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                    <text>BINGHAMTON
L  . \   i  V  i;  R  \  I  1  3

State University of  New York

UNVI  JFﬂﬂ 

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B E Y  A R T  M E N T

T HE BINGHAMTON UNIVERSITY
SAXOPHONE STUDIO
CONCERT
Featu ring the
Binghamton University
Saxophone Q uartet
And the

Binghamton University Saxophone
Ensemble
W ith

Margaret Re itz, P iano
A nthony Ald uino, Bass Saxophone
co­sponsored b y
The Binghamt on University Music Depart m ent
May 5, 2007
3:00 p. m.
Casadesus Recital Hall

�PROGRAM
+vereeeen.  Eugene Bozza
(1905­1 991 )

Aria (1936)

Marissa Roe, Alto Saxophone
Georg Phillip Telemann
(1681­1 767)

Sonata 1
II Adagio
III Allegro

Emily Alkeiwitz and Am y Natiella, Alto Saxophones

..Ronald Caravan

Quiet Time........

(B. 194 7)

Steven Inganamort, Tenor Saxophone
siOoon ge  Produc
Sonata  No. 3......cccenneee a 
o k Handepl
11 Allegro
Katherine Navarett, Alto Saxophone
.........A ntone V ivaldi
Suite in C Minor........ooevenes
(1678­1759)
II Corrente
IV Sarabnade
V Gigue
Kristen Weiss, Tenor Saxophone

Hector Villa Lobos
Fantasia (1948)........ccceenens
(1887­1 959)
I Anim e’
Amy Natiella, Soprano Saxophone
WINTE RMISS IONC3
Three Preludes ..............ceue.
1%  movem ent
2™  movem ent
3 ”  movem ent

rovin.G eorge Gershwin

(1898­1 937)

The Binghamton University Saxophone Quartet
Amy Natiella, Soprano Saxophone
Emily Alkeiwitz, Alto Saxophone
Michael Marchisotto, Tenor Saxophone
Marissa Roe. Baritone Saxophone

ABOU T T H E  P E R F O R M E R S
APRIL L UCAS earned both a Bachelor of Arts and Master o f Music at Binghamton
University and is currently on the  faculties  of Binghamton University  and Broome
Commun ity College and a former m ember of the Hartwick Col lege music faculty. Ms.
Lucas is a founding member of the Empire Saxophone Quartet and has recorded with
the Hudson Valley Saxophone Quartet, the Saxophone Sinfonia, the New Sousa Band
and the Empire Saxophone Quartet. A former regional director of the North American
Saxophone  Alliance,  Ms.  Lucas  has  served  as  a  clinician  and  guest  conductor
throughout New  York  State.  She is a  full time  instrumental music  teacher  for the
Susquehanna  Valley  School  District.  Ms.  Lucas  is a member  of the  Binghamton
Philharmonic Orchestra, the Tri­Cit ies Opera Orchestra, and the Southern Tier Concert
Band and has been a member of the New Sousa Band under the direction of Keith
Brion since 1989. April Lucas has been soloist with the Southern Tier Concert Band,
the Binghamton Community Orchestra and the New Sousa Band.

MARGA RET RE ITZ, pianist, is a native of the Binghamton Area. She received her
Bachelor  and Master  of Music  degrees  in piano performance  with  accompanying
emphasis,  and  attended  Boston  University,  New  England  Conservatory  and
Binghamton  University.  She  has  studied  piano  with  Jean  Casadesus,  Victor
Rosenbau m, Seymour Fink and Wa lter Ponce and accompany ing with  Allen  Rogers.
She has accompanied throughout the United States, England, South America, and at the
American  Institute  of Musical  Studies  in  Graz,  Austria.  Reitz  and  Binghamton
University  faculty  member  Timothy  Perry  were  winners  of  the  1997  Artistic
Ambassadors Program by the United States ln fonnation Agency in partnership with the
John F. K ennedy Center for the Performing Arts. During the summer of 2005, Reitz,
clarinetis t Timothy Perry and cellist Stephen Stalker were invited to perform at the
lntemational Clarinet Conference in Tokyo, Japan. Other notable performances include
guest  chamber  music  artist  in  Morges,  Switzerland  and  guest  soloist  with  the
Binghamton University Orchestra.  She  was the  oﬀicial accompanist at the MTNA
State and Eastern Division Competition at Ithaca College in 200 1 and will be returning
in 2006.  In addition, she  was selected to  attend the  Accompanying  Workshop  for
Singers and Pianists held at Northwestern University. During the summer of 2006, she
will compose the musical score for an independent ﬁlm  by MANDIS Production, to be
released in February 2007.
ANTHONY ALDUINO (baritone saxophone) is a music educator in the Susquehanna
Valley School District and an active musician in  the Southern Tier. He has a woodwind
studio  for private instruction and has performed w ith the B inghamton and Syracuse
Symphony Orchestras. Tony has recorded with the Rascher Ensemble, the Fredonia
Saxophone Ensemble and  the  Saxophone  Sinfonia. He is a  former member of the
Onondaga Commu nity College faculty.

�Perpetuum Mobile 

Johann Strauss II
(1 825­1 899)

Arr. P. Aldi

The Bingham ton University Saxophone Q uartet
Amy Natiella, Soprano Saxophone
Emily Alkeiwitz, Alto Saxo phone
Michael Marc hisotto, Tenor Saxophone
Marissa Roe. Baritone Saxo phone

Percy CIDRID REY
(1882­1961)
Arr. P. Cohen

Shepherd’s Hey 

o v  Grainger
Spoon RIVEL ........coomm mmm i mmmmsiiad iindP ians. 
(1882­1961 )
Arr. P. Cohen
The Binghamton University Saxophone Q uintet
Amy Natiella. Soprano Saxophone,
Emily Natiella, Alto Saxophone
Kristen Weiss, Alto Saxophone
Michael Marchisotto, Tenor Saxophone
Marissa Roe. Baritone Saxophone

Two Rags for Saxophone E nsemble (1974) 
1  Sad Rag 
II Glad Rag

Arthur Frackenpohl
(B. 1923)

The Binghamton University Saxophone E nsemble
Amy Natiella. Soprano Saxophone
Emily Natiella, Alto Saxophone

Kristen Weiss, Alto Saxophone
Michael Marc hisotto, Tenor Saxophone
Marissa Roe. Baritone Saxo phone

Anthony Alduino, Bass Saxophone
T he St u d ent Perfor m ers are from t he Studio of A pril Lucas

�Coming 

‘Cuents

Sunday, May 6 – Stu dent Recital : Rosa Nam, p iano – 3:00 .m. – Casadesus
Recital Hall – free

Wednesday, May 9 – Glimmerglass Opera Young Artists Ensemble – 8 :00
p.m. ­ Casadesus Recital Hall – free

Th u rsday, May 1 0 – Stu dent Recognition Mid­Day Con cert – 1 :20 p.m.
Casadesus Recital Hall – free
Th u rsday, May  1 0 –  Har pu r Chora le &amp;  Women ’s Chor us –  8:00  p.m. –
Anderson Center Chamber Hall – free
Satu rday, May 1 2 – Master ’s Recital : William G ilch rest, t ru m pet ~ 8:00
p.m. – Casadesus Recital Hall ­ free

�</text>
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                    <text>UNXVV  ARC

Recital
topo
091
5­4

MT

U N I V E R S I

State University of  New York

Binghamton University Department of Music

geeg COL

Flute Studio Recital

Friday, May 4, 2007
10:15 A.M. ­ Casadesus Recital Hall

Progranl
Image pour Flute Seule................ ...

i........Eugene Bozza
(1905­1991)

Erica Leo, Flute

Slowly and Swingy for Flute and Piano
1.  Poco andante (con fantasia)

2. Allegro giocoso

Pierre Max Dubois
(1930­1995)

Jennifer Weintraub, Flute
Mrs. Margaret Reitz, Piano

C an t a b i l e  Presto for Flute and Piano

...Georges Enesco
(1881­1955)

Valerie Spiller, Flute
Mrs. Margaret Reitz, Piano

Serenade for Solo Flute
Prelude
Caprice
Intermezzo
Arioso
Finale

........Philip Glass
(b.1937)

Melissa Voldan, Flute

..........Scott Joplin
(1867­1917)
Arranged by Tony Santorella

The Entertainer

Melissa Voldan, Bass Flute
Mrs. Margaret Reitz, Piano
Flutists a re from the Flute Studio of George tta Maiolo

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                    <text>BINGHAMTON
V E R S I T Y
U N I

State University of  New York
Th 

­ 

\ 

\ 

A N   as,

A 2 0 4  

1
eo  9
L

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C

  E N T
B E P A R I M

W

UNIVERSITY PE RCUSSION
ENSEMBLE
Daniel Fa b ricius, cond uctor

Tuesday, May 1, 2007
8:00 p.m.
Anderson Center Chamber Hall

�PROGRAM
DICHOTOMY ( 1 986).................................An t ho ny Cirone

Rush
Arranged by Marc &amp; Richard Silvagni

XXY (1982) 

 
LEKSAKER (1 989)... c o r i c v i v i v v n v m . Hasenpﬂug
RONDO B

A

R

E

R

 
K Frederic Dutton

C

O

e...... 
THREE BROTHERS ( 1 9 5 4 ) . . . . . . . . . . c c c c c 0 Michael Colgrass

YOU GOT S

~Intermission~

E

D

Mark Turley

JESU. JOY OF MAN’S DESIRING.......COCOVSASEVSSSSSOISNSSANSS  J.S. Bach
Arranged by Steve Mathieson

LOG CABIN BLUES (1924)...................... George Hamilton Green
Arranged by Bob Becker
Marc Silvagni, Xylophone
WORKING TITLE (2007) 

V

Mark Turley

We Will Rock You – Queen
Baba O’Riley – The Who
Back In Black – AC / DC
Light My Fire – The Doors
Money – Pink Floyd
Heartbreaker – Led Zeppelin
Smoke on the Water – Deep Purple
(Don ‘t Fear) The Reaper – Blue Oyster Cult

 
FIESTA LATINA . . . . . . . . . . 8 i s i s 0 a 8 Mancini

�ABOU T T H E  COND UCTO R
DANIE L FABR ICIUS  took  the  post  of percussion  instructor at  Binghamton

Univers ity in September 1992.  He also  has been director o f b ands at O wego Free

Academy  since  1989.  Fabricius  is active as a performing percussionist  in the
Southern Tier.  He is a member of the Binghamton Symphony Orchestra as well

as  timpanist/principal percussionist  for  the  Orchestra  of the  Southern  Finger

Lakes.  In recent years, he also has performed as a percussion soloist in chamber
ensembles, in musical theater productions and with a variety o f nationally known
artists. He performs often as a freelance musician and as a member of the local
dance band “Classy Brass.”

As a music educator, Fabricius holds pro fessional memberships in the New York
State Sc hool Music Association, the Inte rnationa l Association of Jazz Ed ucators,
the Percussive  Arts Society, and the National Band A ssociation.  He also has
served t wo terms as president of the New York State Band Directors Association.
He has  worked on the summer session  faculty  for the Ithaca College School o f
Music and also serves as a cooperating teacher for senior student teachers.  He has
conducted many honor band  festivals, presented clinics on a variety  of music
education topics, and has adjudicated at music festivals throughout New Y ork.

UNIV ERSI TY P ERCU SSIO N EN SEM BLE
Caleb DeGroote
Kristine Jackson
Ai Karasawa
Subin Lim
Richard Postelnik
Marc Silvagni
Kelly T ufo
Mark Turley
Lee Vl insky

Coming 

‘Crents

Sunday, May 6 –  Student  Recital:  Rosa  Na m, pian o –  3:00 p.m . ­ Casadesus
Recital Hall – free
Wed nesday, Ma y 9 – Gl i m merglass O pe ra Young A rtists Ensem ble – 8:00 p.m.
­ Casadesus Rec ital Hall – free
T h u rsda y,  M a y  1 0  –  St uden t  Recogni tion  M id­Day  Conce rt  –  1 :20  p.m.  –
Casadesus Recital Hall – free

�</text>
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                    <text>MT( IN
BINGHA
”C x  i  ‘  l  l.  ,  : I  l
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Staet Univ ersity
ANT  1  t
= 
a

~ . .

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d e c
[4

D E P A R T M E N T

N 1 
a

Ha rpu r Jazz Ensem ble
Michael C arbo ne, d i recto r

with guest artist

Ste ve Davi s

Thursday, April 26, 2007
8:00 p. m.
Osterh out Concert Theater

�ABOUT T H E  PERFORM ERS
M I C H A E L  J .  CARBONE,  conductor,  is  an  instrumental  music
teacher in the Johnson City School district where he is  Director of
Concert  Band  and  Jazz  Ensemble.  He  joined  the  Binghamton
University music faculty in  1997 and serves as the Director of the
Jazz Studies P rogram and as Director of the Harpur Jazz Ensemble.
He holds a B.M.E. from th e Crane School of Music and a M.M.
from  Binghamton U niversity.  Carbone has  performed with many
well­known  artists  including  Al  Marino,  Natalie  Cole,  Tommy
Tune,  Mel  Torme,  The  Jimmy  Dorsey  Orchestra,  Danny
D’Imperio’s  Big  Band  Bloviation.  the  Central  New  York  Jazz
Orchestra, and The Temptat ions.  Carbone curre ntly performs with
the local jazz group “Miles A head.
STEVE  DAVIS  is  widely  regarded  as  one  of  today’s  leading
improvisors o n the trom bone.  His lyrical, ha rd­swinging st yle ﬁrst
gained him broad recognition during the 1 990’s while working with
the bands of jazz legends Art Blakey, Jackie McLean, Chick Corea’s
acclaimed sex tet Origin and the renowned cooperative sextet, One
For All.
Born in  Worcester. M A in  1 967, Steve was raised  in  Binghamton,
N Y and graduat ed in  1989 from The Hartt School’s Jackie McL ean
Institute  of  Jazz  (University  of  Hartford).  It  was  Mc  Lean’s
guidence and recommendation that helped Davis land his ﬁrst major
gig  with  Art  Blakey  in  N YC  in  Dec  1989.  Steve  returned  to
Hartford  in  1 992  to  join  Mc  Lean’s  sextet  and  begin  teaching
alongside  his  mentor  at  both  the  Hartt  School  and  Artist’s
Collective.  Davis has resided in Hartford ever since.
In May 2006, Davi s presents his 9th CD as a leader, “Update ” (Criss
Cross) which features the stellar line­up o f Peter Bernste in, Anthony
Wonsey,  Nat  Reeves.  Joe  Farnsworth  and  special  guest  Roy
Hargrove.

Lately, Steve has been leading his own bands with more  frequency
including an all­star quintet  featuring  Steve  Nelson.  Larry  Willis,
Nat  Reeves  and  Joe  Farnsworth.  Davis  has  also  formed  a  new

(

l

quartet/quinte t  featuring risin g stars Dav id Bryant (piano), Dezron

Douglas (bass ) and renowned drummer. Eric McPherson.

On  occasion,  the  band  is  augmented  by  exciting,  frontline­mates
Mike DiRubbo ­ alto sax and/or Ray Mc Morrin ­ tenor sax, Josh
Evans ­ trumpet. Steve also continues to  perform and  record  with
the  well­known, collective unit One For All ( feat. Eric Ale xander,
Jim Rotondi,  David Hazelt ine, Peter  Washington, Nat  Reeves  or
David Williams and Joe Farnsworth).  The band has recorded  11
CD’s  since  1997  for  Sharp  Nine,  Criss  Cross  and  Venus/Japan.
Both  their  recordings  and  live performances  have  garnered rave
reviews.  In 2006, Seco nd Floor Music will  be publishing One For

All  sextet c harts in  t wo sets, as re corded o n  the group’s ﬁ rst t wo

CD’s. “Too Soon To Tell” (1 997) and “Opt imism” (1998) for Sharp
Nine Records.

Ever in­demand as a sideman. Davis is  featured on over seventy
recordings and  has worked  in  recent  years with  a broad  range of
jazz  icons  including  Horace  Silver,  Cecil  Payne,  Larry  Willis,
Freddie  Hubbard  (w/  New  Jazz  Composers  Octet),  The  Dizzy
Gillespie Alumni All­Star Big Band/Sextet, Slide Hampton‘s World
of Trombones, Wynton Marsalis (w/ Lincoln Center Jazz Orchestra)
and Steve Turre’s One 4 J.
Steve  has also  worked  with a variety of his peers  over the  years
including Claudia Acuna. Eric Alexander, A braham Burton, Avishai
Cohen,  Mike  DiRubbo,  Dena  DeRose,  John  Farnsworth,  Jimmy
Greene. Roy Hargrove, Stefon Harris, Nicholas Payton and Michael
Weiss.
Davis  continues  to  lead  an  active  teaching  career  at  the  Hartt

School‘s Jack ie  McLean Instit ute of Jazz (U niversity of Hartford)
where  he  has  been  on  faculty  since  1991  and  now  teaches
exclusively.  Steve also continues his long­time aﬀiliation with the
Artist‘s  Collective  (founded  by  Jackie  and  Dollie  McLean)  in
Hartford, CT where he mak es his home (i n West Hartfo rd) with his
wife, pianist M ary DiPaola­Davis and child ren Tony and Angie.

�P rog r a m

! 

X

F IRS T HALF
John La Barbera

Tiger o f San Pedro 

SECOND HAL F with S t e v e  D a v i s
Program selected from the follo wing:

Arabia..

How Sweet lt ls......... Edward &amp; Brian Holland and Lamont Dozier
arr. by Mark Taylor
 
T Groove 

Milt Jackson
arr. by John Cla yton

Groovin Hard 

Don Menza

E

 
Straight N O C h E S E L . . . . . . . . . . . . . c c i c c i i Monk
arr. by John La Barbera
New York City B

l

u

e

You ’ve Changed

[ Can’t Believe You ’re In Love 

The Jazz Police 

s

Q

u

m

c

 
y Jones

Bill Carey &amp; Carl Fischer
arr. by Mark Ta ylor 
...Clarence Gask ill &amp; 
Jimmy McHugh
arr. by Billy May

Gordon Goodwin

Curtis Fuller
arr. by Chris Casey

I Got It  Bad (And That Ain’t Good) .. 

Mean What Yo u Say 
Slo­Funk 

That Warm Feeling 

.. Duke Ellington

Thad Jones
Bob Mintzer

Sammy Nestico

�HARPUR JAZZ ENSEMBLE
H

h

 

David Faranda. 1  alto 
 
Dan Fagen. 2 ” alto 
Camille Th urman. 1* tenor 
 
Michael Marchisotto. 2 ” tenor 
Margaret Hager. Baritone Sax 
Bob Pompi. Bariton e Sax 

Harris Brenner
Julian Goetz 

T r u m pets 
Rudy Bellanton 
Laura Kinne 
Paul Persichette
Alex Weiser 
Glen Widjeskog 

D r u m Set &amp; percussion
Aaron Fumarola
Brad Koegel

Trobones 

Christopher Delama ter 

h

A 

allo
“ 3

‘
h : ty  
h :   s g
na n ~ Swaaley

 
a s percussion
o y   ' e a n

Flute
Stefanie DeVito

Mo “Reese ” Taylor
Christine Hubert
Harris Brenner

Clari net
Richard Silvagni

a 

a
t a  e
eKatrina Cox 

Gabriel Luce 
David Katcher

Rhonda Plunkett 

Jamie Cepler 

This concert is co­sponsored by
the Department o f Music and the
Harpur Jaz z Project

Bass 
s
s

¢

Vocalists 

J a z z  A p p r e c i a t i o n  M on t h

 

This performance also partially funded by the

f
v ition
J 
 yi
t .  , '    LP
: 
. 
oi Jazz Educa
 AssoczatIOnf
International

N e w  Y o r k S t a t e  C h a p t er

�Comngi  C‘ents
Sat urday,  April  28 –  Master ’s  Recital :  Nicole  Hsu,  piano – 8:00  p.m.  –
Casadesus Reci tal Hall – free
Sunday,  April  29  –  University  Wind  Ensem ble  and  t he  Southe rn  Tier
Concert Band – 7:30 p.m. – Osterhout Concert Theater – free

Tuesday, May 1 – University Percussion Ensemble – 8:00 p.m. – Anderson
Center Chamber Hall – free
Casadesus Recital  Hall 
Th u rsda y, May 3 – Mid­Day C oncert – 1 :20 p.m . – 
free

­

Friday,  May 4 – Flute  Studio Recital  – 10:15 a.m. – Casadesus Reci tal Hall 
free

­

Sat u rda y, Ma y 5 – Fl ute Ensem ble Rec ital – 1 0:15 a.m . – Casadesus Recital
Hall ­  free

– 
Su nda y, May 6 – St udent R ecital : Rosa N am, pia no  3:00 p.m . ­ Casadesus
Recital Hall ­  free
Sunday –  May 6  –  Master ’s  Recital :  Danielle Sofer, piano 
Casadesus Recital Hall ­  free

7:00  p.m.

­ 

Wed nesda y, Ma y 9 – G limmerg lass O pe ra You ng A rtists E nsem ble  8:00

p.m. ­  Casadesus Recital Hall  ­  free

– 

1:20  p.m.

Th u rsda y, May 1 0  St udent  Recogn ition  Mid­Da y Conc e rt 
Casadesus Recital Hall  free
Thursday, Ma y  1 0  –  Harpur  Chora le &amp;  Women ’s Chor us 
Anderson Center Chamber Hall  ­ free

­ 

8 :00 p.m.

Sat u rda y, Ma y  1 2  –  Master ’s  Recital :  William  G ilchrest , tru m pet 
p.m.  ­ Casadesus Recital Hall ­ free

8:00

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J

&lt; 

r

~ x

HARPUR JAZZ MIDDAY PROGRAM
April 26, 2007
Featuring:

Steve Davis

Program selected from the following:
The Quota . 

. Jim my Heath

How Deep Is The Ocean...

..Irvi ng Berlin a rr. by Al Ha m me

Ya rdbird Suite

Charlie Parker

You Don ’t Know W hat Love Is 

Speak LOW isssssssissovionissiriarssssistioissiantertsssiomsissnsetntossiobomssbsisnsisse 

..  Don Raye

.

. . Ku r t  Weil

Blue SKieS...occiiinensiniensininnssnssinennisnninssnsnmssisseessss 
IFVINE Berlin a rr. by Al Ha m me

Things Ain ’t What They Use to Be.. 

Steve Davis ­ Trombone

Albert Hamme: Alto Sax &amp; Flute
Mike Carbone:  Tenor Sax &amp; Flute
Camille Thurman: Tenor Sax
Gene Cothran: Piano
Andrew Williams: Bass
Joe Roma : Drum set

Du ke Ellington

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                    <text>BINGHAMTON
L»  N  l  \~  i ;  R  S I T Y

State University of  New York

UNIV  ARS
Rect. 
tape
1 

A

S p a» y
D E P A R T M E N T

X  T

d r 4 

p

J UNIOR R ECITAL

J ANA K UCERA , SOPRANO
A LEXANDER BLITSTEIN, TENOR
with
Chai­Kyou Mallinson, P iano
Also with
The Men of the H arp u r  Chorale
i
l

Saturday, April 14, 2007
8:00 p.m.
C asadesus Recital Hall

�PROGRAM
V.

L

Jana Kucera an d Alexander Blitstein

( 1 659­1 695)

By a Fountainside
Fair House of Joy

A lexander Blitstein

l

II.

O bellissimi capelli

. Andrea Falconieri

Lungi dal caro bene

....... Antonio Secchi
(1761­1833
Alessandro Scarlatti
( 1659­1725)

( 1 585­1 656)

Cara, cara e dolce
Se Florindo e fedele
Jana Kucera

. Franz Schubert
( 1 797­1 828)

Das Wandern

Wohin?
Halt!
Danksagung an den Bach
Am Feierabend
Der Neugierige

Ungeduld

Claude Debussy
(1862­1918)
...Gabriel F auré
(1845­1924)
Claude Debussy

Romance
l

En  Priére ..

Mandolme

VI.

III.
From: Die schohe Mallerin, Op. 25 ..

.......Roger Quilter
(1877­1953)

Weep You No More .
The Faithless Shepherdess

Henry Purcell

Sound the Trumpet...

From: The Mikado, or The Town of Titipu
A Wand ’ring Minstrel l
The sun whose rays are all ablaze
Were you not to Ko­Ko plighted

............Sir William Gilbert &amp;

J an e  K ucera an d  A lexander Blitstein

Alexander Blitstein
IV.

Schon ist das Fest des Lenzes. Op. 37. No. 7
Wiegenlied, Op. 78, no. 4
Unterm Fenster, Op. 34, No. 3
J ana K ucera an d  A lexander Blitstein

INTERMISSION

...Robert Schumann
( 1 81 0­1 856)

Sir Arthur Sullivan
(1842­1900)

�TRANSLATION S
IL
O Bellissimi Capelli
O beautiful tresses, 0 my sweet

delights,
loving little snakes, twisted in
ringlets.
that cascade on rosy dewy cheeks.
Shady locks, where hides the

winged archer (Cupid) in ambush to
wound!
Fair hair must yield place to your

beautiful dark tresses,
Which, playing around your face,
are the night,
And your eyes are the day.
Lungi Dal Caro Bene
Far from my dear beloved,
I cannot live;
I am in a sea of pain;
Far from my dear beloved,
[ feel my heart give way.
May a sweet last sleep,
If I may not see her,
Close my eyes for always.

Cara, Cara e Dolce
Dear, dear and sweet freedom.
dear. sweet freedom,
you console my soul.
It lives no longer in servitude
As my heart. set loose, goes its way.
Fly, ﬂee then, then from me,
ﬂy, ﬂee then from me,
Quivered God of L ove!
My heart is already free,
As its feet are no longer ensnared.

Se F lorindo e fedele

If Florindo is faithful., I’ll fall in

love with him
If he’s faithful, I’ll fall in love with
him.

Cupid can well draw his bow,
But I’ll know how to defend myself
from a ﬂattering glance.
Please, tears and laments I will not
listen to.
But if he will be faithful, , I shall
fall in love!
IIL

Die schdne Miillerin
(The fair miller­maid)
1.  Das Wandern
( Wandering)
Wandering is the miller’s joy,
Wandering!
He must be a miserable miller.
Who never likes to wander.
Wandering!
We’ve learned this from the water.
From the water!
It does not rest by day or night,
It’s always thinking of its journey,
The water.

We see this also with the wheels.
W ith the wheels!

They don’t like to stand still.
And turn all day without tiring.
The wheels.
The stones themselves, heavy
though they are,
The stones!
They join in the cheerful dance,
And want to go yet faster.
The stones!

Oh. wandering. wandering. my joy.
Oh, wandering!
Oh. Master and Mistress,
Let me continue in peace,
And wander!

2.  Wohin?
( Where to?)
I hear a brooklet rushing
Right out of the rock’s spring,
Down there to the valley it rushes,
So fresh and wondrously bright.
l

I know not how I felt this,
Nor did I know who gave me
advice:
I must go down
With my wanderer’s staﬀ.
Down and always farther,
And always the brook follows after;
And always rushing crisply,
And always bright is the brook.

ls this then my road?
O, brooklet, speak! where to?
You have with your rushing
Entirely intoxicated my senses.
But why do I speak of rushing?
That can’t really be rushing:
Perhaps the water­nymphs
are singing rounds down there in the
deep.
Let it sing, m y friend, let it rush,

And wander joyously after!
Mill­wheels turn

In each clear brook.
3.  Halt!

(Stop!)
I see a mill looking
Out from the alders;
through the roaring and singing
Bursts the clatter of wheels.

Hey, welcome, welcome!
Sweet mill­song!
And the house, so comfortable!
And the windows, how clean!

And the sun, how brightly
it shines from Heaven!
Hey, brooklet, dear brook,
Was this, then, what you meant?
4.  Danksagung an den Bach
(Giving t hanks to the brook)
Was this, then, what you meant,
My rushing friend?
Your singing and your ringing?
Was this what you meant?

To the Millermaid!
it seems to say...
Have I understood?
To the Millermaid!
Has she sent you?
Or am 1 deluding myself?
1 would like to know,
Whether she has sent you.
Now, however it may be,
I commit myself!
What I sought, I have found.
However it may be.
After work I ask,

Now have I enough
for my hands and my heart?
Completely enough!
5.  Am Feierabend
(On the Restful Evening)
If only I had a thousand
arms to move!
I could loudly
drive the wheels!
I could blow
through all the groves!

I could turn
All the stones!

If only the beautiful Millermaid
Would notice my faithful thoughts!

�Ah. why is my arm so weak?
What I lift, what I carry,
What I cut, what I beat,
Every lad does itjust as well as I do.

And there I sit in the great
gathering,
In the quiet, cool hour of rest,

And the master speaks to us all:
Your work has pleased me;
And the lovely maiden says
“Good night” to everyone.

6.  Der Neugierige
(Curiosity)
[ ask no ﬂower,
I ask no star:
None of them can tell me.
What I so eagerly want to know.
[ am surely not a gardener.
The stars stand too high;
My brooklet will I ask,
Whether my heart has lied to me.

I would like to sow it upon each
fresh ﬂower­bed
With water­cress seeds, which it
would quickly disclose;
Upon each white piece of paper
would I write:
Yours is my heart and so shall it
remain forever.

IV.
Schon ist das Fest des Lenzes.
(Beautiful is the Festival
of Spring)
Beautiful is the festival of Spring
But it lasts only three days:
If you have a love, crown it with
roses, before the roses wither!

I would like to raise a young
starling,

If you have a glass, present it,
O Bartender. and sing along with
me:

Until he speaks to me in words pure
and clear,
Until he speaks to me with my
mouth’s sound.
With my heart’s full, warm urge;
Then he would sing brightly
through her windowpanes:
Yours is my heart and so shall it
remain forever!
I would like to breathe it into the

One little word again and again.

morning breezes.
I would like to whisper it through
the active grove:
Oh. if only it would shine from each
ﬂower­star!
Would it only carry the scent to her

The one little word is “Yes";
The other is “No",
Both these little words
Make up the entire world to me.

Yours is my heart. and so shall it
remain forever.

O brooklet of my love,
Why are you so quiet today?

I want to kn ow just one thing ­

O brooklet of my love,

Why are you so strange?
I’ll surely not repeat it;
Tell me, o brooklet. does she love

me?

7.  Ungeduld
(Impatience)
I would carve it fondly in the bark
of trees.
I would chisel it eagerly into each
pebble,

from near and far!
You waves, could you nothing but
wheels drive?

I thought, it must be visible in my
eyes,
On my cheeks it must be seen that it
burns;
It must be readable on my mute lips,
Every breath would make it loudly
known to her.
And yet she notices nothing of all
my yearning feelings.
Yours is my heart, and so shall it
remain forever.

Beautiful is the festival of Spring,

But it lasts only three days!

Wiegenlied
(Cradle­song)
Sleep, little child, sleep!
As you sleep, so good you’ll be.
Outside red in the midday sun
There glows one of the ﬁnest
cherries.
When you awaken, we shall go.
And my ﬁnger will pluck it for you.
Sleep. little child, sleep!
As you sleep, so good you are.

Sleep, little child. sleep!
As you sleep, so you’ll be good.
Ever sweeter the sun ripens
Your cherry, for your delight;
Sleep, then little child, lightly

covered,
Until your appetite for it awakens
you!
Sleep, little child, sleep!
As you sleep, you’ll be good.

Unterm Fenster
(Under the Window)
Who is at my bedroom door?
It is I, it is I!
Go. be o ﬀ  w ith you, what do you
want here?
Something really sweet!
You come in the dark like a thief.
So catch me!

Do you have a little love for me?
With all my heart!
And if I opened the door as you
wish?
O open it!
That would be the end of sleep an d
peace!
Let them be!
Are you a dove in a dovecote?
With my little dove!
Will you coo until dawn?
Very possibly!

No, I will never let you in!
You must nonetheless!
You’ll  likely appear here every
day?

With pleasure!

How chee ky you are and how dare
you!

So may 1?
As long as you tell not a soul!
Of course not!

V.
Romance
(Romance)
The vanishing and suﬀering soul,
The sweet soul, the fragrant soul
Of divine lilies that I have picked
In the garden of your thoughts,
Where, then, have the winds chased
It,
This charming soul of the lilies?
Is there no longer a perfume that
remains
Of the celestial sweetness
Of the days when you enveloped me
In a supernatural haze,
Made of hope, of faithful love,
Of bliss and of peace?

�ABOUT THE M USIC
En priére
(In Prayer)
If the voice of a child c an reach

You,
O my Father,
Listen to the prayer of Jesus, on his
knees before You!
If You have chosen me to teach
your laws
on earth,
I will know how to serve You, noble
King of kings,

Die schione Miillerin
There  are  twenty  songs  in  the  cycle,  written  by  poet  Wilhelm
Muller.  Each  song tells  a  diﬀerent  part of a story, with  varying

Their short silk coats,
Their long dresses with trains,
Their elegance, their joy
And their soft blue shadows,
Whirl around in the ecstasy
O fa  pink and grey moon,
And the mandolin prattles
Among the shivers from the breeze.

i

O Light!
On my lips, Lord. place the salutary
truth,
In order that he who doubts should
with humility
revere You!

Do not abandon me, give me
the necessary gentleness,
To ease suﬀering, to relieve the
sorrow,
the misery!
Reveal Yourself to me, Lord, in
whom I believe
and hope:
For You I wish to suﬀe r and to die
on the cross,
at Calvary!
Mandoline
(Mandolin)
The givers of serenades
And the lovely women who listen
Exchange insipid words
Under the singing branches.

There is Thyrsis and A myntas
And there’s the eternal Clytander,
And there’s Damis who, for many a
Heartless woman, wrote many a
tender verse.

41

emotions. Emotions cycle through optimism to despair and tragedy.
A t the  beginning  of  the  cycle,  a  young  man  wanders  happily
through the countryside. He comes upon a brook, which he follows
to a mill. He falls in love with a beautiful girl, the miller ’s daughter,
the “beautiful mill­girl” (Die schone Miillerin) of the title. He tries
to impress her, but her response seems quite cool, leading to sadness
and frustration on his part.
The Mikado
Leading  gentlemen of the  Japanese  town of Titipu  gather  for an
impending  celebration  A  wandering  musician,  Nanki­Poo,  enters
and introduces himself ("A wand’ring minstrel I"). He has come to
search for the maiden Yum­Yum, with whom he has fallen in love.
Alas, Yum­Yum is to marry her guard ian Ko­Ko, a forme r tailor but
now the Lord High Executioner of Titipu. Yum­Yum appears with
two of her friends. Nanki­Poo reveals his secret to Yum­Yum: he’s
actually the son an d heir of the Mikado, ruler of Japan, b ut has ﬂed
the court due to the amorous advances of the Lady Katisha. Ko­Ko
arrives  and  introduces  himself  and  rejoices  in  his  upcoming
marriage.  His enthusiasm  is cut short  by  receiving  news that the
Mikado will soon be arriving for a visit; as Ko­Ko is behind on his
quota of executions (never having performed any at all!), this means
someone  must  be  executed  at  once.  The  others  look  to  Ko­Ko
himself  as  the  perfect  subject.  Ko­Ko  discovers  Nanki­Poo,  in
despair over losing Yum­Yum, is preparing to commit suicide. After
realizing that he cannot change Nanki­Poo’s mind, Ko­Ko makes a
bargain with him: Nanki­Poo may marry Yum­Yum for one month,
if at the end of that time he allows  himself to be exec uted. This
happy arrangement is  nearly spoiled  by Katisha, who arrives and
tries  to  claim  Nanki­Poo.  However,  she  makes  such  a  bad
impression on the people of Titipu that her words are drowned out
by the shouting of  the crowd. But tho ugh all seems happily settled,
Katisha makes it clear that she intends to return. Yum­Y um is being
prepared by her friends for her wedd ing, after which she is left to
muse on her own beauty ( "The sun whose rays").

�ABOUT T H E  PERFORMERS
JANA  NICHOLE  KUCERA  is  a  native  of  Binghamton,  New
York where she graduated from Chenango Valley High School in
2004. While at CVHS she was an honor student and participated in
Theatre Guild, Chorus, Concert and Jazz Band as well as Odyssey
of the  Mind.  Jana is  currently a  BMus candidate studying  vocal
performance with Professor Mary Burgess. As a student at BU, she
was  recently  named  to  the  Harpur  College  Dean’s  List,  and  is
honored  to  be  a  two  time  recipient  of  the  Music  Department’s

Neilson Scholarship in honor of Mary Burgess. She is a member of
Women’s  Chorus  and  is  a  past  member  of  the  Harpur  Wind
Ensemble. She is currently a member of the Tri­Cities Opera Chorus
where she has performed more than 15 choral roles over the past 7
years. In addition to TCO, Jana has performed  numerous lead and
supporting  roles  in  a  variety  of  local  theater  productions  and
recently  performed  the  role  of Elsie  Maynard  in  Yeoman  of the
Guard (Summer Savoyards). She would like  to thank her friends,
family, and teachers for all of their love and support.
ALEXANDER BLITS TEIN was raised in Chappaqua New York,
where  he  graduated  from  Horace  Greeley  High  School.  He  is
currently  a  BMus  candidate  in  vocal  performance  studying  with
Professor Timothy LeFe bvre. As a student at B U, he has served as
the President of the student organization Music Groups, as well as a
member of the Undergraduate Music Advisory Committee. He has
also  participated  in  Harpur  Chorale  under  the  direction  of  Peter
Browne.  In  2005  he  was the  recipient  of the  John  and  Marcella
Keeler  Scholarship.  He  has  appeared  as  a  soloist  with  the
Binghamton University  Chorus and African Drumming Ensemble,
and he would like  to  thank all  that  helped  him  get to this  point,
speciﬁcally including his grandparents.

CHAI­KYOU  MALLINSON,  currently  on  the  faculty  of  the
Department of Music at  Binghamton University, received a B.M.
degree in Piano from Juilliard, Licence d’Enseignement from Ecole
Normale  de  Musique  de  Paris,  France  and  a  M.A.  degree  from
Binghamton University, where she studied with Jean Casadesus.  A
prize  winner in  the Korean National  Music Competition, she was
awarded the French Government Scholarship, Tanglewood Summer
Music  School  Full  Scholarship  and the  Fontainebleau  American
Conservatory Full Scholarship.  She gave a debut recital in Carnegie
Recital  Hall and has been active as a recitalist, vocal accompanist
and  coach,  and  chamber  music  performer,  as  well  as an active
adjudicator of piano auditions and competitions. She appeared in a
performance with the Seoul Philharmonic Orchestra, which Eumag
Choonchu,  one  of  Korea‘s  most  respected  music  magazines,
described as “of rare quality, moving and lyrical. ”
T H E  H A R P U R  C H O R A L E .  directed by Adjunct  Lecturer Peter
Browne, is a select chamber choir whose mem bers are chosen on
the  basis of voice  quality  and sight­reading ability.  The  Chorale
performs frequently thro ughout the year, singing outstanding choral
works of every historical period and style in several languages.  The
group has toured throughout the eastern United States.

Particpating Mem bers
Bass 

John Paap 
Adam Hess 
David Parisi

Tenor

Ross Matthei
Douglas Schwartz

�Coming 

‘Curent

Sunday, A pril 1 5 – University C horus and  Orchestra : Bach B Minor Mass –
3 :00  p.m.  –  Osterhout   Concert  Theater  ­  $9  general  public;  $7
faculty/staﬀ/seniors; free for students
Tuesday, A pril 1 7 – St udent Rec ital :  Melissa Le e, viola – 7 :30 p.m. – Casadesus
Recital Hall – free

Th ursday, A pril 19 – M id­Day Co ncert – 1:2 0 p.m. – Casadesus Recital Hall  ­­
free
Sat urday, Ap ril 2 1  –  Master ’s Recital :  Katrina C ox, sop rano – 8:00 p.m. –

Casadesus Recital Hall ~ free

Sunday, A pril 22 –  Master ’s Recital : Elizabet h  D u hr, mezzo­soprano – 3 :00
p.m. – Casadesus Rec ital Hall – free

Sunday A pril 22 – M aster ’s Recital : Soon Yo ung Park,  baritone – 8:00 p.m. –
Casadesus Recital Hall – free
Th ursday, A pril 26 – Jazz Mid­ Day Conc ert – 1 :20 p.m. – Osterhout Concert
Theater – Free
Th ursday, A pril 26 – J azz Ensem ble with g uest art ist – 8:00  p.m. – Osterhout
Concert Theater ­ $9 general public; $7 faculty/staﬀ/seniors; free for students
Sat urday,  April  28  –  Master ’s  Recital :  Nicole  Hsu,  piano  –  8:00  p.m.  –
Casadesus Recital Hall – free
Sunday, A pril 29 – U niversity W ind Ensem ble an d  the So ut hern Tier Concert
Band – 7:3 0 p.m. – Osterhout C oncert Theater – free
Tuesday,  May  I  –  University  Percussion  Ensemble  –  8:00  p.m. ~  Anderson
Center Chamber Hall – free

Th ursday, M ay 3 – Mid ­Day Conc ert – 1 :20 p.m. – Casadesus Recital Hall – free
Friday, M ay 4 – Flute Studio Recital – 10 :15 a.m. – Casadesus Recital Hall – free
Sat urday, Ma y 5 – Flute  E nsem ble Recita l – 10:15 a.m. – Casadesus Recital Hall

free
— 

Sunday, M ay 6 – St udent Rec ital : Rosa  Nam, pian o – 3:00 p.m. ­ Casadesus
Recital Hall – free

�</text>
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                    <text>UwIv  R R C
R

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State University of  New York

= e

Binghamton University Department of Music

SYEC C

o

THURSDAY M ID­DAY CONCERT

 

April 12. 2007 – 1:20 p.m. ­ Casadesus Recital Hall

Adieux de l’Hotesse Arabe 
Habanera, from Carmen 
Seguidille. from Carmen

............Georges Bizet
(1838­1875)
Elizabeth Duhr, mezzo­soprano
Margaret Reitz, pian o

Suite No. 2 in D minor. BWV 1 0 0 8 . . . i 

c

i

dnssdonann Sebastian 
n
e
  Bach
(1685­1750)

Melissa Lee, viola
O

B

R

Debussy
(1862­1918)
Gabriel Fauré
(1845­1924)
d
e Debussy
 

En pnere 

M

a

n

d

o

l

i

n

e

C

l

a

u

Jana Kucera, soprano
Chai­Kyou Mallinson, piano

O bellissimi c

a

p

e

I

I

i

A

n

d

r

e

aT

 

T

(c.1585­1656)

Jeunes Fillettes ..

............Nicolas Dalayrac

(1735­1809)

(arr. J.B. Weckerlin)
Briana Sakamoto, so prano
Chai­Kyou Mallinson, piano
La Regata V e n e n
Anzoleta avanti la rcgata 
Anzoleta co passo la regata
Anzoleta dopo la regata

Die junge Noone, Op. 43; no. 1 
Die Vogel, Op. 172, no. 6 
Die Allmacht, Op. 79, no. 2

a

n

a

G

i

o

a

c

c

h

m o B E E N
(1792­1868)

Jessica Barkley, sopr ano
Jody Schum, piano
S E E  Schubert
(1797­1828)
Katrina Cox, soprano
Chai­Kyou Mallinson, piano

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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37059">
                <text>Thursday mid-day concert, April 12, 2007 </text>
              </elementText>
              <elementText elementTextId="37060">
                <text>Recital Tape 2007-4-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37061">
                <text>Held at 1:20 p.m., April 12, 2007, Casadesus Recital Hall. Works of Bizet, Bach, Debussy, FaureÌ, Falconieri, Dalayrac, Rossini, Schubert.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37062">
                <text>Duhr, Elizabeth </text>
              </elementText>
              <elementText elementTextId="37063">
                <text>Reitz, Margaret </text>
              </elementText>
              <elementText elementTextId="37064">
                <text>Lee, Melissa </text>
              </elementText>
              <elementText elementTextId="37065">
                <text>Kucera, Jana </text>
              </elementText>
              <elementText elementTextId="37066">
                <text>Mallinson, Chai-Kyou </text>
              </elementText>
              <elementText elementTextId="37067">
                <text>Sakamoto, Briana </text>
              </elementText>
              <elementText elementTextId="37068">
                <text>Barkley, Jessica </text>
              </elementText>
              <elementText elementTextId="37069">
                <text>Schum, Jody </text>
              </elementText>
              <elementText elementTextId="37070">
                <text> Cox, Katrina </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="37071">
                <text>Binghamton University Libraries</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37072">
                <text>2007-04-12</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37073">
                <text>In copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37074">
                <text>sound</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
      <elementSet elementSetId="9">
        <name>IIIF Item Metadata</name>
        <description/>
        <elementContainer>
          <element elementId="95">
            <name>UUID</name>
            <description/>
            <elementTextContainer>
              <elementText elementTextId="37077">
                <text>cadbb433-bf76-4964-823c-80994bea0fb4</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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</itemContainer>
