44
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/b6f4755b5662a1e8f29c965fa3aebcdb.pdf
3be723d240c7e2725a26e0bc9bf3cb55
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Text
Stat e Universi ty
of New York at
Bing ham ton
1 HE MUSIC DEPARTMENT
pres ents
SUS
AN PETERS,
PIANO
GRADUATE RECITAL
Apr il 30, 1969
9:15 p.m.
Music Rec ital Hal l
PRO GRAM
PARTITA NO. 1 IN þÿB&MAJO
m R
Prél ude
Alle man de
Cor rent e
Sara band e
Menuet 1
Men uct
II
Gigu e
SCHERZO NO. l IN BMINOR, or. 20
SONATA II FOR EARLY PIANO IN E MAJ OR
Fred eric Cho pin
Alex ande r Rein agle
Inte rmi ssio n
RHAPSODY IN B MINOR, OP. 79, NO. l
Joha nnes Brahms
INTERMEZZO IN A MAJOR, OP. 118, NO. 2
RHAPSODY IN G MINOR, OP. 79, NO. 2
SONATINE
Mod éré
Mouvt de Menuet
Animé
SONATA NO. 3, IN A MINOR,
OP. 28
Serg e Pro kof ieff
Thie rec ital is give n in r a rt ia l fulf illm ent
.: ti e requ irem ents for the
degr ee of Mas ter of Arts in Mu sic.
An info rm
al RECEPTION wil l be held
imm edia tely foll owing this
evening's performance in the adja cent corridor
to the Rec itall Hal l. All are cord ially inv it ed to atte nd.
�
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The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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12:40
44:13
25:12
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59432"> Susan Peters Graduate Recital</a>
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Title
A name given to the resource
Susan Peters Graduate Recital, April 30, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Chopin, Brahms, Ravel, Prokofieff. Held at 8:15 pm, April 30, 1969, Music Recital Hall.
Creator
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Peters, Susan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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1969-04-30
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In copyright
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Bach, Johann Sebastian, 1685-1750
Chopin, Frédéric, 1810-1849
Brahms, Johannes, 1833-1897
Ravel, Maurice, 1875-1937
Prokofiev, Sergey, 1891-1953
State University of New York at Binghamton. Department of Music
Type
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sound
Identifier
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39091020095729
39091020095414
39091020095463
-
https://omeka.binghamton.edu/omeka/files/original/93a7b52f2834deeb030eb12f99129eb1.pdf
5f9ecc86cae0f6e198076a898ada9e1f
PDF Text
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STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
TH E DEPARTMENT OF MUSIC
SENIOR RECITAL
Terrance Howell, Baritone
(Student of Roberta Schlosser , William Lewis. Dennis Willi ams)
D o nna Hallen, Piano
(Student of A nita Carlton, Jean Casadesus)
May 2, 1969
8 :15 p.m.
Music Recital Hall
PR OGRAM
M ESSIAH
Recit :
Ai r :
George Frederic Handel
(16851759)
Behold, I tell you a mystery
T he t rumpet shall sound
LES PENITENTS eN MAILLOTS ROSES
A une Sainte le jour de sa fete
Marine a Roscoff
Henri Sauguet
(1901 )
La Ville
Jules Massenet
HERODIADE
(18421912)
Intermission
SONATA IN A MAJOR, OP, 120
Allegro moderato
Andante
Allegro
E MILY DICKINSON SONGS, OP, 77
When the Hills Do
Out of the Morning
I’m Nobody
Franz Schubert
(17971828)
Vincent Persichetti
)
(1915
Johannes Brahms
VIER ERNST E G ESA ENG E, OP, 121
(18331897)
Denn es gehet dem Menschen
Ich wandte mich
O Tod, wie bitter
Wenn ich mit Menschenund m it E ngel zungen redete
This recital is given i n partial f ulfillment of the requirements for the
degree of Bachelor of Arts in Music.
�
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The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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19:36
40:39
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59437"> Terrance Howell and Donna Hallen Senior Recital</a>
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Title
A name given to the resource
Terrance Howell and Donna Hallen Senior Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Handel, Massenet, Schubert, Brahms. Held at 8:15 pm, May 2, 1969, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Howell, Terrance
Hallen
Donna
Publisher
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Binghamton University Libraries
Date
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1969-05-02
Rights
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In copyright
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Handel, George Frideric, 1685-1759
Massenet, Jules, 1842-1912
Schubert, Franz, 1797-1828
Brahms, Johannes, 1833-1897
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095513
39091020095562
-
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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42:45:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59441">Newcomb Concert</a>
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Title
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Newcomb Concert
Subject
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Concerts
Instrumental music
Live sound recordings
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-05-03
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State University of New York at Binghamton. Department of Music
Type
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sound
Identifier
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39091020095612
-
https://omeka.binghamton.edu/omeka/files/original/be7275bd12b95a125411e04917351ab8.pdf
0b820c596e767c91440c0907a3f0fa3f
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STATE UNIVE RSITY OF N E W YORK AT BIN GH AMTO N
HARPU R COLLEGE
TH E DEP ARTM ENT O F MUSIC
present s
W IL LIAM L E W I S – T E N O R
Barbara Garges – a cc o mpa n i st
May 4, 1969
8 :15 p. m.
Recital H all
PROGRAM
Della sua pace
II mio tesoro inta nto
Moza rt
(f rom “Do n Giovanni ”)
Comment, disaientils
Oh! Quand je dors
E nf ant, Si j’ etais roi
Liszt
K ling
Winterwe ihe op.48
Winterlie be
Richard Strauss
Carl Ma r ia von W e be r
Du rch d ie Walde r
(scena and aria f rom “ Der Frei schutz”)
Intermission
A . Honegge r
T rois Psa umes
Rain has fallen . . .
Love cam e to us . . .
Gentle lady . . .
1.
2.
3.
4.
Gordon E merson
(texts by James J oyce)
Ja, das A lles auf E hr
We r uns get raut ?
In dieser Nacht
Ja, das A lles auf Ehr
(f rom “De r Zigeuner baron”)
Johann Strauss
Ushe r ing cou rtesy of Al pha P hi Omega a nd Ga m ma Sigm a Sigma
A RECEPT ION will be held immediately following the conc ert. It
will be located th rough the double g lass door s ad jacent to the Reci tal
Hall. A ll a re invite d to atten d.
�
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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36:13
23:59
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59444"> William Lewis and Barbara Garges Recital</a>
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Title
A name given to the resource
William Lewis and Barbara Garges Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Liszt, Strauss, Honegger. Held at 8:15 pm, May 4, 1969, Recital Hall.
Creator
An entity primarily responsible for making the resource
Lewis, William
Garges
Barbara
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-05-04
Rights
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In copyright
Contributor
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Mozart, Wolfgang Amadeus, 1756-1791
Liszt, Franz, 1811-1866
Strauss, Richard, 1864-1949
Honegger, Arthur, 1892-1955
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095778
39091020095828
-
https://omeka.binghamton.edu/omeka/files/original/24e087b9ea87e1ceefe4491586af1883.pdf
4d4e1d594cdad0dec7031ae3b76298c5
PDF Text
Text
N
TO
M
A
H
G
IN
B
AT
K
OR
Y
W
E
N
OF
Y
SIT
ER
IV
STAT E UN
HARP UR COLLEGE
T H E DE PART M EN T OF M USIC
T H E H AR P U R ORC H ESTRA
wi th
TH E HARP ER C HORA LE
an d
TH E MOTET SIN GE RS
Solo ists : M ic ha el T ree
Sa m C hi an is
DA VID BUTTOLPH , Conductor
Sunday , M ay 11, 1969, 8 :1 5 p . m.
Th e Don A. Wa tte rs Th eat e r
�PR O GR AM
Walli ngf ord R iegge r
New Danc e
The Harpur Orchestra
Zoltén K odaly
Ha ry Jfinos Su ite
Prelude
Viennese M usical C loc k
Sons
The Battle and Defeat of Napolean
Intermezzo
Entrance of the E mperor and His Court
Soloist : Sam Chianis, Cimbalom
Interm iss ion
Ralph Vaughan Williams
Flos Campi
Soloist : Michael Tree, Viola
wi th
The Motet Singers
Canticle of Freedom
The Harpur Chorale and Orchest ra
Aaron Copland
wi th
The Motet Singers
Ushe ring cou rtesy of A lpha P hi Omega and Gamma Sigma Sigma
�PROGRAM NOTES
~ Wallingford R iegger
NEW DANCE =
Wallingford Riegger, one of the innovating forces in American music in the
first half of the twentieth century. has been unjustly neglected by many. His
styles of writing can probably be grouped into three categories: 1) conservative
academic style pieces, 2) pieces employing twe lvetone procedure, 3) pieces
composed for modern dance groups. into which class New Dance falls.
The orchestral setting of New Dance is taken f rom the finale of the dance
score written in 1935 for the HumphryWeidman dance group and was originally
for piano (four hands) and percussion. It is a study in rhythm based primarily
on a recurring latin figure. most aptly described as being midway between a
rhumba and a conga. The basic material goes through sundry timbre variations
while at the same time exploiting the dynamic resources of the orchestra.
HARY JANOS SUIT E Zoltan Kodély
Hungarianborn Zoltan Kodaly might best be described as a “triple threat
man” in the field of music, having achieved International status as compose r.
ethnomusicologist, and pedagogue. Along with Bela Bartok he explored and
uncovered many areas of Hungarian folk music. This intimate acquaintance with
the folk music of Hungary, Bukowina, and T ransylvania proved to be the prepon
derant influence on his late r works.
The Hdry Jdnos Suite is based on the opera of the same name. It describes
the purported adventures of a reminiscing old veteran who somewhat resembles
the legendary Baron von Munchausen in his fantastic deeds. Hary’s fanciful
hallucinations are reflected in the various movements of the suite, The time of
the story is the era of the Napoleonic wars, and the locale is imperial Vienna and
the battlef ront.
1) Prelude — According to a Hungarian legend, a sneeze before a story begins
attests to its veracity. Consequently the piece opens with a huge orchestral
sneeze. The rest of the prelude serves to set the stage for Hary’s adventu res.
2) Viennese Musical Clock – This movement depicts the famous clock surrounded
by a parade of miniature wooden soldiers.
3) song – Hiry and his sweetheart, who have come to Vienna, experience a
longing for home. The music is lyrical and employs a Hungarian folk song.
Kodaly introduces the cimbalom, an instrument common to central Europe
in this movement.
4) The Battle and Defeat of Napoleon – In his description of Hary’s encounter
with the French army, Kodaly makes interesting use of glissandi and tone
clusters in the brass.
5) Intermezzo — This piece is a Czardis, a nineteenth centu ry revival of an old
folk dance performed by soldiers in full unifor m. No new adventures are
advanced in this section.
6) Entrance of the Em peror and His Court – The music conveys Hary’s exag
gerated ideas concerning the pomp and splendor of the Viennese court. His
meeting with the Emperor F ranz marks the zenith of his career.
�FLOS CAMPI – Ralph Vaughan Williams
Flos Campi (flower of the field), inspired by the Song of Solomon was composed
in 1925 and dedicated to the great English violist, Lionel Tertis. This composi–
tion is one of Vaughan Williams’ most sensuously beautiful works. The f ree
rhapsodic flow of the solo viola throughout evokes the voice of the ancient poet,
chanting, meditative, and expostulatory. ina remarkable creation of modal poly
phonic lines and harmonies often approaching polytonality
Although the music is continuous in flow and wordless, there are six divisions,
and the composer has appended a quotation f rom the Song of Solomon over each.
I. Lento – As the lily is among thorns so is my love among the daughters . . .
stay me with flagons, comfort me with apples, for I am sick of love.
II. Andante con motto — (with viola cadenza as transition to the next section)
For lo, the winter is past — the rain is over and gone — the flowers appear
on the earth, the time of the singing of birds is come, and the voice of the
turtle is heard in our land.
Ill. Lento Allegro moderato — I sought him whom my soul loveth, but I found him
not . . . “I charge you, oh daughters of Jerusalem, if ye find my beloved, tell
him that I am sick of love” . . . Whither is thy beloved gone, O thou fairest
among women?
IV. Moderato atta marcia – Behold his bed which is Solomon’s: three score
valiant men are about it . . . They all hold swords, being expert in war.
V. Andante quasi lento (Largamento ) — (viola cadenza as transition to the next
section) Return, return oh Shulamite! Return that we may look upon thee . . .
How beautiful are thy feet with shoes, O prince’s daughter.
VI. Moderato tranquito – Set me as a seal upon thine heart.
CANTICLE OF FREEDOM Aaron Copland
Canticle of Freedom was commissioned by the Massachusetts Institute of
Technology for the dedication of its newly built (1955) Kresge Auditorium in
Cambridge, Massachusetts. The composer began work on the Canticle in Decem
ber, 1954, in Caracas, Venezuela, during a visit to that city, and completed the
original version in March, 1955. It was first performed at the dedication cere
monies on May 8, 1955.
As text, the composer chose an excerpt f rom a famous fourteenth century
Scottish poem extolling the idea of freedom. John Barbour (132071395) wrote
his “Bruce” around 1375, in the language of the Midde Scots. The words of the
poem are here give in equivalent modern English as follows:
Freedom is a noble thing!
Freedom makes man to have liking ;
Freedom all solace to man gives,
He lives at ease that freely lives.
�A noble heart may have no ease,
Nor aught beside that may him please
If Freedom fail.
For f ree liking is yearned for over all other thing,
Nor he that aye have lived f ree
May know well the mise ry,
The anger. and the wretched doom
That is coupled to foul thralldom ;
But if he have essayed it
Then throughout al l he should it wit ;
And should think f reedom more to prize
Than all the gold in world that is.
In 1967 the composer prepared for publication the present rev ised version.
The Choral Finale of the Canticle was left untouched . but the orchestral introduc
tion was somewhat shortened. This definitive version was first given by the
Atlanta Symphony Orchestra and Chorus conducted by Robert Shaw in Atlanta,
Georgia, in October, 1967.
HAR PUR C HOR A L E PERSONNEL
SOP RANOS
Audrey Adler
Elvi ra Chiccarelli
Nora Freeman
Joann Grizzanto
Bettsie Park
Donna Ri bble
Regina Sablauskas
Nancy Simpkins
Alida Stahl
Ricky Stern
Terry Tedesc hi
Linda Traver
Carol Tu bbs
Kath y Ty rrell
Linda Uh ly
Nadene V redenburgh
Jacobi Weste rhuis
Virginia Weth erbe e
Nancy Zucker
ALTOS
Gail Arnold
Sally Baron
Nancy Carlson
Nanc y Conklin
Helen Cooney
Alona Cunningham
Joyce Ellenson
Laura Finkelstein
Caro l Gil l
Debo rah Kanter
Barbara Maggs
Penn Moulton
Shir ley N ewbe rry
Susan Paisley
Simone P elzman
Lynne Rudwick
Reva Weiskopf
TENORS
Ken Davis
Bill Hopson
Donna Hallen
Accompanist
Michael Kass
Bob Kendall
Dick Mic halak
Doug Steward
Char les Seltze r
Jim Vanhart
Michael Weingarte n
BARITON ES AND
BASSES
Max Cepero
David Clark
Doug las Dorph
James D unn
Jon Erlitz
Jeff Feinsilver
Leon Fried
David Fry
Terry Howell
Steve Kotrch
David Marcus
Ira M iller
Steve Mi llheiser
John Niessen
Jim Osborne
Alan Sanders
Doug las Shadwick
Dick Squ iers
Ernie Tong
Keith Wi llcox
�HAR PUR ORC HEST RA PERSONN EL
VIOLIN
*Ralph Wade,
Concertmaster
*Mar ianne Wallenbe rg
Phyllis Costanzo
*John Mayorchak
Danie l Mowrey
Toby Har ris
Martha St rassberger
*Pamela Seversky
*Edward Pettengill,
Principal
Virginia Pantalone
Debby Davidson
Karen Voight
Sally Shaf er
*Sophie Horowitz
Douglas Diegert
Jeffrey Feinsi lver
VIOLA
*Russell Colton,
Principal
Joyce Ste lzl
*Kenneth Hollister
*Ann Ziegler
*Margaret Seward
Ira M iller
CEL LO
*Rut h Brown,
Principal
*Joseph Brin
*Jane Whitmo re
*Thomas Riis
CONTRABASS
*James Hills
*Donal O’Buck ley
*Anthony P reus
HARP
Dulcie Barlow
PICCOLO
Marsha Kadleck
FLUT E
Marsha Kadleck
Bruce Merley
Caroline Glaiber
OBOE
Geoffrey Barron
Francis Krauss
ENGLISH HORN
*Scott Eddy
C LARINET
David Marcus
Jean Schab
Eb CLARINET
Danie l Birenbaum
BASS CLARINET
Ralph Daino
CONTRAALTO
C LARINET
Susan Gregory
ALTO SAXOP HON E
Susan Eilenberg
BASSOON
Linda Crane
Louise Belsky
Douglas Epstein
HORN
Matthew Goldstein
Stu Reeve
Rosalind Powe ll
Phil Salki n
TRUMPET
*John Wi lliams
Tom Sigler
Barbara Coye
CORNET
*Delbert Cobleigh
Jack Senf t
Peter Dodge
TROMBONE
*John Baldon
Tom Demilio
Grant Sul livan
TUBA
Robe rt Wilson
TIMP AN I
William Clark
PERCUSSION
Peter Buttolph
Rick Com pton
Tim Craig
Ferris Lebous
Robe rt M irsky
PIANO
Chai Kyou Kim
CEL ESTA
Donna Hallen
PER SONN E L
MAN AGER
Edward Pettengill
MOT ET SING ERS PERSONN EL
SOPR ANOS
Harriet Johnson
Marian M itche ll
Janic e Ulangca
Phyllis LaBelle
Janet Slec hta
Judith Stickney
Louise Ulrich
CON TRA LTOS
BASSES
TENORS
Mild red Bowman John Dav idge
Philip Bailey
Kathe rine Read
Davis Fie lds
Kenneth Hollister
Ada Mae Saxton
Thomas Nytch
Fenwick Horn
Alma Sternberg
Edward Sc happert Ray Hull
Beverly Wess
Donald Weiskopff Roge r Norton
Jill Weston
Blaine Stickney
Abraham Ulangca
* Bingham ton Symphony m embe rs
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
35:29
23:36
19:27
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296">Harpur College Orchestra Concert</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur College Orchestra Concert, May 11, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Riegger, Kodály, Copland. Held at 8:15 pm, May 11, 1969, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Harpur College Orchestra
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-05-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Riegger, Wallingford, 1885-1961
Kodály, Zoltán, 1882-1967
Copland, Aaron, 1900-1990
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095661
39091020095711
39091020095877
-
https://omeka.binghamton.edu/omeka/files/original/e770706969cc2a731f9f2ba6c4b37dea.pdf
3e91b147f4fefb6bf8e90b4da87cae07
PDF Text
Text
STATE UNI VERSITY OF NEW YORK AT BINGHA MTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
VOICE STUDIO RECITAL
by students of Roberta Schlosser and William Lewis
8 :15 p.m.
May 14, 1969
Music Recital Hall
PR OGRAM
ALMA DEL CORE
Marilyn Barringer
SE TU M’AMI, SE SOSPIRI
SPIRATE, PUR SPIRATE
NUITS D’ETOILES
LES PAPILLONS
Elizabeth Lee
Ricky Stern
Audrey Adler
I
L’EST L’EXTASE
Jayne Kaplan
IL PLEURE DANS MONS COEUR
Donna Ribble
CHACUN LE SAIT
(La Fille du Regiment)
LES ROSES D’ISPAHAN
Pergolesi
Donaudy
Debussy
Chausson
Debussy
Debussy
Donizetti
Linda Uhl y
Linda Driver
ZIG EUN ERLIEDER, OP, 55
Rings ist der Wald
Ei, wie mein Tr iangel
Marcia Bernhardt
WIE M ELODIEN ZIEHT ES
WOHIN 7
Caldara
James Osborne
Faure
Dvorak
Brahms
Schubert
�DIT E A L LA GIOVIN E (LA T RA VIATA)
Verdi
Alida Stahl
James Osborne
Intermission
PORGI A MOR (LE NOZ ZE DI FIGARO)
Kathy Tyrrell
Mozart
O DON FATALE (DON CARLO)
Nancy Carlson
Verdi
PRES DES RA MPARTS DE SEVILLES (CARM EN)
Joy Edwardsen
Bizet
JE DIS QUE RIEN NE M’ EPOUVANTE (CARMEN)
Bizet
Grace Martin
O MA LYRE IMMORTELLE (SAPHO)
Linda Holgers
CHERE NUIT
I HEAR AN ARMY
Phylis Costanzo
Thomas Strain
KHIVRIA’S SONG (THE FAIR OF SOROTCHINSK)
Linda Traver
Gounod
Bachelet
Samuel Barber
Moussorgsky
PORGY AND BESS
George Gershwin
Summertime . . . . . . . . . . . . . . . . . Regina Sablauskas
My man’s gone now . . . .
. . . .CarolynKimbleHill
Bess, you is mywoman now. .Carol yn Kimble–Hill, Thomas Strain
Barbara Garges, Donna Hallen, ChaiKyou Kim, accompanists
A RECEPTION will be held immediately following the concertin the Green
Room. The audience is cordially invited to attend.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
39:06
19:27
31:43
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59453
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59453"> Voice Studio Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital, May 14, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Caldara, Pergolesi, Donaudy, Debussy, Donizetti. Held at 8:15 pm, May 14, 1969, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Dept. of Music, State University of New York at Binghamton
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-05-14
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Caldara, Antonio, 1670-1736
Pergolesi, Giovanni Battista, 1710-1736
Donaudy, Stefano, 1879-1925
Debussy, Claude, 1862-1918
Donizetti, Gaetano, 1797-1848
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095869
39091020095976
39091020095919
-
https://omeka.binghamton.edu/omeka/files/original/b4e1090cc3e5ba0b902d625987c7d5cd.pdf
0ecf873260bdfcc670983ce839e3f4da
PDF Text
Text
STATE UNIVERSITY OF N E W YORK AT BINGHAMTON
HARPUR COLLEGE
T H E DEPARTMENT OF MUSIC
EVENING OF GREEK FOLK SONGS AND DANCES
Director: Sotirios Chianis
Sam
Ma y 16, 1969
8 :15 p.m.
" , ~"
Music Recital Hall
PROGRAM
OUZOOUZO
( Zeibekiko Dance)
BALLOS
( Island Dance)
Rowena Robertson . . . . . . . . . . . . Cimbalum
Abraham Shophet . . . . . . . . . . . . . Dumbek
NISIOTIKOS SYRTOS
(Dance of Rhodes , Dodecanese)
KERKYRAIKOS HOROS
(Dance from Kerkyra [Corfuj)
Stephanie Zunno . . . . . . . . . . . . . Cimbalum
Rowena Robertson . . . . . . . . . . . . Dumbek
TSAKONIKOS
( Dance from the C entral Peloponnesus)
KA LA MATIANO
( PanHellenic Dance)
L a r i saC l a r k...................Saz
Stephanie Zunno . . . . . . . . . . . . . o C imbalum
Mary Morrisson . . . . . . . . . . . . . Cimbalum
Rowena Robertson . . . . . . . . . . . . . Dumbek
DUMBEK SOLO
KALAMATIANO
KARAGOUNA
Abraham Shophet
(PanHellenic Dance)
(Dance of Thessaly)
TSA MIKOS
( Dance of Roumeli and the Peloponnesus)
Bob Saunders . . . . . . . . . . . . Principal Dancer
KLEPHTIKO
( Song of the Peloponnesus)
�( Butcher ’s Dance)
HASSAPIKO
Sotirios Chianis . . . . . . . . . . . . . Cimbalum
Abraham Shophet . . . . . . . . . . . . . . Dumbek
POGONISSIO
(Dance of Northern Greece)
PENTOZALI
(Dance of Crete)
Jacoba Westerhuis
Bob Saunders
P AIDHIA TOU PEREOU (NEVER ON SUNDAY)
Manos Hadjidakis
Mikos Theodorakis
DANCE FROM l‘ZORBA”
Kathleen Tyrrell . . . . . . . . . . . . . Soprano
A RECEPT ION will be held immediately af ter this evening’s perform
ance in the Green Room. The audience is cordially invited to attend
and meet the performers.
DANCERS
Larisa Clark
Bunny Mednick
Rowena Robertson
Judy Sackser
Bob Saunders
Jacoba Westerhuis
Stephanie Zunno
EN T A LISTS
INSTR UM
Laouto
Cimbalum
Tom Ehring
Mary Morrisson
Sue Jones
Rowena Robertson
Stephanie Zunno
C ontra Bass
Sotirios Chianis
Sue Jones
Saz
clarinet
Larisa C lark
Sotirios Chianis
Defi
Sue Jones
Guitar
Dumbek
Tom Ehring
Abraham Shophet
VOCALIST
Kathleen T yrrell
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
26:10
27:46
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59458
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59458"> Evening of Greek Folk Songs and Dances</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evening of Greek Folk Songs and Dances, May 16, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Held at 8:15 pm, May 16, 1969, Music Recital Hall.
Creator
An entity primarily responsible for making the resource
Sotirios Chianis 1926-
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-05-16
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020095810
39091020095927
-
https://omeka.binghamton.edu/omeka/files/original/57a3d9ce8402a1105f5b30a376fe0a94.pdf
9a960a1a7cb837a9ba80f111f8b31fa2
PDF Text
Text
The Foundation of the State University
of New York at Binghamton
JI cScholarship Benefit Concert
BY
THE GUA RNE RI
STRING QUARTET
Arnold Steinhardt, violin
John Dalley, violin
Michael Tree, viola
David Soye r, cello
SUNDA Y, MA Y 18, 1969, 8:15 P.M.
DON A. WATTERS THEA TER
HARPUR COLLEGE
State Uni versity of New York at Bingha mton
�u
w
Arnold Steinhardt
David Soyer
«
w
/
john Dalley
Michael Tree
GUARNERI QUARTET PORTRAIT HEADS
BY HOPE HOR N, SCULPTOR
On v ie w in the Univer sity Ar t Galle ry unt il May 25, 1969
�Program
Adagio and Fugue, K. 546 . . . . . . . . . . . . . . .MOZA RT
Quartet in A” Major, Op. 105, No. 7 . . . . . . .DVORAK
Adagio ma non troppo—Allegro appassionato
Molto vivace
Lento e molto cantabile
Allegro, non tanto
INTERMISSION
Qu a r t e t i nFMa jo r.......................RAVEL
Allegretto moderato—tres doux
Assez vif—Trés rythmé
Tres lent
Vif et agité
*
Following the concert :
CHAMPAGNE RECEPTION
in the University Art Gallery
*
Ushering courtesy of the Harpur Chorale
�THE GUARNERI QUARTET AND HARPUR
I n t he ea rly winter of 1964 the
Harpur faculty was made during the
lege sough t to a ppoint a st ring qua r
tet as artistsinresidence. A t the
was presented here in the Don A.
Watters Theater on the Harpur
Campus on Tuesday evening, Au
Music Department of Harpur Col
suggestion of f riends of the College
a t rip was made to t he Cu rtis Insti
tute of Music in Philadelphia. Mr.
Jascha Brodsky, the faculty member
in charge of chamber music, noted
that several recent Curtis graduates
were considering forming a string
quartet. “I f these four artists do de
cide to come together to form a
quartet,” Mr. Brodsky said, “they
will becom e t h e grea test q ua rtet in
the world.”
He referred to a group of out
standing artists who had been play
ing chamber music together at the
Marlboro Festival in Vermont and
the Casals Festival in Puerto Rico.
Arnold Steinhardt, a graduate of
Curtis, had won several internation
al competitions, had appeared as
soloist with many of the major sym
phony orchestras, and was currently
assistant concertmaster in the Cleve
land Orchestra. John Dalley, also a
graduate of Curtis, was on the fac
ulty of Oberlin College and a
member of the Oberlin String Quar
tet. Michael Tree, well known both
as violist and violinist, had already
established a career as a soloist.
David Soyer, from Philadelphia but
the only member of the group who
did not study at Curtis, had esta b
lished a reputation as one of Ameri
ca’s leading cellists–bo th as a soloist
and chamber music performer.
Shortly af ter the meeting in Phil
adelphia, Philip Nelson, a member
of the Harpur Music Faculty, went
to Cleveland and to New York to
discuss the possibilities of a resi
dency with this group. These con
versations occurred in March, 1964—
about the same time that the quartet
formally decided to organize. Orig
inally their name was to have been
the “Marlboro Quartet ” but because
of certain ambiguities with the,Mari~
boro Festival, the name of “Guar
neri” was settled upon. Formal ap
pointment of the quartet to the
spring of 1964 a nd thei r first recital
gust 4, 1964.
In the subsequent five years, the
Guameri Quartet has presented over
seventyfive public recitals in this
theater and held more than one
hundred open rehearsals on the
Binghamton Campus–sometimes in
the music recital hall and sometimes
in the lounges of the residence halls.
They have regularly offered studio
instruction to talented students and
participated in a ll phases of the Mu
sic Department’s instructional pro
gram. World premieres of several
string quartets by Harpur Music
Faculty have been given on the
campus—Karl Korte’s S tring Quartet
N o. 2 in 1965, a nd William Klenz’s
String Quartet 1967. Since 1966 the
Guarneri has, each summer, held a
monthlong Performance Seminar in
Chamber Music on the Binghamton
Campus which has attracted excep
tionally talented string players from
all parts of the United States.
The Guarneri Quartet has not
only given to Harpur College and to
the community a sense of artistic
excellence, but perhaps even more
importantly, has furnished a rally
ing point for students, faculty, and
townspeople — a focus which has
helped to provide style and a sense
of direction. Pride in the success of
the Quartet has been shared by all
here, and nothing can quite match
the excitement o f being associated
with a winner, “ the world’s master
of chamber music” (Time, April 4,
1969).
The university has been proud too
of its role as a leader in a commit
ment to sponsorship of an artistic
group in a way which gives real con
temporary meaning to the phrase
“patron of the arts.” By providing a
financial base and requiring a newly
formed quartet to plunge into a vast
amount o f repertory, the associa tion
with the university has perhaps al
�lowed the Guarneri Quarte t to assert
its tremendous talen ts rather sooner
than might have been the case had
they been required to compete for
rehearsal time and opportunities to
learn repertory in a more conven
tional way—with the attendant com
mercial pressures.
The last five years have been pe
riods of exceptional growth and de
velopment for the Guarneri Quartet,
the Department of Music, and, in
deed, the entire State University of
New York at Binghamton. We re
joice in our good fortune of these
past years and ioin in wishing the
Guarneri a lifetime of success and
sa tisfaction in ma k ing m usic to
gether.
Bruce Dearing, President
State University of New York
at Binghamton
PROGRAM NOTES
Adagio and Fugue, K. 546
by Mozart
On June 26, 1788 Mozart noted,
“A short Adagio for 2 violins, viola
and bass, to a fugue which I had long
since written for two pianos.” A t
the end of the autograph the bass
part is divided “violoncell and
“contra basso,” which suggest that
Mozart also had an orchestral per
formance in mind. Beethoven was
familiar with this work having cop
ied the score. The fu gue is not idio
matic keyboard music but is in the
abstract “severe” st yle cultivated by
the ltalians in church music with im
plications of rigorous and learned
development. i n this matter Mozart’s
fugue is related to Beethoven’s own
Great Fugue and i t i s interesting to
gins and ends with a slow section,
giving it a definite a rchitectonic
form. The allegro section of the
movement has two distinct themes,
the first being o f an appassionata
character while the second sounds
like a peasant hunting call. The sec
ond movement is decidedly nation
alistic in character; it is based on a
Bohemian folk dance, the Furiant, in
which a continual duple accentua
tion pattern i s superimposed on a
triple meter, creating a marvelously
complex rhythmic pattern. The trio
of this movement, in a completely
contrasting vein, is a lyrical dialogue
between the various instruments. i n
the third movement Dvorak spins
out a long melodic line, much like a
folk song, to which the lush har
monization and the variety o f ac
speculate as to the possible impetus
toward his work that this acquaint
anceship may have been.
William Klenz
companimental figures add charm
and interest, The work closes with a
vivacious rondo based on a Bohe
Patricia Isham
mian folk tune.
Quartet i n A Flat Ma jor, Op. 105
Quartet in F Major by Ravel
The single quartet of Ravel, which
No.7 by Dvorak
Dvorak began the composition of
his Quartet in A » Ma jor, Op. 105, in
1895 d u ring his last visit to A merica,
and he finished it, with Op. 106, in
1896 in Prague. Al though a la rge
portion of his chamber music, which
incl udes 14 st ring q ua rtets, 5 t rios,
and 5 quintets among other works,
is not well known, Dvorak ’s excel
lent craftsmanship, based on a care
ful study of Beethoven, and his char
acteristic style, permeated by assimi
lated folk elements, give his works
a charm and dignity worthy of wider
recognition. The first movement be
dates from the year 1902, is one o f
the masterpieces of French chamber
music. Dedicated to Ravel’s teacher,
Gabriel Fauré, it ex tends the idiom
of that composer with Ravel’s unique
flair for color and effect. Essentially
classic in form—France remains the
home of classicism–it exploits the
f ull ra nge o f inst ru m en ta l vi rtuosi t y
without any trace o f arrant display ;
everything is subordinate to expres
sive intention, marked by precision
and refinement and by an extraor
dinarily beautiful aesthetic surface.
William Klenz
�RECORDINGS
b y t he Gua rneri Quarte t, as o f M a y 18, 1969
All on RC A Red Seal
Beethoven : Five Middle Quartets, ”The Rasumovsky,” Op. 59:
uartet in E minor, No. 2 ;
., No. 1 ; Q
Quartet in F
Quartet in C, No. 3 ; Quartet in Eflat, Op. 74 (“Harp”);
Qua rtet in F minor, Op. 95
VCS6415
Brahms: Quintet in F Minor, Op. 34 (wit h Artur Rubinstein)
LSC2971
Dvorak: String Qua rtet inAflat, Op. 105
Smetana : String Quartet in E Minor (”From my Life”)
LSC2887
Grieg : String Quartet in G Minor, Op. 27
Mendelssohn : String Qua rtet in A Minor, Op. 13
LSC2948
Mozart : String Qua rtet in Bflat, K. 589
String Qua rtet in F, K. 590
LSC2888
Tchaikovsky: Sextet, Op. 70 (with Boris Kroyt, violist ;
Mischa Schneider, cellist)
LSC2916
Brahms: Piano Quartets, Op. 25, 26, 60
Schumann: Piano Quintet in Eflat, Op. 44 (with A rtur Rubinstein)
LSC6188
Philip Conole, Music Record Curator
State University of New York at Binghamton
�THE GUARNERI QUARTET
on the Stage o f the Don A. W atters Theater
of Harpur College
During their fiveyear tenure as ArtistsinResidence, the mem
bers o f the quartet hav e presented more than 75 formal recitals
on this stage. The quartet o f music stands and chairs of rose
wood and oak was especially commissioned by the University
from Mr. Wendell Castle, eminent American furniture crafts
man and a member of the faculty of Rochester Inst itute of Tech
nology.
�The Prepara tion and Production of this
Souvenir Program was donated in full as a
Contribution to the Foundation Scholarship Fund.
Design : Norbert A dler Associates
Printing : Niles & Phipps Lithogra phers
Typeset ting donated in pa rt :
Rochester T ypographic Service, Inc .
�The Foundation of the State University of New York at Binghamton
is honored to announce
A Scholarship Benefit Concert
to be presented by the
GUARNERI QUARTET
on Sunday, M a y 18, 1969
With their concert on April 20, the Guarne ri String
Quartet w ill have completed its fiveyear tenure as
ArtistsinResidence at the State Universi ty of Ne w
York at Binghamton. A s a gesture of their friendship
and affection for the University and the Community,
the members of the quarte t will present a Special
Farewell Concert for the benefit of the Foundation
Scholarshi p Fund on Sunday, Ma y 18, 1969, at 8 :1 5
p.m. at the Don A . Watters Theater. The net pro
ceeds from this gala m usical evening will be used to
help suppo rt qualified deserving undergrad uate stu
dents.
Immediately following the concert a Champagne
Reception (black tie optional) will be held in the
University Art Galle ry.
Seat reservations will be filled in the order received,
according to the follo wing scale :
Donation o f $25.00 or more per seat : Rows F and G
.
Donation Of. $ 10 0 0 or more pe r seat : Orchestra
Rows D’ E ’ H ’ a nd J and center
Of {llSt three balcony ro w s.
Donation o f $5.00 all remaining seats in
the theater.
Reservations will be accepted during intermission
and after the concer t on April 20th, and by ma il
thereafter, prior to May 5th. Please use application
below.
To G REG MA THEWS, Concert Manager, Dept. o f Music, SUNY, Binghamton, N. Y. 13901
Please mail
Here is my donation o f $
. . . tickets to :
.
for the Guarneri Scholarship Benefit Concert on May 18, 1969.
(Mail before May 5, enclosing check payable to “Foundation
SUNY Binghamton.”)
Name
..
......
Address.
City
Y our contribution will hel p su pport qualified deserving underg raduate stu dents.
. Zip .
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 sound tape reel
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31:20:00
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Title
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Guarneri Quartet Scholarship Benefit Concert, May 18, 1969
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Dvorak, and Ravel. Held at 8:15 pm, May 18, 1969, Don A. Watters Theater.
Creator
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Guarneri Quartet
Publisher
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Binghamton University Libraries
Date
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1969-05-18
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In copyright
Contributor
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Mozart, Wolfgang Amadeus, 1756-1791
Dvorak, Antonin, 1841-1904
Ravel, Maurice, 1875-1937
State University of New York at Binghamton. Department of Music
Type
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sound
Identifier
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39091020095760
-
https://omeka.binghamton.edu/omeka/files/original/ea0bd3c26e2b1a48a9941da8267f184e.pdf
12ed9abec4860443658a96b7719e9dfe
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Text
STATE UNIVE RSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPAR TMENT OF MUSIC
THE LENOX STRING QUARTET
in residenc e
Peter Marsh, violin
Delmar Pettys, violin
Paul Hersh, viola
Donald McCall, cello
The Don A. Watters Theater
Sunday, J uly 13, 1969
8 : 15 p.m.
�PROG RA M
PROG RA M NOTES
QUARTET IN F MAJOR, OP. 18– Beethoven
Quarte t in F Ma jor, O p. 1 8, N o. l
Allegro con brio
Bee thoven
just ified a nd a p pro pria te in tha t i t sho ws the pu r por t a n d dire ctio n o f
Bee thoven ’s q uar tet wri ting from the firs t. Based on the highly integra tive
“essayist” me thod forged by his teacher, Ha ydn, it is a wo rk of far greate r
Adagio affe t tuoso ed appassiona to
Sch erzo. Allegro molto
den si ty a n d s pec ific gra vi ty tha n i ts a t trac tive sur face alo ne m igh t lead on e
Allegro
Quarte t
0. 4
Bar tok
Allegro
Prestissimo. con sordino
to expect. The organic them atic process—which resembles not hing so mu ch
as t he uni ty of l iving o rga nisms, especial ly the trees of Bec thoven ’s beloved
outofdoo rs—is eve rywhere ope rati ve if not at once appare nt. The wor k
has bee n described as “seeming to have bee n cas t in a single pou ring,” so
gre a t is i ts u ni ty. Ho wev e r the t ru th is tha t it cos t Bee tho ven m uc h effo r t.
The ope ning, acor nli ke them e— which con tains the great tree—a ppears in
Bee thoven ’s notebooks first in forms which are un believa bly clumsy a nd un
gai nly. No fewer tha n five dis tinc t versions are visi ble wit h fina lly onl y th e
ini tial m o t ive ( 6 not es ) sho win g itse lf stro ng eno u gh to re tain i ts i den ti ty
Non trop po len to
und er the ham mer of Bee thoven ’s self crit icism. I ts i nne r premises a re de
tectabl e in them atic ma terial of all the movem ents, Also, whi le the wor k
was still in ma nuscript, Bee tho ven reca lled it and substit uted (Is t move
men t ) an ent ire new developmen t section, saying “I have onl y just lear nt
Allegre tto pizzicato
Allegro molto
h o w t o wri te q ua r te ts pro per ly.”
In termissian
Pia no Quarte t in C Min or, O p. 15
Allegro molto moderato
Bee thoven ’s Quarte t in F ma jor ( publish ed in 1800 ) was not in fac t
the firs t com posed of the six qua rtets of O p. 18. Ho wever its position is
Fau ré
Scherzo. Allegro vivo
Adagio
Allegro molto
A rece ption will be held immedia tely fol lowing ton igh t’s performance.
The audience is cordially invited to mee t the m embers of t he L enox Quar tet.
The power an d beau ty of the Adagio struck Beethove n’s con tem poraries
who ask ed wha t he ha d bee n thin king of. Beeth ove n the Sha kespearelover
replied “the tomb scene in Rom eo and Jul iet.” We can do no bet ter.
The Sch erzo an d F inale reco ver the youth ful “Sp ring mo rning” exu ber
ance which illuminates the inn er com plexities of the firs t m ovemen t an d also
com plet e the cycle of uni versals which com prise the design —o rga nism in
cosmos.
Q U A R T E T N O . 4
— Bar tok
Bela Bar tok’s Fou rth Quarte t ( 1 928 ) rep rese nts a cen tral high poin t
in h is six p ubl ished works fo r th is m edi um . I n th em he h as m ade the quarte t
and its idiom his own to a n ext ent which is only equalled or possibly su r
passed by Bee thoven . I n this quarte t the kind of organic uni ty which per
vad es the ent ire gro up of six becom es appare nt, or bet ter, det ecta ble.
Ele men ts and proced ures from oth er qua rtets, notabl y # 2 , ap pea r, The
outandout sardonic expression ism of # 3 gives way to a kind of con
structivism essayed earlier, triumphing here, The me thod is tha t of a
cum ula tive developmen tal variation and recombina tion of small gnomic
mo tives based on the sim plest ma terials. In their irreducible nature of
design an d a bili ties to sur vive ma nip ula tion these resem ble not hing so mu ch
as the sim ple basic ma terials of folk art, in which med ium ( wood car ving,
text iles ) and sym bol (ma n, sun, mo on ) are uni ted in sim plicity and force
of expression— the folk ar ts Barto k lo ved so mu ch and un derstood so well.
�There are five movements in which the processes normal to sonata
structures are visible. The first is the combination of variation and develop
ment described above—the technique invented by Haydn and given tran
scendent form by Beethoven,
The second is a Scherzo of a vertiginous dynamism ; the cumulative
power of small particles in repe tition is, like rai n, hypnotic and “conscious
nessreducing.” The use of mutes reduces the articulation and increases the
kinetic sensation.
An intense, episodic, slow movem ent leads to a second Scherzo, en tirely
in pizzicat o. T h e al terna ting fo rm prope r t o this type of m ovem e n t is i n
evidence. The extreme form of pizzicato is Bartok’s own contribution to the
sonorities of the Quartet,
The finale, Allegro molto, takes u p the stamping, driving dance rh ythms
appropriate to a final movement, another legacy from Haydn. The tech
niques of recombination of design elements, alternating ma terials and refer
ences t o preced ing movemen ts con tribu te t o the cen tri pe tal force which
reveals the whole q ua r te t as a n in tegra ted conception.
Copyright 1966, 1968, by William Klenz
PIANO QUARTET IN C MINOR, OP. 15 – Fauré
F a uré, like Mozart, felt no urge to improve upon classical form patte rns.
T h e open ing t hem e of t h e first movem en t p rese n tsa st rong rhythm ic mo tive
(strings in unison) which permeates the entire movemen t and combines in
the development very happily with the flowing second subject. This first
appears ( to be played ‘trés également’ ) subtly divided between the strings,
but giving the impression of a single strand of melody. The scherzo ope ns
in a fairylike 6/ 8 movement, a page very much in the SaintSaens vein,
and throws a beautif ul surprise when the strings reply by echoing the same
ph rases in 2 / 4 . T h e t wo timesigna tures in terwea ve, eve n in the trio section
where the thin piano texture gives a sudden glimpse of our own century’s
music. The Adagio, perhaps the finest movement of the Quartct, builds an
impressive edifice on a simple rising scale, and a similar figure opens the
vehemen t last movemen t. Here perhaps the influence of the Liszttype
concerto is a t its strongest.
—Hugh MacDonald
FUTURE EVENTS
SUNDAY, J U L Y 20, 8 : 1 5 p.m.
Don A. Watters Theater, Admission Free
'
Summer Chamber Music Series
S U N D A Y , J U L Y 2 7, 8 : 1
5 p.m.
Don A. Watters Theate r, Admission Free
T H E L E N O X QUAR TET
‘
Summer Chamber Music Se ries
SU NDAY, AU G UST 3, 8 : 1 5 p.m.
Don A. Watters Theater, Admission Free
COMBIN ED CONCE R T
'
a
e Quartet, New York
Woodwind
uintet
T H E L E N O X QUAR TET
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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25:35
34:29
09:38
28:26
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Title
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Lenox String Quartet Recital, July 13, 1969
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven, Bartok, and Fauré. Held at 8:15 pm, July 13, 1969, Don A. Watters Theater.
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Lenox String Quartet
Publisher
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Binghamton University Libraries
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1969-07-13
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Beethoven, Ludwig van, 1770-1827
Bartók, Béla, 1881-1945
Faure, Gabriel, 1845-1924
State University of New York at Binghamton. Department of Music
Type
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sound
Identifier
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39091020095968
39091019606858
39091019606908
39091019606957
-
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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4 sound tape reels
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22:15
36:40
12:34
05:58
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59495
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IIE59495">Lenox String Quartet Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Lenox String Quartet Recital
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Webern, Haydn and Beethoven. Held at 8:15 pm, July 20, 1969, Don A. Watters Theater.
Creator
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Lenox String Quartet
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1969-07-20
Rights
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In copyright
Contributor
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Webern, Anton, 1833-1945
Haydn, Joseph, 1732-1809
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607005
39091019606841
39091019607054
39091019606890