48
10
1775
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TH E HARPUR
COLLE GE WIN D ENSE MBLE
H om
larinet
Arthur Abrahams
Allan Hymes
Donna Genung
M. Joffee
K. Bach
usan Wehrlen
Elizabeth Hull
Joseph Freedman
E Flat Clarinet
andacc Duncan
Alto
Larin t
ary Jean Garncvicus
Bass
la rinel
Jay Davi s
ick Maragus
Alan Hardy
ylvia Seehausen
Tru mpet
Dave Stoll s
Linda Matthews
Glenn Utter
Craig Jacobson
Dave Hurd
Bernard Shifrin
T rombone
John Baldon
Terry Goodwin
Tom Demi lio
Howard imonin
Grant Sullivan
axophon es
Ewell n ok
Rod Bernard
Ka ren Ringe rs
Ma rvin B lumenhan z
Baritone H om
Thomas May nard
J ames Meyers
Tuba
Obo
String Qua rtet
Woodwind Quint et
Percussion E nsemble
Harpur Wind En s emb le
and English H om
co te Eddy
i llia m Mc ure
Di ana hepardson
G ilbert R oeder
Bassoon
P ercussion
Pe ter ovick
Don a ld R obbin s
E moke Berce z
David Crowe
L anny Levin e
Flut
Gary Mellin s on
John Simp s on
Mary T re feth en
8 :1 5 P .
Sunday, February 6
College The ater
cevan L eide n
Mars ha Kadleck
E li ot Fin ru s hel
Es che r Ha ll
Jud y Morabito
Ir ing Bass
�State Universit y of ew York at Binghamton
HARPUR COLLEGE
J
Department of Music
Prese nt s
(fr om
A
INSTRUM E
EVENI G
of
TALE SEMBLE M SI C
, JOYOFM N'
anca ca 1 7)
DE IR
Bach
tr an s cri bed for band
by Eri k Leidzen
G
Beethoven
Al E
Bee th oven
PO LO AI E
( Bo ch of ch e e c ompos ici ons were c omposed for
Military Ba nd in 18 10)
E O
Howa rd Han s on
HORA L · A DAL L EL IA
PRO G RA M
Moza rt
QUARTET IND MAJOR , K. 575
Alleg re tt o
c hu berc
TRIO IN B FLAT MAJOR (18 17)
(in one move ment )
A lleg ro
Paul a Fenimore , viol i n
L a ur a E ri nge r , vio la
Sa ra Gothe If . violin
C hri s Li v in gs con e c e llo
(Quartet and Trio c oac hed by P a trici a Is ha m)
LA C HEMINEE DU ROI RE E
The Harpu r Wind En se mb le
d irec ted by Philip el son
Recep t ion hono ring this e ening' s pe r/onne rs wi ll be he ld
in th Facult L oung imm diately afte r the conce rt. Th e
audien c is co rdial! invited to att end.
Milh aud
(Suite for Wo od win d Quintet)
5. Joutes su r I' re
J. Co rteg e
6. Chass e a alabre
2. Aubade
octurne
ladrigal 3. Jon gle urs
4. L a Ma ous in gl ade
Arthur Abrah a ms , c la rinet
Margaret J ac kson , flut e
J ohn E va nsohn , horn
Scott Eddy , ob oe
Scevan Walker , bassoon
(Quintet coached by Wyllis Barrett )
J ack McK en z ie
THREE DANCES
Samba
Tang o
Bo le ro
David Crowe , Lann y L evi ne , J ohn im ps on
SONATINA
A. Tche repni n
David C rowe , Cy nthi a Scone
(Percussion Ensemble di rect ed by Da vid Buttol p h)
INTERMISSION
Robert Ward
PRA IRI E OVERT RE
EVENTS
CALENDAR
LI prog rams are al
:1 5 p. m. in the College T hea te r
FE• B. 9
Wednesday
RALPH
FEB . 11
THE
Friday
Japa n ese Fi lm (s ubt itl es)
E . I
und ay
FEB. 16
edne day
F O. 19
Saturday
ALLE N
L ec tu re : The C omedy of Des pair
LO WER
GU ARN E RI
D EPT HS
C ONCERT
o lo rec ital : Arn old Ste inhardt, vio lin
A LAN L O MA X
Fo l k 1usic in the Cont empo ra r y Worl d
THE
Fi lm
S AV AGE
EYE
�
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 sound tape reels
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35:02
39:37
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54362">Evening of Instrumental Ensemble Music Harpur College Wind Ensemble Recital</a>
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Evening of Instrumental Ensemble Music Harpur College Wind Ensemble, February 6, 1966
Recital Tape 1966-2-6
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Schubert, Milhaud, Tcherepnin, Hanson, Ward.
Creator
An entity primarily responsible for making the resource
Harpur College Wind Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Schubert, Franz, 1797-1828
Milhaud, Darius, 1892-1974
Tcherepnin, Alexander, 1899-1977
Hanson, Howard Harold
Ward, John 1590-1638
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-02-06
Rights
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In copyright
Type
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sound
Identifier
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Evening of Instrumental Ensemble Music Harpur College Wind Ensemble Recital Tape 1966-2-6.pdf
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https://omeka.binghamton.edu/omeka/files/original/7c94298a83756fba29a5cd92574458d5.pdf
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C C
H 0
O .N
R C
A E
L R
T
MAY 25, 1966
8: 15
P.M.
College Theater
�Toward
State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music
presents
THE HARPUR COLLEGE CHOIR
Directed by David Buttolph
PROGRAM
THE UNKNOWN REGION ............... . Ralph Vaughan Williams
from "Whispers of Heavenly Death" by Walt Whitman
Brass Ensemble:
Horns : George Papastrat", Dale Whitney, David Banner, Sylvia
Seehausen
Trumpets: Peter Boor, David Hurd, Craig Jacobson
Trombones: Allen Thompson, John Baldon, Roger Keagle"
Tuba: Steven Leiden
Piano: Cynthia Stone
Vaughan \Villiams had an early and pronounced interest in the works of
the American poet Walt Whitman, as evidenced by the setting in the Symphony #1 ( the "Sea Symphony") for chorus, soloists and orchestra, and by
this choral setting written in 1905 and revised in 1918. Although most of
his pieces have a parhcularly "British" flavor, using English folk melodies and
modal harmonies, Vaughan Williams has chosen to set this Walt Whitman
poem in a late romantic style. \Vhitman's exuberance and breadth of expression are excellently coupled to the complex chromaticism and rich texture of
Vaughan \Villiams. The song for chorus and orchestra is in three distinct,
though connected parts. The first reflects in short, hushed phrases and wandering tonality the mystery of the journey toward the unknown. The second
section moves forward witl1 increasing intensity to a climactic uni on high
note which ushers in a concluding march-like section in F major based on a
melody reminsicent of the composer's well-known, Sine Nomine ( 1905 ).
ASPECTS OF LOVE.................................................. .............. ....
Karl Korte
( world premiere)
RISE UP MY LOVE
Song of Solomon
( Full Chorus)
Rise up my love, my fair one, and come away.
For, lo, the winter is past;
The rain is over and gone;
The flowers appear on the earth;
The time of the singing of bird is come,
And the voice of the turtle-dove is heard in our land
SHALL I?
Sappho
(Women's Voices)
I do not know what to do.
At first I say yes, and then I say no!
I WILL MAKE YOU BROOCHES
Robert Louis Stevenson
( Full Chorus)
I will make you brooches and toys for your delight
Of bird- ong at morning and tar- hine at night.
I will make a palace fit for you and me,
Of green days in forests and blue days at sea.
I will make my kitchen, and you shall keep your room,
Where white flows the river and bright blows the broom,
And you shall wash your linen and keep your body white
In rainfall at morning and dewfall at night.
And this shall be for music when no one else is near,
The fine song for singing, the rare song to hear!
That only I remember, that only you admire,
Of the broad road that stretches and the roadside £re.
Ralph Waldo Emerson
( Full Chorus)
Is not marriage an open question, when it has been alleged
from the beginning of the world, that such as are in the
institution wish to get out, and such as out wish to get in.
WI E OF THE GRAPE
Li T'ai Po (Tang Dynasty )
Paul Dieke, Tenor Solo
Wine of the grape
In a goblet of gold,
And a fifteen-year-old
Maiden of Wu.
She came on a gentle palfrey,
Her eyebrows painted a deep blue-black,
Her slippers of red brocade.
She did not use the purest speech,
But how divinely he could sing!
We dined together-a banquet for twoThen she drank and got drunk in my arms.
Behind the curtains, all lotus-embroidereedHow could I help what did befall?
BITTER IS MY LOT
Shao Ch'ang Heng (Ch'ing)
( Men's Voices)
Canon
Bitter, bitter is my fate.
Last year I old my cow and plow,
And this year I have pawned my wife and son.
My home is empty, and my tears pour forth in streams.
Bitter, bitter is my lot!
JE
Y K.ISS'D ME
James Henry Leigh Hunt
(Men's Voices)
Jenny kiss'd me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that inl
Say I'm weary, say I'm sad,
Say that healtl1 and wealth have miss'd me,
Say I'm growing old, but add,
Jenny kiss'd me.
William Blake
MY SILKS AN D FI E ARRAY
( Full Chorus)
His face is fair as heav'n,
My silks and fine array,
My smiles and languish'd air,
When springing buds unfold;
0 why to him was't giv'n,
By love are driv'n away;
Whose heart is wintry cold?
And moumful lean Despair
Brings me yew to deck my grave: His breast is love's all worship'd tomb,
Where all loves pilgrims come.
Such end true lovers have.
Bring me an axe and spade,
Bring me a windind sheet;
When I my grave have made,
Let winds and tempests beat:
Then down I'll lie as cold as clay.
True love doth pass away!
MARRIAGE
Ir. Korte, Harpur's composer-in-residence, began this composition during
the pring semester of 1965, and completed it at Yaddo, a summer colony for
creative artists. The texts for the cycle cover a literary span of three thousand
years, and present a variety of attitudes toward the relationship between the
sexe . The composer has captured the special atmosphere and approach of
each poem while maintaining an appealing lyricism and grace throughout.
Three longer settings for full chorus ( os. I, 3, and 8) form the backbone
�HARPUR COLLEGE
CHOIR
First Sopranos
Virginia Baker
Malita Frogate
Rosemary Gruss
Alice Hayes
Chrystyna Prytula
Elizabeth Robbins
Jessica Roth
Linda Snodgrass
Alida Stahl
Kathy Zaslovsky
Second Sopranos
Carol Anthony
Joanne Grizzanto
Sue Jurkowski
Caryl Morris
Mary Morrison
Cynthia Stone
First Altos
Elaine Bolton
Judith Elterman
Linda Lewis
Christine Livingston
Marcy Walter
Eleanor Winston
Second Altos
Emoke Berecz
Linda Fishkin
Karen Grant
Margaret Jackson
Jane Kaplan
Ellen Leinwand
Pamela Starr
T enors
Ben Erlitz
Alan Hardy
Terry Howell
Zane Kalter
Steve Walker
Basses
James Baldwin
David Crowe
Daniel Dushrnan
Jay Ellenbogen
Stephen Foulk
Russell F uller
Alan Metrick
Harry Waterston
Keith Willcox
Chinese poems from "A Garden
of Peonies" - Translations by
Henry H . Hart.
Permission of Stanford
University Press.
Program notes by Pamela Starr
Cover design by Stanton Miller
Ushering courtesy of
Alpha Phi Omega and
Gamma
Sigma Sigma
of the cycle, and contras t in texture and style with th e shorter and more
p iquant settings fo r various arrangements of voice , including a tenor solo
( "Wine F rom the Grape" by Li T' ai). Although the harmo nic idiom is
primarily tonal, the composer stre es that the piece ar "on," rather th an
"in" a given tonality. One of the mo t chara cteri tic sounds is th e cad nee
on an open fifth, which is especially effective at the nd of "My Silks and
Fine Array."
I TERMISSIO
AVE MARIA ...................................................................... Giuseppe Verdi
At the age of eighty, aft er a long and eminently uccessful areer as an
operatic composer, Verdi turned to the sacred litu rgy for his final work.
The e four short choral p ieces display a marked hange in tyl from his
first attempt at sacred compo ition, the well known Requiem. Thi
arlier
work, written directly after Aida ref! cts an uruni takcably op ratic idiom .
His last choral works are smaller in cale and l s theatrical . T he Ave
Maria rep resents a ynthesis of Verd i' w 11-loved lyri i m and th
ubd ued motet style. It is in a cappella tting of an extraordinary melodic pat- tern, called by Verdi an "enigmatic scale." Thi cale : C, D , E, F#, G#,
A#, B, C appears once in each voice, urround d by a shifting and hi ghly
expressive harmonic fr amewo rk in the other voic .
MISSA o . 14 ( Kronunge-M esse ), K. 317 ........ Wo lfgang A. Mozart
Helen Boatright, Soprano
Dori Mayes, Contralto
Paul Dieke, T enor
Kenneth McDavit, Bariton
Kyrie
Gloria
Credo
Sanctus
Beneclictus
Agnus Dei
In the spring of 1779, Mozart was erving as Court Orga nist to th
Archbishop of Salzburg. He probably compo ed the Ma in C Major fo r an
annual outdoor religious service. In respon e to the Archbi hop's requirement ,
Mozart produced a concise but fes ti v settin g, calling fo r choru , oloi t , and
full festival orches tra. Thus restricted in cope, 1ozart utilizes th e mo t telling
economy in musical expression, as in the flee ting inflection to th minor which
sets off the single phrase 'Chris te Eleison' as a separ at s ction . Unity
achieved by the recurrence of thematic material. The lovely solo line in th
Kyrie, for example, returns briefly in th e oboes to close th e movement. Th
theme receives furth er treatment in th e 'Dona • obi Pac m,' wh re it fun ctions as a link between the first and last movements. Mozart mak
use of
the "concerted style," in which tutti and olo quartet fun ction a th e ripieno
and concertante of the concerto grosso . The chorus materi al i fundam entally
homophonic and declamatory, in contrast to the more relaxed and lyri cal olo
pas ages . In general, the quartet material i co ntrapuntal, with th e ingle
exception of the highly expressive 'et incarnatus st!
HARPUR REPERTOIRE ORCHESTRA
Violins
Celli
0 Patricia Isham
0 Ru th Brown
0 David Einfeldt
0 Donal O'Buckley
0 Alan Sopper
Becky O'Connor
Dia ne Phelps
Robert Giblin
David Rajnes
Basses
Kay C. Roberts
0 Gerald Bruce
Ruth Riley
Daphne Randa ll
0 Russell Colton
°William Bailey
Oboe
Sally Shafer
0
cott Eddy
Irene \ Vetzelberg
Kathy Cox
Bassoon
Ruth Kerker
Tom Arnold
°Member
of th e Binghamton Civic Symphony
H oms
0
Geo rge Papastrat
Dale W hitney
Trombones
Allen Thompso n
John Baldo n
0 Roger Keagle
Trumpets
David Hurd
Craig Jacobso n
Ti mpani
Lanny L vine
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
31:55
34:52
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54366">Choral Concert Harpur College Choir Recital</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Choral Concert Harpur College Choir
Recital Tape 1966-5-25
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Ralph Vaughan Williams, Karle Korte.
Creator
An entity primarily responsible for making the resource
Harpur College Choir
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Vaughan Williams, Ralph, 1872-1958
Korte, Karl
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-05-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Choral Concert Harpur College Choir Recital Tape 1966-5-25.pdf
-
https://omeka.binghamton.edu/omeka/files/original/84110c568db538b3a48b561f9885ec94.pdf
ad98d2ec5391715cd61c2c2e66251052
PDF Text
Text
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State University of New York at Binghamton
HARPUR COLLEGE
THE
Departm_e nt of Music presents:
REPERTOIRE ORCHESTRA
directed by David Buttolph
PROGRAM
Thursday, June 9, 1966 - 8:15 - College Theater
The Harpur Repertoire Orchestra was formed
November 1, 1965 with the primary aim of providing
serious musicians with extensive reading experience and
exposure to many different musical styles.
Membership includes students and faculty of
Harpur College, music teachers from several schools in
Broome County, members of the Community Symphony,
the Tei-City Opera Orchestra and the Binghamton Youth
Symphony.
Music for the U. S. premiere of William Mathias'
" Dance Overture" through the courtesy of Oxford
University Press.
DIE MEISTERSINGER VON URNBERG
Introduction co Act III
Dance of the A pprentices
Procession of the Mastersingers
Rlchard Wagner
CLASSICAL SYMPHONY
Larghetto
Gavotte
Serge Prokofieff
SARABANDE
(orchescree par Maurice Ravel)
Claude Debussy
MA MERE L'OYE
Maurice Ravel
Pava.oe de la Belle au bois dormant
Petit Poucec
Laideronecte, lmpératrice des Pagodes
Les entretiens de la Belle et de la Bête
Le Jardin féerique
FUTURE CONCERTS:
June 10 - 12: 15 P .M. Rafuse Lounge
STUDENT RE CIT AL
June 11 - 8:15 P.M. College Theater
THE NEW PALTZ TRIO
June 12 - 8:15 P.M. College Theater
PAUL DIEKE, tenor, Senior Recital
June 14 - 8:15 P.M. College Theater
PAMELA STARR, mezzo-soprano
SUSAN PETERS, piano
Senior Recital
C over desigo by Jim Taft.
intermission
DANCE RHYTHMS
Wallingford Riegger
DANCE IN THREE-TIME
Quincy Porter
RUMANIAN FOLK DANCES
J oc cu Bâtá
Bràul
Pe Loe
Buciumeana
Poargá þÿ R o m â n e a s c
þÿ M r u n c e l
Béla Bartók
DANCE OVERTURE
(first performance in the United States)
William Mathias
�REPERTOIRE ORCHESTRA
Violins
Patricia Isham
David Einfeldt
Robert Giblin
David Rajnes
Kay C. Roberts
Doris Williams
Alan Sopper
William Bailey
Ruth Riley
Sally Shafer
Irene Wetzelberg
Kathy Cox
Ruth Kerker
Violas
Russell Colton
Valerie Garabedian
Martha Colton
Kenneth Hollister
Cellos
Ruth Brown
Christine Lir ingstone
Becky O'Connor
Diane Phelps
Basses
Donal O'Buckley
Gerald Bruce
Flutes
Esther Hall
Evalee Orr
Carol Krinitz
Oboes
Scott Eddy
Kenneth Anderson
Clarinets
Arthur Abrahams
Beverly Tomasosky
Stan Rosenberg
Contrabass Clarinet
Candace Duncan
Bassoons
Tom Arnold
Steve Walker
Horns
George Papastrat
Dale Whitman
David Banner
Sylvia Seehausen
Trumpets
Peter Boor
David Hurd
Craig Jacobson
Trombones
Allen Thompson
John Baldon
Roger Keagle
Tuba
Stevan Leiden
Harp
Katherine Elliott
Celeste
Cynthia Stone
Timpani
David Crowe
Percussion
Lanny Levine
John Simpson
Librarian: Cynthia Stone
Stage Manager: Sreve Walker
�
Dublin Core
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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2 sound tape reels
Duration
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35:50
32:55
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54423">Harpur Repertoire Orchestra Recital</a>
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Harpur Repertoire Orchestra
Recital Tape 1966-6-9
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Wagner, Prokofieff, Debussy, Ravel, Bartok.
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Harpur Repertoire Orchestra
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Binghamton University Libraries
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Wagner, Richard, 1813-1883
Prokofiev, Sergey, 1891-1953
Debussy, Claude, 1862-1918
Ravel, Maurice, 1875-1937
Bartók, Béla, 1881-1945
State University of New York at Binghamton. Department of Music
Date
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1966-06-09
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sound
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Harpur Repertoire Orchestra Recital Tape 1966-6-9.pdf
-
https://omeka.binghamton.edu/omeka/files/original/8266d5061b7872b976ea66b65d629ce5.pdf
743be7c77d4dc5ab22f396dc49e1da62
PDF Text
Text
State University of New York at Binghamton
HARPUR COLLEGE
Department of Music
presents:
Saturday, June 11, 1966
8:15 p. m.
College Theater
�THE NEW PALTZ TRIO
PROGRAM
TRIO SONATA IND MINOR
Largo
Allegro con Fuoco
Adagio
Allegro
Robert King , violin
Martin Sperber , oboe
Robert Mumper, piano
J ean-Bapciste
SONATA INF MAJOR
Allegro Vivace
Adagio
Assai Vivace
Felix Mendelssohn
Loeillet
Robert King, violin
Robert Mumper, piano
-intermission-
SENIOR RECITALS:
June 12, 1966 Sunday 8:15 p.rn. College Theater
PAUL H. DIEKE, tenor
June 14, 1966 TUesday 8:15 p.m. College Theater
PAMELA STARR, mezzo-soprano SUSAN PETERS, piano
NOCTURNE INF MAJOR , Op. 15, No. 1
ETUDE IN E MINOR, Op. 75, No. 5
ETUDE IN E FLAT MINOR, Op. 10, No . 6
ETUDE IN B MINOR, Op. 75, No . 10
Robert Mumper, piano
Frederic
Frederic
Frederic
Frederic
SONATINA FOR OBOE AND PIANO, Op. 3
Allegro
Lento
Vivo
Josepb Horovitz
Martin Sperber, oboe
Robert Mum per, piano
Chopin
Chopin
Chopin
Chopin
�THIS EVENIN:;'S ARTISTS:
ROBERT KIN:i, Professor of Music at New Paltz, is the
conductor of the Symphony Orchestra and violinist in Chamber
Ensembles. Dr. King, a native of Ohio received a Bachelor
of Mus ic degree from Ohio State University. He holds a
master's degree from Ea.strnan School of usic where he studied
violin with Andre DeRibaupierre. He studied conducting under
Pirre Monteux. His first professional conducting e x p e r i e n c
was as the musical director of the Ithaca Civic Opera Company.
While working on his doctorate at the University of
llinois , he was assistant conductor and soloist with the
Unive rsity Symphony Orchestra. In 1S157, he sp
t several
nths in Europe and in England where he observed the major
Euro an orchestras, operas, and chamber music groups. He
taught violin at the University of New Mexico and conducted
the university orchestra and opera while there. He was the
concertmaster of Albuquerque Civic Symphony and conductor of
the Albuquerque Youth Orchestra. Mr. King has had orchestral
experience with Pierre .Monteux, Sir Thomas Beecham, Hans Lange
an Izler Solomon.
ROBERTMUMPER, pianist, is Assistant Professor of Music
at the State University at New Paltz . Mr. Mumper has apared as soloist with orchestras, in solo recitals, and
has performed frequently on radio and television. His
teachers have included: George Haddad, (Ohio State University
Irwin Freundlich, {Juilliard School of Music;) and Sidney
Foster, (Indiana University).
MARTIN SPERBER, oboeist, is Assistant Professor of Music
at the State University at New Paltz, ew York. A native of
ew York, Mr. Sperber received a B.S. in Music from Juilliard
School of Music and a M.A. from Columbia University. He is
a l so v-.0rking on a doctorate at Columbia University at present.
Prior to teaching Mr. Sperber played with the ational
Symphony in Washington, D.C., Buffalo Philharmonic, and the
Pitt sburgh Symphony. In addition to teaching at the College,
Mr. Sperber is presently first oboe in the Hudson Valley
Philharmonic, conducted by Claude .tvnnteux. He also is a
member of the Hudson Valley WoodwindQuintet, a group that
has given concerts at New Paltz, Vassar College, and the
S orm King Art Center.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
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30:16
23:52
25:59
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54427">New Paltz Trio Recital</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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New Paltz Trio
Recital Tape 1966-6-11
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Loeillet, Mendelssohn, Chopin, and Horovitz
Creator
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New Paltz Trio
Publisher
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Binghamton University Libraries
Contributor
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Lœillet, J. B. (Jean-Baptiste), 1653-1728
Mendelssohn-Bartholdy, Felix, 1809-1847
Chopin, Frédéric, 1810-1849
Horovitz, Joseph, 1926-
Date
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1966-06-11
Rights
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In copyright
Type
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sound
Identifier
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New Paltz Trio Recital Tape 1966-6-11.pdf
-
https://omeka.binghamton.edu/omeka/files/original/30ad1c78477baf4cf9438689181206d6.pdf
6be51d3c703ebf7f424b3fde39dfcb1e
PDF Text
Text
y
0
state university of new york at binghamton
harpur college
u
N
G
convocations comm itt ee
presents
ed hull , tenor
susan peters, piano
july 5, 1966
8: 15 p.m.
the college theater
�State University of New York at Binghamton
Harpur College
CONVOCATIONS COMMITTEE presents
Ed Hull , tenor
Susan Peters, piano
Tuesday , July 5, 19 66
8:15 P .M.
The College Theater
PROGR A M
SONGS OF TRAVEL (Robert Louis Stevenson)
R . Vaughan Williams
The V agabond
Bright is th e Ring of Words
The Roadside Fire
Let Beauty A wake
SILENT NOON
R. Vaughan Williams
ADELAID E (Matthisson)
Beethoven
Matthis son termed his poem a "lyr ical fantasia " ; its emotion
and portray al of nature's s ympath y with that em otion are equally
subl'i mate d and p ic turesque in Beethoven's setting .
SELECTIONS FROM "DI E SCHOENE MULLERIN"
(Muller)
Schuben
Der N euierige
No star or flower can tell me , ·if blest w i ll be my l ov e .
Streamlet , dear streamlet , sa y, does my love , love me .
Der Jager
Oh, Huntsman , n o more show our gl i tterin g streamlet yo ur
face .
Die Liebe Farbe
My love likes green so well.
shall clothe my tomb.
Green , naught save green
Die Boese Farbe
If only all were not so green , ah green thou hateful c olor .
Oh , from your forehead, unbind that fatal ribbon green .
- I N T E RMISSIO N -
�Ill
T E L JOUR , T E LL E NUIT (Paul Eluard)
B onn e
Francis Poulenc
Joum ee
Wh a c a fine da y ! lt began sadly , but s uddenly steeped
d awn , it entered the he art by surpr i se .
in
Un e Ruine Co quille V ide
It i s midnight and the heart is an empty ruin .
Le Front Comme Un Drap eau Pe rdu
I hang my hea d in misery. The me mory of yo ur hand clasped
in mine lingers on .
Une Roulotte Cou v erte En Tuile s
O ur hearts do not beat together.
antag o nism.
As two fi s cs, the y create
A Toutes Bride s
All brides must forget chat which d isheartens .
Une Herbe Pau vre
A solitar y tuft of grass appears in the sn ow .
Je
N' A i Env ie Que De T' A imer
I o nl y wane to love yo u.
Your image lingers day and night.
Figure De Force Brulante E t Farouche
Yo ur fa ce burn s furi o usl y ; yo ur black ha ir gleams in· the sun.
No us Avons Fait La Nuit
T he mem ory of yo u remains fresh and new, alchough you are
in my th o ug hts constantly .
IV
AV ANT DE QUITT ER C ES LIEUX (Faust)
Go_unod
Valentine
bids farewell to his sister Margeurice as he prepares
to go off to war .
A rece ption honorin g the perfo rmers w ill be held in the
Fa culty L oung e adjacent to the theater immediately fo llow ing
the rec ital. The audien ce is cordially inv ited to attend.
THIS EVENING'S ARTISTS :
A graduate of Syracuse University , Edward Hull received
his Master of Music degree from the University of Illinois . He
has recentl y completed residence requirements at the University of Texas toward the Doctor of Music Arts .
Mr . Hull is a vocal instructor at Delmar College in Corpus
Christi , Texas , and has previously taught at L ongwood College
in Farmville , Virginia.
Accompanying Mr . Hull this evening 1s Susan Peters , an
alumna of Harpur C ollege who is currently completing her Master of Arts degree at the State University of New York at Binghamton .
Cover design by Stanton Miller
�EVENTS CALENDAR
All programs are at 8:15 P.M . in the College Theater unless
otherwise indicated.
JULY 8
Friday
Admission
Free
FILM: "HENRY V"
starring Laurence Olivier, Robert Newton, Leo
Geno, Max Adrian. Academy award winning film,
famous for its superb performances , unusual staging devices, and its spectacular battle of Agincourt. Sponsored by the Convocations Committee.
JULY 10
Sunday
Admission
Fee
THE GUARNERI STRING QUARTET
Sponsored by the Department of Music. Series
and individual recital tickets available at the college Box Office .
JULY 13
Wednesday
8:15 P.M.
Social Room
Student
Center
Admission
Free
LECTURE: KENNETH BURKE
Author of books and articles on literary form and
criticism. Books include ATTITUDES TOWARD
HISTORY (Vol. I - Acceptance and Rejection ;
The Curve of History; Vol. 'II - Analysis of Symbolic Structure.); A GRAMMA R OF MOTIVES;
A RHETORIC OF MOT IVES; PHILOSOPHY OF
LITERARY FORM-STUDIES IN SYMBOLIC ACTION; BOOK OF MOVEMENTS , POEMS. Spon sored by the Convocations Committee.
JULY 14
Thursday
Admission
Free
WILLIAM S . NEWMAN, PIANIST
Young Artists Series. Sponsored by the Convocations Committee.
JULY 15
Friday
Admission
Free
FILM: "ALL QUIET ON THE WESTERN FRONT"
starring Lew Ayres , Louis Wolheim . A grim saga
of war as seen through German eyes , tracing the
adventures of seven young boys who enter the
Imperial Army in 1914 and learn of fear , filth, and
destruction during four years of combat . Sponsored
by the Convocations Committee .
JULY 17
Admission
Free
YOUNG ARTISTS SERIES
Sponsored by the Convocations Committee.
JULY 22
Friday
Admission
Free
HLMS:
"POTEMKIN" (Odessa Steps Sequence)
"ALEXANDER NEVSKY"
"Potemkin recreates the spirit of the 1905 revolution through the depiction of one of its incidents , utilizing new techniques of manipulation of
film materials to communicate physical sensation .
"Alexander Nevsky," an epic film monument ,
deals with the invasion of Russia by the powerful
Order of Teutonic Knights, as crusaders, and the
decisive battle of the Ice where Nevsky won a
brilliant victory. The famous musical score for
the film by Serge Prokofief has won international
acclaim as the "Alexander Nevsky Cantata."
Sponsored by the Convocations Committee.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
24:34
31:52
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54432">Recital by Ed Hull, Tenor; Susan Peters, Piano</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Recital by Ed Hull, Tenor
Susan Peters, Piano
Recital Tape 1966-7-5
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Vaughn Williams, Beethoven, Poulenc and Gounod.
Creator
An entity primarily responsible for making the resource
Hull, Ed
Peters, Susan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Vaughan Williams, Ralph, 1872-1958
Beethoven, Ludwig van, 1770-1827
Poulenc, Francis, 1899-1963
Gounod, Charles, 1818-1893
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-07-05
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
Recital by Ed Hull, Tenor Susan Peters, Piano Recital Tape 1966-7-5.pdf
-
https://omeka.binghamton.edu/omeka/files/original/4a26d75c7a2cb60cef9a2766c8743853.pdf
1e2d1fa542b1df7cc3665bb7d04d4e59
PDF Text
Text
Harpur • Season 66·67
Summer Series
�PROGRAM
Sunday, Jul y 10 , 1966
8:15 p.m.
Coll ege Theate r
QUARTET FOR TWO VIOLINS,
VIOLA AND VIOLONCELLO
in B Flat Major, K. 589
Alle gr o
Larghetto
Menuetto and Tri o
Allegro Assai
W. A. MOZART
FIVE PIECES FOR STRING QUARTET
Op . 5 (1909)
A. WEBERN
intermission
STRING QUARTET
in E Flat Major, Op . 12 7
Maestoso, Allegro
Adagio, m a non troppo e molto cantabile
Sche rzando vivace
Finale
L.V. BEETHOVEN
A RECEPTION honoring the Quartet will be
held in the Fa culty L ounge adjac ent to the
theater following this evening's Yecital. T he
audi ence is most cordially invited to attend .
�Notes
by William Klenz
he B Flat Quartet of Mozart, K. 589, is
from the year 1790 and is the second of
the three quartets dedicated to Frederick
William II of Prussia. An amateur of the
'cello, his taste was recognized by Mozart
in the highly developed, not to say formidable, part
given to that instrument. Of the most limpid clarity
of construction - one is struck on examining the
score by the surprising number of rests - every
note is indispensable and calculated with the most
exquisite precision for its balance, proportion and
effect - a sublime economy with no trace of poverty.
The delay (five bars) of the entry of the 'cello at
the beginning serves to highlight the instrument when
it does appear and gives the clue to the method of
construction - "nothing that is not necessary, notlung
simply for convention's sake." The first movement is
of the most regular construction, which however gives
the impression of being foreordained and inevitable
and in no sense imposed. The LarghetIto again features the 'cello in a cantabile style and register so
that at the opening the viola must be the bass. The
movement consists of two equal, parallel sections,
and a particularly masterly moment 1s that when
midway, the 'cello, tiring of the "small talk" of his
colleagues, directs the events to the return of his
serious cantilena. The Menuettoand Trio comprise
a large-scaled movement in which the dance form
has been subjected to the working-out of a sonata .
The Trio is a jewel box of instrumental effects, and,
it may be observed, begins with only three players.
The Finale is a sonata movement with a theme
appropriate to a rondo. It gives the impression of
a complex ritual-game - ring dance, follow-theleader - and is the distillation of the original
magical purposes of all such ritual observances
which properly inform this movement of a Classical
work.
• These pieces have been acknowledged as master-
�pieces since their first performances. They are
the realization of the direct desire to communicate,
by-passing preconceived mechanisms and formalities, which while comfortable and reassuring, eventually become "dead" weight and empty formalism.
There is no room for "dead" weight here - the
pieces are of an almost incredible, even legendary,
brevity - a necessary brevity, because of their
extreme intensity. The preoccupation is with the
unique event in time; no mechanical repetition is
possible and the sole object is expression. The
result in terms of sound is of an unearthly, fleeting
physical beauty. While constructed with penetrating
logic and unassailable musical "grammar," they are
passports to a subjective-dream world, vivid chronicles of the inner life intimately illustrated by such
painters as Klee and Kandinsky whose work they
resemble not a little in both method, dimension and
intent.
• The first of the "last" great Quartets seems to
have been begun by Beethovenin early 1822 . Later
that year Prince Galitzin (to whom the Quartet is
dedicated) approached Beethoven about "two or three
new quartets." In the course of 1823 Beethoven
resumed work on the E Flat Quartet, but set it aside
to finish the Ninth Symphony. The first performance,
March 6, 1825, by the Schuppanzigh Quartet "was
unfortunate"; another on March 23 was "more successful." It was published in the following year as
"GRAND QUATUOR/ en Partition/ pour deux violons
Alto et Violonc ell e composé et dedié/
Son Altesse
Monseigneur l e Prince/ Nicholas de Galitzin, / Lieutenant-Colonel de la Garde S,,#M,,#J,, de toutes l es
Rus s i es/ par/ LOUIS V. BEETHOVEN/OEUV 127... 11
àS
The atmosphere of the work is pastoral, not to say
sylvan, where Beethoven seems to draw strength
and peace from contact with nature. It seems pointless to reduce its structure to words when you are
about to experience the work itself . Suffice it to say
that the first movement is of normal components,
although large in dimension and is created by the
organic processes of development which unite Beethoven and his beloved natural world and sets an
(Continued on back page )
�State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arnold Stein hardt
vio lin
John Dall ey
violin
RECIT A LS
Mi chael Tree
viola
David Soyer
cello
O SE A SO N 1966-67
SUMME R SERIES
W IN TER SERIES
S PRI N G S ERI ES
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunda y,
Sunda y, November 6
Tuesday , Decembe r 13
Wedne s day, J a nuar y 4
Wednesday , Janua r y 11
Sunday, Febr ua r y 12
Sunda y, Ma r c h 12
Saturda y, Ma r c h 18
Sunday, Ap r il 2
Sunday, April 30
Satu r da y, May 6
July 10
J uly 24
Augu st 7
August 14
September 11
October 9
All performa nc es at 8:15 p.m . in the Ha rpur Colle ge T heate r.
Late com ers will be s eated afte r th e fir t quartet.
Ushe r i ng courtesy of Alpha Phi Ome ga a nd Gamma Sigma Sigma .
OPEN REHEARSALS
The publ ic i s co r di a lly invite d to atte nd the qua rte t' s
r e hea r sals, hel d the da y prior t o eac h r ecita l , at 3 p.m . (during Augu s t 10 a .m .),
in the mus ic room (CA- 183) nea r the theater.
NOTES (C ontinu ed)
unmistakable s i gn on the work . An e spec iall y tr easu r ed de t ail i s the clos ing
section whi ch de velops a small exp r e ssi ve phr a s e into a vast summing -up .
The s econd move ment is a theme and five va ri a ti ons - the or ganic princ ipl e again (plus ça clumge, plus c 'est la même chos e} in the hand s of the
m a ste r of the va r iation. The Scherzo exploits a shifting rhythmi c module a nd its joke ena ble s one to he ar t he Cos m ic laught e r which the Indi a ns say
is the act of Cre ati on itse lf. T he Final e is anothe r s onat a fo rm built of
musi cal mate rial s t hat are in t hemse lve s unpr eposses si ng but whi c h fo r
Bee thoven clea rl y he ld the ge r m cells of life and whi ch he leads to a powe rful de monstr ation of the vitalit y of simpl e , na tural for ces guided by inne r
organic unities and t r uth.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 sound tape reels
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39:48
38:23
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54448">Summer Series, Recitals Guarneri Quartet Recital</a>
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Summer Series Recitals, Guarneri Quartet
Recital Tape 1966-7-10
Subject
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Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Webern, Beethoven.
Creator
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Guarneri Quartet
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Binghamton University Libraries
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Mozart, Wolfgang Amadeus, 1756-1791
Webern, Anton, 1883-1945
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Date
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1966-07-10
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sound
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Summer Series, Recitals Guarneri Quartet Recital Tape 1966-7-10.pdf
-
https://omeka.binghamton.edu/omeka/files/original/849fdcf2afa4e919e385c1943cd0f49e.pdf
b496ad15d8e70bd34f83624976c52fba
PDF Text
Text
WILLIAM S.
EWMA
�State University of New York at Binghamton
Harpur College
Convocations Committee and
the Department of Music present
THE ACCOMPANIED CLAVIER SONATA
--AMissing Link in Classic Chamber Music-
LECTURE-RECITAL by WILLIAM S. NEWMAN
Assisted by
Marianne Wa llenber g, violin
Fritz Wa llenberg , cello
Anic a Carlton , piano
The recita l port ions will include excerpts fr om t he fo llowing sonatas :
Sonata in G " for the Harpsichord or Piano Forte
with an accompaniment for the Violin or German
flute ," Op. 16, No. 2 .. .... .... .. ........ .. .......... J ohann Christian Bach (ca . 1776)
Allegretto
Andante gra zioso
Sonata in C Minor "pour le Clavecin " w ith the accompaniment
"ad libitum ," Op. 14, No. 3 .
.... ... .. .. .. ...... Johann Schobert (ca . 1765 )
Allegro m oderate
Andante cantabile
Menuetto grazioso
Sonata in F fo r Two Perform er
upon one Instrument ... ............ ... .
Largo
Allegro
.... ..................... Charles Burney (1777 )
Sonata in A per Cem balo o P iano-for te con Accompagnamento
...... ...... Franz An ton Rosetti (Rossler ) (ca . 1781 )
d' un v iolino ............... .
Allegro m olto
Andante stacatto
Rondo allegretto
Sonate pour le Piano avec Accompt. de
Flute on Violon ad Libitum .. .. .... .................. ......... Ferdinand Ries (ca . 1830 )
Allegro
Allegre tto vivace
Thursday, July 14 , 1966
8:15 p.m . College Theater
Sonata in B- fl a t "per cembalo con violin o
obbligato," Op . 5, No . 3 .. . .....
Moderate
Allegro
.. ... ...... Luigi
Boccherini ( 1768 )
�EVENTS CALENDAR
WILLIAM S. NEWMAN :
Dr. Wi lliam S. Newman is na t i ona ll y kn own as pi a nis t ,
teac her , re searc her and a ut ho r (T H E P I
I T ' S PROBL E M ,
UN O E RST ANDING MUSIC , seve ral c ri t ical e di t i on s o f mu s ic
incl uding T HIRTEE N KEYBOARD SO AT AS a nd numerou s
s cho l arl y a rt icles in Am eri can a nd fo reign p ublic a t i on s , and
period i cal s) .
As Alu mni Di s t ing uished P ro fe ssor of Music a t the n1 versit y of North C aro li na , he ha s re ce ntly comple t ed the fi rs t
t wo vo lu mes (Baroq ue , C l ass i c ) in his monumen t a l s t udy d e a ling with t he " His t ory of th e Son a ta Ide a " which ha s been in
progre ss fo r more th an t we n ty years .
•
A reception honorin g the perf orm e rs w ill be h eld in the
Fa c ulty Lounge adjacent to the the at e r immediat e ly /o llo ing
the rec ital. The audien c e is cordially in v i ted to a tte nd .
A ll prog ram s are at 8: 15 P. M. in th e Co llege Th e at e r un less
oth e rw is e ind ic ate d.
J ULY 15
Fri d a y
Admi ss i on
Free
F ILM: "ALL Q IE T ON T H E WE TE R FRONT"
s tarrin g L ew Ay res , Lo ui s Wolheim . A grim s a ga
of war a s se en th rough German e yes , tra c in g th e
adventure s o f s e ve n youn g boys who ente r th e
Imperia l Arm y in 19 14 a nd le a rn o f fear , fi lth , a nd
destruction durin g four year s o f c ombat. Spon sored
by the C on voca ti ons C omm i tte e .
J U LY 1
Admis s i on
Free
YO UNG ARTI STS SE RI ES
Spons ore d by th e C on vocati ons C ommitt e e .
J U LY 22
F rida y
Admission
Free
"POT E MKI " (Ode ss a Steps Sequen c e )
"AL EX AND E R NEVS KY"
"Potemkin recreates the s pirit of the 1905 revolution through the d epicti on of one of its in c i dents , utilizing ne w technique s o f man ipulati on o f
film ma terials to communicate ph y sical s en s ati on .
" Alexand er Ne vs ky , " an e pic film monument ,
deals with the in vasion of Russia by the pow e rful
Ord er o f Teutonic Knight s , as c rusa d er s, and the
decisi ve battle of the Ice where Nevsky won a
brilliant victory .
FILMS:
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 sound tape reels
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29:18
30:54
32:06
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54452">Accompanied Claver Sonata: A Missing Link in Classic Chamber Music: Lecture-Recital by William S. Newman</a>
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Title
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Accompanied Claver Sonata: A Missing Link in Classic Chamber Music: Lecture-Recital by William S. Newman
Recital Tape 1966-7-14
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of J.C. Bach, Schobert, Burney, Rosetti, Ries.
Creator
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Newman, William S.
Publisher
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Binghamton University Libraries
Contributor
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Bach, Johann Christian, 1735-1782
Schobert, Johann, -1767
Burney, Charles, 1726-1814
Rosetti, Antonio, approximately 1750-1792
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-07-14
Rights
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In copyright
Type
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sound
Identifier
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Accompanied Claver Sonata_A Missing Link in Classic Chamber Music_Lecture-Recital by William S. Newman Recital Tape 1966-7-14.pdf
-
https://omeka.binghamton.edu/omeka/files/original/752105b27beb9693ae54e2e1c1ec9743.pdf
eb045dc353a05ff4d936b37b7512ce3b
PDF Text
Text
state university of new york at binghamton
harpur college
y
0
u
convocations
committee
presents
N
G
A
R
T
1
s
rec ital
students from the piano master class
T
s
E
R
I
E
s
july 17, 1966
8:15 p.m.
college theater
�State University of New York at Binghamton
HARPUR COLLEGE
CONVOCATIONS COMMITTEE presents:
YOUNG ARTISTS SERIES
program two
RECITAL
by students from the
Piano Master Class
Sunday, July 17, 1966
8:15 p.m .
College Theater
A RECE PTION honoring th e pe rfo rmers w ill be he ld in the
Faculty Lounge adjacent to the theater immediate ly fo llow in g
th e recital. The audience is cordially in v ited to attend.
THIS ·EVENING'S ARTISTS are advanced students who are members this summer of the Piano Master Class being held by Harpur Faculty Member , Jean Casadesus .
�PROGRAM
TOCC ATA IN C MINOR
Bach
Ellen Leinwand
SONATA IN B FLAT MINOR , Op. 35
Chopin
Grave - Do pp io Mov im ento
Sche rz o
Marche Funebre - L ento
Fin ale - Presto
Arlene Portney
- IN T E RMISS ION -
Beethoven
SON AT A, Op , 109
V ivace, ma non troppo
Pres ti ss imo
Andante mo lt o cantabile
Ariane Josef
Debussy
PR E LUDE S
Dan se us es de De lp he s
Vo iles
Le Ve nt dan s la plaine
L es sons et !es par/ums ...
L es co/lines d' Ana capri
De s pas sur la n eige
Dans e de Pu ck
Ce q'ua vu le vent d'Ouest
Anita Carlton
�EVENTS CALENDAR
All programs are at 8:15 P.M. in the College Theater unless
otherwise indicated.
JULY 22
Friday
Admission
Free
JULY 24
Sunday
Admission
Fee
RLMS:
"POTEMKIN" (Odessa Steps Sequence)
"ALEXANDER NEVSKY"
"Potemkin recreates the spirit of the 1905 revolution through the depiction of one of its incidents, utilizing new techniques of manipulation of
film materials to communicate physical sensation.
"Alexander Nevsky,"
an epic film monument ,
deals with the invasion of Russia by the powerful
Order of Teutonic Knights, as crusaders, and the
decisive battle of the Ice where Nevsky won a
brilliant victory. The famous musical score for
the film by Sergei Prokofief has won international
acclaim as the "Alexander Nevsky Cantata."
Sponsored by the Convocations Committee.
THE GUARNERI STRING QUARTET
Sponsored by the Department of Music. Series
and individual recital tickets available at the college Box Office.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Duration
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26:20
20:53
32:35
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54457">Recital By Students From the Piano Master Class</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Recital By Students From the Piano Master Class
Recital Tape 1966-7-17
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Performances by students Ellen Leinwand, Arlene Portney, Ariane Josef and Anita Carlton. Works by Bach, Chopin, Beethoven, Debussy. Held at 8:15 pm, July 17, 1966, Harpur College Theater.
Creator
An entity primarily responsible for making the resource
Leinwand, Ellen
Portney, Arlene
Josef, Ariane
Carlton, Anita
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Christian, 1735-1782
Chopin, Frédéric, 1810-1849
Beethoven, Ludwig van, 1770-1827
Debussy, Claude, 1862-1918
Date
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1966-7-17
Rights
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In copyright
Type
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sound
Identifier
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Recital By Students From the Piano Master Class Recital Tape 1966-7-17.pdf
-
https://omeka.binghamton.edu/omeka/files/original/f21256b3fd313b991dd0492c7d577d59.pdf
82cb833d08ae07499ff8d56e15422499
PDF Text
Text
Harpur • Season 66·67
Summer Series
�PROGRAM
Sunday , Ju ly 24, 1966
8:15 p . m . College Theate r
QUINTET, Op . 115, F OR C LARINET, TWO
VIOLINS, VIO LA, AND VIOLONCELLO
Allegro
Adagio
Andantino, Presto non assai ma con
sentimento
Con Moto
J . BRAHMS
Harold Wright, Clarinet
STRING QUARTET No . 2 (1958)
Mode rato, Allegro Moderato
Adagio
Allegr o Molto
(played without pause )
L . KIRCHNER
intermission
QUARTE T, Op . 131
Adagio, ma non troppo e molto e spre ssivo
L. V . BEETHOVE N
A RECEPTION honoring the Quartet will be
held in the Fa culty Lounge adjacent to the
theater fo llowing this evening's recital. The
audience is most cordially invited to attend.
�Notes
by William Klenz
he clarinet quartet of Brahms is one of
his most generally admired chamber
works. Like the other works for clarinet
it was inspired by the remarkable playing
of Mühfeld, to whom we owe thanks for
extending Brahms' chamber output beyond Op. ill.
The combination of instruments, although not without
problems for the performers, gives rise to a great
variety of tone color ranging from brilliant to sombre .
Also, the presence of the visiting wind instrument
with its long range and variety of articulation leads
to the creation of thematic types and textures which
go beyond the normal language of Brahms' string
quartet writing. The work dates from ca. 1892 and
exhibits at every turn the consummate craftsmanship of the experienced master, especially his infallible rhythmic sense.
The work, in the key of G minor, has been described as •sorrowful," but it seems more proper
to say that it is passionate, alternating fire with
melancholy and lyricism. The movements are spacious and completely developed. The most remarkable moment is the central portion of the adagio
where the clarinet "takes off" with the stunning
arabesques which are the characteristic feature of
Hungarian popular music. Genuinely rhapsodic in
nature, disturbing and exotic, they are descendants
of the oriental influences which intrigued the Greeks
(to the dismay of Plato and Aristotle) and predecessors of the wonderful uses of Bartok, whose
Contrasts were recently heard in this room.
• The second string quartet of Leon Kirchner bears
the date, 1958. It is in three movements played
without pause, but with many incidental changes of
pace. It is composed accordrng to no system except
that of the composer's own powers of invention and
conception which are primarily directed toward the
creation of intrinsically beautiful, even delicate,
sonorities from whose exploration an inner logic
�emerges. It makes no use of arbitrary techniques
or method. The musical ideas and motives retain
their identities but are subject to metamorphosis
as their interaction, which creates the structure,
unfolds. The mood is lyrical and unharried, and the
substance light and transparent.
These properties characte rize the first movement, Moderato Allegro Moderato, which is a "construct," free in form but using traditional, logical
methods including recapitulation and repetition. The
second movement, Adagio, is rhapsodic in nature,
mercurial and yet poetic. The last movement, Allegro Molto is also a unique structure which combines
the characteristics of the other two in intensified
form. A formal recapitulation in an almost classical
sense (bar 259) follows a quotation from the second
movement, gains momentum and then gives way to a
calm coda, which brings the work to an end in serene
lyricism.
• The Quartet in C Sharp Minor from the year 1822
is the fourteenth of Beethoven's quartets. It is in
six movements played without a break. They are 1:
Adagio, Fugue, C#; 2: Allegro Vivace, Sonatina, D;
3: Recitative and Andante with seven variations, A;
4: Presto, Scherzo, E; 5: Adagio, Lied, G#; 6:
Allegro, Sonata, with extended terminal development,
C#.
The fugue is on an austere subject, granitic and
gnomic which inevitably reminds us of Bach's fugue
in the same key from the first book of the Well
Tempered. It is a philosophical discussion of the
thorny subject which somehow manages to clarify
and lighten itself, but remains the generating idea
of the thematic materials of the entire quartet.
The second section is in extreme contrast, a
simplified sonata form with only one real subject
which flows without hindrance to its natural conclusion. The third section begins with a recitative and
proceeds to a theme and variations whose successive
emotional states are the assurances needed to balance
the disturbance of the initial fugue.
The Presto, No. 4, is a Scherzo of headlong
energy
and drive, the kind of movement which is the exclusive property of Beethoven. The Adagio, Lied, is a
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arnold Steinhardt
violin
John Dalley
violin
Michael Tree
viola
David Sayer
cello
R EC IT AL S O S EA SO N 1 966-67
SUMMER SERIES
W INTE R SE RIES
SPRI NG SE RIES
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday, November 6
Tuesday, December 13
Wednesday, January 4
Wednesday, January 11
Sunday, February 12
Sunday, March 12
Saturday, March 18
Sunda y, April 2
Sunday , April 30
Satu rd ay, May 6
July 10
July 24
August 7
August 14
September 11
October 9
All performances at 8:15 p.m. in the Harpur College Theater .
Late com ers will be s eated after the first quartet.
Ushering courtesy of Alpha Phi Ome ga and Gamma Sigma Sigma.
OPEN R E HEARSALS The public is cordially invited to atte nd the quartet's
r ehearsals, held the day prior to each r ecital, at 3 p.m. (during August 10 a .m .),
in the music room (CA - 183) near the theater.
NOTES (Continued}
concentrated expression of sublime calm and assurance which engenders
the confidence to undertake the const ru cti on of the final, sonata, move ment.
This is a vast constructi on which unites the m ate ri a ls of the pre ceding sections and comments on their underlying unity and ends with the incandescent
dithyrambic transfor mation of the or iginal proposition.
TONIGHT'S GUEST ARTIST
HAROLD WRIGI-IT is the first c larinetist of the ationa l Symphony and has made
numerous solo appearances with the Was hington, D. C. Orchestra. He has been heard
in c hamber music performances with the Budapest and Juilliard String Quartet s .
In addition, Mr. Wright has participate d in the Casals Festiva l in Pue rto Ri co and
at Marlboro, Vermont. He has r ecorded extensively for Columbia Records.
Program design by William Mihalko
�
Dublin Core
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Coverage
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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3 sound tape reels
Duration
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38:55
17:17
38:50
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54462">Summer Series Recital Guarneri Quartet Recital </a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Summer Series Recital Guarneri Quartet
Recital Tape 1966-7-24
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Brahms, Kirchner, Beethoven.
Creator
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Guarneri Quartet
Publisher
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Binghamton University Libraries
Contributor
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Brahms, Johannes, 1833-1897
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
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1966-7-24
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sound
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Summer Series Recital Guarneri Quartet Recital Tape 1966-7-24.pdf
-
https://omeka.binghamton.edu/omeka/files/original/af4f7b15d5180b7c4cc6e12a092ebc13.pdf
ecc2450b6e0a65170aa6ed3c8cd2e335
PDF Text
Text
Harpur. Season 66·67
Summer Series
�PROGRAM
Su nday, Augu s t 7, 1966
8 :15 p . m. College Theater
QUART ET in E FLAT MAJOR, K.171
Adagio, Allegr o assa i
M enuetto
And ant e
Alleg r o assai
W. A.MO ZART
STRING QUARTET No . 2
Lento -
All eg r o Appassionato, all a br eve V ar i ations, Andant e tranqu illo Prest o - Adagi o -
R . SESSIONS
interm ission
QUARTET in F M AJOR, Op. 135
Allegr etto
Vivace
Le nto as sai , cant ante e tr anquillo
De r Schwer gefassl e Entschluss;
Gr ave, ma non troppo tratto, Al leg ro
L. v.BEETHOVE N
A RECEPTION honoring the Qua rtet will be
held in the Faculty Lounge adjacent lo !he
theater following this evening's recital. The
audience is
most
cordially invited
to attend.
�Notes
by William Klenz
ozart ' s quartet in E flat, K .171 bears the date
1773 and was w ritten in Vienna, afterthe l tal1an
visit of that year . In it we pe r ceive the influence
of the taste of the capitol and of the works of
Joseph Haydn whose then "newer" quartets, Op.
17 and 20, opened the dimenslonsof organization
and econom y which mak e t he form the most highl y regarded
musical expression of ou r culture. We see Mozart at eighteen, not yet so sure-handed as he will become, borrowing
and "trying out" what he will later assimilate completel y .
The opening is a formal introduction in the taste of the
"classic" theatre, an intrada or invocation. There follows a
movement which cont ains the recognizable elements of a
sonata move ment, but, as often with Haydn, arranged in an othe r fashion. Here Mozart abandons the dramatic principle
which gover ns so much of his work, and also like Haydn,
becomes the thoroug h and systematic essayist, returning to
his main premise threetimesinordertoround out his argu m ent- structure. T he fugal nature of this main (sustained
tone) idea and incidental use of counterpoint are pa r t of the
"bor rowings" from Haydn, and contribute t o the more sinewy
s t yl e. The reappearance of the ce r e monial in1 r oduction at
the end is most unusual and serves to frame and suppor t the
ir r egular structure it bounds. The Menuetto also shows definite signs of the influence of Haydn's "new" manner in its
use of imitation among the parts, and. al so of Haydn's wit,
in the little three bar solo for the first violin. The Andante
is even mo r e ambitious in this r espec t , eschewing theatrical,
Italian l yricism fo r a rather severe "churchy" manner remin iscent of the styl e of the p r eceding century . T he Finale,
Allegro Assai , however r everts to the I talian, Milanese
manne r and coul d be the last movement of an opera-overture
symphony such as t hose of J.C. Bach or his own K . 16. The
fast terna r y meter and. the uncomplicated material s are its
earmarks.
- One of the most articul ate American co mposers alive
today, Roger Sessions, studied. at Harvard, Yal e, in Paris
and Rome, and. at the Cleveland Institute of Music,
as a pupil
and later the successor of Bloch. He al so taught at Snuth,
Princeton, and the University of California at Berkeley and
has been the recipient of many d ifferent g rants. Acutely
aware of the r esponsibility of the modern composer to his
audience, he has treated this probleminartlcl esand a book.
The Second Quartet, written in 1950, is in hve movements,
played without pause. About this work the compose r writes:
�" In three of the move ments I have adapted to my own purposes so-called standard forms which I have never he ret ofore used i11 what I conside r my mature compositions. The
first move ment may be roughl y described as a double-fugue
. . it g r ew literall y from one phrase to the next and while
I was co mposing it, each happening seemed to me the onl y
possibl e result of what had gone before.• Th e Variations of
the third movement he re fers to as "restrained,"
in that
the y do not depart far from the theme itself, although changing in dynamics , tempo, and rhythm. In the fourth movement ,
Scherzo, he uses the "da capo" form, but explains that the
"da capo• is not complete but m o re concentrate d and at a
different pitch. The second movement he describes as having
two contrasting sections, "one fast and one quieter and more
rhapsodic"; the fast section returns thr ee times enclosing
tw o quite different statements of the sl ow section. The last
movement "is the shortest and least elaborate .. and has
in a sense the charact er of an epilogue.''
• The last of Beethoven's string quartets, Op. 135 in F
m ajor, was c r eated 111 the Summer and F all of 1826. The
first public performance was in March, 1828. The work 1s
short but concent rated. A friend of Beethovenobservedt!1at
he had deliberatel y held down its l ength because the publisher
paid h11n in mere n orms instead of the agreed aristocratic
ducats; "he sends short ducats, he'll get a sho rt quartet"
was the t ypical mock-cynical
r eJoinde r. The form 1s severely cl assica l. A sonata movement Allegrettousing nonth eatri c al materials is followed by a most c harac teristi c
Scherzo, Vivace. The s l ow move ment, Lento assai, cantante
e tranquillo consists of two parallel strophes of Lied form .
The last movement bea rs the superscription, DerSchw er
gefasste Entschluss, (the d1fhcult decision). In the original
parts copied by Beethoven himself, he has inserted beneath
the notes the text Muss es sein? (Must it be?) which we hear
at the beginning, Grave f rom the viola and cello, and the
answe r, Es muss sein!
{It must be!)wh1chthe violins reply,
Allegro.
Two stories, ei ther o r even bo th of which may be
true , are gi ven for theor1ginofthesewords. We have documentary evidence - his com·ersation notebook, 1823, where
his housekeeper wrote, "Today is Saturday and I must have
money. [I must be." This pe r emptory, sybilline
utterance
of the coo k apparentl y amused Beethoven and it may have
become a household joke. In the July book of 1826, a friend,
Holz, writes ". . he laughed and asked,'must 11 be?'" Then
in the Dece1nber book there appear in Beethoven's own hand
the musical fragments which are used in the quartet. Holz
also provides a short catch for four men's voices using the
same material. This appears to have been occasioned by
(Continued on back page)
�State University of New York at Binghamton
HARPUR COLLEGE
The Department of Music presents
THE GUARNERI STRING QUARTET (in residence)
Arno ld Steinh ardt
violin
Jo hn Da lley
violin
RE C ITALS
S UMMER S ERIES
Sunday ,
Sunday,
Sunday,
Sunday,
Sunday,
Sunday ,
July 10
July 24
August 7
August 14
Septembe r 11
Octobe r 9
Michae l Tree
viola
Davi d Sayer
cello
O SE A S O N 1 96 6 -6 7
WI NT ER SERIES
SPRING SERIE S
Sunday, November 6
Sunday, M ar ch 12
T uesday, Decem be r 13
Wednesday, January 4
Wednesday, Janua r y 11
Saturday, Ma r c h 18
Sunday, April 2
Sunday, April 30
Satu rday, May 6
Sunday , Februar y 12
All pe r for mances at 8:1 5 p.m. i n the Har pur College T heater.
Lafe comers wi ll be seated after
the first
quartet.
Ushering cour tesy of Alpha Phi Omega and Gamma Sigma Sigm a.
OPEN REHEARSALS
During the month of August, the Guarne ri Quartet
will be holding o pen r ehearsals according to the fo llowing schedule:
Mondays .
. . . . . . . . . August 15 , 22
Wedne sdays .
. . . . . . . . . . . . . . August 10 , 17 , 24
F ridays .
. . . . . . . . August 12 (at 3:00 p. m .), 19, 26
All re hearsals will be held in the Musi c Rehearsal Room (Classroo m- Admi nis tration
Building- Room 183), and will begin at 11 :00a. m. ,except for the August 12 r e hear s al.
The publi c is cor dially invited to attend. Pe rsons may qui etl y ente r and le ave the
r ehearsal area at anytime .
NOT ES (Continued)
the sam e words E s muss sei11, used byBeethoveninanot her connection (the fi r st per fo rmance of Op. 130), and who was then amused to find himse U as or acula r as his
cook . Beethoven's sense of humor and unvarying abilit y to perceive the large within
the s mall and take fresh strength from eventhetrivial has not failed him even a mong
t he tribulations of his last year. This was , as he knew and said, his last quarte t -"a difficult decision ," which he faces with yet one mo re profession of faith and abunda nt humanity.
Program d esig11 by Will iam Mihalko
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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Original Format
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3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:39
24:03
27:42
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE54467">Summer Series Recital Guarneri Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Summer Series Recital Guarneri Quartet, August 7, 1966
Recital Tape 1966-8-7
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Mozart, Sessions, Beethoven.
Creator
An entity primarily responsible for making the resource
Guarneri Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Contributor
An entity responsible for making contributions to the resource
Mozart, Wolfgang Amadeus, 1756-1791
Sessions, Roger
Beethoven, Ludwig van, 1770-1827
State University of New York at Binghamton. Department of Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1966-08-07
Rights
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In copyright
Type
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sound
Identifier
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Summer Series Recital Guarneri Quartet Recital Tape 1966-8-7.pdf