39
10
1775
-
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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28:48
16:34
OHMS Object
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https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63035
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63035"> New York Woodwind Quintet Recital</a>
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Title
A name given to the resource
New York Woodwind Quintet Recital
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, February 13, 1968, Harpur College Theater. Works of Fine and Adler.
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-02-13
Rights
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In copyright
Contributor
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Adler, Samuel, 1928-
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020058644
39091020058693
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 sound tape reels
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33:05
24:59
27:58
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=
Photo of Subject
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63039"> Combined Choral Concert</a>
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63039"> Combined Choral Concert</a>
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Title
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Combined Choral Concert
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held February 18, 1968, Harpur College Theater. Conductors: Rafaele Cantanzariti, Geneseo, Dennis Williams, Harpur College.
Creator
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Cantanzariti, Rafaele
Williams, Dennis
Choristers, Carol
SUC Geneseo
Harpur College Men's Glee Club
Publisher
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Binghamton University Libraries
Date
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1968-02-18
Rights
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In copyright
Contributor
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Cantanzariti, Rafaele
Geneseo
Williams, Dennis
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020058743
39091020058798
39091020058255
-
https://omeka.binghamton.edu/omeka/files/original/ea41301d3b8ee0f0762d0dada8ea47a3.pdf
3d852dc8d17f1115894344a5ec6c456d
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BI NGHAMTO N
HA RPU R COLLEGE
T H E DEPARTME NT OF MUSIC
THE GUARNERI STRING QUARTET
in residenc e
Michael T ree, viola
David Soyer, cello
A rnold Steinha rdt, violin
John Dalley, violin
Ha rpur College T heater
F ebrua ry 25, 1968
8:15 p. m .
PROGRAM
W . A . Mo za rt
Qua rtet in D Ma jor, K. 575
Allegretto
Andante
Menuetto. Allegretto
Allegretto
L. von Beethoven
Quartet in EFlat Ma jor, Op. 74
Poco Adagio; A llegro
Adagio
Presto
Allegretto con Va riazioni
Intermission
Maurice Rave l
Qua rtet in F Ma jor
Allegretto moderato tres doux
Assez vif t rés rhythme’
T rés lent
Vif et agite
Ushering courtesy of Alpha Phi Omega and Ga m ma Sigma Sigm a.
FUTURE MUSICAL EVENTS
SU N DAY, MARC H 3, 8 :15 p.m .
College Theater, N o cha rge
T H E COLLEGE WIN D E NSE M BL E
conducted by Robert We r ne r
W E DN ESDAY, MA RC H 6, 12 :15 p.m .
M usic Recital Hall, N o cha rge
JOH N M E T Z, PIAN IST
Wor ks by Sca r latti, Beethoven, M essiaen
SUNDAY, MA RC H 10, 8 :15 p.m .
Music Recital Hall, No charge
NOON RECITAL
Student Performers
�QUARTET IN D MAJOR, K. 575 W. A. Mozart
T he Qua rtet in D Ma jor of Moza rt (K. 57 5) is one of the pro jected
set of six (only three were written) dedicated to F rederick William II
and therefore known as the “ Berlin” or “King of P russia ” qua rtets.
The King was a ’cellist which accounts for the impo rtance gi ven the
cello in their fabric. Cha racterized by a richness and beau ty of sou nd
and genial melodic inspiratio n they represen t the balance among th e
elements of spontane ity, tradition and science which Mo za rt achieves
in his lat est work s.
QUARTET IN E FLAT MAJOR, OP. 74 L. von Beethoven
Beethove n ’s tenth quartet, Op. 74, wa s written i n 1 809 and p ublished
in 1810. Of all the qua rtets, it pe r ha ps conve ys the gr eatest be auty of
shee r sonority. T he magical spacing of the pa rts in the lab ryinthine
int roduction and the a rpeggios — bowed and plucked — of the Allegro
(which gi ve the wo rk its nic kname, t he “Ha rp”) a re all dis posed in such
a way that the physical beauty of the sound beco mes (as is not always
the case with Beethove n) an unusually affective dimensio n. This is
especiall y true of the Adagio where the considerable use of subdominant
ha rmonies contribut es to the exalted serenit y of the movement. The form
is strophic— a Lied, or aria of three stanzas—each repeat being va ried,
and, something exceptional, the principal melody (I violin) cast each
time an octave lower so tha t the fina l verse ca n make use of the ea rnest
ent reaty of t he violin ’s lowest st r ing.
T he Presto (not actua lly ma r ked”Sche r zo ”) is built upon the famous
.) which ha s al ready a ppea red a t the cod a of the fi r s t
“V ” motive ( 7
Allegro. The key (C m inor) and the moti ve inevit ably reca lls the F ifth
Symphony (Op. 67) a nd the rel ationship between the “Sche rzo” and “T rio”
certainly suggests a simila r r hythmica l juxtaposi tion in the Scherz o of
the Ninth .
The theme of t h e Allegret to con Variz ioni is taken f rom a Sy m
phony (in C) by Haydn. T he movemen t, though genial, is relative ly
slight. It should be rega rded as an elegant, gracious epilogue added
like a program encore, the t rue force of the pi ece having expend ed i t
self in the preceding P resto –which, be it again noted, Beethoven did
not mark “Sc herzo. "
QUARTET IN F MAJOR Maurice Ravel
The single quarte t of Ravel, which dates from the year 1902, is one
of the masterpieces of French chamber music. Dedicated to Ravel ’ s
teacher, Gabriel Fauré, it e xtends the idiom of that composer with Ra
vel ’s unique fla i r for color and effect. Essentia lly classic i n form
F rance remains the home of classicism it exploits the full range of
inst rumental vi rtuosity without a ny t race of a r rant disp lay ; eve rything
is subordinate to expressive intention, marked by prec ision and refine
ment and by an extraordina rily beau tif ul aesthe tic surfa ce.
P rogram notes by Wil liam Klenz
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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3 sound tape reels
Duration
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29:29
33:19
24:04
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63044"> Guarneri Quartet Recital </a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Guarneri Quartet Recital, February 25, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, Feb. 25, 1968, Harpur College Theater. Works of Mozart, Beethoven, Ravel.
Creator
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Guarneri Quartet
Publisher
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Binghamton University Libraries
Date
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1968-02-25
Rights
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In copyright
Contributor
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Mozart, Wolfgang Amadeus, 1756-1791
Beethoven, Ludwig van, 1770-1827
Ravel, Maurice, 1875-1937
State University of New York at Binghamton. Department of Music.
Type
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sound
Identifier
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Guarneri Quartet 2-25.pdf
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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30:13
26:48
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63049
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63049"> Ruth and Jamie Laredo Recital</a>
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Ruth and Jamie Laredo Recital
Subject
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Concerts
Description
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Held March 6, 1968. Piano-Violin Sonata no.6 & no.10 / Beethoven.
Creator
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Laredo, Ruth
Laredo, Jamie
Publisher
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Binghamton University Libraries
Date
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1968-03-06
Rights
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In copyright
Contributor
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Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music.
Type
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sound
Identifier
An unambiguous reference to the resource within a given context
39091020058503
39091020058552
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
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3 sound tape reels
Duration
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32:41
33:19
23:12
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63053
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63053"> Guarneri Quartet Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guarneri Quartet Recital
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held 8:15 pm, March 20, 1968, College Theater. Works of Beethoven and Brahms.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-03-20
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Brahms, Johannes, 1833-1897
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020058602
39091020058651
39091020058701
-
https://omeka.binghamton.edu/omeka/files/original/af1905a046d71ac35ad09e398de67e32.pdf
dc0fe90470d1b0a59497e738231d74c5
PDF Text
Text
STATE UNIV ERSITY OF N E W YORK AT BIN GHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
ANITA CARLTON, PI ANIST
>
April 5, 1968
Music Recital Hall
8 :15 p.m.
PROGRAM
Papillons, opus 2 H w i ' fl i h f ‘ v
Berceuse, opus 57
Chopin
Scherzo, opus 39
Chopin
Z
INFE
,
,
Schumann
i
,'Vf)/ )F ‘ J ,
In t ermission
Preludes . 2éme livre
Brouillards
Feuilles mortes
La Puerta del Vino
“Les Fées sont d’ exquises danseuses”
Bruyeres
General Lavine eccentr ic
La terrasse des audiences du clair de lune
Ondine
Hommage a S. Pickwick Esq. P.P.M.P.C.
Canope
Les tierces alternées
Feux d’a rtifice
Debussy
Ushering courtesy of A lpha Phi Omega and Gamma Sigma Sig ma
A RECEPTION honoring Miss Carlton will be held in the G reen Roo m
Lounge adjacent to the Recital Hall i mmediately following the concert.
All are cordially invited to attend.
�FUTURE MUSICAL EVENTS
APRIL 7
.
Sunday, 8:1
The College Theater
No charge
CHORAL CONCERT
Homecoming presentation of the 1968 Spring Tour concert
by the Harpur College Choir and Men’s Glee C lub, featuring
a variety of sac red and secular music. Ensembles are con
ducted by David Buttolph and Dennis Williams .
APRIL 10
Wednesday, 12:15 p.m.
Music Recital Hall
No charge
NOON RECITAL
Student performers Donna Hallen, piano; Diane Berde,
piano; Russell Fuller, baritone ; Grace Martin, soprano;
Woodwind quartet: Weiner, Marcus, Crane.Wethe rby.
APRIL 15
Monday, 8 :15
Music Recital pHall
No charge
LECTURE : MARC PINCHERLE
“Conquest of Snobbism?”
Mr. Pincherle is a noted French musicologist whose special
interest is the violin and its m usic.
APRIL 17
Wednesday, 2 1 5
Music Recital] Hall
NOON RECITAL
Laura Masin, ha ichord
Program includes works by Bach, Scarlatti and Rameau.
APRIL 17
Wednesday, 8.1 5er m.
The College’l‘ ter
Admission: $2. 50 public,
.50 faculty, .25 students
THE NEW YORK WOODWIND QUINTET
No charge
Samuel Baron, flute ; Ronald Roseman, oboe ; David Glazer,
clarinet, Arthu r Weisberg. bassoon ; Ralph F roelich, French
horn. Fifth recital of the Spring 196 8 Chamber Mus ic Series.
featuring a premiere of Matrix , a new work by Karl Korte.
APRIL 2115
Sun d a y , 8
The College Theater
THE COLLEGE ORCHESTRA
Program: Bach, Brandenburg Concerto N o. 4; Haydn, Lon
Symphony; Beethoven, Prometheus Overture; also, a
special massed choir will join the orchestra fora perfor m
ance of the Faure Requiem. Conducted by David Buttolph.
L 2
APRIL
Wednesday, 12. 15 p.m
Music RecitalHa ll
No charge
CHRISTINE LINDSAY, HARPSICHORD, AND K A R E N
LOVEJOY, SOPRANO
“Songs from the Baroque” including compositions by A. Scar
latti and Monteverdi. Part of the Noon Recital Series.
THE GUARNERI STRING QUARTET
APRIL 24
Wednesday, 8 :15 p.m.
The College Theater
Admission: $2.50 public,
.50 faculty, .25 students
Arnold Steinhardt, violin ; John Dalley, v iolin ; Michael Tree,
viola; David Soyer, cello. Sixth recital of the Spring 1968
mber Music Se ries.
APRIL 28
Sunday, 3 00 p.m.
Music Recital Hall
JOHN METZ, PIANIST
Faculty member at Syracuse University. Program : Scar
latti, selected sonatas ;eMend lssohn Variations Serieuses;
and C an t e y o d j a y a :
Messiaen, Cloches d’angoisse
thoven, Sonata in C Minor, Op. 111.
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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Original Format
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2 sound tape reels
Duration
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30:17
27:23
OHMS Object
URL
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Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63058"> Anita Carlton Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Anita Carlton Recital, April 5, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held at 8:15 pm, April 5, 1968, Music Recital Hall. Works of Schumann, Chopin, and Debussy.
Creator
An entity primarily responsible for making the resource
Carlton, Anita
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-04-05
Rights
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In copyright
Contributor
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Schumann, Robert, 1810-1856
Chopin, Frédéric, 1810-1849
Debussy, Claude, 1862-1918
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Anita Carlton_1968-4-5.pdf
-
https://omeka.binghamton.edu/omeka/files/original/d2efd1ab925ca1526b320122513d1298.pdf
51c799421a50650a51ae08c0868af4e5
PDF Text
Text
STATE UNIV ERSITY OF N E W YORK AT BINGHA MT ON
HARPUR COLLEGE
T H E DEP ARTME NT OF MUSIC
T H E HA RP UR COLLEGE C HOIR AND MEN ’S GL EE CLUB
1968 Tou r Progra m
A V E V E R U M CORP US
PATER NOSTER
bh
i
Josquin Des P res
Igor Stra v insky
SE T T ING S O F “ KY RI E E L E ISON ”
f rom Mass of t he Holy Spirit
f rom Missa Br evis
f rom Coronation Mass
Alida Sta hl, Sopra no; Alan Kat z, Tenor
Randall T hompson
Zoltan Ko daly
Wolfgang A . Moza rt
THREE CHORA LES
Johann Se bastian Bach
JESU M EIN E FREUDE
(from Motet III )
A C H WI E F L U CHT IG
f rom Cant ata 26)
ICH STEH’. A N DEINER KRIP P E N HIER (f rom Ch r ist mas Ora torio)
College C hoir
SONGS F ROM OT H E R LAN DS
BROT H E RS, SING ON!
( o rway)
G UT E NA C H
(German y)
A MO, A M AS, TI LOV E A LA SS ( E ngland)
NA BAH IA T E M
Bra zil)
SONG OF THE VOLGA
MEN OF HARLEC H
(Russia)
(Wales)
E dva rd G r ieg
a r r . A r c hi ba ld Da v ison
a r r . Ma rs ha l l Ba rtholome w
H eitor V i lla – Lobos
a r r . Denis M ic kiew ic z
a r r . A rchibald Da vison
G lee Cl ub
/_,
Intermission
THREE MADRIGA LS
,
MON COE UR SE RECOMM AND A VOUS
FA U NA CAN ZON E
R E V E CY V E N IR DU P RIN T E M PS
FOUR SLOVAK FOLKSONGS
" j
Orland us Lassus
Ora zio Vecc hi
Cla ude Le Jeune
Bela Ba rtok
College Choi r
G U YS A N D DO L LS M E D L E Y
l‘rank Lo e sser
F UG U E FOR TIN HORNS ( Jon Paul Robbins, Clement e D’Alessio, Denn is Fenichel)
T H E OLDEST ESTA BLISH E D ( Jeffre y C ra ig Ten ze r , Tom St ra in, Steven R. Mi l l he ise r)
GUYS AND DOLLS (Douglas E. Stewa rd, Dona ld Jeffords)
LUCK BE A LADY (Dennis F enichel)
SIT DOW N , YOU ’R E RO C KIN ’ T H E BOAT (Jon Pa ul Robbins)
G lee Cl ub
A M E RICA N A
H I CA N ’T SIT DOWN
ROCK MOUN T SINAI
IT ’S A SIMPLE LITTLE SYSTEM
Alan Kat z, Tenor
George G ers hwin
John Wor k
J ul es Styn e
College C hoi r
�T HE HARPUR C HOIR
David L. Buttolph, Di rector
2ND SOP RANO
1ST SO P RA N O
Carol Anthony
Linda Driver
Cheryl Brozost
Mary Morrison
Nancy Simpkins
Nora Freeman N. Babylon
S. Salem
Joann Smith
Endicolt
Alida Stahl
Ve sat 1
Linda Traver
Kathy Zaslovsky Johnson C ity
2ND ALTOS
1ST ALTOS
Oyster Bay
Sara Baron
Penn Moulton Port Washington
Reva Weiskopf Fairfield, Connecticut
Jamestown
Nancy Carlson
Heuvelton
Jean Ellison
Joan Januszkiewicz Hudson Falls
estal
Betsy Mullen
BASSES
TENORS
Arthur Greene
Alan Katz
Charles Seltzer
Douglas Steward
Michael Sturgeon
Montrose
Vestal
Rexford
Grand Island
Schenectady
David Crowe
Westbury
Smithtown
Island Park
Buffalo
Buffalo
Westburyl
Springvill e
Stevan Foulk
Roscoe
Ter ry Howell
Donald Jeffords Weedsport
nd w
Tom St ra in
T HE HARPUR GLEE CLUB
Dennis Wi l lia ms, Di rector
TENORS
Stephen B. Anke r
Frederick Forman
Alan A rthur Kat z
Jon Paul Robbins
Douglas E . Stewa rd
Jeffrey Craig Tenzer
Brookl yn
Union Hill
Hauppauge
Mamaraneck
James Van Hart
Buffalo
Brookl yn
Conklin
Michael S. Weingarten Syracuse
BASSES
Clemente D’Alessio North Massa pequa
Dominic John Defazio Niagara Falls
D. Ja mes Dorph
Dennis Fenichel
North Bellm ore
Weedsport
Donald Jeffords
Steven R. Millheiser Bayport
East Norwich
James J. O’Rourke
Frederick G. Richards Lake George
Endwell
Tom Strain
Donna Ha l len Accompa n ist, Patchogue
T OUR ITINERA R Y
G r iffet h Institute
Ha m burg J unior H igh Sc hool
falo
S U N Y
Bennett High School
Ken mo re East Senior H igh Sc hool
5. L'. N.Y. Bingha mton
Ma rch 2 5
Ma r ch 26
March 26
Ma r ch 27
Ma rch 27
A p r i l 7
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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3 sound tape reels
Duration
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37:27
26:43
14:41
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63062
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63062"> Harpur College Men's Glee Club Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
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Title
A name given to the resource
Harpur College Men's Glee Club, 1968 Tour
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held April 7, 1968. Works of Stravinsky, Bach, Lassus, Gershwin.
Creator
An entity primarily responsible for making the resource
Harpur College Men's Glee Club
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-04-07
Rights
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In copyright
Contributor
An entity responsible for making contributions to the resource
Stravinsky, Igor, 1882-1971
Bach, Johann Sebastian, 1685-1750
Lassus, Orlande de, 1532-1594
Gershwin, George, 1898-1937
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Harpur College Men's Glee Club Recital_1968 Tour.pdf
-
https://omeka.binghamton.edu/omeka/files/original/a6f70acdcedc7ec0705cc38e8f3f679e.pdf
74d28d93cd27ee61cc7d43b6066c9043
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
THE NEW YORK WOODWIND QUINT ET
in residence
Samuel Baron, flute
David Glazer, clarinet
Ronald Roseman, oboe
Arthur Weisberg, bassoon
Ralph Froelich, French horn
April 17, 1968
Harpur College Theater
8 :15 p.m.
PR OGRA M
Suite of Renaissance Instrumental Music
(t ranscribed for woodwind quintet by Ronald Roseman)
Donna di dentro
J ’ ay pris amou rs
Il est bel e bon
Ricerca r Belle canzon
Sopra “Il est bel e bon ”
Quartet No. 1 in F
for flute, clarinet, bassoon and horn
Allegro moderato
Andante
Rondo : Allegro
Metamorphoses
Adagietto
Allegro agitato
H. Isaac
H. Isaac
Passereau
G . Carazzoni
G ioacchino Rossini
Wayne Peterson
Intermission
MATRIX
for woodwind quintet (with saxophone),
piano and percussion
Karl Korte
WORLD PREMIERE
Elizabeth Korte, piano
Albert Hamme, saxophone
Christian G ranger, percussion
�PROGRAM NOTES
RENAISSANCE SUITE
This suite of instrumental pieces consists of four compositions f rom the reper
toire of the New York Pro Musica Renaissance Band and Wind Ensemble, of which
M r. Roseman is a member. It is typical of the music played by the “loud con
sort,” consisting of wind instruments cornetti (keyed trumpets), sacbuts (early
trombones) and shawms (ancestors of the oboe). These generally performed out
of doors or in large halls for ceremonial occasions, processions, tower music,
etc. The “soft consort,” on the other hand, consisted of inst ruments that could
play only quietly, such as recorders, viols or lutes.
A substantial part of the instrumental repertoire during this period consisted
of secular choral works performed on instruments. These were not considered
transcriptions in the modern sense, because instruments were usually used even
when these works were sung, either reinforcing the voice parts or playing one
or more of the vocal lines alone. The first three movements of this Renaissance
Suite are such works those of Isaac being love songs and Passereau’s being a
song in which a woman describes how “beautiful ” and good her husband is : he
doesn’t beat her, he washes the dishes, and he feeds the chickens (which can be
heard clucking) while she amuses herself. The fourth piece was written for key
board, being a canzone based on Passereau’s song. It was discovered by the
director of the New York Pro Musica, Dr. John White.
Ronald Roseman
Q U A R T E T N O . 1 I N F Gioacchino Rossini (17921868)
The best description of the style of Rossini’s six woodwind quartets might be
operatic chamber music. The key to this paradoxical style lies in the personali
zation of the inst ruments so that they seem to be cha racters in an Italian comic
ope ra. We recogni ze the ste rn fathe r, the impetuous soubrette, the romantic
tenor, and others. Rossinian wit abounds throughout this composition in the
lyrical as well as in the coloratura aspects.
Samuel Baron
METAMORPHOSES Wayne Peterson (1927
)
Metamorphoses was composed during the spring and summer of 1966. It is a
direct, light piece in two movements which exploits the coloristic and textural
possibilities of the wind quintet. The title was chosen because it seemed com
patible with and suggestive of the rather extreme, abrupt transformation of the
material. Many motifs and densities are common to both movements and have
their source in a twelve note combinatorial set.
In the first movement kaleidoscopic sonorities slowly emerge and alternate
with strands of melody which become more and more prominent, f ree and mer
curial, combining to produce a frenetic, textural climax. As the motion dissi
pates and merges into an ensemble cadenza, there is a gradual return in ret ro
grade motion to the static mood of the beginning. Like the first movement, the
Allegro Agitato is largely concernedwith the irregular, the static with the active,
etc. The basic ideas are contained in four opening phrases (cut short by pointil
listic fragmentation) plus a sustained passage led by the oboe. The subsequent
long development and rhythmic acceleration ultimately lead to a climactic,
fortissimo density. A coda employing an inversion of the opening phrase brings
the movement to a quiet conclusion.
Wayne Peterson
�)
MATRIX Karl Korte (1928
There is something reassuring about the Baroque “doctrine of the affections”
(one movement one mood). Unfortunately, “reassurance” as a valid goal in
contemporary art is being questioned not only by the avant garde but by the tre
mendous vitality of the “pop music scene.” Violence and tenderness, ugliness
and beauty, triumph and failure, tragedy and comedy all interact upon our lives
with such rapidity that it is being suggested that the “truth” of contemporary
existence can be found not along the axis of feeling, but rather at its intersection
with an opposite. At the risk of sounding overly portentous, that is what I believe
the cur rent music scene is all about and explains, at least to some extent, my
composition MATRIX.
At the same time MATRIX is not an avant garde composition. Its ties with
the past are too strong and besides. it leaves too little to chance. In this respect
the piece makes great technical demands upon the performers. There are no
“rallentandi” or “accelerandi” in the usual sense of the word as all changes of
tempo are carefully controlled through a series of metric modulations which
through notational changes alone produce tempi which are always exactly in the
ratio of 2 :3, 4 :3, 4 :2, etc. Not only does this eliminate a kind of expressive
gesture unsuited to this piece, but also, for the careful listener, produces a
sensation of movement within time quite unlike anything encountered in earlier
music.
Karl Korte
A RECEPTION honoring M r . Korte and the mem bers of the New
York Woodwind Quintet will be held in the Green Room im medi
ately following the concert. The audience is cordially invited.
Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma.
�FUTURE MUSIC A L EVENTS
APRIL 21
Sunday, 8 :15 p. m.
The College Theater
No charge
APRIL 24
Wednesday, 12 :15 p.m.
Music Recital Hall
No charge
APRIL 24
Wednesday, 8 :15 p.m.
The College Theater
Admission : $2. 50 public,
.50 faculty, .25 students
APRIL 28
Sunday, 3 :00 p.m.
Music Recital Hall
No charge
THE COLLEGE ORCHESTRA
Program: Bach, Brandenburg Concerto No. 4; Haydn, Lon
don Symphony; Beethoven, Prometheus Overture; also, a
special massed choir will join the orchestra fora perform
ance of the Faure Requiem. Conducted by David Buttolph.
CHRISTIN E LIN DSAY, HARPSICHORD, AN D K A R E N
LOVEJOY, SOPRANO
“Songs f rom the Ba roque” including compositions by A . Sca r
latti and Monteverdi. Part of the Noon Recital Series.
THE GUARNERI STRING QUARTET
A rnold Steinhardt, violin ; John Dalley, violin ;MichaelTree,
viola ; David Soyer, cello. Sixth recital of the Spring 1968
Chamber Music Series.
JOHN M ET Z, PIANIST
Faculty member at Syracuse U niversity. P rogram : Sca r
latti, selected sonatas ; Mendelssohn, Variations Serieuses ;
Messiaen, Cloches d’angoisse...
. and C ante y o d j a y a:
Beethoven, Sonata in C Minor, Op. 111.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:08
14:33
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59419
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59419">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59419</a>
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FacingCoverContinuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New York Woodwind Quartet Recital, April 17, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held 8:15 pm, April 17, 1968, Harpur College Theater. Works by Isaac, Carazzoni, Peterson, Korte.
Creator
An entity primarily responsible for making the resource
New York Woodwind Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-04-17
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Korte, Karl
Isaac, Heinrich, approximately 1450-1517
Carazzoni, G.
Peterson, Wayne
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
New York Woodwind Quartet Recital_1968-4-17.pdf
-
https://omeka.binghamton.edu/omeka/files/original/67e05ccfed217ea24809a24ea1173076.pdf
65b1ebf6bb37c50e3d9da580bc60b74e
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
THE HARPUR ORCHESTRA
David Buttolph, conductor
A pril 21, 1968, 8 :15 p. m.
The College Theater
�PR OGRA M
SIN FONIE IN D
Adagio; Allegro
J. Haydn
Andante
Menuet: Allegro
Finale: Spiritoso
BRANDENBURG CONCERTO NO. 4
Allegro
Andante
Presto
Violino Principale Edward Pettengill
Flauto I
Laura Masin
Flauto II
Margaret Jackson
J. S. Bach
Interm ission
PROMETHEUS OVERTURE
REQUIEM
In memory of Dr. Martin Luther King
Introit et Kyrie
Offertoire
Sanctus
Pie Jesu
Agnus Dei
Libera Me
In Paradisum
L. van Beethoven
G. Faure
Alida Stahl, Soprano
Frank Pullano, Baritone
A RECEPTION honoring this evening’s performers will be held in the
Green Room Lounge adjacent to the Music Recital Hall immediately
following the performance. All are cordially invited to attend.
Ushering courtesy of Alpha Phi Omega and Gamma Sigma Sigma.
FUTURE MUSICAL EVENTS
APRIL 24
Wednesday, 12 :15 p.m.
C H RISTIN E LIN DSA Y, HARPSIC HORD, AN D K A R E N
LOVEJOY, SOPRANO
Music Recital Hall
No charge
“Songs f rom the Baroque” including compositions by A . Scar
latti and Monteverdi. Part of the Noon Recital Series.
APRIL 24
Wednesday, 8:15 p.m.
The College Theater
THE GUARNERI STRING QUARTET
Admission : $2. 50 public,
.50 faculty, . 25 students
APRIL 28
Sunday, 3 :00 p.m.
Music Recital Hall
No charge
Arnold Steinhardt, violin ; John Bailey, violin ;MichaelT ree,
viola; David Soyer, cello. Sixth recital of the Spring 1968
Chamber Music Series.
JOHN METZ, PIANIST
Faculty member at Syracuse University. Program : Scar
latti, selected sonatas ; Mendelssohn, Variations Serieuses;
Messiaen, Cloches d’angm‘sse. . . and C a n t e y o d j a y a:
Beethoven, Sonata in C Minor. Op. 111.
�INTROIT AND KYRIE
Grant them eternal rest, O Lord,
Requiem aeternam dona eis, Domine.
and let perpetual light shine on them.
et lux perpetua luceat eis.
A hymn becometh Thee, O God, in Zion,
To decet hymnus, Deus, in Sion,
and a vow shall be paid to Thee in Jerusalem.
et tibi redetur votum in Jerusalem.
Give ear to my prayer;
Exaudi orationem meam ;
all flesh shall come to Thee.
ad te omnis caro veniet.
Lord, have mercy; Christ, have mercy.
Kyrie eleison, Christe eleison.
OFFERTOIRE (baritone solo)
O Domine Jesu Christe, Rex gloriae,
libera animas defunctorum
de poenis inferni
et de profundo lacu, de ore leonis ;
ne absorbeat Tartarus,
ne cadant in obscurum.
Hostias et preces tibi, Domine,
laudis offerimus;
tu suscipe pro animabus illis
quarum hodie memoriam facimus;
fac eas, Domine, de morte
transire ad vitam, quam olim
Abrahae promisisti et semini e jus.
Amen.
Sanctus Dominus Deus Sabaoth!
Pleni sunt coeli et terra gloria tua.
Hosanna in excelsisl
O Lord Jesus Christ, King of Glory,
deliver the souls of the dead
from the pains of Hell,
from the deep lake, from the lion’s mouth ;
let not Tartarus swallow them,
nor let them fall into darkness.
We offer prayers and sacrifices to Thee,
O Lord, together with praise;
receive them in behalf of those souls
whom we this day commemorate;
grant, O Lord, that they pass
from death to life, as Thou didst promise
to Abraham and to his seed.
Amen.
SANCTUS
Holy is the Lord God of Hosts!
Heaven and earth are full of Thy glory.
Hosanna in the highest!
PIE JESU (soprano solo)
Blessed Jesus, Lord, grant them rest;
Pie Jesu, Domine, dona eis requiem ;
grant them eternal rest.
dona eis sempiternam requiem.
Agnus Dei, qui tollls peccata mundi,
dona eis requiem.
Lux aeterna luceat eis, Domine,
cum sanctis tuis in aeternum,
quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat els.
AGNUS DEI
Lamb of God, Who takest away the world’s sins,
grant them rest.
Let eternal light shine on them, O Lord,
with Thy saints throughout eternity,
for Thou art good.
Grant them eternal rest, O Lord,
and let perpetual light shine on them.
LIBERA ME (baritone solo)
Deliver me, O Lord, from eternal death
Libera me, Domine, de morta aeterna
in that awful day
in die illa tremenda
when heaven and earth shall be moved,
quando coeli movendi sunt et terra.
when Thou shalt come to judge
cum veneris judicare
the world by fire.
saeculum per ignem.
Full of terror am I
Tremens factus sum ego,
and I fear the trial
et timeo dum discussio venerit
and the wrath to come.
atque ventura ira.
That day shall be a day of wrath,
Dies illa, dies irae
of calamity and misery ;
calamltatis et miseriae ;
that day shall be a mighty one,
dies illa, dies magna
and exceedingly bitter.
et amara valde.
Grant them eternal rest, O Lord.
Requiem aeternam dona eis, Domine,
and let perpetual light shine on them.
et lux perpetua luceat eis.
Deliver me, O Lord, deliver me.
Libera me, Domine, libera.
In paradisum deducant angeli ;
in tuo adventu sucipiant te
martyres, et perducant te
in civitatem sanctam Jerusalem.
Chorus angelorum te suscipiat.
et cum Lazaro quondam paupere
aeternam habeas requiem.
IN PARADISUM
May the angels receive thee in Paradise;
at thy coming may the martyrs
receive thee, and bring thee
into the Holy City Jerusalem.
There may the choir of angels receive thee
and with Laza rus, once a beggar,
mayst thou have eternal rest.
�HARPUR C OLLEGE ORCHESTRA
1st VIOLINS
Edward Pettengill
Phylis Costanzo
Marianne Wallenberg
Barbara Hull
Melba Sandburg
David Sadowitz
Leonard Panaro
Jonathan Lear
2nd VIOLINS
Douglas Diegert
John Woodward
Sophie Horowitz
Sally Shafer
Mary Kovak
Marie Kulasza
John Hagopian
Jeffrey Feinsilver
VIOLAS
David Einfeldt
Kenneth Hollister
Margaret Seward
Mary O’Buckley
CELLO
Jane Whitmore
Tom Reis
Marguerite Mizelle
Vickie Fox
David Hackman
Marie Pierce
BASSES
Donal O’Buckley
Sally Pierce
Dayle Sherba
Anthony Preus
HARP
Katherine Eliot
FLUTES
Laura Masin
Margaret Jackson
Laurie Fox
Susan Cooper
OBOES
Sue Weiner
Geoffrey Barron
CLARINETS
Beverly Tomasosky
Michael Bereha
BASSOONS
Linda Crane
Edward Wadin
HORNS
Brian Sternberg
T imothy Wetherbee
Karen Kester
Rosalind Edelson
TRUMPETS
John Williams
Delbert Cobleigh
TROMBONES
Allen Thompson
John Baldon
Roger Keagle
TIMPANI
David Crowe
HARPSICHORD
Christine Lindsay
LIBRARIAN
Ann Grant
PERSONNEL MAN AG ER
David C r owe
THE UNI VERSIT Y CHORUS
SOPRANOS
Carol Anthony
Marilyn Barringer
Cheryl Brozost
Nora Freeman
Sue Ann Garwood
Ann Grant
Jo Ann Grizzanto
Mary Morrison
Nancy Simpkins
Joann Smith
Alida Stahl
Linda Traver
Kathy Zaslovsky
ALTOS
Sara Baron
Nancy Carlson
Linda Driver
Donna Hallen
Joan Januszkiewicz
Susan Laier
Joan Laris
Meredith Lee
Penn Moulton
Elizabeth Pelegrini
Reva Weiskopf
TENORS
Paul Dieke
Arthur Greene
Allan Katz
Bruce McDuffie
Charles Seltzer
Douglas Steward
Michael Sturgeon
BASSES
Clemente D’Alessio
David Crowe
Douglas Dorph
Jeff Feinsilver
Christian Gruber
Terry Howell
Donald Jeffords
Jack Lewis
David Mallen
Steven Millheiser
Roger Norton
Fred Richards
Tom Strain
Keith Willcox
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:08
46:11
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59416
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59416"> Harpur Orchestra Concert</a>
Accessibility
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FacingCoverContinuous
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Orchestra Concert, April 21, 1968
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held 8:15 pm, April 21, 1968, Harpur College Theater. Works of Haydn, Bach, Beethoven, Fauré.
Creator
An entity primarily responsible for making the resource
Harpur Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-04-21
Rights
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In copyright
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Bach, Johann Sebastian, 1685-1750
Beethoven, Ludwig van, 1770-1827
Fauré, Gabriel, 1845-1924
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
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Harpur Orchestra Concert_1968-4-21.pdf
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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Rosetta audio media
Original Format
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3 sound tape reels
Duration
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22:18
30:59
23:37
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59408">Guarneri Quartet Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Guarneri Quartet Recital
Subject
The topic of the resource
Concerts
Description
An account of the resource
Held 8:15 pm. April 24, 1968, Harpur College Theater. Works of Ravel and Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1968-04-24
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Ravel, Maurice, 1875-1937
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020093419
39091020093468
39091020093575