44 10 1775 https://omeka.binghamton.edu/omeka/files/original/abfd9caa215f563d6f7335f71d5f71da.pdf 24f8968ad105bc3063d8d5baf7956f72 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE HARPUR CHORALE DAVID BUTTOLPH, direct or Saturday, November 13, 1976 8:15 P.. M. Don A. Watters Theater �< \ 7 7 7 7 , THE HARPUR CHORALE DAVID BUTTOLPH, d i re c t o r THE BARBERSHOP QUARTET PROGRAM Matt Passe Peter Horvath I HOSANNA TO THE SON OF DAVID. AVE VERUM CORPUS. . . . . . . AVE MARIA. . . . . . . . . . SING, O BARREN. . . . . . . . .Thomas Weelkes William Byrd .Igor Stravinsky Paul Ben–Haim Lisa Griﬀin,soprano Susan Glass, alto John Kimble, Nick O’Donohoe, Matt Pass, tenors James Kie, John Parry, baritones Richard Briggs, Tom Gutherz, basses PRELUDIO NO. 22, Bk.l,WellTemperedClavier...J. S. Bach (transcribed for chorus by Villa Lobos) .William Dawson OH, WHAT A BEAUTIFUL CIIEY'. Susan Glass, alto UBI CARITAS. . . . . . . . . . . . . . « . .Maurice Daruﬂé I T SONG OF PEACE. . .Vingeant Persichetti Men’s Chorus Dan Lotto, accompanist KYRIE ET GLORIA (Missa in Simplicitate). . .Jean Langlais Women’s Chorus PSALM I3. . . . . . . . . . . . . . . . . . Robert Starer Nancy Roper, soprano Emily Parker, accompanist II Richard Wiebe Tom Gutherz FUM, FUM, FUM (Catalan). . . . . . . . . Joaquin Nin–Culmell TWO TRADITIONAL CUBAN SONGS. . . . . . . Joaquin Nin–Culmell OIDA A LA PULPA DONDE ESTA LA MA TEODORA? IN STILLER NACHT. . . . . . . . . . . . .Johannes Brahms I JOHN SAW THE HOLY NUMBER. . . . . . . .John W. Work Lorraine Knapp, soprano Stuart Silverman, tenor LET US BREAK BREAD TOGETHER. . . . . . . Harold Montague Nancy Roper, soprano Richard Wiebe, baritone CHINDIA (Romanian). . . . . . . . . . . .Alexandru Pagcanu THE SPRINGTIME OF THE YEAR. . . . . . . .Vaughan Williams ON THE MORROW. . . . . . . . . . . . . . Samuel Gaines I T HEAR A VOICE A–PRAYIN'. . . . . . . . .Houston Bright RIDE T H E C H A R I O P : . . . . . . . . . . . .Henry Smith = . w — E = THE MADRIGAL CHOIR R E a n s hs id MON COEUR SE RECOMMANDE A VOUS. . . . . . . Orlando di Lasso APRIL IS IN MY MISTRESS’ FACE. . . . . . . .Thomas Morley PUISQUE TOUT PASSE. . . . Paul Hindemith GEESE ON THE WATER. . . . Bohuslav Martinu — — w . “ .»__......a..a.. — S E A T IP . . . . , �E E PERSONNEL SOPRANOS ALTOS Barucco, Linda *Benjamin, Jill Bernstein, Ellen Carter, Cindy *Glass, Susan Hathorn, Emily *Lawson, Sue Murphy, Dollye Parker, Emily *Schoomaker, Beth Sperber, Meg Sussman, Jeanie Domser, Michelle *Green, Teresa *Griﬀin, Lisa Kimble, Robyn *Knapp, Lorraine Osborn, Wendy Roper, Nancy Ulrich, Louise Vitaliano, Lori TENORS BASSES *Briggs, Richard Gutherz, Tom Horvath, Peter *Kie, James *Lotto, Dam Parry, John Pierce, Michael Wiebe, Richard Farrell, Joshua Kimble, John *Lutvak, Steve *0’Donohoe, Nicholas Ossias, Richard Pass, Matt *Pearl, Stuart Silverman, Stuart OFFICERS President Secretary Treasurer Ass ’t Tour Managers Home Area Manager Librarian Publicity Wardrobe John Kimble Cindy Carter Emily Parker Stuart Silverman Richard Wiebe Peter Horvath Sue Lawson Meg Sperber Richard Briggs Beth Schoomaker � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:13 42:11 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333551">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE333551</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Continuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale, Concert, November 13, 1976 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital tape 1976 11-13 Description An account of the resource Works of Weelkes, Byrd, Stravinsky, Persichetti, and Bright. Held at 8:15 pm, November 13, 1976, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1976-11-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/18cd477e45975d5e79542ebd42e1f154.pdf ea982e7df4102b70af684ab853a9775a PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON THE DEPARTMENTOF MUSIC presents THE HARPUR COLLEGE BRASS ENSEMBLE Sam Chianis, director and a Special Performance of DAVID HARVEY'S New vork GLORIA by THE BAINBRIDGE GUILFORD CENTRAL SCHOOL CHOIR AND ORCHESTRA Roy H. Stock, conductor Tuesday, May 4, 1971 8:15 PM Lecture Hall I �THE HARPUR COLLEGE BRASS ENSEMBLE Sam Chianis, Director THE BAINBRIDGE GUILFORD CENTRAL SCHOOL CHOIR AND ORCHESTRA Vaclav Nehybel under the direction of Mr. Roy H. Stock Mutations from Bach Samuel Barber with Mr. E. !Eynold Johnson, tenor soloist Suite for Brass March Blues Reel Leonard Lebow Designs for Brass GLORIA by David Harvey Introduction and Allegro Robert Beadell I. II. III. IV. v. VI. Personnel Trumpets Trombones Thomas Sigler Gary Courtright George Berke Wendy Natter Bob Lindstran David Beaudreau Dennis Martin Jim Buttolph Tan Fleck Baritone French Horns Steven Hershkowitz Steven Kliewer Robert M c G r i l l Pat o:::,...iden Tuba M=l Camberiati "Intrata" Gloria Laudamus Te Domine Deus Qui Sedes CUm Sancto Spiri tu Notes Traditionally, the Gloria has been one of the most exciting parts of the Mass. The setting here is one of extreme individuality and personal view. The "Intrata" forecasts a strange, mysterious shadow, moving quickly into atonement, and finally to a spirited exaltation. The "Gloria" movement reflects the stalwart piety of the Mass itself. The "Laudamus Te" contrasts with a spontaneity of congregational praise, adoration, and wonderment. The mood shifts into the "Domine Deus"to one of quiet servitude as the tenor soloist intones the plea for mercy, and reception of prayer. The trumpets'' proclamation of stature resolves into the calm of assurance and the undisputed faith. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:02 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63448 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63448">Harpur College Brass Ensemble and a Special Performance of David Harvey's New Work Gloria by the Bainbridge Guilford Central School Choir and Orchestra</a><a> </a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Brass Ensemble and a Special Performance of David Harvey's New Work Gloria by the Bainbridge Guilford Central School Choir and Orchestra Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Nehybel, Barber, Lebow and Beadell. Held at 8:15 pm, May 4, 1971, Lecture Hall I. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-5-4 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Barber, Samuel, 1910-1981 Lebow, Leonard Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020069989 39091020069930 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:26 19:31 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54684">Harpur College Choir Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Choir Recital Tape 1966-12-11 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Held at Christ Church, Binghamton, NY Creator An entity primarily responsible for making the resource Harpur College Choir Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1966-12-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020059097 39091020059147 https://omeka.binghamton.edu/omeka/files/original/d25f11ac0a13c7404639378dfea4de1e.pdf eb50a201d7bfab31a8dbbcbbbe197a44 PDF Text Text vox �. · • . : •.. . • • .: ; . . .. . �State Univer sity o f New York at Binghamton Department of Music presents HARPUR COLLEGE C HOIR and G L E E CL UB Harpur Theater 8:15 p .m PROGRAM L ob: Mein' Seel', Den Magnificat in G minor Alice Hayes, Alida Stahl, s oprano soli CHOI R ';:' Down Brothers Sing' Stopping Ry Woods Among The Dead Men Ralph Fa Una Canzone 11on Coeur Se Re commande A \'ous Lasciate Mi 'lorirc Revecy \lcnir Du Printans CHOIR J.S. Bach Vivaldi Edward Grieg Randal l Th ompson Va ughan Wil iams Orazio Ve cchi Orlando di Las so Claudio Monteverdi Claude Le Jeune /\ TERMISSION The Spring Time of The Year Ralph Vaughan Williams B onnie Ran T he Burnie Doun Eric Smith Béla Bartók Four Slov,,k Folk Songs Whup ' Jamboree Robert Shaw - Parker Haul Away, Joe Robe rt Shaw - P arke r What Shall We Do With A Drunken Sailor \lar shall Bartholomew GLEE CLUB Mountain Nights Psalm of David Alida Stahl, soprano solo Geographical Fugue CHOIR La s Agachadas CHOIRAND GLEE C L UA Zoltan Kodaly Robert Starer Ernst T och Aaron Copland �II ARPl ' R COLLEGE CHOIR Mr. David Buttolph, Director Ellen Leinwand, Accompanist President Executiive Secretary Librarian Robe Mistress Stage Manager James Baldwin Carol Anthony Margaret Jackson Marsha Kadleck David Crowe SOPR I NOS ALTOS -, ENORS Carol Anthony Vi r_1sinia Baker Candace Bergan Judith Elterman Joanne Grizzanto Rosemary Gruss Alice Hayes Sue Jurkowski Alida Stahl Marcy Walter Sara Baron Elaine Bolton Mary Brock Nancy Car lson Jeanne Cook Linda Fishk.in Margaret Jackson Christine Livingstone John Bennethum !.ee Connor Ben Erlitz Roy Gordon Terry Howell Jim Baldwin David Crowe Stephen Foulk Steve Walker Keith Willcox HARPUR COLLEGEGLEECLUB Mr. Dennis Williams, Di rector Donna Ha llen. Accompani s t TENORS BARITONES Wi lliam Clemente D' Alessio Dominic Defazio lrvin Schwartz Edwin R. Squiers John Witmer Ahroon Frederick Forman Roy Gordon Alan Katz Jon Paul Robbin s Paul Darnel l Peter Lewis Stevan Millheiser Alan Sanders Ronald Vandervall There u•ill be a RECEPTION in the Faculty Lounge fo r the membe rs of the Harpur College Choir. and Glee Club . follow ing their performance � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:45 38:35 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59468 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59468">Harpur College Choir Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Choir Recital, March 10, 1967 Subject The topic of the resource Concerts Description An account of the resource Works by Bach, Grieg, Monteverdi, Bartók, Copland. Held at 8:15 pm, March 10, 1967, Harpur College Theater. Creator An entity primarily responsible for making the resource Harpur College Choir Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-03-10 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Bartók, Béla, 1881-1945 Copland, Aaron, 1900-1990 Grieg, Edvard, 1843-1907 Monteverdi, Claudio, 1567-1643 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Choir Recital.pdf https://omeka.binghamton.edu/omeka/files/original/57d2c735b0d4ed516bef629d20d4cdcd.pdf 87de237e952e15716dbd4c262a7199a3 PDF Text Text s.u.n.y. at binghamton dept. of music presents the harpur college choir men's glee club women's chorus Sunday, may_27, 1967 harpur theater 8:15 p. m . the ways of love �program the ways ofvloe the anguish of love A tonio Lo tti piange l'amante ucciso English Text Italian Text Ucciso Piange L'Amante lalorieradelSol, L'Alba ve rmiglia; E'un avida Conch iglia, le lagrime ,accoglie, onde ne forma candida perla e vaga, Di cui n'ornano i Regi le corone regali e pretiose Di cui cingon'il collo le Donzelle Vezzose: Ed'io riflenointan lo Ch'anch'il fasto mor!al, nasce dal pianto. Weeping, a lover languished, As by first kiss of Sun, Sky was awakened. But see, his tears so shining those tokens of his sorrow, by love are changed into a fountain of pearls; such rare jewels oft are chosen bya king to adorn his royal diadem, Or to encircle the neck of noble maidens delightful. And musing I thus reflected All the pomp of mankind is born of mournir>g. Ellen Leinwand, Harpsichord youth in love Bela Bartók love song romantic lovve Johannes Brahms new songs of love Soloisls, in order of appearance Carolyn Kimble, Soprono Alice Hayes, Mezzo Soprano Ann Grant, Soprano Alida Stahl, Soprano Alon Katz, Tenor Harpur College Choir David Buttolph, Conductor Ellen Leinwand, Donna Hallen, Accompan ists Intermission �Gabriel Faure messe basse Kyrie Eleison Alida Stahl, Soloist Sanctus Benedictus Agnus Dei Women's Chorus and Women of the Choir James Baldwin* Conductor Donna Hallen, Accompanist Randall Thompson the testament of freedom A Setting of Four Passages from the writings of Thomas Jefferson I. A Summary View of the Rights of British America (1774) and necessity oftaking up arms II. Declaration of causes lll.(July6,l775) IV. Letter to John Adams, Monticello (September 12, 1821) Harpur College Glee Club Dennis Williams, Conductor Donna Hallen, Accompanist �The God who gave us life gave us liberty at rhe same time; the I. ■ hand of force may destroy but cannot disjoin them. II . We have counted the cost of this contest, and find nothing so ■ d readful as voluntary slavery. Honor, justice, and humanity forbi d us tamely to surrende r that freedom which we received from our gallant ancesto rs, and which our innocent poste rity have a right to receive from us. We cannot end ure the infamy and gui lt of resigning succeeding gene rations to that wretchedness which inevitably awaits them if we basely ent ail hereditary bondage upon them. Our cause is just. Our union is perfect. Our internal resources are great ... We gratefu lly acknowledge, as signal instances of the Divine favor reward us, that His Providence would not permit us to be called into this severe controversy until we were grown up to our present strength, had been previously exercised in warlike operation, and possessed of the means of defending ou rselves. With hearts fortified with these animating reflections, we most solemnly before God and the world, declare that, exerting the utmost energy of those powers which ou r beneficent Creator hath graciously bestowed upon us, the arms we have been compelled by ou r enemies to assume we wi l l, in defiance of every hazard, with unabating firmness and perservance, employ for the preservation of our liberties; being with one mi nd reso!ved to die freemen rather than to live slaves. Ill. We fight not fo r g lory o r for conquest. We exhibit to mankind the ■ remarkable spectacle of a people attacked by unprovoked enemies, without any imputation or even suspicion of offense. They boast of their privileges and civilization, and yet proffer no milder conditions rhan servitude or death. In our native land, in defense of the freedom that is our birthright and which we ever enjoyed ti l l the late violation of it; for the prorecrion of our property, acqui red solely by the honest industry of our forefa1hers and ourselves; against violence actually offered; we have taken up arms. We sha l l lay them down when hostilities shall cease on the parr of the aggressors and all danger of their being renewed shall be removed, and not before. IV. J shall not die without a hope that light and liberty are on steady ■ advance ... A nd even should the cloud of barbarism and despotism again obscure the science and liberties of Europe, this coun lry remains to pre.. The flames k indled on serve and restore light and libert y to them the 4th of Jul y, 1776, have spread over too much of the globe to be extinguis hed by the feeble engines of despotism; on rhe contrary, they will consume these engines and all who work them . The God who gave us life gave us liberty at the same time; the hand of force may destroy but cannot disjoin them. �Johannes Brohms-Liebeslieder Waltzes ■ Ahhough vocal quartets accompanied by piano (two o r four hands) are a rather exotic experience for modern concert audiences, they are almost common in the last century as string quartets. The sentiments of the various texts are not pecu l ia r lo any one country, but are generalized and traditional observa tions on the theme of love. The words are decidedly less important than the music as indicated by the statement in the original edition that the vocal parts were "ad libitum" and could be omitted. To omit the voices, of course, would be to lose half the sheer joy and fun . All fifteen numbers show Brahms in his most genial Vienese vein. Despite the unbroken waltz rh ythm, the music is never monotonous. Frequent changes of mood as well as vocal mediums p rovides the opus with variety and order. Antonio Lolti--Piange l'Amante Ucciso ■ A ntonio Lolli, a baroque Venetian vocal composer, contributed greatly to the musical realms of both sacred and secu lar music. Du r ing the first part of hi s life he held the position of chu rch organist which required him to compose the music necessary for church services. After relinqu ishi ng this position, Lotti began to compose secular music. It is through his seventeen operas that he won musical fame throug hout Europe. " Piange l'Amante Ucciso" is from this period. We see in this work a last represen tation of the old severe school combining a largely chromat ic harmony in adherence with the Baroque doctrine of affects, with a smooth and flowing con trapunt al style. Gabriel Foure- Messe Basse ■ It is often said that Faure's music is the embodiment in sound of French civilization al is most fastidious. The " Messe-basse" and ea r ly choral work, greatly supports this statement. What the listener finds here is a melodic gift of long sinous and supple phrases shaped by an unobtrusive chormatic harmony. One feels as if Faure is wandering through a maze of harmonies while never losing what may romantically be descr ibed as " pure and eloquent" beauty. Belo Bartók--Love Song fro m 4 Hungar ian Folksongs ■ One of Bartok's most significant contr ibutions l ies in h is sellings of folk music. It is here that Bartok is able to fuse the national folk elements , both rh ythmic and harmonic, with h ighly developed techn iques of art music. This particular fol k song from Hungary maintains a cho rd al homophonic structure as well as a subtle irregular meter and offbeat accents. The particular ethnic character combined with a universal sense of g aiety, provides the listener with an exuberant aff irmation of love and life. (Program notes by Ellen Leinwand) �COLLEGE CHOIR SOPRANOS ALTOS Candace Bergan Judith Ellerman Ann Grant Alice Hayes Carolyn Kimble Alida Stahl Carol Anthony Susan Jurk owski Cheryl Kindt Chrystyna Pry lula Elizabeth Demsky Elaine Dukot Mary Brock Jeanne Cook Jean Elison Margaret Haller Ch r istine Livingstone Saly Baron Linda Fishkin Jayne Kaplan Margaret Jackson Susan Genis Helen Hirsh WOMEN'S CHORUS Linda Holgers Deborah Huffman Millie James Nancy Master TENORS William Ahroon Frederick Forman Alan Katz Craig O'Neill Jon Paul Robbins James Van Ha rt MEN'S GLEE CLUB BASSES Paul Darnell Steven Millheise r Alan Sande rs Harry Waisblatt TENORS AND BASSES William Ahroon lee Connor Ben Erlitz Terry Howell Alan Katz Jim Baldwin David Crowe Stephen Foulk Keith Wi l lcox Linda Rosen Linda Stiles Cher ie Vick Diane Winters BARITONES Thomas Baynes Clemente D'Alessio Domine Defazio Edward Marion Irvin Schwartz Thomas Strain � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:21 32:41 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60300 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60300">Harpur College Choir Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Choir Recital, May 27, 1967 Subject The topic of the resource Concerts Description An account of the resource Works of Lotti, Bartók, Brahms, Thompson. Creator An entity primarily responsible for making the resource Harpur College Choir Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-05-27 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Lotti, Antonio, -1740 Bartók, Béla, 1881-1945 Brahms, Johannes, 1833-1897 Thompson, Randall State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Choir Recital 1967-05-27.pdf https://omeka.binghamton.edu/omeka/files/original/d2efd1ab925ca1526b320122513d1298.pdf 51c799421a50650a51ae08c0868af4e5 PDF Text Text STATE UNIV ERSITY OF N E W YORK AT BINGHA MT ON HARPUR COLLEGE T H E DEP ARTME NT OF MUSIC T H E HA RP UR COLLEGE C HOIR AND MEN ’S GL EE CLUB 1968 Tou r Progra m A V E V E R U M CORP US PATER NOSTER bh i Josquin Des P res Igor Stra v insky SE T T ING S O F “ KY RI E E L E ISON ” f rom Mass of t he Holy Spirit f rom Missa Br evis f rom Coronation Mass Alida Sta hl, Sopra no; Alan Kat z, Tenor Randall T hompson Zoltan Ko daly Wolfgang A . Moza rt THREE CHORA LES Johann Se bastian Bach JESU M EIN E FREUDE (from Motet III ) A C H WI E F L U CHT IG f rom Cant ata 26) ICH STEH’. A N DEINER KRIP P E N HIER (f rom Ch r ist mas Ora torio) College C hoir SONGS F ROM OT H E R LAN DS BROT H E RS, SING ON! ( o rway) G UT E NA C H (German y) A MO, A M AS, TI LOV E A LA SS ( E ngland) NA BAH IA T E M Bra zil) SONG OF THE VOLGA MEN OF HARLEC H (Russia) (Wales) E dva rd G r ieg a r r . A r c hi ba ld Da v ison a r r . Ma rs ha l l Ba rtholome w H eitor V i lla – Lobos a r r . Denis M ic kiew ic z a r r . A rchibald Da vison G lee Cl ub /_, Intermission THREE MADRIGA LS , MON COE UR SE RECOMM AND A VOUS FA U NA CAN ZON E R E V E CY V E N IR DU P RIN T E M PS FOUR SLOVAK FOLKSONGS " j Orland us Lassus Ora zio Vecc hi Cla ude Le Jeune Bela Ba rtok College Choi r G U YS A N D DO L LS M E D L E Y l‘rank Lo e sser F UG U E FOR TIN HORNS ( Jon Paul Robbins, Clement e D’Alessio, Denn is Fenichel) T H E OLDEST ESTA BLISH E D ( Jeﬀre y C ra ig Ten ze r , Tom St ra in, Steven R. Mi l l he ise r) GUYS AND DOLLS (Douglas E. Stewa rd, Dona ld Jeﬀords) LUCK BE A LADY (Dennis F enichel) SIT DOW N , YOU ’R E RO C KIN ’ T H E BOAT (Jon Pa ul Robbins) G lee Cl ub A M E RICA N A H I CA N ’T SIT DOWN ROCK MOUN T SINAI IT ’S A SIMPLE LITTLE SYSTEM Alan Kat z, Tenor George G ers hwin John Wor k J ul es Styn e College C hoi r �T HE HARPUR C HOIR David L. Buttolph, Di rector 2ND SOP RANO 1ST SO P RA N O Carol Anthony Linda Driver Cheryl Brozost Mary Morrison Nancy Simpkins Nora Freeman N. Babylon S. Salem Joann Smith Endicolt Alida Stahl Ve sat 1 Linda Traver Kathy Zaslovsky Johnson C ity 2ND ALTOS 1ST ALTOS Oyster Bay Sara Baron Penn Moulton Port Washington Reva Weiskopf Fairﬁeld, Connecticut Jamestown Nancy Carlson Heuvelton Jean Ellison Joan Januszkiewicz Hudson Falls estal Betsy Mullen BASSES TENORS Arthur Greene Alan Katz Charles Seltzer Douglas Steward Michael Sturgeon Montrose Vestal Rexford Grand Island Schenectady David Crowe Westbury Smithtown Island Park Buﬀalo Buﬀalo Westburyl Springvill e Stevan Foulk Roscoe Ter ry Howell Donald Jeﬀords Weedsport nd w Tom St ra in T HE HARPUR GLEE CLUB Dennis Wi l lia ms, Di rector TENORS Stephen B. Anke r Frederick Forman Alan A rthur Kat z Jon Paul Robbins Douglas E . Stewa rd Jeﬀrey Craig Tenzer Brookl yn Union Hill Hauppauge Mamaraneck James Van Hart Buﬀalo Brookl yn Conklin Michael S. Weingarten Syracuse BASSES Clemente D’Alessio North Massa pequa Dominic John Defazio Niagara Falls D. Ja mes Dorph Dennis Fenichel North Bellm ore Weedsport Donald Jeﬀords Steven R. Millheiser Bayport East Norwich James J. O’Rourke Frederick G. Richards Lake George Endwell Tom Strain Donna Ha l len Accompa n ist, Patchogue T OUR ITINERA R Y G r iﬀet h Institute Ha m burg J unior H igh Sc hool falo S U N Y Bennett High School Ken mo re East Senior H igh Sc hool 5. L'. N.Y. Bingha mton Ma rch 2 5 Ma r ch 26 March 26 Ma r ch 27 Ma rch 27 A p r i l 7 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:27 26:43 14:41 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63062 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63062"> Harpur College Men's Glee Club Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Men's Glee Club, 1968 Tour Subject The topic of the resource Concerts Description An account of the resource Held April 7, 1968. Works of Stravinsky, Bach, Lassus, Gershwin. Creator An entity primarily responsible for making the resource Harpur College Men's Glee Club Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-04-07 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Stravinsky, Igor, 1882-1971 Bach, Johann Sebastian, 1685-1750 Lassus, Orlande de, 1532-1594 Gershwin, George, 1898-1937 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Men's Glee Club Recital_1968 Tour.pdf https://omeka.binghamton.edu/omeka/files/original/67b1032736b2b3423553f6b24e1bc583.pdf 88114d94a7bbd53dfb3071696a21319a PDF Text Text THE HARPUR COLLEGE ORCHESTRA VIOLIN I Cukier, Robert Concertmaster Bernstein, Robert Fenimore, Paula Shope, Caroline Wade, Ralph Wallenberg, Marianne Walls, Anita VIOLIN II Blauser, Henry Duda, Frances Gaylord, Anne Gothelf, Sarah Grupsmyth, George Pettengill, Edward Powazek, Irene Robbins, Nancy VIOLA Colton, Russell Herzog, Hedda House, Laura Isham, Patricia CELLO Battin, William Gruber, Kathy Livingstone, Christine Zimmerman, Susan BASS Thomas, Richard FLUTE Jackson, Margaret Cohn, Debbie OBOE Mohn, Abigail Stolarcyk, Richard CLARINET McLellan, John Abrahams, Arthur Duncan, Candy BASSOON Walker, Stephen Eddy, Scott FRENCH HORN Evansohn, John McCool, Martha TRUMPET Harolds, Jay Allan Drobak, John TIMPANI Levine, Lanny ANNOUNCEMENTS January 31 - 3:15 p.m. Guarneri Quartet February 4 - 8:30 p.m. Jean Casadesus, pianist February 5 - 8:15 p.m. Harpur College Dance Group February 6 - 2:15 p.m. Harpur College Dance Group February 6 - 8:15 p.m. Yale Russian Chorus February 7 - 8:15 p.m. Guarneri Quartet February 14 - 8:15 p.m. Harpur College Wind Ensemble Harpur College Theater THE HARPUR COLLEGE ORCHESTRA Fritz Wallenberg, Conductor January 24, 1965 8:15 P.M. HARPUR THEATER PROGRAM Symphony No. 1 in C-major, Op. 21..................... L. van Beethoven (1770 - 1827) Adagio molto; Allegro con brio Andante cantabile con moto Menuetto. Allegro molto e vivace Adagio; Allegro molto e vivace The first performance of Beethoven's Symphony No. 1 took place on April 2, 1800 at the Hofbergtheater, at which Beethoven made his first public appearance. Sketches for the final movement can be found among the counterpoint exercises Beethoven wrote for his teacher, Albrechtsberger, in 1796. The Symphony itself was probably written during the Winter of 1799-1800. A review of the concert in the Allgemeine Musikalische Zeitung found the Symphony to have "much art, novelty and wealth of ideas" but criticized it for "too much use of the wind-instruments, so that the music sounded more as if written for military band then an orchestra." The Introduction to the first movement begins with a cadence in F, and two measures later a cadence in G before settling into C major. The first subject of the second movement is treated fugally . The Menuetto, actually a Scherzo, is built upon a scale pattern. And the scale also dominates the final movement. W. R. S. ****INTERMISSION**** Andante for Flute and orchestra, K. 315................. W. A. Mozart (1756 - 1791) Soloist: Marlene Bass During his Mannheim tour in 1777-78, Mozart received a commission from the Dutch amateur flutist, M. de Jean, to write six quartets and six concerti for the flute. The letters of Mozart to his father bears evidence that he did not cherish this commission. The important Flute Quartet in D (K. 285) was soon followed by two quartets of lesser stature (K. 285a and K. Anh. 171), which betray Mozart's waning interest in this form. After writing the original Concerto in G major (K. 313), Mozart took an earlier Oboe Concerto (K. 314), adapted it for the flute and transposed it from C to D major. When it was apparent that M. de Jean had no intention of rewarding Mozart for his effort, the commission was left incomplete. The Andante in C (K. 315) may have been written with a third concerto in mind or, as Einstein conjectures, it may be a substitute for the second movement of the G major Concerto as M. de Jean found the original slow movement a bit too difficult. W. R. S. Simple Symphony - for String Orchestra............... Benjamin Britten (1913 - ) I. Boisterous Bourrée (1926) II. Playful Pizzicato (1924) III. Sentimental Saraband (1925) IV. Frolicsome Finale (1926) Benjamin Britten is the leading figure today in English contemporary music. His genius has been recognized in works for voice especially, including the operas "Peter Grimes," "Billy Budd," and very recently "A Midsummer Night's Dream." Earlier works include "Les Illuminations for solo voice and string orchestra and "A Ceremony of Carols" for boys' voices and harp. All of his works are marked by great emotional power, penetrating beauty, and a completely individual manner of writing. This "Simple Symphony" is based entirely on material from piano pieces which the composer wrote between the ages of nine and twelve. (The actual date is printed after each movement. ) Although the development of the themes is new in many places, there a re large sections which have been taken from the early pieces - save for the re-scoring for strings. The string orchestra "symphony" was written in 1934. Three German Dances K. 605........................ W. A. Mozart Upon Gluck's death in 1787, Mozart received the post of Royal and Imperial Court Composer with the modest salary of 800 gulden annually. However, if Mozart were to expect commissions for larger works, he was soon disappointed. He merely had to supply dances for Imperial occasions. The Viennese public, that had so warmly supported him a few years before, had simply lost interest. So Mozart was soon to find himself in financial straits, as the piteous letters to his friend, Michael Puchberg, requesting money bear witness. In the first three months of 1791, in addition to the Piano Concerto in Bb (K. 595), two Fantasias for mechanical organ and three children's song, Mozart wrote twelve sets of dances; Ländler, Menuets and German Dances . In his catalogue of his own works, the first two dances on tonight's program were entered February 12, 1791. The third dance is missing. As the autograph is lost, we must rely upon several manuscript copies to determine that the three dances belong together. Mozart often used a humorous type of orchestration in the Trios of his dances . The Trio in the third dance entitled Die Schlittenfahrt (the Sleigh-ride) is an excellent example, scored for Bassoon, two Posthorns, five tuned Sleighbells and Strings. W. R. S. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:38 25:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54344">Harpur College Orchestra Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Orchestra Recital Tape 1965-1-24 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Mozart and Britten. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Mozart, Wolfgang Amadeus, 1756-1791 Britten, Benjamin, 1913-1976 Date A point or period of time associated with an event in the lifecycle of the resource 1965-01-24 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Orchestra Recital Tape 1965-1-24.pdf https://omeka.binghamton.edu/omeka/files/original/2fc9bab0b9426ce97fbcce9d0fe6a3c4.pdf 02f4ce4c49857df3d64a171d1905d639 PDF Text Text Harpur College Orchestra May 21, 1965 Notes Vivaldi is remembered today chiefly for his instrumental works, but he was a prolific composer in all genres, a brilliant violinist, and the professor of violin and maestro dei concerti (from 1716) at the Ospitale della Pietà in Venice (a ·conservatory for foundling girls) . It was in the latter capacity that he composed his numerous concerti grossi, concerti ripieni, and solo concertos (over 400), for he had to provide his students continuously with fresh material. The Concerto in E. Minor, found in manuscript in Turin, demonstrates a half-way point between the concerto grosso with its two opposing groups and the opera overture or sinfonia, for it has neither solo parts nor introduces an opera. Thus it falls in a category designated by Vivaldi as a concerto ripieno, in which the four string sections are equally balanced and polyphonically used. The first and last movements of this particular work are very contrapuntal, while the second move ment is lyric and homophonic. A proof of the individuality and provocative character of Vivaldi's works lies in th e fact that J. S. Bach later used many of them as raw material for his own compositions. Vivaldi himself often used his own themes more than once and another concerto of his opens with a theme very similar to the first theme of the first movement in this work. His themes are often characterized by repe ated notes while his general style is identifiable by its rhythmic drive and vitality. STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College *** Wagner compos e d the Siegfried Idyll in 1870 as a birthday present to his wife Cosima and it was performe d as a serenade by a small orchestra on the stairway of their home. One of the few pieces of "absolute" music Wagner wrote , it is based on two themes he had written earli e r in 1864 and had intended for a string quartet. The piece is scored for strings, flute, oboe, basoon, trumpet, 2 clarinets, and 2 horns, and is delicately and intricately orche strated. Although written in one movement it has several sections pre senting a variety of moods and t extures. *** One of the most prolific compos e rs flourishin g during th e first half of the eighteenth century, Georg Philipp T e l e mann (1681-1767), composed over 170 concertos, besides numerous other works ran g ing from ope ras to fantasias for solo violin. His fame as a composer and particularly as a contrapuntalist sp re ad throughout Europe, and twice he was giv e n pre c edence over Bach in b e in g offe red positions. (It was only after he and a second choice had refus e d th e covete d post of twon musi c director and cantor of th e Thomasschule at Leipzig that Bach was offere d this position.) Tele mann served at Hamburg from 1721 until his death as town music director, composing and directing operas, passions, cantatas, and various chambe r ensembles. His works refle ct many diverse influences including the ornate Italian opera, the French suite, the polyphonic concerto grosso, and the simpler, folk-lik e divertimento. This conc e rto derives its form from the Baroque Sonata da chiesa or church sonata with four movements of alternating tempi, the first and third being slow, th e forme r in duple and th e latter in triple meter. It also contains elements of the concerto grosso, in which two groups of different size are contrasted; here the oboe takes the place of the smaller group (concertino), which is pitted against the main body of strings (the ripieno). Haydn composed the Symphony No. 99 in 1793-94 during the interim between his two trips to London. This was the seventh of the so-called "London Symphonies"--Nos. 93-10 4 - ·• written for the impressario Salomon, who had arranged Haydn's visit to London and conducted his concert series there . It is the first symphony in which Haydn used the clarinet although he had used it previously in other works. The first movement opens with a slow introduction followed by an allegro in sonata form. The second theme upon which the development section is based proves to be of greater significance than the first theme, and the recapitulation continues to develop and expand this subject matter. The second movement is cast in a deeper, more meditative mood, contrasting sharply with the gay, folklike quality of the minuet. The contrapuntal character of the last movement, calling for fugue-like imitation at breathless speed, forms a fitting and joyful climax to the work. ***The Harpur College Orchestra*** Fritz Wallenberg, Conductor Friday, May 21 8:15 P. M. Harpur Theater �The Harpur College Orchestra PROGRAM ------------- Concerto in e -minor for strings . . . . . . . . Antonio Vivaldi (1678 - 1741) Violin I Fenimore, Paula - Concertmaster Isham, Patricia Prytula, Christine Robbins, Nancy Wallenberg, Marianne Walls, Anita All egro mod e rato Andante Allegro Siegfri e d Idyll. . . . . . . . . . . . . . . . . . . . . . . . Ri c hard Wagner (1813 - 1 883) Concerto for Oboe and strings in e-minor .. George Philipp Telemann (16 81 - 1767) Andant e Violin II Blauser, Henry Duda, Grances Gaylord, Anne Gothelf, Sarah Grupsmith, George Loew enstein, Fritz Powazek, Irene Viola Colton, Russell Colton, Martha Sajor, Laurie Cello Battin, William Gruber, Kathy Livingstone, Christin'? Zimmerman, Susan All eg ro molto Largo Bass Duroche, Leo Flutes Jackson, Margaret Cohn, Debbie Oboe Mohn, Abigail Stolarcyk, Richard Clarinet Abrahams, Arthur Duncan, Candy Bassoon Walker, Stephen Eddy, Scott French Horn Evansohn, John McCool, Martha Trumpet Maye r, Jack Backlund, Fred Timpani Iacovazzi, Frank All e gro Continuo Robbins, Donald Harpsichord: Courtesy of Donald Robbins Soloist : Laila Storch INTERMISSION Symphony No . 99 in e -flat major. . Joseph Haydn (17 3 2 - 1809) Adagio; Vivace assai Ad ago Menuetto Allegretto Vivace � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:02 28:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54398">Harpur College Orchestra Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Orchestra Recital Tape 1965-5-21 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Vivaldi, Wagner, Telemann, and Hayden. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Vivaldi, Antonio, 1678-1741 Wagner, Richard, 1813-1883 Telemann, Georg Philipp, 1681-1767 Haydn, Joseph, 1732-1809 State University of New York at Binghamton. Department of Music Date A point or period of time associated with an event in the lifecycle of the resource 1965-05-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Orchestra Recital Tape 1965-5-21.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 22:59 35:31 22:30 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59506 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59506">Harpur College Orchestra Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Orchestra Concert Subject The topic of the resource Concerts Description An account of the resource Works by Hayden, Mennin, Beethoven. Held 8:15 pm, January 29, 1967, Harpur College Theater. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-01-29 Rights Information about rights held in and over the resource This digital recording may only be used for educational purposes. Please cite as: Binghamton University Music Department tape recordings, Special Collections, Binghamton University Libraries, Binghamton Contributor An entity responsible for making contributions to the resource Haydn, Joseph, 1732-1809 Mennin, Peter Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020059394 39091020058909 39091020058958 https://omeka.binghamton.edu/omeka/files/original/bd94756bda37a903e3dac774a44e18dc.pdf e55d35103934976b605e656f312dd87e PDF Text Text State Univers ity of New York at Binghamton Harpur College The De partment of M usic Presents THE HARPUR ORCHESTRA David Buttolph , Conductor Robert Mos ley, Guest So lois t SATURDAY , APRIL 8th , 3:00 P.M . at Binghamton Wes t Junior High Schoo l SUNDAY , APRIL 9th , 8: 15 P.M . at Harp ur Aud itorium �P R OG R AM CONCERTO GROSSO in D Minor Opus 3 No.I I for Orchestra An tonio Vivaldi (c. 1675-1741) Vittorio Giann in i (1903-1966) Allegro Largo Allegro Adagio - Allegro Energico The CONCERTO GIi.OSSO in ll Minor is one of twelve c oncertiwhich comprise Opus J , perhapsthe most celebrated o( Vivaldi's Concerto publications written in 1712, and dedicated to Ferdinando !II. Grand Duke of Tuscany Originally written as • concerto for two Violins and Cello obli gat o, this work well representsschool a of violin playing which made a defin a ble badvancebeyond 18th centurypractice. The popularity of this concerto wa &u<h that Bach reworked it for soloOrgan. l n this instanceit is setfor full orchestra by the late American composer, Vittorio Gianinni. ABOUT \/, , Robert Mosley is a winnerof OUR SOlOIST the Rockefeller, Whitney and Marian Anderson ards as well as the Metropolitan auditions. in South He was America on tour for the StateDepartment with the company of "Porgy and Bess." Recently he has Bohuslav Martinu (1890-1959) performed in "Aida" and "Pagliacci"with the Brooklyn Civic OperaCompany and thisfall will sing with the Los AngelesCivic Opera. RobertMosley, Baritone Solo Men's Chorus* and Orchestra Bohuslav Martinu, living in France near centering ingall forhere America Pres his thoughts on leav had already where Martinu, too, wanted to help in the task of awakeningthe world on behalf of his martyred homeland All performancesof hi, works in Prague wereforbidden b_,. the Nazis, who also blocked the fees from hi, internationalroyalties. At the time Martinu wrote his FIELD MASS, he was s •till o'--d by the thought of his homeland, and he dedicated the work t o the Czechoslovak of the occupation The text of the FIELD MASS is from folk poetry and quotations from the Psalms It wasarrangedby Martinu withthe collaboration of Jiri Mucha. intermission �PROGRAM (continued) AMERICA An epic Rhapsody in three parts for Orchestra Ernest Bloch (1880-1959) , A - mer - i - ca! p poco jus Another fragment of the anthem which is usedand found in many parts of the work is where the text says, "Our fathers builded a nation." It is an ascending passage descriptive of the struggles of the Pilgrims ud is heard in the first movement and also in the third movement after the "Collapse" episode. The thematic fragments seem to form a march culminatingin the Anthem which Bloch wanted everyone to sing, - an expression of hope and deepfaith 1n our country. (these notes by Suzanne Bloch) On April 8th Miss SuzanneBloch, daughter of the composer, abouther fatherand d theA me erican Symphony. will speak briefly - tice an �MEN'S CHORUS MEMBERS OF THE ORCHESTRA Violins Robbins *Nancy *Marianne Wallenberg *Melba Sandberg David Vittum D<boD Booth TROMBONES Allen Thompson John Baldon *Roger K e a g l e *Alan Sopper; Robert Giblin; *David Einfeldt; *David Agard ENGLISH HORN *Scott Eddy *Betty Lou Agard Ruth Wiley Sally Shafer *Sophie Horowitz INETS CLAR Candace Duncan Arthur Abrahams Beverly Tomasosky Gary Harris PERCUSSION *RussellColton *Karl Getz *Margaret Seward BASS CLARINET James Kingsbury *RichardBrooks *Kenneth Hollister Laura Eringer *Ruth Bro wn Whitmore Christine Livingstone *Jane Donald Alexander Chris t ian Granger Lanny Levine Gary Mallinson Dennis Williams Arnold Thomas *Dawn Marr Marguerite Mizelle; Diane Phelps Terry Ho well William Vigars Stephen Babb James Baldwin *DonalO'Buckley Christopher Langton *Sally Pierce ; David Wilson PICCOLO Marsha Kadleck *William Lockwood *Delbert Cobleigh an ; Peter Boor KaplCHAIRMAN CONCERT John Wil iams ; Nathan is aided by a grant from the Recording Industries( Music This performance Trust Funds , Samuel R. Rosenbaum, Trustee. Performance) John Noxel John Ozvold � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:51 40:23 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60296">Harpur College Orchestra Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Orchestra Concert, April 9, 1967 Subject The topic of the resource Concerts Description An account of the resource America / Ernest Bloch, Donald Brister, tenor. Creator An entity primarily responsible for making the resource Harpur College Orchestra Bloch, Ernest Brister, Donald Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-04-09 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Orchestra Concert 1967-04-09.pdf