48 10 1775 https://omeka.binghamton.edu/omeka/files/original/dd8fa26968ef9225b46d7749dc85931a.pdf 96c7c7ac6abafcf6576c725c2f5693e0 PDF Text Text BINGHAMTON U N I V E R S I T Y S t a t e  linit’ersit y­ of  N e w  Y o r k —  tedee D E P A R T M E N T University Symphony O rchestra ‘Suite Diversions’ Timothy Per ry, Conducto r Georgetta Maiolo, Flute Soloist l I October 14, 2007 7:30 p.m. Anderson Center Osterhout Theater �University Symphony Orchestra Program Timothy Perry. Director Suite in A minor for Flute and Strings......... Georg Philip Telemann Flute/Piccolo(*) Erica Leo Valerie Spiller Missy Voldan* Oboe/English Horn Marissa Ludwig Maxwell Rosenberg Clarinet Matthew Hassell Bethany  Bonhotf Gregg Ackerman Alexander Vincenzi Bassoon Eleanor Sonley Martha Weber French Horn Diana Amari Kristie Cummings Alexa Weinberg Robert Muller Matt Rek Trumpet Daniel Fein Anne Meyer Trombone Rick Mokan Thomas Ignacio Tuba Katherine Winchell Percussion Amanda Jacobs Caleb R. DeGroote Kelly Tufo Lee Vininsky Stephanie Lehman H arp Mary  Schappert Ke y board Karmi Knight­Winning Harpsichord Prof. Chai­Ky ou Mallinson V iolin I Akira Maezawa Solomon Da w son Elizabeth Sterling Hyobin Lee Eric Lewis Clark Griffin Sargent Erin Chang Janet Kim Yang Hu Erika Chin Eileen Tam Ye­Won Kwak Violin 11 Boaz Tingson Aileen Giselle Ra Andreana Ferro Amy Honigsberg Dana Kerker Beth Vayshenker Molly  Ariotti Richard Goldman K ev in Acunto Christ ina Laube Rachel Jacobs V iola Sarah Sterling Sarah Kuras Joseph Giliberti Shane Thorn Jeffrey  Kuhn Axexandra Burkardt Kelly Singer Janet lev ins V ioloncello Emily Creo Jennifer Chen Air a I ’ltalien Polonaise Réjouissance Georgetta Maiolo, Flute Solo i n Petite SHITE  o En  Bateau    .  .  ...Claude LEDISSY (1862­1918) Menuet Ballet Suite from “The Three­Cornered H a t  ....................Manuel De Falla (1 876­1 946 ) Fan fare  A ft e rnoon The Neighbor’s Dance ( Seguidilla ) l‘he M iller ’s Dance ( Farruca ) Intermiss ion Daniel Copel Jennifer Chen Serena Murray David Katz Owen Dombert c Cortegc Holly  A gar Ry an Joy ce C ontraba s s Stephen Brook s Rachel Casey (1681­1767) Overture: (Lento­Bewegt)  Minuet I &  11 S la vonic Dances, Op. 46.....  .  .  .  .  ..  .  ..  ..Antonin Dvorak (1841­1904) No. 5 in  A Major  No. 6 in D Major No. 7 in C Minor No. 8 in G Minor * * * * * * * * * * * * * * * * * * * # * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Thank  You for joining us  today  we appreciate your support of l i v e  music by our y o   .  .  .  nd  s t u d e n t ­ m u s i c i a n s   J o i n  u s  f o r  o u r  n e x t  c o n c e r t  o n S  u n d a y ,  D e c e m b e r  2”  i a t  3 : 0 0  / ’. . \ l ,   for a program of brilliant music f r o m the movies. A backstage reception i n  honor of P r o f.  M a i o l o ’ s  40 years of tea c h i n g  f o l l o w s  the c onc er t  f o l l o w  signs. �About the Music This  evening  celebrates  the  diversity  o f one  o f orchestral  music ’s  most  common genres, the suite. ( from the French word for “following” or “succeeding’). We offer for y our enjoy ment a potpourri o f national sty les and historical periods whose organi zing principle ranges  from more  formal (Telemann) to  decidedly  more  casual (Dvorak) interpretat ion o f  the term “suite”.  Suites are b y  their v ery nature collect ions o f  largely disparate elements. What holds them t ogether may  be nothing more than a common origin, often as a group o f  dances, ( or in the case o f  the Debussy. a set o f  p iano pieces ) and  the  ident ifiable  sty list ic  signature  o f  their  composer.  They  generally  lack motivic/thematic unity and, since the end o f the baroque era, no longer share a single f talent. even genius, their lack   or tightly related ke y : but in the hands o f composer o o f  c on form i t y a n d predic t abi l it y  i s t urned int o a  strength ­  the y  are, more than other multi­movement forms. free to engage. surprise and delight us. Georg Philipp  Telemann  ma y  be  the  Baroque  composer  whose  present  fame  least accords with art ist ic achievements. Tonight ’s Suite in A­minor is merely  one o f more than  200  orchestral  suite ‘ouvertures  composed  during  a  long  and  incredibly productive career.  Telemann  was probably  better know n and more highly  esteemed than even Bach and Handel.  In a period in which musical  forms  were  st ill  “taking form’. i t i s n o surprise that  th is suit e borrow s  from sev era l arc het y pes. in part ic ular merging elements  o f the  dance­suite  with  those  o f the  developing  concerto  form. Apart from the various Concerti o f J.S. Bach it is probably  toda y the most­performed concerto­suite o f  the age. T e lemann ’ s suites s h o w a n  a st on ish ing range o f  crea t i v it y, and  man y  are  organized  around  a  principle.  in  this  case  an  “international’  theme. Opening with a two­part French Overt ure, which un folds in an arched [ abcba ] form. tonight ’s suite inc ludes a double German Minuet, an Air in the Italian style ( calling to mind Mendelssohn ’s Italian sy mphon y). a Polish Polonaise with Trio and a brilliant concluding Rejouissance.  Throughout the work the composer shows a command not only o f the myriad dance sty les o f the period. but a highly  inventive and play ful sense for rhythm  (particularly  in his  penchant  for reversing  the  pattern  o f stressed  and unstressed beat s ) and a great per former ’ s sens it i v it y  t o the poss ib i l it ies and l im it at ions o f t h e s o l o in s tru m e n t . There  are  man y  examples  in music  o f orchestral  suites  that  have  been  transcribed success fully  to  the  piano :  Debussy ’s  Petite Suite  is  a  rare  case  o f a  piano  work transcribed success fully  in the other direction.  The suite dates from the later 1 880s, in a period in  which the y oung Prix  de Rome  winner w as  work ing to  find his ow n compositional  voice.  The  original  work  for  two  pianos  quick ly  disappeared  from concert  programs,  and  only  in  1907  when  conductor  and  composer  Henri  Busser orchestrated the four movements  (and apparently received Debussy ’s blessing) did it find a secure place in the repertoire. Busser employ s what  is essentially  a chamber orchestra, with a Mozartean w ind section augmented for color only  by  the ubiquitous harp and the use o f piccolo and English horn. There is. as  with many  early  Debussy works. the  Bel/e Epogue’s  fasc ination  with history : the  evocative  titles o f the  four movements are likely  a nod to the pictorial harpsichord suit es (ordres) o f  Couperin. Debussy ’s musical vocabulary o f this early period is ec lectic and shares much with contemporaries like Faure and Massane t.  His forms are conventional ternary  [ aha ] forms  featuring a middle  section o f contrasting rhythms and (under Busser’s hand) varied timbres.  These middle sections are so cleverly constructed that each is able to re­appear  as  subt le  counterpoint s  in  the  return  o f   the  first  theme.  Busser ’s orchestration  is  restrained  but  always  colorful.  retaining  in  the  grace  and  almost childlike energy o f  the music his respect for the piano originals. The  production  o f the  ballet  version  o f EI Sombrero  de  Tres  Picos  (The  Three­ cornered Hat ) grew  from stage music that De Falla supplied to a 1916 production o f the pantomime pla y E/  corregidor y la molinera  –  The magistrate and the  Miller’s wife (In  which a local magistrate  tries unsuccessfully  –to his pain ­ to  seduce  the pretty  w i fe o f the local miller ). Sergei Diaghilev, the director o f the  famous Bullcl Russes  that had  scandalized Paris  with Stravinsky ’s Rite o f  S pring just a  few years before. convinced De Falla to expand the score, engaged Pablo Picasso to de sign the scenery, and hired Leonide Massine to do the choreography. The work prem iered to great  success  in London  in  19 19 and has  been a  fa vorite o f ballet companies ever since that time. Tonight ’s excerpts begin with a bullfight­inspired fanfare representing the lusty Corregidor. The second section The Ajiernoon surges with the languid power o f the summer Spanish sun. The Neighb or’s Dance is set as a seguidilla in which the music alternates and combines motives in 3 /8 and 3/4 time. creating a complex web o f sound at once beguiling and m y sterious. The fina l Miller’s Dance is a masculine tour de fo rc e.  Massine recalls the dance as “a series of high jumps. ending with a turn in mid­air and a savage stamp o f the foot as I tanded. ­ the mental image o f an enraged bull going into the attack.” One o f only  twenty  works that De Falla ever completed. The  Three­cornered  hat  became  one  o f the  quintessential  examples  o f  Spanish sy mphonic sty le for the twentieth century.   l avo n i c  Da n c es  w ere writ ten i n  response t o a request  from the D v orak ’ s fir s t set o f S Berlin  publisher  Simrock  for  a  set  o f dances  in  the  st y le  o f Brahms”  Hungarian Dances.  Dvorak  composed  the  first  set  o f eight  dances  (Op.46)  for piano  duet  in spring  1878. and completed their orchestrations b y the beginning o f August. A rave review  o f the  dances  and  the  Moravian  Duets  in the Berlin  Nationalzeitung made Dvorak a household name throughout Europe. and the music made Simrock a fortune. The dances ( o f which  we present nos. 5­8) are an amalgam o f original material and remembered  ­ or partially remembered  folk tunes from Dvorak ’s youth  (playing in v illage  bands ) and  his many  later  travels.  As  such  the y  are  generally  mixtures  o f –  dance­types.  A s  Antonin Sy chra notes  “he ( Dvorak ) is not a fraid o f sty lizat ion; he sat isfies himsel f with the credible and convincing nature o f the basic mood.” No. 5 in A  Major  mixes  elements  o f faster  skocnd  and  vrtak  and  includes  some  five­bar phrases in its middle section. No 6 in D Major is minuet­like. elegant with a rh ythmic ac c ompan iment dra w n  from t he sousedsk a .  No. 7  i s a tetka in moderate tempo that l dance o f the set suite is a   proceeds to double­time in the manner o f galop. The fina marvelous fur ian t in w hich the music constant ly alternates rh y thm ( l  – 2  ­  3 ­  123  ­ 1 23 ) and shifts between major and minor modes. Like the Debussy, Dvorak uses an [ aba ]  form  but  seamlessly  merges  elements  from  disparate  themes  in  the recapitulation.  In all the dances there is an easy, ebullient. y outhful energy that cannot help but coax a smile from the casual  listener and admiration from the most  learned music­lover. T. Perry, September 2007 �A bout The Per formers T I M O T H Y  P E R R Y .  conduc tor  and  c larinet ist,  is  Pro fessor  o f  M us ic  and  c urrent ly Cha ir  o f  the  Depart ment  o f  Music  for  Bingham ton  Un i v ers it y.  A  graduate  o f  the Manhattan  and  Y a le  Schools  o f  M us ic,  Dr.  Perry  joined  the  Bingham ton  Un i vers it y faculty  in  1 986. becoming Pro fessor o f Music  in 2002 and receiv ing the Chancellor ’s Aw ar d  for  Creat i v e  A c t i v it ies  in  2 005.  A s  Conduc tor  Dr.  Perry  has  direc ted  the Un i v ers it y  Orchestra  s ince  1 986. direc ted  the  Un i v ers it y  W ind Ensemb le  from  1986– 2005  and  led  the  Bingham ton  Commun it y  Orchestra  from  1 994­ 2004.  I n  M a y­June 200  he conduc ted the joint M us ic/Theat er produc t ion o f   West Side Story  in Sant iago, Chile.  W idely  know n as a  c larinet ist  in virtuoso  solo and chamber music. he toured L at in  A merica  and  the  Caribbean  as  a  Un it ed  States  Musical  A mbassador  and  has presented rec itals at  three  world con ferences of  the Internat ional Clarinet  A ssoc iat ion. H is  recent  c larinet  appearances  inc lude  per formances  at  B U ,   Corne ll  and  I thaca Co l lege.  From  Oct  20­ 2  he  present s  3 0  hours  o f  C larinet  and  Conduc t ing  Master C lasses at the Un i vers idad N ac iona l de Columbia ( Bogota ). Her  per formances  ha ve  earned her  la v ish  pra ise:  “Georgetta  Maiolo  prov ided  some exquisite musical moments in her flut e solos,” wrote A lice M itchell in a rev iew  in The Press &  Sun–Bulletin in Binghamton, New  York.  “Georgetta Maiolo should be singled out  for praise in her work  w ith Soprano Louise Wohla fka in the “Mad  Scene”  in Luc ia. Her tone  was like another lovely  voice in the cadenza...Ms. Maiolo’s wonder ful tone and  mus ic ianship  w ere  in ev idence here and through  the ent ire opera,” commented a cr it ic  for  W S K G – F M   rad io.  I n  the  A ugust  1 999  O p e r a   News  rev ie w  o f  T r i­Cit ies Opera  produc t ion  o f  D i e   Za u b e r fl o te,   W i l l i a m  W .   W est  stated  * . . . w i t h  some  lo v e ly IIIIICPIII}I11L’I‘I'()111(iC()l‘g’L‘l l;1\!L!I()!i)” 7  i a a x x x x x t a “ r a t t l x x t x x x v * * * * * * * x * x * * * * * Jiio Sdetiar u f LAiagilia na 7  G E O R G E T T A  M A I O L O is a  member of  t he  fac ult y  o f  Bingham ton Un i v ers it y  and Broome  Community  College,  teaching  Flute  and  direct ing  Flute  Ensembles.  From 19  7 7 to  1 996. she he ld the pos it ion o f  A ss istant  Pro fessor o f  Flut e at  I thaca Co l lege.   I t h a c a .  N e w   Y or k .   S h e   a l s o   t a u gh t  fl u t e  a t  W e s t   V i r g i n i a   U n i v e r s i t y ,   M o r ga n t o w n , W est V irgin ia . Mrs.  M a io lo  is  a  graduate  o f  Duque sne  Un i v er s i t y,  P itt sburgh,  Penns y lv an ia  and at tended  graduate  school  at  W est  V irgin ia  Un i v er s i t y,  Morgant ow n,  W est  V irgin ia . She  studied  w ith  Bernard  Goldberg,  princ ipa l  flut ist  o f  the  Pittsburgh  Sy mphon y. Marcel Moy se at Marlboro School o f  Music, and V ictor Saudek .  At  the age o f  15, she ma de her  so lo  debut  w i t h  the  P it t sburgh  S y mp h on y .  Mrs.  M a io lo  is  t he  rec ipient  o f numerous honors, inc luding the NCMEA N at iona l mus ic a ward, the Pittsburgh  Tuesday Musical  C lub,  the  Enola  M.  Le w is  Scholarship  and  the  Mu  Phi  Epsilon  Sterling A chievement Aw ard.  ei >  o a &  »  ‘  SF   i ££w ont i e .  S A  Ci t ie s Opera Orc hestra, and  Dow n t ow n S ingers Orchestra .  In a dd it ion to  her p la y ing posit ions,  she  concert izes  as  a  soloist, rec ita list  and  chamber music ian.  Mrs.  Ma iolo has  been  recognized  for  the  breadth  o f  her  contribut ions  to  per formance  and  music education.  She  has  premiered  composit ions  for  flut e by  Jack  Mart in,  Dan  Lock lair, Edith B orrotf, Malcolm L e w is, R ichard Herman, J effre y Nit ch,  Timothy  R olls and Paul Goldstaub. In 1 985, Mrs. M a i o l o m m h o n o r e d I n c o n d u c i I ! 1 e \ Y \ S M . \  A ll­ State Flute Choir.  She  serv ed  a s  the  flu t e  cha irperson  for  the  N Y SS M A  Man ua l  from  1 981  to 200 1 .  She  is  a  “ c l in ic ian ”  for  the  Selmer  C ompan y .  She  has  recorded  for  Crest Records and NPR. 5%   S N o v e m b e r F  e b r u a r y   m z . a . & 4 m Eanglorhy  i0n (Tolan psthe I  LeERALITLES  ©  dor  Fro ck  with English  C E E R I   TIES  2 0 0 7 ­ 2 0 0 8  S e a s o n   AD  THE  FORE ‘ Mrs.  Maiolo  is  the  princ ipal  flut ist  o f the  Bingham ton  Philharmonic  Orchestra,  Tri­ o I  TUE  a t e s  I N  BINGHAM TON  N Y  l­­ “ a h a  wt’l­f­vluyh a‘O’rrf  up. ­ Furr  tac hee  .' ant favs vircafioom call 7 ­ 7 7 2  M ) W W W I  r C C   S R O D  o v �Comi ng Music Events T hursday,  October   18  –  Mid­Day   Concert   –  1:20  p.m.  Recital  Hall  free ­  Casadesus Friday,  October   19  –  Sunday,  Octobe r  21  –  New  York  State  Music Teacher s A ssoc iat ion (N Y SM T A ) – Anderson Center Chamber Hall and Casades us  tree Sunday,  Octobe r 20 –  Family  Weeken d Conce rt – 3:00 p.m.  Osterhout Concert  Theater  free T hur sda y . Oc tober 25 – M id­Da y Conc ert  1 :20 p.m. ­  Casadesu s Rec ital ­  Hall ­ free T hur sd a y . Oc t ober 25 –  B ig B and J a zz! A  scholarsh ip benefi t in memory ot‘ R obert  Terrell  ­ 8 :00 p.m.  Osterhout Concert  Theater  ­ S1 8 genera l public : S I 6  faculty  s t a ff  s eniors : S1 0 for students 7  Fr i da y .  Oc tober  26  –  M ad riga l  C ho ir  o f  Bingham ton  8 :00  p.m. Anderson  Center  Chamber  Hall  ­  $15  general  public;  $1 0 faculty  sta ft ’seniors : $ 3  for students W edne sda y . Oc tober 3 1  – I nd ian C onc ert w i t h voca list Pand it K a i v a ly a K u m ar, Pt.  Ra v ind ra  Y a v ga l  on  t ab la  a nd  Pt.  Ra v ind ra  K at ot i on harmon ium  7 :00 p.m.  Anderson Center Chamber Hall ­  $1 2 genera l public : $ 1 0  taculty  s t afi’ s eniors : $5 students Thur sda y .  Novemb er  1  –  M id­Da y  Conc ert  –  1 :20  p.m.  Rec ital Hall  free ­  Casadesus Fr i da y . Novem ber 2 – M a ster ’ s Rec it a l – Dan iel S o fer, p iano  8 :00 p.m. Casades us Rec ital Ha ll  free Sa t ur da y . Novem ber 3  –  C lar inet T rio Rec ita l ­  8:00 p.m.  Casadesus Rec ital Hall  free T hur sd a y .  No vember  8  ­  M id­Da y  C on c ert  –  1 :20  p.m.  ­  Casadesu s Rec ital Hall  free S a t ur da y . No vember  1 0 –  Un i v er s i t y C horu s : W or d s a n d M us ic  8 :00 p.m.  Anderson Center Concert Theater  free Thursday, Novem ber 15 – Jazz Mid­Day C oncert with guest artist  8:00 Osterhout  Concert  Theater  ­  $9  general  public :  $7 p.m.  7  fac ult y  sta ft ’seniors : free for  student s l l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:08:38 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196853">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196853</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Symphony Orchestra, 'Suite Diversions,' October 14, 2007 Recital Tape 10-14-2007 Description An account of the resource Held at 7:30 p.m., October 14, 2007, Anderson Center Osterhout Theater. Works of Telemann, Debussy, Falla, Dvorak. Creator An entity primarily responsible for making the resource Perry, Timothy Maiolo, Georgetta Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-10-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 02849806-eea1-48bd-ba35-5f971b258432 https://omeka.binghamton.edu/omeka/files/original/4c76328fd785728bd1217f4b76902ef2.pdf 0cad71f5e0d2154f826778a53d19cbaf PDF Text Text BINGHAMTON UNLVEKSILTY State University of New York d e e [4 P E P I F M EA N R T T H U R S DAY  MID­DAY C O N C E R T FEATURING O P E R A  G R A D U A T E  S TUDENTS WITH M ARGARET REITZ, PIANO Thursday, October 11, 2007 1 :2 0 p.m. Casadesus Recital Hall   �T ranslations PROGRAM I. Farfaletta 11 fervido desiderio . . . . .  Bellini (1801­1835) l. Farfaletta L itt le butterfly, wait ­ wait!; don’t fly around in such a hurry. I don’t want to do you any harm; stop – satisfy my wishes. Sibongile Boyd, sop rano I want to kiss you and to give you food, to protect you from dangers. You will have a room o f  c rystal, and you will always be comfortable II. Aria:  Verdrai, carino from Don Giovanni . W.A. Mozart ( 1 756­1 791) Danielle McCorm ick Knox, soprano III. Recitative and aria: .......  .  .  . In quali eccessi, o numi...Mi tradi from Don Giovanni . W.A. Mozart ( 1 756­1 791) I want to capture you, offer you to him; more than roses, lilies, and myrtle may my young man be dear to you, and you will be a plaything for him. In his appearance and smooth breast LaToya Lewis, sop rano my dear one is like roses and lilies. Come, escape from dangers: search no more for roses and lilies. IV. Spirate pur, spirate Quando ti rivedro I know that April has ornamented your golden, ~peckled wings, that you are pretty, lively and agile, the most beautiful among your kind. But my darling has hair of gold ­ the boy that I love and adore. And equally lively and agile as you, among his kind he is the most handsome .Stefano Donaudy (1879­1925) A riana Zbrzezny, mezzo­sop rano IL  fervido desiderio When will that day come when I shall be able to see again the one whom my loving heart so much desires? V. When  will  that  day  come  when  I  will gather you to my bosom. Aria: Endless Pleasure from Semele Sibongile Boyd, so p rano Aria:  Cruda Sorte....  .  . from L ’italiana in Algeri VI. A riana Zbrzezny, mezzo­sop rano wssassass GF. Handel (1685­1 759) ..G. Rossini (1 792­1868) beautiful flame of love, my soul! IL A ria : Verd rai, carino Zerlina happens upon her husband­to­be, Masetto, who has been cruelly beaten by Don Giovanni in a dark alley in Seville. Once he promises to give up his jealous tendencies and to trust her, she promises to take him home, to heal him with the kind of medicine “no pharmacist can provide” – her own loving ministrations IIL Recitative and aria : In quali eccessi, o numi Donna Elvira is torn by two contrasting emotions – her desire to wreak vengeance upon Don Giovanni for his betrayal and abandonment of her, and her obvious lingering passion for the cad.  She decides to give him one more chance to repent and return to her. IV. Spirate pur, spirate Waft, waft around my beloved one, little breezes, and ascertain if she holds m e in her heart. Waft, waft little breezes! I f  in her heart she holds me, ascertain it, blessed breezes. breezes gentle and blessed! Quando ti rived ro... When will I see you again, unfaithful lover who was to me so dear? So many tears have I wept now that someone else separates us,  that I fear every joy be gone forever from my life. And yet the more I despair, the more I go back to hoping. The more I despise you in my thoughts, still more my soul turns to loving you again. When will I see you again, unfaithful lover who was dear to me like that? V. Endless Pleasu re from Semele Having successfully pleaded to Jupiter to delay her upcoming arranged marriage, Semele is brought to heaven by Jupiter and sings this joyous gavotte in celebration o f her triumph. VIL Cruda sorte! In search of her lost love, Isabella, an Italian lady is shipwrecked on the Algerian shore.  Faced with the pirates on shore, Isabella is confident of her ability to handle any man, resolves to be fearless. (Schirme r) �Com ing Events Sunday, October 1 4 ­­  U niversity Orchest ra :  Suite Diversions – 7:30  p.m. – Anderson Center Concert Theater ­ $9 general  public; $7 faculty/staff/seniors; free for students Thursday, October 18 – Mid­Day Concert – 1:2 0 p.m. ­ Casadesus Recital Hall free —  Friday, October 1 9 – Sunday, October 2 1 – New Yor k State M usic Teachers Association (NYSMTA) – Anderson Center Cham ber Hall and Casadesus – free Satu rday, October  20 –  Family  Weekend  Concert – 3:00  p.m.  – Osterhout Concert Theater – free Th u rsday, October 25 – Mid­Day Concert – 1 :20 p.m. ­  Casadesus Recital Hall ­ free Th u rsday, October 2 5 –  Big  Band  Jazz! A scholarship  benefit  in  memory of Robert Terrell ­­ 8:00 p.m . – Osterhout Concert Theater ­ $18 general public; $16 faculty/staff/seniors; $10 for students Friday, October 26 – M ad rigal Choir of Bingha mton ­­  8:00 p.m. – Anderson Center  Chamber  Hall  ­ $15  general  public;  $10  faculty/staff/seniors;  $5  for students Wed nesday,  October  31  –  Indian  Concert  with  vocalist  Pandit  Kaivalya K u mar,  Pt.  Ra vind ra  Yavgal  on  tabla  a n d  Pt.  Ravind ra  Katoti  on harmon i u m – 7:00 p.m. – Anderso n Center Chamber Hall ­ $12 general public; $1 0 faculty/staff/seniors; $5 students Th u rsday, Novem ber 1 – Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall free —  Friday, N ove m ber 2 –  M aster ’s Recital –  Daniel Sofer, piano – 8 :00 p.m. – Casadesus Recital Hall – free Satu rday, Novem ber 3 – Clarinet Trio Recital – 8:00 p.m. – Casadesus Recital Hall – free Th u rsday, Novem ber 8 ­ Mid­Day Concert – 1 :20 p.m. – Casadesus Recital Hall free —  Th u rsda y,  Nove m ber  8  –  Bingha m ton  Baroq ue  E nsem ble  –  8:00  p.m.  – Casadesus  Recital  Hall  –  $9  general  public;  $7  faculty/staff/seniors;  $1  for students Satu rday, Novem ber 1 0 – U niversity C horus : Words and Music – 8:00 p.m. – Anderson Center Concert Theater – free � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:49:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196850">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196850</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert featuring opera graduate students, October 11, 2007 Recital Tape 10-11-2007 Description An account of the resource Held at 1:20 p.m., October 11, 2007, Casadesus Recital Hall. Works of Bellini, Mozart, Donaudy, Handel, Rossini. Creator An entity primarily responsible for making the resource Reitz, Margaret Boyd, Sibongile McCormick-Knox, Danielle Lewis, LaToya Zbrzezny, Ariana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-10-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID db2d38a8-b8ed-478b-8ee2-fab1118a91d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:34:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196847">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196847</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert faculty showcase, October 4, 2007 Recital Tape 10-4-2007 Description An account of the resource Held at 1:20 p.m., October 4, 2007, Casadesus Recital Hall.Works of Sinisalo, Chausson, Schumann, Saint-Saëns, Rachmaninoff. Creator An entity primarily responsible for making the resource Maiolo, Georgetta Mallinson, Chai-Kyou Perry, Timothy Reitz, Margaret LeFebvre, Timothy Salmirs, Michael Burgess, Mary Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-10-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 5e68482d-8768-444c-ae30-37d2fdbc74c1 https://omeka.binghamton.edu/omeka/files/original/7bc0969f49697c0a75013f7bb1ee787e.pdf 81ba4d6af3fa46f711d7f55305846b8c PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York wide [4 i D E P A R T M E N T ROMANTICISM UNLEASHED S T E P H E N  S T A L K E R , C E L L O music by Grieg, Sibelius, Janacek and Debussy Assisted by Michael Salm irs, piano Ewa Mac kiewicz­W olfe, pian o September 30, 2007 3:00 p. m. Casadesus Recital Hall �{ P rog ram Sonata in A minor, Op. 36 (1883)................................Edvard Grieg Allegro agitato  (1843­1907) Andante molto tranquillo Allegro Malinconia, Op. 20 (1901)................ .... Jan Sibelius (1865­1957) Stephen Stalker, cello Ewa Mackiewicz­Wolfe, piano ­­Interm ission­­ Tale v Con Fantasia  Con moto Allegro i i Sonata (1915)...  i Leos Janacek   ( 1 858­1 928) Claude Debussy Prologue  Serenade et Finale ( 1 862­1 91 8) Stephen Stalker, cello Michael Salmirs, piano �P rog ram Notes The  Romantic  Movement  in music  was  itself an  unleashing of the Classical  styles  that  were  exemplified  by  Haydn.  Mozart  and Beethoven.  In  fact,  it  was  Beethoven  who  set  the  unleashing  in motion  by  challenging  his  aristocratic  sponsors  to  accept  a  highly individualized style which was breaking the rules o f classical tradition they cherished so dearly.  As the musical culture was expanding from the aristocratic. agrarian society to the newly developing middle class, urban. industrial society. the  concert  venue changed  from the royal chamber hall to the public concert hall.  Composers were now inspired to speak their musical minds in a much freer and more personal way, letting this new class of concert goer decide the success or failure of their new music. A l Leos Janacek derived much of h is musical style from many years of study  of Czech  folk  songs  and the  rhythms  and  inflections  of the Moravian  language,  plus  a  life  long  interest  in  Russian  language, music and literature.  The literary inspiration for his cello and piano piece “Fairy Tale” is based on the Russian stories of Czar Berendej as told  by Russian author Vasily Zukovskij but, the musical language is from his beloved Czech folk music. Debussy  says.  “Music  is  a  free  art  gushing  forth, an  open­air  art boundless as the elements. the wind, the sky. the sea.  It must never be shut in and become an academic art.”  This sentiment would qualify Debussy  as  a  Romantic,  but  his  music.  while  inspired  by  this sentiment,  was more  o ften  rev olut ionary  in  its  achievement.  A nd arguably.  he  had  a  comparable  influence  on  many  20”  century composers as Beethoven had on h is 19” century musical descendants. As  the  Romantic  Movement  in  music  spread  through  Europe.  it became fused with the new spirit o f Nationalism that was developing at  the  same  time.  This  growing  pride  in  the  native  folklore  and authentic peasant music of each county had a profound effect on  the composers  of  all  the  nation  states  o f  Europe.  The  Romantic Movement  itself was now being unleashed  into the unique musical cultures that existed throughout Europe. He characterized the C ello Sonata as “Pierrot angry with the moon.” The compositional style is episodic and more like outbursts than the usual  themes  and  melodies.  This  was  a  new  unleashing  of Romant ic ism, this t ime into the 2 0” century. This brings us to today ’s program.  Each o f these four composers was a unique  and  influential  voice  in their respective  countries.  From Norway,  Grieg  tells  us.  “The  fundamental  trait  of Norwegian  folk song  is  a  deep  melancholy  that  may  suddenly  change  to  a  wild unrestrained gaiety.”  This is an apt thumb nail sketch o f Grieg ’s own musical style.  The Cello Sonata, dedicated to hi s cellist brother. John, abounds  with simple and compelling melodies  which often develop into impassioned outpourings. Sibelius  tells  us  of his  deeply  felt  relationship  with  the  natural beauty o f his native Finland.  “I love the mysterious sounds o f the fields and forests. weather and mountains.  It pleases me greatly to be called a poet of nature. for nature has truly been the book o f books for me.”  When listening to his music you can easily imagine the stark. natural terrain of the Finnish landscape.  “Malinconia” is generally a dark. elegiac piece, interlaced with sections of courage and hope. 4 l l a  new  weekyl  series featuring art and artist  o f hte loca lregtom. saty tuned ty WSKG  TV wrskp org ii �A bout the Performers STEPHEN STALKER, cellist,  teaches at  Binghamton  University.  He formerly  taught  at  Colgate  University,  Mansfield  University.  Ithaca College and the Binghamton City School District. He was the principal cellist of the Cayuga Chamber Orchestra in Ithaca, NY, and has performed extensively  with the Catskill Chamber Players of Oneonta, NY, and  in concerts at Binghamton University. Performing with the Catskill Chamber Players  he  has presented Meet  the  Composer  concerts  with  prominent American composers including John Cage. V irgil Thomson, Lou Harrison and George Crumb. The Chamber Players appeared at Weill  Recital Hall. premiering a set of four string quartets by Henry Brant.  With violinist, Janet  Brady.  and  pianist,  Walter  Ponce.  he  performed  the  complete Beethoven  Trio cycle at  SUNY­Binghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member o f the Madison String Quartet, he was a finalist in the Naumberg Chamber Music  Competition in New  York City and the Evian International String Quartet Competition in Evian, France. He has performed in many recital appearances with pianist, Michael Salmirs. He performs regularly with the Trio Amici, Trilogy, Baroque ‘n Blue, Early On and in concerts at Binghamton University.  He is a past president of the New York State Chapter of the American String Teachers Association and was Strings Chair for the New York State School Music Association. He is a founder of the Southern Tier Music Teachers Association and the Binghamton Cello Festival. He is a graduate of the Man hattan School of Music in New York City. Pianist  M I C H A E L  SALMIRS, a found ing member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber  musician.  He  has  appeared  as  soloist  with  the  Coming Philharmonic,  Binghamton  University  Orchestra,  Cayuga  Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series.  In addition  to  performing most  o f the  standard  chamber music repertoire  for  strings  and piano, he has  premiered numerous  solo  and chamber works, and recently gave the world premieres of David Liptak’s and  Marek  Harris’  Piano  Quintets.  He  has  also  participated  in  such contemporary  music  series  as  Binghamton  University ’s  Musica Nova, Cornell University ’s Ensemble X, Chiron, and has toured and recorded for the Syracuse Society for New Music. Mr.  Salmirs  studied  at  the  New  England  Conservatory  and  Eastman School of Music; his teachers have included pianists Leonard Shure and Rebecca  Penneys and  composer  Karel  Husa. Salmirs  has taught at the Syracuse University School of Music, Hobart and William Smith Colleges and Cornell University. He is currently a faculty member at Binghamton University where he teaches piano and coaches chamber music. He also maintains a private piano studio in Ithaca and enjoys teaching students of all  ages  and  levels. This  season.  Salmirs  will  perform  a  solo  recital featuring Ravel’s Gaspard de la nuit and a world premiere of a work by Paul  Goldstaub. A complete schedule of performances can  be  found on x  ww.m ichaelsalm irs.com. EWA  MACKIEWICZ­ WOLFE,  the  winner  of  the  International Competition  of  Renaissance  and  Baroque  Music,  and  the International Competition for Young Pianists in Warsaw, Poland, is also the recipient of awards in international music competitions in Budapest, Hungary  and  Dresden,  Germany.  Mackiewicz­Wolfe  received  her Bachelor and Master degrees in Piano Performance with honors and high distinction  from  the  Academy  of Music  in  Lodz,  Poland  where  she continued  as  Assistant  Professor  and  Master  Lecturer  in  music.  Since 1984,  she  has  been  associated  with  the  Binghamton  University  Music Department where she is currently engaged as Adjunct Professor of Piano. Abroad, Mackiewicz­Wolfe appeared in Germany, Hungary, Canada and Poland  as a  recitalist, chamber musician  and as soloist  with  symphony orchestras. She participated in several music festivals such as the Festival of Karol Szymanowski, the Piano Festival of Vladislav Kedra, Poland, Chamber Music  Festivals  in Germany  and Hungary.  Her piano career continued  further as a  result of concerts arranged  by the Association of Polish Artists/Musicians, Government Art Agency (PAGAR T), the Karol Szymanowski Musical Society, Lodz Philharmonic Society, and various music colleges. In  United States Mackiewicz­Wolfe performed throughout the Northeast including Boston, New York City and Philadelphia. �Com ing Music E vents Thurs day , Octo ber 4 – Mid­Day C onc ert – 1 :20 p.m. – Casadesus  Recital Hall  tree Thursday .  October  1 1  –  Mid­Day  C oncert  –  1:20  p.m.  –  Casadesus Recital Hall – free S u n d ay, Oc to ber 1 4 – U n iversity O r c hest ra : Su ite Diversions – 3 :00 p.m. ­  Anderson  Center  Concert  Theater  ­  S9  general  public;  $7 t11cultV stall 5L niors: free f o r  students T hu rsd a y,  Octo ber  1 8  –  Mid­Day  Co n ce rt  –  1 :20  p.m.  –  Casadesus Recital Hall – free Fr id ay.  Oc to ber  1 9 –  S u n d a y.  Octo ber  2 1  –  New  Y or k  State  M usic Teachers Association (NY SM T A) – Anderson Center Chamber Hall and Casadesus  free S unday , Octo ber 20 – Family W eekend C onc ert – 3 :00 p.m. – Osterhout Concert Theater – free * * * * * * * * * * * * * * * * * * * * * * * * * * * “ho ~  34 44  P o n    . Carmen  entry Geongph  Baise  $s ‘Grovanm  x e T &   E” Nes a r p e r : T s   SVITIE 1g :  _ 2 ,.  3 “ e»  o ~  “ C L ­   ~ .'  “o.  D ? N o v e m b e r F  e b r u a r y   M w 2 . 3 . 0 4 2 0 0 8 ne i fe l e n  woth o u R g   E T R A  E   E R re Frorc h wath Enypion  “1 1 1.'IIII"­  , ‘I’R1­(‘I’I’II­‘,S  P   A 2 0 0 7 – 2 0 0 8  S e a s o n    AL  BUI  I  5 2 !  “l  THE  ATE  RIN BISCHAMITOS  2  t r  i faNan woth E 1 g i r h L e E  Y R AE   1  k e3   furs wmaation .u.'7‘lnl’ 77 2 40 0 0 W W W  I T C   s e i n c o n n l l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:11:04 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196844">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196844</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Romanticism Unleashed, September 30, 2007 Recital Tape 9-30-2007 Description An account of the resource Held at 3:00 p.m., September 30, 2007, Casadesus Recital Hall. Works of Grieg, Sibelius, Janacek and Debussy. Creator An entity primarily responsible for making the resource Stalker, Stephen Salmirs, Michael Mackiewicz, Ewa Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-09-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 9c52f12d-7f4f-4738-9a29-a0c5598f36d0 https://omeka.binghamton.edu/omeka/files/original/afba0e8e8af3d3fca37c50d11c6beab2.pdf 174e9873dea8848ace94d20d8904b8d2 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of New York UNIV  , : de c ' D E P A R T M E N T ‘ \ 4    I t “‘ m a s t e r ’ s  R E C I T A L W I L L I A M  G I L C H R E S T TRUMPET with Ma rga ret Reitz, piano assisted by Lee Fer ra ra, hor n A my Hoxie, t r u m pet Paul Blake, t rom bone Ch ris Ru benac ker, t u ba Saturday, May 12, 2007 8:00 p.m. C asadesus Recital Hall �ABOUT THE PERFORMERS PROGRAM Sonata in D Andante Allegro Grave Allegro u s  s.i. .  .  Giuseppe Torelli (1658­1709) Concerto for Trumpet in Eb Allegro Andante Allegro Joseph Haydn (1 732­1809) INTERMISSION Seven Miniatures for Unaccompanied Trumpet Fanfare Dodecophony Calculation Theme Variation Intonation Fanfare Suite from the Monteregian Hills for Brass Quintet La Marche Chanson Melancolique Valse Ridicule Danse V illageoise ...George Andrix (b. 1932) WILLIAM GILCHREST is a second year graduate student at B.U.  He teaches K­12 chorus and general music at Schenevus Central School. MARGARET REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano performance with  accompanying  emphasis,  and  attended  Boston  University,  New England Conservatory and Binghamton University.  She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, England, South America, and at the American Institute o f  Musical  Studies  in Graz, Austria. Reitz and Binghamton University faculty  member  Timothy  Perry  were  winners  of  the  1997  Artistic Ambassadors  Program  by  the  United  States  Information  Agency  in partnership  with  the  John F. Kennedy Center  for the  Performing  Arts. During the summer of 2005, Reitz, clarinetist Timothy  Perry and cellist Stephen  Stalker  were  invited  to  perform  at  the  International  Clarinet Conference in Tokyo, Japan.  Other notable performances include guest chamber music artist  in Morges, Switzerland and guest soloist  with the Binghamton University Orchestra.  She was the offic ial accompanist at the MTNA State and Eastern Division Competition at Ithaca College in 2001 and will be returning in 2006.  In addition, she was selected to attend the Accompanying Workshop for Singers and Pianists held at Northwestern University.  During the summer of 2006, she will compose the musical score for an independent film by MANDIS Production, to be released in February 2007. L E E  F ERRARA teaches science at Oneonta High School where he also coaches the volley ball team. .. Morley Calvert (1 928­1 991 ) A M Y  H O X I E  is a Band director at Sidney Elementary School. P A U L  B L A K E  is a Band director at Ritchfield Springs High School. CHRIS RUBENACKER is a recent graduate of Hartwick College.  He majored in Music Education. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:47:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196841">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196841</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Master's recital, William Gilchrest, trumpet, May 12, 2007 Recital Tape 5-12-2007 Description An account of the resource Held at 8:00 p.m., May, 12, 2007, Casadesus Recital Hall. Works of Torelli, Haydn, Andrix, Calvert. Creator An entity primarily responsible for making the resource Reitz, Margaret Ferrara, Lee Hoxie, Amy Blake, Paul Rubenacker, Chris Gilchrest, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID d3d2eed2-f7d5-4d20-bced-1d6855dfaba9 https://omeka.binghamton.edu/omeka/files/original/3b8834c3f8ad9e27d8b45b6e40b683a6.pdf e4afb5e9aaa7dcbc2959bc54d397894d PDF Text Text BINGHAMTON U N I E V E R S I E E Y State University of  New York L     J p  I I T ( \ I  X \  5 ~ D E P A R T M E N T p o I i \ w Y fl ­  y  N r S PRING C HORAL CONCERT H arp u r Chorale Peter Browne, conductor Women ’s Chorus Kristina Ruffo, conductor Jod y Sch um, piano Thursday, May 10, 2007 8:00 p.m. Anderson Center Chamber Hall �PROGRAM I. Women ’s C ho r us .. Ruth Watson Henderson Psalm 100 Imant Raminsh My Heart’s Friend . Gioacchino Rossini Arr, James Q. Mulholland La Danza Giocchino Rossini Duetto buffo dh  due gatti ..........William Schuman Orpheus with his Lute A­Tisket, Atasket Tsvey taybelekh <eeeeeew  Ella Fitzgerald and A l Feldman arr. David J. Elliott ............Traditional Yiddish Folksong Arr. Lee R. Kesselman Traditional Mexican Arr. Stephen Hatfield II. H arp u r Chorale Sanctus in G­major HDASARDIVDISN  Bach Faire is the Heaven ............William H. Harris Sometimes I Feel Emily Creo, alto soloist Ain’t Got Time to Die Douglas Schwartz, tenor soloist '] Traditional Spiritual Arr. Shaw/Parker Traditional Spiritual Arr. Hall Johnson .. Eric Whitacre Water Night........... Traditional American Arr. James Erb Shenandoah Kalinka Alex Blitstein, tenor soloist Traditional Russian Arr. Alex Karpowitsch �TRANSLATIONS La Danza And when you have come to a far­off land, my love, Be sure to remember my words of love. And should you come across a deep fire. my love, Do not burn for sorrow, my little dove. Already the moon sets into the sea. My goodness, she’ll jump right in; The hour is pleasant for dancing, And no one in love will want to miss. Swiftly dancing round and round, My dear ladies, come to me, See a handsome smiling fellow Willing to dance with every one. ­ o Two doves flew over the wide water, Spreading their wings high above. A curse on that person – so evil, so cruel – Who so soon destroyed our own true love. Las Amarillas While the evening stars shine in the sky And the moon shines bright, The most handsome with the fairest Will dance the night away. The yellow calandras fly from the cactus. No longer will the cardinals sing happily To the song na na. to the song na no. Because the trees on the hillside have not come back to li fe, For that the calandras will either sing or crush their nests. You are small and beautiful and I love you just the way you are. You are like a little rose from the coast o f  Guerrero. Ju mp. ju mp, t u rn an d t u rn, Every couple circling round. Back and forth. over again And return where you began. Everybody has their own farewell, but there’s none like this one. Hold on tight to the blonde, Take the brunette here and there, Take the redhead for a turn, The wallflower you better don’t touch. Four times fi v e  is twenty, three times seven is twenty­one. Sanctus Hooray for dancing round and round, I’m a king, a pasha too, This is the greatest pleasure on earth, And the dearest passion! Holy, holy, holy, Lord God of Sabaoth; Heaven and earth are full of your glory. Mamma mia. my goodness! Refrain: Kalinka mine! In  the garden grows a berry like sweet wine. Tsvey Tay belekh Two doves flew over the wide water, Their loving beaks kissing high above. A curse on that person – so evil. so cruel – Who tore from me my own true love. And when you have come to a far­off land. my love. Be sure to remember my words of love. And when you have come to deep waters, my love. Do not frown for sorrow, my little dove. Kalin ka (Little Snowball Bush) I 1. Under the pine tree, under the green tree, there I’ll lay me down to sleep. (Refrain) 2. Little pine tree, thou evergreen tree, with your rustling do not wake me. (Refrain) 3. Oh, my darling, lovely maiden, won’t you promise to be mine. (Refrain) ~ �The Har pu r Choral e ABOUT  THE P ERFOR MERS Peter Browne, conductor So p rano Jenna Gatt i Ayla Gordon Jaclyn Hochreiter Allison Metcalfe Elizabeth Sterling Jessica Sum ber Lynsey Zuar Tenor Alex Blitstein Seth Makarowitz Ross Matthei Joseph Rousseau Douglas Sc hwartz Alto Emily Creo Monica Lee Rachel Maller Rachel New by Sophie Nusinov Corinne Paull Jennifer Paull Bass Eric Dinowitz Adam Hess Ezra Monasebian John Paap David Parisi Theodore Trembinski 0 b KRISTIN A  RUFFO  is  a  graduate  choral  conducting  student  at Binghamton University.  She  received  her  BA  from  Ithaca College  in Music Education.  This is her second semester conducting the  Women’s Chorus and is very proud of their success as an ensemble. She is a member of the Un iversity C horus, an d also teaches a sight singing class to  help students improve in  their reading abilities and confidence in singing. She is  also  involved  in  an  A frican Drumming  class  with  Professor  James Burns. She was awarded the Keeler Scholarship this year that has helped her continue with her education. During the day, she teaches full­time at the Maine­Endwell High School and  is director of the  Mixed Chorus, Madrigal Choir, and Quartet, as well as teaching a theory course. Kristina resides in Binghamton, NY w ith her husband and is looking forward to a successful semester with the Women’s Chorus. The Wom en ’s Chorus Kristina R uffo, conductor Jod y Sch um, accompanist So p rano 1 Hiu Nam Wien  Cheng Rebecca Cohen Jodi Epstein Alex Haines Jillian Karp Jana Kucera Liann Liebowitz Erin Rabideau Melissa Sones Desiree Winnett Soprano 2 Dina Boccuzzi Anjuli Bose Esther Choi Eliza Espinosa­Thomas Stephanie Haigney Katherine Hassfurter Crista Havener Shaina Carmel Indovi no Denise Manukian Maria Murphy Priscilla Pouchie Amanda P ress Jaclyn Wallach Kate Welb y Alto l Desiree Bass Perin A. Colah Laura Groteke Carly Maughan Katherine Navarette Elisa Weiss Alto 11 Danielle Barbanell Daron Blake Alicia Caruso Katherine Courage Sarah Golden Randall Wong PETER B ROWNE , director of Harpu r Chorale, received  his  BA from Bard  College  and  MM  in  Organ  Performan ce  from  Binghamton University, where he studied with Paul Jordan, Searle Wright, and David Buttolph.  He has done additional work at Westm inster Choir College and several other schools, and was the recipient of a fellowship to study choral conducting  with  Sir  David  Willcocks,  former  director  of the  King’s College Choir, Cam bridge, and the Bach Choir of London.  Since 1981, he has been the  organist  and choir director  at  Trinity  Memorial  Church. Binghamton. having previously served in other churches in Pennsylvania, Connecticut  and New   York.  He  is currently  the  accompanist  for  the University  Chorus and teaches musicianship as  well. Mr.  Browne has performed as a director, soloist, and accompanist throughout the eastern United States and Canada, and in England and Wales. . ­ JODY S C H U M  is a versatile pianist, organist and vocal coach originally from  Windsor,  NY.  Currently  on  faculty  at  SUNY  Cortland  and Binghamton University, he also is resident pianist with Tri­ Cities Opera in Binghamton, NY .  Mr. Schum has performed  with the  Binghamton University Symphon y Orchestra, Tri­Cities Opera and on numerous solo and colla borative  recitals  at  Binghamton  University.  His  most  recent engagement  was  performing  and  studying  on  fellowship  with  the International  Institute  of  Vocal  Arts  in  Chiari,  Italy  last  summer. Upcoming engagements include a sacred music concert with soprano Julia Ebner and a recital with baritone  Timothy LeFebvre at Elebash Recital Hall in New York City.  Mr. Schum is Music Director at the First United Methodist Church of Endicott, NY. �The Harpu r Chora le Peter Browne, conductor Ayla Gordon Tenor Alex Blitstein Seth Makarowitz Ross Matthei Joseph Rousseau Douglas Schwartz Alto Emily Creo Monica Lee Rachel Maller Rachel Newby Sophie Nusinov Corinne Paull Bass Eric Dinowitz Adam Hess Ezra Monasebian John Paap David Parisi Theodore Trembinski So p rano Jenna Ga tti Jaclyn Hochreiter Allison Metcalfe Elizabeth Sterling Jessica Sumber Lynsey Zuar Jennifer Paull The Wo men ’s Chorus Kristina Ruffo, conductor Jody Schum, accompanist So p rano l Hiu Nam Wien Cheng Rebecca Cohen Jodi Epstein Alex Haines Jillian Karp Jana Kucera Liann Liebowitz Erin Rabideau Melissa Sones Desiree W innett Soprano 2 Dina Boccuzzi Anjuli Bose Esther Choi Eliza Espinosa­Thomas Stephanie Haigney Katherine Hassfurter Crista Havener Shaina Carmel lndovino Denise Manukian Maria Murphy Priscilla Pouchie Amanda Press Jaclyn W allach Kate Welby A lto 1 Desiree Bass Perin A. Colah Laura Groteke Carly Ma ughan Katherine Navarett e Elisa Weiss Alto l l Danielle Barbanell Daron Blake Alicia Caruso Katherine Courage Sarah Golden Randall Wong I � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:16:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196838">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196838</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Spring choral concert May 10, 2007 Recital Tape 5-10-2007 Description An account of the resource Held at 8:00 p.m., May 10, 2007, Anderson Center Chamber Hall. Program includes translations of songs. Works of Henderson, Raminsh, Rossini, Schuman, Fitzgerald and Feldman, traditional Yiddish folksong, traditional Mexican, Bach, Harris, traditional spirituals, Whitacre, traditional American, traditional Russian. Creator An entity primarily responsible for making the resource Browne, Peter Ruffo, Kristina Schum, Jody Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 984f8991-ffff-45e0-bdc4-5fb3f100cea5 https://omeka.binghamton.edu/omeka/files/original/11e32339c20ef3a9da6ac374f58c6bf0.pdf 43421b1979e8883dde1840f96597e90d PDF Text Text Tae Binghamton University Department of Music T H U R S D A Y  MID­DAY R E C O G N I T I O N  CONCERT Ma y 10, 2007 —  1 :20 P.M. Casadesus Recital Hall > l The Cascades (1904) Scott Joplin (1868­1917) Bingha mton University Saxophone Q ua rtet : Amy Natiella, soprano; Emily Alkiewicz, alto; Michael Marchisotto, tenor;  Marissa Roe, baritone Recognized by April Lucas, Professor of Saxophone Aria of Liu, “Signore, ascolta!,” from “Turandot” ...Giacomo Puccini (1858­1924) Katrina Cox, soprano Chai­Kyou Mallinson, piano Recognized by Mary Burgess, Professor of Voice Charles Chapple, composer recognized by Paul Goldstaub, Professor of Composition Warum willst du and’re fragen ......Clara Schumann (1819­1896) Maria Aimoniotis, soprano Margaret Reitz, piano Recognized by Mary Burgess, Professor of Voice Passacaglia Rebecca Clarke (1886­1979) Melissa Lee, viola Recognized by Roberta Crawford, Professor of Viola Si mes vers Avalent des ailes Miriam Wright, soprano Chai­Kyou Mallinson, piano Recognized by Mary Burgess, Professor of Voice :  Reynaldo Hahn (1874­1947) (Please turn over) �Fantasia (1948)  Animé  H. Villa­Lobos (1887­1959) Amy Natiella, saxophone Margaret Reitz, piano Recognized by April Lucas, Professor of Saxophone Damaged  Richard Pearson Thomas (b. 1957) Elizabeth Duh r, mezzo­soprano Ma rga ret Reitz, piano Recognized by Duane Skrabalak and Peter Sicilian , Professors of Opera Chanson a b o n e M a u r i c e Ravel   (1875­1937) Soon Young Pa rk, ba ritone Chai­Kyou Mallinson, piano Recognized by Timothy L eFebvre, Professor of Voice * *Please join us for a reception in the Green Room following the concert** � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc 1 videocassette Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 25:01:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196835">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196835</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day recognition concert, May 10, 2007 Recital Tape 5-10-2007 Description An account of the resource Held at 1:20 p.m., May 10, 2007, Casadesus Recital Hall. Works of Joplin, Puccini, Schumann, Clarke, Hahn, Villa-Lobos, Thomas, Ravel. Creator An entity primarily responsible for making the resource Natiella, Amy Alkiewicz, Emily Marchisotto, Michael Roe, Marissa Mallinson, Chai-Kyou Chapple, Charles Aimoniotis, Mary Reitz, Margaret Lee, Melissa Wright, Miriam Duhr, Elizabeth Park, Soon Young Lucas, April Burgess, Mary Goldstaub, Paul Crawford, Roberta Skrabalak, Duane Sicilian, Peter LeFebvre, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-10 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 43b68df2-d09f-48f9-8ad3-717de015369f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:44:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196832">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196832</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Glimmerglass Opera, Cooperstown, New York presents its young American artists in concert the world of Offenbach Recital Tape 5-9-2007 Description An account of the resource Held at 8:00 p.m., May 9, 2007, Casadesus Recital Hall. Works of Offenbach. Creator An entity primarily responsible for making the resource MacLeod, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 331763b8-317b-4104-b53b-1392bd77c9ab https://omeka.binghamton.edu/omeka/files/original/9d380a1091904467c06b58ec0d98bc3d.pdf 6722131cb33c8afa86719ed25bb0899a PDF Text Text U N I V  {ARC Rec  Tog 0 Pog  C Binghamton University Music Department STRING PROGRAM RECITAL Cal  L’s  ( j Concerto in A Minor, BWV 1041  J.S. Bach Allegro moderato  Jennifer Liebman, violin Margaret Reitz, piano Passacaglia on an Old English Tune (1943)  Melissa Lee, viola  Margaret Reitz, piano Meditation from “Thais”  Jennifer Paull, violin  Margaret Reitz, piano Fantasy  Sarah Sterling, viola  Margaret Reitz, piano Duo for Two Violins, Op. 24  Rebecca Clarke (1886–1979) Jules Massenet (1 842–1912) Johann Nepomuk Hummel (1778–1837) Ignaz Pleyel Allegro  Jennifer Paull Beth Vayshenker Quartet in D minor, Op. 76, No 2 “Quinten”  Andante, o piu tosto Allegretto  Allegro (1685–1750) (1757–1831) Joseph Haydn (1732­1 809) Elizabeth Sterling and Griffin Sargent, violins Sarah Sterling, viola  Ryan Joyce, cello Concerto No.3 in G Major, BWV 1048 “Brandenburg ”  (Allegro)  Adagio Allegro Janey Choi, Akira Maezawa, Griffin Sargent, violins Roberta Crawford, Melissa Lee, Sarah Sterling, violas Stephen Stalker, Heajung Kim, Ryan Joyce, cellos Peter Browne, continuo Tuesday May 8, 2007, 8:30 PM Casadesus Recital Hall J.S. Bach (1685–1750) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 56:01:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196829">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196829</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource String program recital May 8, 2007 Recital Tape 5-8-2007 Description An account of the resource Held at 8:30 p.m., May 8, 2007, Casadesus Recital Hall. Works of Bach, Clarke, Massenet, Hummel, Pleyel, Haydn. Creator An entity primarily responsible for making the resource Jennifer Liebman, violin Margaret Reitz, piano Melissa Lee, viola Jennifer Paull, violin Sarah Sterling, viola Beth Bayshenker Elizabeth Sterling and Griffin Sargent, violins Ryan Joyce, cello Janey Choi, Akira Maezawa, violins Roberta Crawford, viola Stephen Stalker, Heajung Kim, cellos. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 33183330-72aa-4a55-9f6b-fd919891a6df https://omeka.binghamton.edu/omeka/files/original/4158f1b56dfefcafbd8782d08090c50a.pdf 2c7de2689b35b56dab5438cafd4c8402 PDF Text Text ©  U N T Y   R R C Rec va) i Ot 3 Joa 5 SPEC Colo Composi tion  331 Class Co ncer t of Stud ent Com posi tion s Monday, May 7, 2007 Fine Arts 111 Binghamton University �“Hold You In My Smile” (Text by Ernestine  Northover) Composed by Maria Roccisano Sweet moment, stay with me, and pray do not flee so soon, Let me enjoy the bliss o f that first kiss beneath the moon. I wish to cradle this feeling, that has only just been found, A feeling that has unexpectedly turned my world around. Do not depart, Oh please remain within my heart awhile, So that I can savour you once more, and hold you in my smile. M M M fl u n m Did I Ever Tell You How Lucky You Are? ( Text by Dr. Seuss) Composed by Patrick Deeney When I was quite young and quite small f or my size, I met  and old man in the Desert of Drize.  He sang me  a so ng I will never forget. At least, well, I haven ’t forgotten it yet. He sat in a terribly prickly place, but he sang w ith a sunny sweet smile on his face : When you think things are bad, when you fe el sour and blue, when you start to get mad you should do w hat I do! Just tell yourself, Duckie, you’re really q  lucky! Some people are much more...oh, ever so much more...oh,uite  mu chly much­much more unlucky than you! Thank goodness for all the things you are not .  Thank goodness you ’re not something someone forgot, and le ft al l alone in some punkerish place like a rusty tin coat hanger  hanging in space. That ’s why I say, ‘Duckie! Don ’t grumble!  Don ’t stew!  Some critters are much­much oh, ever so much­much,  so m uchly much­much more unlucky than you!’ “ I m m a d w m m Since feeling is first (Text by e.e. cummings)  Composed by Ion Ho Since feeling is first who pays any attention to the syntax of things will never wholly kiss you ; wholly to be a fool while Spring is in the world my blood approves, and kisses are a better fate than wisdom lady i swear by all flowers. Don’t cry ­ the best g esture of my brain is less than your eyelids’ flutter which says we are for each other ; then laugh, leaning back in my arms for life’s not a paragraph And death i think is no parenthesis fl h ­ M ‘ M M H Lines (Text by Martha Collins) Composed b y Scott Goldhaber Draw a line. Write a line. There. Stay in line, hold the line, a glance between the lines is fine but don ’t turn corners, cross, cut in, go over or out, between two points of no retum’s a line of flight, between two  points of view’s a line of vision. But a line of thought is rarely straight, an open line’s no party line, however fine your point. A line of fire communicates, but drop your weapons and drop your line, consider the shortest distance from x to y, let  x be me, let y be you. Scot  Gow l haber ,v o c a l i s t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:38:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196826">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE196826</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composition 331 class concert of student compositions, May 7, 2007 Recital Tape 5-7-2007 Description An account of the resource Held May 7, 2007, Fine Arts 111, Binghamton University. Creator An entity primarily responsible for making the resource Deener, Patrick Ho, Ion Walker, Ayelet Turley, Mark Silvagni, Richard Tischenkel, Bryan Ho, Ion Dinowitz, Eric Luce, Gabriel Lee, EunJeonh Goldhaber, Scott Roccisano, Maria Maller, Rachel Schwartz, Douglas Luk, Jack Silvagni, Mark Blitstein, Alexander Makarowitz, Seth Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2007-05-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound IIIF Item Metadata UUID 89efc0ef-a7ad-4d45-8e74-7ec0fdbbc1e0