41
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/80a33c3101b8b6e0fdd96d85f68c3b26.pdf
3fa8ebdafd9ab599f91449f4993a6817
PDF Text
Text
N i v Re
BINGHAMTON
U N I V E R S I T Y
State University of New York
Binghamton University Department of Music
THURSDAY MIDDAY CONCERT
November 16, 2006 – 1:20 p.m. Casadesus Recital Hall
C
O
L
Aria of Donna Elvira, “In quali eccessi...Mi tradi,” ........cccceceveevrnnnrenennssneenennnenn..
Wolfgang Amadeus Mozart
from D o n Giovanni
(17561791)
Donna Elvira vents her feelings of pity, betrayal, and love for Don Giovanni:
In what excesses, o gods!
In what horrible and tremendous misdeeds
The wretch is entangled.
Ah! No! Heaven’s justice and anger cannot be delayed.
I already sense the fatal lightning bolt falling on his head!
I see the deadly abyss (of hell) opening up...
Wretched Elvira, what contrasting feelings in your bosom are born!
Why these sighs and these sufferings?
That ingrate betrayed me, made me so unhappy!
When I feel torment, my heart speaks of vengeance.
But when I see the danger he is in, my heart starts to throb...
And I still have pity for him.
Katrina Cox, soprano
ChaiKyou Mallinson, piano
L a S C A N A A I N A V E . . . . c v e i i i i i i i e i i e i e i e s e r
Swedish Folk Song
Vermelandsvisa
Melodie Danoise
P
e
r
c
y GTAINGET
(18821961)
Hakan Tayga Hromek, cello
Margaret Reitz, piano
Suite for Cello and Jazz Piano Trio .
Ballade
Cello Fan
SCATA
M
I OUCKE o
II.
Ir
1.
Allegro
Pocket Sonata.
1. Improvisation
2. Modal Blues
3. In Rhythm
Stephen Stalker, cello
Margaret Reitz, piano
u
Modéré
Brazileira
Concerto No. 1 in f
.Claude Bolling
(b. 1930)
v
i
r Milhaud
(18921974)
Gregg Ackerman, clarinet
Margaret Reitz, piano
m
i
n
o
r
C
Heather Boland, clarinet
Margaret Reitz, piano
a
r
l Maria von Weber
(17861826)
Alec Templeton
(19091963)
Bethany Bonhof, clarinet
Margaret Reitz, piano
Concertino for two cellos and piano, op. 72 ......cccccevevceerieriiniienienieeieneneeeeseseeseseseeseeeeneeneene.
BeImhard Romberg
Andante Grazioso
Rondo con Allegrezza
(17671841)
Stephen Stalker, cello
Hakan Tayga Hromek, cello
Ma rga ret Reitz, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
46:13:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204936">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204936</a>
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Title
A name given to the resource
Thursday mid-day concert, November 16, 2006
Recital Tape 2006-11-16
Description
An account of the resource
Translation of one work included in accompanying program.
Works of Mozart, Grainger, Bolling, Milhaud, von Weber, Templeton, Romberg. Held at 1:20 p.m., Nov. 16, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Cox, Katrina
Mallinson, Chai-Kyou
Tayga-Hromek, Hakan
Reitz, Margaret
Stalker, Stephen
Ackerman, Gregg
Boland, Heather
Bonhof, Bethany
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-11-16
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
577ad096-023f-4f8b-a5d6-eed4d082b464
-
https://omeka.binghamton.edu/omeka/files/original/41acb8c0d7b5b550d9b6b2cf862c1c61.pdf
aefbd744ccc894766950e1dc61438d76
PDF Text
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BINGHAMTON
U N I V E R S I T Y
State University of N ew York
ONIV AeC
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“AN AMERICAN TOUR”
steC C o l –
~~
The
—e — — – — —
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Wind “Snsemble
a e
D
Jessica Williamson
Associate Conductor
Robert Smith
Music Dire ctor and Conductor
featuring
Emily Alkiewicz, alto saxophone
Amy Natiela, alto saxophone
Sunday, November 12, 2006
3 :00 p.m.
Anderson Center Chamber Hall
�PROGRAM
4
Jessica Willia mson, associat e conductor
Black Granite (1996)
James Hosay
(b.1959)
Chester (1957)
W1ll1am Schuman
(19101992)
Yosemite Autumn (2004) ............ ......cc............M
.....
ark Camphouse
(b. 1954)
Tribute to Rudy W iedoeft (18931940) ............arr.Gunther Schuller
I. Valse Erica (1917)
(b.1925)
II. Saxarella (1923)
III. Saxophobia ( 1920)
Emily Alkiewicz, alto saxophone
Amy Natiela, alto saxophone
= INTERMISS ION
Robert Smith, conductor
Rocky Point Holiday (1969)....................ccceeuveen.........RONn Nelson
(b. 1929)
Zion (L998)
ADA Welcher »
(b.1948)
The Stars and Stripes Forever! (18 97) .................Jo hn Philip Sousa
(18541932)
�FLUTE
Sarah Harper
Julie Liao
Sara Shafer
Jennifer Weintraub*
PICCOL O
ALTO SAXOPHONE
Emily Alkiewicz
. Amy Natiela*
Katherine Navarette
TENOR SAXOPHONE
Melissa Voldan
Steven Inganamort
OBOE
BARITONE
SAXOPHONE
Ephraim Atkinson
CLARINET
Marissa Roe
Lisa Carpinone
Kyle Doyle
Christa Heschke
Melissa Klepper
Andrei Lee
Mark Norman
Richard Silvagni
Dong Soon Shin
Jillian Stark
Maggie Venti
Daniel Zaccarini*
TRUMPE T
BASS CL ARINET
TROMBONE
Heather O’Gara
CONTRABASS
CLARIN ET
Lisa Eppich+
Thomas Osa+
Sinan Pan+
Andrew Sanfratello+
EUPHONIUM
Matt Sanders
TUBA
:
Daniel Brisk@
Katherine Winchell*
PIANO
Karmi KnightWinnig
TIMPAN I
Caleb DeGroote
PERCUSSION
Chris Jacobson*
Jana Kucera
Subin Lim
Kelly Tufo
F HORN
Megan Caruso+
Robert Muller+
Mateusz Rek
William Stallsmith+
Harris Brenner*
Chris Chen
Richard Mokan
Kristen Weiss
fi
* Principal
+ CoPrincipals
@ Graduate Conductor
ABOUT THE MUSIC
Black Granite b y James L. Hosay
Black Granite wa s inspired by the honor and courage displayed by the men and
women o f the U.S. Armed Forces during the Vietnam War. Many of them gave
their lives to prot ect our c ountry w ithout re gard to political o r cultural agendas .
This march was dedicated to all those that gave their lives and whose sacrifices
and heroic deeds went unsung.
James L. Hosay was born in Nashville, Tennessee and was raised in Norfolk,
Virginia. After high school, Hosay joined the United States Army as a trumpet
�player. He eventually landed a job as a Staff Arranger for th e U.S. Army. He
was called upon to write arrangements for many famous artists, foreign
dignitaries and the President of the United States. During his military career,
Hosay received two Meritorious Service Medals and two Army Commendation
Medals.
Chester by William Schuman
l
l
Chester was originally the third movement of an orchestral work called New
England Tritych: Three Pieces after William Billings. Schuman based this work
on William Billings because he was a prominent figure in American music and
served as a teacher, conductor, composer, publisher and promoter of music. The
tune from Chester was composed by Billings and included in a book of tunes and
anthems called The Singing Master ’s Assistant around the time of the American
Revolution. Chester was so popular that it became known throughout the
colonies and was sung around the campfires of the Continental Army. The words
to this popular tune capture the spirit of courage and freedom.
Let tyrants shake their iron rod,
And Slav’ry clank her galling chains
We fear them note, We trust in God
New England’s God forever reigns
The Foe comes on with haughty strides
Our troops advance with martial noise,
Their Vet’rans flee, before our Youths,
And Gen’rals yield to beardless Boys.
What grateful Off’ring shall we bring?
What shall we render to this Lord?
Loud Hallelujah let’ us sing,
And praise His Name on Ev’ry Chord.
Yosemite Autumn by Mark Camphouse
Mark Camphouse wrote Yosemite Autumn after being inspired by the beauty and
grandeur of Yosemite National Park while on vacation with his family. In the
published score, Camphouse writes:
“How could any human not be profoundly moved by such stunning beauty? How could
any American not take immense pride in our nation being so richly blessed with such an
abundance of natural beauty?”
Camphouse portrays these feelings in his music, hoping that his audience with be
able to see the “glow of life” that he saw in Yosemite.
1
h
Mark Camphouse, born in Oak Park Illinois, began composing at the age of
seventeen. Since then, he has published fifteen works for band that are frequently
performed all over the world. Camphouse is currently Professor of Music and
Director of Bands at Racliff University in Virginia.
�Tribute to Rudy Wiedoeft, arranged by Gunther Schuller
Tribute to Rudy Wiedoeft, arranged by Gunther Schuller, was inspired by the
virtuostic compositions of Rudy Wiedoeft. The movements, “Valse Erica,”
“Saxarella,” and “Saxophobia” are all original compositions by Weidoeft that
Schuller has arranged for concert band.
Rudy Wiedoeft was born in Detroit, Michigan and began playing violin and
clarinet at a very young age. He switched to the saxophone soon after moving to
New York City; at that time, the saxophone was still very new. He quickly
became known as a virtuoso saxophone player and popularized the saxophone in
the United States. He also introduced the Cmelody saxophone to mass audiences
and later recorded on the Bflat soprano saxophone as well.
Rocky Point H o l i d a y Ron Nelson
Born in Joliet, Illinois, Ron Nelson began studying piano at age 6 and changed to
organ at age 12. A concerto for piano and band written at age 17 led to his
acceptance at the Eastman School of Music. His composition teachers include
Howard Hanson, Bernard Rogers and Tony Aubin. In 1956, he joined the Brown
University music faculty, serving as chairman from 1963 to 1973 and upon his
retirement in 1993 was named professor emeritus. Nelson’s diverse forms and
styles make his works difficult to categorize. His music can be light, exuberant
and extroverted or somber, profound and personal. Nelson’s prolific output
includes two operas, a mass, a cantata, an oratorio, television and film music, 90
choral works, and over 40 instrumental works, half of which were written for
wind band.
Rocky Point Holiday was commissioned in 1969 and was Nelson’s first major
composition for wind band. Conductor Frank Bencriscutto wanted an
“Americana” work to open his University of Minnesota Concert Band’s tour of
Russia. The transparent orchestration was a result of Nelson hearing the Eastman
Wind Ensemble under Fennell and has been said to mark a change in the general
philosophy of wind band scoring. The piece was written during a vacation at the
Rocky Point, Rhode Island seaside resort.
Zion by Dan Welcher
Born in Rochester, N.Y., Dan Welcher is one of the mostplayed composers of his
generation having written more than 100 works. A bassoonist and pianist, he
carned degrees from the Eastman School of Music and the Manhattan School of
Music. He was principal bassoonist with the Louisville Orchestra and served as
assistant conductor of the Austin Symphony Orchestra from 1980 to 1990. He has
conducted the premier of over 120 new works. Welcher has taught theory and
�composition at The University of Louisville, the Aspen Music Festival and
currently holds the Lee Hage Jamail Professorship in Composition at the
University of Texas at Austin.
Zion is the last in a series of three works for wind ensemble that includes The
Yellowstone Fires and Arches. Collectively called Three Places In The West, they
draw their inspiration from the national parks in the western United States. They
reflect the feelings the composer had while in the parks rather than being literally
descriptive. Dedicated to the memory of Aaron Copeland, Zion was
commissioned in 1994 by the wind ensembles o f the University of Oklahoma,
The University of Texas and the University of Texas at Austin.
I
[YA
l
3
5
{
The Stars a nd Stripes For ever! by John Philip Sousa
John Philip Sousa was a conductor, a composer, an arranger, and a businessman
as well as a patriot. Born in 1854 in Washington, D.C., Sousa ’s parents
encouraged his interest in music. He studied piano, flute, comet, euphonium,
trombone, alto horn, theory, harmony and voice along with his primary
instrument, the violin. His father was a trombonist in the U.S. Marine Band and
Sousa was allowed to occasionally rehearse with the band becoming an apprentice
musician in the Marine Corps at age 13. He was appointed leader of the Marine
Band in 1880 and after 12 years in that position organized his own professional
band. The Sousa Band was famous in the U.S., Canada and Europe performing at
at the Paris Exposition in 1910, making 4 European tours and world tour in 191 1.
Although most well know as the “March King,” Sousa is credited with 15
operettas, 136 marches, 2 descriptive pieces, 70 songs, 7 other vocal works, 11
waltzes, 12 dance pieces, 14 humoresques, 27 band fantasies, 3 orchestra
fantasies, 6 incidental pieces, 4 overtures, 2 concert pieces, 4 instrumental solos,
12 trumpet and d rum pieces and over 300 arrangements and transcriptions.
“Aboard the Teutonic, as it steamed out of the harbor on my return from Europe
in 1896, came one of the most vivid incidents of my career. As I paced the deck,
absorbed in thought, suddenly I began to sense the rhythmic beat of a band
playing within my brain. It kept on ceaselessly, playing, playing, playing.
Throughout the whole tense voyage, that imaginary band continued to unfold the
same themes, echoing and reechoing the most distinct melody. I did not transfer
a note of that music to paper while I was on the steamer, but when we reached the
shore, I set down the measures that my brainband had been playing for me, and
not a note of it was ever changed. The composition is known the world over as
“The Stars and Stripes Forever” a nd is probably my most popular march.”
John Philip Sousa
‘i‘
J4
�ABOUT THE PERFORMERS
ROBERT G . SMITH holds a Bachelor of Science. in Music Education from
Hartwick College, a Master of Music in Conducting from Bingha mton University
and is a candidate for the Doctor of Musical Arts in Music Education from Boston
University. Prof. Smith studied conducting with F rederick Fay Swift, Thurston
Dox, Timothy Perry, Robin Linaberry, Jo hn Graulty and Mariusz Smolij. He
conducts the annual Triple Cities TubaChristmas and is the former conductor of
the Maine Community Band, the oldest band of its kind in the United States. He
has guest conducted allcounty and community bands throughout central New
York as well as the Goshen College (IND) Wind Ensemble and Orchestra. An
active performer, he currently plays principal euphonium with the Southern Tier
Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass
sextet. Professor Smith is the immed iate past president of the Broome Co unty
Music Educators Association and recipient of the 2005 BCMEA Distinguished
Service Award. Professional memberships include : The Broome County Music
Educators Association, the New York State School Music Association, the Music
Educators National Conference, The National Band Association, The Association
of Concert Bands, The Conductors Guild, The World Association of Symphonic
Bands and Ensembles, The College Band Directors National Association and the
International Tuba and Euphonium Association.
JESSICA W ILLIAMSO N holds a Bachelor of Music in Music Education from
SUNY College at Fredonia and is currently a candidate for the Master of Music in
Conducting from the University of Binghamton. Her conducting teachers include:
Timothy Perry, Patrick Jones, David Rudge and Rudolph Emilson. Jessica is the
director of the Whitney Point Middle School Concert Band, Sixth Grade Band
and Jazz Band. She has performed with the Long Island Winds, the Southern Tier
Concert Band and with the EVEA Youth Commission of Germany. Memberships
include New York State School Music Association, the National Association of
Music Educators and the BroomeCounty Music Educators Association.
Mrs. Williamson’s performance is in pa rtial satisfaction of the requirements for
the Master o f Music degree in Conducting.
EMILY AL KIEWICZ is from Hopewell Junction, NY. She has been a member
of the Binghamton University Wind Ensemble for 3 years. She is also a member
of the Binghamton University Saxophone Quartet. Emily studied with Jim
Trainor and Steven Kieley during junior high and high school, she now st udies
under April Lucas. Emily is graduating in May 2007 and seeks a BA in
sociology.
�Coming
“Cents
Thursday, Novem ber 16 – MidDay Concert – 1 :20 p.m. – Casadesus Recital
hall free
F riday, November 17 – Trio Amici – 8:00 p.m. – Casadesus Recital Hall $9
general public; $7 faculty/staff/seniors; free for students
Sunday, November 19 – Music of the World : Afrika Music and Dance – 3 :00
p.m. – Osterhout Concert Theater $9 general public; $7 faculty/staff/seniors;
free for students
Sunday, November 19 – Clarinet Studio Recital – 7:30 p.m. – Casadesus
Recital Hall – free
Tuesday, November 28 University Percussion Ensem ble – 8:00 p.m. –
Anderson Center Chamber Hall – free
Thursday, November 30 – MidDay Concert 1 :20 p.m. – Casadesus Recital
Hall free
F riday, Decem ber 1 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital
Hall – free
Friday, December 1 – Elizabethan Madrigal Feaste – 6:30 p.m. – Old Union
Hall – Tickets: $38 general public; $20 students with ID
Saturday, December 2 – Flute Ensemble Recital 12 noon – Casadesus Recital
Hall free
Saturday, December 2 – Elizabethan Madrigal Recital – 6:30 p.m. Old
Union Hall – Tickets: $38 general public; $20 students with ID
Sunday, December 3 – University Symphony Orchestra – 3:00 p.m. –
Osterhout Concert Theater $9 general public; $7 faculty/staff/seniors; free for
students
Thursday, Decem ber 7 – Ja zz Mid Day Concert with guest artist, Bruce
Johnstone – 1 :20 p.m. – Osterhout Concert Theater – free
Thursday, Decem ber 7 Ja zz Ensem ble with guest artist, Bruce Johnstone –
8:00 p.m. – Osterhout Concert Theater $9 general public; $7
faculty/staff/seniors; free for students
]
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
50:49:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204933">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204933</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
An American Tour, November 12, 2006
Recital Tape 2006-11-12
Description
An account of the resource
Works of Hosay, Schuman, Sousa, Camphouse, Schuller, Nelson. Held at 3:00 p.m., Nov. 12, 2006, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Williamson, Jessica
Smith, Robert
Alkiewicz, Emily
Natiella, Amy
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-11-12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
d0c10766-eec3-47af-acb6-d1551782ac2c
-
https://omeka.binghamton.edu/omeka/files/original/60d508c759a0b7392c2c1dc04e0b2b9a.pdf
e871f1160b04226b686456f33ce468cf
PDF Text
Text
U N I V l i t 1 .
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State University of New York
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Binghamton University Department of Music
Thursday Mid Day Concert
November 9, 2006 1:20 p.m. – Casadesus Recital Hall
Sonata for Clarinet and Piano
II. Romanza (in memory of A. Honegger)
.............Francois Poulenc
(18991963)
Timothy Per ry, clarinet
Margaret Reitz, piano
Trauermusrk
Sarah Sterling, viola
Margaret Reitz, piano
Sonata a tre, for Recorder, Violin, and Cello........cc.ccccceeeuveeennne
Adagio
Allegro
Largo
Allegro
Alexander Baron, recorder
Micah BannierBaine, violin
Emily Creo, cello
Sonata in E Flat, Op. 120
Allegro amabile
Melissa Lee, viola
Margaret Reitz, piano
Paul Hindemith
(18951963)
. Georg Philipp Telemann
(16811767)
Johannes Brahms
(18331867)
(please turn over)
�Si mes vers avaient des ailes.....
.......Reynaldo Hahn
(18741947)
My verses would flee sweet and frail,
To your garden so beautiful,
If my verses had wings,
Like a bird!
They would fly, like sparks,
To your smiling hearth,
If my verses had wings,
Like the spirit!
Close to you, pure and faithful,
They would hasten, night and day
If my verses had wings,
Like love!
Aria of Mimi, “Donde lieta,” from La Boheme
. Giacomo Puccini
(18581924)
In Act III, the stage is set outside a tavern near the city gate. It is February in Paris c.
1830, and it is snowing just before dawn. Rodolfo has left Mimi, and she is very ill.
On a cold winter morning she makes her way to an inn where their mutual friend,
Marcello, is staying. She seeks Marcello’s company and advice, and is surprised to
find Rodolfo at the tavern. When the lovers meet Mimi sings this touching farewell.
From the place she left, happy
at your call of love,
Mimi returns alone
to her lonely nest.
She returns once again
to embroider flowers!
Goodbye, without bitterness.
Listen.
, , Tisten
Gather together the few things
that I left scattered around.
Shut in my drawer are
that gold ring
and the prayer book.
Wrap them all in an apron
And I will send the porter...
Mind you. . .under the pillow
there is a pink bonnet.
If you wish, if you wish...
keep it as a remembrance of love!
Goodbye, without bitterness.
Stefanie Sudd uth, soprano
Margaret Reitz, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:05:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204930">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204930</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, November 9, 2006
Recital Tape 2006-11-9
Description
An account of the resource
Works of Poulenc, Hindemith, Telemann, Brahms, Hahn, Puccini. Held at 1:20 p.m., Nov. 9, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Perry, Timothy
Reitz, Margaret
Sterling, Sarah
Baron, Alexander
Bannier-Baine, Micah
Creo, Emily
Lee, Melissa
Suddith, Stefanie
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-11-9
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
f38b4c0b-9db6-49d2-99b5-e7c74a4f509b
-
https://omeka.binghamton.edu/omeka/files/original/633e60c13929e625c04e3c87981a6a5e.pdf
8c5f7deddeea1c8f47684fddea5d5f00
PDF Text
Text
U_.) n. _ RR C
REC
\
i . (ft ‘
U N I V E R S I T Y
T 0 \ LP)
State University of New York
1 OO ,) 6G
Binghamton University Department of Music
THURSDAY MIDDAY CONCERT
\\2
S¥ CE
COL
November 2, 2006 – 1:20 p.m. Casadesus Recital Hall
Margaret Bonds
(19131972)
(Poems by Langston Hughes)
Three Dream Portraits (1959)
Minstrel Man
Dream Variations
I, Too
Miriam Wright, soprano
Margaret Reitz, piano
Richard Strauss
(18691949)
Traum durch die Dammerung, Op. 29, no. 1
“Meadows vast in the twilight; the sun has set, the stars appear, and now I go to the most
beautiful of women, far across the fields at twilight, deep in the jasmine bower. Through
the twilight, to the land of love I go, hastening not, but led, as by a soft velvet ribbon, through
the twilight to love’s land in a tender blue light.”
Allerseelen, Op. 10, no. 8 . . . . . . c o c c v i e i i e i i i e c i i i c i e c i e e Strauss
“Put the flowers on the table, bring the last red asters, and let us talk of love as we did in
May. Give me your hand–I do not care who watches if you look at me as you did in May.
While every grave is fragrant with flowers on All Souls’ Day, let me hold you near me as
I did in May.”
.. Richard Strauss
Zueignung, op. 10, no. 1.
“You know, sweetheart, that I languish away from you, that love brings heartache ; for this,
thanks. Once I was free and drank wine to my heart’s content and you blessed the cup; for
this, thanks. You expelled my evil spirits till I became what I had never been before : holy,
loving you; for this, thanks!”
Katrina L. Cox, soprano
ChaiKyou Mallinson, piano
Wunsch
“Wish” was written by the poet August Kopish and dedicated to Bettina vonArnim.
This poem is about a lady who wishes that she could take her love and steal away on
a ship to a deserted island. There she would be able to freely kiss her love, he would
be able to make her jewelry from flowers, and they could fish together for food.
Johanna Kinkel
(18101858)
.Clara Schumann
(18191896)
Warum willst du and’re fragen ..
“Why will you question others” was written b y the poet Friedrich Rueckert. This poem is
about a lady asking her love why he chooses to ask other people to tell him if she loves him.
She says that all he has to do is look in her eyes and without words they will show him how
much she loves him.
Aria of the Mother, “All that gold!”,
from Amahl and the Night Visitors (1 951)
(please turn over)
GianCarlo Menotti
(b. 1911)
�The setting is the mother ’s home. She is a poor widow with a disabled child. Earlier
that evening three kings came to their home in search for shelter for the evening. They are
following a star that will bring them to a child born to be King of Kings. When everybody
has fallen asleep she sings this aria.
Maria Aimoniotis, soprano
Margaret Reitz, piano
Se Florindo e fedele
Alessandro Scarlatti
(16701725)
If Florindo is faithful, I ’ll surely fall in love. I can defend my heart from any smiles, sighing,
weeping and imploring, but if he should be faithful, I shall fall in love!
Aria of YumYum, “The sun, whose rays are all ablaze,”
from The Mikado...
Sir William Gilbert (words) and
Sir Arthur Sullivan (music) (18421 900)
Written in the late 18 00’s, the fourteen flamboyant satirical musicals of Gilbert & Sullivan
made fun of high society, the government, the military, and British culture in general.
The Mikado is set in Japan and decries the ruthless and ridiculous decrees of the Mikado,
the Japanese emperor. In this song, the blithe and blissfully selfcentered heroine YumYum
compares herself to nothing less than the sun and moon.
Jana Kucera, soprano
ChaiKyou Mallinson, piano
Fantasia #16 in F Major
Alexander Baron, alto recorder
Friihlingsglaube, Op. 20, no. 2..
George Philip Telemann
(168 l 1 767)
.. Franz Schubert
(17681827)
Mild spring breezes blow again, carrying fresh fragrance with them. Troubled heart, be
hopeful, everything will change! With every passing day, the world becomes more beautiful.
The valleys are full o f flowers; troubled heart, forget thy grief! Everything will change.
Du bist die Ruh, Op. 59, no. 3.
..Franz Schubert
You are tranquillity, and gentle peace ; you are longing, and what stills it. I consecrate to you
my eyes and heart for your dwelling. Enter, and quietly close the door behind you. Your
brightness alone lights up this dwelling–o fill it completely!
Aria of Laetitia, “Steal me, sweet thief,”
from The Old Maid and the Thief (1 939).......cccccccevvvvvincevencnneeneevenneen...
Glan—Carlo Menotti
(b. 191 1)
A beggar comes to th e back door of Miss Todd’s house. Her maid, Laetitia, lets him in.
Desperate for male company, the women persuade him to stay indefinitely and they lavish
food and comforts on him. Later Miss Todd learns of an escaped thief whose description
fits Bob, but she continues to shelter him, even robbing a liquor store in order to bring
him gin. In this aria Laetitia voices her own hopes and frustration with Bob ’s lack of interest.
LaToya Lewis, soprano
Margaret Reitz, piano
A Set for C l a r i n e t . . . . . . c c c . e v v e e r i i i i i e r i e s i e e i c e r i e e s e e M
artino
Allegro – cantabile – allegro
(19312005)
Allegro
Timothy Perry, clarinet
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
49:12:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204927">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204927</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, November 2, 2006
Recital Tape 2006-11-2
Description
An account of the resource
Works of Bonds, Strauss, Kinkel, Schumann, Menotti, Scarlatti, Gilbert & Sullivan, Telemann, Schubert, Martino. Held at 1:20 p.m., Nov. 2, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Wright, Miriam
Reitz, Margaret
Cox, Katrina
Mallinson, Chai-Kyou
Aimoniotis, Mary
Baron, Alexander
Lewis, LaToya
Perry, Timothy B
Kucera, Jana
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-11-2
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
cd3cebae-a26d-4eea-879e-772c25f561f3
-
https://omeka.binghamton.edu/omeka/files/original/6764759c8fbc4d1d2d07ff265112df7e.pdf
24ac46e7c05c0a5b4a53a0ec674c85ee
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
¢
p l‘w‘ L E
u5
State University of New York
{30 it“:
\ O
Spc c a l
Binghamton University Department of Music
H A L L O W E E N MIDDAY CONCERT
October 26, 2006 1:20 p.m. – Casadesus Recital Hall
Les oiseaux dans la Char mille (Doll Song).................................................]acques Offenbach
(18191880)
From Les Contes D’Hoffmann
The poet Hoffma nn has come to the house of the inventor Spalanzani to become his
Apprentice. He falls in love with a lovely creature he meets there not realizing she is
a mechanical doll and a creation of this master. Spalanzani introduces the doll at a
reception and speaks of her musical accomplishments.
Amy DeLeo, soprano
ChaiKyou Mallinson, piano
...... Lucy Simon
How Could I Ever Know“?
from The Secret Garden
The musical is based on the novel of the same name written by Frances Burnett
It takes place in England, 1906. The main character Mary is sent to live with her Uncle
Archibald after her parents succumb to Cholera. Archibald’s wife, Lily, died years
before in childbirth, and left behind her husband and her son Collin, who has been
confined to bed as he is crippled. This particular song is sung at the very end of the
musical, before the finale. Archibald has left the home for the Continent. While he is
away, Mary is to be sent to a boarding school by Archibald’s brother Neville, who was
in love with Lily while she was alive and is now trying to take Archibald’s home from
him. Mary sends Archibald a letter urging him to come home. While he is debating
what he should do, Lily comes to him as a ghost and sings “How Could I Ever Know,
convincing him to return home.
Jessica Barkley, soprano
ChaiKyou Mallinson, piano
Dies Irae (chant from the Mass for the Dead).
Anonymous (13™ century)
Paul Schleuse, tenor
a .
Danse Macabre, op. 40 from Poéme Symphonique...................ccoeeuruunneen....... Camille Saint Saens
(18351921)
(Transcribed by the composer for piano duet)
Danse Macabre (Dance of Death) is the third of SaintSaéns’s four symphonic poems. The
image of Death as a fiddler is portrayed in this work. Death appears at midnight every year on
Halloween, and calls forth the dead from their graves to dance for him while he plays his fiddle.
The skeletons dance until the first break of dawn. With the cock’s crow, they must disperse and
vanish until next year. First performed in 1874, this work is based on a French poem by Henry
Cazalis, with the following English translation:
Zig,Zig,Zig Death in a cadence
Striking with his heel a tomb
Death at Midnight plays a dance tun e
Zig Zig Zig on his violin
�The winter wind blows and the night is dark
Moans are heard in the linden trees
Through the gloom white skeletons pass
Running and leaping in their shrouds
Zig Zig Zig each one is frisking
The bones of the dancers are heard to crack
But hist of a sudden they quit the round
They push forward, they fly; the cock has crowed.
ChaiKyou Mallinson, piano
Wendy Lee, piano
0
Ah! Spietato! (Ah! Cruel One!) .
from Amadigi
.
.
.
... George Frederic Handel
(16851759)
In this aria, Melissa, who is a sorceress, has caught
Amadigi trying to escape from her prison. She is angered by the fact that Amadigi is not
moved by her affection. Melissa makes him realize that he will pay for betraying her loving
soul.
Katrina Cox, soprano
ChaiKyou Mallinson, piano
The Black S
from The Medium
w
a
n Gian Carlo Menotti
(b. 1911)
Act I A fake séance has just taken place in the parlor room of the medium, Madame Flora’s
home. She becomes terrified when she feels a phantom hand clutching her throat and out of fear,
forces all guests to leave at once. Madame Flora blames their mute servant boy, Toby for
playing such a cruel joke on her. In order to calm her drunken nerves, her daughter, Monica
sings her this dark lullaby.
Miriam Wright, soprano
ChaiKyou Mallinson, piano
1l
I
l
i
lI
]
oger Quilter
Weep you no mote . . . . e c c e e e s p e n r e n e e e e e g r u a m d i p r e s e s r s R
(18771953)
Alex Blitstein, tenor
ChaiKyou Mallinson, piano
The Green Eyed Dragon.........ccceeeenirieeninenenesenesiesesesesseesesseseeesesneneeeneenennenn. Wolseley Charles
(b. 1880)
Mary Aimoniotis, soprano
ChaiKyou Mallinson, piano
Le Bal (The Ball) from Jeux d’ERfants...........ccccoecevevenecicenieneninenenesesiesneeeeneenee.. George Bizet
(18381875)
Composed in 1871, J eux d’Enfants (Children’s Games) is a set of twelve vignettes for piano,
four hands. A delightful collection that displays the composer’s homage to childhood, these
lyrical and colorful pieces describe various children’s activities. Le Bal (The Ball) is the last
one in this set.
l
§
l
l
ChaiKyou Mallinson, piano
Wendy Lee, piano
li
I
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:27:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204924">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204924</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Halloween mid-day concert, October 26, 2006
Recital Tape 2006-10-26
Description
An account of the resource
Works of Offenbach, Simon, Saint Saëns, Handel, Menotti, Quilter, Charles, Bizet. Held at 1:20 p.m., Oct. 26, 2006, Casadesus Hall.
Creator
An entity primarily responsible for making the resource
DeLeo, Amy
Malinson, Chai-Kyou
Barkley, Jessica
Schleuse, Paul
Lee, Wendy
Cox, Katrina
Wright, Miriam
Blitstein, Alexander
Aimoniotis, Mary
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-10-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
4fb4ff59-b0ca-4f67-ad96-2db7995d88c5
-
https://omeka.binghamton.edu/omeka/files/original/4f2f4b402bb34e0beea672acd0ec4cbd.pdf
9c2619fa43d7ca1632bd5d9e7cdc2db2
PDF Text
Text
B INGHA MTON
CU N T V E 11 . 1 DY
State University of New York
UNIV M e
(4
“m D E P A R T M E N T
1 0 ¢
3
F MILY W EEK END C ONC ERT
=
J
LVDb
Y O = 2 . \
1
L
Q
with
Wom en’s Chorus
Kristi na Ruffo, conductor
Nukporfe, dance/ drumming ensemble
James Burns and Pierre tte Aboadji,
directors
Harp ur Chorale
Peter Browne, conductor
The University W ind Ensemble
l
Robert Smith, conductor
1
Saturday, October 21, 2006
3:00 p. m.
Osterhout Concert Theater
�PROGRAM
III.
Harpur Chorale
I.
Women’s Chorus
Peter Browne, conductor
Kristina Ruffo, conductor
Jody Schum, piano
Thomas Morley
Fire, Fire! My Heart..........................cccceeeeveueeneene...
(15571613)
J S Bach
(16851750)
Duet from Cantata No. 15
Emily Creo, cello
René Clausen
Set me as a Seal
The Bluebird
Oh! What a Beautiful City!.............................. Traditional Spiritual
arr. Jeffrey Webb
Hombe.......
Ghana Alleluia
~ Traditional Ghanaian Song
.arr. Kathy Armstrong
Assisted by Nukporfe
Elijah Rock........ccccveeieieriiceeieceeeeeeeeeneenn..
Allundé Alluya A frican Prayer Lullaby......................arr. Salli Terri
Assisted by Nukporfe, dance/drumming ensemble
Lollytoodum American folk song
Hyenas catch a weeping child,
but angels watch a sleeping child.
From Hamba Lulu (Five African Songs)
Jester Hairston
arr. Leslie Bell
IL
Nukporfe Drum/Dance Ensemble
James Burns and Pierrette Aboadji, directors
.. Traditional Dance of the Ewe people of Ghana
Gahu...
Arranged and Choreographed by P ierrette Aboadji and James Burns
Charles Villiers Stanford
(18521924)
1. Mangwani M’pulele
Aunt open the door for me
rain is falling on me.
With two or three head of cattle
I can pay dowry for a wife.
(sotho Children’s Song)
2. Oremi
Let‘s dance.
Father and mother are dancing.
(Nigerian “Highlife” Song)
' 3. Asikha thali
This load is heavy.
It needs men.
We don’t care
if we get arrested.
We intend being free
(Zulu Freedom Song)
....Kenya (Luo) Folk Song
arr. Laz Ekwueme
�ABOUT THE PERFORMERS
Women’s Chorus
IV.
Wind Ensemble
Kristina Ruffo is a graduate choral conducting student at
Binghamton University. This is her first semester conducting the
Women’s Chorus, and she is very excited to display the talent of
these young women. She also teaches a sight singing class to help
university students improve in their reading abilities and confidence
in singing. She was awarded the Keeler Scholarship this year, which
has helped her continue with her education. During the day, she
teaches fulltime at the MaineEndwell High School and is director
of the Mixed Chorus and Madrigal Choir. She also teaches a theory
course and gives lessons to high school students. Kristina resides in
Binghamton, NY with her husband. She is looking forward to a
successful and positive year with the Women’s Chorus.
Robert Smith, conductor
“Everybody Loves A March!”
...John Philip Sousa
(18541932)
March: Untitled..
Washington Grays M
Black Granite J
a
a
r
c
m
h
Claudio S. Grafulla
(18101880)
e
s L. Hosay
Soprano I
Blake, Daron
Cohen, Rebecca
Epstein, Jodi
Gordon, Tracey
Karp, Jillian
Liebowitz, Liann
Navarette, Katherine
Rabideau, Erin
Sones, Melissa
HENLEY Fillmore
Rolling THutider ..........ccc..cimmsnisisenissssnssrisansassscsass.
(18811956)
The Stars and Stripes Forever...............................John Philip Sousa
(18541932)
’
Soprano II
Boccuzzi, Dina
Bose, Anjuli
Haigney, Stephanie
Havener, Crista
Kucera, Jana
McCombs, Kimberly
Pouchie, Priscilla
Press, Amanda
Streigold, Bonnie
Wallach, Jaclyn
Winnett, Desiree
Alto
Bass, Desiree
Caruso, Alicia
Colah, Perin
Golden, Sarah
Gordon, Sasha T.
Haines, Alex
Kim, Hyun Jin
Maughan, Carly
�Wind Ensemble
Nukporfe Drum/Dance Ensemble
JAMES BURNS has spent the past 11 years learning, performing, and
teaching African and AfroCaribbean dancedrumming. In addition to
formal study of African drumming at the School of Performing Arts in
Ghana, James has apprenticed as a traditional drummer with several
musical families in Ghana, and has accompanied them to play at
ceremonies, funerals, and festivals throughout the country. James has a
PhD in Ethnomusicology from the School of Oriental and African Studies
in London, and has been active as a researcher and performer. He has
published articles on African music, a CD of Ghanaian drumming, and is
currently finishing a book and DVD documentary about female musicians
in Ghana.
q.
ROBERT SMITH is Music Director and Copductor of the Binghamton University Wind
Ensemble. Professor Smith holds degrees from Hartwick College, Binghamton University
and is a candidate for the Doctor of Musical Arts from Boston University. Locally, he
conducts the annual observance of TubaChristmas and is former conductor of the Maine
Community Band. He has guest conducted allcounty and community bands as well as the
Goshen College(IND) Wind Ensemble and Orchestra. His conducting teachers include
Frederick Fay Swift, Thurston Dox, Thomas Ives, Timothy Perry, Robin Linaberry, John
Graulty and Mariusz Smolij. An active performer, he currently plays principal euphonium
with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown
City Brass sextet. Professor Smith is the immediate past president of the Broome County
Music Educators Association and recipient of the 2005 BCMEA Distinguished Service
Award. Professional memberships include: The Broome County Music Educators
Association, the New York State School Music Association, the Music Educators National
Conference, The National Band Association, The Asso c i a t i o n Concert Bands, The
Conductors Guild, The World Association of Symphonic Bands and Ensembles, The
College Band Directors National Association and the International Tuba and Euphonium
Association.
The Unvierstiy (“JOWM
PIERRETTE ABOADJI has dedicated her life to performing and
teaching African dance. As a professional dancer, she is currently on leave
as a senior dancer in the Ghana Dance Ensemble, which as the premier
national dance company, is made up of only the top dancers and musicians
in Ghana. Throughout its 40 year history, the Ghana Dance Ensemble has
been directed by eminent choreographers who have combined traditional
pedagogy in African dance with Western choreography, staging and
technical methodology. The Dance Ensemble is based in the School of
Performing Arts at the University of Ghana, and Pierrette has also served
as an instructor in regular courses on African dance and music. Pierrette is
currently teaching African dance in the Department of Theatre and Dance
at Binghamton.
Dancers
Yaa Anokye
Amanda Hunte
Eugenia Ntow
Stephanie Okwudi
Lola Oloko
Ebony Richardson
Asuno Udoh
Julian Goetz
Simon Hawk
Michael Moon
Jesse Reed
Kevin Tapper
Samuel SuarezYoung
ALTO SAXOPHONE
Emily Alciewicz
Amy Natiela*
Katherine Navarette
PICCOLO
Melissa Voldan
PERCUSSION
Chris Jacobson*
BARITONE SAXOPHONE Jana Kucera
Subin Lim
Melissa Roe
OBOE
Ephraim Atkinson
Drummers
Yoolee Choi
Kitanya Forrester
ot
\
sI
KEYBOARDS
Karmi KnightWinnig
FLUTE
Sarah Harper
Julie Liao
Sara Shafer
Jennifer Weintraub*
Jessica Williamson
CLARINET
Lisa Carpinone
Kyle Doyle
Christa Heschke
Melissa Klepper
Andrei Lee
Mark Norman
Richard Silvagni
Dong Soon Shin
Jillian Stark
Maggie Venti
Dan Zaccarini*
“*Principal Players
TIMPANI
Caleb DeGroote
TENOR SAXOPHONE
Steven Inganamort
F Horn
Megan Caruso
Robert Muller
William Stallsmith
TRUMPET
Lisa Eppich
Thomas Osa
Sinan Pan
Andrew Sanfratello
TROMBONE
Harris Brenner*
Chris Chen
Kelly Tufo
BASS CLARINET
Heather O’Gara
CONTRABASS
CLARINET
Kristen Weiss
EUPHONIUM
Matt Sanders
TUBA
Daniel Brisk
Katherine Winchell*
�Harpur Chorale
PETER BROWNE, director of Harpur Chorale, received his BA from
Bard College and MM in Organ Performance from Binghamton
University, where he studied with Paul Jordan, Searle Wright, and David
Buttolph. He has done additional work at Westminster Choir College and
several other schools, and was the recipient of a fellowship to study choral
conducting with Sir David Willcocks, former director of the King’s
College Choir, Cambridge, and the Bach Choir of London. Since 1981, he
has been the organist and choir director at Trinity Memorial Church,
Binghamton, having previously served in other churches in Pennsylvania,
Connecticut and New York. He is currently the accompanist for the
University Chorus at BU, and teaches musicianship as well. Mr. Browne
has performed as a director, soloist, and accompanist throughout the
eastern United States and Canada, and in England and Wales.
Soprano
Jenna Gatti
Ayla Gordon
Jaclyn Hochreiter
Allison Metcalfe
Elizabeth Sterling
Lynsey Zuar
Alto
Emily Creo
Monica Lee
Rachel Maller
Sophie Nusinov
Corinne Paull
R
{
i
l
)
s
Tenor
Alexander Blitstein
Thomas Blumenthal
Seth Makarowitz
Ross Matthei
Douglas Schwartz
Bass
Eric Dinowitz
Adam Hess :
Ezra Monasebian
John Paap
David Parisi
Joseph Rousseau
l
5
�
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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2 audio discs
Duration
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54:29
15:36
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204306">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204306</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Family weekend concert, October 21, 2006
Recital Tape 2006-10-21
Description
An account of the resource
Held at 3:00 p.m., Oct. 21, 2006, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Ruffo, Kristina
Burns, James
Aboadji, Pierrette
Browne, Peter
Smith, Robert
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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2006-10-21
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
7d9da69e-ddf0-4782-8432-a14720551818
-
https://omeka.binghamton.edu/omeka/files/original/e8067e25af2f0f04a7fe40314b124c3d.pdf
495661b877cb6fa5e80124da267f4f07
PDF Text
Text
UN
NI V
Reci
'
RC
l
tap
BINGHAMTON
20
10-12
SPEC
UNIVERSITY
COL
State University of New York
Binghamton University Department of Music
THURSDAY MID-DAY CONCERT
October 12, 2006 - 1:20 p.m. - Casadesus Recital Hall
Chanson d 'Amour ........................................................................................................ Gabriel Fauré
En Prière
(1845-1924)
Nell
Amy DeLeo, soprano
Chai-Kyou Mallinson, piano
Sonata in D major for 4 hands ..................................................................................... W.A. Mozart
Allegro
(1756-1791)
Andante
Allegro Mo/to
Wendy Lee, piano
Chai-Kyou Mallinson, piano
from Die Schone Müllerin ........................................................................................ Franz Schubert
Danksagung an den Bach
(1798-1827)
Am Feierabend
Der N eugierige
Alexander Blitstein, tenor
Chai-Kyou Mallinson, piano
Non posso vivere ................................................................................................. Giacomo Carissimi
(1605-1674)
Vaga luna ............................................................................................................... Vincenzo Bellini
(1801-1835)
Katrina L. Cox, soprano
Chai-Kyou Mallinson, piano
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:40:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204303">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204303</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday mid-day concert, October 12, 2006
Recital Tape 2006-10-12
Description
An account of the resource
Works of Fauré, Mozart, Schubert, Carissimi, Bellini. Held at 1:20 p.m., Oct. 12, 2006, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
DeLeo, Amy
Lee, Wendy
Blitstein, Alexander
Cox, Katrina
Mallinson, Chai-Kyou
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-10-12
Rights
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In copyright
Type
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sound
IIIF Item Metadata
UUID
969a8b97-4f4f-4f43-9f8a-9d0e92e68ea5
-
https://omeka.binghamton.edu/omeka/files/original/ee783803f57cd521f3d67db844aca30e.pdf
f0d9433c8d9ee1fdc225cbcc773993ce
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
U N T V f
B.
Y
C
.
\
Y
D E P A R T M E N T
T > R <
200k
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PeccoL
A REUNION IN
R ECITAL
Judy Berry, soprano
Timothy LeFe bvre, baritone
Duane Skraba lak, piano
Saturday, September 16, 2006
8:00 p.m.
Anderson Center Ch amber Hall
�PROGR AM
WDINTERMISSION®3
“Sound the TriBpPEE
“My Dearest, my Fairest”
Henry Purcell
(16591695)
“It’s a Grand Night for Singing,” State Fair...........Richard Rodgers
(19021979)
“If I Loved You,” Carousel
Oscar Hammerstein II
(18951960)
“Some Enchanted Evening,” South Pacific
Ms. Berry & Mr. LeFebvre
n
“The Last Rose of Summer” ...cccccceeeeeeeeeeeeenn.«eer... Thomas Moore
old Irish Folk Air
(17791852)
Sir John Stevenson
(17611833)
Ms. Berry
Ms. Berry & Mr. LeFebvre
/
“Strahlender Mond,”
from Das Vetter aus Dingsda
From Liederkreis.........................................weeeee... RObETt Schumann
In der Fremde
(18101856)
Intermezzo
Waldesgesprach
....Eduard Kiinneke
(18851953)
Ms. Berry
“Song to the Moon”
from Rusalka
Mr. LeFebvre
Antonin Dvorak
(18411904)
Ms. Berry
“Du sollst der Kaiser meiner Seele sein”
from Der Favorit
Robert Stolz
(188019 75)
“Di provenza,” from La Traviata.......................
Ms. Berry
Mr. LeFebvre
“Herbstlied”
Ms. Berry & Mr. LeFebvre
From I Pagliacci
“Ballatella”
“Silvio! A quest’ora”
Ms. Berry
Fehx Mendelssohn
(18091847)
Ruggiero Leoncavallo
(18571919)
Ms. Berry & Mr. LeFebvre
l
“Pura siccome un angelo,”.........cociveiaciicisonnas
from La Traviata
Ms. Berry & Mr. LeFebvre
Giuseppe Verdi
(18131901)
Giuseppe Verdi
(18131901)
�Translations
Sound the Trumpet
Sound the trumpet till around
You make the listening shores
rebound.
On the sprightly hautboy play.
All the instruments of joy
That skillful numbers can
employ
To celebrate the glory of this
day.
My Dearest, my Fairest
My dearest, my fairest, I
languish for you.
Thy kindness has won me.
Thy charm has undone me.
I ne’er, no ne’er shall be free.
I faint with the pleasure I fain
would repeat.
Ah, why are love’s raptures
so short and so sweet?
Thus pressing, and kissing,
fresh joys we’ll pursue,
And ever be happy, and ever
be true.
But alas! Should you change,
ah tell me not so!
No, never, my dearest. No,
never, my fairest.
No, my dearest, no!
The Last Rose of Summer
‘Tis the last rose of summer,
Left blooming all alone,
All her lovely companions
Are faded and gone.
No flower of her kindred,
No rose bud is nigh,
To reflect back her blushes,
Or give sigh for sigh is the last
rose of summer,
Left blooming alone;
I’ll not leave thee, thou lone
one,
To pine on the stem;
Since the lovely are
sleeping,
Go sleep thou with them;
‘Thus kindly I scatter
Thy leaves o’er the bed
Where thy mates of the
garden
Lie scentless and dead.
So soon may I follow
When friendships decay,
And from love’s shining
circle
The gems drop away!
When true hearts lie
withered
And fond ones are flown
Oh! who would inhabit
This bleak world alone?
In der Fremde
From my home beyond the
lightning’s flash,
The clouds drift over me.
But father and mother are long
since dead,
And no one there remembers me
anymore.
How soon, how soon comes the
quiet time
When I too shall rest; and over me
Will rustle the lovely, lonely
forest.
:
And no one will remember me
anymore even here.
Intermezzo
Your blessed image
I keep deep in my heart;
So gay and happy, it looks
At me all the time.
My heart sings softly to itself
An old, beautiful song
That soars into the air
And hastens to you.
”4
]
:
{
1
J
!
[
4
l
l
Waldesgesprach
It is already late, it is growing cold;
Why do you ride alone through
the wood?
The forest is vast, you are alone;
Beautiful bride! I will see you
home!
Great are the deceit and the
cunning of men;
My heart is wracked with pain;
The sound of the horn is all
around us.
Begone! You do not know who
I am.
So richly adorned are both horse
and lady,
So enchanting is your young
body —
Now I know you – God be with
me!
You are the sorceress Lorelei.
You know me well – from a
high cliff
My castle looks silently deep
into the Rhine.
It is already late, it is growing
cold.
Nevermore shall you leave this
wood!
Du sollst der Kaiser meiner
Seele sein
I know a land without
boundaries
I know an empire, wherein
entwine
a thousand tender thoughts
about my love, Rosenpfad.
That is the land, in where I live,
that is the empire I give to you
on whose throne I lift you
in the free land of my heart.
Refrain:
You, you, you should be the
emperor of my heart.
You, you, you should wear
the purple, all alone.
You, you, you should wield
the scepter
only you are allowed to rule
there,
you aspire to be a Conquerer
there.
If you love me, you have as
payment
in my heart your crown,
and do as you will upon the
golden throne
which my love has built for
you.
You are the Emperor, whom
I choose,
and your Wishes are orders.
You’ll be obeyed by my
soul,
which I entirely entrust to
you.
Herbstlied
Oh, how soon the cycle
ends,
Spring turns into wintertime!
Oh how soon all happiness
Turns to sad silence!
The last sounds soon fade!
The last songbirds are soon flown!
The last green is soon gone!
They all want to return home!
Oh, how soon the cycle ends,
Merriness turns to longing sorrow.
Were you a dream, you thoughts
of love?
Sweet as spring and fast
disappearing?
�Only one thing will never wane:
The longing that never goes.
Ah, how soon the cycle ends!
Oh how soon all happiness
Turns to sad silence!
Ballatella
Screeching up in the sky,
And they go the ways of the sky.
Let it wander in the atmosphere this
thirsting for azure and for splendor;
the way we follow a dream or a
chimera,
and they go after the golden clouds.
Let the wind chase and the storm
bark,
with open wings it heals all
challenges;
the rain, the lightning, nothing ever
stops it
and they go over abysses and
the sea.
They go down there towards a
strange land
Which perhaps dreams and
which goes
But the bohemians of the sky
follow the arcane power which
it urges...and go..and they go!
Silvio! A quest ’ora
In the duet, Nedda and Silvio
tell of their love for each other.
At first, from feelings of duty,
Nedda refuses to leave her
husband’s troup and run away
with Silvio. But when Silvio
accuses her of no longer loving
him she states her readiness to
flee with him.
It ’s a Grand Night for Singing
It’s a grand night for singing,
The moon is flying high,
And somewhere a bird
Who is bound he’ll be heard,
Is throwing his heart at the sky!
It’s a grand night for singing,
The stars are bright above.
The earth is aglow
And, to add to the show,
I think I am falling in love!
Falling, falling in love!
Maybe it’s more than the moon,
Maybe it is more than the sight
of the night,
Maybe it’s more than the earth,
Shiny and silvery blue,
Maybe the reason I’m feeling this way
Has something to do with you!
If I Loved You
If I loved you,
Time and again I would try to say
All I’d want you to know.
If I loved you,
Words wouldn’t come in an easy
way
Round in circles I’d go!
Longin’ to tell you,
But afraid and shy,
I’d let my golden chances pass me
by!
Soon you’d leave me,
Off you would go in the mist of
day,
Never, never to know how I loved
you
If I loved you.
Some Enchanted Evening
Some enchanted evening
You may see a stranger,
you may see a stranger
Across a crowded room
And somehow you know,
You know even then
That somewhere you’ll see her
Again and again.
Some enchanted evening
Someone may be laughing,
You may hear her laughing
Across a crowded room
And night after night,
As strange as it seems
The sound of her laughter
Will sing in your dreams.
Who can explain it?
Who can tell you why?
Fools give you reasons,
Wiseman never try.
Some enchanted evening
When you find your true love,
When you feel her call you
Across a crowded room,
Then fly to her side,
And make her your own
For all through your life you
May dream all alone.
Once you have found her,
Never let her go.
Once you have found her,
Never let her go!
Strahlender Mond
Shining moon, who crowns heaven’s
canopy,
My songs ascend to you nightly.
Shining moon, who crowns
heaven’s canopy,
Repeat, oh repeat them to my
beloved.
Be my ambassador, my
confidant!
Carry my songs to my far away
beloved.
Shining moon, who crowns
heaven’s canopy,
Be my ambassador, my
confidant!
Be my ambassador for sweet
thoughts which stir in my
heart
And which I cannot tell him
Ah, all my wishes, my
longing, my love,
Yes, to you only’I entrust
them!
Shining moon, who crowns
heaven’s canopy,
My songs ascend to you
nightly.
Shining moon, who crowns
heaven’s canopy,
Repeat, oh repeat them to
my beloved.
Be my ambassador, my
confidant!
Carry my songs to my far
away beloved.
Shining moon, who crowns
heaven’
Song to the Moon
Silvery moon in the great dark
sky,
Your beams see farther than we
do.
Over the world goest wandering,
In many a window art looking.
Oh, moon! Do stay a while, stay
with me,
Tell me, oh where is my loved
one?
Tell him, oh silvery
moon sailing by, that in
my arms I enfold him.
Tell him in dreams to
think of me, even if only
for awhile.
May he, though far away,
know my thoughts.
Tell him, oh tell him, I
am here waiting.
If of me a human soul is
dreaming,
May my thoughts rouse
him from sleep.
Moon, moon, oh don’t go
in!
�ABOUT T HE PERFORMERS
Di Provenza
The sea and soil of
Provence—
who has erased them from your
heart?
From your native, brilliant
sun—
what destiny stole you away?
Oh, remember in your sorrow
that joy glowed on you,
and that only there peace
can yet shine upon you.
God guided me!
Ah, your old father—
You don ’t know how much he has
suffered!
With you far away, with misery
has his house become full.
But if in the end I find you again,
hope did not fail within me,
if the voice of honor
didn’t become silenced in you,
God listened to me.
t
Pura siccome un angelo
Violetta is visited by Giorgio
Germont, Alfredo’s father, who tries
to persuade her to end her love affair
with Alfredo. Alfredo’s life with a
JUDY BERRY returns to Greater Binghamton afier establishing an internation
al
opera career. Graduate of both TCO’s RATP and BU ’s MM in Opera progr
am,
local audiences fondly remember her for her portrayals of “Gilda”, the “Queen
of
the Night”, “Olympia”, “Juliette”, and “Adina”, as well as the title roles in Luc
ia
di Lammermoor and Lakmé. She garnered top honors in numerous majo
r vocal
competitions including the Baltimore Opera Competition, the Enrico Caruso Vo
ice
Competition USA, the Liederkranz Foundation, the New York Grand Opera, the
Queens Opera, the New Jersey State Opera, The Musicians Emergency Fund, a
nd
the Loren L. Zachary Society for the Performing Arts. With the Peter Sellars
production of Nixon in China, she sang the world premiere with Houston Gr
and
Opera, and toured to the Edinburgh Festival, Amsterdam, Los Angeles, BAM,
the
Kennedy Center, Paris and Frankfurt. From 19932001, she was engaged
in
Germany with the Wuppertal Opera and appears regularly on numerous Europea
n
stages, including Leipzig, Mannheim, Diisseldorf, Niirnberg, Wiesbad
en,
Dortmund, Bremen, Osnabriick, Mainz and the Eutiner Festspiele. She has also
performed with the Baltimore Opera, Knoxville Opera, Virginia Opera, Pittsburgh
Opera Theater, at Carnegie Hall and Lincoln Center, as well as with the Edmonto
n
Opera in Canada, Teatro de la Opera in Puerto Rico, and the Festival of Perth in
Australia. Her extensive repertoire of over fifty roles includes “Violetta” in
La
Traviata, “Marguerite” in Faust, “Fiordiligi” in Cosi fan tutte, “Sophie” in
Der
Rosenkavalier, “Giulietta” in Capuleti e i Montecchi, and the title roles in T
he
Ballad of Baby Doe and Alban Berg’s Lulu. A much sought after interpreter
of
modern music, oratorio, and concert repertoire, Ms. Berry has recorded on
the
Orfeo label. Grateful and appreciative of her invaluable training, Ms. Berry
is
proud to be a part of the TCO and BU continuum by serving the next generation o
f
rising stars; in the capacities o f Assistant Stage Director and German coach
at
TCO, and in the years 2003 and 2006, as a member of the voice faculty
of
Binghamton University.
nearprostitute is creating scandal,
and his sister risks to be left by her
future husband (Pura siccome un
angelo). Violetta is moved, and
promises to Germont that his request
will be satisfied (Dite alla giovine).
T
Baritone TIMOTHY LEFEBVRE just returned from his debut with Central
City Opera singing in productions of The Ballad of Baby Doe and
The
Coronation of Poppea . LeFebvre has appeared in concert with the Jacksonvi
lle
Symphony, Pensacola Symphony, West Virginia Symphony Orchestra, Vermo
nt
Symphony, Minnesota Symphony, Syracuse Symphony, American Symphon
y
Orchestra, Pittsburgh Symphony, Spokane Symphony, Bingham
ton
Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport
Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with
the prestigious Marlboro Music Festival. He has also appeared in concert at New
York’s Carnegie Hall and Alice Tully Hall. LeFebvre’s operatic experien
ce
includes leading roles with San Francisco Opera, TriCities Opera, Sarasota
Opera, Chattanooga Symphony and Opera, Syracuse Opera, Indianapolis Oper
a,
and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner of the New York
�Liederkranz Vocal Competition, and other awards include the Richard F. Gold
Career Grant, an Opera Fellowship at Binghamton University and Regional
Finalist in several Metropolitan Opera Competitions. LeFebvre is a graduate of
Carnegie Mellon University and Binghamton University and is currently
Assistant Professor of Voice at Binghamton University. 20062007 engagements
include appearances with the Chattanooga Symphony and Opera in Le nozze di
Figaro and the Syracuse Symphony in Mozart ’s Requiem. He will also appear in
concert at Carnegie Hall in March.
DUANE SKRABALAK is Artistic Director and resident Conductor of TriCities
Opera. Mr. Skrabalak was chosen years ago by CoFounders Carmen Savoca
and Peyton Hibbitt to be the person to bring the company into its second half
century and the new millennium. In addition to his duties as Artistic Director of
OperaGoRound (the touring educational program of TCO), he also serves as
vocal coach for the Resident Artist Training Program and is Adjunct Assistant
Professor of the M.M./opera program at Binghamton University. Skrabalak
joined TCO as a singer and pianist in 1970. He soon became the TCO choral
director, and eventually crossed into conducting, coaching voice and language.
He made his conducting debut in 1974 with Gounod’s Faust. Since then, he has
conducted more than 70 productions, as well as numerous chamber productions
and excerpt shows. Among his many credits, Skrabalak served as music director
for the world premiere of Myron Fink’s Chinchilla, and serves as host of TCO ’s
Operalogues which are also broadcast on public radio. His conducting credits
include appearances with the Atlanta Civic Opera, the Jerusalem Symphony for
the Israel Festival, the Clemens Center and the Opera Theatre of Pittsburgh. As a
soughtafter vocal recital pianist, he has toured throughout the U.S. and abroad.
1
�
Dublin Core
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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01:19:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204300">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204300</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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A reunion in recital, September 16, 2006
Recital Tape 2006-9-16
Description
An account of the resource
Works of Purcell, Moore, Schumann, Stolz, Mendelssohn, Leoncavallo, Rodgers, Künnecke, Dvořák, Verdi.
Translation of works included in accompanying program. Held at 8:00 p.m., September 16, 2006, Anderson Center Chamber Hall.
Creator
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Berry, Judy
LeFebvre, Timorthy
Skrabalak, Duane
Publisher
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Binghamton University Libraries
Date
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2006-9-16
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sound
IIIF Item Metadata
UUID
58768d19-f699-4641-b8e5-4b8fb4c47f67
-
https://omeka.binghamton.edu/omeka/files/original/09121a409387ec1aac18bbd50af526a1.pdf
49efe2badf97ee46df7a3c9b7675c082
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
;
U N il v ARC
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Recto!
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D E P A R T M E N T
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"“N _. \ In conjunction with the
Indtan Performing Arts of Binghamton
presents:
MUSIC FROM INDIA
Ustad Shahid Parv ez, sitar
Ramdas Palsule, tabla
Thursday, September 14, 2006
7:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
Rag Yaman
I. Alap
II. Jor
III. Jhala
IV. Gat(s)
;
t
Thumrt or Dhun (To be announced)
Hindustani Classical Music
The origins of Indian classical music can be traced to the Vedas, a
set of four texts that comprise the foundation of the Hindu religion,
and were passed down orally until around 1500 B.C. when they
began to be written down. The texts comprise hymns not only aided
memorization, but also provided the foundation of Indian music. In
the first few centuries A.D., the sage Bharata compiled a treatise on
music, dance, and theatre that provided the theoretical foundations
for future directions in Indian composition. Bharata outlined the
organization of rhythm and meter into cycles made up of groupings
of beats now referred to as tala. Every composition is set to a
particular tala cycle made up of stressed and unstressed beats.
Knowledgeable audience members may externalize the tala by a
system of claps (tali) representing the strong beats, and waves
(khali) representing the weak beats.
Bharata also formulated the concept of raga, which is the melodic
system underlying Hindustani music. Ragas consist of a scale, as
well as a set of musical rules governing choice and emphasis of
pitches, melodic motion, and ornamentation. Ragas normally are
associated with certain times of day and/or seasons of the year.
Bharata related each raga, to a specific rasa, or emotion. The eight
rasa are love, humor, anger, compassion, valor, wonder, disgust,
and fear. The term raga means ‘color’, and ragas are supposed to
color the mind and stimulate listeners to emotional response. After
the writings of Bharata, wandering monks began composing sacred
hymns, known as Bhaj ans, in the raga and tala cycles formulized by
Bharata, which provide the source for many contemporary Indian
classical compositions.
]
l
i
�From this common historical origin, classical music in India has
gradually become divided geographically into Northern
(Hindustani) and Southern (Kamatik) traditions since the 13%
century A.D. The source of this diversion was the occupation of
Northern India by successive waves o f Muslim conquerors
including Persian, Turkish, Arab, and Central Asian peoples. During
the successive reigns of these Muslim dynasties, Northern India
came to adopt and adapt several instruments, styles, and techniques
from Persian and Arabic music. Hindustani classical music, as we
know it today, took shape in the 16™ century A.D. in the courts of
the Mughal emperors as Hindu musicians began to seek
employment as court musicians. At the Mughal courts, Hindu
musicians mixed with Persian musicians, and they began to develop
a hybrid of both musical traditions. They also began to intermarry,
and many contemporary Hindustani musicians have Persian
surnames.
Through time, certain families of court composers established
gharana, or stylistic schools of performance and interpretation.
Eventually, these schools took on talented students from outside the
family, spreading the influence of these previously local styles.
During the British colonization of India (18501947), many of the
courts were dissolved and musicians shifted their performances to
the concert stage, where they can now be enjoyed by all.
I
�ABOUT T HE INSTRUMENTS
Tampura
Tampu
ra is a longnecked lute, unfretted and roundbodied. It has
four or five wire strings that are plucked op en one after the other to
create a steady drone ambiance. The strings are normally tuned to
the 1%" and 5™ scale degrees of the raga. The tampura articulates a
constant drone, to melodically frame the monophonic
improvisations of the musicians.
Sitar
The sitar is perhaps the most widely known (and heard) Hindustani
classical instrument. A typical sitar has 19 or 20 strings (depending
on the style) with 67 playing strings on top and 13 sympathetic
strings underneath the curved frets. The sympathetic strings vibrate
when the playing strings are sounded, giving it a lush sound. The
curved frets are moveable, allowing fine variation in tuning, and
raised so that the sympathetic strings can run underneath the frets.
The instrument is plucked with a wire pick worn on the index
finger, called (mizrab), and with the nail of the pinky finger. The
wide neck allows notes to be bended up to a fifth interval on each
fret, and the gourd resonators provide a rich sustain. The sitar
originated from a Persian instrument that was combined with an
older Indian instrument, the Rudra Veena. The descendance of the
Sitar from the lute family of P ersian instruments makes it a distant
relative to the European lute.
Tabla
The tabla set is the principle percussion instrument used in
Hindustani classical, religious, and film musics. The instrument
consists of a pair of hand drums of contrasting sizes and timbres.
The smaller drum, played with the dominant hand, is made from a
conical piece of wood and is often called a tabla. One of its primary
tones is tune d to a specifi c note of the raga, and thus contributes to
and complements the melody. The larger drum, played with the
other hand, is called bayan and is made of metal. It covers a lower
range than the other drum. The playing technique for both drums
involves extensive use of the fingers and palms in various
configurations to create a wide vari ety of different sounds. On the
bayafl, the heel of the hand is also used to apply pressure in a sliding
motion so that the pitch is changed during the sound’s decay.
l
I
fl
!
�ABOUT THE MUSIC
Rag Yaman
l
l
5
Yaman is regarded as one of the grandest and most fundamental
ragas in Hindustani music. Yaman is usually one of the first ragas
taught to students, however its intricacies can only be realized by a
master musician, and consequently students continue to study
Yaman throughout their lives. Scholars of Hindustani music trace
Yaman to the 16% century when it was believed to have been
introduced by either Arab or Persian musicians. Yaman is an early
evening raga (9 pmmidnight) and evokes a mood of serenity and
peace. Artistic depictions of the raga often show a noble lord in
white garments on a lionthrone being fanned with a whisk.
Musically, the scale of Yaman is a major scale with a raised fourth
(the Lydian mode). The first and fifth pitches are usually omitted
during ascending phrases, and the favored notes are the third and
seventh pitches. Here is a notation of the scale in ascending and
descending modes:
4
£ 3 1 ? ? ? “ ”
4
or
. ,
E
‘
M
°
=
The instrumental performance tonight features an extensive opening
l
1
solo sitar sequence known as AlapJorJhala. The alap is an
unmetered improvisation that demonstrates the scale, mood, and
musical rules o f the raga. Normally musicians begin at the mid
range of their instrument, and slowly descend to the lowest notes.
Then the alap progresses all the way up to the highest octave on the
instrument, and then back down to the middle range. In the next
section, the jor, the musician introduces a sense of pulsation through
the extensive plucking of a set of 3 drone strings (cikarl), in
alternation with stokes on the melody strings. Despite the feeling of
pulsation, this section is not bounded by a specific tala cycle. The
final part of the opening sequence, jhala, is a climactic section
featuring extensive strumm ing of the drone strings often using
sixteenth notes and building up speed to a thunderous climax.
Depending on the skill and mood of the performer, this completely
extemporaneous opening sequence can last from 1040 minutes
(sometimes longer).
�Following the above opening sequence, the artist will play one or
more instrumental compositions known as gat. Gat are precomposed
melodies that are thoroughly developed using extensive improvised
runs that return to the main theme. G at are in a tala cycle, and at this
point in the performance the tabla drummer will enter, often with a
rhythmic cadence timed to end on the first beat of the tala cycle.
Often the sitar and tabla will trade rhythmic combinations in a
playful question and answer style. Normally an artist will choose
from slow, medium, and fast speed gats in the same raga, although
they may employ different tala cycles.
I
l‘
[
.
�ABOUT T HE P ERF ORM ERS
USTAD SHAHID PARVEZ KHAN is one of the most important
sitar players of his generation and a favorite concert artist both in
India and abroad. He belongs to the seventh generation of the
famous Etawah gharana (also known as Imdadkhani Gharana) of
sitar playing. Shahid Parvez is the son of Ustad Aziz Khan, the third
generation Imdadkhani maestro, and a grandson of Ustad Wahid
Khan, the Surbahar and Sitar virtuoso. Both father and grandfather
initiated Shahid Parvez into music: vocal and tabla at the age of 3.
By the age of four he started to learn Sitar and was soon recognized
as a child prodigy. A purist from the beginning, Shahid Parvez has
developed a style of his own, combining the Gayaki and the
Tantrakari schools of instrument playing. Gayaki ang shows the
influence of Ustad Vilayat Khan, his father ’s cousin. Ustad Shahid
Parvez is a ‘top’ grade artist of All India Radio. He is one of the few
maestros to enjoy global reputation, and he has numerous LP
records, audio and videocassettes, and Compact Discs to his credit.
He has been honored with several awards, both national and
international, and has participated in many major festivals in India
and abroad, including the Festival of India, held in the United
States, Canada, Russia. and Europe.
RAMDAS PALSULE is a versatile Tabla player and one of the
senior most disciples of the famous TalYogi Pt Suresh Talwalkar.
Being an accomplished soloist as well as a versatile accompanist, he
has performed widely in all the eminent music festivals of India. He
has toured with several artists throughout the world including the
United States, Canada, Germany, Australia, Africa and the Gulf
Countries. He has provided accompaniment to vocalists and
instrumental music including: Santoor, Sitar, Moham Veena (an
instrument invented by the Grammy Ward Winner Vishwa Mohan
Bhat). His forte is Indian Classical music, which is unique in itself,
and is renowned the world over.
�Coming
“Crents
Saturd ay, Sep tem ber 16 – A Re union In R
ecital: Jud y Berry, soprano and
Timothy LeF ebv re, baritone – 8 :00 p.m. – A
nderson Center Chamber Hall
$15 general public; $13 faculty/staff/seniors; $
7 students
Saturd ay, Sep tem ber 23 – Master ’s Recit
al – Ste fanie Sudduth, soprano –
8:00 p.m. – TriCities Opera Center, 315 Clinton
St., Binghamton – free
Sunday, September 24 – Master ’s Recital –
Andrew Sudduth, baritione –
8:00 p.m. – TriCities Opera Center, 315 Clinton
St., Binghamton free
Thursday, October 5 – Mid Day Con
cert with faculty and student
perform ers – 1 :20 p.m. – Casadesus Recital Ha
ll – free
Saturd ay, October 7– Song of Silk : An
Evening of Chinese Music and
Dance – 8:00 p.m. – Osterhout Concert The
ater $12 general public ; $10
faculty/staff/seniors; $7 students
Sunday, Octob er 8 – F rench Twist : An Af
ternoon of Cha mb er Music – 3 :00
p.m. – Anderson Center Chamber Hal
l $15 general public; $13
faculty/staff/seniors; $7 students
Thursd ay, Oc tob er 1 2 – Mid Day Con
cert with faculty and studen t
perform ers – 1 :20 p.m. – Casadesus Recital Ha
ll free '
Friday, October 1 3 – Children ’s C onc ert : M
aking Movie Music – University
Symphony Orchestra 9:30 a.m. – Osterhou
t Concert Theater $4. This
performance is for school groups (Sponsored
by The Discovery Center, Time
Warner Cable and the Binghamton University
Music Department).
Saturd ay, October 14 Children ’s Con
cert : Making Movie Music –
University Symphony Orchestra – 1 :00 p.m
. – Osterhout Concert Theater
$5. This performance is for school groups.
(Sponsored by The Discovery
Center, Time Warner Cable and the Bin
ghamton University Music
Department).
Tuesday, Oct obe r 17 – Binghamton Bar
oqu e Ensemble – 8:00 p.m.
Casadesus Recital Hall $9 general public;
$7 faculty/staff/seniors; free for
students
Thursd ay, Oct obe r 19 – Mid Day Con
cert wit h faculty and stud ent
perform ers – 1 :20 p.m. – Casadesus Recital Ha
ll – free
Saturd ay, October 21 – Family Weeke
nd Concert – University Wind
Ensemble, Harpur Chorale, Women’s Chorus
– 3 :00 p.m. – Osterhout Concert
Theater Free
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:59:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204297">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204297</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Music from India, September 14, 2006
Recital Tape 2006-9-14
Description
An account of the resource
Binghamton University Music Dept. in conjunction with the Indian Performing Arts of Binghamton. Held on Sept. 14, 2006, 7:00 p.m., Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Parvez, Ustad Shahid
Palsule, Ramdas
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2006-9-14
Rights
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In copyright
Type
The nature or genre of the resource
sound
IIIF Item Metadata
UUID
4bffae26-0836-40d1-bd3c-f027e645b700
-
https://omeka.binghamton.edu/omeka/files/original/a0d8781df4bd3958fb12e8154f3a76e3.pdf
c41a01e2ac806f992a5a26e50615f534
PDF Text
Text
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U N 1 V E R s 1 T Y ,
State University of New York
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Anderson Center Chamber Hall ,
�PROGR AM
‘Mi chiamano M ini’
Gahu Dance of the Ewe People of Ghana
Binghamton University African Music Ensemble
James Burns, Director
Three Shakespeare Songs, Op. 6
Come Away, Death
O Mistress Mine
, ’
Blow, Blow, Thou Winter Wind '
. Roger Quilter '
(18771953)
:
5
Timothy LeFebvre, baritone
Duane Skrabalak, piano ,
Sonata for Violin & Piano
Allegro vivo
;
Intermede: Fantasque et légér
Finale: Trés animé
.. Claude Debussy
(18621918)
_ Janey Choi, violin ,
Michael Salmirs, piano
Si mes vers availent des ailes....
My verses would speed, sweet and frail,
Fly towards your garden so fair,
If my verses had wings,
Like a bird!
They would fly, like sparks,
To your smiling hearth,
If my verses had wings
Like the spirit...
.Reynaldo Hahn
(1 8741 947)
' Poet, Victor Hugo :
(18021885)
Act I – P
aris, Latin Quarter, c. 1830; a garret
apartment; Christmas Eve
Giacomo Puccini
©
(18581924)
Poet,
Victor Hugo
(18021885)
Mimi, a seamstress, knocks on the door of a neighboring apartment because her,
candle has blown out. Rodolfo, a young poet, answers the knock and his own
candle flame goes out. He pretends not to find the key that Mimi drops in the
darkness, and’introduces himself in a poetic discourse. Then he sits in the dark
and listens to Mimi’s simple words about herself.
* Yes, they call me ‘Mimi,
but my name is Lucy.
My story is brief:
On cloth or on silk
, I embroider at home’or outside...
I am cahn and happy
and it is my hobby to make lilies and
roses.
4
~ Those things give me pleasure;
that have so much sweet magic,
that speak of love, of springtimes,
that speak of dreams and illusions,
those things which‘have the name
poetry.
:
You understand me?
They call me Mirni.
the why, I don’t know.
Alone, I make my meals at home by
myself.
\
8 I do not always go to mass
but I pray often to the Lord.
I live alone, all alone,
there is a white little room;
. I look over the rooftops and into the
sky
but when comes the thaw
the first sun is mine...
the first kissof April is mine!
A rose blooms in a vase .
petal by petal I observe it! '
So delicate, the perfume of a flower!
but the flowers that I make alas!
do not have a fragrance! f .
I would not know how to tell you
anything about me.
I am your neighbor who comes at odd
hours to bother you.
Stefanie Sudduth, ‘soprano
Margaret Reitz, piano
Next to you, pure and faithful,
They would run night and day,
If my verseshad wings,
Like love!
I
�Sh
Story Hour.
..
Philip Parker
1. The Memory
Poem by Sara Henderson Hay
2. The Builders
3. The Grandmother
4. One of the Seven Has Somewhat to Say
5. Juvenile Court
6. The Grievance
7. Dr. S—Advises a Worried Mother
8. Death of H.D., a Prominent Citizen
9. The Formula
‘y
. t
Timothy Perry, clarinet
Anne Brady, narrator
Allerseelen...........................................i.'................... Richard Strauss
(18641949)
Largo al factotum della citta...
.Giacomo Rossini
' ‘From Il Barbiere di Siviglia .
(17921886)
2
' ' Soon Young Park, baritone
Margaret Reitz, piano
/ Danzas Argentinas...
. ................Alberto E. Ginastera
' II. “Danza de la moza
“dOnosa”
(19161983)
III. “Danza del gaucho matrero”
Eva MackiewiczWolfe, piano
A
H
b
ABOUT T H E PERFORMERS
JAMES BURNS is Assistant ‘Professor of Music (Ethnomusicology) at
Binghamton University. He obtained a BA from the, University o f Texas,
Austin, PhD School of Oriental and African Studies, London. Research
Interests: Music, Languages, Religions, and Literatures of Africa and the
Diaspora. Taught African music and culture at the School of Oriental and
African Studies, African drumming at Goldsmiths College and City College of
London. Conducted over 5. years of ongoing fieldwork in Ghana, Togo, and
Benin with EweFon, Akan, and Dagbamba (Dagomba) ethnic groups.
Ethnomusicologist for Project 5: Transformations in African Music and Dance .
at the AHRC Centre for CrossCultural Music and Dance’Performance based in
the U.K. Publications: A CD of Ewe dancedrumming entitled EWE
D R U M M I N G FROM G H A NA : the soup which is sweet draws the chairs in
closer (2005 Topic Records), an article “My mother has a television, does
yours? Transformation and secularization in an Ewe funeral drum tradition,”
published in the journal Oral Tradition (October 2005); read papers at the ICTM
2003 World Conference and the SEM annual conference (2004, 2005). ,
Performing musician of African and Afro Caribbean traditional musics.
i
Baritone TIMOTHY LEFEBVRE just returned from his debut with Central
City Opera singing in productions of The Ballad of Baby Doe and The
Coronation of Poppea. LeFebvre has appeared in concert with the Jacksonville
Symphony, Pensacola Symphony; West Virginia Symphony Orchestra, Vermont
Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony
Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton
Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport
Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with
the prestigious M a r l Music
b o Festival.
r o — He has also appeared in concert at
New York’s Carnegie Hall and Alice Tully Hall. LeFebvre’s operatic
experience includes leading roles withSan Francisco Opera, TriCities Opera,
Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera,
Indianapolis Opera, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner
of the New York Liederkranz Vocal Competition, and other awards include the
Richard F. Gold Career Grant, an Opera Fellowship at BinghamtonaUniversity
and Regional Finalist in several Metropolitan Opera Competitions. ‘LeFebvre is
a graduate of Carnegie Mellon University and Binghamton University and is
currently Assistant Professor of Voice at Binghamton University. 20062007
engagements include appearances with the Chattanooga Symphony and Opera in
Le nozze di Figaro and the Syracuse Symphony in Mozart’s Requiem. He will
also appear in concert at Carnegie Hall in March.
;
DUANE SKRABALAK is Artistic Director and resident Conductor of the Tri
Cities Opera Program. Mr. Skrabalak was chosen years ago by CoFounders
Carmen Savoca and Peyton Hibbitt to be the person to bring the company into
its second half century and the new millennium.‘ In addition to his dutieS’as
�Artistic Director of OperaGoRound (the touring educational program of TCO),
he also serves as vocal coach for the Resident Artist Training Program and is
~ Adjunct Assistant Professor of the M.M./opera program at Binghamton
University. Skrabalak joined TCO as a singer and pianist in 1970. He soon
became the TCO choral director, and eventually crossed into conducting,
coaching voice and language. He made his conducting debut in 1974 with
Gounod’s Faust. Since then; he has conducted more than 60 productions, as
well as numerous chamber productions and excerpt shows. Among his many
credits, Skrabalak served as music director for the world premiere of Myron
Fink’s Chinchilla, and serves as host of TCO’s Operalogues which are also
broadcast on public radio. His conducting credits include appearances with the
Atlanta Civic Opera, the Jerusalem Symphony for the Israel Festival, the
Clemens Center and the Opera Theatre of Pittsburgh. As a soughtafter f e o .
recital pianist, he has toured throughout the U.S. and abroad.
Affiliate Artist at Cornell University. He maintains a private piano studio in
Ithaca and enjoys teaching students of all agesandllevels. This season, Salmirs
will perform Poulenc’s Aubade with the Cayuga Chamber Orchestra.
1
Canadian born violinist JANEY CHOI gave her Carnegie Hall recital debut in
1997, presented by Artists International. Recipient of numerous awards including
the Ontario Arts Councils Chalmers Performing Arts Training Grant, and First
Prize in the National Finals of the’ Canadian Music Competition, she has
participated in many festivals, such as Juilliard’s Focus Festival, Norfolk, Taos,
the Spoleto Festivals in the U. S. and Italy, Festival Musical de Santo Domingo,
the Santa Fe Opera and the Sarasota Opera. An avid collaborator, she has
performed with such artists as Bono, Elton John, JayZ, Kanye West, Lisa Loeb:
and Sarah McLaclan in such venues as Live 8, SaturdayNight Live, Radio C i t y
Hall, MTV, and Lilith Fair, London. In addition, she has performed numerous
times with the Parsons Dance Co., most notably at the Kennedy Center in
Washington, D.C., and at the New Victory Theater in Times Square, and is
currently the Music Director of Thomas/Ortiz Dance, a collaboration recognized
by the American Music Center with a Live Music for Dance Grant. Dr. Choi
holds a DMA from Rutgers University and both a BM and MM from The Juilliard
School with the Joseph Fuchs Prize in Violin. She is a Teaching Artist for the
New York Philharmonic, Lincoln Center Chamber Music Society and has
recently joined the faculty of S i g m a n U
niversity as Adjunct Instructor of
Violin.
’ Pianist MICHAEL SALMIRS, a founding member and artistic director of the
Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber
musician performing extensively throughout the region. H e has appeared as .
_ soloist with the Corning Philharmonic, Binghamton University Orchestra,
‘Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday
chamber series. As a performer of contemporary music, he has participated in
such series as Binghamton University’s Musica Nova, Cornell University’s
Ensemble X, and has toured and recorded for the Syracuse Society for New
Music. Salmirs studied at the New England Conservatory and Eastman School
of Music; his teachers have included pianists Leonard Shure and Rebecca
Penneys and composer Karel Husa. Salmirs has taught at the Syracuse
University School of Music and Hobart and William Smith Colleges. He is *
currently an Adjunct Instructor of Piano at Binghamton University and an
STEFANIE SUDDUTH will graduate from SUNY Binghamton in December
of 2006 with her Masters degree in Opera. She is beginning her third season as
a Resident Artist for TriCities Opera. Her recent rolls with TCO include cover
.‘for the title role i n Madama Butterfly, 1“ Lady in The Magic Flute, Mrs.
Gobineau in The Medium, Flora Bervoix in La Traviata, The Mether in Hansel
and Gretel, and 2?” Woman in Dido and Aeneas. She was also in the chorus of
Lucia di’Lammefrnoor and La Filled u Regiment. With the Atlanta Opera she
performed in the chorus of Madama Butterfly. Stefanie is originally from Texas.
She holds a Bachelor of Arts degree in Performance from Texas Wesleyan
University, and graduated Summa Cum Laude. While at TWU, Stefanie was
awarded first place in the American Music Competition sponsored by SAI, the
Marjorie Murphy ‘Scholarship, and Division III a t N
ATS. Some of her .
performances include Songs for a New World, Sophie in St. Nicholas, The Bald
Soprano, and chorus in Hair and Evita.
MARGARET REITZ, pianist, is a native of the Binghamton Area. She '
received her Bachelor and Master. of Music degrees in piano performance with
accompanying emphasis, and has attended Boston University, New England
Conservatory and Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, ySeymour Fink and Walter Ponce, and
accompanying with Allen Rogers. She has accompanied throughout the United
States, England, South America, and at the American Institute of Musical
Studies in Graz, Austria. Reitz and Binghamton University faculty member
Timothy Perry were winners of the 1997 Artistic Ambassadors Program by the
United States Information Agency in partnership with the John F. Kennedy
Center for the Performing Arts. During the summer of 2005, Reitz, clarinetist
Timothy Perry and cellist Stephen Stalker were invited to perform at the
International Clarinet Conference in Tokyo, Japan. Other notable performances
include guest chamber music artist in Morges, Switzerland and guest soloist
with the Binghamton University Orchestra. She was the official accompanist at
the MTNA State and Eastern. Division Competition at Ithaca College in 2001
and will be returning in 2006. In addition, she was. selected to attend the
Accompanying Workshop for Singers and Pianists held at Northwestern
University. During the summer of 2006, she composed the musical score for an
* independent film by MANDIS Production, to be released in February 2007.
!
TIMOTHY PERRY, clarinetist, conductor and Professor of Music, joined the
Binghamton University faculty in 1986 as director of the orchestral and wind
ensemble programs and instructor o f studio conducting and clarinet. Perry holds \
D.M.A., M\M.A. and M.M. degree from the Yale School of Music and a B.’
Mus. degree from the Manhattan School of Music. Dr. Perry’s more than two
hundred programs include ten seasons as Music Director of the Binghamton
Community Orchestra and as guest conductor of both the Catskill Symphony
and Binghamton Philharmonic orchestras. PeW is widely known as a virtuoso
]
�solo and chamber music clarinetist, touring Latin America and t he Caribbean as
a United States ‘Musical Ambassador and appearing at international festivals in
~ Europe and Asia. He presented his third artist recital at an International Clarinet
Conference this past summer in Tokyo.
SOON YOUNG PARK, baritone, is originally from Seoul, Korea. He is
currently enrolled in the Master of Music in opera at Binghamton University and
is’a Resident Artist at TriCities Opera Company. He also holds a teaching
~ a ssistantship’ Binghamton University. He earned bachelors’ degrees from
Yonsei University (Voice) and Korea Christian University (Theology), and then
came to the United States where he earned a Performance diploma from Indiana
~ University. While at Indiana University, he received the Merit Scholarship, and
he also served as Music Director at Bethel Christian Church in Indianapolis
~ from 20002005. ‘ Park has performed in many operas, including Marcello in La
Boheme, Scarpia i n Tosca, Ford in Falstaff and Notary in Don Pasquale a t
Indiana University Opera Theatre, Papageno in TriCities Opera’s production of
~ The Magic Flute, and most recently as Bonzo and Commissioner in Madame
Butterfly. He also sang in the chorus for Peter Grimes at Indiana and Lucia d i
Lammermoor at TriCities Opera. He will be performing again with the Tri
Cities Opera this coming October as Marcello in La Boheme.
EWA MACKIEW ICZWOLFE, the winner of the International Competition '
of Renaissance and Baroque Music, and the International Competition for
Young Pianists in Warsaw, Poland, is also the recipient of awards in
international music competitions in Budapest, Hungary and Dresden, Germany.
MackiewiczWolfe received her bachelor’s and master’s degrees in piano
performance with honors and high distinction from the Academy of Music in
, Lidz, Poland where she continued as Assistant Professor and Master Lecturer in ,
music. Since 1984, she has been associated with the Binghamton University
Music Department where she is currently engaged as Adunct Instructor of Piano.
MackiewiczWolfe appeared in several music festivals such as the Festival of
Karol Szymanowski, The Piano Festival of Vladslav Kedra, Poland, Chamber
Music Festivals in Germany and Hungary. Her career as a piano soloist
developed further as a result of concerts arranged by the Association of Polish
Artists/Musicians,
Government Art Agency (PAGART), the Karol
Szymanowski Musical Society, the Lodz Philharmonic Society, and various
music colleges.
;
’
;
\
i
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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01:09
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Concert for the New York State Association of College Music Programs, September 9, 2006
Recital Tape 2006-9-9
Description
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Works of Quilter, Debussy, Hahn, Puccini, Parker, Strauss, Rossini, Ginastera. Held at 11:00 a.m., September 9, 2006, Anderson Center Chamber Hall.
Creator
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Burns, James
LeFebvre, Timothy
Skrabalak, Duane
Choi, Janey
Salmirs, Michael
Sudduth, Stefanie
Reitz, Margaret
Perry, Timothy
Brady, Anne
Park, Soon Young
Mackiewicz-Wolfe, Ewa
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Binghamton University Libraries
Date
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2006-9-9
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In copyright
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sound
IIIF Item Metadata
UUID
d36bec21-1e0e-4923-8cd1-09ba9f718564