37
10
1775
-
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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27:30
23:00
33:49
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59474">Community Symphony Society Concert</a>
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Title
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Community Symphony Society Concert, February 18, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works of Chansson, Wagner, Karl Korte.
Creator
An entity primarily responsible for making the resource
Community Symphony Society
Publisher
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Binghamton University Libraries
Date
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1967-02-18
Rights
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In copyright
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Wagner, Richard, 1813-1883
Korte, Karl
State University of New York at Binghamton. Department of Music.
Type
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sound
Identifier
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39091020093351
39091020093401
39091020093450
-
https://omeka.binghamton.edu/omeka/files/original/d25f11ac0a13c7404639378dfea4de1e.pdf
eb50a201d7bfab31a8dbbcbbbe197a44
PDF Text
Text
vox
�.
· •
. : •..
.
• • .:
;
. . ..
.
�State Univer sity o f New York at Binghamton
Department of Music presents
HARPUR
COLLEGE C HOIR and G L E E CL UB
Harpur Theater
8:15 p .m
PROGRAM
L ob: Mein' Seel', Den
Magnificat in G minor
Alice Hayes,
Alida Stahl, s oprano soli
CHOI R
';:'
Down
Brothers Sing'
Stopping
Ry Woods
Among The Dead Men
Ralph
Fa Una Canzone
11on Coeur Se Re commande A \'ous
Lasciate Mi 'lorirc
Revecy \lcnir Du Printans
CHOIR
J.S.
Bach
Vivaldi
Edward Grieg
Randal l Th ompson
Va ughan Wil iams
Orazio Ve cchi
Orlando
di Las so
Claudio Monteverdi
Claude Le Jeune
/\ TERMISSION
The Spring Time of The Year
Ralph Vaughan Williams
B onnie Ran T he Burnie
Doun
Eric Smith
Béla Bartók
Four Slov,,k Folk Songs
Whup ' Jamboree
Robert Shaw - Parker
Haul Away, Joe
Robe rt Shaw - P arke r
What Shall We Do With A Drunken Sailor
\lar shall Bartholomew
GLEE CLUB
Mountain
Nights
Psalm of David
Alida Stahl, soprano solo
Geographical Fugue
CHOIR
La s Agachadas
CHOIRAND GLEE C L UA
Zoltan Kodaly
Robert Starer
Ernst T och
Aaron Copland
�II ARPl ' R COLLEGE CHOIR
Mr. David Buttolph, Director
Ellen Leinwand, Accompanist
President
Executiive Secretary
Librarian
Robe Mistress
Stage Manager
James Baldwin
Carol Anthony
Margaret Jackson
Marsha Kadleck
David Crowe
SOPR
I NOS
ALTOS
-, ENORS
Carol Anthony
Vi r_1sinia Baker
Candace Bergan
Judith Elterman
Joanne Grizzanto
Rosemary Gruss
Alice Hayes
Sue Jurkowski
Alida Stahl
Marcy Walter
Sara Baron
Elaine Bolton
Mary Brock
Nancy Car lson
Jeanne Cook
Linda Fishk.in
Margaret Jackson
Christine Livingstone
John Bennethum
!.ee Connor
Ben Erlitz
Roy Gordon
Terry Howell
Jim Baldwin
David Crowe
Stephen Foulk
Steve Walker
Keith Willcox
HARPUR COLLEGEGLEECLUB
Mr. Dennis Williams, Di rector
Donna Ha llen. Accompani s t
TENORS
BARITONES
Wi lliam
Clemente D' Alessio
Dominic Defazio
lrvin Schwartz
Edwin R. Squiers
John Witmer
Ahroon
Frederick Forman
Roy Gordon
Alan Katz
Jon Paul Robbin s
Paul Darnel l
Peter Lewis
Stevan Millheiser
Alan Sanders
Ronald Vandervall
There u•ill be a RECEPTION in the Faculty Lounge
fo r the membe rs of the Harpur College Choir. and Glee
Club . follow ing their performance
�
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
Duration
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37:45
38:35
OHMS Object
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59468">Harpur College Choir Recital</a>
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Dublin Core
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Title
A name given to the resource
Harpur College Choir Recital, March 10, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works by Bach, Grieg, Monteverdi, Bartók, Copland. Held at 8:15 pm, March 10, 1967, Harpur College Theater.
Creator
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Harpur College Choir
Publisher
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Binghamton University Libraries
Date
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1967-03-10
Rights
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In copyright
Contributor
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Bach, Johann Sebastian, 1685-1750
Bartók, Béla, 1881-1945
Copland, Aaron, 1900-1990
Grieg, Edvard, 1843-1907
Monteverdi, Claudio, 1567-1643
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur College Choir Recital.pdf
-
https://omeka.binghamton.edu/omeka/files/original/7f002a478dd3ecaeff2b546edd234a7e.pdf
c1b20561273b6f895d3b4f1f51619e9c
PDF Text
Text
�STATE UNIVERSITY OF NEI' YORK AT BINGHAMTON
Committee and the Department of Music present:
Convocation
Frances Y ates, Pi ani st
PROGRAM
I
JOHN C AGE: SUITE FOR TOY P I ANO, IN 4 MOVEMENTS, 1948
FRANZ JOSEPH HA YDN: PIANO SONATA, C MINOR , 1771
No. 33 in Vienna UrtextEdition, Hob XVI/20
moderato
andante con moto
allegro
INGOLF D AH L: SONATA P ASTORALE , 1959
moderato,
allegro comodo
Elegia, adagio ma non troppo
scherzino
champetre, allegro con brio.
Fete
INTERMIS SION
C H AR L ES !YES:
SECOND PIANO SONATA:
"Concord . .Mass., 1840-
1860"
Emerson
Hawthorne
The Alcotts
Thoreau
1
the republish
comMrs. Yarevised byand
15, published 1919,
907-1915
poser
190
ThisSonata was composed
performance is from the second
and 1940from the first edition; the present
A RE CEPTION honoring Mrs. Yate will be held in the Faculty Lounge,
adjacent to the Theater, immediately following the performance. The
audience
is
cordially invited to attend.
�FRANCES MULLEN YATES and PETER YATES founded in
1939 at their home in Los Angeles theEvenings on the Roof
chamber concerts, now in their 28th sea
ason the Monday Evening Concerts at the Bing Auditorium of the Los Angeles County Art Museum. In the first years o f these concerts, Mrs. Yates
performed works by Bartók, Busoni, Schoenberg, the Beethoven
Diabelli Variations, and the "Concord" Sonata by Charles Ives,
repertory at that time by no means in fashion or demand. She
played the "Concord" Sonata at Harpur College in 1964, with a
Suite for Piano dedicated to her by Lou Harrison. For the forthcoming Harpur recital she is repeating by request the Ives Sonata, accompanying it with the still unpublished Sonata Pastorale
by Ingolf Dahl a nd the Suite for Toy Piano by John Cage, both
composers longtime friends.
Peter Yates was coordinator of "the Roof" for 15 years. Since
1940 he has written monthly articles about music and the arts
for the magazine Arts and Architecture, and his writings have
appeared in Saturday Review,High Fidelity, Vogue, Holiday and
Horizon. lie is a Contributing Editor of Arts in Society (University of Wisconsin).
He has lectured in recent yearsat more than
thirty American universities and at the Salzberg Seminar in American Studies.
He has published two books, An Amateur at the
Keyboard (1963) and Twentieth Century Music (1967). He was
a co founder of Poetry Los Angeles and broadcasts regularly
over KPFK Los Angeles.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
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33:42
19:58
39:05
OHMS Object
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59465">Frances Yates Recital</a>
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Title
A name given to the resource
Frances Yates Recital, March 20, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works of Haydn and Dahl. Held 8:15 pm, March 20, 1967, Harpur College.
Creator
An entity primarily responsible for making the resource
Yates, Frances
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-03-20
Rights
Information about rights held in and over the resource
In copyright
Contributor
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Haydn, Joseph, 1732-1809
Dahl, Ingolf, 1912-1970
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Frances Yates Recital.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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28:47
36:16
34:31
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60291">Peter Yates Lecture</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Peter Yates Lecture
Subject
The topic of the resource
Concerts
Description
An account of the resource
Lecture presented on March 21, 1967, Harpur College. Peter Yates, together with Frances Mullen Yates, founded the Evenings on the Roof chamber concerts at their home in Los Angeles. He is the author of many magazine articles and two books, An Amateur at the Keyboard (1963) and Twentieth Century Music (1976)--program notes.
Creator
An entity primarily responsible for making the resource
Yates, Peter
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-03-21
Rights
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In copyright
Contributor
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State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020093286
39091020093336
39091020093385
-
https://omeka.binghamton.edu/omeka/files/original/bd94756bda37a903e3dac774a44e18dc.pdf
e55d35103934976b605e656f312dd87e
PDF Text
Text
State Univers ity of New York at Binghamton
Harpur College
The De partment of M usic
Presents
THE HARPUR ORCHESTRA
David Buttolph , Conductor
Robert Mos ley, Guest So lois t
SATURDAY , APRIL 8th , 3:00 P.M .
at Binghamton Wes t Junior High Schoo l
SUNDAY , APRIL 9th , 8: 15 P.M .
at Harp ur Aud itorium
�P R OG R AM
CONCERTO GROSSO in D Minor
Opus 3 No.I I for Orchestra
An tonio Vivaldi
(c. 1675-1741)
Vittorio Giann in i
(1903-1966)
Allegro
Largo
Allegro
Adagio - Allegro Energico
The CONCERTO GIi.OSSO in ll Minor is one of twelve
c oncertiwhich comprise
Opus J , perhapsthe most celebrated o( Vivaldi's Concerto publications written in
1712, and dedicated to Ferdinando !II. Grand Duke of Tuscany Originally written
as • concerto for two Violins and Cello obli
gat
o, this work well representsschool
a
of violin playing which made a defin a
ble
badvancebeyond 18th centurypractice. The
popularity of this concerto wa &u<h that Bach reworked
it for soloOrgan.
l n this
instanceit is setfor full orchestra by the
late American composer, Vittorio
Gianinni.
ABOUT
\/, , Robert
Mosley is a
winnerof
OUR
SOlOIST
the Rockefeller, Whitney
and Marian
Anderson
ards as well as the Metropolitan auditions.
in South
He was
America
on tour
for the StateDepartment
with
the company
of "Porgy
and Bess."
Recently he has
Bohuslav Martinu
(1890-1959)
performed in "Aida" and "Pagliacci"with the Brooklyn Civic OperaCompany
and
thisfall will sing with the Los AngelesCivic Opera.
RobertMosley, Baritone Solo
Men's Chorus*
and Orchestra
Bohuslav Martinu,
living in France near
centering
ingall
forhere
America
Pres
his thoughts on leav
had already
where Martinu, too, wanted to help in the task of awakeningthe world on behalf
of his martyred homeland All performancesof hi, works in Prague wereforbidden
b_,. the Nazis,
who also blocked the fees from hi, internationalroyalties.
At the time Martinu wrote
his FIELD MASS, he was s
•till o'--d by the thought
of his homeland, and he dedicated the work t o the Czechoslovak
of the occupation
The text of the FIELD MASS is from folk poetry and quotations from the
Psalms It wasarrangedby Martinu withthe collaboration of Jiri Mucha.
intermission
�PROGRAM
(continued)
AMERICA
An epic Rhapsody in three parts for Orchestra
Ernest Bloch
(1880-1959)
,
A
-
mer
- i
-
ca!
p poco
jus
Another fragment of the anthem which is usedand found in many parts of the
work is where the text says, "Our fathers builded a nation." It is an ascending passage
descriptive of the struggles
of the Pilgrims ud is heard in the first movement
and also in the third
movement after the "Collapse" episode.
The thematic fragments
seem
to form a march culminatingin the Anthem which Bloch wanted everyone
to sing, - an expression
of hope and deepfaith 1n our country.
(these notes by Suzanne Bloch)
On April 8th Miss SuzanneBloch, daughter of the composer,
abouther
fatherand
d theA me
erican Symphony.
will speak briefly
-
tice an
�MEN'S CHORUS
MEMBERS OF THE ORCHESTRA
Violins
Robbins
*Nancy
*Marianne Wallenberg
*Melba Sandberg
David Vittum
D<boD Booth
TROMBONES
Allen Thompson
John Baldon
*Roger K e a g l e
*Alan Sopper; Robert Giblin; *David Einfeldt; *David Agard
ENGLISH HORN
*Scott Eddy
*Betty Lou Agard
Ruth Wiley
Sally Shafer
*Sophie Horowitz
INETS
CLAR
Candace Duncan
Arthur Abrahams
Beverly Tomasosky
Gary Harris
PERCUSSION
*RussellColton
*Karl Getz
*Margaret
Seward
BASS CLARINET
James Kingsbury
*RichardBrooks
*Kenneth Hollister
Laura Eringer
*Ruth Bro wn
Whitmore
Christine Livingstone
*Jane
Donald Alexander
Chris t ian Granger
Lanny Levine
Gary Mallinson
Dennis Williams
Arnold
Thomas
*Dawn Marr
Marguerite Mizelle;
Diane Phelps
Terry Ho well
William Vigars
Stephen Babb
James Baldwin
*DonalO'Buckley
Christopher Langton
*Sally Pierce ; David Wilson
PICCOLO
Marsha Kadleck
*William Lockwood
*Delbert Cobleigh
an ; Peter Boor
KaplCHAIRMAN
CONCERT
John Wil iams ; Nathan
is aided by a grant from the Recording Industries( Music
This performance
Trust Funds , Samuel R. Rosenbaum, Trustee.
Performance)
John Noxel
John Ozvold
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
34:51
40:23
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296">Harpur College Orchestra Concert</a>
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Orchestra Concert, April 9, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
America / Ernest Bloch, Donald Brister, tenor.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Bloch, Ernest
Brister, Donald
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-04-09
Rights
Information about rights held in and over the resource
In copyright
Contributor
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State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur College Orchestra Concert 1967-04-09.pdf
-
https://omeka.binghamton.edu/omeka/files/original/57d2c735b0d4ed516bef629d20d4cdcd.pdf
87de237e952e15716dbd4c262a7199a3
PDF Text
Text
s.u.n.y. at binghamton
dept. of music presents
the harpur college
choir
men's glee club
women's chorus
Sunday, may_27, 1967
harpur theater
8:15 p. m .
the
ways of
love
�program
the ways ofvloe
the
anguish
of love
A tonio Lo tti
piange l'amante ucciso
English Text
Italian Text
Ucciso
Piange L'Amante
lalorieradelSol,
L'Alba ve rmiglia;
E'un avida Conch iglia,
le lagrime ,accoglie,
onde ne forma
candida perla e vaga,
Di cui n'ornano i Regi
le corone regali e pretiose
Di cui cingon'il collo
le Donzelle Vezzose:
Ed'io riflenointan lo
Ch'anch'il fasto mor!al,
nasce dal pianto.
Weeping, a lover languished,
As by first kiss of Sun,
Sky was awakened.
But see, his tears so shining
those tokens of his sorrow,
by love are changed
into a fountain of pearls;
such rare jewels oft are chosen
bya king to adorn his royal diadem,
Or to encircle the neck of
noble maidens delightful.
And musing I thus reflected
All the pomp of mankind
is born of mournir>g.
Ellen Leinwand, Harpsichord
youth
in love
Bela Bartók
love song
romantic lovve
Johannes Brahms
new songs of love
Soloisls, in order of appearance
Carolyn Kimble, Soprono
Alice Hayes, Mezzo Soprano
Ann Grant, Soprano
Alida Stahl, Soprano
Alon Katz, Tenor
Harpur College Choir
David Buttolph,
Conductor
Ellen Leinwand, Donna Hallen, Accompan ists
Intermission
�Gabriel Faure
messe basse
Kyrie Eleison
Alida Stahl, Soloist
Sanctus
Benedictus
Agnus Dei
Women's Chorus and Women of the Choir
James Baldwin* Conductor
Donna Hallen, Accompanist
Randall Thompson
the testament of freedom
A Setting of Four Passages from the writings of
Thomas Jefferson
I. A Summary View of the Rights of British America (1774)
and necessity oftaking up arms
II. Declaration of causes
lll.(July6,l775)
IV. Letter to John Adams, Monticello (September 12, 1821)
Harpur College Glee
Club
Dennis Williams, Conductor
Donna Hallen, Accompanist
�The God who gave us life gave us liberty at rhe same time; the
I.
■
hand of force may destroy but cannot disjoin them.
II . We have counted the cost of this contest, and find nothing so
■
d readful as voluntary slavery. Honor, justice, and humanity forbi d us
tamely to surrende r that freedom which we received from our gallant
ancesto rs, and which our innocent poste rity have a right to receive from
us. We cannot end ure the infamy and gui lt of resigning succeeding gene rations to that wretchedness which inevitably awaits them if we basely
ent ail hereditary bondage upon them.
Our cause is just. Our union is perfect. Our internal resources are
great ... We gratefu lly acknowledge, as signal instances of the Divine
favor reward us, that His Providence would not permit us to be called into
this severe controversy until we were grown up to our present strength,
had been previously exercised in warlike operation, and possessed of the
means of defending ou rselves. With hearts fortified with these animating
reflections, we most solemnly before God and the world, declare that,
exerting the utmost energy of those powers which ou r beneficent Creator
hath graciously bestowed upon us, the arms we have been compelled by
ou r enemies to assume we wi l l, in defiance of every hazard, with unabating firmness and perservance, employ for the preservation of our liberties;
being with one mi nd reso!ved to die freemen rather than to live slaves.
Ill. We fight not fo r g lory o r for conquest. We exhibit to mankind the
■
remarkable spectacle of a people attacked by unprovoked enemies, without any imputation or even suspicion of offense. They boast of their
privileges and civilization, and yet proffer no milder conditions rhan
servitude or death.
In our native land, in defense of the freedom that is our birthright
and which we ever enjoyed ti l l the late violation of it; for the prorecrion of
our property, acqui red solely by the honest industry of our forefa1hers and
ourselves; against violence actually offered; we have taken up arms. We
sha l l lay them down when hostilities shall cease on the parr of the aggressors and all danger of their being renewed shall be removed, and not
before.
IV. J shall not die without a hope that light and liberty are on steady
■
advance ... A nd even should the cloud of barbarism and despotism again
obscure the science and liberties of Europe, this coun lry remains to pre.. The flames k indled on
serve and restore light and libert y to them
the 4th of Jul y, 1776, have spread over too much of the globe to be extinguis hed by the feeble engines of despotism; on rhe contrary, they will
consume these engines and all who work them .
The God who gave us life gave us liberty at the same time; the
hand of force may destroy but cannot disjoin them.
�Johannes Brohms-Liebeslieder Waltzes
■
Ahhough vocal quartets accompanied by piano (two o r four hands)
are a rather exotic experience for modern concert audiences, they are
almost common in the last century as string quartets. The sentiments of the
various texts are not pecu l ia r lo any one country, but are generalized and
traditional observa tions on the theme of love. The words are decidedly
less important than the music as indicated by the statement in the original
edition that the vocal parts were "ad libitum" and could be omitted. To
omit the voices, of course, would be to lose half the sheer joy and fun .
All fifteen numbers show Brahms in his most genial Vienese vein. Despite
the unbroken waltz rh ythm, the music is never monotonous. Frequent
changes of mood as well as vocal mediums p rovides the opus with variety
and order.
Antonio Lolti--Piange l'Amante Ucciso
■
A ntonio Lolli, a baroque Venetian vocal composer, contributed greatly
to the musical realms of both sacred and secu lar music. Du r ing the first
part of hi s life he held the position of chu rch organist which required him
to compose the music necessary for church services. After relinqu ishi ng
this position, Lotti began to compose secular music. It is through his seventeen operas that he won musical fame throug hout Europe. " Piange
l'Amante Ucciso" is from this period. We see in this work a last represen tation of the old severe school combining a largely chromat ic harmony
in adherence with the Baroque doctrine of affects, with a smooth and flowing con trapunt al style.
Gabriel Foure- Messe Basse
■
It is often said that Faure's music is the embodiment in sound of
French civilization al is most fastidious. The " Messe-basse" and ea r ly
choral work, greatly supports this statement. What the listener finds here
is a melodic gift of long sinous and supple phrases shaped by an unobtrusive chormatic harmony. One feels as if Faure is wandering through
a maze of harmonies while never losing what may romantically be descr ibed as " pure and eloquent" beauty.
Belo Bartók--Love Song fro m 4 Hungar ian Folksongs
■
One of Bartok's most significant contr ibutions l ies in h is sellings of
folk music. It is here that Bartok is able to fuse the national folk elements ,
both rh ythmic and harmonic, with h ighly developed techn iques of art
music. This particular fol k song from Hungary maintains a cho rd al homophonic structure as well as a subtle irregular meter and offbeat accents.
The particular ethnic character combined with a universal sense of g aiety,
provides the listener with an exuberant aff irmation of love and life.
(Program notes by Ellen Leinwand)
�COLLEGE CHOIR
SOPRANOS
ALTOS
Candace Bergan
Judith Ellerman
Ann Grant
Alice Hayes
Carolyn Kimble
Alida Stahl
Carol Anthony
Susan Jurk owski
Cheryl Kindt
Chrystyna Pry lula
Elizabeth Demsky
Elaine Dukot
Mary Brock
Jeanne Cook
Jean Elison
Margaret Haller
Ch r istine Livingstone
Saly Baron
Linda Fishkin
Jayne Kaplan
Margaret Jackson
Susan Genis
Helen Hirsh
WOMEN'S CHORUS
Linda Holgers
Deborah Huffman
Millie James
Nancy Master
TENORS
William Ahroon
Frederick Forman
Alan Katz
Craig O'Neill
Jon Paul Robbins
James Van Ha rt
MEN'S GLEE CLUB
BASSES
Paul Darnell
Steven Millheise r
Alan Sande rs
Harry Waisblatt
TENORS AND BASSES
William Ahroon
lee Connor
Ben Erlitz
Terry Howell
Alan Katz
Jim Baldwin
David Crowe
Stephen Foulk
Keith Wi l lcox
Linda Rosen
Linda Stiles
Cher ie Vick
Diane Winters
BARITONES
Thomas Baynes
Clemente D'Alessio
Domine Defazio
Edward Marion
Irvin Schwartz
Thomas Strain
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:21
32:41
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60300
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60300">Harpur College Choir Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Choir Recital, May 27, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Works of Lotti, Bartók, Brahms, Thompson.
Creator
An entity primarily responsible for making the resource
Harpur College Choir
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-05-27
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Lotti, Antonio, -1740
Bartók, Béla, 1881-1945
Brahms, Johannes, 1833-1897
Thompson, Randall
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur College Choir Recital 1967-05-27.pdf
-
https://omeka.binghamton.edu/omeka/files/original/84467708433254f0961c1feb2c6b7a2c.pdf
8f93827dea55702f1128ebdf7b5dfe43
PDF Text
Text
00
D
HARP UR COLLEGE
Department of Musi c presents:
I
A
N
A
State University of New York at Binghamton
ta>
ta>.
00
00
00
ta>
00
T
A
K
KY00ta>.
D
E
E
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00
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00
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DIA NA
TAKY
DEEN
pia nis t
Tuesday, January 3 '
8: 15 p. m.
1967
Ha rpur Theater
PROGRAM
BACH - BUSON I
Chaconne
BEETHOVEN
Sonata , Opus 110 in A Flat Major
Modera to cantabille,
molto espressivo
A llegromolto
Adagio ma non troppo
Fuga
lntermission
BOGHOS - GELAL!AN
Sonata f or Pianoforte
Allegro
Andantino
Allegro
DEBU SSY
Prel udes
Dan s euses de De lphes
Bruyères
La Fi lle aux Cheveux de
Lin
CHO PIN
Ba ll ade #4,
i n F Mi nor , Opus 52
A RECEPT1 ON honoring
will
be held in the
Miss
Faculty
adjacent
to the theater
following
the recital.
is
cordially
invited
Taky Deen
Lounge
immediately
The audience
to
attend.
�T HI S EVEN I NG'S ART I S T
Miss
Diana Taky Deen
was born in
1933
in the
Philippines ,
and later
became
a citizen
of Lebanon,
where
she
has become
one of
the nation's
leading pianists.
the
Her
musical education
began in
Philippines
where she graduated
from
the
Lobregat
Academy
of Music
at
Manila.
In
1957, she received
her
Diploma
from
the National Conservatory
of Music
in Beirut, and a
B.A. in Philosophy
from the American
University of
Beirut.
She pursued
advanced
studies in Paris, Rome, and
Siena, and
is
currently
a Lecturer
in
Fine
Arts
at
the
American
Univer-
sity.
Miss Taky Deen
has given concerts
in
Egypt,
France,
Great
Britain,
Italy ,
Jordan,
the
Soviet
Union,
Spain,
West
Germany and Yugoslavia .
In
Beirut,
she
served from 1957
to 1963 as a piano
professor
at the
National
Conservatory
of Music, and
became Dean
of the
Piano Department
in 1963.
She
has received
numerous
scholarships,dist i nctions
and awards
for her pianistic abilities .
Iler
visit
to
the
United States
is the result
of her
efforts in behalf
of music in Lebanon .
Under the
auspices of a State Depa r tment Leader
Grant,
she has
the opport u nity
to
meet American musicians and
students
and
observe
how
they
prepare
for
the i r careers .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:30
28:46
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54694">Piano Recital Diana Taky Deen</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Piano Recital Diana Taky Deen, January 3, 1967
Recital Tape 1967-1-3
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bach-Busoni, Beethoven, Boghos-Gelalian, Debussy.
Creator
An entity primarily responsible for making the resource
Deen, Diana Taky
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Busoni, Ferruccio, 1866-1924
Beethoven, Ludwig van, 1770-1827
Gelalian, Boghos
Debussy, Claude, 1862-1918
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-1-3
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Piano Recital Diana Taky Deen Recital Tape 1967-1-3.pdf
-
https://omeka.binghamton.edu/omeka/files/original/b53f68f141dc8577affc7f43cfaaebec.pdf
76594d5343de55f067206e48f29d3f18
PDF Text
Text
Guarneri
Harpur
String
Quarter
Season
Winter
Series
66-67
�Wednesday, January 4, 196 7
8: 15 p.m. College T heater
L. v . BEETHOVEN
QUART ET in F MAJ OR, Op . 18, No. I
Allegro con brio
Adagio affettuoso ed appassionato
Sc herzo. Allegro mol to
A llegro
QUART ET in E-FLAT MAJOR, Op. 74
P oca Adagio; Allegr o
Adagio
Pres to
Allegretto con Variazioni
intermission
QUART ET in C - SHARP MI NOR, Op. 131
Adagio, ma non troppoe mo lto espressivo
A RECEPTION honoring the Quartet will be
held in the Faculty Lounge adjacent lo the
theater following this evening's r ecital . The
audience is most cordially invited to attend.
�Notes
by William
B eethoven's
Klenz
Quartet in F major {published in 1800)
was not in fact the first composed of the six quar-
tets of Op. 18. However its position is justified
and appropriate in that it shows the purport and direction
of Beethoven's quartet wr iting from the first. Based on the
highl y integrative " essayist" method forged by his teacher,
Haydn, it is a work of far g r eater density and specific gravity
than its attractive surface alone might l ead one to expect.
The organic thematic process - whichresemblesnothingso
much as the unity of l iving organisms, especially the trees
of Beethoven's bel oved out-of-doo rs - is everywhere operative if not at once apparent. The work has been described as
"seeming to have been cast in a single pou r ing,• so gr eat ts
its unity. However the truth is that it cost Beethoven much
eff ort. The opening, acor n •like theme - which contains the
gr eat t r ee - appears i n Beethoven's notebooks first in forms
which are unbelievabl y clumsy and ungainly. No fewer than
five distinct versions are visible with finally onl y the initial
motive (6 notes) showing Itself strong enough to retain its
iden111y under the hammer of Beethoven's seU criticism .
Its inner premises are detectable in the thematic material
of all the movements. Also, while the work was still In
manusc ri pt, Beethoven recalled it and substituted (1st movement) an entire new development section, saying " I have
only Just learnt how to write quartets properly.•
The power and beauty of the Adagio str uck Beethoven's
contemporaries who asked what he had been thinking of.
Beethoven the Shakespeare. Jove r replied "the tomb scene
in Romeo and Juliet.• We can do no be tter .
T he Scherzo and Finale r ecove r the youthful "Spring
morning• exuberance which illuminates the inner complexities of the first movement and also complete the cycl e of
universals which comprise the design - organism in cosmos.
Beethoven's tenth quartet, Op. 74, was written in 1809
and published in 1810. Of all the quartets , it perhaps conveys
the greatest beauty of sheer sonority. The magical spacing
of the parts in the l abryinthine introduction and the arpeggios
-bowed and plucked- of t he Allegro (which give the work
its nickname, the "Harp") are all disposed in such a way
t hat the physical beauty of the sound becomes (as ts not
always the case with Beethoven) an unusuall y affective di mension. This is especially true of the Adagio where t he considerabl e use of subdominant harmonies contributes to the
�exalted serenity of the movement. The form Is strophica Lied, or aria of three stanzas-each repeat being varied,
and, something exceptional, the principal melody (I violin)
cast each time an octave lower so that the final verse can
make use of the earnest entreaty of the violin's lowest string.
The Presto (not actually marked "Scherzo") is built upon
the famous "V" motive (•••-)which has already appeared
at the coda of the first AJ l egro. The key (C minor) and the
motive inevitably recal l s the Fifth Symphony (Op. 67) and
the relationship between the "Scherzo" and "Trio" certainly
suggests a similar rhythmical juxtaposition in the Scherzo
of the Ninth.
The theme of the Allegretto con Varizioni is taken from
a Symphony (in C) by Haydn. The movement, though genial,
is re l atively slight.
It should be regarded as an elegant,
gracious epilogue added like a program encore, the true
force of the plece having expended itself in the preceding
Presto-which, be it again noted, Beethoven did not mark
"Scherzo."
The Quartet in C Sharp Minor from the year 1822 is the
fourteenth of Beethoven's quartets. It is in six movements
pl ayed without a break. They are 1: Adagio, Fugue, C#;
2: Allegro Vivace, Sonatina, D; 3: Recitative and Andante
wit h seven va r1 a11ons, A; 4: Presto, Scherzo, E; 5: Adagio,
Lied, G#; 6; Allegro, Sonata, with extended terminal development, C#.
The fugue is on an austere subject, granitic and gnomic
which inevitably reminds us of Bach's fugue in the same
key from the first book of the Well Tempered. It is a philosophical discussion of the thorny subject which somehow
manages to clarify and lighten itself, but remains the generating idea of the thematic materials of the entire quartet.
The second section is in extreme contrast, a simplified
sonata form with only one real subject which flows without
hindrance to its natural conclusion. The third section begins
with a recitative and proceeds to a theme and variations
whose successive emotional states are the assurances
needed to balance the disturbance of the initial fugue.
The Presto, No. 4, Is a Scherzo of headlong energy and
drive, the kind of movement which is the exclusive property
of Beethoven. T he Adagio, Lied, is a concentrated expression of sublime cal m and assurance which engenders the
confidence to undertake the construction of thefinal,sonata,
movement. This is a vast construction which unites the
materials of the preceding sections and comments on their
underlying unity and ends with the mcandescentdithyrambic
transformation of the original proposition.
�Sta te University of New York a t Bingham ton
H ARPUR COLLEGE
The Depart ment of Mus ic prese nts
THE GUARNERI STRI NG QUARTET (in residence)
Arnold S teinh ardt
violin
John Dalley
violi n
R EC I TALS
O
Michael Tree
vio la
Dav i d Soye r
cello
S E A SO N 1 9 66 -6 7
SUM M ER SERI ES
W INTER SERI ES
SPRING SER IES
Sunday, July 10
Sunday, J uly 24
Sunday, November 6
Tuesday, Decembe r 13
Wednesday , January 4
Wednesday , January 11
Sunday, April 2
Sunday, April 30
Sunday, February 12
Saturday, May 6
Sunday, August 7
Sunday , August 14
Sunday, September 11
Sunday, M arc h 12
Saturday, March 18
Sunday , October 9
All pe r formances at 8: 15 p.m. in the Hnrpur College Theater .
Lale comer s will be seated af te r the first quartet.
Ushe ring courtesy of Alpha P hi Omega and Gamma Si gma Sigma.
The fin al Open Rehearsals of the Winter Series will be hel d
Tuesday, January 10 at 12 noon and Satu r day, Febr uary 11
at 3:00 p .m. in room 18 3 of the C.A. Building. Admis s i on is
fre e . T hei r purpose is to provide the campus and commun i t y
an opportunity to observe the Quartet in r ehearsal and t o view
and painstaking preparation which is
som e of t he detailed
given t o each perfo rman ce. Pe r sons may quietl y ente r and
l eave the rehearsal area at any time dur i ng the sess i ons.
Program design by William Mihalko
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 sound tape reels
Duration
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36:25
34:01
26:57
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54698">Winter Series Recital Guarneri Quartet</a>
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Title
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Winter Series Recital Guarneri Quartet, January 4, 1967
Recital Tape 1967-1-4
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Date
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1967-1-4
Rights
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In copyright
Type
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sound
Identifier
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Winter Series Recital Guarneri Quartet Recital Tape 1967-1-4.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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1 sound tape reel
Duration
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33:03:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60304"> Guarneri Quartet Recital </a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
A name given to the resource
Guarneri Quartet Recital, October 7, 1967
Subject
The topic of the resource
Concerts
Description
An account of the resource
Bartók's String quartet, no.2.
Performed Oct. 7, 1967 in honor of the New York State Chapter of the American Musicological Society's Fall Meeting.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-10-07
Rights
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In copyright
Contributor
An entity responsible for making contributions to the resource
Bartók, Béla, 1881-1945
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
3.9091E+13
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:03
09:18
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60307
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60307">Guarneri Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guarneri Quartet Recital
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held Nov. 6, 1967.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1967-11-06
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
3.9091E+13