43 10 1775 https://omeka.binghamton.edu/omeka/files/original/456bce2c17734e8e27910f93a6fed903.pdf 8eebb2ff1b2cd011ca0d2831e1858cfb PDF Text Text UNIV  A R C R e c 3 )    \ 511  t r 2 BINGHAMTON p 0 U  N  I V E R S I  T Y   State Univers ity of N e w  York zedeC i Id k iH ... (po <  T  i D E P A R T M E N T C ~ i   MID­DAY CON CERT April 6, 2006 – 1:2 0 P.M. – Casadesus Recital Hall I ENTHIDE  DURE  STIRS  GARMIN I c h  WIamaBIEIIEOT.  u n t e r   (1805­1 847) Clara Schumann (1819­1 896) Sie liebten Sich beide ....... Erin La hm, sop rano Chai­Kyou Mallinson, piano Claude Debussy (1862­1 918) Ariettes Oubliées..  C’est l ’extase langoureuse  Il pleure dans mon Coeur L’ombre des arbres Chevaux de bois Green Spleen Julia Ebner, sop rano Margaret Reitz, piano Y   Lee D E N O Claude M (1862­1 918) Premiere Rhapsody  Theresa Perron e, clarin et Augustus Arnon e, piano Le charme..  '  Le colibri  Les papillons Une fl fi t e y Beach (1867­1 944) m A d n i The Western W The Blackbird  ......Ernest Chausson (1855­1 899) 1 n v 1 s 1 b l e C a Kathryn Boczar, mezzo­soprano Chai­Kyou Mallinson, p iano Georget ta Maiolo, flute Five Preludes Op. 11, No. 4 in E Minor ..  Op. ll,N o.6inB Min or  Op. 11, No. 10 in C­Sha rp Minor Op. 34, No. 20 in C Mlnor  m l l l éns   e Saint­Sa (1835­1 921) .......Alexander Scriabin (1872­1 915) Dimtri Shostakovitch (1906­1 975) Sergei Rachmanioff (1873­1 943) Op. 32, No. 3 in E Major .. Jody Schum, piano   � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 52:07:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203976">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203976</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, April 6, 2006 Recital Tape 2006-4-6 Description An account of the resource Works of Mendelssohn, Schumann, Beach, Debussy, Chausson, Saint-Saens, Scriabvin, Shostakovitch, Rachmanioff. Held at 1:20 p.m., April 6, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Lahm, Erin Mallinson, Chai-Kyou Ebner, Julia Reitz, Margaret Perrone, Theresa Arnone, Augustus Boczar, Kathryn Maiolo, Georgetta Schum, Jody Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-4-6 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 9f62ee89-2db1-4fed-9958-11c8b0b3d138 https://omeka.binghamton.edu/omeka/files/original/cbca8caf06730dc0a5451c5980bd2b51.pdf 5c2eec6a63e94d3a7ce8f99e87d6403e PDF Text Text BINGHAM TON U N I V E R S I T Y State University of  N ew York 1 M11»  \1’ A c [4 Zldee N O W   vf 2 L <l  Jf u   ee.}  3 )   (e’ { R —  \\ a y t i . V i e   ( D E P A R T M E N T MUSIC  AND D ANCE Timothy LeFebvre, baritone Chai­Kyou Mallinson, piano and Galutaph a Andy Ho rowitz Marlon T orres with ! guests: Gabriela Ranallo Emily Hoo per Erin Stanley Saturday, April 1 ­ 8:00 p.m. Sunday, April 2 ­ 3:00 p.m. Anderson Center Chamber Hall �PROGRAM Dichterliebe, Op. 48..........oo i i Im wunderschonen Monat Mai Aus meinen Tranen sprieflen Die Rose, die Lilie, dei Taube Wenn ich in deine Augen seh Ich will meine Seele tauchen Im Rhein, im heiligen Strome Ich grolle nicht Und wiiBten’s die Blumen, die kleinen Das ist ein F loten und Geigen Hor ich das Liedchen klingen Ein Jiingling liebt ein Madchen Am leuchtenden Sommermorgen Ich hab im Traum geweinet Allndchtlich im Traume Aus alten Marchen Die alten, bosen Lieder i SChumann (1810­1856) Poems by Heinrich Heine ~Intermission~ From Old Am erican Songs  The Boatmen ’s Dance Long Time Ago Simple Gifts I Bought Me A Cat The Little Horses Zion’s Walls At The River Ching­A­Ring Chaw Aaron Copland (1900­1990) �Program  Notes Dichterliebe 4 After  the  eighteen­year­old  Robert  Schumann  had  visited  Heinrich  Heine  in  Munich  he remarked : “On his lips there played a bitterly ironic smile, but it was a lo fty smile aimed at the trivialities of life and a scorn for petty men.”  The Heine that Schumann m et was the poet who had called himself the last  Romantic and the first modern, and  the composer was sensitive to Heine’s poetic method: the skillful use of the old Romantic iconography, subtly interlaced with and ultimately undercut by a self­ironic awareness.  Schumann, who owned the 1 827 first edition of Heine’s Lyrisches Intermezzo and had set the twenty poems within a nine­day span in June, 1840, was keenly aware of the book’s ironic premise contained in the prologue.  In these opening verses Heine recounts the story of a knight­poet who is abruptly confronted by a vision of his destiny.  In Heine’s sharp­tongued, often griml y bitter se ries of sixty­six poe ms the protagonist is the object of his own scathing wit as he realizes the bitter fate that refuses him the fulfillment of his love and passion. In selecting and ordering the twenty songs Schumann  intended  to designate as Opus 29, the composer created a cycle which, inspired by his youthful impressions of the poet’s own visage, cloaked  complex  feelings  with seeming naiveté  of expression.  As  it  stands  in  its  original manuscript version, the 20 Lieder are less a cycle about a poet’s unrequited love than they are a scathing exploration of the poet’s fateful inability to love. Old American Songs The first set of Old American Songs was completed in 1950, and William Wa rfield gave the first performance  in  New  York  on  January 28,  195 l.  The  second  set, comprised  of  five  more adaptations of Old American Songs, was finished in 1952, and was present ed for the  first time at the Castle Hill Concerts.  Both sets were arranged for medium voice and small orchestra b y the composer in 1954­55. The Boatmen ’s Dance – published in Boston in 1843 as an “original banjo melody” by Old Dan. D. Emmett, who later composed Dixie; from the Harris Collection of American Poetry and Pla ys in Brown University. Long Time Ago – issued in 1837 by George Pope Morris, who adapted the words, and Charles Edward Horn, who arranged the music from an anonymous, original “black­face” tune ; also from the Harris Collection. Simple Gifts – a favorite song of the Shaker sect, from the period 1837­184 7.  The melody and words were quoted by Edward D. Andrews in his book of Shaker rituals, songs and dances, entitled The Gift To Be Simple. I Bought Me A Cat – a children’s nonsense song.  This version was sung to the composer by the American playwright Lynn Riggs, who learned it during his boyhood in Oklahoma. The Little Horses ~ a children’s lullaby song originating in the Southern States – date unknown. This adaptation founded in part on John A. and Alan Lomax’s version in Folk Song U.S.A. Zion ’s Walls – a revivalist song.  Original  melody and words credited to John  G. McCurry, compiler of the Social Harp; published by George P. Jackson in Down East Spirituals. At the River – h ymn tune.  Words and melody are by Rev. Robert Lowry, 1 865.   The words have been adapted from the original, in the Ching­a­ring Chaw ~ minstrel song. h   e A    D a i n l  h  D w a r TT  T n a v a r c i t y r S M �TRANSLATIONS Dichterliebe I. Im wunderschonen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen Die Liebe aufgegangen. Poet’s Love In the lovely month of May, When all the buds were blooming, Then in my heart Did love well up. Da hab ich ihr gestanden Mein Sehnen und Verlangen. In the lovely month of May, When all the birds were singing, Then did I to her confess My longing and desire. II. Aus meincn Tranen sprieflen Viel blfihcndc Blumen hervor, Und meine Seufzer werden Ein Nachtigallenchor. From my tears spring forth Many a flower in bloom, And my sighs become A choir of nightingales. Und wenn du mich lieb hast, Kindchen, Schenk ich dir die Blumen all’, Und vor deinem Fenster soll klingen Das Lied der Nachtigall. And if you love me, little one, I will give you all the flowers, And at your window shall sound The song of the nightingale III. Die Rose, die Lilie, die Taube, die Sonne, Die liebt ich einst alle in Liebeswonne. Ich lieb sie nicht mehr. Ich liebe alleine Die Kleine, die F cine, die Reine, die Eine; Sie selber, aller Liebe [Bronne,] Ist Rose und Lilie und Taube und Sonnc. [Ich liebe alleine Die Kleine, die Feine, die Reine, die Eine.] The rose, the lily, the dove, and the sun; I once loved them all with wondrous bliss. I love them no longer. I love only My tiny, fine, pure, rare darling; She herself is [the fountain] of all love, She is rose and lily and dove and sun. [I love only My tiny, fine, pure, rare darling] IV. Wenn ich in deine Augen seh ’, So schwindet all mein Leid und Weh; Doch wenn ich kfisse deinen Mund, So werd ich ganz und gar gesund. When I look into your eyes, All my pain and sorrow vanish; But when I kiss your lips, Then I become whole and healthy. Wenn ich mich lehn an deine Brust, Kommt’s tiber mich wie Himmclslust; Doch wenn du sprichst, “Ich liebe dich!” So muss ich weinen bitterlich. When I lay myself on your breast, Heavenly bliss envelops me; But when you say “I love you!” Then I can only weep bitterly. Im wunderschénen Monat Mai, Als alle Vogel sangen, �V. Ich will meine Seele tauchen In den Kelch der Lilie hinein; Die Lilie soll klingend hauchen Ein Lied von der Liebsten mein. I want to plunge my soul Into the cup of the lily; The lily would breathe melodiously A song of my beloved. Das Lied soll schauern und beben Wie der KuB von ihrem Mund Den sie mir einst gegeben In wunderbar stiller Stund.’ The song would shiver and tremble Like the kiss from her lips Which she once gave me In a wonderfully sweet hour. VI. Im Rhein, im heiligen Strome, Da spiegelt sich in den Well’n, Mit seinem groflen Dome Das groBe, heilige Koln. In the Rhine, in that holy river Is mirrored in the waves, With its towering cathedral The holy city of Cologne. Im Dom da steht ein Bildnis, Auf goldenem Leder gemalt; In meines Lebens Wildnis Hat’s freundlich hineingestrahlt. In the cathedral there is a picture, Painted on golden leather; Into the wilderness of my life Ii shone with friendly radiance. Es schweben Blumen und Eng’lein Um unsre liebe F rau; Die Augen, die Lippen, die Wianglein, Die gleichen der Liebsten genau. Flowers and little angels float Around our blessed Lady; Her eyes, her lips, her cheeks, Are just like those of my beloved. VII. Ich grolle nicht, und wenn das Herz auch bricht, Ewig verlomes Lieb! Ich grolle nicht. Wie du auch strahlst in Diamantenpracht, Es fallt kein Strahl in deines Herzens Nacht. I will not complain, even if my heart does break, Forever lost, o love! I will not complain. However you may shine in bediamonded splendour, No ray illuminates the night in your heart. DaB weiB ich langst. Ich sah dich ja im Traume, Und sah die Nacht in deines Herzens Raume, Und sah die Schlang, die dir am Herzen frifit, Ich sah, mein Lieb, wie sehr du elend bist. [Ich grolle nicht, ich grolle nicht.] Long have I known this. Yes, I saw you in a dream, And saw the night in the abyss of your heart, And saw the serpent that gnaws at yo ur breast, I saw, my love, how miserable you are. [I will not complain, I will not complain!] �VIII. Und wiissten’s die Blumen, die Kleinen, Wie tief verwundet mein Herz, Sie wfirden mit mir weinen, Zu heilen meinen Schmerz. If only the little flowers knew, How deeply wounded my heart is, They would cry with me, T o heal my sorrow. Und wiissten’s die Nachtigallen, Wie ich so traurig und krank, Sie liessen frohlich erschallen Erquickendcn Gesang. And if the nightingales knew, How sad and sick I am, They would gladly release a torrent Of restorative sound. Und wiissten sie mein Wehe, Die goldenen Sternelein, Sie kamen aus ihrer Hohe, Und sprachen Trost mir ein. And if they knew my pain, The little golden stars, Would come down from heaven, Sie alle konnen’s nicht wissen, Nur eine kennt meinen Schmerz: Sie hat ja selbst zerrissen, Zerrissen mir das Herz. But all of them cannot know, One alone understands my suffering, It is she who has rent, Rent my heart. IX. Das ist ein F loten und Geigen, Trompeten schmettern darein; Da tanzt den Hochzeitreigen Die Herzallerliebste mein. There is the sound of flutes and fiddles, Trumpets blaring shrilly, There dancing the wedding dance, Is my own dearly beloved. Das ist ein Klingen und Drohnen, Ein Pauken und ein Schalmein; Dazwischen schluchzen und stohnen Die lieblichen Engelein. There is a ringing and roaring, The sound of a drum and the sound of shame; Between the sobs and moans Of the lovely little angels. X. Hor ich das Liedchen klingen, Das einst die Liebste sang, So will mir die Brust zerspringen Von wildem Schmerzendrang. When I hear the little song, That once my dearest sang, Then my breast wants to burst From a wild surge of pain. Es treibt mich ein dunkles Sehnen Hinauf zur Waldcshoh, Dort lost sich auf in Tranen Mein iibergrosses Weh’. T o  give m e  c omfort. A dark longing drives me Out onto the forest pea ks, There I find relief in tears for My overwhelming grief �XI. Ein Jiingling liebt ein Madchen, Die hat einen andern ewahlt; Der andere liebt eine andre; Und hat sich mit dieser vermahlt. A youth loves a maiden. And she has chosen another; He, in turn, loves another And marries her. Das Madchen nimmt aus Arger Den ersten, besten Mann, Der ihr in den Weg gelau fen; Der Jiingling ist fibel dran. The maiden in her anger Marries the next best man Who comes her way; The youth takes it badly. Es ist eine alte Geschichte, Doch bleibt sie immer neu; Und wem sie just passieret, Dem bricht das Herz entzwei. It is an old story, Yet it remains ever new; And to whomever it happens, His heart is rent in two. XII. Am leuchtendcn Sommermorgen Geh’ ich im Garten herum. Es fliistern und sprechen die Blumen Ich aber wandle stumm. On a bright summer morning I walk about in the garden. T he flowers whisper and speak, But I wander silently. Es fliistern und sprechen die Blumen, Und schaun mitleidig mich an; “Sei unsrer Schwester nicht bose, Du trauriger, blasser Mann!” T he flowers whisper and speak, And look at me with pity; “Do not be angry with our sister, You sad, pale man.” XIII. Ich hab’ im Traum geweinet, Mir traumte du lagest im Grab. Ich wachte auf, und die Trane FloB noch von der Wange herab. I wept in my dream, I dreamed you lay in your grave. I woke, and the tears Still flowed from my cheeks. Ich hab’ im Traum geweinet, Mir traumt’, du verlicBest mich. Ich wachte auf, und ich weinte Noch lange bitterlich. I wept in my dream, I dreamed you left me. I woke and I continued to cry Bitterly for a long time. Ich hab’ im Traum geweinet, I wept in my dream, I dreamed you were still mine. I woke and my tears still Flowed unceasingly. Mir traumte, du warst mi r noch gut. Ich wachte auf, und noch immer Stromt meine Tranenflut. ! �XIV. Allnachtlich im Traume she ’ ich dich Und sehe dich freundlich grfissen, Und laut aufweinend stiirz’ ich mich Zu deinen siissen Fussen. Every night in my dreams I see you, And see you giving me a friendly greeting And sobbing aloud, I throw myself At your feet. Du siehest mich an wehmfitiglich, Und schiittelst das blonde Kopfchen; Aus deinen Augen schleichen sich Die Perlentranentropfchen. You look at me with pity, And shake your little blonde head; From your eye silently Steal pearly little teardrops. Du sagst mir heimlich ein leises Wort, Und gibst mir den Strauss von Cypressen. Ich wache auf, und der Strauss ist fort. Und’s Wort hab’ ich vergessen. XV. Aus alten Marchen winkt es Hervor mit weiBer Hand, Da singt es, und da klingt es Von einem Zauberland. You secretly whisper a gentle word, And give me a cypress bouquet. I wake and the cypress is gone. And I have forgotten what you said. From the old fairytales Beckons a white hand, There is singing and the sounds Of a magic land. Wo bunte Blumen bluhen, In goldnen Abendlicht, Und lieblich duftend glithen Mit brautlichem Gesicht; Where colorful flowers grow, In golden evening light, And in the lovely fragrance glow With the radiant face of a bride; [Und grilne Baume singen Uralte Melodein, Die Lufte heimlich klingen, Und Voglein schm ettern drein; [And green trees sing Their ageold melodies, The breezes whisper secretively, And the birds warble there; Und Nebelbilder steigen Wohl aus der Erd’ hervor, Und tanzen luft’gen Reigen Im wunderlichen Chor; And misty shapes rise up Right out of the earth, And dance airy dances In a marvelous strange chorus; Und blaue Funken brennen An jedem Blatt und Reis, Und rote Lichter rennen Im irren, wirren Kreis; And blue sparks burn On every leaf and twig, And red lights swirl In a crazy, confused circle; Und laute Quellen brechen Aus wildem Marmorstein, Und seltsam in den Bachen Strahlt fort der Widerschein.] And noisy springs gush From the wild marble rocks, And in the brook ’s strange Reflections flicker back and forth. ] �Ach, konnt ich dorthin kommen, Und do rt mein Herz erfreu’n, Und al ler Qual entnommen, Und frei und selig sein! Ah, if I could go there, And let my heart rejoice, And there be relieved of all pain, And be free and happy! Ach! jenes Land der Wonne Das seh’ ich o ft im Traum ; Doch kommt die Morgensonne, ZerflieBt’s wie eitel Schaum. Ah, that land of bliss, I have often seen in dreams; But with the m orning ’s sunrise, It vanishes like mist. XVI. Die alten, bosen Lieder, Die Traume bos und arg, Die laBt uns jetzt begraben; Holt einen groflen Sa rg. The wicked old songs, The nasty grim dreams, Let us now bury them; Come, fetch a large coffin. Hinein leg ich gar manches, Doch sag ich noch nicht was; Der Sarg muB} sein noch grofler, Wie’s Heidelberger FaB. Therein shall I lay many a thing, But I will not yet say what; The coffin must be even larger, Than Heidelberg ’s huge vat. Und holt eine Totenbahre Und Bretter fest und dick; Auch muf sie sein noch langer, Als wie zu Mainz die Brfick’. Bring me a bier And firm, thick planks; It must be even longer, Than the bridge over the Mainz. Und holt mir auch zwolf Riesen, Die miissen noch starker sein Als wie der starke Christoph Im Dom zu Koln am Rhein. Then fetch me twelve giants, They must be stronger Than the strong St. Christopher In the cathedral of Cologne on the Rhine. Die sollen den Sarg forttragen Und senken ins Meer hinab, Denn solchem groBen Sarge Gebiihrt ein grofles Grab. They must carry away the coffin And sink it deep in the sea; Because such a large casket Needs a deep grave. WiBt ihr, warum der Sarg wohl So groB und schwer mag sein? Ich senkt auch meine Liebe Und meinen Schmerz hinein. Do you know why the coffin Must be so big and heavy? Because I am also burying in it My love and pain. Translated by Thomas Hampson & Carla Maria Verdino­Siillwold 199 4 �ABOUT THE  PERF ORM ERS mer. Baritone TIMO THY L EFEBV RE is in demand as both a concert singer and operatic perfor arpless His recent performances include Beethoven ’s 9” Symphony with Syracuse Symphony, Sh ah d Messi rsity an in Madama Butterfly with Syracuse Opera, a solo recital at Binghamton Unive hony, with Pensacola Symphony.  LeFebvre has  appeared in concert with the  Vermont Symp gh Pittsbur ra,  Orchest ny  Minnesota  Symphony,  Syracuse  Symphony,  American  Sympho hire Symphony, Spokane Symphony, Binghamton P hilharmonic, Rochester Bach Festival, Berks les kaneate , the S Society Choral  Festival, Williamsport Symphony, Syracuse Chamber  Music  ert at Festival and with the prestigious Marlboro Music Festival.  He has also appeared in conc cludes New York’s Carnegie Hall and Alice  Tully Hall.  LeFebvre’s  operatic experience in ooga leading  roles  with  San  Francisco  Opera,  Tri­Cities  Opera,  Sarasota  Opera,  Chattan urgh. Symphony and Opera, Syracuse Opera, Indianapolis Opera, and Opera Theater o f Pittsb ards Mr. LeF ebvre is a winner of the New York Liederkranz Vocal Competition, and other aw y and include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton Universit e  of graduat Regional  Finalist  in  several  Metropolitan  Opera  Competitions.  LeFebvre  is  a  at Carnegie  Mellon  University and  Binghamton  University  and  is  currently  on  the  faculty  New the  with  Binghamton  University.  His  2005­2006  engagements  include  appearances  Requiem, Dominion  Chorale  in  Brahms ’  Requiem,  West  Virginia  Symphony  in  Mozart ’s  llad ra in Ba ity Ope Jacksonville Symphony in Bernstein’s Arias and Barcarolles and Central C of Baby Doe. Music  at CHAI­ KYOU   MALL INSON ,  currentl y  on  the  faculty  of  the  Departm ent  of  nement ’Enseig nce d rd, Lice Binghamton University, received a B.M. degree in P iano from Jullia ton from  Ecole  Normale  de  Musique  de  Paris,  France  and  a  M.A.  degree  from  Bingham lton il and A es Gent ase, Jul University. Her teachers include Jean Casadesus, Jean­Michel Dam an Jones. She also perform ed in Master Classes by Robert Casadesus. A prize winner in the Kore wood National Music Competition, she was awarded the French Government Scholarship, Tangle Full Summer  School  Full  Scholarship  and  the  Fontainebleau  American  Conservatory  list, Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been active as a recita tor of vocal coach, accompanist, and chamber music performer, as well as an  active adjudica achers iano Te ild of P nal Gu e Natio piano auditions and competitions.  She is a member of th Association and  the Music Teachers National Association. aul She has premiered compositions of contemporary composers including Ezra Laderman, P hree Goldstaub, Meyer Kupferman and William Klenz. Among many concerts she performed, t with were sponsored by the New York State Council on the Arts. She appeared in a performance  d respecte ost  rea’s m  of Ko the Seoul  Philharmonic  Orchestra, which  Eumag  Choonchu, one music magazines, described as “of rare quality, moving and lyrical.” n ANDY H O R O W I T Z  attended Oberlin College, Shifan University in Taiwan, earned a BA i ed in Theatre from Binghamton University, and an MBA from Syracuse University. Andy act Wild Kung Fu movies, traveled extensively through remote reaches of China, and worked as a   for West stunt rider. Andy speaks Chinese and is sometimes asked to act as a court interpreter eir two Chinese speaking defendants in Binghamton, where he lives with his wife Carol and th s children,  Elias and  Talia. Andy makes  the  company’s  costumes and  props.  Andy is alway ure, building something, whether it be electric guitars, congas,  leather  bound  journals, furnit  is on the additions on his house or strange and fun props to play with onstage.  Andy Horowitz faculty as Artist in Residence at Binghamton University Department o f Theater. �MARLON T ORRES is imported  from  Caracas, Venezuela.  Marlon  became a child star  in Venezuela, dancing for several seasons on the popular  TV show, Sabado Sensacional. In the United States he studied Musical Theatre at Tampa University and graduated with a degree in Theatre  from  Binghamton University.  Before  joining Galum pha  Marlon performed with  The Second Hand, and with the Lincoln Amphitheatre of Indiana.  He thanks his wonderful family, friends, teachers and mentors for their support and encouragement. In the future, he would like to return to Venezuela and foun d an Institute for the Performing Arts in Ca racas. ERIN STAN LEY is in her junior year of a Binghamton University Economics major.  She has performed with Ballet Arts Theatre, the Endicott Performing Arts Center, and Tri­Cities Opera. Erin studies the martial art Tang Soo Do, and has won many competitive awards including First Place in Women’s Sparring at the International World Championships in Cardiff, Wales.  Erin is a teaching assistant for Professor Fred Weiss’ Jazz Dance Class at Binghamton University . GABRIELA RANALLO is a senior math major at Binghamton University.  A lifelong dancer, she is Vice P resident of the Kickline Dance Team and Teaching Assistant for Pro fessor Fred Weiss’ Jazz Dance class.  Gabby has extensive performance experience including a collaboration with Galumpha in 2004 and a dance role  in Tri­Cities Opera’s recent  production of Lucia di Lammermoor. EMILY HOO PER is a philosophy major at Ithaca College and will graduate in the spring of 2006.  She  was  trained  in  classical  ballet  by  Tina  Christina­Price,  attended  the  Central Pennsylvania Youth Ballet’s summer program, and danced with Ballet San Jose Silicon Valley in California. This is Emily’s third artistic collaboration with Galumpha. E32 ­ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:22 51:24 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203972">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203972</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music and dance, April 2, 2006 Recital Tape 2006-4-1/2006-4-2 Description An account of the resource Works of Schumann, Copland. Held at 8:00 p.m., April 1, 2006 and 1:00 p.m., April 2, 2006, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Mallinson, Chai-Kyou Horowitz, Andy Torres, Marlon Ranallo, Gabriella Hooper, Emily Stanley, Erin Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 83923007-1d7c-439c-aac0-93ab2f3731c6 https://omeka.binghamton.edu/omeka/files/original/9bfbd4660968b61b3e1364e093313759.pdf 7dd25915c74268bf89a3f9346c75b3e8 PDF Text Text UNIV ARC Recit al tap e 2006 BINGHAMTON 3-30 State University of New York UNIVERSITY SP E C COL D E P A R T M E N T MID-DAY CONCERT 0 March 3^, 2006 -1:20 P.M. - Casadesus Recital Hall Porgy and Bess ............................................................................................................ Jascha Heifitz Summertime/A Woman is a Something (1901-1987) (transcriptions of George Gershwin's Bess, You Is My Woman Now opera for violin and piano) It Ain't Necessarily So Akira Maezawa, violin Jody Schum, piano Sull' Aria from Le Nozze di Figaro ............................................................................. W.A. Mozart (1756-1791) Mary Aimoniotis, soprano Miriam Wright, soprano Die Stadt........................................................................................................................... F. Schubert Das Fischermadchen (1797-1828) Andrew Sudduth, baritone Olympia's Aria from Les Contes d'Hoffman ................................................................ J. Offenbach (1819-1880) Nili Riemer, soprano Seguidille from Carmen ....................................................................................................... G. Bizet (1838-1875) Elizabeth Duhr, mezzo-soprano �"Whatever Lola wants ... " from Damn Yankees ............................................................. Adler-Ross Elizabeth Duhr, mezzo-soprano Korean Folk Song ......................................................................................................... Inlam Chang Soon Young Park, baritone "Deh, vieni, non tardar. .. " from Le Nozze di Figaro .................................................. W.A. Mozart (1756-1791) Miriam Wright, soprano The Impossible Dream from Man ofLa Mancha ..................................................... Leigh - Dari on Soon Young Park, baritone Duet "If! loved you" from Carousel ......................................................... Rodgers & Hammerstein Stefanie Sudduth, soprano Andrew Sudduth, baritone "Come Scoglio" from Cosifan tutte ............................................................................ W.A. Mozart (1756-1791) Julia Ebner, soprano Duet from Madama Butterfly ............................................................................................ G. Puccini (1858-1924) Stefanie Sudduth, soprano Elizabeth Duhr, mezzo-soprano Vocal accompanists Margaret Reitz and Duane Skrabalak � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203969">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203969</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 30, 2006 Recital Tape 2006-3-30 Description An account of the resource Works of Heifitz, Mozart, Schubert, Offenbach, Bizet, Adler-Ross, Chang, Leigh-Darion, Rodgers & Hammerstein, Puccini. Program has incorrect date, March 31, 2006. Held at 1:20 p.m., March 30, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maezawa, Akira Schum, Jody Aimoniotis, Mary Wright, Miriam Sudduth, Andrew Riemer, Nili Duhr, Elizabeth Park, Soon Young Sudduth, Stefanie Ebner, Julia Reitz, Margaret Skrablak, Duane Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 7a91084f-cbff-46b4-b14d-f9eaeab6fd16 https://omeka.binghamton.edu/omeka/files/original/dfa056918fb1cc07cea8ca0c3ddfa694.pdf d9ce4db75cfba859a179406f2f876f86 PDF Text Text UNI V ARC Recita l tape The Binghamton University Department of Music presents a Studio Recital 2006 4-9 Clarinet Students of Professor Timothy Perry COL SPEC Assisted by Margaret Reitz, Piano 7:30 p.m. Binghamton University Sunday, April 9th Casadesus Hall Program Fantasie-caprice ......... Charles Edouard Lefebvre (1843 - 1917) Alex Vincenzi Arabesque (1973) .................. Germaine Tailleferre (1892-1983) Andrei Lee Arabesques .................................. Paul Jeanjean (1872-1928) Bethany Bonhof Canzonetta ................................. Gabriel Pierné (1863-1937) Dorian Dodd Sonata for Clarinette ............... Camille Saint-Saens (1835-1921) I. Mvt. Michelle Grexer Fantasie pour Clarinette ................. Georges Marty (1863-1937) Gregg Ackerman ••••••••••••••••••••••••••••••••••••••••••••• •••••••••••• Please join us for our second studio recital to hear student soloists Heather Boland, Joanne Brice, Christa Heschke, Danielle Quick, Richard Silvagni and Professor Timothy Perry. The concert is here on May 12th at 4:00 p.m Thank you for attending this recital and supporting live music and student musicians at Binghamton University! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:01:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203966">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203966</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio recital, April 9, 2006 Recital Tape 2006-4-9 Description An account of the resource Works of Lefebvre, Tailleferre, Jeanjean, Pierné, Saint-Saëns, and Marty. Held at 7:30 p.m., April, 9, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Reitz, Margaret Vincenzi, Alex Lee, Andrei Bonhof, Bethany Dodd, Dorian Grexer, Michelle Ackerman, Gregg Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-4-9 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID b84d103b-7cac-4a48-a87f-98460b3b1031 https://omeka.binghamton.edu/omeka/files/original/66c98b154dbf47741a2860f009172745.pdf 163e017bf28c47017e3a114f56bbbc63 PDF Text Text BINGHAMTON U  N  I  V  E  R  S I  T  Y State University of  New York ONIV  five  ; etdec P  Tape)  A l  D E P A R T M E N T G ” ~ \  \ x z=  20) L J SPCEN  Master ’s Recital John Novak organ Tuesday, March 21, 2006 8:00 p.m. First Presbyterian Church �PROGRAM Prelude and Fugue in E’­major, BWV  JS Bach (1685­1750) Variations ON......ceeuevemneinnnneenneeeennennnnse.  Jan Pieterszoon Sweelinck Mein junges Leben hat ein En d’  (1562­1621) L’Ascensmn  III.  Transports de joie  Olivier Messiaen (1908­1992) Choral No. 1 in E­major  César Franek (1822­1890) Three Hymn Preludes  Craig Phillips Nettleton  It is Well with my Soul Hyfrydol (b. 1961) Toccata (D­minor) and F ugue (D­major), Op. 59 ...........Max Reger (1873­1916) �ABOUT TH E PER FORM ER Organist JOH N P. NOVAK, a student of Dr. Jonathan Biggers, is completing a Master of Music degree in Organ Performa nce to be completed  this  Spring.  Novak  earned  his  Bachelor  of  Music Degree in 200 1 from Houghton College, studying organ with Dr. Judy Congdon. He cu rrently resides in Williamsville, NY and is organist and Minister of Music at University Presbyteria n Church in Buffalo, NY. �Thursday, March 23 ­­ Mid­Day Concert (Russian Voices: Panel Discussion & Performances) – 1:20 p.m. – Casadesus Recital Hall – free Friday, Ma rch 24 – Russian  Voices: Protest and Homage – 8:00 p.m. – Casadesus Recital Hall ­­  $9 general public; $7 faculty/staff/seniors; free for students Saturday, Ma rch 25 – Senior Recital : Kelsey Ba uer, flute –  1:00 p.m. – Casadesus Recital Hall – free Saturday, Ma rch 25 – Senior Recital: Michaela  Lisi, soprano – 8 p.m. – Casadesus Recital Hall – free Thursday,  March  30  –­  Mid­Day  Concert  with  faculty  and  student performers – 1:20 p.m. – Casadesus Recital Hall – free Thursday, Ma rch 30 – The New York/Binghamton Connection – Big Band Jazz  –  8  p.m.  –  Osterhout  Concert  Theater  ­  $14  general  public;  $12 facuity/staff/seniors; $6 students Friday, Ma rch 31 – Student Recital : Akira Maezawa, violin ~ 8:00 p.m. – Casadesus Recital Hall ­ free Saturday, April 1  –  Music and Dance with  baritone Timothy LeFebvre, pianist Chai­Kyou Mallinson and Galumpha – 8 p.m. – Anderson Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students Sunday, April  2  –  Music  and  Dance  with  baritone  Timothy  LeFebvre, pianist Chai­Kyou Mallinson and Galumpha ~­  3 p.m. ~ Anderson Center Chamber Hall – $14 general public; $12 faculty/staff/seniors; $6 students Thursday, April 6 ­­ Mid­Day Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free Saturday, April 8 – Master ’s Recital : Theresa Perrone, clarinet – 3 p.m. – Casadesus Recital Hall ­ free Saturday, April  8  –  Master ’s Recital :  Julia  Ebner, soprano –  8  p.m.  – Casadesus Recital Hall – free Sunday, April 9 – Cla rinet Studio Recital ~ 7:30 p.m. – Casadesus Recital Hall —  free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:02:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203963">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203963</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, John Novak, organ, March 21, 2006 Recital Tape 2006-3-21b Description An account of the resource Works of Bach, Sweelinck, Messiaen, Franck, Phillips, Reger. Held at 8:00 p.m., March 21, 2006, First Presbyterian Church. Creator An entity primarily responsible for making the resource Novak, John Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID e878776b-ba98-47ba-9c3b-c5b3562f35e6 https://omeka.binghamton.edu/omeka/files/original/a3bd80ea6a5e43d16eadce4782e0d161.pdf 33ad348f67eafbd27f40c58f8edd5772 PDF Text Text 1 flag; ‘ ela, BINGHAMTO N JO0k  of #4 U N I V E R S I T Y State University of  New York SPEc CoL vide Ld D E P A R T M E N T MID­DA Y CONCERT March 21, 2006 – 1 :20 P.M. – Casadesus Recital Hall DICH  E E  C I O L (1810­1849) Piano Concerto No. 2 in F Minor  Allegro vivace  Judy Zhu, piano CLE  Er Strom, D 943  Michaela Lisi, soprano Diana Amari, French horn Chai­Kyou Mallinson, piano Sonate fur Klarinette Solo, Op. 110  Theresa Perrone, clarinet Opus 2 c i v   ..  Erwartung  Schenk mir deinen goldenen Kamm (Jesus bettelt) Erhebung Waldsonne Julia Ebner, sop rano Margaret Reitz, piano Franz Schubert (1797­1828) S l o g  a r g  i o n (1877­1933) Arnold Schoenberg (1874­1951) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:27:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203960">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203960</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 21, 2006 Recital Tape 2006-3-21 Description An account of the resource Works of Chopin, Schubert, Karg-Elert, Schoenberg. Held at 1:20 p.m., March 21, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Zhu, Judy Lisi, Michaela Amari, Diana Mallinson, Chai-Kyou Perrone, Theresa Ebner, Julia Reitz, Margaret Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 57297f79-f38b-49ac-aa5f-99273a941942 https://omeka.binghamton.edu/omeka/files/original/3409ef47d6aac220e8180fd189722612.pdf a3215cee6a21ec4c9fdaa2c2aa7691ce PDF Text Text v  '  v4­ ¥ V   r u ‘  k ,  Y ou  ,  H : BINGHAM I N E  A V E ­ R A S S t a t e  U n i v e r s i t y  o f  N e w Y   ork B D R E Z l d  E Y ' E P MID­DAY CONCERT March 9, 2006 – 1 :20 P.M. – Casadesus Recital Hall Remarks by Professor Alice Mitchell From Dichterliebe, Op. 48 .. Im wunderschonen Monat Mai Aus meinen Trénen sprieBen Die Rose, die Lilie, die Taube Wenn ich in deine Augen seh lch will meine Seele tauchen .....Robert Schumann (1 810­1 856) Timothy LeFebvre, baritone Chai­Kyou Mallinson, piano woven.  Clara Schumann (1 81 9­1 896) Das Veilchen Fanny Mendelssohn Hensel (1 805­1 847) Von Dir, mein Lieb Take, O Take Those Lips Away The Year’s At The Spring ............Amy Beach (1 867­1 944) Erin Lah m, soprano Chai­Kyou Mallinson, piano But Not for Me... Blah­Blah­Blah George Gershwin (1 898­1937) Ira Gershwin (1 896­1 983) Amy DeLeo, soprano Chai­Kyou Mallinson, piano �  oht Brown Hai.  G I Dream Jeannic®gith the E If You’ve Only got a Moustache  Beautiful Dreamer Mark Kratz, tenor Margaret Reitz, piano Stephen Foster (1826­1864) Kurt Weill (1900­1950) Seerauber Jenny  Speak Low  Beth Duhr, mezzo­soprano Margaret Reitz, piano Glacomo Puccini (1858­1924) Si, mi chiamano Mimi.....  from La bohéme  Stefanie Sudduth, soprano Margaret Reitz, piano The VABABORE  .........ci. cooiviciinnecsaiininiadinsaanssinivsssisssssamssassvinsnsis Vaughan Williams (1872­1958) Let Beauty Awake  Bright is the Ring of Words Andrew Sudduth, baritone Margaret Reitz, piano � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:04:05 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203957">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203957</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 9, 2006 Recital Tape 2006-3-9b Description An account of the resource Works of Schumann, Hensel, Beach, Gershwin, Foster, Weill, Puccini, Williams. Held at 1:20 p.m., March 9, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mitchell, Alice L LeFebvre, Timothy Mallinson, Chai-Kyou Lahm, Erin DeLeo, Amy Kratz, Mark Reitz, Margaret Duhr, Elizabeth Sudduth, Stefanie Sudduth, Andrew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-9 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 91fec9d5-9a05-4359-b0b5-6b6f3da04504 https://omeka.binghamton.edu/omeka/files/original/1cf826055c408210b0a8b6bd981f79d3.pdf 509ae91a71f69d66d3345201b741db90 PDF Text Text Binghamton University Department of Music MID­DAY CO NCERT March 2, 2006 – 1:20 P.M . – Casadesus Recital Hall Sonata for Flute & Piano in E° Major, BWV1031 Allegro moderato Siciliana Allegro Johann Sebastian Bach (1685­1750) Kelsey Bauer, flute Margaret Reitz, piano Elegy­Sarabande Timothy Per ry, clarinet Language of Lullabies: A Good Night Song Wiegenlied Ninna Nanna American Lullaby ...Johann Sebastian Bach Arr. Timothy Perry Johannes Brahms seveeereennn..  RODeETt  Milnap ............Gladys Rich ........Shulamit Doniach Nili Riemer,  Soprano Margaret Reitz, piano Sonatine pour Trombone et Piano II.  Andante sostenuto I.  Allegro vivo ....... Jacques Castérede (b. 1926) David Henann, trombone Sonata No. 2 in A Major, Op. 100 Allegro amabile Selections from Ariettes Oublzees l) C’est l’extase langoureuse 2)  Il pleure dans mon coeur 3)  L’ombre des arbres 4)  Chevaux de bois Akira Maezawa, violin Margaret Reitz, piano Jessica Bark ley, soprano Chai­Kyou Mallinson, piano Johannes Brahms (1833­1897) Claude Debussy (1862­1918) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:29:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203954">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203954</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mid-day concert, March 2, 2006 Recital Tape 2006-3-2 Description An account of the resource Works of Bach, Brahms, Milnap, Rich, Donaich, CastéreÌ€de, Debussy. Held at 1:20 p.m., March 2, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Bauer, Kelsey Reitz, Margaret A Perry, Timothy B Riemer, Nili Henann, David Maezawa, Akira Barkley, Jessica Mallinson, Chai-Kyou Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-3-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 9b80f744-4b87-495e-a2ad-a86f1b7f3e23 https://omeka.binghamton.edu/omeka/files/original/07acaa3f5025a34f9082e7fa7aa236bb.pdf 042ee50bcd71f67725a7b41db9202703 PDF Text Text BING HAM TON l :-.; I V E R S I 1 Y State University of New York D E P A R T M E N T MU SIC FO R CE LL O, PL US : Ste phe n Sta lke r and Fri end s Step hen Stalk er, cello Michael Salm irs, pian o Patri cia Sunwoo, violin Mar gare t Reitz, pian o Edw ard Cast ilano , doub le bass The Cellistos Sunday, February 26, 2006 3:00 p.m. Casadesus Reci tal Hall �PROGRAM Duetto (1824) for cello and double bass ............ Gioacchino Rossini ( 1792-1868) Allegro Andante mo/to Allegro Sonata in C (1960) for cello and piano, Op. 65 ..... Benjamin Britten (1913-1976) Dialogo Scherzo Elegia Marcia Moto Perpetuo ~INTERMISSION~ Baschianas Brasileiras No. 1......................... ...... Heitor Villa-Lobas (1887-1959) for orchestra ofvioloncelli Preludio (Modinha) Trio in g minor for piano, ... ................... ............... .. Ernest Chausson (1855-1899) violin and cello, Op. 3 Pas trop lent, Animé Vite Assez lent Animé �PROGRAM NOTES By the early 1820's, Rossini had established himself as the premier Italian opera composer of his time, particularly with his comic operas: L 'Italiand in Algeri, II Barbiere di Siviglia, La Cenerentola and La gazza ladra. In 1824, he traveled with his wife, prima donna Isabella Colbran, to London and dined with Sir David Salomons, a leading public figure and an amateur cellist. It was here that he received a commission from Salomons to compose a duet, to be performed by Salomons and the great double bassist, Domenico Dragonetti. This hidden treasure remained unpublished and in the possession of the Salomons family until 1968. Benjamin Britten's Sonata in C for cello and piano was the beginning of a fruitful collaboration between Britten and the Russian cellist Mstislav Rostropovich., which resulted in the sonata, three suites for solo cello and the cello symphony. They also concertized and recorded together on several occasions, with Britten at the piano. This piece is a hidden treasure because of the significant technical difficulties it presents to the performers. Wish us luck! Here is Rostropovich's own description of the Sonata: "The first part is a dialogue. It is a sweet, yet stirring, literally human conversation between two instruments -- the 'cello and piano. Whenever I play it I actually feel this conversation, a conversation not in words, but one that is finer and more intricate, a conversation of capricious changes of mood, a conversation embracing not words but a whole world of intermingled feelings attached to every note. The older I get the more I like pauses, especially those in Britten's music, which are as significant and expressive as the notes. How few notes there are in Britten's compositions, yet how much thought and feeling! The second movement -- the Scherzo-Pizzicato -- is another innovation. It took lots of time and energy for me to learn to play the pizzicato with my right hand with guitar finger technique. When playing this, the bow, naturally, has to be set aside. If I were asked what is most profound, most stirring and full of symbolic drama, I would say the Eulogy. Then that rousing, temperamental Marchi Is this not a brilliant contrast to the Eulogy, a contrast so necessary for the general sonata cycle, yet so unusual? And what about that fading end to the March? The sonata cycle is brilliantly crowned by the fifth movement -- the Moto Perpetuum, irrepressible and tempestuous. This is a sonata full of surprises, innovations for any 'cellist, gifts for the musician flowing freely from the horn of plenty. We meet not �merely a novelty in finger-work but, what is most important, a new kind of expressive and profound dramatic composition. In this work there are two extremes that complement and strengthen each other -humour and philosophy. " The series of nine Bachianas Brasileiras compositions by Villa-Lobos were his homage to Bach. A loose translation of the name could be Bachian Brasil Spirit. The movement titles reflect this mixture of styles. For example, in the Bachanias Brasileiras No. 1: 1. Introduction (Embolada), 2. Preludio (Modinha). 3. Fugue (Conversa). The parenthetical titles are the Brasilian musical forms that inspired that particular movement, while the non-parenthetical names are the forms that Bach typically used. Villa Lobos was a cellist, who early on and throughout his life, wrote music featuring the cello. The Bachianas Brasileiras No. 5 for soprano and eight cellos is, by far, the best known of this series. No.1, for an Orchestra of violoncelli, is the hidden treasure. It is often said that Ernest Chausson's music was influenced by Massenet, Wagner and Franck. At first blush, this seems an unusual assortment of composers. But in the context of the late ninetheen century musical life in Paris, not too surprising. Chausson began his composition studies at the age of 24 at the Paris Conservatoire. Soon after, he traveled to Germany on several occasions to hear the operas of Wagner. In the meantime, he was also attending Franck's classes as an unenrolled listener. The Opus 3 Trio is a remarkable early effort to combine these diverse th nd influences. We hear Massenet in the lyrical melodies of the 2 and 4 st movements, while the more complex and darker harmonies of the 1 and ied exemplif style, 3rd movements seem to reflect Wagner. The cyclical in Franck's music, is present via Chausson's use of the main themes of the 1st movement, in constructing the 3rd movement and in their reprise in the final section of the last movement. Why is this Trio such a hidden treasure? Your guess is as good as mine. Enjoy the program!!! Notes by Stephen Stalker �ABOUT THE PERFORMERS STEPHEN STALKER, cellist, teaches cello and double bass at Binghamton University. He formerly taught at Colgate University, Mansfield University, Ithaca College, and in the Binghamton City Schools. He has performed extensively with the Catskill Chamber Players of Oneonta, NY, the Finger Lakes Chamber Ensemble, and in concerts at Binghamton University. He plays with the Northeastern Pennsylvania Philharmonic and was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Coming Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University's Musica Nova, Cornell University's Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca Penneys and composer Karel Husa. Salrnirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is currently a faculty member at Binghamton University and an Affiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students of all ages and levels. Canadian-born violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg's Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and . Arabesque Recordings, and was aired by NPR and Japan' s NHK. Recent engagements include appearances at the Carnegie Hall's Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L'Espace Pierre Cardin in Paris. �She has worked with composers John Corigliano, Joan Tower and, George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. MARGARET REITZ, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis, and attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, England, and South America, and at the American Institute of Musical Studies in Graz, Austria. Reitz and Binghamton University faculty member Timothy Perry were winners of the 1997 Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the Performing Arts. During the summer of 2005, Reitz, clarinetist Timothy Perry and cellist Stephen Stalker were invited to perform at the International Clarinet Conference in Tokyo, Japan. Other notable performances include guest chamber music artist in Morges, Switzerland and guest soloist with the Binghamton University Orchestra. She was the official accompanist at the MTNA State and Eastern Division Competition at Ithaca College in 2001 and will be returning in 2006. In addition, she was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University. During the summer of 2006, she will compose the musical score for an independent film by MANDiS Production, to be released in February 2007. Since 1991, she has been on the faculty at Binghamton University and at Ithaca College School of Music since 1999. Currently, she maintains a private piano studio in Vestal, New York, is on the Executive Board of the New York District MTNA organization, is past President of the local Southern Tier Music Teachers Association, and is an active adjudicator for the National Piano Guild Organization. �EDWARD CASTILANO holds the position of Principal Bass in the Syracuse Symphony Orchestra and has made numerous concerto appearances with the SSO. Graduating in 1976 from the Eastman School of Music, he participated for six seasons in Gian Carlo Menotti's Spoleto Festival in Italy and Charleston, SC, where he made several appearances with the Lincoln Center Chamber Players. He has also participated annually in the Skaneateles Chamber Music Festival since its inception in 1980. Mr. Castilano received a Masters degree from Syracuse University in 2003 where he is a faculty member. He has also performed with the orchestras of Philadelphia, Rochester, Spokane and Savannah. The Ce/listos Stephen Stalker David Mordoff HakanHromek Miriam Wu Emily Creo Julian Shepherd Lucy Loewenstein Kenneth Jenkins I Il �studen t Thurs day, March 2 - Mid Day Conce rt with faculty and free perfor mers - 1:20 p.m. - Casadesus Recital Hall o - 3:00 Saturd ay, March 4 - Maste r's Recital: Jessica Barkley, sopran free p.m. - Casadesus Recital Hall - 8:00 p.m. Saturd ay, March 4 - Maste r's Recital: Nili Riemer, sopran o - Casadesus Recital Hall - free - Anderson Sunda y, March 5 - University Wind Ensemble - 3:00 p.m. Center Chamber Hall - free studen t Thurs day, March 9 - Mid-Day Conce rt with faculty and free Hall Recital sus Casade p.m. :20 perfor mers - 1 s - 8:00 Thurs day, March 9 - Harpu r Chora le and Wome n's Choru p.m. - Anderson Center Chamber Hall - free studen t Tuesd ay, March 21 - Mid-Day Conce rt with faculty and free Hall Recital sus Casade perfor mers - 1:20 p.m. - 8:00 p.m. Tuesday, March 21 - Maste r's Recital: John Novak, organ - First Presby terian Churc h - free : Panel Thurs day, March 23 - Mid-Day Conce rt (Russian Voices Hall Recital sus Casade p.m. :20 1 s) Discussion and Perfor mance free 8:00 p.m. Friday , March 24 - Russian Voices: Protes t and Homa ge eniors; free /staff/s Casadesus Recital Hall - $9 general public; $7 faculty for students - I p.m. Saturd ay, March 25 - Senior Recital: Kelsey Bauer , flute Casadesus Recital Hall - free Casadesus Saturd ay, March 25 - Trump et Ensemble - 4:00 p.m. Recital Hall - free o - 8 p.m. Saturd ay, March 25 - Senior Recital: Michaela Lisi, sopran Casadesus Recital Hall - free - 7:30 p.m. Sunda y, March 26 - Maste r's Recital: Julia Ebner , sopran o - Casadesus Recital Hall - free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:34 47:28 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203950">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203950</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music for cello, plus: Stephen Stalker and friends, February 26, 2006 Recital Tape 2006-2-26b Description An account of the resource Works of Rossini, Britten, Villa-Lobas, Chausson. Held at 3:00 p.m., February 26, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Salmirs, Michael Sunwoo, Patricia Reitz, Margaret Castilano, Edward Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-2-26 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID efaee3f8-380c-47fe-b511-021f693bbcd6 https://omeka.binghamton.edu/omeka/files/original/492b3fef0d0b049c075e33a326750941.pdf c7f268eba5149322ee38bb0a2199712e PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York UNIV  RQ R a s t  3},  A 0 0 0   ' D E P A R T M E N T UNIVERSITY FLUTE ENSEMBLE Georgetta Maiolo, Director lJ 1 1J 1 I I ; l J J i J JI I Saturday, December 2, 2006 12 noon Casadesus Recital Hall �PROGRAM Topgallant  Gordon W. Bowie Suscepit Israel from Magnificat. . . . . . . . . . . . . . .Johann Sebastian Bach (1685­1750) Arranged by William Schmidt Variations on Crusaders’Hy mn ...................Arranged by Percy Hall Tam bou rin..................ceeeevnenenn......... F rancois Joseph Gossec ( 1 7 3 4  1829) Arranged by Michael Axtell Wiegenlied......................................  .. German Folk Tu ne Arranged by Jim Engenbretson New Orleans  1.  Jackson Square  2.  Bayou Blues HAWard Edelson (b.1929) —3=Cajun  Gumbo p p a n is hL   ove Song  Y Arranged by Ann Cameron Pearce , C h i t — C h a t P  o l K a . . . . . . c o o u e v e e e i e e e e e e e e e i e e e e i e e s e s e s n e e s e n a Je eo n h n as en n n .  S   t r a u s s (1825­1899) arranged by Bill Holcom be and Joe Parenic Trilogy of Carols...  ..  The Herald Angles Sing O, Little Town O f Bethlehem O Come, All YeFaithful Arranged by Ricky Lombardo �Men ibers of the Binghamton U niversity Flute E nsem ble Laury Demsey Juliette Guarino Sarah Ha rper Amanda J aret Nicole Lean Julie Liao Angela Perrier Valerie Spiller Melissa Vold an Almut Wiedenmann Jason Zwick �Satu rday, Decem ber  2  –  Eliza bethan  Mad rigal Recital  –  6:30  p.m.  ­ Old Union Hall ­­ Tickets:  $38 general public ; $20 students with ID Sunday,  Decem ber  3  ­~  University  Sym phony  Orchest ra  –  3 :00  p.m.  – Osterhout Concert Theater ­ $9 general public ; $7 faculty/staff/seniors; free for students Thu rsday, Decem ber  7 –  Jazz  Mid  Day  Concert  with  guest  artist, Bruce Johnstone – 1:20 p.m. – Osterhout Concert Theater – free Th u rsday, Decem ber 7 ­ Jazz Ense m ble with guest a rtist, Bru ce Johnstone – 8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7 faculty/staff/seniors; free for students  , Satu rday, Decem ber 9 – M aster ’s Recita l : Katrina Cox, so prano – 8:00 p.m. – Casadesus Recital Hall ­­ free Sunday, Janua ry 28 – Bach  Again : Jonathan Biggers, organist ­­ 4:00 p.m. – First  Presbyterian  Church,  Bingham ton  ­  $15  general  public;  $13 faculty/staff/seniors; $7 for students Friday, February 9 – Viola Plus! – 8:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Satu rday, Fe bruary 1 1  – Musica Nova – 3:00 p.m. – Casadesus Recital Hall ­ $9 general public; $7 faculty/staff/seniors; free for students Satu rday, Fe bruary 1 7 – La Saxophone and Friends – 8 :00 p.m. – Anderson Center Chamber  Hall  ­ $15  general  public; $13  faculty/stafflseniors; $7  for students Th u rsday, February 22 – Mid­Day Co ncert – 1 :20 p.m. ­ Casadesus Recital Hall ­ free Satu rday, Fe brua ry 24 – O rchest ra Convention – TBA – Osterhout Concert Theater Satu rday, Fe brua ry 24 –  Faculty  Recital : Janey C hoi, violin, and Michael Salm irs, piano – 8:00 p.m. ­ Casadesus Recital Hall ­ $9.00 general public; $7 faculty/staff/seniors; free for students. Sunday, February 2 5 – University Win d Ensem ble: A W orld tou r – 3 :00 p.m. ­­ Anderson Center Chamber Hall ­ free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:28:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203947">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE203947</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Flute Ensemble, December 2, 2006 Recital Tape 2006-12-2 Description An account of the resource Works of Bowie, Bach, Hall, Gossec, German folk tune, Edelson, Pearce, Strauss, Lombardo. Held at 12:00 p.m., Dec. 2, 2006, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Demsey, Laura Guarino, Juliette Harper, Sarah Jaret, Amanda Lean, Nicole Liao, Julie Perrier, Angela Spiller, Valerie Voldan, Melissa Wiedenmann, Almut Zwick, Jason Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2006-12-2 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID b36c2e19-97ca-4dce-a377-ec24d1038364