43
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/8b6be661a0f68b6f581268837473806d.jpg
dbb99f934d829f0e77e6181438f1b730
https://omeka.binghamton.edu/omeka/files/original/4f110d10a5a7c646d793c32fddee988f.jpg
a7337a398ba96f6ac52e9bbb6d3c05a8
https://omeka.binghamton.edu/omeka/files/original/22d962c246d85b06b47b583ea1199b0c.jpg
b759dc3e6f4c2ae4709fcf4cdd62204c
https://omeka.binghamton.edu/omeka/files/original/9d80b0f702373221b388214a152ad575.jpg
797c0ea32e04f25beb8f37aace32aa99
https://omeka.binghamton.edu/omeka/files/original/40534df75842ec27d0038e49159beb34.jpg
2e47941c082d152b2df3dc49dda88612
https://omeka.binghamton.edu/omeka/files/original/d5349740ec571312a8fb05e9dacf7537.jpg
fab3b6e0d302e847333ce0a84a59f9ec
https://omeka.binghamton.edu/omeka/files/original/1888e27409050a7845806e5fc13ba279.jpg
b6a311996965a4a022ad70a91501d8cd
https://omeka.binghamton.edu/omeka/files/original/75dcbe65b701b1dd7364dc61763d47d1.jpg
88a13aa15d8ec1ab1e0361faf6999ac9
https://omeka.binghamton.edu/omeka/files/original/b6330835cb4ee7751bf3f61d9ec3a8c5.jpg
3f40d3b447760d41c868cd7818ceaa86
https://omeka.binghamton.edu/omeka/files/original/1f55f1eb8208f77490376379b56a2d64.jpg
cdb923f728f340ca1a4f3301ef54eb91
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Reinhardt Promptbooks
Description
An account of the resource
<strong><em>Who is Max Reinhardt?</em></strong> <br />The celebrated <span>Austrian t</span>heater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. <br /><br /><em><strong>What is a prompt book?</strong></em> <br />The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. <br /><br /><em><strong>Why are his important?</strong></em> <br />Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. <br /><br /><em><strong>Acknowledgements</strong></em> <br />Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale.
Relation
A related resource
<p><a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><em><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a><br /></em><br /><a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/"><span>Max Reinhardt Archives and Library</span></a><br /><br /><a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a></p>
<p></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a></p>
<p><a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a></p>
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Jean Green, <br /><br />Binghamton University Students: <br />Madelynn Cullings<br />Kashawn Hernandez<br />Aanyah Jhonson-Whyte<br />Marisa Joseph<br />Bethany Maloney<br />Ashleigh Marie Sherman<br />Thomas Tegtmeier<br />Joseph Vitale
Promptbook
Description
Table of notes found in red pencil on front cover page. Stage drawings throughout. Notes very extensive throughout, appearing in various colors. Markings in purple pen, red pen, black pen, pink pencil, blue pencil, orange pencil, and green pencil. Most red pen markings pertain to music, often accompanied by a treble clef. also includes inserted stage drawings with directions and set instructions.
Promptbook and supplement folders indicate that this play was probably being taught by “Professor Reinhardt” to students.
Collection
Max Reinhardt Promptbooks
Dimensions
Physical dimensions of item
28cm x 22.25cm
Earlier version
Earlier version (dcterms:isVersion Of)
Harmónia
Notes
Located in Binghamton University Libraries Special Collections
PT2635.E548P75 v.87
Production(s)
November 13, 1932, Berlin
December 1, 1932, Berlin.
Possibly also Vienna and Budapest.
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harmonie : ein Familienidyll mit Chorgesang, in drei Akten [promptbook]
Subject
The topic of the resource
Molnár, Ferenc, 1878-1952. Harmónia -- Translations into German
Promtpbooks
Stage Directions
Creator
An entity primarily responsible for making the resource
Molnár, Ferenc, 1878-1952
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1900s
Contributor
An entity responsible for making contributions to the resource
Reinhardt, Max, 1873-1943
Language
A language of the resource
German
Identifier
An unambiguous reference to the resource within a given context
R 3182
Rights
Information about rights held in and over the resource
Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu.
-
https://omeka.binghamton.edu/omeka/files/original/fe2447923b3d6f15ec9e7fe318c34464.pdf
69c45e8408d3d46618d14e3abce12293
PDF Text
Text
BING HAM TON
U N I V E R S I T Y
S T A T E U N l V E R S I T Y O F N E W Y O R K
D
E
[4
W
P
A
R
T
M
E
HARMONY CLUB
F a nd ra i s er C o n c e r t
Celeb rating Ado lphe Sax
Th ursday, April 2 , 2015
7:30 p.m.
Casadesus Rec ital Ha ll
N
0
T
�80 P ROG RAM (93
Suite for Five Saxophones
From “Fuenfstimmigte Blasende Musik ” (1685) .
1. Intrada
II. Sarabande
III. Bal
Joha nn Pezel
(16391694)
Nicholas Follett, Danielle Stoner, sopra no saxophone
Stephanie Ve rhage, Julia D unnigan, alto saxophone
Benjamin Va nDerAa, Crystal Fisher, tenor saxophone
Darin Mihalik, Daniel Gross, baritone saxophone
4
Introduction and Comments
Rhapsody in Blue (1925)
..George Gershwin
Symphony No. 2 (1907).
.Serge Rachmaniof
Symphony No. 3 “Scottish ” (1942)
Felix Mendelssohn
(1808–1847)
. Ferde Grofe
Grand Canyon Suite.
Th e Sorcerer’s Apprentice (1897) ..
The Saxophone Fdhily
Syrinx (1913) ...
..Claude Debussy
Nicholas Follett, alto saxophone
(18621918)
i
The Nutcracker Ballet (189 2) .
Symphony N o. VI (1939)
Symphony Fa ntastique (1830)..
Orchestral Excerpts
. Traditional
Arr. Ralph Martino
Danielle Stoner, soprano saxophone
Stephanie Ve rhage, alto saxophone
Benjamin VanDerAa, tenor saxophone
Darin Mihalik, baritone saxophone
Rossini a la carte (Medley)
Eb Soprano, Bb Soprano, and Bass Clarine ts
Concerto in F (1925) .
Adolphe Sax, A Short History
Americana Suite..
Orchestral Excerpts to be chosen from the following:
..Gioacchino Rossini
Arr. Rolf Sch neebiegl
Nicholas Follett, soprano saxophone
Crystal Fishe r, tenor saxophone
Julia Dunnigan, alto saxophone
Daniel Gross. baritone saxophone
Till Eulenspiegel’s Merry P ranks (189495)
(18981937)
(18731943)
(18921972)
..George Gershwin
(18981937)
Paul Dukas
(18651935)
.. Antonio Vivald i
(16781741)
Dmitri Shosta kovich
(19061975)
Hector Berlioz
(18021869)
Richard Strauss
(18641949)
Soprano, Alto, Tenor and Baritone Saxophone
American in Paris..
Original Orchestration
Rhapsody in Blue ..
..George Gershwin
(18981937)
..George Gershwin
(18984937)
Lieutenant Kijé .
Sergei Prokofiev
Bolero (1928) ..
. Maurice Ravel
Symphonic Dances from ..
“West Side Story” (1957)
(18911953)
(18751937)
.. Leonard Be rnstein
(19181990)
�L’arlésienne, Second Suite.
(18384875)
The Plow that Broke the Plains (1940).
.Virgil Thomson
(18824961)
Danielle Stoner
Danielle is a senio r with a double major in integrative neuroscience and
music. She is a graduate of Rube n A Cirillo High School in Walworth,
NY. Recently named the National Residence Hall Honora ry’s Febr uary
2015 Smdent of the Month for her service to the Binghamton University
and surro unding communi ty, Miss Stoner is also a past president of Mu
Phi Epsilon and is music director of Newman House (the campus
Catholic Church). Danielle is a 20142015 recipient of the Gardner
Stéwart Memoria l Schola rship fro m the Bingham ton Universi ty Music
Department. She is a member of the U niversity Saxophone Quartet and
the Harp ur Jazz E nsemble and plans to attend medical school with hopes
of becom ing a neu rologist.
(19061975)
Stephan ie Verha ge
(18961989)
Porgy and Bess
..George Gershwin
(18981937)
Tableaux d’une exposition.
.Modest Mussorgs ky
(Pictures at an Exhibition)
'
(18391881)
Orchestration by Maurice Ravel (18751937)
Hary Janos Suite (1926).
l
British Folk Music Settings N r. 12 ..
Age of Gold..
.. Zolton Kodalv
(18821967)
1
..Percy G rainger
2
La création du monde..
(The Creation of the World)
is
About the Performers
.George Bizet
.Dimitri Shostakovich
*
.Darius Milhaud
(189219 74)
Stephi is a junior with a double major in Psychology and PPL
(Philosophy, Polit ics and Law) and is also a music m inor. Stephi is a
graduate of Williamsville North High School in East Amherst, NY. A
member of Phi Be ta Kappa Honor Society and Mu Ph i Epsilon, Stephi is
planning to attend law school after graduation.
Benjami n VanDe rAa
Ben is a freshman majoring in engineering. He is a graduate o f Acton
Boxborough Reg ional High School in Massachusetts. Ben is a member
of the B inghamton University Saxophone Quartet and the Harpur Jazz
Ensemble. After pu rsuing a post grad uate degree, he would like to work
for a com pany tha t builds cars or bo ats.
Darin Mihalik
Darin is a senior physics major. He is a graduate of PatchogueMedfo rd
High School in NY. A recent recipien t of the Robert Pe nfield Award in
Physics, Darin is a member of the Phi Be ta Kappa Honor Society. He
will pursue a doctorate at Stony Brook in the fall in Condensed Matter
Physics a nd hopes to have a career in Coun terTerro rism.
�Nicholas Follett
Nicholas is a graduate saxophone performa nce major from the studio of
April Lucas. He holds a Bachelor of Music Education from Mansfield
University in PA. and is currently a membe r of the No rwich H igh School
Field Band staff where he is the instructor of music for winds a nd brass.
As a subst itute teacher in several area school districts, Nick really enjoys
working with kids and hopes to have a career as a music educator.
Nicholas is currently p reparing to fill a longterm mater nity leave position
as a third grade E I A teacher in the Norwich City School District. He is
also working on a second master’s degree in literacy and is an alumni
from Norwich H igh School in Norwich, NY.
J ulia Dunn igan
Julia is a graduate of North Rockland High School in NY and a
sophomore at Binghamton University studying mathematics and
economics. She works as the Multimedia Promotions Assistant at Late
Nite Binghamton and is the Fellowship Chair for the Binghamton
Chapter of Circle K International. In addition to the University
Saxophone Quartet, she perfor ms with the BU Wind Symphony. She
hopes to become an ac tua ry after graduating fro m BU.
Crystal Fisher
Crystal is a graduate of Vestal H igh School in Vestal, NY . Now, an
undeclared freshman with an interest in music and science, she
participates in the University Saxophone Quart and the BU Wind
Symphony. No matter what direction her fu ture takes her, she ho pes to
always part icipate in a musical ensemble.
Daniel Gross
Dan is a graduate of East Meadow High School in NY. He is a junior
majoring in history. Dan is a member of the University Saxophone
Quartet and the Wind Symphony. He hopes to have a career with the
National Park Service after grad uation.
A sincere “ Thank Yo u” to the H armony Club of Binghamton fo r all the
awards, encourageme nt, and opportunities they have given to so many
deserving h igh school students. Harmony C lub award winning students
are just like the performers in this evenings‘ concert, they are not
necessarily music ma jors, but loved music in high school and continued
to participa te in music programs in their chosen colleges and universities.
Harmony Club, we sincerely appreciate your support!
Thank you to Mu Phi Epsilon for your help in the logistics of this
evenings’ p rogram and for your continued service and participatio h in
the field of music to o ur University and our Commun ity!
If you would like to help support the Harmony Club in their efforts to
provide awards to deserving high school sen iors, there will be someone at
the desk be fore and after our program to accept your d onations.
Karen Fu, piano
a – a t on e Q t p o e t – t e – n e ’ e – o – o ono t t t n t – o e o o o o onnng t a a
�Bi nghamt on Un ivers ity Mus ic Departme n t’s
Com i ng Events
fi
b
M
M
G
Q
M
M
Q
D
M
fi
b
Th ursday, April 2 MidDay Con cert 1 :20 p.m. – Casadesus Recita l Hall – free
Th ursday. April 16 MidDay Con cert 1:20 p.m. Fine Arts Building, Room 2 1 free
Th ursday. April 16 Faculty Recital: Zachary Sweet, cello and Michael Sa lmirs, piano 7:30
p.m. Casadesus Recital Hall $7 general public; $5 faculty/staff/seniors/alumn i; Free for
students
Friday, April 17 Joint Sophomore Recital: Skylar Buono, clarinet and Michelle Li, fl ute 5
p.m. Casadesus Recital Hall free
i
Friday, April 17 – TriCit ies Opera presents Gounod ’s Faust 8 p.m. – The Forum Theater
c all (607) 7 720400 for tickets
Saturday, Ap ril 17 Joint Recital: Sophomore Natasha Talukdar, piano and Senior Annie
Tao, piano 3 :00 p.m. Casadesus Recital Hall free
Saturday, A pril 18 Senior Recital: Christina Santa Maria, soprano – 7 :30 p.m. Casadesus
Recital Hall free
Sunday, April 19 TriCities Opera presents Gounod’s Faust – 3 p.m. – The Forum Theater
c all (607) 7 7 20400 for tickets
Sunday, April 19 Guest Artist : Organist Craig Philips – 4 p.m. United Presbyterian Church
$10 general public; $7 facu lty/staff/senio rs/alumni; $5 for students
Tuesday, April 2 1 – St ring Fever (String Classes a nd Stud io String Recital) 7 :30 p.m. –
Casadesus Recital Hall Free
Th ursday, April 23 Ha rpur Jazz Ensemble Co ncert with saxophonist Camille Th urman
7:30 p.m. Osterhout Co ncert Theater $7 general public; $5 fac ulty/staff/sen iors/alumni; free
for students
e w w w w b n fi w w w é n fi i w a a n é b
E
a
—
f
I
E
For tickets or to be added to our email list, visit anderson.binghamton.edu or call
(607)
777ART’S, For a complete list of our concerts call (607) 7772592, visit
music.binghamton.edu or become a fan on Faceboolt.
I f you were inspired by this performance, consider suppo rting the Department of
Music with a financial gift, Your sup port helps to continue the work of students,
faculty, and guest artists and their contributions to our community. Please make
your donation payable to the Binghamton University Music Department, and send
your check to B U M
usic Department, P.O. Box 6000, Binghamton, N Y 1 3902.
k o k
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:10:53
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74844">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE74844</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harmony Club fundraiser concert Celebrating Adolphe Sax
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Pezel, Rossini, Gershwin, Rachmaniof [Rachmaninof], Mendelssohn, Grofe, Vivaldi, Shostakovich, Berlioz, Strauss, Bernstein. Works by Held at 3:00 p.m., April 2, 2015, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Follett, Nicholas
Stoner, Danielle
Verhage, Stephanie
Dunnigan, Julia
VanDerAa, Benjamin
Fisher, Crystal
Mihalik, Darin
Gross, Daniel
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Pezel, Johann, 1639-1694
Rossini, Gioachino, 1792-1868
Strauss, Richard, 1864-1949
Gershwin, George, 1898-1937
Rachmaninoff, Sergei, 1873-1943
Mendelssohn-Bartholdy, Felix
Grofe, Dukas
Vivaldi, Antonio, 1678-1741
Shostakovich, Dmitriĭ Dmitrievich, 1906-1975
Berlioz, Prokofiev, Ravel
Bernstein, Leonard, 1918-1990
Date
A point or period of time associated with an event in the lifecycle of the resource
4/2/15
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/99b9159b99c9c9f89fbb4045da8d2a03.pdf
62d8af96ccd4ab4df713b65db215526c
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E UN I V E R S I T Y OF NE W YORK
[4
w d e c
D E P A R T M E N T
Harmony Club
Fundraiser Concert
Thursday, April 1 1, 20 13
7:30 p.m.
Casadesus Recital Hall
�PROGRAM
. W. A. Mozart
ln uomini, in soldati.
( 1 7 56 1 791)
arr. by Benjamin Britten
( 19 131976)
from Cosi Fan Tutte
The last rose ofsummer.
Caitlin Gotimer, soprano
ChaiKyou Mallinson, piano
Sonata No. 2 in Bflat minor, Op. 35 .
Grave – doppio mwimento
Daniel Malinovsky, piano
11 Barcaiolo
Heart, we will forget him,.
from Twelve Poems of Emily Dickinson
Widmung, Op. 25, No. 1 .
Christina Santa Maria, soprano
ChaiKyou Mallinson, piano
Nigun .
from the Ball Shem Suite
Elea nor Krasner, violin
ChaiKyou Mallinson, piano
. Fr éi éric Chopin
( 1810–1849)
Gacta no Donizetti
( 187219 15)
Aaron Copland
(19001990)
Robert Schumann
( 18104856)
Ernest Bloch
( 1880 1959)
Caitlin Gotimer, soprano
Christina Sa nta Maria, soprano
ChaiKyou Mallinson, piano
A < I N T E R M I S S I O N m4
(b. 1 9 26)
Andante sostenuto
Allegro vivo
William Marsiglia, trombone
ChaiKyou Mallinson, piano
.Domenico Scarlatti
(16851757)
comp/arr. Heiner Wiberry
Sonata No. 44 .
arr. Fred Hemke
Ulla In Africa.
The Binghamton University Saxophone Quartet
Danielle Smner, soprano saxophone
Veronica Mantilla, alto saxophone
(b. 1944)
Christopher Murdock. tenor saxophone
Ph il Wes tc ot t, bari tone saxophone
Sonata 1
Cantabile
Spiritoso e staccato a Tempo Moderato
Ernst Galliard
(16871749)
Largo e Staccato
Hornpipe a l’inglese: Allegro e Staccato
Vivace
Zachary Stanco, bass clarinet
ChaiKyou Mallinson, piano
October Night (movement 1)
,Michae1 Burritt
(b.1962)
Benjamin Ramos, marimba
Gioachino Rossini
D l le t t o b u ff o d i d u e g a t t i
.Jacques Casterede
Sonatine for Trombone and Piano.
(1792 1868)
. Raymond Premru
Felicity.
(19341998)
Daniel Speer
Sonata No, 1
( 16361 707)
Allegro
William Marsiglia, trombone
Chris Beard, Gary Bennett, trombone
If you or you know someone who would like to make an additional donation,
checks can be made payable to the Harmony Club and mailed to Mary Chen,
Treasurer, Harmony Club, #1 3, 4 Oak St., Binghamron, NY 13905.
�STUDIO STARS
C hris Beard: Freshman; Computer Science major, enjoys sailing; from the studio of
Donald Robertson.
e n ne t t : Senior; Chemistry major/ M usic minor; interested in composition; from the
Gar y B
studio of Donald Robertson.
Caitlin Goti mer: Sophomore; Vocal Performance major; Resident Artist in Dickinson;
from the studio of Thomas Goodheanrt.
Elea n or Krasner: Freshman; English and Music majors; from the studios of Janey Choi
and Peter Rovit.
Dan iel M alinovsky: Sophomore, Financial Engineer major, loves to travel and would like
to go abroad to study in Italy; from the studio of Jinah Lee.
Veron ica M antilla: Sophomore; Chemistry major; Member of Student Conduct Board
and Undergraduate Art History Association; loves architecture; from the studio of April
Lucas.
Willia m M arsiglia: Senior; Biochemistry and M usic majors; works in a chemistry lab;
from the studio of Donald Robertson.
C h risto pher M urdock: Junior, Accounting Major; bowls for BU Intramural Bowling
League; from the studio of April Lucas.
Be n ja mi n j os hua Ra mos: Senior; Computer Science major; mentors at the Boys and
Girls Club of Binghamton; Webmaster 20 1 1 20 12 ; member of the Society of Asian
Scientists and Engineers; Outreach Chair 201 I 20 1 2; from the studio of Julie Licata.
Christina Santa M aria: Sophomore; Vocal Performance and Linguistics major; President
of Mu Phi Epsilon, the professional coeducational music fraternity at Binghamton
University; from the studio of Mary Burgess.
Zachary S ta nco: Senior; English and Philosophy majors; writes for the Opinion section of
the school paper; from the studio of Sarah Chandler.
Dan ielle S t o ner : Sophomore; Music and Integrative Neuro Science majors; active in the
professional music fraternity Mu Phi E psilon; plays in the pit band for the Binghamton
University Theatre musicals; from the studio of April Lucas.
P h i l Westcott: Senior; EnglishCreative Writing and M usic majors; General Manager of
BU free format radio station WHRW; intern for WSKG Community Conversations radio
show, from the studio of April Lucas.
Special thanks to pianist ChaiKyou Mallinson &
coordinator Stephen Stalker.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF
Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:08:52
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128574">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128574</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harmony Club fundraiser concert, April 11, 2013
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Mozart, Chopin, Copland, Schumann, Block, Rossini, Scarlatti, Galliard, Burritt, Premru, Speer. Works by Held at 7:30 p.m., April 11, 2013, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Gotimer, Caitlin
Mallinson, Chai-Kyou
Malinovsky, Daniel
Santa Maria, Christina
Krasner, Eleanor
Marsiglia, William
Stoner, Danielle
Mantilla, Veronica
Murdock, Christopher
Westcott, Phillip
Stanco, Zachary
Ramos, Benjamin
Beard, Christophe
Bennett, Gary
Stalker, Stephen
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2013-4-11
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/7d6bb6ed9d812ec70baed7ce57cb73ef.pdf
0e1ba7a46172d6e8a3953f7f0c02fc25
PDF Text
Text
STAT E UNI VERSITY OF NEW YORK AT BINGHA MTON
HARP UR COLLEG E
T H E DEP ARTM ENT O F MUSIC
T H E HA RPU R C HORALE & O RC H EST RA
MEN ’S GLEE CLUB
WOM EN’S CHORUS
Sunda y, A pril 13, 1969, 8 :15 p. m.
T he Don A . W atte rs T hea te r
�PR OGRA M
UNE CANTA T E DE NOEL
PR OGRA M NOTES
A rthur Honegger
Donald Miller, Baritone Solo
Treble Choi r
Harpur Chorale and Orchestra
A rthur Honegger composed the Cantata de Noel during the tall and winter of 1953 while
recuperating f rom an illness. The work was commissioned by Paul Sacher for the 25th
anniversary of the Basle Chamber Orchestra and was given its premiere by that conductor
and orchest ra on Decem ber 18th of the same year.
Opening wi th Psalm 130, De P rafimdis,the Cantata moves toward a potpourri of Christmas
carols, artf ully woven together and culminating in the Latin hymns, Gloria in Excelsis Deo
lnterm iss ion
and Laudate Domimm.
CHANTEYS
arr. Marsha ll Bartholomew
SPIRITUALS
DE WIN D BLOW OVER MY SHOULDER
I COULDN ’T HEAH NOBODY P RAY
HE ’S GOT THE WHOL E WORLD IN HIS HANDS
(Jim Osborne, soloist)
a r r. Ma rshall Ba rtholomew
a r r. Ma rshall Ba rtholomew
a r r. Fenno Heath
A S OF F TO T H E SOU TH ’A RD WE GO
AWAY TO RIO
A–ROVING
SHENANDOAH
T RADITIONA L SONGS
ERIE CANA L (Bob Kendall, tenor soloist)
AURA LEE (Terry Howell, baritone soloist)
THE SCOTC HMAN
AJ, LUCKA . LUCKA SIROKA
Men’s Glee Club
American Folk Song
T raditional
a r r. Joseph Canteloube
COME SLEEP
BARBARA A LLEN (Alida Stahl, soloist)
MOUNTAIN NIGHTS
Women’s Chorus
Robert Starer
arr. Katherine Davis
Zoltan Kodaly
Piano, Donna Hallen
Drums, Steve Millheise r
The genesis of the Cantate de Noel dates back to 1940 when Honegger was setting to
music the first portion oi‘ La Passion de Selzach as it was conceived by the poet, Caesa r
von Arx, which began with the episode of the Nativity of Christ. “It is this pa rt of the
work,” writes the composer, “which has served me as the basis for the Cantate de Noel,
not without undergoing in the course of its writing a nu mber of necessary changes. The
first chorus, the 12th Century plainsong Vent Emmanuel, brings the anguished appeal of
humanity to the Saviou r . ‘
In answer to this cry, the archangel announces to the shepherds the coming of the Messiah.
We then hear Freu Dich, O Israel; the 16th Century air, Es Ist Ein Reis Enlspmngen; the
French folksong, ll Est Ne Le Divin Enfant; Van Himmel Bach, Ikr Engelein Kommt; and the
famous Die Heilige Nacht, melody by Franz G ruber — all intermingled and terminating in
Psalm 117, Laudate Dominum,. An orchestral postlude concludes the work.
The Cantate de Noel is scored for double woodwinds, 4 horns, 3 trumpets, 3 trombones,
ha rp, organ, s trings, bari tone solo, a nd two choruses (mixed and children).
f rom Yale U niversity
Bohemian Marching Song
LOU BAYLERO (chant de Be rgers de HauteAuvergne)
(Phyllis Costanzo, Soloist)
Harpur Chorale
DIDN ’T M Y LORD DE LI VE R DAN I EL
SH A DRA CK
A CHRISTMAS CANTA TA — Honegger
arr. Walter Ehret
Robert MaeGimsey
Bass, Steve Kotrch
NURSERYROUND f rom the musical, FAN NY
IT’S A SIMP LE LITTLE SYSTEM, f rom the musical, BELLS ARE RINGING
(Shandor is sung by Jim Osborne)
Harold Rome
Jules Styne
Harpur Chorale
Ushering courtesy of A lpha Phi Omega and Gam ma Sigma Sigma
THE HARPUR CHORA LE
The Harpur Chorale is a group of 61 voices composed of a Men’s Glee Club and a Women’s
Chorus, with each group singing a representative choral repertoi re. The Chorale ’s member
ship is dra wn f rom both music ma jors and general college students and was founded in 1964.
The Chorale and Women’s Chorus are under the di rection of David L. But tolph. The Men’s
Glee Club is under the direction of Philip F. Nelson. The groups have, in recent years,
toured the Long Island area, Western New York State, and Canada. Most of the members
of the Harpur Chorale are residents of New York State.
Officers
T e r r y H o w e l l . . . . . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P resident
S a l l y B a r o n . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Libra ri a n
Wa rdrobe
NancySimp kins
Secretary
T RINIT Y ME MORIA L CHURCH JUNI OR CHOIR — BOY T RE BL ES
Jack Hooton, Director
Thomas A rnold
G rant Best
David Brown
Craig Dykstra
Kent Heald
Kim Ha r rison, Depu ty Head T reble
Matthew Joggerst
Barry McDevitt
Joseph Pilotti
David Purd y, Head T reble
Scott Purdy
Thomas Rincker
James Sage
F rederick Shumaker
David Stibe r
James Trucker
Jeffrey Usas
Keith Walte r
Christopher Whitmore
Jonathan Whitmore
Paul Whitne y
�T HE HARPUR C HORA L E PERSONNEL
WOMEN ’S CHORUS
SOP RA N OS
Audrey Adler
Elvira Chiccarelli
Phyllis Costanzo
Nora F reeman
Joann G rizzanto
Linda Holgers
Bettsie Park
Donna Ribble
Regina Sablauskas
Nancy Simpkins
Alida Stahl
Ricky Stern
Terry Tedeschi
Linda T raver
Ca rol Tubbs
Kathy Tyrrell
L inda Uhly
Nadene V redenburgh
Jacobi Westerhuis
Vi rginia Wetherbee
Nancy Zucker
MEN ’S GL EE C L U
B
ALTOS
TENORS
Gail Arnold
Sally Baron
Nancy Carlson
Helen Cooney
Alona Cuningham
Joyce Ellenson
Laura Finkelstein
Carol Gill
Debby Kanter
Barbara Maggs
Penn Moulton
Shi rley Newberry
Susan Paisley
Simone Pel zman
Lynne Rudwick
Reva Weiskopf
Donna Hallen,
Accompanist
‘
BARITONES &
BASSES
Ken Davis
Bill Hopson
Michael Kass
Bob Kendall
Dick Michalak
Doug Steward
Jim Vanhart
MichaelWeingarten
Max Cepero
David Clark
Douglas Dorph
Jon Erlitz
Jeff Feinsilver
Leon Fried
David Fry
Terry Howell
Steve Kotrch
David Marcus
Ira Miller
Steve Millheiser
John Niessen
Jim Osborne
Alan Sanders
Douglas Shadwick
Dick Squiers
Ernie Tong
ChaiKyou Kim
Accompanist
Keith Willcox
T HE HARPUR ORC HEST RA PE RSONNE L
VIOLIN
*Ralph Wade, Concertmaster
*Melba Sandberg
*Daniel Mowrey
*John Mayorchak
*Richa rd Leavitt
Toby Harris
Ma rtha Strassberger
*Pamela Seversky
*Edward Pettengill, P rincipal
Vi rginia Pantalone
Debby Davidson
Sally Shaf e r
‘Sophie Horowit z
Douglas Diegert
Karen Voight
VIOLA
*Russell Colton, P rincipal
Joyce Stel zl
‘Kenneth Hollister
*Ann Ziegler
*Ma rga ret Sewa rd
‘Binghamton Symphony members
CELLO
*Ruth Brown, Principal
David Howard
*Jane Whitmore
*Thomas Riis
CONT RABASS
*Richa rd Thomas, P rincipal
*James Hills
*Anthony P reus
Dayle Sherba
ORGAN
Jack Hooton
HARP
Katherine Eliot
FLUTE
Ma rsha Kadleck
Bruce Merley
Glaiber
OBOE
Geoffrey Ba r ron
F ran K rauss
CLARINET
David Marcus
Jean Schab
BASSOON
Louise Belsky
Douglas Epstein
HORN
Matthew Goldstein
Stu Reeve
Rosalind Powell
P hil Salkin
TRUMPET
Deibert Cobleigh
Tom Sigler
Peter Dodge
TROMBONE
John Baldon
Tom Demilio
G rant Sullivan
PERSONNEL MANAGER
Edwa rd Pettengill
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:20
23:56
31:41
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59185
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59185">Harpur Chorale & Orchestra Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale & Orchestra Concert, April 13, 1969
Description
An account of the resource
Held at 8:15 pm, April 13, 1969, Don Watters Theater. Works of Honegger, Starer, Kodály, Rome, Styne.
Creator
An entity primarily responsible for making the resource
Harpur Chorale & Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-04-13
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Starer, Robert
Honegger, Arthur, 1892-1955
Rome, Harold, 1908-1993
Styne, Jule, 1905-1994
Kodály, Zoltán, 1882-1967
State University of New York at Binghamton. Department of Music.
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095687
39091020095737
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
19:55
22:22
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145505</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale and Women's Chorus, April 30, 2011
Recital Tape 2011-4-30
Description
An account of the resource
Held at 8:00 p.m., April 30, 2011, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Harpur Chorale
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-04-30
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/9acded826206905fb21d7c34015c2711.pdf
fc478d6ce0c46f378a0815438eb68bb3
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
wdee
(4
D E P A R T M E N T
A H O L I D A Y
CHORAL C ONCERT
THE WOMEN’S CHORUS
Bruce Borton, conductor
Jushin Choi, graduate student conductor
William Lawson, pianist
T HE H ARPUR CHORALE
Peter Browne, conductor and organist
Thursday, December 2 " , 2010
8:00 p.m.
Trinity Memorial Church
Binghamton, New York
�PROGRAM
L
III.
Peter Warlock
(1894–1930)
Tyrley, Tvrlow (Three Carols)...........................
Stephen Paulus
(b.1949)
Hallelu
.. Traditional Latvian
Arr. Andrejs Jansons
Two Latvian Carols
Maria Wiegenlied..................................................
Jushjn Choi, conductor
B
e Bells
Z. Randall Stroope
(b.1953)
There is no Rose
Traditional Yiddish
Arr. Elliot Levine
Three Channukah Songs
Mi zeh hidlik
Boruch ate, zingt der tate
Gut yontef aykh kinder
Mark Rossnagel, organ
ti
..........Morten Lauridsen
O magnum Mysterium
(b. 1943)
o
.. William Mathias
(1934–1992)
A Babe is Born............
Max Reger
(1873–1916)
M. Leontovitch
(1877192 1 )
4
Chanukah Prayer for Children
Adam Hess, bass
i
4,
j
4
i
i
Ryan Brechmacher and
Ian Pomerantz
Baruch Cohon
Arr. W. Ellen Fleischmann
Al HaNisim
Good King Wenceslas...............................
1
I
The Twelve Days After Christ mas
II.
Improvisation on “Adeste Fidelis
Peter Browne, organ
Marcel Dupre
(1886–1971 )
from Piae Cantiones
Arr. Reginald Jacques
( 1 894–1 969)
Nuala Gaffey, soprano
Alexander Turo, baritone
Good King Kong Looked Out
Th e Women ’s Chorus
Bruce Borton, conductor
William Lawson, piano
Antonio Vivaldi
(1680–1743)
Gloria in Excelsis Deo (Gloria in Dma)
Th e Ha r pur Chorale
Peter Browne, conductor
P.D.Q. Bach
( 1 8081742)?
Frederick Silver
(b.1936)
�S
TRANSLAT IONS
Ziemas svet ki sa brauk usi
Lo, behold a sleigh is coming, stall ion prancing, bells jingling.
Hurry, children, wait no more, Winterfest is at the door.
Look and see how nobly dressed is the steed of Winterfest:
Golden reins and ribbons streaming, diamonds in the bridle.
O ’er the hilltop God is slowly riding, gently guiding,
Light the way with fires. Bring him into your humble dwelling.
Balts sniedzins snieg uz sku jinam
A gentle snow is on the ground, on bush and tree.
The sleigh bells jingle and I am happy.
Tonight I feel my spirit fly into the heavens
Where angels sing on golden clouds and pearly seas.
Tonight I feel that I could be like the heavenly angels,
And shine like sta rs above the worl d and those I love.
I am happy as a child can be, surro unded by family.
I am finely dressed for Christmas E ve and feeling blessed.
I feel content and whole, my heart is filled with delight.
Will it always be this way? Or will it change?
G ut yontef aykh, k inder
We come to you children, with gre etings heartfelt:
a dreidel, a candl e, and Chanukah gelt.
l
l
~
O magnum Mysterium
O great mystery and wondrous sacrament,
That animals should see the newborn Lord lying in their manger!
Blessed is the Virgin whose womb
Was worthy to bear the Lord Jesus Christ. Alleluia!
AI HaNisim
For the miracles and the wonders,
For the redemption and the battles t hat you made for our forefathers,
In those days at this time.
M i ze hidlik
Boruch ate, zing t d e r t at e
“Blessed art Thou ” the father sings as he lights the candles.
And the mild. del icate light falls upon his pale face.
A fire that ’s holy and precious shines in his eyes:
And this stooped, tired man begins to stand erect.
And it seems to me — and we believe it —
There still is som ething here, there remains much to love.
The hour is a hol y one.
Old sounds, long forgotten? But no, they are still resounding.
Sing father, “Boruch Ate. . I am still your child.
Gloria in excelsis
Glory to God in the Highest.
Chan ukah P rayer
Maoz tzur Rock of ages.
Y’shuati l’cha naeh let our song praise
L ‘shabeiach your saving powe r.
M a ri a Wiegenlied
Mary sits in the rose bower, rocking her Jesus Child,
Softly through the foliage the warm wind of summer blows.
At her feet there sings a brightlypl umaged bird:
Go, sweet child, to sleep, go now to sleep!
Lovely is your sm ile. lovelier your slumber’s joy,
Lay your weary l ittle head close to your mother’s breast,
Go, sweet child, to sleep, go now to sleep!
Who is it who has lit these thin candles like stars abo ve.
The children themselves know that today is Chanukah.
Every happy candle, every dear candle, burns, hints, sparkles.
The children stand around and thei r joy is boundless.
I am a dreidel, I lose and I win,
With a nun and a gimel a hey and a shin.
I am a candle, I burn and give light,
To brighten this dark world for us on this night,
I ’m Chanukah gelt, you can keep me to day
But tomorrow to poor friends please give me away.
We come to you children . . .
I
1
�T H E WOMEN’S CHORUS
Bruce Borton, conductor
m ton
t
uniy
m
om
r e) Cingha
{~') B
Orchestra
William Lawson, performance pianist
Jushin Choi, student conductor and rehearsal accompanist
Elyssa Ackerman
Molly AdamsToomey
Sophie Bass
Carrie Buck
Jiaying Cheng
Meredith Collins
Rebecca Dinhofer
Annie Ferro
Sheena Finlayson
Samantha Grieco
Ashley Grumman
Briana Hanson
Ashley Koo
Bora Lim
Stephanie Naru
Jessica Pyne
Hayley Rein
Julia Rose
Christine Scherer
Siobhan Sculley
Hyeyon Seo
Hannah Wentz
The Binghamton Community Orchestra
20102011 SEASON SCHEDULE
Saturday, April 9, 2011, 7pm
Sunday, November 21. 2010, 7pm
Helen foley Theatre
at Binghamton High School
Sarah Jane Johnson Church
Johnson City, NY
with the Binghamton Youth
Symphony Drchestra
Barry Peters. Conductor
Tim Perry, Conductor
Frieda Abdo, Soprano
Binghamton Community Orchestra
Annual STMIA Winners Concert
For more information:
www.BCOrchestra.com, conductor@BCOrchestra.com or 607 7599004
T H E HARPUR CH ORALE
Peter Browne, c onductor
Women
Men
Michele Aronson
llyssa Baine
Samantha Banton
Katie Besemer
Tahnee Fallis
Eliana Frim
Nuala Gaffcy
Alexandra Kirby
Kerianna Krebushevski
Yiting Liang
Marisa Sweeney
Samantha VanAdelsberg
Mookey Van Orden
Adam Demetros
Brian Evans
David Frey
Matthew Francis Gawors
Ariel Hausman
Adam Hess
Tomas Kerr
Gabriel Lotto
Gavin McClelland
Glenn Parker
Mark Rossnagel
Joshua Rovou
Joshua Setren
Leander Tanner
Alexander Turo
l
I
I
So met hing O l d
Som ethi ng N ew
A C om m un i ty Si ng wi t h Alice Pa rker
Sarurday, October 16, 2010, 3:00 pm
First P resbvtenan Church, 42 Chenango Street, B
mton, N Y
Fol k S on g I nsp i rat i ons
l
Durected by Anne Borer
l
S it’ , October 17, 2010, 4:00 ¢
Trinity M e m on a l Episcopal C . . . . ‘ 44 Maun Street, Bingh am ton, N Y
l
L essons a n d Carols for C h rist m as
[
i
l
l
l
l
:
Cotten
Saturday, November 2 7, 2010, . . p & Sunday, November
h ‘ie HoleI ’m. " ' 346 P rospect Street Bingl
C1
2010, 4:00 p m
C hora l J our neys : D e pa rt u res. D esti nations a n d D rea ms
Led by Bruce Borton. candidate for Arasuc Director
aday, . Luci: 20, 2011, 4:00 A
go S J ...B_ '
, 42 Ch
resb . mm. Ch
F A
All’s Fair : Songs of Love & War
Led by James
S
F
Nibloc k, candidate for Artist ic Di s
v, Mar 22 2011, 4 : pm
Pies
n C h
42C
ango Street,
o nt, N
Y
The Madrigal Choir of Bingham ton + 20102011 + 33rd Season
For ticket information visit www.madr igalchoir.com or c all 6077294767
4
�Bingham ton Universit y M usic D epartmen t’s
CCvents
2v
C o na
Friday, December 3 — F lute Studio and Flute Chamber Concert — 10:30 a.m. —
Casadesus Recital Hall — free
Friday, December 3 – Composer’s Concert (students of Christopher Loy) — 8 p.m.
— Casadesus Recital Hall – free
Saturday, December 4 — University Symphony Orchestra : America’s Inner Life —
3 p.m. – Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free
for students (Group rate $8 per person)
Sunday, December 5 — W ind Symphony : American Variations, honoring veterans
and serving military — 3 p.m. — Anderson Center Chamber Hall – free
Sunday, December 5 — Violin Recital : Janey Choi, violin, Michael Salmirs, piano
and guest artis t Rebecca Anse l, violin — 7:30 p.m. — Casadesus Recital Hall — $10
general public; $5 faculty/staff/seniors; $2 students
Thursday, Dece mber 9 — Jazz MidDay Concert with guest artis t — 1:20 p.m. —
Osterhout Concert Theater — free (Cosponsored by the Binghamton University Music
Department and the Harpur Jazz Project)
Thursday, December 9 — Harpur Jazz Ensemble Concert w ith guest artist — 8
p.m. — Osterhout Concert Theater — $10 general public ; $5 faculty/staff/seniors ; free
for students (Cosponsored by the Binghamton University Music Department and the
Harpur Jazz Project)
Friday, December 10 — S inging Chinese Class Recital joined by the Beginning
Chinese Flute C lass — 7 p.m. — Casadesus Recital Hall — free
Saturday, December 11 — Amahl and the N ight Visitors — 3 p.m. & 5 p.m. —
Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families
with 2 adults and 4 children)
Sunday, December 12 — Amahl and the Night Visitors — 3 p.m. & 5 p.m. —
Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families
with 2 adults and 4 children)
Monday, December 13 — “Italian Night” C lass Recital (Maria Cook, Instructor) —
8:00 p.m. — Casadesus Recital Hall — free
For ticket information,
.
AR TS
please call the Anderso n Box Office at 7 77
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:05:35
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146576">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146576</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale and Women's Chorus, December 2, 2010
Recital Tape 2010-12-2b
Description
An account of the resource
Works by Warlock, Paulus, Wiegenlied, Reger, Leontovitch, Stroope, Vivaldi, Mathias, Jacques
Creator
An entity primarily responsible for making the resource
Choi, Justin
Borton, Bruce
Lawson, William-Jones
Browne, Peter
Hess, Adam
Gaffey, Nuala
Turo, Alexander
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-02
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/6f2c5af34ce9ddc5fe257ddab08cb3fe.pdf
6a74c6e7f56f90a4308eb1a85c1d237f
PDF Text
Text
V A
U
f<<tt.\
al
tape
2003
5-3
c_ COL
SPE
BINGHAMTON
U N I V E R S I T Y
State University of New York
Department of Music
HARPUR CHORALE
Peter Browne, conductor
WOMEN'S CHORUS
Jane True, conductor
Saturday, May 3, 2003
3:00 p.m.
Trinity Memorial Church, Binghamton
�Program
Harpur Chorale
I.
Jubilate Deo .................................................................. Orlando di Lasso
(1530-1594)
Ave Verum Corpus ............. ................................................. W.A. Mozart
(1758-1791)
Sanctus ............. .................................................... Johann Sebastian Bach
(1685-1750)
II.
Rejoice in the Lamb ...................................................... Benjamin Britten
(1913-1976)
Jennifer Lucia, soprano
Deanna Bunal, alto
Josh McMahon, tenor
Christopher Waterstraat, bass
John Novak, organ
III.
0 How Amiable ............................................... Ralph Vaughan Williams
(1872-1958)
Praise Ye the Lord ................................................................. John Rutter
(b. 1945)
John Soto, baritone
�Women's Chorus
IV.
Laudate pueri Dominum ........................... Felix Mendelssohn-Bartholdy
Opus 39, No. 2
(1809-1847)
Messe Basse ......... ............................................................... Gabriel Fauré
Kyrie
(1845-1924)
Sanctus
Benedictus
Agnus Dei
How Can I Keep From Singing ......................................... Arr. Jane True
Jane True, conductor
�About The Performers
PETER BROWNE, conductor of the Harpur Chorale, is a graduate of Bard
College, and received his MM degree from Binghamton University in 1980. He was
an organ performance major at both institutions, serving as chapel organist during
his student years at Bard. While at Binghamton University, he studied organ with
Paul Jordan and Searle Wright, and choral conducting with David Buttolph. He has
done additional coursework at Westminster Choir College and several other schools.
In 1994, he was awarded a fellowship to study choral conducting with Sir David
Willcocks, former music director of King's College Chapel, Cambridge, and the Bach
Choir of London. Browne has served as a church musician in Pennsylvania,
Connecticut, and New York, and has been organist-choir director at Trinity Episcopal
Church in Binghamton since 1981. He was interim choral director at Binghamton
University in 1986-87, and continues as accompanist for the University Chorus. He
has appeared as a conductor, soloist, and accompanist in the eastern U.S.
Harpur Chorale
Soprano
Hila Bezalel
Johanna
Blackstone
Samantha LaDue
Jennifer Lucia
Jane True
Emily Y anisko
Alto
Shannon Ahn
Deanna Bunal
Amali Cowan
Emily Mangino
Pamela Schrage
Rebeccah Socoloff
Megan Westfall
Sarah Williams
Alexis Witek
Amy Wolff
Tenor
William Duffy
Martin Goldman
Seung Lee
Joshua McMahon
Santosh Varghese
Christopher Tartaro
Ozzie Bute
Bass
Michael Boxer
Mark Ceci
Benjamin Darfler
Michael Mondazzi
John Resser
Joseph Salina
Christopher Waterstraat
JANE TRUE, conductor of the Women's Chorus, is a graduate
assistant in the University's Department of Music.
Woman's Chorus
Soprano I
Nicole Casale
Jennifer Curiano
Laura DeCarlo
Jenny Gill
Meaghan Hait
Cheryl Hill
Wendy Schneider
Bonnie Streigold
Regina Zimmers
Alto I
Melissa Balfus
Naomi Boyarsky
Emily Creo
Han-Ni Jang
Michelle Katz
Eva Kiviat
Ramayee
Periakaruppan
Valerie Stepien
Soprano II
Rachel Herman
Aine Mccaughey
Catherine McDonald
Debra Menter
Kate Metzler
Jamie Mittleman
Hilary Parry
Maria Puntillo
Jessica Rios
Segaal Schorr
Kathy Kim, rehearsal pianist
Jesslyn Shafer
Irene Strong
Jennifer Walsh
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:47:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253424&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253424&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale and Women's Chorus, May 3, 2003
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2003-5-3
Description
An account of the resource
Women's Chorus, Jane True, conductor
Title on disc surface: Harpur Chorale & Women's Chorus, 5/3/2003
Creator
An entity primarily responsible for making the resource
Browne, Peter
True, Jane
Date
A point or period of time associated with an event in the lifecycle of the resource
5/3/2003
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/35a17797bf0e1c49b6b0543f2c737d81.pdf
a027ca70f72cbdd7dc67e14ff316a9c4
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE HARPUR CHORALE
DAVID BUTTOLPH, Conductor
Wednesday, April 15, 1970
8 :15 p. m.
The Don A. Watter s Theater
�PR OGRA M
T he Lord of the Dance
Max Lede rhaus
Nancy Carlson, Contralto solo
Char les Feldman and Ira Mille r, guitars
Psalm 74 v. 19
Johann Sebastian Bach
Psalm 13 (opus 27)
Didn ’t My Lord Deliver Daniel
a r r . Walter E hret
Johannes Brahms
Psalm 83 :1
Alan Hovhaness
Intermission
Ave Maria
Serge Rachmaninoff
Kyrie et Agnus Del
Jean Langlais
(f rom Missa in Simplicitate)
G loria, Sanctus et Benedictus
Karl Korte
(from Mass for Youth)
VI
EXCE R PTS f rom CARMINA BURANA
Assisted by:
Assisted by. Jack Hooton, Organist
Tim pani
— David C rowe
Percussion – Peter Buttolph, Rick Compton
Ferris Lebous, Robert Mirsky
i
PRIMO VERE
III
Four A rms, Two N ecks, One Wreathing
Come Sleep
Thomas Weelkes
Robert Starer
A rgentine Folk Dance
3. Veris leta facles
5. Ecce gratum
7. Floret silva
Alberto G inastera
11
IN TA BERNA
14. In taberna quando sumus
IV
A mo, A mas, I Love a Lass
Shenandoah
Little Innocent Lamb
Sometimes I Feel Like a Motherless Child
ill
arrangements by
Marshall Bartholomew
arr. Fenno Heath
Carl Orff
Accom panisis Donna Hallen and Joseph Kotylo
COURS D’ A MOURS
20. Veni, veni, venias
2 2. Tempus est iocundum
2 5. O F o r tuna
�PR OGRAM N OTES
PSALM 74 v. 19
Du wollest dem Feinde nicht gehen
die Seele delner Turtletauben.
Veris leta facies (Conti nued)
Johann Sebastian Bach
Deliver not to the multitude of the
wicked the Soul of Thy T urtledove.
PSALM XIII OPUS 27
Herr, wie lange wilist du mein so gar
ve rgessen'] Wie lange ver birgest du
deln Antlltz var mlr?
Wie lange snll ich sorgen in meiner
Seele, und mich lingsten in melnem
Herzen tagllch?
Wie lange soll sich mein Felnd fiber
mich erheben?
Schsue doch und erhare mich, Herr
mein Gott.
Johannes Brahms
Lord, How long wilt Thou iorget me?
How long, wilt Thou hide Thy face
from me?
How long shall I seek counsel within
my Soul, having sorrow in my heart
daily?
How long shall mine enemies t riumph
o’er me ?
Hear and consider me O Lord my God.
E rleuchte meine Augen, dass ich nieht,
Mine eyes, O Lord enlighten, lest I
sleep the sleep of deatb.
meln micht ig worden und meine Wide r
sacher slch nlcht f reuen, dass ich nlede r
vailed against him, lest they re joice
when I am moved.
dass ich nicht im Tode entscnlaie ;
Dass nlcht meln Felnd ruhme, er sei
liege.
Ich hoffe auber dsrauf, dass du so
gnadig hist; mein Herz f reuet slch,
dass du so gerns hilf st.
Ich w i l l dem Herren singen dass er
so wohl an mlr thut.
Lest my foes say that we have pre–
But I have eve r trusted in Thy great
mercy Lord, my heart shall re joice
i n T hy salvation.
And I will praise the Almighty, He
has dealt kindly with me.
Carl Orff
C ARM! NA BURANA
(18 95 —)
Cantiones profanae cantoribus et
iam stipatur flore.
Zephyrue nectareo
spirans in odore.
Certatim pro bravio
curramus in amore.
Cytharizat cantico
dulc is Philomena,
flore rident varlo
prata iam serena.
salit cetus avium
silve per amena,
chorus promlt virglnum
lam gnudia mllieaa.
Ecce gratum
Ecce gratum
et optatum
ver reducit gaudia;
purpuratum
floret pratum,
sol serenat omnla.
Iam lam cedant tristial
Estas redit,
nunc recedit
hiemis sevitia.
lam liquesclt
et decrescit
grando, nix et cetera;
bruma fugit
et lam suglt
ver estatls ubera;
llll mens eat misera
chorls cantandae comitantibus
instrumentis atque imaginibus magicis.
In 1847 J.A. Schmeller published a thirteenthcentu rymanuscriptcolleotlon of songs
which had originated in a monastery in the foothills of the Bavarian nlps, and to which
he gave the title Carmina Burana or “Songs of Benediktbeuern,” alter the name of the
monastery. Carl Orff came across the edition in 1935, and finished composing the
score in the following year ; the fir st performance was in F rankfurtamMain on
J une 8, 1937.
The poems, written by wandering scholars, fu r the most part before the year 12 00,
include love songs, d rinking songs, and songs in praise of the vagabond o rder (all in–
tended as dancesongs), as well as rec ruiting songs for the Crusades, complaints on
fortune, attacks on aimony, and various other topical poems. Carl Orff has arranged
selections from the texts into three groups ; the invocation to fortune, which precedes
the fir s t group, i s repeated at the very end of the work.
Program notes by Michael Ki mbell
I – PRIMO VERE Veris leta facies
Veris leta facies
mundo propinatur,
hiemalis acies
victa lam fugatur,
i n vestitu v arlo
Flora principatur,
nemorum dulei sono
que cantu celebratur.
Flore fusus gremio
Phebus novo more
risum dat, hoe vario
qui nec vlvlt
nec lascivit
sub entitle dextera.
Gloriantur
et letantur
in melle dulcerlinls,
qui conantur
ut utantur
premio Cupidinis;
simus {ussu Cyprldls
gloriantes
et letantes
pares esse Parlrlls.
sound of the woods,
reigns Flora,
who i s celebrated with song.
piled high with blossoms.
Zepher is blowing
with nectarlike fragrance.
L et us make haste i n loving,
vying for the prize.
Sweet Philomena sings
her song as on a lyre ;
the fields, now fair, are s mlling
with manycolored flowers;
a covey of birds flies up
through the pleasant places of the wood ;
a bevy of maidens
gives loys of a thousand kinds.
Behold, the welcome
and longyearned–for
spring brings back joy;
the encarmined
meadow is in bloom.
the sun makes everything bright.
Now let sadness be put as ide!
The summer is returning,
and now the ferocity
of winter is retreating.
Now the hall, snow
and the rest
are melting and disappear ing ;
the winter is fleeing,
the spring is already
suckling the breasts of summer ;
He has a wretched mind,
* who does not live
and does not wanton
under the aegis of summe r.
They glory
and rejoice
in the honey of sweetness
who make every eflort
to en joy
the rewards of Cupid ;
let us, at the command of Venus.
be proud
and glad
to be the equals of Paris.
Floret silva
Floret silva nobills
The gladsome face of spr ing
comes as a gif t to the world,
the battle –line of winte r
is already conquered and put to fligh t;
now, in bright garb, with t he sweet
Phoebus smiles anew,
gnrlandad with flowers
in her lap, which is already
floribus et tollls.
Ubi est antiquus
meus amicus ?
Hine equitavit.
E ia, quis me amabit?
Floret silva undique ;
nach mime gesellen ist mir we.
Gruonet der wald allentha lben,
The noble forest is in bloom
with flowers and leaves.
“Where is
my old–time f riend ?*
“He has ridden away.”
“Eia, who will love me?”
The forest is everywhere in bloom;
“For my mate I am yea rning.
T he wood is greening on all sides,
�Flovet silva (Continued)
wo ist mln geselle alse lange ?
Der i s t gerltten hinnen,
O we, wer sol mich mi nnen ?
where is my mate all t hls tim>?"
“He has ridden away.”
“Alas, who will love m e ?
ll – IN TABERNA In taberna quando sumu s
In taberna quando sumus
When we are in the tave rn
non curamus quid sit humus,
we care not wha t is earth,
sed ad ludum properam us,
but hasten to the game
cui semper insudamus.
over which we always s weat.
Quid ngatur in taberna,
What goes on in the tavern,
ubl nummus est pincerna,
where money is the winegiver,
hoc est opus ut queratur,
this is what we must seek ;
s i quid loquar, audiatur.
if I say anything, let it be heard.
Quidnm ludunt, quldam bihunt,
quidam indiscrete vivun t,
Sed in ludo qul morantu r,
e x his quldam denudantu r,
quldnm lbl vest iuntur,
quidam saccis induuntu r.
lbi nullus timet mortem,
sed pro Baccho mittunt sortem:
Some men play, some d rink,
some live undistinguish edly.
But of those who keep on gambling,
of them some are stripped naked,
some get their clothes there
and some go clad in sa cks.
There noone fears death,
ex hsc hibunt libertini;
but they gamble for Bac chus :
First the dice are throw n for wine,
f rom this the libertines drink :
they drink once for the prisoners,
quater pro Christianis cunetis,
four times for all Christians,
sexies pro sororibus vanis,
septies pro mllltibus silvanis.
seven times for the for est soldiers.
P rimo pro nummata vini ,
semel bibunt pro captivis,
post hec bibunt ter pro vlvi s ,
qulnquies pro fldelibus defunctis,
Octies pro f ratribus perversls.
noniens pro monachis dispersis,
decies pro navigantibus,
undec ies pro discordantibus,
duodecies pro penitentibus,
tredecies pro iter ngentihus.
Tam pro papa quam pro rege
bibunt omnes sine lege .
Bibit hera, bitet herus,
bibit miles, blblt clerus,
blbit ille, blblt illa,
bibit servus cum aneill s,
bibit velox, hlblt piger,
biblt albus, biblt niger,
bibit constans, blblt vagus,
bibit rudls, blblt magus.
Bibit pauper et egrolus,
blbit exul e t ignotus,
bibit puer, bibit canus,
bihit presul e t decanus,
blbil soror, bibit f rater,
blblt anus, bibit mater,
blblt lsta, blblt ille,
blhunt centum, bibunt m ille.
Parum sexcente nummate
durant, cum immodera te
bibunt omnes sine meta.
Quamvis bibant mente l eta,
s ic nos rodunt omnes gentes
et sic erimus egentes.
Qul nos rodunt coniunda ntur
e! cum justis non sc ribantur.
af ter this they drink thrice for the living,
five times for all faithf ul departed,
s ix times for the boastful sisters,
Eight times for the sinf ul brethren,
nine times for the dispe rsed banks,
ten times for those at sea,
eleven times for those at odds,
twelve times for the penitent,
thi rteen times for those o n the road.
For Pope and King alik e
all d rink without restraint.
T he mist ress d rinks, the master d rinks,
the soldier and the clergyman.
the man d rinks, the woman d rinks,
the se rvant d rinks with the maid,
the quick man d rinks, the lazy man d rinks,
the white man and the black,
the resolute and the inconstant,
the simple and the wise .
The poor man d rinks and the sick,
the exiled and the unknown,
the youngster drinks and the oldster,
the bishop and the deacon,
the sister drinks, the brother drinks,
the grandmother and th e mother,
women d rink and men d rink,
by the hundreds and the thousands.
Six hund red coins will not last long enough,
when all d rink unrestrainedly
and without limit.
Though they d rink with a glad heart,
yet all people scold us
and thus we shall be needy.
May those who nag at us be confounded,
and may they not be ins cribed among the just.
111 — COURS D‘AMOURS Veni, i/Em’
Veni, v e n , venias ;
ne me mori facias.
Hyrca, nazaza, trillirlv os.
Puichrn tibi facies,
ocuiorum sales,
capillorum series,
0 quam clara species!
Rosa ruhicundior.
lilio candidior,
omnibus formosior,
sminer in te gloriorl
Come, come, come;
don ’t make me di e.
Hyrca, nazaza, trillirivos.
Beautiful is your face,
the piercing glance of your eyes,
the arrangement of your hair,
oh whata splendid figur e!
Redder than the rose,
whiter than the lily,
more shapely than all others,
I always glory in youl
Tempus est iacundum
Tempus est iocundum,
o vitgines;
modo congaudete,
vos iuvenes.
0,0,0,
totus floreo;
lam amore virginali
totus ardeo;
novus, nevus amor est
quo pereo.
Mea me confortat
promissio,
mea me deportat
negatia.
Tempore hrumnli
vir pntiens,
animo vernali
lasciviens.
Mea mecum ludlt
virginitas,
mea me detruclit
simplicitas.
Veni, domicella,
cum gaudio,
veni, veni, pulchra,
iam pereo.
The season is joyful,
o maidens;
now re joice together,
you lads .
0,0,0,
I am all a–blooming ;
l am already all aflame
with virginal love ;
it is a new, new love
of which I am perishing.
It makes me happy
to promise,
it makes me sad
to refuse.
In the winter season,
man is a sufferer ;
with the spirit of pring
he is wmton.
My maidenhood
plays upon me,
my naiveté
puts me uiL
Come, damsel,
with joy,
come, come, fair one,
1 am already dying.
0 Fortuna
0 Fortuna
velut luna
statu vlr llbflls,
semper crescis
aut dectescis'.
vita detestabilis
nunc obdurat
et tunc curat
ludo mentis aciem;
egestatem,
potestatem
dissolvit u t glaciem.
Sara immanis
O Fortune,
like the moon
changeable in state,
you are always waxing
or waning;
abominable lif e
first treats harshly
and then cares tenderly,
whimsically, for the desires of the mind;
lndigence
and power
it melts away like ice.
Overpowering
et inanis,
and empty chance,
status malus,
vana salus,
an evil state,
a fi c kle well–being.
always liable to change ,
rota tu volubilis,
semper dissolubilis,
you are a turning wheel,
�O Fortuna (Continued)
obumbrata
overshadowed
and veiled
you trample on me, too;
now, as for sport,
I bare my back
to your wickedness.
et velata
michi quoque niteris ;
nunc per ludum
dorsum nudum
fero tui sceleris.
Sors salutis
The chance of well–being
et virtutis
michi nunc contraria,
est affectus
et defectus
semper in angaria.
Hac in hora
sine mora
corde pulsum tangite ;
quod per sortem
sternit fortem,
mecum omnes plangitel
and of strength,
now averse to me,
is a granting
and a denial,
but always in f rustration.
In this hour,
without delay,
strike the lyre ;
because, through chance,
Fortune lays low the strong—
weep, all, with mel
THE HARPUR CHORALE
President
VicePresident
Treasurer
Librarian
OFFICERS
Robert Kendall
Assist, Librarians
Nancy Simpkins
Michael Kass
Wardrobe Mistress
Ira Miller
Denise Juliano
John Niessen
Linda Uhly
PERSONNEL
Donna Hallen, Accompanist
WOMEN ’S CHORUS
1st SOPRANOS
2nd SOPRANOS
1st ALTOS
2nd ALTOS
Susan Ball
Audrey Adler
Donna Hallen
Lise Schmidt
Laurie Siegal
Nancy Simpkins
Nadene Vredenberg
Jacoba Westerhuis
Carol Winslow
Wendy Bishop
Mary Conklin
Laura Finkelstein
Marjorie Graber
Susan Hoffmeister
Ellen Holtzman
Allison Jameson
Evelyn Kalish
Debra Kanter
Barbara Maggs
Simone Pelzman
Janet Stecher
Nancy Weeks
Sally Baron
Kathryn Bassin
Elizabeth Cohen
Carol Gill
Denise Juliano
Rita Mitchell
Shirley Newberry
Reva Weiskopf
Gaye Butler
Elvira Chiccarelli
Katherine Crowe
Carol Flamm
Beverly Penn
Donna Ribble
Ricky Stern
Terry Tedeschi
Linda Uhly
MEN’S GLEE CLUB
TENORS
Peter Albert
Bryan Burdick
Keith Gorham
Michael Kass
Robert Kendall
Paul Langland
Charles Seltzer
Douglas Steward
James Van Hart
Michael Weingarten
BARITONES
William Moore
Gary Corliss
Douglas Dorph
James Osborne
David Feder
Douglas Shadwick
Jeffrey Feinsilver Ronald Smith
Thomas Sutter
Leon Fried
Max Lopez–Cepero David Swanda
Ernest Tong
BASSES
Richard Axt
Ronald Caveglia
James Elniski
Charles Feldman
Ira Miller
Steven Millheiser
Kenneth Morgan
John Niessen
Richard Squiers
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:39:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63210
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63210">Harpur Chorale Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale Concert, April 15, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Brahms, Hovhaness, Rachmaninoff, Korte, Weelkes, Starer, Ginastera, Heath, Orff. Held at 8:15 pm, April 15, 1970 at Don Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur Chorale
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-4-15
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Brahms, Johannes, 1833-1897
Hovhaness, Alan, 1911-2000
Rachmaninoff, Sergei , 1873-1943
Korte, Karl, 1928-
Weelkes, Thomas, 1576-1623
Starer, Robert
Orff, Carl, 1895-1982
Ginastera, Alberto, 1916-1983
Heath, Fenno, 1926-2008
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064535
39091020064584
39091020064634
-
https://omeka.binghamton.edu/omeka/files/original/3963b10147fc8cca5bb3ba13633c3cbd.pdf
b5992e7856aa4dda354c1a9439d1bba5
PDF Text
Text
State University of New York at Binghamton
Harpur College
The Department of Music
THE HARPUR CHORALE
Sunday, November 21, 1971, 4:00 P.M.
The University Union
�PROGRAM
NACH DIR, HERR, VERLANGET MICH ( Canta ta 150)
Diane Krasin ski, Sopran o Solo
1.
2.
3.
4.
5.
6.
7.
J.S. Bach
(1685- 1750)
FREOOME - FREEDOM
Sinfon ia
Chorus
Aria
Chorus
Trio
Chorus
Chorus
Elliot Carter
(b 1908- )
Coleri dge-Ta ylor Perkin son
(b. 1936- )
Eugen ia Falins ki, Contr alto Solo
Barba ra Savage , Piano
Rober t Kolbe r, Bass
Joseph Roma, Drums
Instru menta lists
PSALM THIRTEEN
(premi ère)
Karl Korte
(b-192 8)
For mixed chorus with synthe sized and proces sed sound
Gregor y Matthe ws, Tape Opera tor
MAGNI FI CAT
For mixed chorus a cappe lla
Sergei Rachm aninof f
(1873- 1943)
MY LORD WHAT A MORNIN'
Harry Burlei gh
(1866- 1949)
EVERY TIME I FEEL THE SPIRIT
Philip Wu
Willia m Dawson
(b 1901- )
Intermission
THE CREATION
THE HARMONY OF MORNING
For Women's Chorus
Woodwind Quint et, Piano and String s
(A Rock Canta ta)
Beverl y Penn, Sopran o Solo
Terry Harte r, Richar d Toulso n, Tenors
Barbar a Wild, Piano
Eric Lench ner, Guitar
Robert Taffe t, Bass Guitar
Joseph Roma, Drums
Violin s
Eric Lewis , Rober t Rosek, Andrea Andros
John McLeod, Joanna Jenne r, Mary Barton
Violas
Andrew Berda hl, Patric ia Foley, Edward Petten gill
Celli
Judith Glyde, Frede rick Raimi
Bass
Micha el Sande rs
Flute
Valeri e Vasto la
Oboe
Dan Cross
David Bobro witz
and Stephe n Porter
Clarin et
Sheldo n Berkow itz
Bassoo n
Carol Shapir o
French Horn
Janice DeWolfe
Piano
Claire Howard
�THE HARPUR CHORALE
David L. Buttolph, Director
Fred Thayer, Graduate Assistant
The Women's Chorus
Maria Bartolotto
Linda Finn
Carol Flamm
Diane Krasinski
Beverly Penn
Doryce Penn
Alice Weintraub
Carol Weir
Jill Borenstein
Ellie Chiccarelli
Kathy Denmark
Eugenia Falinski
Linda Lockwood
She rri Strichman
Maria Theodore
Linda Uhly
Susan Winnett
Joan Appleton
Ka ren Fung
Carol Gill
Sue Ho ffmeis t e r
Allison Jameson
Debbie Kanter
Nancy Lazeski
Ann Marsland
Barbara Savage
Janet Stecher
Barbara Wild
Stacie Williams
The Men's Chorus
John Evans
Terry Harter
Mike Kass
Nino Lama
Fritz Rath
Richard Toulson
Marc Berman
Tim Dungan
Leon Fried
Gregory Gibbs
Keith Gorham
Bob Halliday
Bob Kendall
Mitchel Mendelson
Russell Senti
James Elniski
Jon Krieger
Gary Levine
Ira Miller
Ken Morgan
Bruce Sabecek
Philip Wu
Officers
Nino Lama . .
Gary Levine.
Barbara Wild
James Elniski.
Susan Winnett.
Carol Weir . .
Allison Jameson .
Richard Toulson.
Janet Stecher. .
President
V.P. of Men's Chorus
V.P . of Women's Chorus
Secretary of Men's Chorus
Secretary of Women's Chorus
Treasurer
Librarian
Wardrobe
Tour Manager
Next Choral Concert
The Harpur Men's Chorus and The Oneonta State University Women' s Chorus in a
combined concert: Sunday, December 5, 1971, 4:00 P.M. in the University Union.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
29:29:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63550
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63550">Harpur Chorale Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale Concert, November 21, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Korte, Rachmaninoff, Burleigh, Dawson, Perkinson, and Carter. Held at 4:00 pm, November21, 1971 at University Union
Creator
An entity primarily responsible for making the resource
Harpur Chorale
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-11-21
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Korte, Karl, 1928-
Rachmaninoff, Sergei , 1873-1943
Burleigh, Harry, 1866-1949
Carter, Elliott, 1908-2012
Perkinson, Coleridge-Taylor
Dawson, William L. (William Levi), 1899-1990
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
3909102007374
39091020073684
39091020073635
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audiotape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
36:35
21:52
20:38
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243611">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243611</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale, autumn to april: a chorale tribute to spring, April 8, 1973
Recital Tape 1973-4-8
Description
An account of the resource
Works of Leisring, Schein, Billings, Bruckner, Bach. Held at 8:15 pm, April 8, 1973, Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur Chorale
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
4/8/73
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound