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                    <text>UNIV RRC
Rec’d a\

HAMTON

y e n

Tage, 
O

C

U N I V E R S I T Y

(   

57?”  A . 

STC LoL 

State University of New York

Flut e Studio R ecita l
Friday, December 1, 2006
10:15 a.m.
Casadesus Recital Hall
Program

Suite de Ballet .......... .......... .......... .......... .......... .......Ra lphVau ghanW illiams
Improvisations 
(1872­1 958)
Humoresque
Gavotte
Passepied
Erica Leo, Flute
Mrs. Margaret Reitz, Piano

Variations onat h em e ofMo zart.... .......... .......... .......... .......... ....Rey naldo Hahn

Sara Shafer, Flute
Mrs. Margaret Reitz, Piano

(1875­1 947)

Sonata in G Major, HWV 363b .......... .......... .......... .......... .Georg  Frederick Handel
Adagio 
(1685­1 759)
Allegro
Andante
Bouree
Menuetto
Sarah Harper, Flute
Mrs. Margaret Reitz, Piano

Two Pieces for P inte and Piano 
Andantino 
Allegretto

Ralph ReGiaentlior
(b.1914 )

Laura Demsey, Flute

Mrs. Margaret Reitz, Piano

�.

f

Suite Modale
Moderate
L’istesso Tempo
Allegro giocoso
Adagio, Allegro deciso

weeeeen.....  Ernest Bloch
(1880­195 9)

Jennifer Weintraub, Flute
Mrs. Margaret Reitz, Piano

Variations for Flute and Piano on a Theme by Rossini
Andante
1. Con anima
2. Piu Lento

Frederic Chopin
(1810­1849)

3. Vivo

4. Con Brio

Melissa Voldan, Flute

Mrs. Margaret Reitz, Piano

RomanceforiFlute andPiano. ........‘.... ............. ............. ....... ....Arthur Honegger
(1892­1955)
Valerie Spiller, Flute
Mrs. Margaret Reitz, Piano

Sonatain GMajor,O pus2,No. 1........... ............. .... .. ..
Adagio
Allegro
Largo
Allegro
Valerie Spiller, Flute
Mrs. Margaret Reitz, Piano

Flutists are from the Flute Studio of Georgetta Maiolo

...Benedetto Marcello
(1686­1739)

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                    <text>BINGH

U N I V E R S I T Y

J

A 

\

i 

THU RSDAY M ID­DAY CONCERT

November 30, 2006 – 1:20 p.m. ­ Casadesus Recital Hall

21.

t  l 

3 

Binghamton University Department of Music

\

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Ai 

State University of New York

NY Q  C 

  
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e i i n i e e r e e
Green Sleeves to a G I O U N d . . . . . . . . . . . c c e o i r i i i i i n i n i
(1706)

Alexander Baron, recorde r
And rew Wal kling, cello

C

a Poulenc
(1899­19 63)
“C” is a village built on the islands formed by several branches of Loire River.  There, in 1940, a
ant
French a rmy tried in vain to stop the German invasion.  The poet, Louis A ragon, evokes gall
e

e

t

r

memories of the “Chateaux de la Loire” while crossing the bridges with the defeated army.

Nye poi, Krasavitsa (Chanson Georgienne), Op. 4, no. 4 ..
0 ,  do not sing to me, fair maiden, those songs of sorrowful Georgia :
They remind me o f another life and distant shores.
Alas!  Your cruel singing stirs up memories
Of the steppes, the night, the moonlight
Shining on a poor, distant girl.
Seeing you, I can forget that sweet and fateful vision ;
But when you sing it rises up again before me.

. Sergei Rachmaninoﬀ
(1 873 – 1943)

LaToya Lewis, so prano
Margare t Reitz, p iano

trreeeee irreeees ssseeee ennnen.
InSearchofLostTime.......................... 
osition Jonathan had
s of comp
 standard
In Search of Lost Time bega n as an attempt to stray from  the strict
ke a feeling of
pt to invo
s an attem
practiced through the years.  It was drawn from  the imagination a
ether it was used
t and wh
d the pas
understan
devotedly searching.  This search is part of the longing to 
wisely.
nue his education
Jonathan Failla is graduating in December of 2006 with a BA in Music.  He intends to conti
se.
to compo
ntinuing 
es and co
an Servic
in Psychology while working in Hum
Danielle Sofer, p iano

 

�Dust of Snow.. 
The way a crow 
Shook down on me 
The dust of snow 
From a hemlock tree 

..............Michael Marchisotto
Has given my heart
A change of mood
And saved some part
d.
 
O f day I had rue

­ Robert Frost

Notes from the composer:

After reading this poem, I was given an impression of someone reminiscing about how simple
their life used to be, and how little things could brighten up their day.  In composing this short song,
I tried to reﬂect the mood of the text through lush harmonies and a simple, yet lyrical vocal melody
for soprano voice.
I am in my senior year, working towards a Bachelor of Arts in Music. Post graduation, I plan on
studying music technology and continuing my studies in composition.
Mary Aimon iotis, sopran o
Danielle Sofer, piano

.. Stefano Pena
Ionian Etude 
r.
n B­ﬂat majo
ple melody i
Composed earlier this semester, Ionian Etude started life as a sim
An antecedent phrase generated a consequent continuation, and then a second line (the bass voice)
was added to ﬁll out the harmony and add contrapuntal activity.
Stefano Peﬁa graduates from Binghamton University this semester with a BA in Music, and looks
forward to composing many more pieces.
Stefano Peﬁa, piano

�</text>
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                    <text>BINGHAMTON
U  N  I  V  E  R  S  I  T  Y

State University of  New York

U N T  \J  PM C

Ree le

—E\,2Q ,

0

S A  C e d e

2000

\­2¢

‘ G e e  C o l

U N I V E R S I T Y  P E RC U S S I O N
ENSEMBLE
Daniel Fabricius, conductor

Tuesday, November 28, 2006
8:00 p.m.
Anderson Center Chamber Hall

�ABOUT THE CONDUCTOR

PROGRAM
S E P T E T D a n i e l L e v i t a n

lan 
Hovhaness
OCTOBER MOUN TAIN.........eeeeeeeeeeeannn......A

......Stephen Primatic

THREE SHADES OF “C”.. 

~Intermission~

....+s.sGe0rges Bizet
Arranged by Clair Omar Musser

CARMEN 

THE LITTLE DRUMMER BOY. . . . . . . . 

I

I

O

E

D

O

W

N

T

........Traditional
Arranged by Dan Fabricius
h

percussion soloist in chamber ensembles, in musical theater productions and with
a variety of nationally known artists. He performs often as a freelance musician
and as a member of the local dance band, “Prism.”
As a music educator, Fabricius holds professional memberships in the New York
State School Music Association, the International Association of Jazz Educators,
the Percussive Arts  Society, and the National Band Association.  He also has
served two terms as President o f  the New York State Band Directors Association.
He has worked on the Summer Session faculty for the Ithaca College School of
Music and also serves as a cooperating teacher for senior student teachers.  He has

conducted  many  honor  band  festivals, presented  clinics on a variety of music
education topics, and has adjudicated at music festivals throughout New York.

........Ed Argenziano

STINKIN’ GARBAGE. 

DANIEL FABRICIUS took  the  post  of Percussion  Instructor at  Binghamton
University in September 1992.  He also has been Director of Bands at Owego
Free Academy since 1989. Fabricius is active as a performing percussionist in the
Southern Tier.  He is a member of the Binghamton Symphony Orchestra as has
also served as Timpanist/Principal Percussionist for the Orchestra of the Southern
Finger Lakes.  Also comfortable in a jazz setting, he holds the drum set position
in the Mason Warrington Orchestra.  In recent years, he also has performed as a

o

m

a

 
s Brown

UNIVERSITY PERCUSSION ENSEMBLE
Kristine Jackson
Ai Karasawa
Subin Lim
Richard Postelnik
Marc Silvagni
Kelly Tufo
Mark Turley

�Gosnig 

Censt

Thursday, November 30 – Mid­Day Concert – 1:20 p.m. – Casadesus Recital
Hall ­  free

Friday, December 1 – Flute Studio Recital – 10:15 a.m. – Casadesus Recital
Hall – free
Friday, December 1 ­­ Elizabethan Madrigal Feaste – 6:30 p.m. – Old Union
Hall – Tickets:  $38 general public; $20 students with ID
Saturday, December 2 – Flute Ensemble Recital ­ 12 noon – Casadesus Recital
Hall ­ free
Saturday, December  2 ­­  Elizabethan  Madrigal Recital –  6:30  p.m.  ­  Old
Union Hall – Tickets:  $38 general public; $20 students with ID
Sunday,  December  3  –  University  Symphony  Orchestra  –  3:00  p.m.  –
Osterhout Concert Theater ­ $9 general public; $7 faculty/staﬀ/seniors; free for
students
Thursday, December  7 –  Jazz Mid  Day Concert with guest artist, Bruce
Johnstone – 1:20 p.m. – Osterhout Concert Theater – free
Thursday, December 7 ­ Jazz Ensemble with guest artist, Bruce Johnstone –
8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7
faculty/staﬀ/seniors; free for students

Saturday, December 9 – Master’s Recital: Katrina Cox, soprano – 8:00 p.m.
– Casadesus Recital Hall ~ free
Sunday, January 28 – Bach  Again: Jonathan Biggers, organist – 4:00 p.m. –
First  Presbyterian  Church,  Binghamton  ­  $15  general  public;  $13
faculty/staﬀ/seniors; $7 for students

Friday, February 9 – Viola Plus! – 8:00 p.m. – Casadesus Recital Hall ­ $9
general public; $7 faculty/staﬀ/seniors; free for students
Saturday, February 11 – Musica Nova – 3:00 p.m. – Casadesus Recital Hall ­
$9 general public; $7 faculty/staﬀ/seniors; free for students
Saturday, February 17 – La Saxophone and Friends – 8:00 p.m. – Anderson
Center  Chamber Hall ­ $15  general  public; $13  faculty/staﬀ/seniors; $7  for

students

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                    <text>BINGHA MTON
U N I V E R S I T Y

State University of  N e w  York

is 

UNIV  RRC
Yap

2506 
s‘  .&lt;  ‘
1

C
zed e

D E P A R T M E N T

D

C LAR INET  S TUD IO
R ECIT AL
Students of Timot hy Perry
Assisted by Margaret Reitz, piano
and Nicole Hsu, piano

Sunday, November 19, 2006
7:30 p.m.
Casadesus Recital Hall

�The Binghamton University Department of Music presents a

Trio No. 1 in C major
I. 
Allegro

Cla rine t Studio Recital ­ Fall’2006

Suite for T hree Clari nets. ..
Overture
Andante allegro
Minuet

G F  Handel

Trio MaDaLi
Lisa Carpinane, Dang Yoon Shin, and Maggie Venti

The clarinet was ‘i nvented’ in Nuremberg about the year 1700 fr
om an
existing single­reed instrument, the chalumeau.  Handel inclu
ded it in a few of his
operas and in this larger m ulti­movement suite. The part writing 
for early clarinets  .
was more like that for horns and trumpets than it is like other w
oodwinds, as the
name ‘clarinetto’ m eant ‘small t rumpet’.

Concerto No.1 in G minor, Op. 73. . . . . . . . . . . .Car1 Maria von Webe
Allegro

r

Heather Boland &amp; Margaret Reitz

Weber (1786­1826) wrote most if his seven major clarinet solo
s for his own use as
accompanist to the great virtuoso Heinrich Baermann, with wh
om he toured
throughout Europe in the period 1812­16. This F minor concert
o was the ﬁrst
written in the new ‘Romantic’ style, with extremes of range, d
ynamics and timbre
used to heighten the tragic emotional theme of the work.

Invention
CEENRENSED.S. Bach
Rondeau.. ...... ...... ...... ...... ...... ...... .
J.P. Rameau
Klarinightmare
Kyle Doyle, Mark Norman &amp; Richard Silvagni

....... ...Jacques Bouﬀil

Sine Nomine Trio
Dan Zaccharini, Brenna Daugherty and Christa Heschke

Jacques Bouﬀil created the ﬁrst sets of original clarinet trios for
 use of
players in early 19"®­century Paris.  Each of the eight trios has three
 movements,
highly virtuosic writing for all three parts, and a decidedly clas
sical character
reminiscent of Mozart and Haydn.

Scaramouche
Allegro
Moderato
Braziliera

...... ....Darius Milhaud
Gregg Ackerman &amp; Margaret Reitz

Milhaud contributed several important solo works for clarinet 
which draw
on French, Brazilian and American models, as all  were places i
n which he resided
and taught during his long career. Scaramouche, (the name is fro
m a historical novel
by Rafael Sa batini published in 1921) was originally composed 
for saxophone, but
was immediately transcri bed by the compose r and published for
 clarinet and piano.

Ceux de Village

La Garde Champetre (Village policemen)
Le Curé (Parish priest)
La Chatelaine (Lady of the manor)
Le Chatelaine (Lord of the manor)

...... ....Yvonnes Desportes

Ouatuor Ananvme
Melissa Klepper, Heather O ’Gara, Jillian Stark, Kristin Weis
s

The pure tone of the clarinet lends itself wonderfully to the cou
nterpoint of
Baroque music. Eugene Gay, former Professor of Clarinet at the
 Conservatoire de
Musique in Paris, released several volumes of Baroque transcripti
ons such as these.
All have become beloved staples of clarinet ensem bles througho
ut the world.

Yvonne Desportes (1907­1993) was one of the most respected
 and proliﬁc
composers of clarinet chamber music in the latter 20” century. Thi
s set on
‘characters of the village ’ is the ﬁrst of three.  Desportes delights 
in witty and
colorf ul character depictions, spiced with occasionally piquant
 dissonances.

Fantasia on Rossini ’s  ‘Una voce poco fa’ . ...... ...... ..Ivan Mi
ller
Alex Vincenzi &amp; Nicole Hsu

Pocket Sonata No.1.

Ivan Muller, a native of Estonia, was not only a virtuoso player a
nd composer but
also a designer who developed one of the two primary systems of
 keywork used in
modern clarinets. T he ‘Muller’ system evolv ed into modern ‘Ge
rman’ system
clarinets and the ‘Albert’ system common until 1950 in the U.S.
 His operatic
fantasies we re popular with players and public alike, with Ros
sini the favorite donor
of thematic material.

Improvisation
Blues
In Rhythm

...... ...Alec Templeton

Bethany Bonhof and Margaret Reitz

Alec Templeton, a respected British jazz pianist who was blind
 from birth, created
two ‘pocket’ (for their brevity) sonatas for clarinet. Composed i
n the early 1950’s
they helped usher in an age of jazz­inﬂuenced works for clari
net and piano.

�Tuesday, N ovem ber 28 – U niversity P ercussion E nsem ble – 8:00 p.m.
– Anderson Center Chamber Hall – free

Thursday,  Novem ber 30 – Mid­Day Co ncert – 1:20 p.m. – Casadesus
Recital Hall – free
F riday, Decem ber 1 – Fl ute Studio Recital – 10:15 a.m. – Casadesus
Recital Hall – free
F riday, Decem ber 1 – Eli zabethan Mad rigal Feaste – 6:30 p.m. – Old
Union Hall – Tickets:  $38 general public; $20 students with ID
Saturday, Decem ber 2 – Flute Ensem ble Recital ­ 12 noon – Casadesus
Recital Hall ­ free
Saturday, Decem ber 2 – El izabethan Mad rigal Recital – 6:30 p.m. ­
Old Union Hall – Tickets:  $38 general public; $20 students with ID
Sunday, D ecem ber 3 – Un iversity Sy mphony O rchestra – 3:00 p.m. –
Osterhout Concert Theater ­ $9 general public ; $7 faculty/staﬀ/seniors;
free for students

Thursday, Decem ber 7 –  Jazz Mid  Day Concert with g uest artist,
Bruce Joh nstone – 1:20 p.m. – Osterhout Concert Theater – free
Thursday,  Decem ber  7  ­  Jazz  Ensem ble  with  guest  artist, Bru ce
Johnstone – 8:00 p.m. – Osterhout Concert Theater ­ $9 general public;
$7 faculty/staﬀ/seniors ; free for st udents

Saturday, Decem ber 9 – Master ’s Recital : Katrina  Cox, sopra no –
8:00 p.m. – Casadesus Recital Hall – free
Sunday, Jan uary 28 – Bach Again : Jonathan  Biggers, o rganist – 4 :00
p.m. ­­ First Presbyterian Church, Binghamton ­ $15 general public; $13
faculty/staﬀ/seniors; free for students

�</text>
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                    <text>BINGHA MTON
U N L V  E F E R S E T Y

State University of  New York

UNIV R R C
R Rc len \ 

tope 

A s a l  

wde c
’

D E P A R T M E N T

SPEC COL

T R I O  A M I C I
Margaret Reitz, p iano
Steph en Sta lker, cello
Haka n Tayga­Hromek, cello
Andr ew Stalker, string  bass
Donna Wood, ﬂ ute
Robe rt Sm ith, d rums

Friday, November 17, 2006
8:00 p. m.

Casadesus Recital Hall

�PROGRAM
I.
Trio Amici

Original Composition...
 
Allegro by Hakan R y arbivomieck ­
Elegy by Margaret Reitz
Source of Light by Stephen Stalker

II.
Jean Barriere
(1 705­ 1 747)

Sonata in G Major for Two cellos
Andante
Adagio
Allegro Prestissimo
Stephen Stalker, cello
Hakan Tayga­ Hromek, cello
[

111.

l

La Scandinavie
Swedish Folk Song 
Vermelandsvisa

h i  

:

....Percy Grainger

Melodie Danoise

Hakan Tayga­Hromek, cello
Margaret Reitz, piano

IV.

l
Il
\

Suite for Cello and Jazz Piano Trio ............
Baroque in Rhythm
Ballade
Cello Fan
Stephen Stalker, cello
Margaret Reitz, piano
Andrew Stalker, string bass
Robert Smith, drums

..Claude Bolling

�ABOUT  T H E  PERFO RM ERS

WINTE RMISSI ON8

V.

Improvisation

Hakan Tayga­Hromek, singing bowl
Stephen Stalker, cello
Margaret Reitz, prepared piano
Andrew Stalker, string bass
Donna Wood, ﬂute

Sonata in g minor, Op. 19
Andante

VI.

Cu§
¥

)I

.. Sergei Rachman inoﬀ
(1873­1943)

Stephen Stalker, cello
Margaret Reitz, piano

Fratres

VII.

.............Avro Part

Hakan Tayga­Hromek, cello
Margaret Reitz, piano

VIII.
Op. 72 ......Bernhard Romberg
d piano, 
 cellos an
Concertino for two
(1767­18 41)
Andante Grazios 
Rondo con Allegrezza
Stephen Stalker, cello
Hakan Tayga­Hromek, cello
Margaret Reitz, piano

N

Ai
.,l

J

MARGA RET R E I T Z ,  pianist, is a native of the Binghamton  Area. She
received her Bachelor and Master of Music degrees in piano performance
with  accompanying  emphasis.  She  attended  Boston  University,  New
England Conservatory and Binghamton University. She has accompanied
throughout  the  United  States,  in  England,  South  America,  and  at  the
American Institute of Musical Studies in Graz, A ustria. Ms. Reitz was an
oﬀicial  accompan ist  for  the  MTNA  State  and  Eastern  Division
Competition held at Ithaca College in 2001 and again 2006. She has been
a guest chamber m usic artist  in  Morges, Switzerland and she  also was
selected to attend the Accom panying Workshop for Singers and Pianists
held at Northwestern University with  Chicago Lyric Opera Faculty and
Coaches.  She  was  recently  invited  to  the  International  Clarinet
Conference to play a recital with Timothy Perry, clarinetist and Stephen
Stalker, cellist  in  Tokyo, Japan.  She  was a guest artist  on the Cornell
Summer Series in A ugust 2006.  Ms. Reitz has been invited to perform the
magniﬁcent  Beethoven  Triple  Concerto  with  Binghamton  Community
Orchestra  next season  with  Hakan  Hromek,  cellist and  Pattie  Sunwoo,
violinist.  This  coming  June,  she  will  be  an  oﬀicial  pianist  at  the
International Double Reed Competition and Convention.  Ms. Reitz has
been  on  the  faculty  at  Binghamton  University  since  1991  and  Ithaca
College School of Music since 1999.  She maintains a private piano studio
in  Vestal, New York. She is on the Executive Board of the New York
District M TNA Organization. She is past President of the local Southern
Tier  Music  Teachers  Association  and  is  an  active  adjudicator  for  the
National Piano Guild Organization.
STEPHE N  STALKE R,  cellist,  teaches  cello  and  double  bass  at
Binghamton  University.  He  performs  regularly  with  the  Trio  Amici,
Trilogy,  Baroque  ‘n  Blue,  Early  On  and  in  concerts  at  Binghamton
University.  He  is  an  oﬀicer  and  a  founder  of  the  Binghamton  Cello
Festival  and  the  Southern  Tier  Music  Teachers  Association  in
Binghamton,  N.Y.  He  has  taught  at  Colgate  University,  Mansﬁeld
University,  Ithaca  College  and  in  the  Binghamton  City  Schools.  As a
member of the Madison String Quartet, he was a ﬁnalist in the Naum berg
Chamber  Music  Competition  in  New  York  City  and  the  Evian

International  String Quartet  Competition  in  Evian,  France.  He  is  past

president of the New York State Chapter of the American String Teachers
Association  and  was Strings Chair  for the New  York  State School  of
Music Association. He is a graduate of the Manhattan School of Music.

�the  Southern  Tier Music Teacher’s Association. She has performed on
HAKAN TAYGA­HROM EK, cello, has attended Ithaca College, SUNY
Purchase  and  SUNY  Binghamton.  His  teachers  have  included  Fritz
Wallenberg, Einar J. Holm, Marion Feldman, Peter Wiley, and Stephen
Stalker. Hromek has attended Round Top International Music Festival in
Round Top Texas, Music Mountain Chamber Program; Falls Village CT,
Spoleto Music Festival in Charleston NC, and the International Congress
of  Strings;  Cincinnati,  OH.  Hromek  is  principal  cellist  with  the
Binghamton Philharmonic, the Tri­Cities Opera and the Orchestra of the
Southern  Finger  Lakes.  He  also  performs  with  the  Cayuga  Chamber
Orchestra, and in a piano and cello duo with Margaret Reitz.

many concerts given or hosted by the Community Music Center. She is a
past  member of the  Binghamton  Symphony, Cider  Mill  Playhouse and
TiAhwaga  Players  Pit  Orchestras.  In  Big  Band  Concerts,  she  has
appeared with Gary Smulyan, Dick Oatts, Jon Mosca, Anat Cohan, Gary
Dial, Sherrie Maricle, Peter Appleyard, Bob Mintzner and others.  She has
produced her ﬁrst solo CD Just As I think of You as a vocalist/ﬂutist.

&amp;

AN DREW STALKER, string  bass, a  native of the  Binghamton  area,
recently  completed  his  third  summer  as  a  fellowship  recipient  at  the
Tanglewood Music Center in Lenox, MA.  Andrew studied for four years
at Rice University with the Houston Symphony’s principal bassist, Tim
Pitts and for two years with his current teacher, Edwin Barker, principal
bassist of the Boston Symphony.  While living in Boston, Andrew made
regular  appearances  with  the  Kalistos  Chamber  Orchestra  and  since
returning to  Binghamton, works part­time at Tom’s Coﬀee, Cards  and
Gifts.  Andrew is a graduate of Rice University, a former mem ber of the
Binghamton  Philharmonic,  and  has  made  solo  appearances  with  the
Catskill Symphony Orchestra in Oneonta.
DONNA WOOD, ﬂutist, is a native of Thompson, PA, and was raised in
a family of artists and musicians. She holds a B.S. in Music Education and
M.A. in Saxophone Perform ance. As a teacher, Ms. Wood has a studio of
forty aspiring student musicians throughout the school year, developing
their  skills  on  a  variety  of  instruments,  presenting  concerts  and  solo
recitals.  She has done this for more than twenty years. Her com position
Eyesmology was used as the title song for a cabaret show at Don’t Tell
Mama in New York City. As a performer her long list of credits includes
her own quartet at the P.A. Jazz Festival, Montage Mt., P.A. and chamber
music at the U.N. Chapel in N.Y.C. presenting both a solo jazz ﬂute and a
violin/ﬂute recital with Kelly Howard in Ogunquit, Maine. She has been
ﬂutist at Owego’s River Rose Café  ‘Teas’. She is the ﬂutist with  Trio
Barocco of Tunkhannock, P.A., and a group which has played for gallery
openings,  art  auction  previews  and  weddings.  Ms.  Wood  is  a  past
president  of  and  a  frequent  performer  with  the  Harmony  Club  of
Binghamton and performs at the annual Dessert Musicales sponsored by

A

J

ROBERT G. SMITH, drums,  holds  a  Bachelor  of  Science  in  Music
Education from Hartwick College, a Master of Music in Conducting from
Binghamton University and is a candidate for the Doctor of Musical Arts
in  Music  Education  from  Boston  University.  Prof.  Smith  studied
conducting  with  Frederick  Fay  Swift,  Thurston  Dox,  Timothy  Perry,
Robin  Linaberry, John  Graulty and  Mariusz  Smolij.  He conducts the
annual Triple Cities TubaChristmas and  is  the former conductor of the
Maine Community Band, the oldest band of its kind in the United States.
He  has  guest  conducted  all­county  and  community  bands  throughout
central New York as well as the Goshen College (IND) Wind Ensemble
and  Orchestra.  An  active  performer,  he  currently  plays  principal
euphonium with the Southern Tier Concert Band and tuba with the Brass
Nickel quintet and the Crown City Brass sextet. Professor Smith is the
immediate  past  president  of  the  Broome  County  Music  Educators
Association  and  recipient  of the  2005  BCMEA  Distinguished  Service
Award.

�[J

Sunday, November 19 – M usic of the W orld : Afrika – Music and  Dance ­
3 :00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7
faculty/staﬀ/se niors; free for students

Sunday, November  19 –  Clarinet  Studio  Recital  –  7:30  p.m.  –  Casadesus
Recital Hall – free
Tuesday,  November  28  –  University  Percussion  Ensemble  ­­  8:00  p.m.  ­­
Anderson Center Chamber Hall – free
Thursday, November 30 – Mid­Day Con cert – 1:20 p.m. – Casadesus Recital
Hall – free
Friday, Dece mber I ­­  Flute Studio Recital – 10:1 5 a.m. – Casadesus Recital
Hall – free
Friday, Decem ber 1 ­­ Eliza bethan Madrigal Feaste – 6 :30 p.m. – Old Union
Hall – Tickets:  $38 general public; $20 students with ID
Saturday, December 2 – Fl ute Ensemble Recital ­ 12 noon – Casadesus Recital
:
Hall ­ free 

Saturday, December 2 –  Elizabethan  Madrigal  Recital – 6:30  p.m. ­ Old
Union Hall – Tickets:  $38 general public; $20 students with ID
Sunday,  Decem ber  3  –  University  Symphony  Orchestra  –  3 :00  p.m.  –
Osterhout Concert Theater ­ $9 general public; $7 faculty/staft/seniors; free for

students

Thursday, December 7 – J azz Mid  Day Concert  with guest artist, Bruce
Johnstone – 1 :20 p.m. – Osterhout Concert Theater – free

Thursday, December 7 ­ Jazz Ensemble with guest art ist, Bruce Joh nstone –
8:00  p.m.  –  Osterhout  Concert  Theater  ­  $9  general  public;  $7
faculty/staﬀ/seniors; free for students
Saturday, December 9 – Master’s Recital: Katrina Cox, soprano – 8 :00 p.m.
– Casadesus Recital Hall – free
Sunday, Jan uary 28 – Bac h Again : Jonathan Biggers, organist – 4:00 p.m. –
First  Presbyterian  Church,  Binghamton  ­  $15  general  public;  $13
faculty/staﬀ/seniors; free for students

1

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                <text>31:26 minutes</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="9">
        <name>IIIF Item Metadata</name>
        <description/>
        <elementContainer>
          <element elementId="95">
            <name>UUID</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="37910">
                <text>21a96593-866f-41ab-9c23-3b39359e2430</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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</itemContainer>
