48 10 1775 https://omeka.binghamton.edu/omeka/files/original/1d9c1b96adb54aca8ffe7a2c49a43d58.pdf 0da16c17c1ed196f9fc01ea2a3822d20 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC with THE DEPART MENT OF THEATE R present A BARBER-MENOTTI EVENING by Students from the Ope ra Workshop March 25, 1970 8:15 p.m. Studio Theat e r �CHARACTERS PROGRAM Vanessa Samuel Barber (text by Gian Carlo Menotti) Vanessa Vanessa, a lady of great beauty, in her l ate thirties Alida Stahl , soprano Act III. Scene 2. The action t akes place in the drawing room of Vanessa's country house in a northern country about 1905. Erika, her niece, a young girl of twenty Linda Holgers, m 3zzo-soprano The Old Baroness, Vanessa's mother and Erika ' s grandmother Nancy Ca r lson, contralto Samuel Barber (text by Gian Carlo Menotti) A Hand of Bridge The scene is the living room of David and Geraldine's apartment. Anatol, a handsome young man in his early twenties Charl es Seltzer , tenor James Osborne , baritone The Old Doctor The time - the present. A Hand of Bridge Intermission David, a florid businessman Geraldine, his middle-aged wife Bill, a lawyer Sally, hi s wife T erranc e Ho well , baritone Phy lis Costanzo, sopr ano Charl es Seltzer, tenor Kathl een T yrrell , mezzo-soprano The Medium text and music by Gian Carlo Menotti The Medium Act II. Scene 11. Donna Ribble , soprano Alfred Wilson , mime Monica, age 16 Toby, a mute, age 18 The scene is the parlor of Madame Flora. Th e Consul Linda Tra ver , soprano Magda Sorel text and music by Gian Carlo Menotti The Consul The T elephone 'Papers' Scene (Act II. Scene 2.) The action takes place somewhere in Europe at a Consulate. The time - the present. text and music by Gian Carlo Menotti Th e Telephone or L'Amour à Trois The scene is Lucy's apartment . The time - the present. Lucy Ben Alida Stahl, sop rano Jam es Osborn e , baritone Roberta Schlo sse r, William Lewis Musical Preparation William Lewis Director (' Barber ' scenes ) Alfr ed G. Brooks Director ('Menotti' scenes ) Donna Hallen Accompani st ('Barber' scenes) Barbara Ga rges Accompanist (' Menotti' scenes ) Donna Ha llen Accompanis t and musical coach ('Barbe r' scenes) Barbara Garges Accompani st and musical coach (' Menott i' scenes) �Technical Staff Angelo Zuccolo Richard Block Rae McDowell Lisbeth J. Roman Stage Manager Lighting Costumes Make-up PROGRAM NOTES Vanessa Vanessa, a beautiful, wealthy woman in her mi.ct-forties, once had a lover, Anatol. For twenty years she has been waiting in seclusion for him to come back to her. She receives a letter announcing Anatol's coming, but the Anatol who arrives is not her lover but his twenty year old son, also named Anatol. The younger Anatol seduces her niece, Erika, on the first night of his visit but later decides to m9,rry Vanessa for her wealth despite Erika's attempted suicide and the loss of his child. The scene presented in tonight's performance occurs a month later; Anatol and Vanessa are now married and preparing to leave for Paris to lead a grand life. A Hand of Bridge "A Hand of Bridge" was first performed at the Festival of Two Worlds in Spoleto, Italy in June of 1959. William Lewis, this evening's director, sang the role of Bill. The Medium Monica, the 16 year old daughter of an alcoholic fake medium, a nd 18 year old Toby, a m ·1te who lives with them, are finding a bit of imaginary glamour and gaiety in their drab lives throughplay-acting. "The Medium" and "The Telephone" were composed to be performed together and were first presented in 1947. The Consul "The Consul" is an opera with great emotional impact for all people. It concerns one woman's desperate attempt to get necessary cl earance to leave a despotic country. She has been constantly harassed by a secret policeman because of her husband's revolutionary activities. Her baby had died of starvation and her mother-in-law is almost dead. In the scene presented here, she is seeking help in the Consul's office for perhaps the hundredth time. "The Consul" had its world premiere in March, 1950 at the Schubert Theatre in Philadelphia. The T elephone "The Telephone" a short opera buffa, was composed as a curtainraiser for the longer opera, "The Medium." The two were first written for the Ballet Society and presented in 1947 at the Heckscher Theater in New York. - Barbara Garges � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:50 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63201 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63201"> A Barber-Menotti Evening by Students from the Opera Workshop</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource A Barber-Menotti Evening by Students from the Opera Workshop Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Held at 8:15 pm, March 25, 1970 at Recital Hall Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-3-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064774 39091020064238 https://omeka.binghamton.edu/omeka/files/original/d13b10cea27f43c063adb8efdcee405b.pdf 7bb8fe7ecfe87677968fa690ebb3a418 PDF Text Text �PHILIPPE ENTREMONT shot into the musical ﬁrmament like a comet but soon became a star. His scintillating combination of French brio and brilliance, his extraordinary artistry, sensitivity and ﬂashing technique have led critics to describe him as “a titan” and as “an aristocrat of the piano.” Internationally acclaimed, Entremont occupies a preferred place in the ranks of the world’s virtuosi. Especially noted for his sensuous interpretation of the romantic repertory, the “electric,” “magnetic,” “atomic pianist” is equally at home in the works of Scarlatti and Stravinsky. He is known to au diences across six continents through his concert tours and his Columbia Records releases. Tall and slim, with a Gallic charm, the globetrotting Frenchman has been a perennial favorite with American concert audiences since 1953. Over a million of his longplaying Columbia Records are in American homes including his bestselling collaborations with Eu gene Ormandy and The Philadelphia Orchesta and with Leonard Bernstein and The New York Philharmonic. Entremont’s doubleheader debut–a recital in Washington, D. C. on January 4, 1953 and with symphony orchestra at Carnegie Hall the following day–brought him instant recognition; in the words of the New York Times, he “brought down the house,” a feat: he has repeated wherever he appears in recital and with the leading or chestras of the world. Philippe Entremont was born on June 7, 1934 in Rheims, France in the heart of the champagne country. This may account for his exuberant personality and ebullience which he communicates so well to his audiences. His musical genius is inherited: his father is a conductor; his mother, a Grand Prix pianist. She gave him his ﬁrst lessons at six and he completed his studies under the tutelage of the eminent teacher Marguerite Long. At 17, he became First Laureate and Grand Prix winner at the Marguerite LongJacques Thibaud International Concours, won the Harriet Cohen Piano Medal, and launched his career as a concert pianist. COLUMBIA ARTISTS MANAGEMENT INC. Personal Direction : NELLY WALTER and RONALD WI LFORD 165 West 57th Street, New York, N Y. 10019 Steinway Piano Columbia Masterworks Records STA TE U NIVE RSITY OF N E W YO RK A T BI NGHAMTO N Convocations Committee presents PHILIPPE E N T R E M O N T PIANIST Don A. Watters Theater THURSDAY, MARCH 5, 1970 at 8:15 P.M. Sonata in E ﬂat major, Opus 31, No. 3 Allegro Scherzo Allegretto vivace . Ludwig van Beethoven Menuetto : Moderato e grazioso Presto con fuoco Papillons, Opus 2 . . Robert Schumann L’Isle joyeuse Claude Debussy Pavane pour une Infante défunte . Maurice Ravel Alborada del Gracioso . Ravel — I N TE R M I S SI O N — II The Four Ballades Ballade No. 1 in C minor, Opus 23 Ballade No. 2 in F major, Opus 38 Ballade No. 3 in A ﬂat major, Opus 47 Ballade No. 4 in F minor, Opus 52 Frédéric Chopin m � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63185 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63185">Philippe Entremont, Pianist, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Philippe Entremont, Pianist, Recital, March 5, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Schumann, Debussy, Ravel, Chopin. Held at 8:15 pm, March 5, 1970 at Don Watters Theater. Creator An entity primarily responsible for making the resource Entremont, Philippe Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-3-5 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Schumann, Robert, 1810-1856 Debussy, Claude, 1862-1918 Ravel, Maurice, 1875-1937 Chopin, Frederic, 1810-1849 State University of New York at Binghamton. Department of Music Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064378 39091020064428 39091020064477 39091020064527 https://omeka.binghamton.edu/omeka/files/original/867dcfa7427ea80c8e83cd6ccff1e9b0.pdf 642a552981e16566bf4bf6cd1821be91 PDF Text Text S T A T E U NI VER SIT Y O F NEW Y OR K A T BI N G H A M T O N H A R P UR CO L L EG E THE D E P A R T M E N T O F M U S I C presents G A B R I E L C H O D O S pianist S unday, M a r c h 8, 1970 3 :00 p . m . Recital Ha l l �P R O G R A M GABRIEL CHODOS, P i an i s t V a r i a t i on s i n F ma j o r , Op . 34 =–––– Bee t hoven Sona t a i n D ma j o r , Op . 10 , No. 3 =–– Bee t haven Young Ame r i can p i a n i s t Ga b r ie l Chodos h as won awa r ds i n t he C as e l l a I n t e rn a t i on a l P i an o f o r t e Comp e t i t i on i n N ap les an d t he M i chae ls Compe t i t ion i n Ch i cago, and has pe r f o rmed ex tens i ve ly Large e mes t o i n re c i t a l and ove r rad i o and t e le v is ion t hroughou t t he Un i ted S t a t es and i n E urope . His many o r ches t ra l pe r f o rmances i n c l ude Menue t t o : A l leg ro appea rances w i t h t he Ch i cago Symphony O r ches t ra a t t he P res t o Ravin ia Fes t i va l . Rondo : A l le g ro Ba r c a r o l l e , Op . 6 0 –––– _ –– _ _ _ _ – Chop in A P h i Be t a Kappa i n P h i losop hy f rom t he Un i ve rs i t y o f Ca l – i f o rn i a a t Los An ge les , Mr . Chodos a lso ho lds a Mas te r of Ar ts i n Mus i co logy f rom t ha t Un i ve rs i t y and an Ar t is t D i p loma i n P i an o f rom the Akade mie f ur Mus ik and dars te l lende Kunst i n V ienna, whe re he s t ud ie d unde r a Fu lb r i g h t g ran t . His p r in c i pa l p i an o s t ud ies we re w i t h Aube Tzerko o f Los An ge les , f o rme r ly a p up i l I NTEFWI 551 ON of Ar tur S chnabe l ; f ur the r ins t r uc t ion was w i t h Josef D i ck le r o f V ienna , Leona rd Sh u re a t Aspen , and C a r l o Ze cch i a t t h e Mozar teum l n Sa lzb u r g. Mr . Chodos s t ud ie d t heo ry and comp os i t ion Fan tasy, Op . 17 –– –––––––––––––––– – Schumann Durchaus phan tas t isch und le i denscha f t l i ch vorzut ragen M i ss i g. Du r chaus en e r g is ch . Langsam gettagen. Durchweg l e i s e zu hal t en. Sonata No. 2 –—– –– – –– _ _ _ _ – – App le t on Toccata, op . 11 _ _– – –_ _ _ _ _ – _ P rokoﬁe v w i t h Leonard S te in . Mr . Chodos has f o rme r ly t augh t a t t he Un i ve rs i t y o f Ca l – i f o rn i a a t Los An ge les and the Un i ve rs i t y o f O regon . He i s now i n res i dence a t the S t a te Un i ve rs i t y o f New York a t B u ﬀ a l o . His 19 70– 71 Debu t Tour of Europe was t he cour tesy o f t he Mar tha Ba i rd Rocke f e l ler Founda t ion . JON APPLETON, , Compose r Mr . Jon App le t on i s on t he mus i c f a c u l t y o f Dar tmou th Co l le ge and i s Head o f Dar tmou th ’ s Elec t ron i c Mus i c S t ud i os . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63191 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63191"> Gabriel Chodos, Pianist, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gabriel Chodos, Pianist, Recital, March 8, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Chopin, Schumann, Appleton, and Prokofiev. Held at 3:00 pm, March 8, 1970 at Recital Hall Creator An entity primarily responsible for making the resource Chodos, Gabriel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-3-8 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Schumann, Robert, 1810-1856 Chopin, Frederic, 1810-1849 Prokofiev, Sergey, 1891-1953 Appleton, Jon H., 1939-, State University of New York at Binghamton. Department of Music Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064576 39091020064626 39091020064675 39091020064725 https://omeka.binghamton.edu/omeka/files/original/3bc471dc1858ea0ae0574c223d76ff54.pdf 8db29aa027d97b79437bd05237086bd6 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC Elizabeth Korte, Piano Albert Hamme, Saxophone April 12, 1970 Music Recital Hall 3:00 p.m. PROGRAM Sonata in C minor (1732) Allegro Adagio Allegro assai Georg Teleman Scaramouche (1939) Vif Modéré Brazileria Darius Milhaud STUDY For Alto Sax and Two Channel Tape PREMIERE PERFORMANCE Karl Korte Intermission Sonata in A major, op. 120 (1819) Allegro moderato Andante Allegro Franz Schubert Rondo for Saxophone and Rhythm (1969) PREMIERE PERFORMANCE David Wilson, String Bass Sonate (1943) Ruhig bewegt Lebhaft Sehr langsam Lebhaft Jack Martin Grover T. Craig, Percussion Paul Hindemith �PROGRAM NOTES The C minor Sonata by Georg Philipp Teleman is the fourth of a set of twelve Methodische Sonaten published in 1732 for flute and figured bass. The continuo realization is by Richard Hervig and the Saxophone transcription was done by Himi.e Voxman. Darius Milhaud originally wrote the Scaramouche Suite for two pianos and later transcribed it for the saxophone. The original score was culled from the stage music he had written for Moliete's play Le M edecin Volant. The title Scaramouche was possibly given to this composition because the play was originally presented in the Theater Scaramouche in 1937; although it could have been derived from the nature of the music itself. (Scaramouche, a buffoon usually dressed in black, was a stock character in the 17th century farce Scaramuccia1. Study for Alto Saxophone and Two Channel Tape was commissioned for this recital and is the first composition for solo saxophone and tape. The method of comJosition used by Karl Korte is now referred to as the "Classical Studio Technique" of electronic music. In this case the sounds on tape are existing musical sounds from the piano, which have been extensively altered through tape manipulation. The A major Sonata, opus 120. is the crown of Schubert's early Sonatas and was written during his stay at Steyr in 1819. Everything Schubert had previously attempted he achieved in this perfect little work: variety, a light touch and endearing melodies which add consistancy and interest to each of the three movements. Rondo for Saxophone and Rhythm is what Gunther Schuller would consider to be "third stream" - the blending of European art music with American jaz z. The first and recurring section of the compostion is one of changing meter and shifting textures. The other sections are based on the jazz ) , waltz ( 3/4),a nd basso nova ( 7/4). Improvisation, one forms of ballad ( 4/4) of the basic elements in jazz, is a device used in the waltz section. This Hindemith Sonata was written for alto horn in E ,but in parenthesis the composer indicated: Waldhorn, Alt-Saxophon. While initially one might argue that this is not a piece idiomatic to the saxophone, it is very much suited to the instrument, for it shows the lyrical side of the saxophone and the beauty of the sustained tones. The piano part is not only beautiful, but also very formidable. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 10:29 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63205 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63205"> Elizabeth Korte, Piano, and Albert Hamme, Saxophone, Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elizabeth Korte, Piano, and Albert Hamme, Saxophone, Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Telemann, Milhaud, Korte, Schubert, Hindemith. Held at 3:00 pm, April 12, 1970 at Music Recital Hall Creator An entity primarily responsible for making the resource Korte, Elizabeth Hamme, Albert Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-12 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Telemann, Georg Philipp, 1681-1767 Milhaud, Darius, 1892-1974 Korte, Karl, 1928- Schubert, Franz, 1797-1828 Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064386 39091020064436 39091020064485 https://omeka.binghamton.edu/omeka/files/original/35a17797bf0e1c49b6b0543f2c737d81.pdf a027ca70f72cbdd7dc67e14ff316a9c4 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE HARPUR CHORALE DAVID BUTTOLPH, Conductor Wednesday, April 15, 1970 8 :15 p. m. The Don A. Watter s Theater �PR OGRA M T he Lord of the Dance Max Lede rhaus Nancy Carlson, Contralto solo Char les Feldman and Ira Mille r, guitars Psalm 74 v. 19 Johann Sebastian Bach Psalm 13 (opus 27) Didn ’t My Lord Deliver Daniel a r r . Walter E hret Johannes Brahms Psalm 83 :1 Alan Hovhaness Intermission Ave Maria Serge Rachmaninoﬀ Kyrie et Agnus Del Jean Langlais (f rom Missa in Simplicitate) G loria, Sanctus et Benedictus Karl Korte (from Mass for Youth) VI EXCE R PTS f rom CARMINA BURANA Assisted by: Assisted by. Jack Hooton, Organist Tim pani — David C rowe Percussion – Peter Buttolph, Rick Compton Ferris Lebous, Robert Mirsky i PRIMO VERE III Four A rms, Two N ecks, One Wreathing Come Sleep Thomas Weelkes Robert Starer A rgentine Folk Dance 3. Veris leta facles 5. Ecce gratum 7. Floret silva Alberto G inastera 11 IN TA BERNA 14. In taberna quando sumus IV A mo, A mas, I Love a Lass Shenandoah Little Innocent Lamb Sometimes I Feel Like a Motherless Child ill arrangements by Marshall Bartholomew arr. Fenno Heath Carl Orﬀ Accom panisis Donna Hallen and Joseph Kotylo COURS D’ A MOURS 20. Veni, veni, venias 2 2. Tempus est iocundum 2 5. O F o r tuna �PR OGRAM N OTES PSALM 74 v. 19 Du wollest dem Feinde nicht gehen die Seele delner Turtletauben. Veris leta facies (Conti nued) Johann Sebastian Bach Deliver not to the multitude of the wicked the Soul of Thy T urtledove. PSALM XIII OPUS 27 Herr, wie lange wilist du mein so gar ve rgessen'] Wie lange ver birgest du deln Antlltz var mlr? Wie lange snll ich sorgen in meiner Seele, und mich lingsten in melnem Herzen tagllch? Wie lange soll sich mein Felnd ﬁber mich erheben? Schsue doch und erhare mich, Herr mein Gott. Johannes Brahms Lord, How long wilt Thou iorget me? How long, wilt Thou hide Thy face from me? How long shall I seek counsel within my Soul, having sorrow in my heart daily? How long shall mine enemies t riumph o’er me ? Hear and consider me O Lord my God. E rleuchte meine Augen, dass ich nieht, Mine eyes, O Lord enlighten, lest I sleep the sleep of deatb. meln micht ig worden und meine Wide r sacher slch nlcht f reuen, dass ich nlede r vailed against him, lest they re joice when I am moved. dass ich nicht im Tode entscnlaie ; Dass nlcht meln Felnd ruhme, er sei liege. Ich hoﬀe auber dsrauf, dass du so gnadig hist; mein Herz f reuet slch, dass du so gerns hilf st. Ich w i l l dem Herren singen dass er so wohl an mlr thut. Lest my foes say that we have pre– But I have eve r trusted in Thy great mercy Lord, my heart shall re joice i n T hy salvation. And I will praise the Almighty, He has dealt kindly with me. Carl Orﬀ C ARM! NA BURANA (18 95 —) Cantiones profanae cantoribus et iam stipatur ﬂore. Zephyrue nectareo spirans in odore. Certatim pro bravio curramus in amore. Cytharizat cantico dulc is Philomena, ﬂore rident varlo prata iam serena. salit cetus avium silve per amena, chorus promlt virglnum lam gnudia mllieaa. Ecce gratum Ecce gratum et optatum ver reducit gaudia; purpuratum ﬂoret pratum, sol serenat omnla. Iam lam cedant tristial Estas redit, nunc recedit hiemis sevitia. lam liquesclt et decrescit grando, nix et cetera; bruma fugit et lam suglt ver estatls ubera; llll mens eat misera chorls cantandae comitantibus instrumentis atque imaginibus magicis. In 1847 J.A. Schmeller published a thirteenthcentu rymanuscriptcolleotlon of songs which had originated in a monastery in the foothills of the Bavarian nlps, and to which he gave the title Carmina Burana or “Songs of Benediktbeuern,” alter the name of the monastery. Carl Orﬀ came across the edition in 1935, and ﬁnished composing the score in the following year ; the ﬁr st performance was in F rankfurtamMain on J une 8, 1937. The poems, written by wandering scholars, fu r the most part before the year 12 00, include love songs, d rinking songs, and songs in praise of the vagabond o rder (all in– tended as dancesongs), as well as rec ruiting songs for the Crusades, complaints on fortune, attacks on aimony, and various other topical poems. Carl Orﬀ has arranged selections from the texts into three groups ; the invocation to fortune, which precedes the ﬁr s t group, i s repeated at the very end of the work. Program notes by Michael Ki mbell I – PRIMO VERE Veris leta facies Veris leta facies mundo propinatur, hiemalis acies victa lam fugatur, i n vestitu v arlo Flora principatur, nemorum dulei sono que cantu celebratur. Flore fusus gremio Phebus novo more risum dat, hoe vario qui nec vlvlt nec lascivit sub entitle dextera. Gloriantur et letantur in melle dulcerlinls, qui conantur ut utantur premio Cupidinis; simus {ussu Cyprldls gloriantes et letantes pares esse Parlrlls. sound of the woods, reigns Flora, who i s celebrated with song. piled high with blossoms. Zepher is blowing with nectarlike fragrance. L et us make haste i n loving, vying for the prize. Sweet Philomena sings her song as on a lyre ; the ﬁelds, now fair, are s mlling with manycolored ﬂowers; a covey of birds ﬂies up through the pleasant places of the wood ; a bevy of maidens gives loys of a thousand kinds. Behold, the welcome and longyearned–for spring brings back joy; the encarmined meadow is in bloom. the sun makes everything bright. Now let sadness be put as ide! The summer is returning, and now the ferocity of winter is retreating. Now the hall, snow and the rest are melting and disappear ing ; the winter is ﬂeeing, the spring is already suckling the breasts of summer ; He has a wretched mind, * who does not live and does not wanton under the aegis of summe r. They glory and rejoice in the honey of sweetness who make every eﬂort to en joy the rewards of Cupid ; let us, at the command of Venus. be proud and glad to be the equals of Paris. Floret silva Floret silva nobills The gladsome face of spr ing comes as a gif t to the world, the battle –line of winte r is already conquered and put to ﬂigh t; now, in bright garb, with t he sweet Phoebus smiles anew, gnrlandad with ﬂowers in her lap, which is already ﬂoribus et tollls. Ubi est antiquus meus amicus ? Hine equitavit. E ia, quis me amabit? Floret silva undique ; nach mime gesellen ist mir we. Gruonet der wald allentha lben, The noble forest is in bloom with ﬂowers and leaves. “Where is my old–time f riend ?* “He has ridden away.” “Eia, who will love me?” The forest is everywhere in bloom; “For my mate I am yea rning. T he wood is greening on all sides, �Flovet silva (Continued) wo ist mln geselle alse lange ? Der i s t gerltten hinnen, O we, wer sol mich mi nnen ? where is my mate all t hls tim>?" “He has ridden away.” “Alas, who will love m e ? ll – IN TABERNA In taberna quando sumu s In taberna quando sumus When we are in the tave rn non curamus quid sit humus, we care not wha t is earth, sed ad ludum properam us, but hasten to the game cui semper insudamus. over which we always s weat. Quid ngatur in taberna, What goes on in the tavern, ubl nummus est pincerna, where money is the winegiver, hoc est opus ut queratur, this is what we must seek ; s i quid loquar, audiatur. if I say anything, let it be heard. Quidnm ludunt, quldam bihunt, quidam indiscrete vivun t, Sed in ludo qul morantu r, e x his quldam denudantu r, quldnm lbl vest iuntur, quidam saccis induuntu r. lbi nullus timet mortem, sed pro Baccho mittunt sortem: Some men play, some d rink, some live undistinguish edly. But of those who keep on gambling, of them some are stripped naked, some get their clothes there and some go clad in sa cks. There noone fears death, ex hsc hibunt libertini; but they gamble for Bac chus : First the dice are throw n for wine, f rom this the libertines drink : they drink once for the prisoners, quater pro Christianis cunetis, four times for all Christians, sexies pro sororibus vanis, septies pro mllltibus silvanis. seven times for the for est soldiers. P rimo pro nummata vini , semel bibunt pro captivis, post hec bibunt ter pro vlvi s , qulnquies pro ﬂdelibus defunctis, Octies pro f ratribus perversls. noniens pro monachis dispersis, decies pro navigantibus, undec ies pro discordantibus, duodecies pro penitentibus, tredecies pro iter ngentihus. Tam pro papa quam pro rege bibunt omnes sine lege . Bibit hera, bitet herus, bibit miles, blblt clerus, blbit ille, blblt illa, bibit servus cum aneill s, bibit velox, hlblt piger, biblt albus, biblt niger, bibit constans, blblt vagus, bibit rudls, blblt magus. Bibit pauper et egrolus, blbit exul e t ignotus, bibit puer, bibit canus, bihit presul e t decanus, blbil soror, bibit f rater, blblt anus, bibit mater, blblt lsta, blblt ille, blhunt centum, bibunt m ille. Parum sexcente nummate durant, cum immodera te bibunt omnes sine meta. Quamvis bibant mente l eta, s ic nos rodunt omnes gentes et sic erimus egentes. Qul nos rodunt coniunda ntur e! cum justis non sc ribantur. af ter this they drink thrice for the living, ﬁve times for all faithf ul departed, s ix times for the boastful sisters, Eight times for the sinf ul brethren, nine times for the dispe rsed banks, ten times for those at sea, eleven times for those at odds, twelve times for the penitent, thi rteen times for those o n the road. For Pope and King alik e all d rink without restraint. T he mist ress d rinks, the master d rinks, the soldier and the clergyman. the man d rinks, the woman d rinks, the se rvant d rinks with the maid, the quick man d rinks, the lazy man d rinks, the white man and the black, the resolute and the inconstant, the simple and the wise . The poor man d rinks and the sick, the exiled and the unknown, the youngster drinks and the oldster, the bishop and the deacon, the sister drinks, the brother drinks, the grandmother and th e mother, women d rink and men d rink, by the hundreds and the thousands. Six hund red coins will not last long enough, when all d rink unrestrainedly and without limit. Though they d rink with a glad heart, yet all people scold us and thus we shall be needy. May those who nag at us be confounded, and may they not be ins cribed among the just. 111 — COURS D‘AMOURS Veni, i/Em’ Veni, v e n , venias ; ne me mori facias. Hyrca, nazaza, trillirlv os. Puichrn tibi facies, ocuiorum sales, capillorum series, 0 quam clara species! Rosa ruhicundior. lilio candidior, omnibus formosior, sminer in te gloriorl Come, come, come; don ’t make me di e. Hyrca, nazaza, trillirivos. Beautiful is your face, the piercing glance of your eyes, the arrangement of your hair, oh whata splendid ﬁgur e! Redder than the rose, whiter than the lily, more shapely than all others, I always glory in youl Tempus est iacundum Tempus est iocundum, o vitgines; modo congaudete, vos iuvenes. 0,0,0, totus ﬂoreo; lam amore virginali totus ardeo; novus, nevus amor est quo pereo. Mea me confortat promissio, mea me deportat negatia. Tempore hrumnli vir pntiens, animo vernali lasciviens. Mea mecum ludlt virginitas, mea me detruclit simplicitas. Veni, domicella, cum gaudio, veni, veni, pulchra, iam pereo. The season is joyful, o maidens; now re joice together, you lads . 0,0,0, I am all a–blooming ; l am already all aﬂame with virginal love ; it is a new, new love of which I am perishing. It makes me happy to promise, it makes me sad to refuse. In the winter season, man is a suﬀerer ; with the spirit of pring he is wmton. My maidenhood plays upon me, my naiveté puts me uiL Come, damsel, with joy, come, come, fair one, 1 am already dying. 0 Fortuna 0 Fortuna velut luna statu vlr llbﬂls, semper crescis aut dectescis'. vita detestabilis nunc obdurat et tunc curat ludo mentis aciem; egestatem, potestatem dissolvit u t glaciem. Sara immanis O Fortune, like the moon changeable in state, you are always waxing or waning; abominable lif e ﬁrst treats harshly and then cares tenderly, whimsically, for the desires of the mind; lndigence and power it melts away like ice. Overpowering et inanis, and empty chance, status malus, vana salus, an evil state, a ﬁ c kle well–being. always liable to change , rota tu volubilis, semper dissolubilis, you are a turning wheel, �O Fortuna (Continued) obumbrata overshadowed and veiled you trample on me, too; now, as for sport, I bare my back to your wickedness. et velata michi quoque niteris ; nunc per ludum dorsum nudum fero tui sceleris. Sors salutis The chance of well–being et virtutis michi nunc contraria, est aﬀectus et defectus semper in angaria. Hac in hora sine mora corde pulsum tangite ; quod per sortem sternit fortem, mecum omnes plangitel and of strength, now averse to me, is a granting and a denial, but always in f rustration. In this hour, without delay, strike the lyre ; because, through chance, Fortune lays low the strong— weep, all, with mel THE HARPUR CHORALE President VicePresident Treasurer Librarian OFFICERS Robert Kendall Assist, Librarians Nancy Simpkins Michael Kass Wardrobe Mistress Ira Miller Denise Juliano John Niessen Linda Uhly PERSONNEL Donna Hallen, Accompanist WOMEN ’S CHORUS 1st SOPRANOS 2nd SOPRANOS 1st ALTOS 2nd ALTOS Susan Ball Audrey Adler Donna Hallen Lise Schmidt Laurie Siegal Nancy Simpkins Nadene Vredenberg Jacoba Westerhuis Carol Winslow Wendy Bishop Mary Conklin Laura Finkelstein Marjorie Graber Susan Hoﬀmeister Ellen Holtzman Allison Jameson Evelyn Kalish Debra Kanter Barbara Maggs Simone Pelzman Janet Stecher Nancy Weeks Sally Baron Kathryn Bassin Elizabeth Cohen Carol Gill Denise Juliano Rita Mitchell Shirley Newberry Reva Weiskopf Gaye Butler Elvira Chiccarelli Katherine Crowe Carol Flamm Beverly Penn Donna Ribble Ricky Stern Terry Tedeschi Linda Uhly MEN’S GLEE CLUB TENORS Peter Albert Bryan Burdick Keith Gorham Michael Kass Robert Kendall Paul Langland Charles Seltzer Douglas Steward James Van Hart Michael Weingarten BARITONES William Moore Gary Corliss Douglas Dorph James Osborne David Feder Douglas Shadwick Jeﬀrey Feinsilver Ronald Smith Thomas Sutter Leon Fried Max Lopez–Cepero David Swanda Ernest Tong BASSES Richard Axt Ronald Caveglia James Elniski Charles Feldman Ira Miller Steven Millheiser Kenneth Morgan John Niessen Richard Squiers � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 32:39:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63210 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63210">Harpur Chorale Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale Concert, April 15, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Bach, Brahms, Hovhaness, Rachmaninoff, Korte, Weelkes, Starer, Ginastera, Heath, Orff. Held at 8:15 pm, April 15, 1970 at Don Watters Theater. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-15 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Brahms, Johannes, 1833-1897 Hovhaness, Alan, 1911-2000 Rachmaninoff, Sergei , 1873-1943 Korte, Karl, 1928- Weelkes, Thomas, 1576-1623 Starer, Robert Orff, Carl, 1895-1982 Ginastera, Alberto, 1916-1983 Heath, Fenno, 1926-2008 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064535 39091020064584 39091020064634 https://omeka.binghamton.edu/omeka/files/original/ae601e422307862ce2b2bfc4f78a7319.pdf c350ffc4dbeffffe84aabd41b2743088 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Peter Marsh, violin Delmar Pettys, violin, viola Paul Hersh, viola, piano Donald McCall, cello Paul Hersh, Piano Soloist 3:00 p. m. Sunday, April 19, 1970 O p 5 M 9 4 3 PROGRAM . 130 String Quaxtet in B Flat Ma jor Adagio non troppo; Don A . Watters Theater Beethoven legro Presto Andante con moto a non t roppo poco sche rzande Alla danza tedesga : Allegro assai Cavatina : adagio olto expressivo Allegro G rosse Fuge/in B F lat M a jo r, Op. 133 Beethoven ntermission C u r a U1? 1 5 f ) P iano Quartet in GMinnnvép'ﬁlfz Allegro molto moderato Allegro molto Adagio non troppo Allegro molto i Faure’ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:46:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63215 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63215">Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recital Lenox String Quartet, April 19, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven and Faure. Held at 3:00 pm, April 19, 1970, Don A. Watters Theater Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-19 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Faure, Gabriel, 1845-1924 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064683 39091020064733 39091020064782 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:14 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63220"> Donna Hallen, Pianist, Senior Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Donna Hallen, Pianist, Senior Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Bach, Debussy, and Beethoven. Held at 3:00 pm, April 26, 1970, Recital Hall Creator An entity primarily responsible for making the resource Hallen, Donna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Debussy, Claude, 1862-1918 Beethoven, Ludwig van, 1770-1827 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064246 https://omeka.binghamton.edu/omeka/files/original/9e0d33e3081aa78b1abb9ca7b63eb2d9.pdf 0ae640ac0b7077bffba99101ddde9e3e PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET Peter Marsh, violin Delmar Pettys, violin, viola Paul Hersh, viola, piano Donald McCall, cello and THE new YORK WOODWIND QUINTET Thomas Nyfenger, ﬂute Ronald Roseman, ob oe David Glazer, clarinet Arthur Weisberg, bassoon Ralph Froelich, French horn RONALD ROSEMAN, O boe Soloist PAUL HERSH, Piano Soloist Monday, April 27, 1970 8 :15 Don A . Watters Theater PROGRAM Quartet in F Ma jor, K. 370, for oboe and strings Allegro Adagio Allegro ma non troppo Partita for Wind Quintet Introduction and Theme Variation Interlude Gigue Coda . Mozart Fine Intermission Quartet in E ﬂat m a jor, op. 33, no. 2 (“ The Joke ”) Allegro moderato, cantabile Haydn Scherzo (Allegro) Largo sostenuto P resto Quintet in E ﬂ at ma jor f or piano, oboe, clar inet, horn in E ﬂat and bassoon, opus 16 G raveallegro ma no n troppo Andante cantabile Rondoallegro ma non troppo Beethoven � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:08:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63223 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63223">The Lenox String Quartet and New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Lenox String Quartet and New York Woodwind Quintet Recital, April 27, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Fine, Haydn, Beethoven. Held at 8:15 pm, April 27, 1970, Don A. Watters Theater Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-27 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Fine, Irving, 1914-1962 Haydn, Joseph, 1732-1809 Beethoven, Ludwig van, 1770-1827 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064295 39091020064345 39091020064394 https://omeka.binghamton.edu/omeka/files/original/3273ee8d0928e10c9d00ff427aa11388.pdf 8706eca2839b40676aa0f870e3093f22 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE HARPUR ORCHESTRA David Buttolph, Conductor Wednesday, April 29, 1970 8 :15 p. m. The Don A. Watters Theater �ORCHESTRA PERSONNEL VIOLINS Phylis Costanzo, Concertmistress *Ralph Wade Martha Strassberger Lor raine F ink Carol Pettys Douglas Diegert Richard Luskin Jonathan Leer *John Mayorchak *Pamela Severski, P rincipal Paul Friedman Mancy Peschko E lizabeth Nicolacopoulos Samuel Jacobs Jeﬀrey Feinsilver ‘Sophie Horowitz Sally Shafer VIOLAS Joyce Stelzl, P rincipal *Russel Colton Carolyn Lohman Richard Brooks Miriam G ilbert Deborah Reed “Ann Ziegler Ira Miller CELLOS Timothy Perry, Principal *Ruth Brown Miriam Diamond Dana Schnipper Evelyn Kalish Cynthia Dicker Vicki Fox CONTRABASS *Donal O’Buckley, P rincipal Dayle Sherba *James Hills Jim Kuenzli FLUTES Marsha Kadleck Carol Sevush Caroline Glaiber FRENCH HORNS Matthew Goldstein *Bruce Sternberg Stuart Reeve Steven Kliewer *George Pappastra t James Hoskins TRUMPETS Thomas Sigler William Lockwood Joseph Lindstrom OBOES Geoﬀrey Bar ron Patricia Emery ENGLISH HORN Scott Eddy TROM BONES Mark Clymer James Buttolph G rant Sullivan James Baldon CLARINETS TUBA David Marcus Daniel Blazej Peter Fredell BASS CLARINET Ralph Daino CONTRA ALTO CLARINET William Moore BASSOONS Thomas Closser David Bell *Binghamton Symphony member TIMPANI David Crowe PERCUSSION Peter Buttolph Richard Compton Ferris Lebous Robert Mirsky HARP Dulcie Barlow PERSONNEL MANAGER Paul Knoeﬀler The music for this occasion is provided by a grant f rom the Music Perf ormance Trust Funds (Jerome H. Adler, T rustee), a public service organization created and ﬁnanced by the Recording Industries under agreements with the American Fed eration of Musicians. �P ROGRAM CAP RICCIO ESPAGN OL RimskyKorsakow Alborada Variazioni Alborada Scena e canto git ano F andango Asturiano P RE LU DE , ARIA, FINALE (U.S. PREMIERE ) William Mathias Allegro moderat o e pesante Adagio sostenuto, sempre cantab ile Poco allegro By ar rangement with Oxford University P ress, 200 Madison Ave . N. Y. C. RHAPSODY FOR CIMBALOM Eugene Zador SAM CHIANIS, Guest Artist Intermission DIVERTIMENTO FOR PLANO AN D STRINGS Dominick Argent o Veloce e giocoso Moderato cantab ile Allegro energico E LIZABE TH KORTE, Pianist SYMP HONIC ME TAMORP HOSIS On Themes of Carl Maria von Weber (1943) Allegro Turandot, scherzo Andantino Marsch Paul Hindemith �PROGRAM N OTES lVIL L IA M M A T H IAS William was born in Carmarthenshi re, Wales in 19 34 and studied at the Royal Academy of Music in Lo ndon. He has had commissions f rom the festival committees of Llandaﬀ, St. David’s (Cardiﬀ), the Welsh Committee of the Arts Council, a nd the Royal National E isteddfod and c ommissions f rom the BBC. Mathias has written music f or the church, f or orchestra, thre e piano concertos, works for string orchest ra, for harp, string qua rtet, music for organ, and a violin sonata . EUGENE Z ADOR Eugene Zador (b. 1894) was born in Hungary and studied composition with Max Rege r and musicology with Albert and Schering. He ea rned his Doctor of Philosophy degree i n 1921. A very p roliﬁc compose r in all medium s (opera, balle t, symphony, sum – phonic poem, c hamber music, and song), M r. Zador now mak es his home in southern Ca lifornia. The Rhapsody was written in 1969 andgiven its premiere in Los Angeles. The musical ﬂa vor is unmista kably Hungarian and the composer expertly exploits all the idiomat ic techniques of the Hungarian cimbalom. Mr. Zador ’s Rhapsody is be ing given its E astern premiere this evening. DOMINICK AR GENTO Argento, born in York, Pa. in 1927, received both bachelor ’s and master ’s degrees in com position f rom the Peabod y Conservatory and his doctorate f rom the Eastm an School where he studied with Be rnard Rogers a nd Howard Hanson. He studied with Luigi Dallapic cola in Florence, Italy on a Full bright Fellows hip in 1951 and returnedto Flo rence for further studies as a Guggenheim Fellow in 195758 and 1964 –65. Since 1957, he has been a member of the faculty of the Departme nt of Music, University of Minnesota. PA U L HINDEMITH The Sym phonic Metaniovphosis On The mes of Carl Maria von Web er was Continued next p age �completed in 1943. Hindemith has explained that as none of the fragments on which he bases the work represent Weber at his best, in his opinion, he has not hesitated to make thematic alterat ions to ﬁ t his requirements. The themes for the ﬁr st, thi rd and fourth movements are drawn from Weber ’s Music for Piano, Fou r Hands, The principal theme of the Scherzo is a genuine Chinese melody which Weber came across in Rousseau’s Dictionary of Music and which he used in his incidental music fo r a production of Schiller ’s play Turandot , based on an Oriental subject. A B OUT T HE ARTIST S ELIZABETH KORTE Mrs. Elizabeth Korte studied and received her B.S. and M.S. in music at Julliard School of Music, and performed a solo New York recital upon completion of her degree work. She has played numerous solo recitals throughout the East and has performed with t he Oklahoma City Symphony Orchestra, the Albuquerque Symphony Orchestra and the Brevard Music Cente r Symphony. Recently, she appeared with the Buﬀalo Symphony at SUNY in their performance of Roef Lieberman’s Concerto for Jazz Band and Symphony. On April 12, she performed in a recital at SUNY Bing hamton with Albert Hamme of the SUNY Binghamton f aculty. E lizabeth Korte also has performed and recorded Matrix for woodwind quintet and piano. This number was composed by Mr. Karl Korte and recorded for CRI label. Mrs. Korte also teaches privately in the Binghamton area. SOTIRIOS (SA M) C HIANIS Born in Santa Barbara, California (1926), Mr. Chianis received his musical education at L ong Beach State College (California) and earned his Ph. D. degree in Ethnomusicology from the University of California a t Los Angeles. He studied cimbalom with Spyros Stamos of San Francisco. For several years before coming to SUNY Binghamton, he served as a studio music ian with ma jor motion picture and TV studios in Hollywood and has p layed under the batons of sev eral distinguished composers and conductors such as Pier re Boulez, Miklos Rosz a, Manos Hadzidakis, Lalo Schfrin, Quincy Jones, etc. M r. Chianis is currently on the music f aculty at SUNY Binghamton. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:30:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63228 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63228">The Harpur College Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harpur College Orchestra, April 29, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Rimsky-Korsakow, Mathias, Zador, Argento, Hindemith. Held at 8:15 pm, April 29, 1970 at Don Watters Theater. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-4-29 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Rimsky-Korsakov, Nikolai, 1844-1908 Mathias, William Zador, Eugene, 1894-1977 Argento, Dominick, 1927- Hindemith, Paul, 1895-1963 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091029606940 39091019607104 39091019606833 https://omeka.binghamton.edu/omeka/files/original/a090414b907d1f1225d31ba2d283bd29.pdf 20387db617fd07a33ade360b6486cb13 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Peter M arsh, vio lin D elmar Pettys, violin, viola Monday, May 11, 1970 Paul H ersh, viola, piano Donald M cCall, cello 8:15 p.m. Don A. Watters Theater PROGRA M Quartet in F Major, opus 18 No. 1 Beethoven Allegro con brio Adagio (Affettuoso ed appassionato) Scherzo (Allegro nolto) Allegro Quartet No. 2 (premiere performance) Calabro Lento assai Adagio Allegro Intermission Quartet No. 1, opus 7 (1907) Bart6k Lento Allegretto Allegro vivace over �PROGRAM NOTES LOUIS CALABRO Born Nov. 1, 1926, Brooklyn, N. Y. U. S. Paratroups 1944-46 Juilliard School of Music 1948-53 Taught Bennington College since 1955 Prizes: Richard Rodgers Scholarship in Composition 1953 (first recipient) Alice Ditson Award for Chamber Music 1953 Guggenheim Fellowships: 1954 and again in 1959 Commissions: Jacksonville Symphony (First Symphony) Philadelphia Art Alliance (for choral work, Rain Has Fallen) Music In Our Time (Violin Sonata) Walter Trampler (Viola Sonata) Harpur College (Second String Quartet) Works include all areas of chamber, choral and symphonic works. Latest Work: An oratorio for chorus and orchestra, "Latitude 15. 09°N (Longitude 108.5° E)" - to be premiered May 24, 1970, at the Mount Anthony High School in Bennington Recent Performance: The premiere of "Environments," for solo clarinet and brass ensemble, on April 1, 1970, at Bennington College. Tonight is the premiere of the Second String Quartet, by the Lenox String Quartet, at Harpur College of the State University at Binghamton, N. Y. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:22:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63253"> Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, May 11, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven, Calabro, Bartók. Held at 8:15 pm, May 11, 1970, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-5-11 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource van Beethoven, Ludwig, 1770-1827 Bartók, Béla, 1881-1945 Calabro, Louis Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091019607039 39091019607088 39091019606973