt·roff \tcpht·1
nm Eh '"'
lhoin. ' )
p,\t'holo\{\. l)(.•Jn\ l.l\t,
Pr1·"d1·11t of D\011\ ,1.111 'wK·1«h
""hu1 n .u lwr "i1 ,,m
fh,lon
~·<.,rc·l.tr\. CJ111p11' <.111df' Frt•ru·h < !uh. Span1-.h Cluh. '\ F' •
t.;, ( B ( ..1mp11\ llc·l.1lln11' C"om1111tt1·1• Jr\q..,h FE>ll o\\,h1p, Fntll(.'ott
lrcl Floor Cultur.tl ( luh Prt~
Hn.:_ul.1
"i1111m' I ;111ra
n1'J 17 'itrt.'t.•t
Brookh11 ' \
F11i,!h.J1. D1:·Jn' l.1\I \\ oodro\\ \\ 11,on Fcllm,,h1p \m11mf''('
l'tt-..idt·nt of Don11 ( tJunt11. Jud1u.1I Uo,.lrd. \.F \ l'utor \ >Inn·
~t·4·1 Uml{h.unto11 \t.tlt• Jln,,rnt.al. Colnn"l '()7,
l't1 \ 1 1.. I Ma· ,u11.J1mt·-·
'iwwn' C.an
\.l \trnne 'ii
!lrm\\ ' '
'ik.tr\mko \mw
I Gile' '>t
B111Wl.uuton ' \
'ikojn I.me.I.a
r:;
~·1nr.1I
\, l"
H111i!fUmt1x1 ' \
�\)(XIII(" '-,{t-'l.c:
I ll.2 07 o:; Ro.td
Forc·'t lhlJ, ' '
1)\-.ln' Ll\t fi lt'rm' (1
p,"c,.ho1ot:_\
l1ad .111d I ~i)lwl
JH B
Clurl
Ju,tk t· ' 0 \
'\1t·ml~ri;: Jdfrt.•"
tf;; Rc.•11 (
Fn~h'h .rnd ( ;l'Jlt'r.1! I .:itt·ratuu
"'mall"'ond k.m:u
l:m Hoad
\111!,t1lj ' '
'i.K·1.1I '<, lt'IH:·'
\\lult• ..tt ll.1rp11r. I hd"c: ltJ.nwd th.it fhm~ a11d \\fltllll! .m· mort•
fulfillmg than ,ill\. tht11£! I eoultl 1~M1hh d'' "'Ith "dMt I h,t\t
't11<ht-c.I
'h"11tfc•Jd k"''l(,I
HJ:!I 1-\\trtTt
l-111•h111\... ' '
\t4·m l\t·mwlh
ll Pmt
\'1.1
'l''I.\ )url ' '
'tudm 1'ht.·.. tt.·1
Smith \moltl
·u; lhmt Street
\\ .Ht•rlm\ n ' '
hu.:li'h 1..itt•r.thm:
">1mth Frl'<I
2CJ-~ \\(·\lhoumt•
Far Hoc:kot\\.l'I. ' )
CMlr1
\,1llc.·" "-tn·.uu ' '
"-t.tff C'nloiu.11 \t•'I.\,, ( ·1.u1·11cl•u1 1:.-lttori.d
('olonul Pl,\\1·1-.. \UT P11·,1dt·11t
11t(' l.A.)\I' or Four ('oloud, ·nu· lri11l. lht• \1ucl
''Om:t11 of Chaill ot. \ "olp<m t•, lntr11111ur.ll l\,1,kt·th,111 OF\ \I \
llw l)i,t·mhochc.'<I <-o-tpt.un lntr.unur.al \ofth,11! 'orth O"H'l!.O
F1-.1t11rt•
Ho.Lrd. c·h.11m1;111 or (}nt·· \c.-1'.
\l.t1nr Hult.•\
Ill
H.-m,
\\C
~ll'nl
( ht·nu,tn.· 1)(.·.m\ l .1,t , PrC'\ult-111 of Outdoor ( ·111h
"tnuth Jon,Uh.1
2fi Tnrnn~ nn Dr
Rodit·,tt·t ' '
81(1101..." Dt:J11" 1.1,l Jud10.1l l\o,\rtl C c·ntr.tl \ppc·ll.1h'
Bo~ircl
!\math T11noth'I.
-; Po"H'I' Rd
HtnthJmtnu ' )
\..mdr.l
t!O \thud.le.· h 1·
('c.'(l,1rh111't , ,
Frt·nc.h L11t·rat1arl.' lc.•v..1,h rt•llu"'lnp l'n.·.t', Prn1d111l Donu
( 0011nl TrC'.1' l 1'i C Conunu111C'allon ... C 0111m , \\ 1ntc·1 \\ n·k1·nd
.111d '-pnnl! \\ c.-ckc..·11<l C'nmm \ ( <iml\ .11 ( umm ' ( B i.w:)( ul
r Pioi!r.tlll .ind 1'11t11r Fr1·11< h ( luh
( ti111111 C, F) R1~
'''It
S11·H·n, \m
L1tc-r<1turc· \(x.1,\l ';c:u.•nt'·'· Dt·.m·, l.1,l. ll·111or- Prot:,r.m1 m l.1t<·r.1
lurt·. \\ oodr<)\\ \\'1!"111 Ft·llow..lup 'n1111m·,· B.1,c·h.111 ( ro"
Counln lntramurak "t.F) Tutm
bt·11 \IK·h .m d.L,lH; thm~ ~t' .t h.tllou11 'I.\ 111 hur't if 1t c'\J\oUHl'
too f.u I .<·t I IJ.rpur hewan·'
lb \..uJt l\:,·• Rd
\\luh Pl.1m• ' )
t ·11-.:la.Ji a1Kf C.t·11t·r.tl I 1tc-r.uurc \tr. ..,.IC. 1olo~
'ltuhon '-tra I t.•t·
I' t'al.uni111.> Dri'l. l'
lkw: Ju.·..tt-r ' \
C,md<"r Ec:h,,Hd
71 t;2 B.-11 lllwl
"-lllt>lm.111 \hc.t.·
13'>1
H.t,,1dt· ' '
I .it & Comp I lonor. C"(.\". ~x \n I lnnot' (_ l.t"
H1ol~
11.lrpur ~:hol.1r-h1p, Dc.m', L1~t . Dt•mt•tn·•tn <,ex lt'h rrc-.h \c.•c. \
\'all' Prl'' RJ't•h,111 Tc:.tlll. Ont·11t,1t1n11 \thN1r
\h 'm<:c.•rl' th.mh lo Sh1rlt•" Uh, .mt! the• llurpur Follw,
Broo\.hlt ' )
f'ni.:ll\h. \hh1e
""imni.: lkvit•\\ l<)f>.l. '1ll.11m
"-.t•t· \ht· i.:ardt·n t·h.UJ\,'ltH~.
"'iplt•nclu1 m 1l\ 1.:htm~llll!
S()ltl'. Hodm·"
'ltollc.•t C.,u'\
;!<I,,
2020 Smith l)ri"t:
Pnht1c·.tl X·1en<.'t': \',1r..it\ T(•rull\. \ .1r.1l' Scl<:n·r, U.tn'.1<·1.t , Colrn11.1I
't'\\ \, Oric.·ntalion \d" 1-.or
~\,~t;~h!.::'~~~~ 1 I ~u1c.·
11
F11<hH·ll , ,
PnhlH .11 'x
\\"1lham
"'l
C:C<br
F.hi \ 14..·adow ')
Ph"'ic.·'· D'f.·.111·, l,1,t Pi11toppln,_ '•'"\Hl.ln C luh. \\111t1n'' fllll
\c..,t.11 \)
ll"' d'I.
fhoc.\..hn ' )
r"" \
"'><tOlfJ\{\
B111t.!.him1to11 ' )
"itmw lknn
llll.i P11111.1111 l'lat·e
Brom '\)
·> f).j h.m~'
Politic..al \(·1t•nn· .\rt, Pohh<.tl ~1t.·11n· \rt Pnl111c..1l '<- H'lll"t \rt
Pohttc..tl ")(·icuc.~. Honor Holl IX·an" l 1'1 Prt·' C'lu-11.u1~0 Donn
('hd<" l.111d,lc.•" Off-C.impu' Rc.·p °'P'lll\:. \rt 'ho'I.\ C:h.unn,111
\c,.,\dt"tHH D1\(·1pl11w ( 011111111
PohtK.tl \ff.ur. Commlltt"\.".
kt Com•1<.1t1un' Cornmith't'. ll11111.m1ttr' Re'l.tt·"~ "l- )
ro john p f\(·Jni,1J... et. ah I<· l'U I hum.m to fort:i'l.c• dl\1IH'
Peace lo m" "'lfr. bnne Pc.ice.
\t.mlc.·v \;m<·"
1(Xl Ltho Rd
( •>10111.tl l'l.1\1·r~
\11,,m.m DJ.m1·I
c.·
Jolmv>n C:th '\ \
Jm11<.·1,l) l~Mn..I
'\I )
\utlHlln~
I I C'1h ' '
Hwlr"\.t_'I.
'\e"" )ork ' \
\11thrnl)()lot.."
;!,').'')..'"l
1\1\t'f
~~:fi1~~ l~r'~'~!;:.
i\~~-~~):.,~~~1~t
~t.1n<f1,h
I ht. C"honi'
7fi ChJpm "it rrt·t
End"cll. '\ \
iA~r~:~~:~~(~ l)n"
°'""'·,
'll"Jll.t(
t.'11•
e
t
11ne11t
Awl<>K' ' ... rlu r
I \\
"'°'-"- i.11 C luh
\l1t·hdlt'
n.; I ..f•nna11I
\I
Buff.tlo '\)
Fn m·h I .1ttr.Ht1rt'
"mct.·l ll.1rnt·l
71.3 Dt·'l.'1.t'\ \'I. rntn•
H·•·ht·,h·r ' '
'•v.1ho lrt•nc.·
If> ( l.irkr ~I
B111i.:h1u11ton. '\ )
l-'.111.:,)1,h Politu...tl 'xwn<.·t· Pn··l...t.\\ P.u1•t'' C.r.uh1.111tm .111d if \OU
"""' prinl \tmwtlun~ 'h1111m.1hl1•."' .inJ ouh 11 "ou 111\l't J11111or
lln1H1T"I Ill l'.11\!11 ...h , \R \ "ilatt'I th1· ( ornp.111'1. th.ll ( .ttt·~ • In
tlu Pur--uit
llt'"'Papt·r
l
E\.i..1..·l11·m·1•", 11H1101 1·011lnl111tu>11' ol ,1101 to tlw
�Tra 11.. tt·rrf·d h1•rt" trnm \ h e h11~a11 "it.1tt• for tilt' "">< i.tl h ft
.tnd
(l)\.j'fl11 1
T;,ebd1 \to1n
in T;"Jor
\\.t·
1-'.n<l1<:ot1 \)
T J_\('IOIH
\ .1t11 ..4•k P.ttnu,1
21!111.il<h"n St
Hi..N·UMT\
100 \ l.mon "it
r.mht·1 Ell1·11
h7 io < lln l..tnt
Frc>'h \11•.1do"' \ \
C):'2 llnopt"r Hrl
'f '
f.nJ-...tl "
\ rt J11,ton l°)(o.m, I 1\t
T t.-dc,c:o I ..m rrnc-t•
u \h rtlt· \\.t.·
h:l'l P;,edt"n i;,1
\ ,l\ r.a
\lid11lt·lo\..11 ' '
fltolO\.,~ l>r.m ..
1.1 .. t. Jmhct ..tl Re.·\ H'" Hoard, " F '
l \ (,_ C'<nn
Donn Ju<l1n,tl Board Judo. Jc·"1'h f-·c·llo"'h1p. H.1ft
miltt·t: ( '\
Ii.tr·(•
J"JI .ti"•"' rt·mcmht•r tht· 1', 3 m olnt,H:l' C'OllN' to th1· 'x:1t:ntt•
Huilclmi,: i\11d th1• ep1tlwt •• \handon otl1 hope. ,.,. "ho t·ntt'r h1,.·rt" •
Tr.,,.,, P,u11.l
2: \ 1·\\Ul,tn \
\ .u1<l1·rnu•Nt' Juh.1
,.,.,,,,1 '"
v ..rtuh
tn:nch l.1tn.\lnr<- L)t·.m ~ l .1 ..t '°'ludf'nt ( ounwlnr, J111hc:1AI l\oard.
J .llll(.f•
J·:th.. arcl
Endw 1tt \ '
\'t·m1d \ rlt."nf
16:l72USt
l\,1, ..1dt· \)
Fnt;h'h arul C.t·nt"r<ll l.1teraturt·. J ~3n 'Ii l.1\t \ D.s .• ( 1\'1} H1s:f1h
( luh 'FY ll1ch "i.c:·hool IA\(11....,101' Croup .111<1 lnh·rr..loal (rntrr
\\ ,I ( h' <;11\JI
c;;oo 1cr211cl ~t
Frt•\h \lc..ldO\.... \ '
·nw.1tn
\('OU("
Bmi.th.unton \ '
rrc.-1 .. tm.111 \h•\f"
fi \S.-"11 1'1
\\ .11ford !:>.maid
ll<·thp..~··"
H7 l l u.~hl,\nd \\('
) ff)'.l\ '°llqllH.'11
H111~h .unton
l>,10 I 1.1 't
l\roc1L.h11 \ '
Fu~h'h .m<l C·t·nt-r.U I 1h·r.iturt> IX.an, u ..1. l S (. Hep from
( tu-n.111c.u. <·h.unn.m ( tlf'na.nl!o Donn ( 1"HK1l. ( had Ju,t1<.t· of
"tt.·U Hr~ Dono Juthudl Ho.1rd. ( h.n mHtn ~x-1.11 Rc~1 !.1t 1m"
Comm F1111.m<'' Com m A<·adt·m1c.· \ lf.u l"\ Comm \ '1C"e l'n•..
< u <·h.u nnan nt l ht· l)em,x·r.1t1t· l.1lwr.1l c:luh
Jt"""h F1·1lu"'h1p.
Tururr l 1\\rt.·11<.'t'
\ \ lfo,1ut,1I
~\('\('11
H1duno11d I hi! \ '
~·11111011· \ '
"~:1r1lrn!'
\ \ Jrn·n Et1e,1.•11t·
South ~:hmou. \ '
Jo \nn
ti \lo\t·.1to 'trect
ll11 ntm~tk111 ' '
B1nlck.':'
\\ J.l"\h a"' Jo'.'"n·
Rue l 111C,h.rn1 Dr
\lh.1m
l..1;u1:u1,tt<·... Jt'"''h Ft..·llow,h1p prt·,1drnt. f tt·nc·h Cluh
1',C)
l"ml.t'. \rthur
17i6 t .1..1 2 ~lrt'4·t
Hroo~h n, '\ '
'ic.-.c.:1uh'\{\ \l,,1th. l)t•.111' t.1 .. t, Coloma! PlaH·r.. \\ ll H\\ P romnt1n11
Dnl''t lot ( 1ln1H.il '\t•\H \ thcrta.. m~ \t.m.1i.:,t·1
'r
\\ atlr..m' j('an
fi1 \ k\la,ter
~tn·1.:t
O\\t'~O '\ )
\ \ .it km' \l.1rl
l tlt"I C.lrnn
2 1 Pt.. a<.h \t rt•t•l
j;um•,hmn ' '
2M S.·nP<:J
">lrt.~·t
Com11u: ' "
\ \.-1·lhtl·r \ l adelmt•
\a11· .. k1 (.lnnil
l..alt·..1dt.· Rd
\I t .... '(.[) ' '
11 \\ J'hun.,rt~ in \t
1
\ oal111' Holir-rt
H1\,·nL.lr \\
H0<.·h<''lrr ' '
C'ht·llll'lr'\ llaol~ (ho1r \\ 1IO(l\\1nd Qumlr t , Rlood Dn\t' (om·
rnattt't· \ ( 'R \ f' '°lt.tff .\\I r.id1n '1.ition
91 ,).I 111 Stret•t
111,tnn Jud1r1.1l llo..lrd. < h;,unn.u1. If.all Coon(.·11 nr,1el1,.•nu· 11..11
Jt..1•\ { omnullt't' 111\tOr'\ l'luli, Dt:moc:·r.ttlc.; Cluh
~I-
\\ alln 'ite,·c.·n
.'\.'i \\-111,11~' St
\\ Md\\ t•ll Rol){"rt
Tl'.11l J\l\tmc·
Z.>.JO f.:1lt-1· 11 (;ourt
~~::~'.) ~7,.~1~w.l1\l
'"cl.rd, '-;o(·c:t'r Te.am ( .tpt.un.
1.,11hrool ' '
P"thlllo~ \1 Jth. l.k.Ul·, l.1,t Cklt~an \c•:l('t~ . Fn..... hm.m H.1,Jr.e-t
hJ.ll. ( ·h<·nans,:o I) inn (;oun<·1l
Tunu·r l .trMI-..•\
\talt• \I "' \1 rt•p
"'''h
llu "hoh_• thmi: ha' 'ho"j-<I mt' c.·IO\e to n ot hmt:
Itri \11u1ehall '>l
i0·1 J. 2,1 \l.un "it
t "du-t>tl ' '
l!,('1ttl
''
\rt H1ol(){!\· IA•.m' U ...t. \
1'1111>
\\ .i.ll.1c.h
...,,r,icu,t · ' '
l
John,011 C1t\' ' '
l<ill \\'md,or Ho.1c)
Rothf"\trt \ \
l)e.1.n's l 1\l, l'.nchc.ott Donn ('ou1101. \tudf"nt Coum.elor
t:ru~h .. h
\
' ml t•r.. ' '
F rc·11' h l..m1.:u.tc,(' .1nd 1.ttt"ratmt'. l:>t·an·, 1.1,l tlonor Rn11 \\ orxlro\'
\\ ' J11 Fellm..,..h1p 'lfl\10("(" lt .-trpur C(l11t•\!;t' Xhol.~r"h1p. Dt.··
m1·tn· .. n "v><.wl\ <,,.'t'n-~tan aml ~1 1d \ 1(t' f're,ulent
"h1dc·nt Frllo"'lu p t"<l1tor of '\r'''l<"ttN .uul
P111topplN(,
~'(·rt·\,u'):,
G "i
\\
~l.UI\\
\\ t'l1 .. tt·r \\ a\nt'
12 I lolh Larn·
Jt•nC'hu \ \
l-:C.·ounmk... IX.rn'' l.1 .. t, T \l 'i.K·1.al C:luh Prt·,K!cut, Tri-.l,Hrt-r,
Plt-dc.t·mA\t<'r lb rpur Follu-... ( 'l'llontal Plt.nc:ro.. ··c:U\ .. and l>olh"
�''ln11.1 la l>mu.:t.• •• ·D.mm ,,mkrt·' • j.t1I' \\ 1r~ hop. \\ 1ml Eu
....111hl1,
Hrodtt·r-. ,f ·1 \l I If· ' t \nu 111\ \\,uh UKI 111\ IJ,t 11111111lt• .J u••l
ck1\\11 lt.'C."Ord IH\ ('"'df lO l}u hrol}u·r \\ho 't.lrh tt J"(,\f (" 1ad
\\t"t.·h,lt·r IA.''<t.'t.·111111
4'.2,., 1.d11ch
\\c...
Bm~h.mHou ' '
pl.l\ lot
(.1.t"
d1.unp1c1n'111p 'olthall lt'.ttn
\\ilJ..n ft'ffn·\
12 lh ~.I.it
f lmh11f°'l ' )
\\c..•mht•re, Fr.mnru.·
'>1 JO 'l\th \I
\\ ooclh.i' 1·n ' )
Eni.:h'h .uul (.t·nc..·~1 l.1t1.:r.1ttm· l>t'an·, f.1,t
( -1!"111.Ll \t."" C.. PR 'F ) \.1lurtLl\ l'ro~rr.am
t•\t•r 111
I 6'111 \\lthout di ulit die fir,t \t·1tc•h1.1tt· to l·-nnd.tlt- th1 n·l.1\1011
..J11p lllt'l\\c·t•:, \h:Don.tld\ 1u~I h.1,l..t·ttJ41ll <hie c.hnwl111rgt•r ra1-..tl
:J1•••tmg pc·rt.t"nt.1~c· .tl••'t" the f-AP\t lt•\t·I Ollf' 1d1bt1011J1 rt·i:ul.1r
h.trnhuri,!t'I 111tpf1)\l"' h<1JI t't)lltrnl fi\IKfi hW\ azr l1)f tlrfc·n ...• .I
d1o<ol.1tt• null ~1dl.1• C.l'l'' ;.i11-ili:d ... prm( 1•'1 rirl•J11t1d111~ .u1d "
.,,tcltrhlth pump '~''t"' \rnll l1fr'
\c."c'OUllltn~·"U'IUf'"
(
°"'''"
EJ1ror
0.1m, ,1ta
(li.lt.Ul
\wK'l('f\
\\ llt111t·r B.1rhar.t
ti ·nit· l'IJ111' HJ
l -e•\1Uo"n ' '
\\ 1•11wr '-111,,m
.'5fl..1:! ;,?iith 'it
n.., .. u.11· hi ' )
Fn~h'h .md <•tnt:r.ll l.llt."r,,tun•
\\'n11•IJ..c·1 'it:pp
\> IH \ 1·\tctl \\t'
\\'('I'' n,,}w\lt•
t:! ll "I''<' .a l\f\d
21 ( ..udt•n Plat.1·
Baue,luunton '\)
\\ olf
lr.1
~!~;~}1 _< ~ ~~
1
'
Trea\urt·r 1 r,u-k h,.ttn. [')Qnn ( ounul \h-n' Jmhd.al
Flu,lunl..;. '
En~l1'h l.1lt.•1.mm.• ~ F' ( olc.,11al 'e"'· ( h.u11pl.un Jud10<1l
StMr<l C'h.mm.m .. ()n(·ntatwu l'Mlfi l \ C: ...,J..1 l"''l(h.~1· T .\\t"m
Uo11ul. l ntr.uuur.al "'iporh
llw onh pt:r,on 11~ ll..11p11r h1,t11n to
( omrnllh"t.'
.uul l(N t'\t'T\ elc·dmn
\\ t'I"-. P.itnn.1 ( :JMk
11 \\,•,t\\oocl CtKtrt
B1111.:,h . unto11. ' '
\rt Jh,tnf\ \lkm,tU·d llt:l\\t't'll lfit• t"o Dt·.1.11' J,a,h
\mJ.,,t'tl m11m·ro1L' uup.ud (;.u11pu' parJ..mc lit. ~d'li "h11 lt Dt.·an
Bro"n\ olfit.-t· hrld .l.' qn..ihhuu~. me.· for Jud1t'1iU"\ ~ ..uJ ltd1nn
.uul "lud1 the.· Fmjncr OtfKt' hdd .1, 1u,t1ht·atl()U for rt•iv1l,1.rh
~·tthhohhnc m' lt·rm t:ra~k rt.·1)11f.t' \hmt"llkntiorwcl n.ttl\t"
\ht:h_ "it.1tt• to ho111rl0\\ll
H111~t·\ ·• lrJn'lt.'rTl'd from "\1on l
'/.uo"' 11 1 \\ht•tt' .. ht· llH\t'd \\Ith J)o\\r\\lJ.lt'
.t Hroll\ 'll4'<1111t'l1, .1lon~ \\Ith rdorm Jud.mm
'>Pt'<'I('\, t''llOll'("d
~1 ~;,',1;:~~'~\:· r.:'~~~:~:t·7t.u~drl.!t1. <~~·1~~~~rPi~:~:;','1111·r
Prt."'ttlt·nt •
Bue'.' \\'Ill .mHuu; do11Jh' .1 hl.111lc-t tor fire.- drill, ..
\\ t•1t1 \h1rln
21'-10 Cr.me.I
C'on<:Ouf\t-
Uroll\ ' '
r~\~<l;o~1c;\t~~n~h~tR~)~lt: ~~:+:n1 : 11}:,~~t·~i:h:h~~l 1~'~" ; ~t1::;,~
1t,df"'
l11111·'
\\ olf\on P.unda
1:2 '\tlct·t
'''" ' orl. ' \
ll1\h'1\
I~
Dc:Jn, l 1 t
1)01111 Juc.l1C1;il
Rll.:ard (
1·11lr.tl
\ppdl.aft·
,ml. Jh,tor\ ( luh
\\ '.md IXan
~4
Pullm.111 \\·t·uut
Hoc. tw,tt·r ' '
!'i t•IH
h
l>t'.UI'
I 1,t .
Bm~h<mll1i11"
\\\dt Pl11hp
l)t-.01' l.J't .111 lt'Ol1'. I lonor Roll. I l.upur ( 11lt·~t·
Cht•nmtn.
fi,,.
'\''." \\nt
'i l ' '
\\t.·1"lM.u P.ml
.;.1 Flm•l llhd
f-1nr .t P.u~ ' '
nm for l ..,(,
\\c:
i j I .:.&\\lt'IU
\1 <111Uc:~·llo ' )
Bwk11...~. l ntr.unur.tl~
P111tnpplc·f'
\.1h Jc·rnld
.'!llO n.ukn
Footli.•11 ,mcl
~>(th.&11, 'tml1·11t C.t"111'1·lo1
\\t'
n.
Hro11'<; ' '
Jucl1nal
\t'cn11ntm\.!. Ot-.111\ I M ~TO \t1·11 -, ~K:1al ( luh. "'i(..
Hn1t•\\ B•J.11rd Durm ( 01111t 11.
'pt"tll ! •Ill 'CHr" I r'111J: In lo ... · " t 1ch1 t'.ttl111 "'il.t.lt·r fncKI and
J:"J.U11'C.I
1"l ponmh
(>tJ,to\t''"k'
) ounc Hie homl
\\ t•111
Pt·h'r
;22.\fl ' ' c.·.1111ort' Pl
\lt•irul ' '
11 Hc·tk Tt'ITJc"t·
('om\\,111 ' '
Ph1J1.,..01>hv ·n1Ntt•r
'rn11u.,rl1!,.,d P·1tnl·
ur; jl·nnm~' St
\\llllt' Holwrt
J'ndll'Olt , ,
(;l<'rt\\ id lid \lll'l6
R1ndlamt
111 ' )
\\ 1t·-.c·11 Hno..tlu
h"-ll P .tN>fl' lll\'d
FJ 11,h111~tou ' '
\\ 1lc.ht1·111 \hie: rt
1-~
Tam.1r.1t k Bel
\1jhrlpJt ' '
Eui:h'lt l.1tt·r.ll11rt.'. Ot~Jn' J.i..t b 'C'lllt.''k". Di:\i;Ut· l't.1111, l 111r.i
mm.ti \oftl,,..J (' •l11111al 't•\\' \t,lll
\\ lll'tt'l' 't·tl
6.').;.'!.l lfj() \trt·t·t
f'lu,}uu~ ' '
Jli ,tor' Dr.1~on Sc.><·1et,, Rt~apll'nt of F1r-.t \ru111.1! \\'1ll1t· o·,t·1l
,,,,mf, \tmlt•nt C'oumt:l01 ~lmknt \l.11,h<tl .u ( .0111111t·rn t·mc·nt
F\t>rtM"'. Hrnt.th.uu Dorm Counul. C olom.il 'l'"' 'J>f'<' 11 ,_..,1,t.111t
to\\ 1l11t 0 't.•11 Colr fom \c"lr' tWtl't' ( apt.1i11 nnh 11011 ?il\ku·
/1pk111 \f.1rl
11 11 11 "
"
I I<'''
I"' \tr.It\ le11111, Pll\,IC) ( 11111, lutr,unurah
...1n l)t·.m·,
PtH
/.m·l..t·1 l ..1ur,t
'>107 '11 St
\ \ O.Klh.1.\
1"11 ' '
/1h'lrnn.111 (.1lro\
l.! il t:l1nu .._,t
'c. ht'IU't \,1d\
''
l:.C. ,.1rn111t" Dt.·.ui·, I n1 l'Xmn Coou<il <.horm \t.ulr1 al \ml:t·
()rwntatlon Chnrm.m
h l!,nmnt JC>hn
1 f 1•t'(J \t
flo11l111i.:to11 "ita ' '
��Best Wishes
To The
complimen ts of
1967 Graduates
LARAWAY JEWELERS
IDEAL LAUNDRY
70 Court Street
and
CLEANERS
MARINE MID LAN D
TRUST COMPANY
OF SOUT HERN NE'\N YORK
Member Federal Deposit lmurance Corporation
It
Every Bankin g Service Under One Roof"
172
�.\c1
17 3
�·---• ...
VESTAL
PLAZA
•
•
•
BEST WISHES TO THE CLASS OF 1967
From these Merchants at Vestal Plaza
Arto Barber Shop
Barbara Moss
Britts
Cheese Shop
Continental Coiffures
Endicott Johnson
Fanny Farmer
Grand Union
Home Dairy
Hilger's Travel
Ke nt Drugs
Marine Midland Trust Co.
McNeil Music
Muddle Puddle Ceramics
Radio Shack
Resnick 's
Rudolph's
Spaulding Bakeries
Tom's Texaco
Vaughn's Clothing
Investor's Diversified
Stark Real ty
Varden's Portrait Studio
Tress Chic Wig Shop
Remember, it's less than a mile from our front door to
yours
4 700 Vestal Parkway East
Binghamton, New York
174
�CONGRATU LATIONS TO
THE CLASS OF 1967
145 Conklin Ave. , Bin ghamton , N .Y. Phone: RA -2-6441
from
the
CAMPUS
STORE
Best wishes to the class of 1967
from your campus insurance agency
COUPER-ACKERMAN SAMPSON
INC.
63 Carroll Street
Binghamton, N.Y.
t13in9hamton Optical
DISPENSERS· INC.
17 .\lam Strei/
110 ' .ifnnrr11 Strtt I
8111f!,ll!lmlo11
E11d1cult
Phone: 772- 1444
175
�ill~ J D) IT (DJCO)LijJ:LlLijJ:Ll
LijJ:L1 ~ lidf ~LijJ:Ll
CONGRATULATIONS TO
THE CLASS OF '67
ENDICOTT, ENDWELL, VESTAL, WEST CORNERS, ENDICOTT PLAZA
(,implunents of
READ 'S FOOTWEAR
A Happy Day-
Ht>adquarters for Old M,11111.' Trollers
Every Day-
ENDICOTT FLORIST
I 19 W.1shingto11 Ave
End1co11 /\, \
from
Ph,>nt> -54 2424
CY PEARIS
Girls l1kt'
lo
s.1y 11 .-.1mt' from
LEE'S
I 5 W.1sh111g1,111 Avt>
Endico11
li6
�OLUM'S
Complete Home Furn1sh1ngs
I 14 Clinton St
ERNIE JACOBS
Binghamton. N.Y
Tra1111n
2.22 \11a111 St
Johnson City.
Driver
Rox 36
Y.
Phone 91-1 -139 5608
L1v111gston M.111or I'll Y
Hors~s
Boarded by D.1y or Monlh
~
COLONIAL MOTOR INN
~
DINING ROOM
COCKTAIL LOUNGE
Banquets I 0-200
C hops
Steaks
Roast Beef
RA 9-490 I
BINGHAMTON'S FINEST ACCOMMODAT IONS
Private Tile Baths-S team Heat
Room Phones
2 I 0 Rooms-Baths
3 SWIMMING POOLS
AIR CONDITIONING
3 Miles West of Binghamton On Highway 17
Nearest to the Harpur Campus
Member of American Express & D111er's Club
AAA
Hilton Carte Blanche
Mobil Oil
177
AMHA
�Complim e Ills
or
STUDIO BOOK SHOP
LITTLE VENI CE
I 04 Court Street
REST AU RANT
Bingha mton. New York
22 Chenan go St
RA 4-0866
Carrulh Brothers
Harmony in the home can't be
found in fa mily jars -
Weeks~
Compl1111e nts of
BENNER W HOLE SALE
COM PANY
Dickinson
~
Endicott. New York
34 Chenango St.
Instant Radio
Binghamton, N. Y.
PARLOR CITY
SHOE co.
..
WENE
44 -46 Co urt St
Binghamton . N.Y.
Thi s 1s a Merv Griffin Station
Finer foo t wear fo r all the fam il y ...
... dial 14 30
(and ca mpus-app roved too) .
178
�Cong ratula tions To The
Class of 1967
GLI CK
STU DIO S
OFFIC IAL PHOT OGRA PHER S
All Portraits Are on
File in Our Studio and
Can Be Duplicat ed
at Any Tin1e
W A.3-:32:32
1107 Walnut St.
Philadelp hia 7, Pa.
179
�For wisdom is better than rubi~s ;
and all the things that
may be desired are not to
be compared to it.
Proverbs 8: 11
IB:t.1
180
�•
•
•
•
•
•
OF AMERICA
MOii THAN JU
CONVINllNI LOCATIONS
•
•
•
•
•
•
Year-roun d Air Condition ing
Swimming Pool
Free Ad\·ance R eservation s
Telephone in e\'ef\ room-2-t Hr. Sernce
\1eeting Facilities for all occasions
Children under 12 admit ted FREE
\\'hen usin~ same lacilities \\ ith parents
Baby Sitters • Baby Beds
H ouse Ph ysicians
Appetizing Food sen·ed • Free Ice
\"alet and Laundn enxe
.\II-tile Baths • Telension
Free K en ne ls & K en-L- R ation
Lppc:r Coun )trc:c:t
\ c:'tal Pad,\1a\
Binghamton. '\, 'l .
Binghamwn. '
Phone: RA 3 '091
Phone R \ 9-63"" I
FOWLER,
DICK & WALKER
Congratulation s
SEARS , ROEBUCK & CO., INC.
Binghamton and End1cotl Plaza
DAVIDS
69 Court Sr
B111gh;irnton.
y
Binghamton, New York
the young loo!..the DAVIDS look
We salute
the June Graduate s of
HARPU R COLLEG E
BALIN'S JEWELERS
Luggage
Phone RA 9 4431
Appliances
Jewelry
'r
Gifts
181
�EDWARD L. NEZELEK,
INC.
CONTRACTORS
Builders of: Broome,
Chenango, Delaware Dorms;
Dining Hall , Greenhouse,
Infirmary, Fine Arts
Building, Humanities
Burldrng, Administrat ion
Building.
JOHNS ON CITY, N.Y.
182
�FRANKIE AND JOHNNIE
SNACK BAR
Down the Road From
the Campus
THE ENDICOTT PH.INTI:\'G CO.
" \\'here \)uolity Still Co 1111ts"
All Commercial Printin .....,g
Programs and Brochures
Wedding Invitations
Announcemen ts
COST AS FLOWERS & GIFTS
congratulates the class of ' 6 7
upon the ir graduatio n
124 Nanticoke Avenue
Endicott, N.Y.
I I 84 Vestal Ave
Phone 785-9441
1204 WITHERILL STREET . ENDICOTT, NEW YORK
Co111pli 111(' n ts
CONTRACTORS
of
Louis N. P1cc1AN O
and SON
E1npire Coin Co.
Johnson City,
TEL. RL 4-2222
~.\'.
183
HEATING
VENTILATING
AIR CONDITIONING
INDUSTRIAL PIPING
PLUMBING
SPRINKLER
FABRICATING
�Best Wishes to tlte
etass of 196 7
Denis V. Abrahams
Mr. & Mrs . S. V. Acerra
'\l\r. & Mrs. Harry A. Adams
'\l\r. & Mrs . W. C. Adamson
T. Howard Aki and
Mr. & Mrs . Albert Alpern
Mr. & Mrs. M. C. Alter & Family
Assemblyman & Mrs . Benjamin Altman
Mr. & Mrs Harry Altman
Mr. & Mrs. H. W. Amidon
Mrs Arv1d Anderson
Carol Anthony
Leon Antman
Eugene Aquilino
Mr. & Mrs . Irving Baron
Rabbi Irving Baurnol
I. &I. Becker
Albert & Beverly Begleiter
Mr. & Mrs . L Z. Begnoche
Jacob Benderson
Mr. & Mrs. Alvin Bergman
Dr. & Mrs. Norman Berk
Rona Berman
Mr. & Mrs. Samuel Berman
Mr. & Mrs Joseph M. Bernstein
Stephen Bertin
Walter Bialobreski
Mr. & Mrs. C. Bigelman
Selma . Denis and Laurel Binder
Mr. & Mrs. George Bleezarde
Mr . .& Mrs. Stanley Block
Madeline Bloomfield
Mr. & Mrs. Julius E. Blumenthal
Evelyn G. Bolger
Marvin S. Bochner
John Bochnovich
Frederick H. Bohne
Mr. & Mrs . Bartel Bonney
Morris Bornfield
Walter S. Bower
Lee L. Boyarsky
Mr. & Mrs . Thomas Boylan
Mr. & Mrs . Maurice Bressler
Mr. & Mrs . Samuel S. Brown
Mr. & Mrs. Charles Bullard
Samuel Burdman
J. Burkard
Mr. & Mrs. Jacob Berkowitz
Vincent W. Burr
Carl Cabasin
Rinaldi Caccicarni
Richard Calvin
IHI
�Alfred E. Davis
\l\r. George Da vis
Mr. & Mrs . lrw111 H Davis
Mr. & Mrs . Robert Dean
Mr. & Mrs. Charles De Bree
Mr. & Mrs. G. L. de Coster
Mr. & Mrs. Peter De Land
E. Doell
Mr. & Mrs. Vincent DeMas1
Mr. & Mrs Sidney Demsky
Mr. & Mrs . Sidney Dershin
Mr. & Mrs. A. Derse. Jr.
Mr. & Mrs. Lawrence Dick
Mr. & Mrs. William E. D1rolf
Milton Doberman
Harry Dog
John & Jane Doe
Mr. & '\!\rs . Max Dorfman
John J. Donovan
Mr. & Mrs . Harold Drosnin
Walter Ducat
Mr . t; Mrs . M . Dukler
Kenneth K. Oury
M . E. Dutcher
Dr. & '\!\rs. Morns Eber
Mr. & Mrs . David Effel
Mr. & Mrs. C. Eichenlaub
Mr. & Mrs . Raymond Eldridge
Dr. N Elitharp
Mr. & Mrs . A . Ellenbogen
Mr. & Mrs. Earle B. Ellison
Mr. & Mrs Edward F. Elman
Fred Epstein
Mr. & Mrs. Arnold Feinberg
Mr. & Mrs . Richard H. Carson
Mr. & Mrs . Albert Cerny
Mr. & Mrs. Stanley Chakrin
Mr. & Mrs. William R. Chapman
Mr. & Mrs . H. Charner
Mr. & Mrs. Murray Chermak
Mr. & Mrs . Harold Clark
Candy & Sandy Cohen
Mr. & Mrs . Eugene Cohen
Herbert J . Cohen
Lottie & Samuel J. Cohen
Louis Cohen
Nat Cohen
Mr. & Mrs . Max Cohn
Mr. & Mrs. Benjamin Colton
Mrs. Teresa Como
Mr. & Mrs . Robert J. Cooke
Mr. & Mrs . Paul J . Connelly
Mr. & Mrs. Charles A. Conte
Helen D. Cooper
Mr & Mrs. James A. Corcoran
Dale B. Corey
Mr. & Mrs . Charles Cornelius
Mr. & Mrs. W . I Corwin
John K. Courter
Mr. & Mrs. J. N. Craig
Wi lliam & Ruth Crickrnan
Mr. & Mrs . John Cruty
w. c.
Mrs. Horace S. Daley
Mr. & Mrs. Murray I. Dann
Mr. & Mrs. Landon Darnell
A. Lewis Daub
H. Edwin Davey
I B.i
�Mr. & Mrs. Jesse Ginsberg
Mr & Mrs. Irving Ginsberg
\t1r & Mrs. Lester Gittelson
\l\r. & \t1rs. Herbert H Glantz
Mr. & "v1rs. Randall Glasgow
Mr. & Mrs. Philip Glass
Mr. & Mrs. Seymour Gliber
Mr. & Mrs. Sam Godin
Peter W. Goedtel
\!\rs Mark A. Goffa
Mr. & Mrs. Martin Goldberger
Mr. & Mrs. Benjamin A. Golding
Mr & Mrs. Lester Goldman
Mr. & Mrs. Abraham Goldstein
Louis Goodman
Mr. & Mrs. Herbert Gordon
Lawrence C. Gordon
Mr. & Mrs. Lawrence Gordon
Mr. & Mrs. Raymond G. Graeber
Edgar Grant
Mr. & Mrs. Joseph Green
Mr. & Mrs. Milton Greenbaum
Ann and Ruth Greenberg
Mr. & Mrs. David Greenberg
Dr. & Mrs. Joseph L. Greenberg
Daniel Greenwald
"v1r. & Mrs . David Grossberg
Mr. & Mrs. Casper A. Grunes
Mr. & Mrs Irving Guberman
Mr. & Mrs . Saul Guberman
Mr. & Mrs. Henry L. Hagel berg
Mr. & Mrs. Fred Halmos
Paul D. Hammer
Dow S. Hammond
Mr & Mrs Emanuel Feinberg
Daw Feld
Mr f, Mrs Sol Ferdschneider
Mr & Mrs Milton Fidler
Mr & Mrs . Harold Fink
Mr & "v1rs Harry Fischer
Mr & Mrs. Robert B. Fish
G. N. Fishing
Mr & Mrs. Harold H. Flint
Mr & Mrs. B. l. Firetag
Lois Floyd
\l\r & Mrs Victor Farm1sano
\l\r & Mrs . E. D. Foulks
Mr & Mrs Edward Foyt
Mr & Mrs Bernard Frilnk
Mrs Ednil Friedman
"v1r & Mrs Adolf Frey
Ht>nry Frydman
Ambrose Fusillo
\t1r & Mrs. Andrew Gachosh & daughter
Donna Lou
Mr & Mrs. Nathan A Ga111en
E. F Gilmm
Dr & Mrs. Thomas G. Gardner
John T Garnevicus
Mr & \!\rs E Gartner
"v1r & \!\rs. Joseph Gatto
\1yra Gersh
"v1r & Mrs. P Gershfeld
M. Gersten
C. J. Gerwitz
Joseph Gettler
\l\r & \!\rs Paul G1erach
Lewis L Gillett
lllh
�John & Anne Jankowski
Mrs . Henry Jasik
Derek Jaskulsk1
Black John
Mary B. Johnson
Mr. & Mrs. Harry H. Johnson
Mr. & Mrs. John A . Johnson
Lendem Billions Johnson
Mr. & Mrs. Albert Johnston
Mr. & Mrs. Howard Judd
Mr. & Mrs . Irving Kachel
Mrs. Beatrice Kaney
M. Kantor
Alexander Kaplan
The Parents of Jill Kaplan
Mr . & Mrs . Leo Karger
Mr. & Mrs. Philip Kasper
Nathan Kass
Mr. & Mrs. Mortimer Katz
Mr . & Mrs. Robert Kaufman
Mr & Mrs. Anthony Kazakowit z
Mr. & Mrs. Samuel Kera
Mr. & Mrs . Rubin Kiken
Bernard Klar
Mr. & Mrs. J . Kliban
Linda Klutz and Friends
Mr. & Mrs. Jack Knoll
Mrs. Helen S. Knox
Gina Kern Krant
Benjamin Kramer
Sol Kramer
Jeanne Kober
Harold H. Koerng
Mr & Mrs. Ben1amin Kohen
Mr. & Mrs. S. Handelsman & Sheila
Mr. & Mrs. Gerard Handler
Mr. & Mrs. Wesley E. Hart
Mr. & Mrs. John Hanna
Jeanette Harolds
Mr. & Mrs . M. Harwick
Mr. & Mrs. Max Harwick
Roswell D. Haupt
Hans E. Hauschild
Mr. & Mrs. Robert S. Hayrnoutte
S. F. Hecht
Manuel Heifetz
Murray Heilicser
Mr. & Mrs. M . Heitner
Mr. & Mrs. Clarence H. Herrnstadt
Lillie Henderson
Ruth F. and Nathan Herman
Mr. & Mrs. Cyril H. Hermele
Neil Heury
Frederick R. Hickerson
S. Richard Hirsch
Mr. & Mrs. A. Hochstadt
Mr. & Mrs. Charles Hogan
Mr. & Mrs. Milton A. Horowitz
Mr. & Mrs. Sam Horowitz
Mrs. R. Howell
Mr. & Mrs. Omelian Hrab
Dr. & Mrs. John P. Hudock
Mr. & Mrs. Beryl Jackson
The Parents of Ronald M. Jacobs
C. Milton Jacobson
Mr. & Mrs. Jacobson
Dr. & Mrs . Milton Jaffe
E. Robert Janae
187
�William D. Long aker
Geor ge E. Long hurst
William Lons dale
Mr. & Mrs. Josep h Loren
Doug las \I\. Lowrie
Mary e & Davi d Lucas
Mr. & Mrs. E. A. Lukas
Steve n Lustb ader
Steve n Lust bette r (W. Y. B. ?)
Mr. & Mrs. Robe rt C. MacA rthur
Mr. & Mrs. R. Neel McG innis
'v1r.,& Mrs . F. "v1cGovern
E. Z. MacH ine
\l\r. & Mrs. Arth ur Mac leod
Mr. & Mrs. Dona ld H. Mac leod
Mr. & Mrs. Geor ge McSp arron
Mr. & Mrs. Isreal Mach tey
Mr. & Mrs. S. Maga lnick
Mr . & Mrs. A Mala nchu k
Osca r "v1alina
Char les A. Mam pel
Mr. & Mrs. Manh eim
Mr. & Mrs . Robe rt W. Mans on
Mr . & Mrs . Morr is Marc us
Mr. & Mrs . Char les Mark owitz
\l\r. & Mrs. J. R. "v1artello
Dr . and Mrs. D. L. Mart in
Mr & Mrs. Gera ld Maye r
Mr. & Mrs. Mich ael A. Meln ichek
Mr. & Mrs. Carl Mend elson
Mari an & Srues t Meri dels
Mr. & Mrs. J. W. Merr itt
1\i\r. & Mrs Melvin Meye rs
Mr & Mrs . Walt er Mick
\l\r & Mrs . Leon ard Kostick
Jerom e Kovalcik
\l\r. & Mrs. Jack Kozarsky
Mr & Mrs. LOUIS Kutz
Marg aret Kwan
Haro ld J. Lado uleur
Mr & Mrs. J. Lamo nd
'v1abel & "v1alcolm Land
\l\urr ay Landy
\l\r. & Mrs. Char les Lash er
\l\r & Mrs. Josep h G . Laxer
Mr. & Mrs. Robe rt Leana
R. Lead erma n
Mrs. Vivian Leblang
Dr. & Mrs. Harr y Lebman
R & M Lebowitz
John B Lehner
Dr & \!\rs . Jacob Leinwand
Be;it nce B Leny
Mr & Mrs. Sol Lesh
Mr. & \l\r:;. Reuben Levin
\l\r & Mrs . Richard Levine
Nath an Levit z
Mr & Mrs I Levy
Jona than S. Levy
Murr y Lewin
Josep h L1chste111
Mr & \!\rs. Jerom e Light
R E D. Light
\l\r & \!\rs. "v1ax Linden
Leste r Lips1us
0 L1st1ng
'v1r & \!\rs Roy E. Lloyd . Jr.
S Loew enste in
l l!B
�Walter O'Connor
\!Ir & \11rs Albert J. Okas
\!Ir & \11rs I. Oltcker
\11r & Mrs Ph1l1p J . Olmstead
\11r Evelyn O 'Neill
Robert V. Osborne
\M & \11rs John Osif
r\t1r. & 'vlrs Bruce Ottman
Mrs Bett y A. Page
\!Ir & \1rs Pasquale J. Paglia
(class of 1951)
Dr & Mrs. Harold Palanker
Mr & Mrs Ray A. Palm
Vincent R Palmieri Sr
Mr & Mrs. Harry Papenn
'v1r. & Mrs. Mtch.wl Paterno
Karl E. Patton
Dr & Mrs. R J Paul
Mr Francis Peters
Ima Phynque
Mr. & Mrs . R. P1cow
Mr. & Mrs Andrew Pinch
Mr. & Mrs . Luke P1sc1tellt
Mr. & Mrs. Charles P1varn1k
Jane Plass
W1ll1am Podell
Dr & \11rs Sydney S. Pollack
\11r & Mrs I H Pollock
Mr & Mrs Abraham Polsky
Mr & r\t1rs John J Pontecorv o
Solomon Porosoff
Mr & Mrs C. Wesley Powell
r\t1r & r\t1rs John Powell
William L. Powers
Mr . & Mrs. Andrew Mihalko & Sons
Eugene \111lbauer
Mr. & Mrs. Abraham Miller
Mr & Mrs George Miller
Mr & Mrs Jack 'v1iller
Louts Miller
Mr & 'v1rs . J H Milhetser
Charles E. Mills
H David r\t1ilm,·m
C 'v1ilquetoast
r\t1r. & Mrs. M. Minsky
Mr. & 'vlrs David S. Molrna
H J. Moran
Mr & \11rs Everett B Morns
Mr. & 'vlrs r\t1ack r\t1orris
Mr & Mrs. Angelo Mortecellt
Bernard Mosesson
Joseph Mueller
Mr & r\t1rs Gordon Muck
Augustus Muyre
Mr. & Mrs. Jack Nash
Mr & 'vlrs. Julus Nash
Mr & Mrs. Manuel Nathanson
Mr & \!\rs. Abraham Nemoy
Mr. & Mrs Harry Nestle
Mr. & Mrs. Felix Neuburger
\!Ir. 'vlichael Niezgoda
Murray N1ss11n
Mr & Mrs. Millard Noel
A Nonymous
Mr. & Mrs. Harold Nordlicht
Mr. & \11rs . Albert Novak
Mr. & 'v1rs . B. Nussenfeld
Mr. & Mrs. L. Oberman
1119
�Mr . & Mrs. Aaron L. Sager
Mr. & Mrs Carl Saltzman
Mr. & Mrs. Leon Sandak
Mr. & Mrs. Jerome J . Sanders
Mr. & Mrs. William V. Sandgrun d
Mr. & Mrs L. Sandler
Mr. & Mrs. Andrew B. Santo
Me
Mr. & Mrs. T. Schattne r
Mr. & Mrs. James L. Schatz
Ann & Ben Schecter
Harvey Sch1erma n
Mr. & \!\rs. Schildkra ut
Helen R. Schulber g
Mr. & Mrs. Emile C. Schurma cher
Louis Schuster
Mr. & Mrs. Alfred Schutt
Mr. & Mrs. Raymond Schutt
Mr. & Mrs. Henry Schwam
Mr. & Mrs Charles H. Schwartz
Mr. & Mrs. Joseph Schwartz
Dr. & Mrs. Herbert Schwartz
Mr. & Mrs. Solomon Schwartz
Mr. & Mrs. Montgom ery C Scoville
Patricia Seldis
Victor J . Semon
Mr. & Mrs. Finley Serlen
Mr. & Mrs . Robert Sessions Sr.
S. Sette!
Mr. & Mrs. George Shapiro
Mr. & Mrs. Myron Shapiro
Mr. & Mrs. Sam Shapiro
Victor Shapiro
Mr. & Mrs. H. Shapot
Mr . & Mrs . Abe Prensky
Mr Joseph P Quinn
Mr. & Mrs I. Rachlin
C. Raffaele
Mr. & Mrs B. Raffes
Mr & Mrs. Joseph Raik
Mr & Mrs. Julius Reader
Lionel & Frances C. Reed
Mr & Mrs. P. Reinish
Mr & Mrs. M. Richter
Howard Rindner
Mr & Mrs Fred Ritchey
Crus Rivera
Mr & Mrs Peter Rivera
Mrs. Claire Robbins
Mr & Mrs Stanley Robbins
Mr. & Mrs. Sidney J . Robertso n
Mr :.; Mrs. M . D . Rogers
Mr & Mrs . Jack Romaner
Vmcent Ro111<1no
Harold D Romanow
Dr Leonard Rosen
Mr. & \!\rs. George Rosenber g
Mr & Mrs. Sidney S. Rosenber g
Mr. & Mrs Abraham M. Rosenfeld
Mr. & Mrs. Morris Rosenfeld
Mr & Mrs Adolph Rosenzw eig
Mr. & Mrs. James E. Ross
Mr & Mrs. M Rothschil d
Frank Rummel
Mr. & Mrs. Alfred J . Russack
Myron Saal
Mr & Mrs. David Sadacca
190
�Professo r Alice Starr
Mrs. Theresa Staweck
Mr & Mrs. Perry Steen
Mr. & Mrs. Donald J. Stephens
Mr & Mrs. lrv111 B. Stern
Walter E Stern
Mr & \11rs. Abraham Sternfeld
Dr. & Mrs C. G. Stockw1sch
Richard J Stokes
Stanley J Stone
Mr. & Mrs. G. Strober
Mr. & \11rs. Fred Strumpf
\11r. & Mrs. Joseph C. Sykora
Mrs. Josaphi ne Syrek
Alan Tabacchi
Mr & Mrs Nathan Taffet
Helen & Moe Tandler
Mrs P. Tapow
Samuel Tasc1one
Richard Tashma n
Mr. & Mrs. K. Tauber
Harry Thomas
Mrs. T R. Thompson
Mr & \11rs. C. Lloyd Tre1chler
Paul Tripner
\11r & Mrs Simon Tropp
Mrs Mae Trosty
Mr & Mrs. Lows Truebell
Samuel Turan
Bernard Tzall
\11r. & \11rs. Enc Utter
Edward R. Va1da
Mr & \11rs Harold VanWart
Mr. & Mrs. John Vantine
Mr & Mrs. Sam Shatavs ky
Mr Richard Shaw
Mr. & Mrs . Mack E. Shea
John Shesko
Mr. & Mrs . A. Shikaly Sr.
Mr. & Mrs . Nathan Sholod
Dr. & Mrs. Morton Shomstein
\11r. & Mrs. Richard Schurnway
Mr. & Mrs. Leo Sickerman
Mr. & \11rs. H. Siegel
Mr. & Mrs. H. Silver & Family
Norma & H H. Silver
Mr. & Mrs. Sol Silverman
Dr. Ii. \11rs . L. M. Simms
Mr. & Mrs. David Simon
Florence M. Simonette
Mr & Mrs. Charles Sinclair
Belle Slavis
Mr. & Mrs. S. Slawsky & Family
Chester E. Slirnowicz
Steve Sloan
Mr. & Mrs. Edward Small
Mrs . Helen Smelensky
Parents of Marc Smith
Myron Smoller
Mr . Ii. Mrs. Edward Snyder
Mr. & Mrs . Jack E. Snyder
Roland Snyder
Mr & Mrs. Arnold Sperl
William Spiegelman
Mr. & Mrs. Frank Sprague
Wayne Srebnick
Margare t Stabile
Dr. Joseph R. Starr
19 1
�Mr. & \i1rs Jerome A Werner
Mr & \l\rs Werthe11ner
\i1r. & \l\rs. James Whelan
Parents .:if Terry L Witcher
Mr. & Mrs. Aaron White
'\llr. & Mrs Sidney Whiteman
Mr. & Mrs Harold J Wick
Jean C. Wigner
Mr. & Mrs Fra ncis M Wilczak
Mr & Mrs Leo Wilensky
\i1r . & Mrs . \i1orns Wilkes
C. J W. Wilt
\i1r & \!\rs. Joseph Winter. Sr
Ray Wo1t
\i1r. & \i1rs Stanley Wojtanowski
Robert T Woodworth
\i1r. & Mrs. Sam Wurtzel
Mr & \l\rs. P Yellin
Mr. & \llrs E S. Young
Mrs. Elizabeth Yule
Mr. & Mrs . Peter Zack
Mr. & Mrs . Ralph Zakhe1111
Mr . & Mrs Kenneth E. Z11nmerman
Mr . & Mrs J. Zucker
Mr. & \i1rs. Lotus Zweig
Mr Joseph Vayner
\i1r & \l\rs James Velazquez
A deVilleneuve
Mr & \l\rs Leo Viniar
Darnel A. Vitarius
Mr & Mrs. Joseph Vogel
William Volnak
Eugene M. Vrooman
Mr & Mrs Stanley C. Wall
\i1r & Mrs. William Walls
Mr. & Mrs Edward Walsh
Mr. & \i1rs. William J. Walsh
W L Walter
\i\r & Mrs John Warden. Jr.
E Elizabeth Wardwell
A LI W<iter
\i1r t. \l\rs . George Wa tkms
\i1r & Mrs . Arthur T Weber
Dr & \i1rs Harold Weiner
Mr & Mrs . George Weingarten
Mr & \i1rs. M. Weinroth
Mr Leon Weisel
Mr . & Mrs . Louis Weitz
\llr . & Mrs . W Wayne Wells
Mr & Mrs. lrv111g Wenz
19'.!
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1948 -
Title
A name given to the resource
Binghamton University Yearbooks
Subject
The topic of the resource
Harpur College -- Students; State University of New York at Binghamton -- Students; Harpur College; State University of New York at Binghamton; Students; Yearbooks
Contributor
An entity responsible for making contributions to the resource
<p>Blythe E. Roveland-Brenton, Director of Special Collections & Library Preservation<br />Caitlin Holton, Digital Initiatives Assistant<br />Maggie McNeely, University Archivist<br />Erin Rushton, Head of Digital Initiatives</p>
Description
An account of the resource
<p>Binghamton University’s yearbook was published under several different titles. It was first called <em>The Colonist</em> in 1948, then became <em>The Yearer</em> in 1970, <em>Pegasus</em> in 1973 and finally <em>Binghamton University</em> in 2004. Yearbooks are a popular resource for alumni and can be used for primary source research. Each book typically contains class lists, class photos, candid photos, faculty and academic department information, campus and institutional facts, illustrations and ads, and editorials. They document student organizations, campus events, athletic teams as well as local and global events. Yearbooks offer a window into the traditions and culture of a time and place from the point of view of a select group of students on behalf of the student body. They are among the richest sources of student-driven content for an academic institution. For more information regarding yearbooks and the history of the University, please contact <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a> at 607-777-4844 or speccoll@binghamton.edu.</p>
<p>We welcome your comments about <span><span>our collection of digitized yearbooks. <a href="https://binghamton.libwizard.com/id/c6121588e483da04f66dba76f0460bb5">Please share comments via our feedback form</a>. </span></span></p>
<p><strong>Acknowledgment of sensitive content</strong><br />Binghamton University Libraries provide digital access to select materials held within the Special Collections department. <span>Historical yearbooks provide a vibrant window into life at the University.</span> However, they also expose insensitive, and at times offensive, racial and gender stereotypes that, though once commonplace, are now acknowledged to cause harm. The Libraries have chosen to make these volumes available as part of the historical record but the Libraries do not support or agree with the harmful narratives that can be found in these volumes. <a href="https://www.binghamton.edu/libraries/about/collections/digital/">Digital Collections</a> are created for educational and historical purposes only. It is our intention to present the content as it originally appeared.</p>
Rights
Information about rights held in and over the resource
<p>The yearbooks in this collection are copyrighted. If you want to reuse any material in this collection you must seek permission, or decide if your purpose can qualify as fair use under the U.S. Copyright Law Section 107. If you think copyright or privacy has been violated, the University Libraries will investigate the issue. Please see our take down request policy.<br /><br />If using any materials in this online digital collection for educational or research purposes, please cite accordingly. When citing documents, researchers / educators should credit Special Collections as the custodian of the collection.<br /><br />The following is a suggested citation: Binghamton University Yearbooks Digital Collection, [yearbook title and year], Special Collections, Binghamton University Libraries.”</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
1948-1972
Is Part Of
A related resource in which the described resource is physically or logically included.
<a href="https://archivesspace.binghamton.edu/public/repositories/2/archival_objects/38366" target="_blank" rel="noopener">Binghamton University Student Publications: Yearbook, 1948- present</a>
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Collection
Binghamton University Yearbooks
Digital Format
PDF
Identifier
dc:identifier
THE COLONIST_1967_combined.pdf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Colonist 1967
Subject
The topic of the resource
State University of New York at Binghamton -- Students
school yearbooks
Creator
An entity primarily responsible for making the resource
Binghamton, N.Y. : State University of New York at Binghamton
Publisher
An entity responsible for making the resource available
State University of New York at Binghamton
Date
A point or period of time associated with an event in the lifecycle of the resource
1967
Rights
Information about rights held in and over the resource
In Copyright
Description
An account of the resource
Student yearbook of Triple Cities College (1948- 1950), Harpur College (1951- 1965), and the State University of New York at Binghamton (1966- present).
-
https://omeka.binghamton.edu/omeka/files/original/d8592c14a2e914e39bd9769f9e505bb6.pdf
3386583196b211a7791f7b5210c58123
PDF Text
Text
Beethoven In his sixteenth year
by Becke r in Coblenz. 1833.
Guarneri StringQuartet
Harpur
Seas
eason 66-67
WinterSeries
�Wednesday, J a nuary 11 , 1967
8 :15 p.m. Coll ege Theate r
L . v. BEETHOVEN
QUARTET in G MAJOR, Op. 18, No. 2
All egro
Adagio Cantabi le
Sche r zo. All egro
Allegro molt o quasi Pr esto
Q UARTET
in
F MAJOR, Op. 59, No. 1
Allegro
All egre tto vivace e sempr e Scherzando
Adagio molt o e mesto
Theme Russe. Allegro
intermission
QUARTET in A MI NO R, Op. 132
Assai Sostenuto - Allegro
All egro ma non tanto
Molto adagio
Hei l ige r Da11kgesa11g eines Genesenen
a11 die Gottheit, in der lydischen
Tonart
All a marcia, assai vivace : All egro ap passionato
A RECEPTION honoring the Quartet will be
held in the Faculty Lou11ge adjacent to the
theater following this evening's recital.
The
audience i s most cordially invited to atte11d.
�Notes
by William
Klenz
T
he quartet , Op. 18 No. 2 bears the nickname, "Comphment Quartet"
because of the florid, elegant
nature of its openmg ph r ases which set t he tone
for t he entire first movement . However the material is not
empty flattery, but rich in patt erns and moti ves which receive a searching analysis and r esynthes i s in the course of
the movement.
Juxtaposition, mutual modification, interaction are the devices which make the wor k a reflection of
the natural worl d and the Force behind it. Th ese are carried
out at obvious, overt levels, and at recon dite, arcane depths
whence they operate directly upon the subconscious which
senses the •rightness• and precision of things for whi ch the
"small-change counting" consciousness has no recogniti on
o r epi stemological terms.
The qua r tet 1s all of a piece . The Adagio has many
themati c and motivic references to the first move ment It also contains a surprise, a mini ature Sonata Allegro
tucked between its two broad state ments which are themselves a Lied form and its variation. The Scherzo continues
the atmosphere of elegance and wit while the very l:l aydn like finale develops a motive fi r st presented (f) at bar 20 of
the first movement.
TT he th r ee quartets Op. 59 are k nown as the "Rasoumousky" quartets, being so called for the patron and dedica tee who brought them into being. He was • sou Excellence
M ons i er l e Comte de Rasoumoffsky Conseiller prive actuel
de l a Majeste' L'Empereur De T out es les Ru ss1es .. . • the
Russian ambassador at Vienna.
With th ese quartets we move into Beethoven's "middle"
period marked by mastery and conscious innovation. New
ki nds of the matic mate r ial are evolved and new methods of
devel opment and expansion. Just how new is shown by the
story of Romberg, the 'ceHist, and this quartet. Certainly
there is no greater joy for a 'cellist than to deli ver the b r oad
gratefull y written opening t heme of t his first movement.
Y et, Romberg (whose own cliche-ridden
musi c is of a legendary platitudinousness) is c l aimed to have trampled the
score on the floor, saying, "who can pl ay such rubbish?"
(He did pl ay, however, othe r concerts with Beethoven.) A
small statistic will show the difference in scope. The first
m ovement of Op. 18, No. 16 consists of 264 bars (excl usive
of repeats) played at a rate of 80 bars to the minute (c. 3.3
min.). The first movement of Op. 59, No. 1, consists of 400
bars played at a r ateof40-45barsto the mlnute (c. JOmin.)
�Th e density and integr ationisoft heor der achieved by Haydn
in hi s mos t advanced manner and "inherited"
by Beethoven.
The Scherzo was at fi r st considered the work of a madm an . Again, the ' ce llo starts, all alone, with an empt y
rh ythm -see mingl y c hildish, but actuall y of g r eat vi tality.
(It seem s that this i s t he movement t hat precipitated Rom ber g's ire.) I t is a m ovemen t that could have been wri tt en
by no one el se; t he project ion of the materi als of a scherzo
int o a sonat a fo rm .
The s low move ment-•ver y s low and s ad " is one of th e
m os t pe r f ect thi ngs in Beethoven, it must have cost him muc h
labor-the r e i s ce r tainly nothing except Bee thov en' s own
w o r k to co m pare wi th it fo r refinement of c r aft , deep senti m ent and hones t i ntention to communi cate .
T he fi nale commemo r ate s Rasoumousky's o r i gin wi th
a brilli ant, witt y finale on a Russi an · folk tune taken fro m
th e coll ecti on m ad e by I. Prats ch . I t , like all the ot her move m ents , i s i n sonata form, and the quartet as a who l e r epres e nts t he triumph of the power of musi c al or gani za t ion
offe r ed by the Sonata .
The Quartet Op. 132 in A Minor was wr itten i n 1825 and
is t he second of the set of th r ee commissioned b y Prince
Galit zin . Sket ches for t he first and l ast movements appear
al read y in 1824 and the working out was begun at once afte r
t he compl etion of the Quartet i n Eflat , Op . 127, in Febr uar y
o f 1825 wa s i nte r r upted for sever al wee k s by t he severe ill ness whi ch ove r took Beethoven that Spr1ng . This circu m stance, we wi ll see, cont ributes to t he content of the work.
Its co mposition was r esumed in M ar c h and fin i shed tow ard
the end of Jul y . The fi r st movementbegmswi th an enigma ti c
"cabbalistic"
phr ase, a secr et symbol whi ch has t he cha r a ct er of a m yst erious introduct ion - "akey.• !t is that , but
m o r e besides, for in reality i t is t he co mpl ement ar y counter point to the wi nged phrase whi ch i s "released" i n the high
r egis te r of the 'cello after the fl eet pas sage of the fir st violi n.
B ee thoven in fact combines the cu mul ati ve effect of introduction w11h the function of exposition, !o r t hese cont rasting
yet mat chi ng halves con st it ute t he first gr oup of thema t ic
e l em ents whose i nt roduction i s the "plot" of t he movement .
T hey ar e neve 1· l ong absent, In spite of the int r oducti on of
cont r asti ng material.
The fi nal pages of the move ment are
not abl e for their sonor i t y, and eloquent r educti on t o convincing c l ar i t y or the original •c r yptogram. "
The scherzo m ovement se t s asi de jovial hil arit y and
dynam ism fo r det ailed, el egant , witt y counter point. Its trio
exploits the same peasant- i nst r u ment eff ect s (hurdy- gu r dy)
w hich we r e i n the original m ovement desi gned for thi s pl ace
Continued on back page
�State University of New York at Binghamton
H ARPUR COLLEGE
The Department of Mus ic prese nts
THE GUARNERI STRING QUARTET (in residence)
Arnold Stein hardt
violi n
John Dalley
vio lin
R EC IT A L S
f
O
Michael Tree
viola
David Soye r
cello
SEAS O N 1 96 6-67
SUMMER SERIES
W IN T ER SERIES
SPRI NG SERI ES
Sunday , July 10
Sunday, November 6
Sunday , Marc h 12
Sunday, Jul y 24
Sunday, August 7
Tuesday, Decembe r 13
Wednesday, J anuary 4
Saturday, Mar c h 18
Sunday, April 2
Wednesday, J anua ry 11
Sunday, February 12
Sunday, Aprll 30
Satu r day, May 6
Sunday, August 14
Sunday, September 11
Sunday , October 9
All performances at 8:15 p.m. In the Harpur College Theater.
Late comers will be seated after the first quartet,
Ushering c our tesy of Alpha Phi Omega and Gamma Sigma Sigma.
February
11 at 3:00 p.m. in C.A. 183
NOTES (Continued)
but whi ch was moved to the Alla danza tcdesca or Op. 130. Here the effect is even
m o re overt and col orful.
The third move ment ref ers di r ectly t o Beethoven' s illness in 1825. It was l abelled by Beethoven originally in French "Chant De reconnaissanc e, en style l ydique,
offert a l a Divinite, par un convalescent." It is in Lied form, st r ophic , with three
va ri ed strophes and two intervening, cont rasting, refrains. The Lydian mode is a
scale F-F , with B natural instead or B flat. The effect is a curious one, a kind or
enforced inactivity (which it indeed desc ribes). The refr ains (in normal D major)
are l abelled also Neue Kraft fühlend (feeling of new strength). The l ast strophe
l abe lled "with most intimate sentiment• varie s the original in such a wa y as t o provide subtle and curious links to the materials of the first move ment. The comparison t o the equall y autobiogr aphical s l ow movement or the piano Sonat a Op. 110 (which
al so conce rns itself with an illness and conval escence) is inescapabl e.
The Finale begins Alla Marcia - the march serves as fanfare introduction-invoc ation (an el ement, it will be observed that is absent fro m its proper pl ace, the opening of the fi r st m ovement) . lt i s connected by a passage or recitativo dec l amation
(Violin I) , reminiscent of the Ninth Symphony, to the finale prope r , a Rondo or Dio nysian abandon.
Program design by William Mihalko
J
f
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
23:10
40:12
19:35
27:32
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60285
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60285"> Winter Series Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Winter Series Recital, January 11, 1967
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Beethoven quartets. Held at 8:15 pm, Jan. 11, 1967, Harpur College Theater.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-01-11
Rights
Information about rights held in and over the resource
This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Winter Series Recital 1967-1-11.pdf
-
https://omeka.binghamton.edu/omeka/files/original/83ea3b72d65734b44da573f76f13e06e.pdf
9237516ef2bfe180f93a549a013a4771
PDF Text
Text
�The DEPARTMENT
OF MUSIC presents
THERE WILL BE A RECEPTION FOR MISS PORTNEY
IN THE FACULTY LOUNGE FOLLOWING
HER RECITAL.
SONATA NO. 17 IN D MAJOR, K.
576
Allegro
Adagio
Allegretto
SONATA IN A MINOR, OP. 164
Allegro ma non troppo
Allegretto,
quasi Andantino
Allegro vivace
Des Abends (Evening)
Aufschwung(Soaring)
Warum?
(Why?)
Grillen(Whims)
In der Nacht (In the Night)
Fabel (Fable)
Traumes W
- irren (Dreams Visions)
Ende vom Lied (The End of the Story)
�THIS EVENING'S ARTIST
Arlene Portney, pianist of Meadowbrook, Pennsylvania, began her
recital
training
and has
been appearing before the public ever since.
ship studenttheat
years
Instituteof MM
uusicin Philadelphia.
CurtisThat
G Major with
the Philadelphia
Orchestra at the Academy of Music.
with
the Robin Hood
Dell Orchestraat the Robin ltood Dell inPhiladelphia (home for the Philadelphia Orchestra during July of each
year). Since then she has appeared with the Philadelphia Orchesthe Pennsylvania, New Jersey, Delaware and NewYork area.
other
andtelevision
music
Anshel Brusilow, many
recitals
the
of the newly
director
formed Chamber Symphony of Philadelphia has hosted several
television programs in
which Arlene hasappeared.
At the age of eleven,Arlene gave her first full-length evening
c c ert performing an entireconcerto with orchestra ,n addition to
recital works.
At the age of fifteen, Arlene graduated from the Curtis Institute of
Music - one of the youngest to hold this distinction.
That summer
she attended the American Conservatory in Fontainebleau, France,
1n master classes
with Arthur Rubinstein, Mlle Nadia Boulanger,
Clifford Curzon, Robert and Jean Casadesus. She was selected
to perform for these great artists andclosedthe summer recital
conductoa
This past summer was spent in master classes
with Jean Casadesus at the State University of New York at Binghamton.
Arlene, now 17 years old, is a scholarship student at the Juilliard
School of Music in New York City, and is studying with Sascha
Gorodnitzki. This year promises to be an exciting one, for Arlene
will be performing in anumber of concerts throughout the East.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
26:42
40
57
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59509
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59509"> Piano Recital Arlene Portney</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano Recital Arlene Portney, January 25, 1967
Description
An account of the resource
Works by Schumann and Scarlatti. Held Jan. 25, 1967.
Creator
An entity primarily responsible for making the resource
Portney, Arlene
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-01-25
Contributor
An entity responsible for making contributions to the resource
Schumann, Robert, 1810-1856
Scarlatti, Domenico, 1685-1757
State University of New York at Binghamton. Department of Music.
Identifier
An unambiguous reference to the resource within a given context
Piano Recital Arlene Portney.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
22:59
35:31
22:30
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59506
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59506">Harpur College Orchestra Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Orchestra Concert
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works by Hayden, Mennin, Beethoven. Held 8:15 pm, January 29, 1967, Harpur College Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-01-29
Rights
Information about rights held in and over the resource
This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Mennin, Peter
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020059394
39091020058909
39091020058958
-
https://omeka.binghamton.edu/omeka/files/original/56261ed1cddd0d0aaf792b9c0a40aea8.pdf
eceaff114b29a661aa168aee13c2bd26
PDF Text
Text
CONCERT
THE HARPUR COLLEGE
WIND ENSEMBLE
�OFNEW
STATE UNI VEHSITY
YORK AT BINCHAMTON
Tl-I E DEPAHTMENT OF M USI C presents
TI·IE
Harpur College Wind Ensemble
ROBERT
WERNE
.R, Conductor
SU ND AY, FEBH UAHY 5, 1967, 8: 15 P.M.
l·IAllP UR T H EAT ER
PROGRAM
Norwegian March .................................... Johannes Hanssen
"Valdres"
First Suite in þÿE&m
.............................................. .................... Gustav Holst
Chaconne, Intermezzo, March
.... Louis Jadin
Symphonic for Band .
T ra.uersinfo nie .
...................................... Richard Wagner
Chester O verture ......................................................... William Schuman
-
INTERMISSION
-
. . Vittorio Giannini
Fantasia for Band .
Serenade No. 12 in C Minor ...................... Wolfgang Amadeus
Allegro, Andante, Minuetto in Canonc, Allegro
Mozart
David Vittam and Geoffrey Barron - Oboe
Candace Duncan and Arthur Abrahams - C larinet
Tim Sm ith and Faith \ Vagncr - French hom
Steve Walker and Dennis Williams - Bassoon
Incantation
and Dance ........................................ John Barnes Chance
evening's
performers
witol thebe held
in A RECEPTION honoring this
the Faculty Lounge adjacent
follo wi11g the concert. The audience is cordially invited to attend.
�PROGRAM NOTES
The Wind Ensemble as we know it today came into being through
the efforts of Frederick Fennell at the Eastman School of Music in
t he early 1950's. Mr. Fennell crea ted a wind and percussion organization with a basic instrumentation from which all ty pes of wind and
percussion ensembles could be derived in almost countless combinations. Basically the instrumentation of this wind group is the same
as that which developed in the late Nineteenth Century as the wind
and percussion section of the large romantic symphony orchestra. By
the use of various combinations within the \Vind Ensemble the conductor has at his disposal the resources, with but few exceptions, for
all the great music written fo r wind instruments from the Sixteenth
Century to the form idable contributions of our leading contemporary
composers.
The literature
serenade of
for th e Wind Ensemble is virtual ly limitless and it
Mozart, early band
military
of Hanssen and
music of Jadin a and Wagner, the
examples of
composer Holst,
strains
the marchin
Schuman
This
medium reflected by the compositions of
to wind and
offers the listen
cussion playing which can now have appeal even fo r the music critic
who fo nncrly may have denounced bands fo r their unwield iness or
saccharine pedestrian taste. T he \Vind Ensemble is not a replacement
for the traditional Concert Band, but rather an important supplemen t
to the American band program which seeks a vital means of musical
expression.
With this rationale for the Wind Ensemble our program was
chosen to show some of the diversified approaches, through the centuries, in writing for wind instruments. At the tum of the Twentieth
Century, the wind band began to change its idiom from one of
primarily military and functionalintended
ceremonial music
major works in
this newly evolving literature was the First Suite for Band in þÿE&m
by
Gustav Holst, composed in 1909. AJI of the musical material for the
three movements is taken from the opening Chaconne theme. Its
development throughout the composition shows a composer of un-
the
common technique who
with
applies
awareness
skill. It is more
than fi tting that this work has been called "the authentic projenitor
and fo undation stone of the modern repertoire of concert music for
band."
The Symphonic fo r Band by Jadin is a product of the Fren ch
Revolutionary period in which the wind music showed a combination
of its military background
and the existing classical style.like
Quitethe
un- Viennese class
�th.is time this "Symphonic" turns out to be no more than a one movement sonata fo nn . It was written for a small wind band as typical of
the period. In contrast, the Trauersinfonie of Richard Wagner com•
posed in 1844, fo r the fu neral cortege of Carl Maria von Weber, uses
a much larger wind ensemble than utilized by Jadin. This music based
composed
Century.
directly for the
stands as one of the few significant works
T he Serenade in C minor is an unusually profound work by comparison wi th most of the other works in this fo rm written for wind
instruments by either Mozart or his contemporaries. It was written
in July, 1784, th e same month as his "Haffner'' Sym phony. 1t is interesting to note that some of the most deeply moving music that Mozaart
ever wrote was written in the key of C minor and it tJ1crefore must
notby accident thathe turned toTheused with t key
instruments
in
telling
writing thi Serenade.
to achieve an interplay of both a very stringent quality, particularly
his Mozartian
lyrical motifs. The Serenade
is scored for pairs of
instruments as they were used in the classical symphony orcl1estra.
The remainder of the program is devoted to three contemporary
works. The Fantasia fo r Band is perfonned in memoriam of Vittorio
Giannini who died November 28, 1966. Mr. Giannini was a composer
and music educator of the first order. His effect upon t he band music
of the past decade has been of importance in bringing to this literature a significant number of compositions in the dramatic neo-romantic
tradition. This Fantasia composed in 1962 is a good example of hi s
works fo r band .
Both the Chester Overture and the Incantation and Dance make
effective use of tJ1e percussion section for striking tone colors and
rhythmic effects. The fonner is based on a tune appeari ng in 1778
in a book of tunes and anthems composed by William Billings.
Chester became the most popular song of the American Hcvolution,
being sung arou nd the campfires of the Continen tal Anny and played
by fifers on the march. It was the unofficial national antJ1cm of the
Revolutionary pe riod .
The final work is a product of tJ1e Ford Foundation Young Composer's Project and was written fo r the Greensboro, North Carolina
Senior High School Band where Mr. Chance was a composer in residence. Hs use of the tona l resources of the entire wind and percussion
spectrum in the modem band are exceptional. Its relationship to the
Rite of Spring must be more than accidental in its dependence on
the polyrhythms and elementary hannonizations of th.is style known
as "primitivism."
Program notes by Robert Werner
�WIND ENSEMBLE PEHSONNEL
l'iccolo
Kadleck, Marsha
Flute
Kadleck, Marsha
Shulman, Barry
Gira, Debbio
Fintushel,
Eliot
Kadum, Jo Anne
Oboe
Eddy, Scott
Barron, Geoffrey
Bassoon
Arnold, Thomas
Williams, Dennis
þÿE&m
Clarin et
Duncan, Candace
Clarinet
Abrahams, Arthur
Duncan, Candace
Hymes, Allan
Joffee, Monte
Wurtzel, Gary
Knox, Nancy
Noel, Paul
Villani, Susan
Rejszel, Rosemary
Todd, Joyce
Alto Clarinet
Halpern, Judy
Limbacher, Honda
Bass Clarinet
Kingsbury, James
Alto Saxophone
Shapot, Susan
Blakesly, Trudy
Tenor Saxophone
Marion, Edward
Baritone Saxophone
Fry, David
Cornet
Williams, John
Kaplan, Nathan
Boor, Peter
Utter, Glenn
Trumpet
Dutcher, Douglas
Jacobson, Craig
French horn
Maragus, Nick
Smith, Tim
Wagner, Faith
Bogusky, Joyce
Baritone
Baldon, John
Beach, Ole
Trombone
Starr, Michael
Sprague, Andrew
Sullivan, Grant
String Bass
Blanton, Lynn
Tuba
Leiden, Steven
Smith, Bill
Prensky, Stephen
Timpani
Crowe, David
Percussion
Granger, Christian
Ale...:andcr, Donald
Cordon, Jeff
Mallinson, Gary
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
34:25
28:54
12:23
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59484
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59484">Harpur College Wind Ensemble Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Wind Ensemble Recital, February 5, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works of Hanssen, Wagner, Schuman, Mozart. Held at 8:15 pm, February 5, 1967, Harpur College Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Wind Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-02-05
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Hanssen, Johannes, 1874-1967
Wagner, Richard, 1813-1883
Schumann, Robert, 1810-1856
Mozart, Wolfgang Amadeus, 1756-1791
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur College Wind Ensemble Recital.pdf
-
https://omeka.binghamton.edu/omeka/files/original/b70d96ca2e89db8b657cac902b3a1cd5.pdf
abd1c04a71b24a3c3ae7c1eba9f5171a
PDF Text
Text
gSQ uarter
tring
Guarn eri
rHarpuSeason
ries
Winter Se
66-67
�Sunday, February 12, 1967
8: 15 p.m. College T heater
L.v . BEETHOVEN
QUARTET in B - FLA T MAJOR, Op . 18, No. 6
Alleg ro con br i o
Adagio, ma non troppo
Sc'her zo, Allegro
La Malinconia
Adagio: Allegretto quasi
Allegro
QUARTET in F MINOR, Op. 95
Allegro con brio
Allegretto ma non troppo
Allegro assai vivace ma serioso
Lar ghetto espressivo, Allegretto agitato
intermission
QUARTET in C MINOR, Op . 18, No. 4
Allegro ma non tanto
Sc herzo Andante scherzoso quasi Allegretto
Menuetto: Allegre tto
Allegro
QUARTET in F MAJOR, Op. 135
Allegretto
Vivace
Lento assai , cantant e e tranquillo
Der Schwer gefasste Entschluss;
Grave, ma non troppo tratto, Allegro
A RECEPTION honoring the Quartet will be
held by the residents of Johnson Hall in the
Lounge of their dormitory immediately fol lowing the performance.
The audience is
cordially invited to attend. Johnson Hall is
situated directly across Center Drive from
the Student Center B uilding.
�Notes
by Wi lli an, Kl enz
EA
!though the last in the series as published, the
B-flat quartet was al most certainly not the last
composed. The work presents a curious mixture
of styles and l ooks both backward and forward. The firs t
movement is a sonata movement of the most regular pre•
Haydn construction. Many of its details are reminiscent of
the style o! the Mannheimorchestralcomposers;theopemng
theme is a vers ion or the 'Rocket' and the heavily defined,
tutti cadences also show their infl uence. However, the farrea ching modulations and key references bespeak the young
master, especially in the way they transform the rather
banal march - like second subject and l et it "break ranks" for
a spirited skirmish before bemg marshal l ed into formation
again by the reappearance of the efficient martinet-grenadtersergeant-like, first subJect (end of exposition and end of
movement).
The second movement is a si mple ABAformwith a s ho rt
coda based on both the mes. What is astonishing is the
filigree-like figuration which, both on the page and in the
ea r , reminds one of the s l ow movements of t he very latest
work s. We hear things that are to figure in the last cello
sonata (Op. 102 No. 2) - tne dotted figures in bar 13 - and
others that will appear in the variations of the Archduke
Trio. The Scherzo isanotherofthe l onghst of comic pieces
o ri ginal l y called alla Zoppa in early Italian instrumental
music - the effect is one to the opposi tion of rhythms of two
and of three and resembles the uneven progress of two unequally-gaited individuals, who nonethel ess insist upon conversing. The Trio, in contrast , is a moment of the lightest
and easiest movement before the frog march resumes.
The last movement, La Malinconia (Mel ancholy) alternates a slow rntroduct1011 and interludes of a kind of vexa!Lous, exasperated hypersensnivity with lighter but far from
jocose principal sections. The effect 1s febrile and hectic
and only in the last moments does a cl ear gust of vitality
dispel the sultry atmosphere.
0
The sketches for the Quartet in F minor Op. 95 appear
in the summer of 1810, following the composition of the
incidental theatrical music for Goethe's "Egmont,"finished
1n June. The autograph o!thefinishedworkls dated October
1810, and bears the superscription Quartetto serioso.
It
resumes the unusual tonality, F nunor,ofthe most considerable part - the Overture - of the Egmont music and also
the stormy atmosphere of that work which deals with the
cumulative catastrophe of Egmont's life which is a story of
�heroic intransigency and tragic Issue - condemnation and
execution.
For the eighteenth century the key of F minor denoted
deep, resigned o r gentle melancholy, and it was so classified
and treated by theorists and co mposers . As in "Egmont"
Beethoven here augments and transforms that effect by the
use of convulsive forceful thematic material suggest111g the
dangerous ferocity of the trapped, overdriven man who is
aroused to a super-state of will and f orce, but yet with a
dream of l onged-for peace and completion for whi ch immolation is not too great a price. We see here the emergent
concept of the nineteenth century transcendent super-man ,
the cult of genius, which will appear in works of Nietzsche
and Wagner. The quartet really marks a definitive step
toward the Romanticism which will suffuse the final, third
period of Beethoven's creativity .
The second movement is cast In the far more idiomatic
string key of D major - a start ling relat ionship to the precee ding. The effect is of sudden warm se r enity, a kind of
exalted state of grace following the alarums and excu r sions.
The opening, a misleadingly simpl e-seeming scale for the
'cello is a kind of motto or escutcheon which r eturns at key
structural points of the movement which combines the
features of a set of variations, a fugue and a sonata movement. The coda reaffirms the serene exaltation and raises
it 10 a new level.
The scherzo-like third movement returns to the original
tonality of F mmor and contrasts a very mordant, telling
figure, vigorous and truculent with a smooth, gliding Laendler-hke alternate section which, in Lts second appearance
(bar 145) is, hke the second movement, in D Major. The
atmosphere 1s strained and even marked by exasperation.
in F minor, begins in the
The last movement, again
melancholy mood appropriate to the key, which givesway to
an agitation from which the resoluuon and endeavor of the
first movement seem to have disappeared and are replaced
by a kind of desperation induced by the short, breakless
figures. Gradually, the equilibrium 1s restored and the movement ends with a rush of returmng confidence and triumph.
D
l.1 Beethoven's favorite "mood" key, the first movement
of Op. 18 No. 4 marks theearhest appearance of the atmosphere which will have its most complete expression in Op.
95. Here the emotional tension 1s sustained by a buoyant
drive and relieved by materials and rhythms which although
play, and fun
strenuous have the quality of exhilaration,
against which the serious first theme seems to be held as a
mask - the whole has a very theatrical quality.
In the second movement Beethoven has audaciously com•
Continued on back page
�State University of New York at Binghamton
HARPUR COLLEGE
T he Department o f M u sic p resents
TH E GUARN ERI STRING Q UARTET (in residence)
Arn old Steinhardt
violin
John Dalley
vio lin
Michael Tree
vi ola
Da vid Soyer
cello
NOTES {Continued)
b i ned the fun ction of sl ow mo vement and Scherzo In one of his ve r y finest move ment s.
Its r estrained grace, wit, and great el egance have endeared it to all fromthe fir st.
It ma y even see m easyto pla y; oothl ng could be furt he r f rom the truth. The economy
a nd finesse of the writi ng are dime nsions which themselve s lead the playe r to gr e ate r
and gr eater efforts or concentration and attention and the "surface"
of the music is
so deli cate that the s lightest misc alculation of s pacing or acce nt can break
its
t ensi on.
The nature of Scherzo i s such that a true dynami c dance fo r m is needed and t hi s
is suppli ed by l he Menuetto.
T he l ast movement has much the fla vo r or a Haydn movement usi ng Hungari an
materials - t he r ese mbl ance t o t he Gy psy Rondo will be apparent - syncopations ,
ab r upt Juxtapositions of major and minor, et c . It r ounds out t he cycl e of mo vement s
with appropriatel y Dionysian materials without undertaki ng any we 1ghty p r opos it1ons
and expl oits the minor key ro r its col oristi c effects rathe r t han its mood.
D
T he last or Beethoven's st r ing quar t ets, Op. 135 in F majo r , w as c r eat ed i n t he
Summer and Fall of 1826. T he first public performance was In M ar ch, 1828. T he
work is sho r t but concen t r ated. A f riend of Beethoven observed t hat he had delibe r atel y held down its l ength because t he publis he r paid hi m in me r e florins i nste ad or
the agr eed aristroc rati c ducats ; "he sends short ducats, he' ll get a sho r t quart et •
was the typi cal mo ck-c yni cal r ejoi nder . The fo r m i s seve r el y classical. A sonata
movement Allegrettousing nontheatrical mat er i als i s followed by a mo st c haract e r i sti c Scherzo, Vivace. The sl ow mo ve ment , Lento assai, cantante e tranquillo cons ists or two parallel st rophes of Lied form.
T he l ast movement bear s the supersc ripti on, Der Schwer gefassteEntschluss,
(the difficult decis mn). I n t he original part s copied by Beetho ven himself, he has
inserted beneath t he notes the text Muss es s cm? (Must 11 be?) whi ch we hear at the
begi nning, Grave Crom t he viol a and ce llo, and the ans wer , Es muss semi (It must
be!) which t he vi olins repl y , Allegro. Two stories, either o r even both of wh ich may
be true, are given f or t he ori gin of t hese words. We have documentary evidence his conve rsa t ion notebook, 1823, w here hi s housekeepe r wrot e, "Today i s Saturda y
be." This perempto r y, sybilline utterance of the cook
and I must have money. It must
apparently amused Beethoven and it ma y have become a househol d j oke . In the Jul y
.. . he l aughed and asked, ' must it be?'" Then
book of 1826, a fri end, Hol z, writes ".
i n t he Dece mber book ther e appear in Beetho ven's ow n hand the musical fragments
w hi ch are used in t he qua.rtet. Hol z al so provides a sho rt c atch fo r fou r men's voices
using the same material. T his appears to have been occas ioned by the same words
Es muss sc m, used by Beethoven in anot her connection (the first pe r f ormance of
Op. 130), and who was then amused t o find hi mseU as o r acular as his cook. Beet hoven' s sense of humo r and unvar ying ability t o percei ve the l arge withi n the small
and take fresh strength fr om even the tri vial has not failed him even among th e tribulations of his l ast year. This was, as he knew and sai d , his l ast quartet - "a diffi cu lt
decision," whi ch he faces with yet one more prof ession of faith and abundant humanity.
Program design by William
Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:02
23:46
25:44
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59477"> Guarneri Quartet Recital </a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guarneri Quartet Recital, February 12, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works of Beethoven. Held 8:15 pm, February 12, 1967 at Harpur College Theater.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-02-12
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Guarneri Quartet Recital, February 12, 1967.pdf