46 10 1775 https://omeka.binghamton.edu/omeka/files/original/178def306dfc78100a2687e0e8afa17d.pdf 0f9d9fd12fb112f999db094d6e8b9526 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON Harpur College Department of Music Alfred Clinton Morris, conductor DON A. WATTERS THEATER FEBRUARY 20, 1975 at 8:15 PM �2 THE HARPUR SYMPHONY ORCHESTRA FIRST VIOLINS BASSES HORNS Mary Reynolds Mary Barton Gregory Fulkerson Andrea Andros Elmar Oliveira George Myers Robert Provell Paul Goodman Lydia Werbizky Oscar Maxwell Richard Thomas Michael Sanders Debra Neu Dominique Hyatt Donal O'Buckley Brian Sternberg Martin Burki Kenneth Weissman Kenneth Steiger soloists BARBARA GARGES and DAVID HEISS* TRUMPETS FLUTES Sharon Kosakoff Jane Gottlieb Merrell Weiss Steve Winans Allan Winans Alfred Szymaniak David Bespalko PICCOLO TROMBONES Merrell Weiss Michael Williamson Richard Gower Roger Keagle SECOND VIOLINS Jean Puleo Rosa Campa Bruce Berg Susan Mitchell Janet Brady Alexandra Werbizky Paul Childs Cordula Rosow ALFRED CLINTON MORRIS, conductor ORGAN SONATA NO. 14, K. 329 Barbara Garges, organ OBOES Eliot Friedman Geoffrey Barron Janet Ziebur TUBA ROCOCO VARIATIONS FOR CELLO AND ORCHESTRA David Heiss, cello WOLFGANG AMADEUS MOZART (1?56-1?91) PETER ILYICH TCHAIKOWSKY (1840-1893) Tom Wood VIOLAS Judy Geist Geoffrey Brooks Larry Bradford Barbara Gorin John Dexter Carol Isaacson Sandra Robbins Jeanne Woodruff ENGLISH HORN Geoffrey Barron Nancy Julius CLARINETS TYMPANI Paul Ketchoyian Anne Stern Kent Oldfield PERCUSSION CELLOS BASSOONS Craig Weaver Holly Wilson Tom Shaw Seth Jacobs Steven Stalker Myra Greenstein Dan McIntosh Howard Cohen Tracy Slack HARP Louis Papastrat Lois Chantry Keith Martens Laurie Goodheim Roy Weinberger PERSONNEL MANAGER Geoffrey Barron INTERM ISSION SYMPHONY NO. 32 IN G MAJOR K. 318 (in overture form) WOLFGANG AMADEUS MOZART Allegro spiritoso Andante Allegro spiritoso CAPRICCIO ITALIEN PETER ILYICH TCHAIKOWSKY *Winner of the Second Concerto Competition � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 25:06 30:54 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243417">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243417</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Symphony Orchestra, February 20, 1975 Recital tape 1975-2-20 Description An account of the resource Works of Mozart and Tchaikowsy. Held at 8:15 pm, February 20, 1975, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1975-2-20 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/235a439588d668154069f3efdcd86940.pdf 176eb5de2a4c0ae7729e90f718b53c40 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC HARPUR COLLEGE SYMPHONY ORCHESTRA STEFAN BAUER-MENGELBERG, conductor Sunday, Oct. 31, 1971 - 8:15 PM Don A. Watters Theater �ORCHESTRA PROGRAM Fingal's Cave Overture ("The Hebrides") Felix Mendelssohn (1809-1847) Symphony No. 8. in G major, Op. 88 Antonin Dvorak (1841-1904) Allegro con brio Adagio Allegretto grazioso Allegro, ma non troppo IN TE RMI S S ION Concerto No. 1, ind minor, for Piano and Orchestra, Op. 15 Johannes Brahams (1833-189 7) Maestoso Adagio Rondo: Allegro non troppo Paul Hersh, soloist VIOLIN FLUTE Eric Lewis, Concertmaster Betsy Ross John McLeod, Principal 1 second violin Valerie Vastola Andros Andrea Piccolo Barton Mary Valerie Vastola William Bergman OBOE Click Alice Stan Moshman Cramer Browning Dorian J . . Scwartz Feigin Diane ENGLISH NORN Paul Friedman Dorian J. Schwartz Paul Goodman CLARINET Joanne Jenner Wendy Osteyee Andrew Jennings Berkowitz Sheldon Mannis Arthur BASSOON Oscar Maxwell Carol Shapiro Daniel Mowery Douglas Epstein Robert Rozek. FRENCH HORN Mark Sokol Janice DeWolf Martha Strassberger Cindy Weldon Michael Sturm Brett Brackman Joan Tanenhaus Stuart Reeve Debra Tank.low: TRUMPET Lydia Werbizky Robert E. Lindstrom VIOLA Dave Hibbard Andrew Berdahl, Principal TROMBONE Peggy Ack.er Mike Rosen Zelman Bok.ser Dave Beaudreau Pat Foley Grant Sullivan John Kochanowsky TUBA Carolyn Lohman Keith Balser Joyce Stetzl TIMPANI Willy Sucre Joseph A. Roma, Jr. CELLO Judith Glyde, Principal Rachel Abbey Miriam Diamond Norman Fischer Sarah Hartshorne Carolyn McIntosh Timothy Perry J ennifeer Rae Fred Raime BASS Robert Keith Kolber Michael Sanders Robert Scott Taffet � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:48:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63535 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63535">Harpur College Symphony Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Symphony Orchestra, October 31, 1971 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mendelssohn, Dvorak, and Brahms. Held at 8:15 pm, October 31, 1971, Don A. Watters Theater Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1971-10-31 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mendelssohn, Felix, 1809-1847 Dvorak, Antonin, 1841-1904 Brahms, Johannes, 1833-1897 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020073387 39091020073338 39091020073288 39091020073239 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27:46 47:12 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54386">Harpur College Wind Ensemble Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Wind Ensemble Recital Tape 1965-2-14 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Frescobaldi, Persichetti, Haydn, and Dvorak. Creator An entity primarily responsible for making the resource Harpur College Wind Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Frescobaldi, Girolamo, 1583-1643 Persichetti, Vincent, 1915-1987 Haydn, Joseph, 1732-1809 Dvořák, Antonín, 1841-1904 Date A point or period of time associated with an event in the lifecycle of the resource 1961-02-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019619349 https://omeka.binghamton.edu/omeka/files/original/56261ed1cddd0d0aaf792b9c0a40aea8.pdf eceaff114b29a661aa168aee13c2bd26 PDF Text Text CONCERT THE HARPUR COLLEGE WIND ENSEMBLE �OFNEW STATE UNI VEHSITY YORK AT BINCHAMTON Tl-I E DEPAHTMENT OF M USI C presents TI·IE Harpur College Wind Ensemble ROBERT WERNE .R, Conductor SU ND AY, FEBH UAHY 5, 1967, 8: 15 P.M. l·IAllP UR T H EAT ER PROGRAM Norwegian March .................................... Johannes Hanssen "Valdres" First Suite in þÿE&m .............................................. .................... Gustav Holst Chaconne, Intermezzo, March .... Louis Jadin Symphonic for Band . T ra.uersinfo nie . ...................................... Richard Wagner Chester O verture ......................................................... William Schuman - INTERMISSION - . . Vittorio Giannini Fantasia for Band . Serenade No. 12 in C Minor ...................... Wolfgang Amadeus Allegro, Andante, Minuetto in Canonc, Allegro Mozart David Vittam and Geoffrey Barron - Oboe Candace Duncan and Arthur Abrahams - C larinet Tim Sm ith and Faith \ Vagncr - French hom Steve Walker and Dennis Williams - Bassoon Incantation and Dance ........................................ John Barnes Chance evening's performers witol thebe held in A RECEPTION honoring this the Faculty Lounge adjacent follo wi11g the concert. The audience is cordially invited to attend. �PROGRAM NOTES The Wind Ensemble as we know it today came into being through the efforts of Frederick Fennell at the Eastman School of Music in t he early 1950's. Mr. Fennell crea ted a wind and percussion organization with a basic instrumentation from which all ty pes of wind and percussion ensembles could be derived in almost countless combinations. Basically the instrumentation of this wind group is the same as that which developed in the late Nineteenth Century as the wind and percussion section of the large romantic symphony orchestra. By the use of various combinations within the \Vind Ensemble the conductor has at his disposal the resources, with but few exceptions, for all the great music written fo r wind instruments from the Sixteenth Century to the form idable contributions of our leading contemporary composers. The literature serenade of for th e Wind Ensemble is virtual ly limitless and it Mozart, early band military of Hanssen and music of Jadin a and Wagner, the examples of composer Holst, strains the marchin Schuman This medium reflected by the compositions of to wind and offers the listen cussion playing which can now have appeal even fo r the music critic who fo nncrly may have denounced bands fo r their unwield iness or saccharine pedestrian taste. T he \Vind Ensemble is not a replacement for the traditional Concert Band, but rather an important supplemen t to the American band program which seeks a vital means of musical expression. With this rationale for the Wind Ensemble our program was chosen to show some of the diversified approaches, through the centuries, in writing for wind instruments. At the tum of the Twentieth Century, the wind band began to change its idiom from one of primarily military and functionalintended ceremonial music major works in this newly evolving literature was the First Suite for Band in þÿE&m by Gustav Holst, composed in 1909. AJI of the musical material for the three movements is taken from the opening Chaconne theme. Its development throughout the composition shows a composer of un- the common technique who with applies awareness skill. It is more than fi tting that this work has been called "the authentic projenitor and fo undation stone of the modern repertoire of concert music for band." The Symphonic fo r Band by Jadin is a product of the Fren ch Revolutionary period in which the wind music showed a combination of its military background and the existing classical style.like Quitethe un- Viennese class �th.is time this "Symphonic" turns out to be no more than a one movement sonata fo nn . It was written for a small wind band as typical of the period. In contrast, the Trauersinfonie of Richard Wagner com• posed in 1844, fo r the fu neral cortege of Carl Maria von Weber, uses a much larger wind ensemble than utilized by Jadin. This music based composed Century. directly for the stands as one of the few significant works T he Serenade in C minor is an unusually profound work by comparison wi th most of the other works in this fo rm written for wind instruments by either Mozart or his contemporaries. It was written in July, 1784, th e same month as his "Haffner'' Sym phony. 1t is interesting to note that some of the most deeply moving music that Mozaart ever wrote was written in the key of C minor and it tJ1crefore must notby accident thathe turned toTheused with t key instruments in telling writing thi Serenade. to achieve an interplay of both a very stringent quality, particularly his Mozartian lyrical motifs. The Serenade is scored for pairs of instruments as they were used in the classical symphony orcl1estra. The remainder of the program is devoted to three contemporary works. The Fantasia fo r Band is perfonned in memoriam of Vittorio Giannini who died November 28, 1966. Mr. Giannini was a composer and music educator of the first order. His effect upon t he band music of the past decade has been of importance in bringing to this literature a significant number of compositions in the dramatic neo-romantic tradition. This Fantasia composed in 1962 is a good example of hi s works fo r band . Both the Chester Overture and the Incantation and Dance make effective use of tJ1e percussion section for striking tone colors and rhythmic effects. The fonner is based on a tune appeari ng in 1778 in a book of tunes and anthems composed by William Billings. Chester became the most popular song of the American Hcvolution, being sung arou nd the campfires of the Continen tal Anny and played by fifers on the march. It was the unofficial national antJ1cm of the Revolutionary pe riod . The final work is a product of tJ1e Ford Foundation Young Composer's Project and was written fo r the Greensboro, North Carolina Senior High School Band where Mr. Chance was a composer in residence. Hs use of the tona l resources of the entire wind and percussion spectrum in the modem band are exceptional. Its relationship to the Rite of Spring must be more than accidental in its dependence on the polyrhythms and elementary hannonizations of th.is style known as "primitivism." Program notes by Robert Werner �WIND ENSEMBLE PEHSONNEL l'iccolo Kadleck, Marsha Flute Kadleck, Marsha Shulman, Barry Gira, Debbio Fintushel, Eliot Kadum, Jo Anne Oboe Eddy, Scott Barron, Geoffrey Bassoon Arnold, Thomas Williams, Dennis þÿE&m Clarin et Duncan, Candace Clarinet Abrahams, Arthur Duncan, Candace Hymes, Allan Joffee, Monte Wurtzel, Gary Knox, Nancy Noel, Paul Villani, Susan Rejszel, Rosemary Todd, Joyce Alto Clarinet Halpern, Judy Limbacher, Honda Bass Clarinet Kingsbury, James Alto Saxophone Shapot, Susan Blakesly, Trudy Tenor Saxophone Marion, Edward Baritone Saxophone Fry, David Cornet Williams, John Kaplan, Nathan Boor, Peter Utter, Glenn Trumpet Dutcher, Douglas Jacobson, Craig French horn Maragus, Nick Smith, Tim Wagner, Faith Bogusky, Joyce Baritone Baldon, John Beach, Ole Trombone Starr, Michael Sprague, Andrew Sullivan, Grant String Bass Blanton, Lynn Tuba Leiden, Steven Smith, Bill Prensky, Stephen Timpani Crowe, David Percussion Granger, Christian Ale...:andcr, Donald Cordon, Jeff Mallinson, Gary � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:25 28:54 12:23 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59484 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59484">Harpur College Wind Ensemble Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Wind Ensemble Recital, February 5, 1967 Subject The topic of the resource Concerts Description An account of the resource Works of Hanssen, Wagner, Schuman, Mozart. Held at 8:15 pm, February 5, 1967, Harpur College Theater. Creator An entity primarily responsible for making the resource Harpur College Wind Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-02-05 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Hanssen, Johannes, 1874-1967 Wagner, Richard, 1813-1883 Schumann, Robert, 1810-1856 Mozart, Wolfgang Amadeus, 1756-1791 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Harpur College Wind Ensemble Recital.pdf https://omeka.binghamton.edu/omeka/files/original/99527aa52b9378e4325db3743f0965e4.pdf 6c6ce2f6a6c97fa42f93b855adb276e7 PDF Text Text N TO M A H G IN B AT K R YO W NE F O TY SI ST AT E UN IV ER HARPUR COLLEGE T H E D EP AR TM ENT O F M USIC E L B M SE N E D IN W E EG L L O C ’R PI R T H E H A Al be rt Ha mm e, Co nd uc tor Su nda y, Ma rc h 9, 1 96 9, 8 :15 p. m. Ha rpur Coll ege T he ate r �PROGRAM lmpro mptus for Six Woodwinds P restissimo Adagio Andante Vaclav Nelh ybel ite Gothic Su Leon Boellman Chorale Priere a NotreDame Toccata Presto Harpur Clarinet Choir Allegro Dale Kleps, Clarinet Marsha Kadleck, Piccolo Caroline Glaiber, Flute Geoﬀrey Barron, Oboe Linda Crane, Bassoon Choric Quintet (1963) John Chapman, Cla rinet Bewegte Vie rtel Schnell Hans Ulrich Staeps Collegium M usicum — Wi lburn Newcomb, directo r Trio for Brass Leggiero Andante Interm ission Vaclav Nelh ybel Band Three Pieces for Partial sonata for Brass Allegro Andante Rondo Jerry ll. Bi lik Contrasts f or Percussion Overture for Woodwinds Them e and Varia tions Tom Sigler, Trum pet Grant Sullivan, Trombone Bettsie Par k, Ma tthew Goldstein, F rench horn Quartet for Saxophones Poco Adagio Largo Vivace Minuetto Divertimento for Alto Saxophone Soloist: Robert Pomlﬂ Bass Tim Craig, Drums John Chapman, P iano Lynn Blanton, Robert Linn George Panuthos, Tenor Sue Eilenberg, Soprano Charl es Ste inman, Baritone Martha Schad, Alto Sonata A Quattro Jack L . Martin George Washington Bridge William Schuman Johann Wilhelm H ertel Stuart Reev e, Ma tthew Goldstein, F rench horns Louise Belsky, Douglas Epstein, Bassoons ga and Gamma Sigma Sigma. Ushering courtesy of Alpha Phi Ome �PR OGRAM NOTES Tonight ’s program inc ludes wind and pe rcussion literatu re w ritten for small as well as la rge ensembles. Tw o of the selections a re tran sc riptions. Gothic Suite was or iginally wr itten to be played by or ga n, piano quartet or cello ensemble and has been transcribed for cl ar ine t choir by Dale O. Casteel. Jack Martin’s jazzstyled compositi on for alto saxophone and orchestra was transc ribed for band shortl y a fte r i t was p re miered by the Bi ngha mton Symphony in 196 5. Contemporar y Chambe r Music for wind instruments is repres en ted by two com posit ions of Vac lav N elh ybel, Im prom ptus for Six Wo odwinds and Trio fo r Bras s, together wi th Quartet fo r Saxo ph on es by Robe rt Li nn and Charts Quintet by Hans Ul rich Staeps. The latter presents contemporar y music written for wind inst ruments of the antique va riety. Mr. Staeps, one of the leading composers of recorder music, w rites lyrical melodies, harmonized in the tertial idiom. The quartet for two horns and two bassoons was w ritten in and was designed to be played at banquets in the court of Schwerin 17 54 . Th ree Pi ec es for Par tia l Band is designedto demonst rate the te and tonal capacities of the three instrumental families that a re cochnic al mbined to produce the organization that is commonly refer red to as t he Wind Ensemble. Of the three pieces, the Ove rtu re f or Woodwinds is t int riguing. The thematic material f or this work is derived f rohe most m three distinct motives that are presented one at a time in the ear ly sections of this composition. However, what creates the int rigue me ntioned ea rlier is the wa y Mr. Bi lik has used the woodwind fami ly. No t o nly does this family have its own soprano, alto, tenor and bass vo ices, but each subdivision (with the exception of ﬂutes in this particular cas e) has the same quality. Bi lik has taken advantage of this situatio n in the early development of his composition, and has purposely avoid ed th is sa me si tuation i n the later stages . The ﬁnal e for this conce rt is an Impression f or Band that was co m missioned by the Michigan School Band and Orc hest ra Associa tion c irca 1950. This work is an outstanding landmar kof w ind ensemble literature i es a c ha lle nge to t he pe rfo r me rs by co mb ini ng lytonal sec and provid po! tio ns with exposed rh yth mical “tutti” se ctions. M r. Sc huma n has des cr ibed George Wash ington B ridge in the fo llowi ng manne r : “T he re ar e f ew da ys in the yea r w hen I do not see G eo rge W as h ington Br idge. I pass it on my way to wor k a s I dr ive al on g t he Henr y H udson P ar kway on New Yor ksho re. Ever si nce m y s tud ent da ys w hen I watc hed the prog ress of its construction, t his br idge ha s had fo r me an a lmost h uman pe rsonal ity. and t his pe rson ali ty is astonishing ly va ried, assuming diﬀ er ent moods depe nding on the tim e of da y or night, the wea the r, traﬀi c, and my own m ood as I pass b y. “l ha ve walked ac ross it late at night when it was shroud ed in fog and du ring the br ill iant sunshine hours of midday. [ ha v e dr ive n over it countless tim es and passed unde r it on bo ats . Coming to New York City by air, sometimes 1 have been luck enough to ﬂy right over it. It is diﬀicult to imagine a No y re gracious welcome or dramatic entry to the great m et ropolis . WI ND ENSE M BL E PE RSON NE L PI CC OLO Kadleck, Mar sha FL UT E Kadleck, Marsha Merle y, Bruce Glai be r, Ca roline Ki lthau, Bar ba ra Ce rr ino, Carol Forman, Nanci Fi nkelstei n, La ura Taft. Claudia OBOE5 Barron, Geoﬀrey Krauss, F rancis Anke r, Stephen ENGLISH HO RN Ba tton, Geoﬀre y BASSOON Louise a m i l y Epste in, Douglas CL A RI NE T Keap lpsma , Dn, aleJohn Ch Schab, Jean Ma rcus, David Birenbaum, Daniel Sophrin, D iane Joﬀee, Monte Bier man, Joseph Pu rnhage n, Ja nice Ludovico, Clai re Freedman, Joseph Eb CLA RINET Birenbaum, Daniel AL TO CL ARIN ET Limbache r, Ronda Coots, J ulia BASS CL ARIN ET Da ino, Ralph Pe rnick . Ralph CONT RA A LT O CL ARIN ET Gregor y, Susa n �ALTO SA XOPHONE Eilenberger, Sue Schad, Martha BARITONE Goldenberg, Harry TROMBONES Baldon, John Demilio, Tom Sullivan, G rant TENOR SA XOPHONE Panuthos, George BARITONE SA XOPHONE Steinman, Char les TUBA Prensky, Steve Wilson, Robert CORNETS Williams, John Sigler, Tom Coye, Judy STRING BASS Blanton, Lynn TRUMPETS King, Jean Senft, Jack PERCUSSION Craig, G. Tim Mirsky, Robert Block, Richard Compton, Rick FRENCH HORN Salkin, Philip Reeve, Stuart Park, Bettsie Edleson, Rosalind Goldstein, Matthew Cepero, Max Kroll, Marvin Clark, Bill LeBous, Ferris COL L EGIU M MUSICUM P ERSONN E L Joseph Reale, Soprano Recorder Barbara Hull, A lto Recorder Susan Cooper, A lto Recorder Donald Robbins, Tenor Recorder Wilburn Newcomb, Bass Recorder FUTURE EVENTS SUNDAY, MARCH 16, 8:15 p.m. Recital Hall, No Charge STUDENT COMPOSERS CONCERT Students of Karl Korte WEDNESDAY, MARCH 26, 8:15 p.m. The College Theater, Admission Charge THE GUARNERl STRING QUARTET Spring Chamber Music Series TUESDAY, APRIL 8, 8:15 p.m. The College Theater, Admission Charge NEW YORK WOODWIND QUINTET Spring Chamber Music Series PLEASE NOTE: The New York Woodwind Quintet concert scheduled for April 7, has been rescheduled for APRIL 8, 8:15 p.m., in The Col lege Theater. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:53 23:56 36:30 OHMS Object URL Harpur College Wind Ensemble Recital <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59214">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59214</a> Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59214"> Harpur College Wind Ensemble Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Wind Ensemble Recital, March 9, 1969 Description An account of the resource Held at 8:15 pm, March 9, 1969, Harpur College Theater. Works of Nelhybel, Staeps, Linn, Hertel, Boellman, Bilik. Creator An entity primarily responsible for making the resource Harpur College Wind Ensemble Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-03-09 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Nelhybel, Vaclav Staeps, Hans Ulrich, 1909-1988 Hertel, Johann Wilhelm, 1727-1789 Boëllmann, Léon, 1862-1897 Bilik, Jerry H. Linn, Robert State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020095638 39091020095893 39091020095943 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46: 23 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128565">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE128565</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Camille Thurman, April 23, 2015 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Cahn, Stordahl, Weston, Monk, Byron, Harris, Weiss, Shearing, Corea, Goodwin, McHugh, Ellington, Mantoot. Held at 7:30 p.m., April 23, 2015, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Thurman, Camille Carbone, Mike. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2015-4-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/63688cf8ea7ce476a836061ee8f68d87.pdf 4172cad55f1f87b567a63ef14c3ce265 PDF Text Text BI NGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K W [4 0 D E P A R T M E N T HARPUR JAZZ ENSEMBLE DIRECTED BY MIKE CARBONE F EA TU RI NG J eﬀ Stock ha m, t r u m pe t « french hor n M ike D ubaniewicz, saxo phone A Thursday, November 20, 2014 7:30 p.m. Osrcrhout Concert Theater �2c) P ROG RAM (93 FIRST HALF G roovin ’ High..... . Embraceable Y o u . . . . . . o i o c . George Gershwin and. ‘ G Arrangedey’ ' i Love Chan t. . t eeseria ns ,,. G e e s e s t e e s r r e n a s You Don’t Know What Love Is. A Waltz for Patrice o o u u n u m n o u ‘ RRs Souled Out....Emilio Cast illo SECOND HALE? Blue... j oooootoaoooir‘ﬂ Castine................. o . . . o o o o o . o o . . n o o u o v u “ 1 ’ Cruisin’ For a Bluesin'. Got R h y asee ns t t er e s e s e n n s t h .3 lCan ’t Help It ......ooueeureencssensuscassassn SLEIGH Like Someone in L o v e .. . ..Emilio Castillo, and Marlon McClain Arranged by M i k e B e Night Train .. . .Stevie Wonder & Sus Arranged by M i ke There’s Only So Much Oil In the G rou nd” ..Stephen Kupk Emillo Castillo Arranged by Mike T‘ �i“ BOUT THE PE RFO RME RS &A TOCK HAM is wellknown to Upstate New York music tsni‘ t J E F F S of the E astman School of Music and a veteran of the renowned zz En: ble,’his performance credits read like a Who’s Who of the fuse 1sic scene. He has perfo rmed with the Central New York Jazz Collective, the Stan Colella Orchestra, the Ma rio DeSantis alcklites, “The Destina tion, Little Georgie & the Shuﬀlin ’ arcat Jass Band, the Syracuse U niversity Brass a s a, ‘ the Be I D the Blue Devils, Atlas, Danny D’lm perio’s Big Band [M i n it he Rochester Philharmonic Orchestra, and ' i ﬁ é ' h a s backed up numerous national artists kw mantra Jr., Rosemary Clooney, Aretha Franklin, r., Robe rt Goulet, Natalie Cole, Johnny Mathis, isch, Jeﬀ Muldauer, Al Martino, Don mg i ”SimplLewis, and many others. He l touring company of Les nationa ¥ , ‘ reago blues guita rist Jim my yalp MPijafzz on French horn. He is on Monk” big band, n p . “Monk 5C! ted States several times, and ‘1 p: » in concert with jazz lum inaries ,no ‘ Wallace Roney, Don Braden, Allen, Diane Reeves, ed e Bobby Porcelli, b a ,s i l S e x t e t. : c . bake” pianist Mike immer «Morris Rose, d / violist Ron M i ' Jazz Ba nd, one of the el included such celebrated 3 2,‘ Joe Magnarelli, Alex Sipiagin, Dave an, Chr is Hunter, Sal G iorgiann i, Luciano 3 ehT , 4 , , NeW’Y’ork Jazz Orchestra, he has performed with a h ost of top jazz artists i ncluding Clark Terry. a , Eddie Daniels, Howa rd Johnson, Houston Person, R‘0ney,‘JOe Locke, Bill Dobbins, Jimmy Heath, Claud io �Roditi, Al Vizzutti, Dan Miller, Byron Str i pling, Michael P h ﬂ lh ; Berg, Anton io Hart, Bob Mintzer, G ary Smulyan, Rufus Reid , Mi . Hampton, K evin Mahogany, Diane Schuur, and many others, 3 1 1 Hailing from Syracuse, NY, MIKE DUBANIE WICZ graduated U niversity of North Texas with a Ba chelor of M usic Educat ion degree that, he moved to New York City to attend the Manhatta n School of pursue a freelance music career. While at the Manhattan Sc hool he pla in the Jazz Orchestra performing wit h such jazz legends as Jo n Hendrix, : Hanna, Michael Brecker, Joe Lovano, and Fran k Foster. M ike r e ce i ve d y Music in Ja zz and Com mercial Music from MSM in 1997. Furthermo he was awa rded the Doctor of M usical Arts degree from the Eastma n Music. From 19982003, Mike toured the world with Maynard Ferguson’sa Nouveau Band serving as a featured soloist a nd music d irector (200203 5“ summer of 2006 he was asked back by Mr. Ferguson to join him on a i e :. culminated at the famed Blue Note jazz club in NYC. Shortly thereafter Mik 132,, Maynard in studio and recorded what would be the trumpet legend’s ﬁnal recording, The One and Only Maynard Ferguson. . h’ Mike has performed in over 20 countries including Thailand, Germ Azerbaijan, Israel, Australia, Russia and Sweden. In add ition, he has sh stage with Aretha Franklin, Phil Woods, Frankie Valli, The Vangu. Orchestra, Slide Hampton, Rufus Reid, and The Temptations. He .E; recorded wi th Phil Ramone, Michael Feinstein, Bobby Shew, Wayne Bergeron Dianne Schuur. , Trumpet legend Mayna rd Ferguson described M ike as a “creative and e 3.5 .i soloist, whose playing is ﬁrst rate”. Noted author, and Jazz Times contrib columnist Ira Gitler calls Mike’s saxophone playing “exploratory". Furthem Scott Yannow; author of ten jazz books describes him as “A swinging saxophonist with a beautiful tone". ‘ . His saxophone teachers have included Jerry Santy, Dick Oatts, Ramon R icker, “ Weiskopf, Ralph Lalama, and Steve Slagle. “ Mike’s arrangements and compositions have been performed by Mayn: Ferguson, jazz pianist Billy Childs and The Eastman School ofMusic Jazz Ense His product endorsements include: Cannonball Saxophones, AMT M icrophon and Bari Mouthpieces. g i In 2009 Mike released his ﬁrst C D as a leader entitled Drive Time (Jazzed In March 09, the C D entered the national charts by breaking into the top Jazz Week.com. ' You can vis it Mike on the web at: www.mdsax.net. �ABOUT THE DIRECTOR 4» Ensemble director, MICHA EL J . CARBONE, is a native of U tica, " l ' . to the Bingha mton area in 1 981 and is an instrumental music ei j6hnson City School district where he currently is Coordinator of ' of Concert Band, and Jazz Ensemble at the high school. He joined on U niversity music faculty in 1997 and serves as the Directo r of the ogram and the Director of the Harpur J azz Ensemble. He holds a : the Crane Sc hool of Music and a M.M. from Bingham ton University. performed as a side man with many wellknown artists including Al ie Cole, Tom my Tune, Mel Torme, The Jimmy Dorsey Orchestra, ' v, 10’s Big Band Bloviation, the Central New York Jazz Orchestra, and us. Mike currently is the saxophonist with the local and popular jazz ? 1 Ahead. THE HA RPU R JAZZ ENSEMBLE 4» OPHONES .hanie Verhage al Sauer m ick Follett ‘ ‘ ' Angyal GUITAR Juntoku Shim izu PIANO Mo “Reese” Taylor nr Vanderaa nielle Stoner ‘. Ft I‘E’IS 7b “ ‘ Barber es (Cole , ' uel Davis na/ Ginsburg i Alice” Xue . on Young ‘M’BONES ' . Jones Marquardt ‘ " kci McG ra th cob Solon BASS Lucas Hennessey Jeremy Raphael DRUM SET Sam Wolﬀ Andy Castillo VIBRAPHONE & PERCUSSION Alexander Strong VOCALIST Inez Nelson �VIS IONS2 0142015 SEASON _ a n ne u m r on, r JoséLuisNovo Q ; “(8mm MI ME 6077233931 www.binghamtonphilharmonic.org ‘ g e ;ﬁl m’sf: “ . . l f —A n n . . ~ A s E A S 0 N o f REVENGE... REVELRY... ; .JKEDEMFTION! W‘ﬂﬁ ALGR IS n u ; witt ipertities Fobtaary 6 &8, 2015 TRI(‘II [lib ‘” = 4 Ti–Cit PERA f A " "» ' ’ . ' u A’B/uuﬁror/y 11 n ; u mn suncil of ~ A ‘ m l ’ l h ‘ 1d the N e w v o w L. 5 W ‘ W ’ I v : Cul tu ra l F u ra . i ; nu! h by the New York tr of < Ann m (’"" "'”‘""“"”‘ es O pe r a m . 5 1 . 1 7 ” ! m the U ( a d Bun u n ty Arts C “ m . “ T h e F o r u m T h e a t r e 2 3 6 W ash ing ton St. ' B inghamton, N Y For tickets call 6 077720400 or » 2 Rak purchase online a t tricitiesopera.com. �1 i ngham t on Com munity Orchestra — 2 1.9 1 '–' l C.) fe Preﬁx/(ﬂy Quality Or chestral afar/077005 f ” ﬁ ,_. i & 20742075 Season The Migh ty H and ful” l aturdaY November 22. 2014 , . _ . l G) 7 H “ H ow Su ite It Is!” !1 V Saturday. February 28. 20 15, . –l¢ Cl.) ._‘£ O Q o — “ Romantic Sp ring” = Saturday, M ay 9, 2015 Q =) Welcoming back to the podium as conductor O >» Dr. Timothy Per ry [as] — . –' Concerts start at 7 pm East Middle School ) Bﬁxhunm,” } 0 ' . Community 167 East Frederick Street Binghamton, N Y 13904 I O rrhesl m i n g h a m t o n C o m m u n i t y O r c h e s t r a . o r g f o r m o r e i n fo r m a t i o n! . www.B i a > Fa lstaﬀ T he B i n g h a m t e n “ i v o r y / [ y * T fI/[lm irr . I ’ l ﬂ l r t m u n l I ) r t ’ 4 { ' ) l [ . . f Act 1 of Verdi’s comic opera “Falstaﬀ” based on Shakespeare’s ”The Merry Wives of Windsor” and a scene from Douglas Moore‘s ‘The Ballad of Baby Doe’ Sunday, De cember 7 at 1 p.m. and 4 pm , in the Anderson Chamber Hall For tickets, call (607) 777ARTS or visit anderson blnghamton edu �B i n g h a m t o n Un i ver si ty M usic D e p a r t m e n t ’ s Co m i ng E ven ts e ﬁ é ﬂ a é b é é ﬂ ﬂ é ﬁ ﬂ é b é i b ﬂ ﬁ b é b ﬁ é ﬂ Sunday, No vember 2 3 – Uniwrsi ty Wind Sym ph ony: I n M emory and I n Tribute – A n Homage i n Music – 3 :00 p.m. – Anderson Center Chamber Hall $7 general public; $5 facul ty/ staﬀ/ seniors/ alumni; free for students 7 – Percussion Ensemble Concert – 7:30 p.m. – Osterhout Tuesday, Dc vnbcr 2 Concert Theater $ 7 general public; $5 fuculIy/Slujj/xcniors/ulumni; free for students Thursday, D c m b e r 4 – Mid1);u’ C on c er t 1:20 p.m. Fine Arts Building, Room 2 1 – free Friday, D e c e m ber 5 Flute Studio and Flun.~ Chamber Concert 10:45 (1.771. Casadesus Recital Hall free Friday, December 5 Holiday Oman Concert featuring Jonathan Burgers 7:30 p.m. – United Presby terian Church, 42 Cheango Street, Binghamt on $5 genera l public; free for students Saturday, December 6 – University Symphony Orchestra: From the New World 3:00 p.m. – Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Saturday, D ecember6 Italian Dielion Class Recital 7:30 p.m. Casadesus Recital Hall free Sunday, December 7 – First Act o f Verdi’s ”I"'a lstaﬂ”– 1 p m & 4 p.m. – Anderson Center Chamber Hal l – $ 1 0 general public; $ 7 faculty/staﬀ/seniors/alum ni; $ 5 for students Tuesday, December 9 – Piano Ensemble Concert – 7:30 p.m. Casadesus Recital Hall free H’cdnaﬁlay. December 1 0 – Nukporfe African Drumming and Dance Ensemble – 7:30 p.m. W’uucrs Thea ter 5 5 general admission at the door Thursday, December 1 1 Ho liday Mid–Day Concert 1 : 2 0 p.m. Casadesus Recital Hall free Thursday, December 1 1 H arpur Chora le and l l bmcn '.~' Chorus Ho liday Concert 7 : 3 0 p.m. – Trinity Mum unul Church, Binghamton – u free donation will be collected m t he door h ar bon é ib n ﬁ i é o a é é ﬂ ﬁ é u é ib n é f a ﬂ é é n é é n é é n é é ﬂ ﬁ w é ' — E a p l = [ w m ] For tickets or to be added to our email lbl, visit anderson .bi nghamt on .edu or (till ( 607 ) 777ARTS. For a mmplclc lni of o u r concerts (till ( 607 ) 7772592, r im music.binghamt on.edu or beco me a fan on Facebook. 1}. you were inspired by this performa nce, rou nder supporting the Department of Music with l l ﬁnancial gift. Your supporl helps to continue the work of students, faculty, uml guest artists rind (heir contributions to our community. Please make your donation payable m the Bmgluimlon University Music Department, mid send your check to B u M usic Department, l’,( ). Box 6000, Binghamton, N Y 1 390 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57m 11s Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Jeff Stockham and Mike Dubaniewicz Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Gillespie, Gershwin, Gershwin, Raye, DePaul, Taylor, Castillo, Kuupka, McClain, Shrew, Beach, Shutack, Weber, Wonder, Green. Held at 7:30 p.m., November 20, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Stockham, Jeff Carbone, Michael Dubaniewicz, Mike Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Gillespie, Dizzy, 1917-1993 Gershwin, George, 1898-1937 Gershwin, Ira, 1896-1983 Raye, Don DePaul, Gene Taylor, Mark Castillo, Emilio Kupka, Stephen McClain, Marlon Shrew, Bobby Beach, Doug Shutack, George Weber, Andy Wonder, Stevie Green, Susaye Date A point or period of time associated with an event in the lifecycle of the resource 11/20/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d143138c052f70dd7d61382dea42766e.pdf d0b73e820d40c0471377cebb9fcba663 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F NE W Y O R K D E P A R T M E N T HARPUR JAZZ ENSEMBLE DIRECTED BY MIKE CARBONE FEA TU R ING Marko Marci nko Thursday, April 10, 2014 8:00 p.m. Ostcrhout Concer t Theater �ib ABOUT THE PERFORMER ass NDHALFwi ‘ M k M r i n k Program selected from the following: Blue Daniel Frank Rosolino Arranged by Rob McConnell The Chicken. James Ellis Arranged by Kris Berg North Africa Chick Corea Arranged by Mike Tomato Real Loud First Note Blues . Spain mer Tom Kubis Chick Corea Arranged by Dave Wolpe Stealnsville. .Mark Taylor Cosponsored lry the Binghamton University Music Department and the Harpur Jazz Project MARKO MARCINKO came onto the in ternational music scene in 1994 while touring and recording with trumpet legend Maynard Ferguson. Marko served as drummer and arranger tor Ferguson and his Big Bop Nouveau Band for three years. Marko ap pears on the Concord Recording “One More Trip To Birdland", Born in Archbald, Pennsylvania, Marcinko studied technique with drumming master Joe Morello and continued his training at the University of Miami where he studied classical, jazz, brazilian and at’rocuban styles under professors Fred Wickstrom, Steve Bagby, Steve Rucker, Harry Hawthorne and Ney Resaro. Over the years, Marko has played with jazz greats Joe Henderson, Phil Woods. Clark Terry, Bob Dorough, Red Rodney, Michael Brecker, Randy Brecker, Mulgrew Miller, Mike Stern. Tierney Sutton, Terrell Staﬀord and W ill Lee. Other notables Marcinko has worked with include: Jon Secada. Joan Rivers, Connie Francis, Don Rickles. Melba Moore, Juan Gabriel, Clay Aiken, Jay Leno, Bob Newhart and Nicol Williamson. During his years in the music industry, Marcinko has worked as a freelance musician playing drum set, percussion, piano/keyboards, bass guitar and trombone. He has also served as a studio session player, arranger, musical director and producer for numerous commercial jingles, indiei’ilms and oﬀ broadway / club and theater engagements. Currently, Marcinko tours and records with jazz saxophone icon and NEA iazz master Dave Liebman. Discography includes: The Dave Liehman Group, “Conversation” SunnySide Records, “Blues Always”, Omni Tone Records, “Back On The Corner” Tone Center Records, “Beyond The Line”, Omni Tone Records. “TumAround” the music of Ornette Coleman, Jazzwerkstatt Records, “As Always” The DLBB Live. MAMA Records. You can also hear Marcinko’s drumming and arranging on “Essentials ” C D a retrospective of Maynard Ferguson. Marko more recently has been touring and recording with The Organik Vibe Trio featuring multi Grammyaward winning jazz great Dave Samuels. CD titled “Moscow” The Organik Vibe Trio. Mr. Marcinko is also an adjunct professor of iazz studies at Penn State University, State College. PA. He also serves as the artistic director for the Scranton Jazz Festival, The Pa Jazz Alliance and the Keystone College Jazz Institute. For more into on Marko Marcinko please visit www.markomarcinko.com. Marko endorses Zildjian Cymbals, Yamaha Drums, Vic Firth Sticks and Aquarian Drum Heads. �Binghamton University Music Department’s Upcoming Events o é é o – é é o o a i é n é ’s é n ﬁ f a m é b n é ‘ s é n é é n é f a e Thursday, April 24 MidDay Concert 1:20 p.m. Casadesus Recital Hall free Saturday, April 26 – Senior Recital: Kerianna Krebushevski, soprano 8:00 p.m. Casadesus Recital Hall free Sunday, April 27 Senior Recital: Paul Watrobski, cello 1:00 p.m. Casadesus Recital Hall free Sunday, April 27 – University Chorus and Wind Symphony Concert: An American Music Celebration 3:00 p.m. Osterhout Concert Theater $10 general public; $7 faculty/staﬀ seniors; $5 for students Sunday, April 27 Master’s Recital: Seonghyang Kim, piano 7:30 p.m. Casadesus Recital Hall – free Tuesday, April 29 Piano Ensemble Concert 8:00 p.m. Casadesus Recital Hall free Thursday, May 1 MidDay Concert 1:20 p.m. Casadesus Recital Hall free Thursday, May 1 GrammyAward Winning vocal guest artist Jacqueline HomerKwiatek 8:00 p.m. Casadesus Recital Hall $5 general public; free for students Friday, May 2 – Flute Studio and Flute Chamber Concert 11:30 a.m. Casadesus Recital Hall free Friday, May 2 – TriCities Opera presents Strauss’ Die Fledermaus 8:00 p.m. The Forum Theatre call (607) 7 7 2 0400 for tickets Saturday, May 3 University Symphony Orchestra : Symphonic Smorgasbord 3:00 p.m. Osterliout Concert Theater $7 general public; $5 iacu lty/sta l l/se n iors; free for st udents W W W 0 5 m m For tickets or to be added to our email list. visit anderson.binghamton.edu or call ( 6 0 7 ) 777ARTS. For a complete list of our concerts call (607) 7772592, visit music.binghamton.edu or become a fan on Facebook. o f [ = E B 2 If you were inspired by this performance, consider supporting the Department of M usic with a ﬁnancial gi ft. Your su p port helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P O . Box 6000. Binghamton, N Y 1 3902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51m 39s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75021">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75021</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Marko Marcinko, April 10, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Simon, Alston, Skeets, Sherwin, Maschwitz, Bliztein, Weill, Ellington, Mills, Davis, Coleman, Leigh, Lind, Willis, Hooper, Nestico, Rosolino, Ellis, Corea, Kubis, Taylor. Held at 8:00 p.m., April 10, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Marcinko, Marko Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Simon, Paul Alston, Jon Skeets, Campbell Sherwin, Manning Maschwitz, Eric Bliztein, Marc Weill, Kurt Ellington, Duke, 1899-1974 Mills, Irving Davis, Miles Coleman, Cy Leigh, Carolyn Lind, Jon Willis, Allee Hooper, Less Nestico, Sammy Rosolino, Frank Ellis, James Corea, Chick Kubis, Tom Taylor, Mark Date A point or period of time associated with an event in the lifecycle of the resource 4/10/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/c44efcf3d8116fec38fe73ef197aa264.pdf 881b5a92509872628b2f5a6215843e55 PDF Text Text BINGHAMTON UNIVERSI TY STATE UNIVERSITY OF NEW YORK featuring Sherrie Maricle, Drum Set Jennifer Leitham, Bass with Mike Carbone, §axophone and Flute Bill Carter, Piano CamilleThurman, Tenor Saxophone Al Hamme,Alto Saxophone Thursday,April23, 2009 I :20 p.m. Osterhout Concert Theater Co-sponsored by the Department of Music and the Harpur .Jazz Ensemble �PROGRAM The program today will be selected from the following and announc ed from the stage: All Bets Are Off.... ... ........... ... ... .. ... .... .... .. ...... .. ..... ..... . Bill Carter Beat the Meatles .... ..... ..... ........ ... ... ................. Jennifer Leitham Room 777 ........ .......... .. .. .................... ........ .... ..... Sherrie Maricle Take Ten ....................... .......... ........ ...... .............. Paul Desmond arr. by Bill Carter Take Your Pick .. .. .. ..... .. ................ ...... ....... ...... . by Hank Mobley arr. by Don Sickler The Preacher .. .. .......... .. ................. .. .. ............. .. .... Horace Silver arr. by Al Hamme Sherr ie Maricle: drum set Jenni fer Leitha m: bass Bill Carter: piano Al Hamme : alto saxophone Mike Carbone: saxophones & flute Camille Thurman: tenor saxophone �•·ABOUT THE PERFORM ERS SHERRIE MARICLE is not only a jazz artist and composer, but a teacher and music director as well. From the drum set, Maricle leads her big band The DIVA Jazz Orchestra and her quintet AVE PLAY. From carnegie Hall, she performs with The New York Pops and is also the orchestra's Director of Education. As a music director, Maricle works with acclaimed Broadway star Maurice Hines. As a teacher she runs a private drum set and percussion studio and is also a conductor for The New York Summer Festival. She is also a busy freelance performer and a published composer/arranger in both the classical and jazz mediums. With The DIVA Jazz Orchestra and FIVE PLAY she has performed at many of the world's most acclaimed music venues including: carnegie Hall, Lincoln Center, Tanglewood, the Kennedy Center, the Hollywood Bowl, and major jazz festivals throughout the United States and abroad. DIVA has been featured on CBS Sunday Morning with Charles Osgood, as well as numerous times on CNN Arts Break, and it was highlighted on The 25th Anniversary of the Kennedy Center Television Special and the NHK (Japan) Network's New York Jazz. Most recently DIVA is prominently featured in a documentary film entitled The Girls in the Band, scheduled for a 2009 premier. JENNIFER JANE LEITHAM has been referred to by noted jazz critic Leonard Feather as the "left-handed virtuoso of the upright bass." In addition to her successful performance career, Leitham has appeared on over 100 recordings with some of the giants of jazz music. In addition, she has recorded 7 highly acclaimed CDs of her own. Leitham is best known for her decade long stints with both Mel Torme and Doc Severinsen. She has appeared with many distinguished artists including Woody Herman, George Shearing, Gerry Mulligan, Peggy Lee, Joe Pass, Cleo Laine, Louie Bellson, Pete Rugolo, Bill Watrous, and numerous others. She has also been a member of the Tonight Show All-Stars, The Woody Herman Thundering Herd, Benny carter Quintet, Bob Cooper Quartet, DIVA, and more. A highly regarded educator, she is enthusiastically received as a presenter of workshops and clinics at schools and colleges around the country, and has joined the faculty at California State University Long Beach as a Studio Artist. MICHAEL J. CARBONE, director, is a native of Utica, New York. He moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he is Director of Concert Band and Jazz Ensemble at the middle school. He joined the Binghamton University music faculty in 1997 and serves as the Director of the Jazz Studies Program and a Director of the Harpur Jazz Ensemble. He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University. Carbone has performed with many well-known artists including Al Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D1mperio's Big Band Bloviation, the Central New York Jazz Orchestra, and The Temptations. �THE HARPUR JAZZ ENSEMBLE The Harpur Jazz Ensemble studies and performs big-band repertoire and appears frequently on and off campus. Guests who have appeared in concert with this popular ensemble indude, among others, Clark Terry, "Slam" Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods, Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person and Walter White. Binghamton University Music Department's UPCOMING EVENTS Saturday, April 25th Honors Recital: Elizabeth Sterling, violin and voice, casadesus Recital Hall, 3:00 PM, FREE Saturday, April 25th Junior Recital: Briana Sakamoto, soprano, casadesus Recital Hall, 7:00 PM, FREE Sunday, April 26thUniversity Wind Symphony, 3:00 PM, FREE Anderson Center Chamber Hall Sunday, April 26thHonors Recital: Sarah Sterling, viola, casadesus Recital Hall, 7:30 PM, FREE Tuesday, April 28th Friedheim Memorial Lecture/Recital: Audible Processes - Minimalism and Beyond, Casadesus Recital Hall, 8:00 PM, $$ Thursday, April 30thMid-Day Concert, 1 :2Q PM - FREE casadesus Recital Hall Friday, May 1stFlute Studio and Flute Chamber Concert, 10:15 AM, casadesus Recital Hall, FREE Saturday, May 2ndMasters Recital: Susan Amisano, soprano, casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center Box Office at 777-ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:29 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152254">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152254</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Sherrie Maricle and Jennifer Leitham, April 23, 2009 Recital Tape 2009-4-23 Description An account of the resource Works of Carter, Leitham, Maricle, Desmond, Mobley, Silver, Pediford. Held at 1:20 p.m., April 23, 2009, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Carbone, Mike Carter, Bill Thurman, Camille Hamme, Al Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/09cb7c9b2d4bb14c37f8b6714c002b38.pdf c71297f5737d6c8bf905e7e8d24f96d9 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W YO R K wdec r D E P A R T M E N T HARPUR JAZZ ENSEMBLE FEATURING To m Dempsey, Guitar es er p d ~ A , _ d ? w d y g . A i a t = i . M a” t a M / ” f ” . , ‘ 4 = = e e ? ’ v o n p [ a = M 4 . I “ : gt ﬁ x p — p B f – ; Sl M , .,_, 4» 4 0 “ i r o . PS f g . f L " < "~ 3 2 ? , _ f r d f _ — . , ﬂex / } — a g a , a ' : 3 ) ﬂ . Thursday, A pr il 14, 2011 8: 00 p.m. Osterhout Concert Theater HJFE Directo r: M r. Michae Cosponsored by the Binghamton Un l Carbone iversity Music Department and the Harpur Jazz Project �PROGRAM PA RT .. .. H . Silver .. Filthy McNasty............. Arranged by John LaBarbera D. Ellington & B. Russell Don’t Get Around Much Anymore Arranged by Bill Holman S Nestico How Sweet It Is J. Davis, R. Ramirez, J Ramirez, & J. Sherman Lover Man Arranged by Kai Winding Angelika...........................................................................F.Mantooth .. H. Hancock Chameleon...................................................... Arranged by Jay Chattaway PART II — Featur ing Tom D empsey (To be selected from the following) T Jones A Child Is Born . H. Hancock Dauphin Dance The E I Arranged by Bob Mintzer e v lt Shouldn’t Happen to a Dream 0 Nica’s Dream Sambandrea Swing a t o r P Hand J. Hodges & D. Ellington Arranged by Peter Hand ..H. Silver Arranged by Frank Mantooth D Menza �ABOUT THE PERFORMER Guitarist Tom Dempsey’s reputation in the New York jazz scene for hard swinging sophistication and pure musicality have made him a distinct voice in the New York Jazz Scene. In recent years Tom has performed and/or recorded with a virtual “Who’s Who” of world renowned jazz musicians including: Wynton Marsalis, Paquito D’Rivera, Jim HaII, John Abercrombie, Joh n Scoﬁeld, Tal Farlow, Buddy Montgomery, George Coleman, Kenny Barron, Roy Hayn es, Jack McDuﬀ, Bobby McFerrin, Gerald Wilson, M el Torme, Richard W yands, Muhal Ric hard Abrams, and Dave Brubeck. He has recorded four CDs as a leader: W hat’s Going On (City Tone Records), Perspectives (Imaginary Records), B lues In The Slope (Igmod Records), I f Only We Knew (Self Release). Tom has also recorded as a sideman on many recordings. Since 1992, Tom has been performing as a leader and a sideman at some of the top jazz venues throughout the world including the JVC Jazz Festival, Jazz at Lincoln Center, San Francisco Jazz Festival, The Blue Note, Yoshi’s, Smalls and Smoke. Dempsey has worked extensively with tap dancing virtuoso Savion Gl over in Bring i n ‘da Noise, Bring i n ‘da Funk as well as in live concerts. He has made numerous appearances on New York radio and television including performances on The Rosie O’Donne ll Show and the HBO series Sex and th e City. Tom is an Artist Endorsee for ThomastikInfe ld Strings. Along with his active performing career, Tom Dempsey’s talent as a composer is receiving noteworthy attention. Because of his distinctive sound and style Dempsey’s music has been described as having “ﬁne compositional ability and stylistic accessibility.” His music has been featured on his recordings as well as television and radio programs throughout the world including the HBO hit series Sex an d the City. Tom’s deep commitment to education has made him a highly sought after educator and clinician. In recent years he has been teaching at Jazz at Lincoln Center, SUNY New Paltz, Rutgers University, New York Jazz Academy and as Artistic Director of the Jazz Summit at the National Guitar Workshop. He is also the Director of Music for the National Guitar Workshop. His books Jazz E ras for Guitar, Ea sy Soloing for Jazz Guitar, SightReading for the Contemporary Guitarist and Classic Jazz Styles for Guitar are available through Alfred Music and Workshop Arts. Dempsey has also recorded over 170 online lessons for WorkshopLive.com covering jazz guit ar performance, repertoire developme nt and music theory. Tom received his Bachelor of Music Degree in Jazz Studies from Mason Gross School of the Arts a t Rutgers University in May 1991. In May 1996, he acquired his Masters Degree in Jazz/Commercial Music at Manhattan School of Music. www.tomdempseymusic.com info@tomdempseymusic.com ABOUT THE SERIES l l The Harpur Jazz Ensemble studies and performs bigband repertoire and appears frequently on and oﬀ campus. Guests who have appeared in concert with this popular ensemble include, among others, Clark Terry, “Slam” Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods, Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person, Walter White, Sherrie Maricle, Tia Fuller, Eddie Allen, Bruce Johnston, Steve Davis, Harry Allen, Bill Easley, Jennifer Leitham, Mike Davis, Tony Kadleck, Rob McConnell, Chris Jensen, Eddie Allen, John McNeil, Cynthia Scott, Tony Marino, Ron Vincent. and Chris Washburne. ABOUT THE HARPUR JA ZZ ENSEMBLE l l The Harpur Jazz Ensemble director, MICHAEL J. CARBONE, is a native of Utica, New York. H e moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he currently is Coordinator o f Music, Director o f Concert Band, and Jazz Ensemble at the high school. He joined the Binghamton University music faculty in 1997 and serves as the Director of the Jazz Studies Program and the Director o f the Harpur Jazz Ensemble. He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University. Carbone has performed as a side man with many wellknown artists including AI Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio’s Big Band Bloviation, the Central New York Ja zz Orchestra, and The Temptations. Mike currently is t he saxophonist with the local and popular jazz quartet Miles Ahead. �The 2011 Spring semester of the Harpur Jazz Ensemble includes the following: SAXOPHONES Andrew Block Jasmine Aiken & ZaI Mirza Dean Papadopoulos Ray Hendricks Mercedez Koo 1* alto 2 ” alto 1% tenor 2 ” t enor Baritone Sax TRUMPETS (al phabet ical ord er) Mark Adler Tomasz Falkowski John Marschauser Jeﬀ Martinez Kim Metaxas TROMBONES Nicholas Carter Mo “Reese” Taylor Andrew Rosenberger Jay Bartishevich PIANO Matthew Kos Joey Lieber BASS Paul Watrobski DRUM SET Devan Tracy Alex Gregorio Michael McManamon VIBES Devan Tracy VOCALIST Carrie Buck public service medai for your community PES ane �Bingh amton Unive rsity Music D epartm ent’s 14 POO/V1 / N 4 E V E N T S Friday, A pril 15 – Lecture “M other, Co me and Cure Me”: Son gs o f “ Blind Tom” Wiggins by Stephani e Jensen Moulton – 3:00 p.m. – Casadesus Recital Hall – free Thursday, April 28 – MidDay Concer t – 1:20 p.m. – Casadesus Recital Hall free — Thursday, April 28 – Trump et Studio Concert – 8:00 p.m. – Casadesus Recital Hall – free Saturday, April 30 – Harpur Chorale and Wom en ”s Chorus – 8:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – Wind Sym phony Co ncert: So lo Compe tition Win ners – 3:00 p.m. – Anderson Center Chamber Hall – free Sunday, May 1 – M aster’s Recital: Ja mes Hsia, violin – 7:30 p.m. – Casadesus Recital Hall – free Thursday, May 5 – MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, May 5 – African M usic Ense mble – 7:00 p.m. – Anderson Chamber Hall – free Friday, May 6 – Flute Stud io Recita l – 10:15 a.m. – Casadesus Recital Hall – free Friday, May 6 – Faculty Re cital: Jina h Lee, pia nist – 8:00 p.m. – Casadesus Recital Hall – $5 general public Saturday, May 7 – A frican Dr um Ense mble – 3:00 p.m. – Library Tower (Spring Fling) – free Saturday, May 7 – Master’s Recital: Robert M uller, French h orn – 3:00 p.m. – Casadesus Recital Hall – free Saturday, May 7 – Student Recital: B riana Sakamoto, so prano – 8:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – U niversity Chorus w ith the Universit y Symph ony Orchestra: Mass M asterwor ks – 3:00 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staﬀiseniors; free for students Sunday, May 8 – Senior Voi ce Recital: Samantha Banton a nd Molly AdamsToomey – 1:00 p.m. – Casadesus Recital Hall – free Sunday, May 8 – Senior Hon ors Recital: J ieun Jang, piano – 7:30 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center Box Oﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:39 40:31 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE145517</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Tom Dempsey, April 14, 2011 Recital Tape 2011-4-14c Description An account of the resource Held at 8:00 p.m., April 14, 2011, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Dempsey, Tom Carbone, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-04-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound