42 10 1775 https://omeka.binghamton.edu/omeka/files/original/767e18109e2a4ecfcef5ec31a7f6341b.pdf 66c4a0b67502b6e399a097f92c5f899a PDF Text Text A4 x / { \ / b . ly yoy SYY BINGHAMTON U N I V E R S I T Y State University of N ew York Department of Music Guest Artist Timothy Olsen organ Sunday, October 10, 2004 4 :00 p.m. First Presbyterian Chu rch �PROGR AM Tr uly, then, I have no complaint, For though she be fair and fairer, There is none so fair as she In my heart. Introduction and Passacaglia............................................ Max Reger (18731916) [11. Upon a High Place I stood upon a high place, And saw, below, many devils Running, leaping, And carousing in sin. One looked up, grinning, And said: “Comrade! Brother!” Onder een linde groen ... ...................Jan Pieterszoon Sweelinck (“Under the Green Linden”) (15621621) Nun komm, der Heiden Heiland BWV 659 ...Johann Sebastian Bach (16851750) Prelude and Fugue in Eﬂat ..........................Johann Sebastian Bach BWV 552 C a r m e n G e o r g e s Bizet (18381875) * * = I = * * * * * * * * * * * * * * * * * * * * * * * * * * Intermission ABOUT THE PERFO RMER Symphonie III, op. 28 . Louis Vierne (18701937) Prélude, Fugue et Variation . César Franck (18221890) Allegro Maestoso Three Pieces for Organ (2000).... (Based on poetry of Stephen Crane) I. Black Riders Black riders came from the sea. There was clang and clang of spear and shield, And clash and clash of hoof and heel, Wild shouts and the wave of hair In the rush upon the wind: Thus the ride Sin. II. Here and There I looked here; I looked there: Nowhere could I see my love. And—this time— She was in my heart. .. Aaron Travers (b. 1975) TIMOTHY OLSEN is professor of organ and harpsichord at Ithaca College, Ithaca, NY, where he also teaches in the theory department. Olsen is concurrently serving as A cting University Organist of Cornell University for two years, 20032005, as sabbatical replacement for A nnette Richards. A native of Frost, Minnesota, Olsen began his study o f the organ at the age of 13 with Sandra Krumholz of Fairmont, MN, and went on to further study with Peter Nygaard at Concordia College in Moorhead MN, where he received a Bachelor of Music degree in 1997. Before graduating, he was chosen to perform as solo organist with the Concordia College Orchestra. Olsen is ﬁnishing his doctoral studies as a student of David Higgs at the Eastman School of Music in Rochester, NY, where he received the Master of Music in Organ Performance and Literature in 2000. From 19992002, Olsen was Professor Higgs’ teaching assistant. He will also receive the Master of Arts Degree in Theory Pedagogy in the Fall of 2004. Olsen served on the faculty of the Eastman Community Education Division and was a teaching assistant in the Eastman theory department. He also served as sabbatical replacement for Jonathan Biggers as Organ Instructor at Binghamton University in the Fall of 2003. Olsen is the ﬁrstprize winner of the 2002 National Young Artists Competition in Organ Performance sponsored by the American Guild of Organists. As part of the ﬁrstprize, Olsen has concertized across the United States under the concert management of Karen McFarlane Artists, and has recorded a compact disc on the NAXOS label. In addition to his many concerts, Olsen recently has been featured on Minnesota Public Radio’s Pipedreams. �Coming Events Thursday, O ctober 1 4 – MidDay Concert featuring faculty performers – 1 :20 p.m. – Casadesus Recital Hall – free Friday, Octo ber 1 5 – Child ren ’s Concert – Carnival of the Animals – University Symphony Orchestra an introduction to the orchestra, SaintSaens’ Carnival of the Animals with piano soloists, art and poetry – 9:30 a.m. Anderson Center Osterhout Concert Theater – all tickets $4 (Cosponsored by Press and SunBulletin). This perform ance is for school groups. Saturday, October 1 6 – Child ren ’s Concert : Carnival of the Animals – University Symphony O rchestra – an introduction to the orchestra, SaintSaens’ Carnival of the Animals with piano soloists, art and poetry and a visit from the Ross Park Zoo mobile 3:00 p.m. – Anderson Center Osterhout Concert Theater – all tickets $5 (Cosponsored by the Press and Sun Bulletin) Thursday, October 2 1 MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Thursday, October 2 1 – Czech Mates – Chamber music by Czech composers Martinu, Dvorak, Husa and Janacek performed by music faculty, in association with the exhibit “The Prague P roject” – 8:00 p.m. – Roberson Museum and Science Center $15 general public; $13 faculty/staﬀ/seniors; $7 students : I Satu rday, October 23 – Family Weekend Concert : Harpur Chorale, Women ’s Chorus, University Wind Ensemble – 4 :00 p.m. Anderson Center Osterhout Concert Theater – free Thursday, October 28 MidDay Concert with faculty and student performers – 1:20 p.m. Casadesus Recital Hall Thursday, November 4 – MidDay Co ncert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall Saturday, November 6 – Guest Artist : Marina Lomazov, p ianist – Silver Medalist of the Cleveland Piano Competition – 8:00 p.m. – Anderson Center Chamber Hall $15 general public; $13 faculty/staﬀ/seniors; $7 students � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:16:06 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252009&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252009&change_lng=en&select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest artist, Timothy Olsen, organ, October 10, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-10-10 Description An account of the resource Works of Reger, Sweelinck, Bach, Vierne, Franck, Travers, Bizet. Held at 4:00 p.m., October 10, 2004, First Presbyterian Church. Creator An entity primarily responsible for making the resource Olsen, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 10/10/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/aeb0e8a8627abc9afca2883df48a006e.pdf 18697a17abe83b84a07adf155832744e PDF Text Text BINGHAMTON OU N I V E R S E K I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K oide e [4 D E P A R T M E N T GUEST ORGAN CONCERT CARLA EDWARDS CoSponsored by the Bin ghamton Chapter of the A merican G uild of O rganists Su nday, Ap ril 15, 20 12 4:00 p.m . Un ited Pres byterian Church Bingham ton, New York �PROGRAM ABOUT THE PER FORMER Festive Proclamation . .Samuel Adler (b. 1928) ChoralePrelude : .. Jo han n Sebastian Bach Wachet au f, raft uns die S timme, BW’V 64 5 (16851750) ChoralePartita on. Wachet auf, ruft uns die Stimme, op.8, no.2 Hugo Distler (1908–1942) I. Toccata II. Bicinium III. Fugue C a r l a E d w a r d s is Professor of Organ and Harpsichord at De Pauw University in Greencastle, Indiana. She received her Bachelor o f M usic degree with highest distinction from The University of Kansas, a Master of Music degree from the University of Alabama, and her Doctor of Musical Arts degree from Indiana University. She has studied with Larry Smith, Delores Bruch, James Moeser, Catharine Crozier, Robert Noehren, Michael Schneider, and J. Warren Hutton. Passacaglia quasi Toccata na tema EACH .. ..Milos Sokola (19131976) & INTERMISSION a s A Triptych of Fugues ...Gerald Near (l). 1942) I. Lively, with dash II. Slowly, expressively III. Broadly Choralvorspiele fur Orgel, op.67.. . Max Reger (18731916) Wie schon leucht ’t uns der Morgenstern Jesus, meine Zuversicht Herzlich tut mich verlangen Meinen Jesum lass ich nicht Vom Himmel hoch, da komm ich her Prélude et Fugue sur le nom d’Alain, op.7. .Maurice Duruﬂé (19021986) + G uilbaultThérien Organ, 1996 * Dr. Edwards has been featured several times on the nationally syndicated radio program Pipedreams, and she has performed in England, Italy, and Finland. Nationally, she was a featured artist at the 1994 American Guild of Organists National Convention held in Dallas; the 1997 AGO Region V Convention held in Evansville, Indiana; the 2001 AGO Region V convention held in Ft. Wayne, Indiana; and at the 2007 Organ Historical Society National Convention held in Indianapolis. She has performed as a concerto soloist with the Virginia Symphony, and has recently presented a solo organ concert at the 2008 AGO National Convention held in Minneapolis, Minnesota. Most recently, she presented a solo organ concert at the Region V AGO Convention, held in June 2011 in Lexington, Kentucky. Dr. Edwards has recorded two CDs on the Calcante Recordings label, two CDs with the Del’auw University Band, one CD of works for soprano/organ with Professor Caroline Smith (vocal faculty at DePauw University). and has recently recorded a solo organ CD on the Hellmuth Wolﬀ organ at DePauw University. �gbam tan University Music Departm en t’s Bin UPCOMING E V E N T S a5» {364 564 56t3’6t5’ MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FRE E Saturday, April 14 – Robert Smith, e uphonium, presents “El Bombardino” with Margaret Re itz, piano – 3 p.m. – Casadesus Recital Hall – $6 general public; $3 faculty/staﬀ/seniors; free for students Sunday, April 15 – Africanaise: An even ing of African Inspired Compositions — 3 p.m. – Anderson Center Chamber Hall – $10 genera public; $6 faculty/staﬀ/seniors; $3 studen ts Sunday, April 15 – G uest Organist Carla Edwards – 4 p.m. – First Presbyterian Church, Binghamton – $10 general public; $6 faculty/staﬀ, seniors; $3 students Thursday, April 19 — M idDay Concert – 1:20 p.m. – Casadesus Recita Hall – free Friday, April 20 — U n ive rsity St ring Orchest ra — 4 :00 p.m. – G rand Corridor – free Saturday, April 21 — J unior Recital: Matthew G ukowsky, tuba — 8:00 p.m. – Casadesus Recital Hall – free Sunday, April 22 – Un ive rsity Chorus: Haydn’s “Lord Nelson Mass” – 3 p.m. – Osterhout Concert Theater – $10 general public; $6 faculty/ staﬀ/seniors; $3 students For ticket information, please call the A nd ama n Can t er Box Oﬀi ce at 7 7 7 AR T S To see all events, please visit mus i c.bi ngbamtan.e du Become a fan on Facebook by visiting Binghamton University Music Department � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32 minutes :34 seconds. 44 minutes :17 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142102">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE142102</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest organ concert, Carla Edwards, April 15, 2012 Description An account of the resource Works by Adler, Bach, Distler, Sokola, Near, Reger Held at 4:00 p.m., April 15, 2012, United Presbyterian Church. Creator An entity primarily responsible for making the resource Edwards, Carla Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 4/15/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/96b8baf7479aa0fcd75b3001f9d748df.jpg db8f2be54b7fc578d8f4f30799960510 https://omeka.binghamton.edu/omeka/files/original/4d3e7d948734398a80a130453b5752e2.jpg 8cb225638f7abcb7ce69ead25d49b308 https://omeka.binghamton.edu/omeka/files/original/02b2b81235ea5b9f6d7135ba2fb8c4d6.jpg 007168aa5fbc06e9009212bfe2b4766e https://omeka.binghamton.edu/omeka/files/original/62e45421dfff8b465de3cab80523c18a.jpg 33c499608f8ef78df69502e41bec695b https://omeka.binghamton.edu/omeka/files/original/e367de796e76331d3e3a9108ad087d2e.jpg 574e0dfc1b94fb5072044f0648689cc6 https://omeka.binghamton.edu/omeka/files/original/e86803e3165762d6929db095b8c6024e.jpg aa31a2f9ad020eae157bd4f28e6fbf9a https://omeka.binghamton.edu/omeka/files/original/67cd9b953113c067819006710bee5b53.jpg ec926f7de0ad8c3801d92916bb46227a https://omeka.binghamton.edu/omeka/files/original/bce3f71735f8309078cde82388aa2a36.jpg d0a58bf6bbcf499dff2dded2e3581fc2 https://omeka.binghamton.edu/omeka/files/original/42e5d9b83ee3fee90cdccfd3d3da5f9c.jpg 1d2b1b6d34df545943f125bdcd8f3c9d https://omeka.binghamton.edu/omeka/files/original/86e6719d61f09a504ec6d21e014360d4.jpg f9e4c1da63355579b49e2433dddecc05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Note: This is not annotated by Max Reinhardt. It is annotated by Director Emil Milan. Stamped “Deutsches Theater zu Berlin." Notes throughout in black pencil. Handwritten characterizations of each character given in opening pages. Staging directions found mostly at beginning of each act. Written notes consistent, common throughout first half. From pg. 39 to end, noticeably less written notes. Most notes concerned from this point on with actor movement directions. Also includes separate page with extensive information detailing cast lists for this play over time, along with other useful credits. Collection Miscellaneous Promptbooks Dimensions Physical dimensions of item 21.5cm x 17.5cm Earlier version Earlier version (dcterms:isVersion Of) Gyges und sein Ring: eine Tragödie in fünf Aufzügen Notes Located in Binghamton University Libraries Special Collections PT2635.E548 P752 v.1 Production(s) March 14, 1907 (city unspecified) May 2, 1907-May 5, 1913 (city unspecified) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gyges und sein Ring : eine Tragödie in fünf Aufzügen [promptbook] Subject The topic of the resource Hebbel, Friedrich, 1813-1863. Gyges und sein Ring : eine Tragödie in fünf Aufzügen Promptbooks Stage directions Deutsches Theater zu Berlin -- Germany Creator An entity primarily responsible for making the resource Hebbel, Friedrich, 1813-1863 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton Community Poets' Big Horror Reading Series Subject The topic of the resource American poetry -- 20th century; Oral interpretation of poetry Description An account of the resource The Binghamton Community Poets were founded in 1983 by native Binghamton poet, educator, and Harpur College alum Richard Martin. That year he started the The Big Horror Reading Series at a local coffee house. People associated with the series changed throughout the years but always included local writers who were dedicated to the idea of creating a space where literary art could flourish. For fourteen years, readings took place at various venues around the Triple Cities featuring nationally and internationally known writers while continuing to provide “open mike” time for local community writers and sometimes musicians. The series received funding from the New York State Council on the Arts, the Broome County Arts Council, and Poets and Writers, Inc., as well as public donations. Many of the readings between 1987 and 1996 were videotaped. Some of the writers who are featured on the videotapes include (in alphabetical order) Tish Benson, Charles Bernstein, Barney Bush, Wally Butts, Adrian Clarke, Suzanne Cleary, Robert Creeley, Joel Dailey, Jim Daniels, Jack Dann, Diane di Prima, Safiya Henderson-Holmes, Lance Henson, Bob Holman, Pierre Joris, Dave Kelly, Sylvia Kelly, Bill Kemmett, Peter Kidd, Dorianne Laux, Ed Ochester, Kate Rushin, Pamela Sargent, Patricia Smith, Lloyd Van Brunt. Also featured are former and current members of the Binghamton University faculty (in alphabetical order): David Bartine, Martin Bidney, Milton Kessler, Bob Mooney, Liz Rosenberg, Jerome Rothenberg, John Vernon. People associated with the series at one time or another (in alphabetical order): Ken Bovee, Alexis Cacyuk, Jerry Caswell, Tom Costello, Gerry Crinnin, Terry Day, Paul Dean, Zack Grabosky, Tom Haines, Connie Head, Michael Kelly, Tom Kolpakas, Richard Martin, Kate McQueen, John Miller, Bern Mulligan, Doug Paugh, Susan Prezzano, Phil Sweeney, Mike Tarcha. Venues for recorded readings (in chronological order): Swat Sullivan’s Hotel*, Benlin’s, Mad Murphy’s, The Tazmanian Embassy, The Amsterdam, Java Joe’s, Amp’s. The collection also <a href="https://omeka.binghamton.edu/omeka/collections/show/31">includes twelve excerpted poems</a> that serve as an introduction. They are linked not only to the full individual readings in Rosetta but also to the catalog records for the books in which they are published. This creates a unique convergence experience, as the catalog record “comes alive” and users can see the writer and hear a poem from the book before they take it off the shelf to read. Digitization and DVD Production After the series ended in 1996, the videotapes sat in boxes for ten years. In 2006, since they were most likely degrading and losing both video and audio fidelity, a Memorandum of Understanding between the BCP and the Libraries was agreed on and the process of converting the videotapes to DVD-quality MPEG files for preservation and access purposes was begun. Many of them had glitches and dead spots and several others were not originals but copies, further adding to loss of video and audio fidelity. After the conversion, both the video and audio quality were enhanced to a degree from what was on the tapes.  Phase Two involved producing individual DVDs from the MPEG files. The files were literally “raw”: they started when the camera was turned on and continued without interruption until it was turned off, which meant there was often video of silent microphones and audio of irrelevant crowd noises and conversations. Editing these out made the DVDs much better than the raw files. Preservation and Expanded Access Due to copyright restrictions, the DVDs have been housed in Special Collections and had to be viewed there. This has definitely curtailed their usage. However, a recent development in Rosetta, our digital preservation system, has allowed us to offer a new form of access. Rosetta added a built-in video viewer, which allows the videos to be both preserved and streamed at the same time. In order to accomplish this, the DVDs had to be converted to MP4s to be compatible with the new viewer. The streaming versions are copies of the DVDs, which is why they contain menus and chapters which are not functional but are continuous play. The streaming versions will allow more users to be able to view and listen to this diverse, wide-ranging collection of readings. (N.B.: They are only accessible on campus or via campus VPN.) *The image on the item records is the iconic Swat Sullivan's Hotel, which was located on Binghamton's South Side. Swat's was the venue for the earliest readings in the video collection. The building was torn down in 1990. This image was downloaded from <a href="https://www.pinterest.com/pin/548805904585058425/">Pinterest</a>. If you are the rights holder, please contact The Libraries. Creator An entity primarily responsible for making the resource Binghamton Community Poets Publisher An entity responsible for making the resource available Digital publisher: Binghamton University Libraries Rights Information about rights held in and over the resource In copyright Language A language of the resource English Contributor An entity responsible for making contributions to the resource Bern Mulligan Erin Rushton Ben Coury David Schuster Rachel Turner David Floyd Sasha Frizzell Aynur de Rouen Nicholas Eggleston Alexxa O Bisnar (Student worker) Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 videodisc (108 min.) sound, color 4 3/4 in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 108 min. Collection Big horror reading series (Binghamton Community Poets) Date of Digitization 7/11/22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243176">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243176</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource H-Dirksen L. Bauman, Tom Haines and Jerry Mirskin with "Open Mike" at the Amsterdam, April 13, 1993 Subject The topic of the resource American poetry -- 20th century Oral interpretation of poetry Description An account of the resource Features poetry readings from H-Dirksen L. Bauman, Tom Haines and Jerry Mirskin at the Amsterdam in Johnson City, N.Y. H-Dirksen L. Bauman uses American Sign Language to sign several of the works with Tom Haines interpreting. Several local poets read their works during "open mike" sessions before and after the featured poets. The event was held on April 13,1993 and the readings were sponsored by the Binghamton Community Poets as part of their Big Horror Reading Series. Video edited by Bern Mulligan. Creator An entity primarily responsible for making the resource Bauman, H-Dirksen L., 1964- Haines, Tom Mirskin, Jerry Source A related resource from which the described resource is derived DVD created from VHS recording of the event Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Binghamton Community Poets Date A point or period of time associated with an event in the lifecycle of the resource 1993/04/13 Rights Information about rights held in and over the resource In copyright Language A language of the resource English Type The nature or genre of the resource Moving Image Identifier An unambiguous reference to the resource within a given context PS615 B56 1993 4-13 Format The file format, physical medium, or dimensions of the resource video/mp4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audiotape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22:15 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333596">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333596</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Haeseler, Recital, February 13, 1977 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1977 2-13b Description An account of the resource Works of Schumann, Ravel. February 13, 1977. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1977-02-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:08:58 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189705">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE189705</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hail Brittania! :three centuries of English choral music, November 16, 2008 Recital Tape 2008-11-16 Description An account of the resource Works of Weelkes, Byrd, Williams, Pearsall, Parry, Rutter.Held at 3:00 p.m., November 16, 2008, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Borton, Bruce Browne, Peter MacLennan, Susan LeFebvre, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2008-11-16 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 4250eb0f-89ab-4ec4-98a2-e5b4bd8a0549 https://omeka.binghamton.edu/omeka/files/original/6764759c8fbc4d1d2d07ff265112df7e.pdf 24ac46e7c05c0a5b4a53a0ec674c85ee PDF Text Text BINGHAMTON U N I V E R S I T Y ¢ p l‘w‘ L E u5 State University of New York {30 it“: \ O Spc c a l Binghamton University Department of Music H A L L O W E E N MIDDAY CONCERT October 26, 2006 1:20 p.m. – Casadesus Recital Hall Les oiseaux dans la Char mille (Doll Song).................................................]acques Oﬀenbach (18191880) From Les Contes D’Hoﬀmann The poet Hoﬀma nn has come to the house of the inventor Spalanzani to become his Apprentice. He falls in love with a lovely creature he meets there not realizing she is a mechanical doll and a creation of this master. Spalanzani introduces the doll at a reception and speaks of her musical accomplishments. Amy DeLeo, soprano ChaiKyou Mallinson, piano ...... Lucy Simon How Could I Ever Know“? from The Secret Garden The musical is based on the novel of the same name written by Frances Burnett It takes place in England, 1906. The main character Mary is sent to live with her Uncle Archibald after her parents succumb to Cholera. Archibald’s wife, Lily, died years before in childbirth, and left behind her husband and her son Collin, who has been conﬁned to bed as he is crippled. This particular song is sung at the very end of the musical, before the ﬁnale. Archibald has left the home for the Continent. While he is away, Mary is to be sent to a boarding school by Archibald’s brother Neville, who was in love with Lily while she was alive and is now trying to take Archibald’s home from him. Mary sends Archibald a letter urging him to come home. While he is debating what he should do, Lily comes to him as a ghost and sings “How Could I Ever Know, convincing him to return home. Jessica Barkley, soprano ChaiKyou Mallinson, piano Dies Irae (chant from the Mass for the Dead). Anonymous (13™ century) Paul Schleuse, tenor a . Danse Macabre, op. 40 from Poéme Symphonique...................ccoeeuruunneen....... Camille Saint Saens (18351921) (Transcribed by the composer for piano duet) Danse Macabre (Dance of Death) is the third of SaintSaéns’s four symphonic poems. The image of Death as a ﬁddler is portrayed in this work. Death appears at midnight every year on Halloween, and calls forth the dead from their graves to dance for him while he plays his ﬁddle. The skeletons dance until the ﬁrst break of dawn. With the cock’s crow, they must disperse and vanish until next year. First performed in 1874, this work is based on a French poem by Henry Cazalis, with the following English translation: Zig,Zig,Zig Death in a cadence Striking with his heel a tomb Death at Midnight plays a dance tun e Zig Zig Zig on his violin �The winter wind blows and the night is dark Moans are heard in the linden trees Through the gloom white skeletons pass Running and leaping in their shrouds Zig Zig Zig each one is frisking The bones of the dancers are heard to crack But hist of a sudden they quit the round They push forward, they ﬂy; the cock has crowed. ChaiKyou Mallinson, piano Wendy Lee, piano 0 Ah! Spietato! (Ah! Cruel One!) . from Amadigi . . . ... George Frederic Handel (16851759) In this aria, Melissa, who is a sorceress, has caught Amadigi trying to escape from her prison. She is angered by the fact that Amadigi is not moved by her aﬀection. Melissa makes him realize that he will pay for betraying her loving soul. Katrina Cox, soprano ChaiKyou Mallinson, piano The Black S from The Medium w a n Gian Carlo Menotti (b. 1911) Act I A fake séance has just taken place in the parlor room of the medium, Madame Flora’s home. She becomes terriﬁed when she feels a phantom hand clutching her throat and out of fear, forces all guests to leave at once. Madame Flora blames their mute servant boy, Toby for playing such a cruel joke on her. In order to calm her drunken nerves, her daughter, Monica sings her this dark lullaby. Miriam Wright, soprano ChaiKyou Mallinson, piano 1l I l i lI ] oger Quilter Weep you no mote . . . . e c c e e e s p e n r e n e e e e e g r u a m d i p r e s e s r s R (18771953) Alex Blitstein, tenor ChaiKyou Mallinson, piano The Green Eyed Dragon.........ccceeeenirieeninenenesenesiesesesesseesesseseeesesneneeeneenennenn. Wolseley Charles (b. 1880) Mary Aimoniotis, soprano ChaiKyou Mallinson, piano Le Bal (The Ball) from Jeux d’ERfants...........ccccoecevevenecicenieneninenenesesiesneeeeneenee.. George Bizet (18381875) Composed in 1871, J eux d’Enfants (Children’s Games) is a set of twelve vignettes for piano, four hands. A delightful collection that displays the composer’s homage to childhood, these lyrical and colorful pieces describe various children’s activities. Le Bal (The Ball) is the last one in this set. l § l l ChaiKyou Mallinson, piano Wendy Lee, piano li I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:27:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204924">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE204924</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Halloween mid-day concert, October 26, 2006 Recital Tape 2006-10-26 Description An account of the resource Works of Offenbach, Simon, Saint Saëns, Handel, Menotti, Quilter, Charles, Bizet. Held at 1:20 p.m., Oct. 26, 2006, Casadesus Hall. Creator An entity primarily responsible for making the resource DeLeo, Amy Malinson, Chai-Kyou Barkley, Jessica Schleuse, Paul Lee, Wendy Cox, Katrina Wright, Miriam Blitstein, Alexander Aimoniotis, Mary Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-10-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 4fb4ff59-b0ca-4f67-ad96-2db7995d88c5 https://omeka.binghamton.edu/omeka/files/original/a57a36b769f165b57383d4eeb34ad431.jpg 388929eda69f547c4889c931105e6e72 https://omeka.binghamton.edu/omeka/files/original/93be83fb4add8d4f88940ead6fb9049e.jpg 2d7d5ff04d9862c7811dc9896b5ab6af https://omeka.binghamton.edu/omeka/files/original/c4ace2f2a43f5fa4a6fcbcd898dcfa34.jpg 7f81efecb44b4e7311f8e98a4d96f025 https://omeka.binghamton.edu/omeka/files/original/455117cda60c3ffb327d3d73b8689087.jpg e0cc009dd5094ece9b03c31de3926393 https://omeka.binghamton.edu/omeka/files/original/02d93cbdac59d4d031bd46d46fdcb4fc.jpg cb444b84643ece7f1a40661c449c3bdb https://omeka.binghamton.edu/omeka/files/original/e6e9fba411249f0e04ff2a26dd1a7472.jpg cd4fd536e1fae5a078e085eccfd077ca https://omeka.binghamton.edu/omeka/files/original/e47dafb31ef9565f63b82cd8ed794152.jpg 01df7869f9f2b6db6f1796912d4735f2 https://omeka.binghamton.edu/omeka/files/original/ad0bfbff5a82b7080600a5ed64950552.jpg 9d7abbacba69b8d4adf6cda8cb266c5a https://omeka.binghamton.edu/omeka/files/original/0bf167dfe134616e468e32f4621a46ce.jpg 213505c120e17623f123b139d5fe9714 https://omeka.binghamton.edu/omeka/files/original/23c2b4061983838997b2cd783897ea4d.jpg 90c05c5b6044b70dfc04a0451479d891 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Markings in black pen, black pencil, purple pen, pink pen, orange pencil, red pencil, and blue pencil. Extensively marked throughout entire promptbook. Some notes have dates written with them corresponding to certain performances. Some notes use specific ink for certain performances. Some use same ink, and therefore impossible to tell. Black pencil is the most used ink. Most of the written notes and dialogue notes appear in black pencil. Markings throughout consist of stage directions, dialogue notes, stage drawings, various sketches, cross-outs, underlines, etc. These are found in nearly every ink color. A promptbook annotated by Max Reinhardt. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item Pages 1-184 19.5cm x 14cm Earlier version Earlier version (dcterms:isVersion Of) The Tragedy of Hamlet, Prince of Denmark Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.107 Production(s) 1909, Siofok, Hungary (date faded, illegible) March 1909, Budapest July 1909, Munich -Supporting materials: Box 5 Folder 5: Photographs Oversized mounted 10 October 1909, Berlin -Supporting materials: Box 5 Folders 6-10: Photographs November 1910, Berlin -Supporting materials: Box 5 Folders 10-11: Photographs November-December 1913, Berlin -Supporting materials: Box 5 Folder 14: Photographs Oversized mounted 2, 12 December 1919, Berlin, Großes Schauspielhaus December 14, 1919, Berlin, Großes Schauspielhaus January 17, 1920, Berlin, Großes Schauspielhaus -Supporting materials: Box 5 Folders 15-18: Photographs; characters, costume and scene designs Oversize mounted 5 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hamlet : Prinz von Dänemark [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. Hamlet -- Translations into German Promptbooks Stage directions Großes Schauspielhaus -- Germany Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3199 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Großes Schauspielhaus Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/2d2fa9b2ad043cc37f34f6a6df867780.jpg 27b42223671c5388d9f11c6d07a4e2ee https://omeka.binghamton.edu/omeka/files/original/600b3625cdde9ba094ab8062e78c95ad.jpg 42dad14af3a61f56f9960d588b511d39 https://omeka.binghamton.edu/omeka/files/original/0037552c463ac48a307e4bcff67a8e26.jpg 4ebe253ee3f69ab52b3f83f0dae91f8b https://omeka.binghamton.edu/omeka/files/original/44268a648d2b0da06ffb7a3e73e030b5.jpg ae46c79bbda1d6cf7e170b9b0e9ab5ec https://omeka.binghamton.edu/omeka/files/original/27ed7728db3d710312f0e8c5f6929e7d.jpg 6d40e2537f64a3103071a43c7120d4f5 https://omeka.binghamton.edu/omeka/files/original/b111d7b27370242cc9958fd8c83c7967.jpg 8bc190ebfa4f41369c990e0e8cfc6311 https://omeka.binghamton.edu/omeka/files/original/50d604986adc3fde40404ab56c0c5c45.jpg 39ec96e118f3f293a9601f244e0fc0b8 https://omeka.binghamton.edu/omeka/files/original/2bb6050fcdb81def1283dfe2c3b2cfa6.jpg aa1c3d208b9ee7ef104194d579fc945c https://omeka.binghamton.edu/omeka/files/original/c454acb632f36d2ac4c6180dde29fd56.jpg e64e5029f792fafb20ff7f30bcc49188 https://omeka.binghamton.edu/omeka/files/original/e4faa9f4c0b44e6877758b337efcd3ba.jpg 069e4a4a6aba5d7142858cef6a37bae5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Collection Miscellaneous Promptbooks Description Found library note sheet inside book detailing promptbook. Markings in black pencil, black pen, blue pencil. Illegible, handwritten notes appear inside front cover. Not many written marks, mainly black pen and blue pencil deletion marks. Property of German 19th/20th century actor, Albert Bassermann. Inserted note sheet on p.99 with extensive handwritten notes, rewritten scene. Dimensions Physical dimensions of item Pages 1-120; 23cm x 15.5cm Production(s) Not specified. Notes Located in Binghamton University Special Collections PT2635.E548 P752 v.6 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hamlet : Prinz von Dänemark [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616 Promptbook Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Contributor An entity responsible for making contributions to the resource Bassermann, Albert, 1867-1952 Language A language of the resource German Type The nature or genre of the resource text Identifier An unambiguous reference to the resource within a given context 8294 https://omeka.binghamton.edu/omeka/files/original/d73a2217687addf5013e164d9e5cd92f.jpg 2fad80f3123d569170900801c751fdb9 https://omeka.binghamton.edu/omeka/files/original/cfd9be180201fb8bcc7d358e631eeb3c.jpg d27cc3d57c5a3e3f501503229ff6802f https://omeka.binghamton.edu/omeka/files/original/78aefac9ca5db9c40ad9c79485fa11e6.jpg f0f33a4e5351ebadeeeff5702210267d https://omeka.binghamton.edu/omeka/files/original/712059c3ddb2afab68295de6d9bb9fb0.jpg de882637b33a5a114934f39be4f58950 https://omeka.binghamton.edu/omeka/files/original/c3318deab5aea5e43fdc1047f6353760.jpg 7de299ba08536c485a1a7f0022c828fd https://omeka.binghamton.edu/omeka/files/original/14b5ba635efc78ecea5386afa65c61f6.jpg bc76a91d2a7b1778f46524e40d701aee https://omeka.binghamton.edu/omeka/files/original/562dae94d1630b74c44a08c0dc59955e.jpg 83b4de212f4c2eea0ef79f8f58816a03 https://omeka.binghamton.edu/omeka/files/original/c95293ac5885f9cb371ff8eebf89190f.jpg e577121309d4aa5e1fe00cb186ee1e86 https://omeka.binghamton.edu/omeka/files/original/440932cefea130a39dd00cac2dc62b59.jpg b0ee4e961bd380be781803dea77d594c https://omeka.binghamton.edu/omeka/files/original/884ea8639c693a90c791dd0139154208.jpg 9acbf721c9130ba16e4ab13798a8cd98 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Book is aged with pages colored, but in solid condition. All text in German. Markings in purple pen, red pencil, and black pencil. Purple pen appears in front cover pages. Markings of note include cast list written in black pencil, stage sketches, drawings and movements. Notes throughout in purple pen and red pencil. As usual, most red pencil notes seemed concerned with sound (musik, loudness, effects, etc.). Black pencil is used sparingly after, mostly crossouts. Includes a supplement folder. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 17.5cm x 12.5cm Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.41 Production(s) January 11, 1918, Berlin January 29, 1918 (city unspecified) February 23, 1918 (city unspecified) -Supporting materials (all productions): Box 2 Folder 58: Photographs Box 11 Folder 8: Photographs; unknown director/other professional photographs Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hanneles Himmelfahrt : Traumdichtung in zwei Teilen [promptbook] Subject The topic of the resource Hauptmann, Gerhart, 1862-1946. Promptbooks Stage directions Creator An entity primarily responsible for making the resource Hauptmann, Gerhart, 1862-1946 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3146 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.