36 10 1775 https://omeka.binghamton.edu/omeka/files/original/c9f424d23f7336eba413c360ce5c535c.jpg 87deb5eab8fa3e7b7d8d919ca96ba276 https://omeka.binghamton.edu/omeka/files/original/b96e1630f503a119bcf3935bd1540eb7.jpg 06f43b0340e7cf592b13bf1a11ac88a0 https://omeka.binghamton.edu/omeka/files/original/2f868406ecd9e5f3c27542f28f96a81b.jpg 5690d7bd5634753c66f8f55aa67ab5d0 https://omeka.binghamton.edu/omeka/files/original/e23fe38a85688c9a811e41a3a1493601.jpg 033fc6ce9e315755b93bda2c2f6e0aec https://omeka.binghamton.edu/omeka/files/original/80bbac00faef04e60a4f9ace1278ca27.jpg fccb928b33cb8ea40cf9aee6bbe2d4c7 https://omeka.binghamton.edu/omeka/files/original/cb811d49fa2a15a477bdbc65c9977b77.jpg b1b8f34466c2f540a1faa84c543d1812 https://omeka.binghamton.edu/omeka/files/original/f7e0b48f0198d1df04aac64732de24e7.jpg aea8d83fa81ccf88d6422bbe2dbebd60 https://omeka.binghamton.edu/omeka/files/original/52d56e2e3ec2c188a251c656deeff622.jpg e25939673013006eeaf1e981022db127 https://omeka.binghamton.edu/omeka/files/original/c9e3febd1f7d5ec22674c015fb0028ff.jpg a7d3e70848370847d804be656038618d https://omeka.binghamton.edu/omeka/files/original/29ef60ae3c471ac9f55407268f10eeda.jpg 65c82eeeeee5b5fd47a6427e9bf4d250 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Typed manuscript bound as book. Notes are extensive throughout entire book. Dialogue rewrites are common within this promptbook. Notes often given in “on/off” fashion, where there will be many notes for a number of pages and then very little. All markings in black pencil, also red and blue pencil. Contains a supplement folder that includes seven pages with notes. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 27.5cm x 22cm Notes Located in Binghamton University Special Collections PT2635.E548 P75 v.88 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Freiheit in Krähwinkel [promptbook] Subject The topic of the resource Nestroy, Johann, 1801-1862 Promptbook Stage directions Creator An entity primarily responsible for making the resource Nestroy, Johann, 1801-1862 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3183 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description All text in German. Handwritten on front cover is “Das Friedensfest Regie No. 3." Title page, stamped “Deutsches Theater zu Berlin." After cast list, three dates are given in black pencil. Markings in black and blue pencil. All notes are in black pencil; blue used only in margins to mark dialogue, unspecified. Includes stage sketches, movements, directions. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 21cm x 17cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.40 Production(s) December 5, 1906 December 11, "Ar. Pr." (year unspecified) January 7, 1907 Erstaufführung (premiere, likely Kammerspiele in Berlin) -Supporting materials: Box 2 Folder 57: Photographs Box 9A Folder 14: Photographs; MR acting Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedensfest : eine Familienkatastrophe [promptbook] Subject The topic of the resource Hauptmann, Gerhart, 1862-1946 Promptbooks Stage directions Deutsches Theater zu Berlin -- Germany Creator An entity primarily responsible for making the resource Hauptmann, Gerhart, 1862-1946 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3145 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:08:53 35:05 1:16:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151074">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151074</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture-recital : audible processes : minimalism & beyond, April 28, 2009 Recital Tape 2009-4-28 Description An account of the resource Works of Reich, PaÌˆrt, Adams. Held at 8:00 p.m., April 28, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Janey, Choi Reitz, Margaret Mackiewicz-Wolfe, Ewa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/631f3176c6952f2e9da94aae09d73880.pdf 13f4c3a74a8e9dc078ed5c6a1ab877ef PDF Text Text BINGHAMTON EE N I V E R S I S T A T E U N I V E R S I T Y O F N E W Y O R K [4 02475 24 D E P A R T M E N T FRIEDHEIM MEM ORIA L Lectur e/ Recita l DEBUSSY’S RH AP SO DIE S April Lucas, Saxoph one Timot hy Per ry, Cla rinet Pej Re itz, Pia no Stephen Zank, Pian o Novem ber 8, 2011 8 p.m . Casadesus Recital H all �(Achille) Claud e Debussy PROGRAM “Debussy’s Rhapsodies: A Little Confusion Can’t Hurt” (Discussion of the Works) x INTERMISSION C2? Rhapsodie for Saxophone Claude Debussy (1901–10, withheld) L’Isle joyeuse (for piano) Claude Debussy (1903–04) Rhapsodie for Clarinet Claude Debussy (1909–10) ABOUT THE SERIES The Friedheim M emorial Series honors the memory of Professor Philip Friedhiem (1930–1986) whose remark able tenure at Binghamton University featured many memorable lecturerecitals with faculty and guest artist performers on major works of the classical music tradition. We seek to recreate Phil’s special combination ' of scholarship and performance that ser ved to deepen our understanding for — and love of — great works of musical art. All proceeds of the series will go towards the undergraduate scholarship funds of the Department of Music. Born: 22 Aug., 1862, St. GermainenLaye (outside Paris) 1870–72: Paris Commune — family retreats to Cannes; Debussy begins piano lessons with an Italian (Jean Cerutti), then Antoinette Mauté (Verlaine’s motherinlaw, allegedly a Chopin student); admitted to the Paris Conservatory, as a solo pianist 1875–77: Wins minor promotion s in solfege and piano, moves into harmony, ﬁnally wins a “Premier Prix” in acco mpanying 1880–82: Engaged by Mme von Meck (Tschaikovsky’s patron) to provide music for her entourage and to tutor her children in the south of France, Florence, Moscow, ﬁnally Vienna 1883–87: Fails once, then wins the Prix de Rome (1884); passes 2 years at the Villa Medici, completing most of the required works (desultorily); also writes a number o f songs for Marie Vasnier (an early paramour) 1888–93: Enamored of Wagner, soon yields to other foreign, eastern, and “exotic” inﬂuences; me ets Mallarmé and atten ds his salon regularly; reads the Faun and attempts a ballet (unachieved). Begins to write more complex songs (i.e., the Prose lyriques). Having enjoyed a personal relationship for some time with Gaby Dupont, Debussy in 1899 marries a model, Lilly Texier 1893–1900: Finally gains some public notice with the extraordinary Afternoon o f Faun and String Quart et (1893/94); reads Maeterlinck’s Pelléas (completing a pianovocal score of the opera by 1895); ﬁn ds a ﬁrst publisher (Hartmann), and completes the thre e Nocturnes for orchestra *1901–08: Accepts a commission from “The Saxophone Lady” in Boston for a Rhapsody, 1901+; begins to write music criticism ("Monsieur Croche”) and endures the premiere of Pelléas (1902). Completes scoring La mer (1903–05); leaves his wife Lilly to live with Emma Bardac (Lilly attempts suicide). Debussy’s sole child, daughter Chouchou, is born in 1905. Begins piano and orchestral series of Images and several large (unachieved) works for the stage. Continues to produce more complex songs and more virtuosic works for the piano, i.e., L’Isle joyeuse, 1904 *1909–14: Nominated (by Fauré) to Paris Conservatory supervisory apparatus, requiring hi s composition of the annual “First Prize” work for clarinet, a Rhapsody 1909–10, written quickly between December and January, orchestrated the next year; Diaghilev commissions Jeux (completed 1912–13); both books of piano Préludes completed by 1914 1915–18: During the war, increa singly ill, Debussy nonetheless produces a book of piano études, a chamber work for harp, and solo sonatas for cello and violin. Last public appearance is in performing the violin sonata, in St. JeandeLuz Death: 25 March, 1918, Paris �Binghamt on University Music Departme nt’s U P C O M I N G E V E N T S 6 M M M ¢ 3 ¢ M $ M ¢ B ¢ MidDa y concerts are h eld on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, N ovember 1 0 — MidDay Conc ert (African) — 1:20 PM — Anderson Center Chamber Hall — FREE Sunday, Nove mber 1 3 — University Cho rus and th e Symphony Orchestra pre sent Felix Mendels sohn’s “Elijah ” — 3 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students Thursday, Nov ember 1 7 — Jazz MidDay Concert w i t h g uest ar tist — 1:20 PM — Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, Nov ember 17 — Harpur Jazz Ensemble Conc ert w i th guest ar tist — 8 PM — Osterhout Concert Theater — $10 general public; $6 faculty/staﬀ/seniors; $3 students (Cosponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, Novem ber 1 8 — University Str ing Orchestra — 4:00 PM — Grand Corridor — FREE Monday, November 2 1 — Masterclass w i t h organist Wilma Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE Thursday, December 1 — MidDay Conc ert (Burgess) — 1:20 PM — Casadesus Recital Hall – FREE Friday, December 2 — Flute Studio and Flute Chamber Con cert — 10:15 AM — Casadesus Recital Hall — FREE Saturday, December 3 — Elizabethan M adrigal Feaste (Harpur Chorale and W omen’s Choru s) — 6:30 PM — Mandela Room — $40 general public; $20 students (Special thanks to Sodexo for underwriting the student price) I f you enjoyed and were inspired by this performance, please consider supporting the Department o f Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our larger community. Please make your donation payable to the Binghamton University Music Department, and send to P.O. Box 6000, Binghamton, NY 13902. For ticket information, please call the Anderson Center B o x O ﬀice a t 7 77ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:06:25 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145383</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital : Debussy's rhapsodies, November 8, 2011 Recital Tape 2011-11-8 Description An account of the resource Works by Debussy. Held at 8:00 p.m., November 8, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lucas, April Perry, Timothy Reitz, Margaret A. Zank, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20:02 35:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145436">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145436</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital series : Schumann's Carnaval, March 17, 2011 Recital Tape 2011-3-17 Description An account of the resource Held at 8:00 p.m., March 17, 2011, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Schumann, Robert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-03-17 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:13:30 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189723">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189723</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital, September 18, 2008 Recital Tape 2008-9-18 Description An account of the resource Held at 8:00 p.m., September 18, 2008, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Salmirs, Michaels Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-09-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 5f8bd26e-bc12-4f32-aefb-bf00a7172041 https://omeka.binghamton.edu/omeka/files/original/bc4bf41667cb837200006673487671e9.pdf 2eccd50445f4333cabe632a3216a3057 PDF Text Text BINGHAMTON YP N I V E R S I T Y S I T Y O F N E W Y O R K Hiee D E P A R T M E N T F R I E D H E I M MEMORIAL LECTURE/RECITAL Johann Sebastian Bach Sonata in b minor BWV 1 030 Harry Lincoln, Lecturer Georgetta Maiolo, Flute Jonathan Biggers, Harpsichord Thursday, September 24, 2009 8:00 p.m. Casadesus Recital Hall �PROGRAM ABOUT THE PERFORMERS Johann Sebastian B ach HARRY LINCOLN is a Distinguished Service Professor, Emeritus. He holds a PhD in musicology from Northwestern University with a specialty in Renaissance Italian music and joined Harpur College in 1951. A founder and ﬁrst president of the Binghamton Symphony Sonata in b minor BWV 1030 Sonata in b minor. Johann Sebastian Bach Andante Largo e dolce Presto, Allegro 1685 1 750 Remarks on the Composition Professor Emeritus Harry Lincoln Performance Georgette Maiolo, Flute Jonathan Biggers, Harpsichord ABOUT THE SERIES The Friedheim Memorial Series honors the memory of Professor Philip Friedheim (19301986) whose remarkable tenure at Binghamton University featured many memorable lecturerecitals with faculty and guest artistperformers on major works of the classical music tradition. We seek to recreate Phil’s special combination of scholarship and performance that served to deepen our understanding for – and love of – great works of musical art. All proceeds of the series will go towards the undergraduate scholarship funds of the Department of Music. Today’s performance opens the 20092010 series with Professor Emeritus Harry Lincoln’s remarks on J. S. Bach’s Sonata in B minor featuring Georgette Maiolo on ﬂute and Jonathan Biggers on harpsichord. The next performance in the series will be held on Thursday, March 4, 2010, and will highlight composer and music critic Robert Schumann, who played a major role in the 19” century’s emerging Romantic Movement. Please join us as Mobius Ensemble’s Janey Choi (violin), Roberta Crawford (viola), Stephen Stalker (cello), and Michael Salmirs (piano) discuss and perform three representative works by this inﬂuential and enigmatic musician: Papillons, Op. 2, Mérchenbilder, Op. 113, and Piano Quartet, Op. 47. Orchestra (now the Binghamton Philharmonic), he was principal ﬂutist in that ensemble for ten years. His publications include editions of Italian madrigals and early Baroque keyboard music. A pioneer in the use of the computer for music research, he published two large thematic indexes of Renaissance polyphony as well as reporting on this research to meetings in Nottingham, Edinburgh, Copenhagen, Paris, Ljubliana, Barcelona and Tokyo. He contributed articles to The New Grove Dictionary of Music. He was active in the College Music Society, developing the Directory of Music Faculties in USA and Canada, and serving as national president in 19691970. He enjoys the challenge of analyzing music for general audiences and, in retirement, has presented lectures in the annual Lyceum program series. GEORGETTA MAIOLO is on the faculty of Binghamton University and Broome Community College teaching Flute and directing Flute Ensembles. Mrs. Maiolo is the principal ﬂutist of the Binghamton Philharmonic Orchestra and the TriCities Opera Orchestra. In addition to her playing positions, she concertizes as a soloist, recitalist and chamber musician. Mrs. Maiolo is faculty advisor for Mu Phi Epsilon, Zeta Eta Chapter at Binghamton University. In the past, Mrs. Maiolo performed several Lecture/Recitals at Binghamton University with Professor Philip Friedheim. It is an honor to perform, for the Friedheim Memorial Series, the Sonata in b minor by Johann Sabastian Bach with Professor Harry Lincoln and Professor Jonathan Biggers. JONATHAN BIGGERS maintains an active career as both a Professor of Organ and as a concert organist. He is Professor of Organ and Harpsichord at Binghamton University, and Adjunct Professor of Organ and Harpsichord at Ithaca College. Dr. Biggers has presented several hundred concerts in church and university settings throughout the United States, Canada, and Europe, and has appeared with various orchestras in North America. He has been featured on NPR, Canadian Broadcast Corporation, and Radio Suisse Romande broadcasts. Dr. Biggers has studied extensively with Russell Saunders (Eastman School of Music; DMA), Lionel Rogg (Conservatory of Music, Geneva, Switzerland; Fulbright study), J. Warren Hutton (The University of Alabama; MM and BMus), and Wallace Zimmerman (Atlanta; pre college), and has worked with Harold Vogel (Bremen, Germany) during a recent sabbatical study period. He was awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, secondprize in the 1982 American Guild of Organists National Organ Playing Competition, and �unanimously w o n the 1990 Calgary International’ Organ Festival Concerto Competition, where he presented the world premier performance of Snowwalker: A Concerto for Organ and Orchestra, by Pulitzerprize winning composer Michael Colgrass. He has premiered other works by notable composers such as Richard Proulx (Concerto for Organ and Orchestra), Craig Phillips (Triptych for Organ, Brass and Percussion), Persis Vehar (Soundpiece for Organ), and David Brackett (Nightworks for Organ). Two highly acclaimed Compact Disc recordings of his performances (“Sleepers, Wake! A Reger Perspective” and “Bach on the Fritts!) have been issued by Calcante Recordings. Binghamton University M usic D epartment’s U P C O M I N G E V E N T S Friday, S eptember 2 5 ” Fast Indian Sarod with guest artist Rajeev Taranath, 8:00 PM, Anderson Center Chamber Hall, $$ Thursday, October 1 % MidDay Concert, 1:20 PM, Casadesus Recital Hall FREE idDay Concert, 1:20 PM, Casadesus Recital Hall Thursday, October 8 ” M FREE October various d ates a n d ti m es 3Penny Opera with the Theatre Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$, call 607. 77ZART5 for dates and times Thursday, October 1 5 ” MidDay Concert, 1:20 PM, Casadesus Rectal Hall FREE Sa tu rd ay, October 1 7 ” P aul Taylor Dance Company with the Binghamton University Symphony Ordrestra, 8:00 PM, Osterhout Concert Theater, $$ Thursday, October 22™ MidDay Concert; 1:20 PM, Casadesus Recital Hall FREE Sa tu rd ay, October 2 4 ” Family Weekend Concert (Harpur Chorale, Women’s Chorus and Wind Symphony), 3:00 PM, Osterhout Concert Theater, FREE Thursday, October 2 9 ” MidDay Concert, 1:20 PM, Casadesus Recital Hall FREE For ticket information, please call the Anderson Center Box O ﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:08:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152706">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152706</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital, September 24, 2009 Recital Tape 2009-9-24 Description An account of the resource Works of Bach. Held at 8:00 p.m., September 24 , 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-09-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f6b8b8e6d2110cb4b0262e74ad61d823.pdf a93e7a34d76689ab77bff3869935b4bf PDF Text Text BINGHAMTON M N I V E R S I Y X T S T A T E U N I V E R S I T Y O F N E W Y O R K wide [4 D E P A R T M E N T F R I E D H E I MM EMORIAL L E C T U R E / R E C I T A L F R A N Z S C H U B E R T Wanderer Fantasy Alice L. Mitchell, L ectu re r J o h n Covelli, Piano Sunday, February I, 2009 3:00 PM Casadesus Recital Hall �The Binghamton University Department of Music presents the 20082009 Philip F riedheim Memorial LectureRecital Series ABOUT T H E PERFORMERS F ranz Schubert ’s ALICE MITCHELL is a native New Yorker who received her earliest music education at the Third Street Music School Settlement and as an undergraduate at Hunter College. She continued with graduate studies in musicology at Smith College, as a student of Alfred Einstein and at Columbia University with Paul Henry Lang. She has performed as a piano soloist at Town Hall, Steinway Hall, and at the Brooklyn Academy of Music. Her publications include an edition and translation of Carl Czemy’s Treatise on Improvisation (Op. 200), articles in the Musical Quarterly, the Musical Heritage Review and Grove’s Dictionary, and liner notes for Dover Publications recordings. She has served as Chair of the Music Department, during which she initiated the joint graduate program in opera with TriCities Opera and opened negotiations that resulted in the Link Professorship. Wanderer Fantasy C major, Op. 15, D. 760 Remarks on the Text and Composition Professor Alice L. Mitchell Performance John Covelli, Piano E BBC E C B C E C B C B B C B C B C B B CBE C B B BC B While recognized as one of the more versatile conductors of his generation, JOHN COVELLI has for most o f his life been known and respected as an extraordinary piano talent. As a Chicagobom piano prodigy studying since age four, he was credited in his youth with numerous concerts, broadcast recitals, special musical awards, performances at the Chicago Music Festival, with the Chicago Symphony at age 9; reci pient of the Chicagoland Festival Award; a highly lauded allBach concert at the Texas Bach Festival, as well as composing prizes. A s a teenager, h e was t he on ly conce rt pianist ever to win the famous The Friedheim Memorial Series honors the memory of Professor Philip Friedhiem (19301986) whose remarkable tenure at Binghatmon University featured many memorable lecturerecitals with faculty and guest artist performers on major works of the classical music tradition. We seek to recreate Phil’s special combination of scholarship and performance that served to deepen our understanding for – and love of – great works of musical art. All proceeds of the series will go towards the undergraduate scholarship funds of the Department of Music. The 20082009 series opened in September 2008 with Professor Emeritus Harry Lincoln ’s analysis of Schubert ’s classic lied Der Erlkonig. (Incidentally, Harry served as performer with Walter Ponce on one of Phil’s many programs.) Today’s performance, as noted above, features an examination of Schu bert ’s Wanderer Fantasy, with a lecture by Professor Alice L . Mitchell (another o f Phil’s colleagues) and Guest Pianist John Covelli. The third and ﬁnal Friedheim concert of the 20082009 series will be on Tuesday, April 28", and will unravel mysteries of modern music in Audible Processes: Minimalism and Beyond with Professor Paul Schleuse lecturing. Faculty performers include Timothy Perry, Margaret Reitz, Janey Choi, Michael Salmirs and Ewa MackiewiczWolfe. Godfrey Talent Scout Program and appeared in a series of nationwide CBSTV performances. His New York debut drew rave notices from every newspaper and major publication present including the Times stating, “This is one of the best debut recitals in our recollection.” While conductor and soloist of the famed Seventh Army Symphony, he was selected special musical ambassador for USIS gleaning accolades as featured touring soloist throughout Europe. As a winner in two o f E urope’s m ost prestigious piano com petitions t he Queen Elizabeth of Brussels, and the Busoni International Piano Competition in Bolzano, Italy, John Covelli was launched from youthful prodigy to an international performer of major standing. Critical praise from major music capitals was unanimous. In addition to solo piano concerts, the unique excitement John Covelli brings to the dual role of conductor/pianist in a wide range of concertos from Gershwin, Gottschalk, Shostakovitch, and Saint Saens, to Bach, Beethoven, Mozart and more has become a special part of his international musical charisma. (Biography © 2003 John Covelli, All rights reserved.) �Coniz (enst S u n d a y, Februa r y 1 5% Musica Nova: Sing a New Song, Anderson Center Chamber Hall, 3:00 PM, $$ Saturda y, Februar y 21% A Russian Fantasy for Two Pianos with Ewa MackiewiczWolfe and Michael Salmirs, pianists, 8:00 PM, $$, Anderson Center Chamber Hall Sunday , Februa ry 2 2 ™ Organist Jonathan Biggers A Bach Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold O ut) Tuesda y, Februar y 24°" Organist Jonathan Biggers – A Bach Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$ idDay Concert, 1:20 PM FREE Thursda y, Febru ary 2 6 ” M Casadesus Recital Hall uest Artist: Dr. Hal Reynolds, trombone, Thursda y, Februa ry 2 6 ” G Casadesus Rectal Hall, 8:00 PM, FREE rganist Jonathan Biggers – A Bach Friday, Februar y 2 7 ” O Celebrationl.l Series, Fine Arts Room 21, 8:00 PM, $$ Thursda y, March 5 MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Thursda y, March 5 Counterpoint: Celebrating Women in the Arts, Casadesus Recital Hall, 7:30 PM, $$ Saturda y, March 7°" University Symphony Orchestra: Hearing the Orient, Osterhout Concert Theater, 8.00 PM, $$ Wind Symphony, 3:00 PM, FREE S u n d a y, March 8 ” University Anderson Center Chamber Hall oncert, 1:20 PM – FREE Thursda y, March 1 2 ” MidDay C Casadesus Recital Hall For ticket information, please call the Anderson Cente r B ox O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiocassette 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:26 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture/recital: Franz Schubert, Wanderer Fantasy, February 1, 2009 Recital Tape 2009-2-1 Description An account of the resource Held at 3:00 p.m., February 1, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Covelli, John Mitchell, Alice L. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-02-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:17 1:04:20 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145165">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145165</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim, memorial lecture/recital, March 4, 2010 Recital Tape 2010-3-4 Description An account of the resource Held at 8:00 p.m., March 4, 2010, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Choi, Janey Crawford, Roberta Salmirs, Michael Stalker, Stephen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-03-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196808">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196808</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From earth to the heavens, April 29, 2007 Recital Tape 4-29-2007 Description An account of the resource Held at 7:30 p.m., Apr. 29, 2007, Anderson Center Osterhout Theater.Works of Danner, Cichy, Chance, Ticheli, Sousa, Holst, Ward. Creator An entity primarily responsible for making the resource Smith, Robert Linaberry, Robin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-04-29 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID aa341eec-f900-4729-970f-7ee46f91b74b