5 10 1775 https://omeka.binghamton.edu/omeka/files/original/c8a06e0fc652638af1e36ffb76a9bd04.pdf 149a5493402c6324eee8cb79fc0389e0 PDF Text Text BINGHAMTON U N I V E R S I T Y S I A l E U N I X / [ P M ' OF N E W Y O R K D E P A R T M E N T CoSPONSORED BY THE HARPUR JAZZ PROJECT AND THE BINGHAMTON UNIVERSITY Musrc DEPARTMENT HARPUR JAZZ ENSEMBLE DIRECTED B Y M IKE CARBONE i WITH GUE ST ARTIST M ICHAEL P HILIP MOSSMAN A ND A SPECIAL PERFO R MANCE B Y THE HARPUR J AZZ V OCAL ENSEMBLE Thursday, November 1 5, 201 2 8 :00 p.m. Osterhout Concert Theater �PROGRAM HARPUR JAZZ ENSEMBLE Fall 2012 SET 1 Can’t Stop My Leg . .R. McConnell Morocco R. Freeman arr. by G. Goodwin .L. Hooper Back In Blue Orleans The Harpur Vocal Jazz Ensemble : Over the Rainbow. Wrap Your Troubles in Dreams H. Anen & E. Y. Harburg arr. by Teena Chinn . H. Barris, T. Koehler & B. Moll arr. by Kirby Shaw The Harpur Jazz Ensemble : It’s Just Talk . .P. Metheny arr. by B. Curnow ..N. Washington & V. Young arr. by D. Rivello My Foolish Heart .. Which Craft?. GUITAR Ryan Kelly Trenton Staﬀord Dean Papadopoulos 15’ tenor Ray Hendricks 2"° tenor Mike Booher baritone PIANO Anthony Gabriele Will Sanders TRUMPETS (in al phabetical order) Mark Adler Matt Boose Ryan Ginsburg Andrew Hochler Brandon Young BASS Lucas Hennessey Jeremy Raphael Jasmine Aiken 2 ” alto Stephi Verhage 2™ alto SET 2 : F eaturin g Michael Ph ilip M o ssm an Songs selected from: A Night in Tunisia . The Dance of Denial... Hour of Darkness. Mia’s Lamplight Foxtrot Smoke Gets in Your Eyes . .D. Gillespie arr. by Michael Philip Mossman Michael Philip Mossman .Michael Philip Mossman Michael Philip Mossman O. Harbach & J. Kern arr. by Michael Philip Mossman Michael Philip Mossman Michael Philip Mossman DRUM SET Andres Castillo FLUTE Weijie Zhao TROMBONES Mo “Reese” Taylor Ryan Meehan Joseph McClean Andrew Rosenberger . 0 Coleman arr. by T. Kubis foe INTERMISSION ads’ A Song for Horace... St. Thomas Zal Mirza 1S l alto SAXOPHONES CLARINET Marcella Green JAZZ VOCAL ENSEMBLE SOPRANOS Christiana Metaxas Jessica Pyne Came Buck President Janelle Dmochowski Treasurer ALTOS: Suzanne Greene Kimberly Torres*Soloist (Somewhere Over the Rainbow) Alina Martinez Bntney Henderson BARITONE Craig Feyerabend Jonathan Eng PIANO David Schwartz Exec VP (musical director) BASS Eddie Compagnone DRUMS Ben Abbott ==ovAMAHA [ e e 12 5 YEARS O F P A S S I O N & P E R F O R M A N C E �B i n g ham t on U niversit y M usic De p art ment ’ s Coming Events M b ﬂ b ﬁ é e q ﬁ é – M W Friday, November 16 String Orchestra Concert 4:00 p.m. Grand Corridor free Concert Cancelled ‘ Sunday, November 18 – Mu Phi Epsilon Fall Semester Recital 12noon Casadesus Recital Hall Free Sunday, November 18 An Enchanted Italian Evening (Italian Diction Class Recital) 7:00 p.m. Casadesus Recital Hall free Thursday, November 29 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10: 15 a.m. Casadesus Recital Hall — free Saturday, December 1 “Holiday Concert for Organ, Brass and Percussion " featuring Jonathan Biggers and the Ithaca Brass – 4 :00 p.m. United Presbyterian Church. 42 Chenango Street, Binghamton $9 general public; $6 facult y/stali/seniors.‘ $3 students Sunday, December 2 Wind Symphony Concert 3:00 p.m. – Anderson Center Chamber Hall $6 general public; $3 tacuit y/statf/seniors; free for students Tuesday, December 4 Percussion Ensemble Concert 8:00 p. m: Anderson Center Chamber Hall $6 general public; $3 tacult y/staﬂ/seniors: free for students Thursday, December 6 Holiday MidDay Concert 1:20 p.m. Casadesus Recital Hall free Saturday, December 8 University Symphony Orchestra 3:00 p.m. Osterhout Concert Theater $6 general public; $3 tacult y/stati/seniors: free for students Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano (tentative) 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/stalT/seniors: $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 lacult y/staﬂ/seniors: $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall Free Thursday, December 13 – Harpur Chorale and Women ’s Chorus 8:00 p.m. Trinity Memorial Church. Binghamton a good will donation will be collected at the door W [8] m [] hg l W W For tickets or to be ad ded to our em ail list, visit anderson.binghamt on.edu or call (607) 777ARTS. For a complete list of our concerts c all (607) 777 25 92, visit m usicibin ghamt onedu or become a f a n on F acebook. If you were ins pired by this perfor m ance, consider sup porting the Depart ment a] M usic w it h a ﬁ n a n ci a l g ift . Your su p port hel ps t o contin ue the w ork o f students, f ac u lt y, a nd g uest arti sts a nd their contributions t o our com m unit y. Please m ake your donat ion pay able to the Binghamt on Universit y M usic Depart ment, and send your check to BU Music Depart ment, P.O. Box 6 000, Binghamton, NY 13902. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 50 minutes :38 seconds 58 minutes :28 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140905">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140905</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble, November 15, 2012 Description An account of the resource Works by McConnell, Freeman, Hooper, Harburg, Barris, Coleman, Mossman Held at 8:00 p.m., November 15, 2012, Osterhout Contert Theater. Creator An entity primarily responsible for making the resource Carbone, Michael Mossman, Michael Philip Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/15/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/022160bc94c36e5c7005c1c19e329284.pdf c2a831056e9b587dd04691b821fe2db0 PDF Text Text BINGHAMTON U N I V E R S I T Y STA TE UNIVERSITY OF N E W YORK wdec [4 D E P A R T M E N T T HE B INGHAMTON U NIVERSITY DEPARTMENT OF MUSIC PRESENTS THE U NIVERSITY S TRING ORCHESTRA FALL CONCERT Heather Worden Director and Conductor Friday, November 16, 2012 4:00 p.m. Grand Corridor, Fine Arts Building �PROGRAM Ouverture en Sol Mineur, Op. Il David Fabrizio Two Elegiac Melodies, Op. 34 I. Heart’s Wound (Le coeur blesse) ll. Last Spring (Dernier printemps) .Edvard Grieg Eine Kleine Nachtmusik. K. 525 . I. Allegro . Wolfgang Amadeus Mozart ll. Roma nze Sechs Landlerische Tanze. I. II. . Ludwig van Beethoven Thank you for attending and supporting our studentmusicians! UNIVERSITY STRING ORCHESTRA Heather Worden, Director Vlolln: *Won Jae Lee Elan Ashendorf Henry Savit Gianella James Michelle Quiles *Fanny Chu Julia Kenny Tak Hyerin Melanie Downing Caleb Chang +Ron Miles Cello: *Raeleen Bichler Alan Wang Danielle Koontz Kelly Mercer Peter Hiraldo +Dae Young Jung +Dennis McGee Bass. ATim Roossein Viola: *Tiﬀany Williams Tom Fuchs Alison Tuck “Principal player vBinghamlon University Professor ACommunlly player �Bing hamton Universit y M usic De part ment’s Co m ing Events M M M M M M M Sunday, November 18 Mu Phi Epsilon Fall Semester Recital 12noon Casadesus Recital Hall Free Sunday, November 18 An Enchanted Italian Evening (ltalian Diction Class Recital) 7:00 p.m. Casadesus Recital Hall free Thursday, November 2 9 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10 : 15 a.m. Casadesus Recital Hall free Saturday, December 1 “ Holiday Concert for Organ, Brass and Percussion” featuring Jonathan Biggers and the Ithaca Brass 4:00 p.m. United Presbyterian Church, 42 Chenango Street Binghamton $ 9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 2 Wind Symphony Concert 3:00 p.m. Anderson Center Chamber Hall $6 general public; $3 fawlly/staﬀ/senbrs; free for students Tuesday, December 4 Percussion Ensemble Concert 8:00 p.m. Anderson Center Chamber Hall $6 general public; $3 faculty/stafereniors; free for students Thursday, December 6 Holiday MidDay Concert 1 :20 p.m. Casadesus Recital Hall free Friday, December 7 Hansel and Gretel (school performance and civic groups) 10 :00 a.m. Anderson Center Chamber Hall call (607) 7773004 for group reservations Saturday, December 8 University Symphony Orchestra 3:00 p.m. Osterhout Concert Theater $6 general public; $3 faculty/stali/seniors; free for students Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano (tentative) 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 iaculty/stalﬂseniors; $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staf/seniors; $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall Free m [ s ] — = = } m m m m ﬁ b For tickets or to be ad ded to our email list, visit anderson.bing hamton.ed u or call (607) 777ARTS. For a complete list o f o ur concerts call ( 607) 7 7 7 25 92, visit music.bing hamton.ed u or become a f an on Facebook. If you w ere insp ired by this per for m ance, consider sup porting the De part ment of M usic w ith a ﬁn ancial gift. Your sup port helps to continue the work o f students, facult y, an d guest artists and their cont ributions to 4 our community. Please make your don ation payable to the Binghamton Universit y M usic De part ment, an d send your check to BU Music De part ment, P.O. Box 6 000, Bing hamton, N Y 1 3 9 0 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 27 minutes : 49 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140916">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140916</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Binghamton University Department of Music presents the University String Orchestra fall concert, November 16, 2012 Description An account of the resource Works by Fabrizio, Grieg, Mozart, Beethoven Held at 4:00 p.m., November 16, 2012, Grand Corridor, Fine Arts Building. Creator An entity primarily responsible for making the resource Worde, Heather Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/16/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/40f766ed4f3f30998f899f8721f5be77.pdf 1611fea3a53607f6428cd026b593758d PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y OF NEW Y O R K r ed e D E P A R T M E N T JUNIOR RECITAL Alexio Cha ng, violin with Margaret Reitz, p iano and Kieran Murphy, violin Hannah Watrobski, viola Ma ry Spencer, cello Sunday, November 16, 2014 3:00 p.m. Casadesus Recital Hall �® PROGRAM (8 artet, No. 4, Op. 18 in C minor Ludwig van Beethoven Alexio Chang, Kieran Murphy, violins Hannah Watrobski, viola Mary Spencer, cello (17701827) N o. 2 in D minor for solo violin ........ Johann Sebastian Bach (16851750) 1004 Chaconne Alexio Chang, violin Margaret Reitz, piano ;‘ ncerto in D major, K. 218 Wolfgang Amadeus Mozart (17561791) Allegro Andante Rondeau (Andante grazioso Allegro ma non troppo) Alexio Chang, violin Margaret Reitz, piano � t ’s m ton Un iversi ty Music De part men B i ngha Comi n g Even ts 5 E 0 0 5 »6 Mf a n a é i a n – ﬁ w b ﬂ é r ’ b ’ Monday, Nove mber 1 7 Momenta Quartet Master Class 8:15 – 1 0 :00 p.m. – Casadesus Recital Hall Tuesday, November 1 8 Momenta Quartet: Music Now! 7 :3 0 p.m. Camdesus Recital Hall $ 1 0 general pubic; $5 faculty/staﬀ/seniors/alumni; free for students tockham, trumpet and Mik e Thursday, November 20 ~ jazz Mid Day Con cert with J e ﬀ S Dubaniewicz, saxophon e 1 :20 p.m. Osterhout Concert Theater – free Thursday, Nove mber 2 0 – Harp ur jazz Ense mb le Con cert with guest arti st – 7 :3 0 p.m. ~ Oxterhout Concert Theater $ 7 general public; $5 faculty/staﬀ/ seniors; free for students emory and I n Tribute – An Sunday, November 23 Universi ty Wind Sympyhony: I n M Ho ma ge in Music – 3 :00 p.m. Andersn Center Chamber Hall $7 general public; $5faculty/staﬀ/seniors/alumni; free for students Tuesday, Dece mberZ – Percussion Ensemble c on cer t 7 :3 0 p.m. Osterhout Concert Theater $7 general public; $5 famlty/staﬀ/seniors/alumni; free for studetns Thursday, Deoem ber4 MidDay Conc er t– 1 :20 p.m. – Fine Arts Building, Room 21 free * ‘ ' ~ ‘ F a a a n o ec e m b e ﬁ – Flute Studio and Flute Chamber Conoert– 10:45 a.m. ~ Casadesus Recital Hall free Friday, Dece mber5 – Holiday Organ Concert {canningjonathan Biggers 7 :3 0 p.m. United Presbyterian Church, 42 Cheango Street, Binghamton $ 5 general public; free for students Saturday, December 6 – Universi ty Symphony Orchestra: From the Ne w World 3 :00 p.m. – Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Saturday, December 6 Ita lian Dic tion Class Recita l 7:30 p.m. ~ Casadesus Recital Hall – free Sunday, December 7 First Act o f Verdi ’s “Fa lstaﬀ” 1p.m 6! 4 p.m. Anderson Center Chamber Hall – $ 1 0 general public; 57 faculty/staﬀ/seniors/alumni ; $5 for students aﬁiéﬂﬁébﬁéibﬂéibﬂﬁbﬂééﬂébﬂéibﬂﬁéﬂééﬂﬁﬁﬂéé‘ E — 1 — [ = ] E 0 For tickets or to be added to our email list, vim anderson.binghamton.edu or 7 7ARTS. For a complete list of our concerts call (60 7) 7 7 72 592, call (607) 7 visit muncbinghamtonedu or become a fan on Facebook. If you were inspired by this performance, consider supporting the Department of Music with a ﬁnancial gift. Your support helps to continue the work of students, faculty, and guest artists and their contributions to our community. Please make your donation payable to the Binghamton University Music Department, and send your check to B U Music Department, P.O. Box 6000, Binghamton, N Y 1 3902 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44m 15s Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75043">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75043</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Junior recital with Alexio Chang with Margaret Reitz, Kieran Murphy, Hannah Watrobski, and Mary Spencer, November 16, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Beethoven, Bach, Mozart. Held at 3:00 p.m., November 16, 2014, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Chang, Alexio Reitz, Margaret Murphy, Kieran Watrobski, Hannah Spencer, Mary Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Date A point or period of time associated with an event in the lifecycle of the resource 11/16/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fa793a862b472b512ed15e31d8f719f5.pdf f4bf97844b543532f5d6bb4f86795df0 PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K [4 122 5224 D E P A R T M E N T NCHANT ED A NE VENING ITALIANE Maria Cook, instructor with Molly AdamsToomey, Michael Celenta no, Emily Geller, Charlie Hyland, Hana Ryu, and Matthew Samluk Sunday, November 18, 2012 7 p.m. Casadesus Recital Hall �PROGRAM Giacomo Puccini Opening Act I . (18581924) from “La Bohéme” entano, Han a Ryu, Michael Cel Matthew Samluk, Charlie Hyl and Svegliatevi nel core . from “Giulio Cesare” Emily Geller George Frideric Handel (16851789) . Francesco Paolo Tosti (18461916) Non t’amo piu . Michael Celentan o II segreto per esser felici from “Lucrezia Borgia” Molly AdamsToo mey .Gaetano Donizetti (17971848) Renato Brogi Visione veneziana . (18731924) Charlie Hyl and ..Eduardo di Ca pua ‘O Sole Mio... (18651917) Hana Ry u . Giacomo Carissimi Vittoria, mio core! (16051674) Matthew Samluk Duetto buﬀo di due gatti, .Gioacchino Rossini MollyAdams Toomey, Emily Geller Ave Maria (17921868) .Johann Sebastian Bach/Charles Gounod arr. by Pio Capponi (1685 1750/18181893) Molly AdamsToo mey, Michael Cel entano, Emily Geller, Charlie Hyl and, Han a Ryu, Matthew Samluk �Binghamton Unive rsit y Music De part ment ’s Co min g Events m m m m m m Thursday, November 29 MidDay Concert 1:20 p.m. Fine Arts Room 21 free Friday, November 30 Flute Studio and Flute Chamber Concert 10:15 a.m. Casadesus Recital Hall free Saturday, December 1 “Holiday Concert for Organ, Brass and Percussion " featuring Jonathan Biggers and the Ithaca Brass 4:00 p.m. United Presbyterian Church, 42 Chenango Sheet Binghamton $9 general public; $6 faculty/statT/seniors; $3 students Sunday, December 2 Wind Symphony Concert 3:00 p.m. Anderson Center Chamber Hall $6 general public; $3 taarlty/statT/senbrs; free for students Tuesday, Decemberl Percussion Ensemble Concert 8:00 p.m. Anderson Center Chamber Hall $6 general public; $3 faculty/staﬀ/seniors; free for students Thursday, December 6 Holiday MidDay Concert 1:20 p.m. Casadesus Recital Hall free Friday, December 7 Hansel and Gretel (school performance and civ ic groups) 10:00 a.m. Anderson Center Chamber Hall call (607) 7770004 for group reservations Saturday, December 8 University Symphony Orchestra 3:00 p.m. Osterhout Concert Theater $6 general public; $3 faculty/staﬀ/seniors; free forstudents Saturday, December 8 Master’s Recital: Meghan Cakalli, soprano (tentative) 8:00 p.m. Casadesus Recital Hall free Sunday, December 9 Hansel and Gretel 1:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staﬀ/'seniors; $3 students Sunday, December 9 Hansel and Gretel 4:00 p.m. Anderson Center Chamber Hall $9 general public; $6 faculty/staﬀ/seniors; $3 students Sunday, December 9 Senior Recital: Sungkyun Ryu, piano 7:30 p.m. Casadesus Recital Hall Free Thursday, December 13 Harpur Chorale and Women’s Chorus 8:00 p.m. Trinity Memorial Church, Binghamton a good will donation will be collected at the door Friday, December 14 Nukporfe African Drumming and Dance Ensemble 7:00 p.m. Watter’s Theater $3 general public M ﬁ m m a e ﬁ w m t ﬁ ﬁ e For tickets or to be ad ded to our ema il list, visit onderson.bin ghomt on.edu or c all ( 607) 777ARTS. For a co mplete list of [ = ] — l [ = ] o ur concerts call ( 607 ) 777 2 5 92, v isit m usic.bin ghamt on.edu o r beco me a f an on Facebook. If you were inspired by this performance, consider sup porting the De part ment of M usic wit h a ﬁn ancial g ift . Your sup port help s t o continue t he w o rk o f student s, fa c ul t y, a n d g uest art i sts a n d t he ir cont rib ut ions t o E our community. Please make your d on at ion pay able to the Binghamton Universit y M usic De part ment , an d send your check to BU M usic De part ment , P.O. Box 6 000 , B in ghamt on, N Y 1 3 90 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 443 minutes :59 seconds Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE140919</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An enchanted Italian evening, November 18, 2012 Description An account of the resource Works by Puccini, Handel, Tosti, Donizetti, Progi, Capua, Carissimi, Rossini, Bach Held at 7:00 p.m., November 18, 2012, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Cook, Maria L Adams-Toomey, Molly Celentano, Michael Geller, Emily Hyland, Charles Ryu, Hana Samluk, Matthew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/b63bb07e575f9a3bb43d8fb48efc5b3b.pdf 6e853336cf1a4a5d81668dae453621e5 PDF Text Text L} ii) £ 3 ; R R c BINGHAMTON Q U N 1 v E R S I T Y J ” 3‘1 ape HS 3 r” 3 State University of New York Depart ment of Musi c presen t An Evening of #oft Latin Jazz with the H ar pur J azz E nsem ble Micha el Car bone, direc tor and guest artists J e ﬀ Leder er, saxop hone Chris Wash burne , trom bone E ric Velez, conga Th ursday, N ovember 18, 2004 8 :00 p.m. Anderso n Center Oster hout The ater �FIRST HALF Program selected from the following: Woodchopper’s Ball ...................... Woody Herman, arr. Joe Bishop { Soul Vaccination......................Emilio Castillio and Stephen Kupka arr. Paul Lavender 1 i l ]1 l Intermission SECOND HALF with Chris Washburne, Jeﬀ Lederer and Eric Velez Program selected from the following: Caravan............................... Duke Ellington, I rving Mills, Juan Tizol Manteca... Dizzy Gillespie, Walter Gil Fuller, Luciano P. Gonzalez M a u r l c i o o . s e T R I E d e t e r ............Tito Puente verre... Tito Puente veeeeeeeenn.. Wayne Shorter, arr. Jeﬀ Lederer HARPUR JA ZZ ENSEMB LE Chick Corea, arr. Paul Jennings Caught A Touch of Your Love...........C. Bikhardt, J. Keller, J. Best Oye Como Va Speak No Evil Charles Mingus, arr. Sy Johnson Please Send Me Someone to Love............................ P ercy Mayﬁeld Spain vevreeennn...Chris Washburne Ran Kan Kan Everyday (I Have the Blues).......................................Peter Chatman Goodbye Pork Pie Hat Nuyorican Sun Saxophones Mike Casey, 1% alto David Faranda, 2™ alto Ben Wood, 1* tenor Mike Marchisotto, 2™ tenor Michael Irani, baritone sax Bass Talitha Phillips T rumpets Paul Persichette Alex Rubic Garret Clark Glen Widjeskog Chris Magee Percussion Matt Green Aaron Fumarola T rom bones Sean Kassof Reese Taylor Jamie Cepler Samuel Boyer Cara Rohrer bass trombone Clarinet Karen Zimmer Piano David Katcher Guitar Darren Klein Jamie Harris Flute Suzanne K ivel Vocalists Emily Resniek Rhonda Plunkett Carbone Angel Reynoso �About the Performe rs MICHAEL J . CARBONE, conductor, is a native of Utica, New York. He moved to the Binghamton area in 1981 and is an instrumental music teacher in the Johnson City School district where he is Director of Concert Band and Jazz Ensemble at the middle school. He joined the Binghamton University music faculty in 1997 and serves as the Director of the Jazz Studies Program and Director of the Harpur Jazz Ensemble. He holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton University. Carbone has performed with many wellknown artists including Al Marino, Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D’Imperio ’s Big Band, Bloviation, the Central New York Jazz Orchestra, and The Temptations. JEFF LEDERER, born in 1 962, is a saxophonist and composer who has been living in New York City for 15 years, pursuing activities as a performer, teacher and arranger/composer. Born in Los Angeles, he attended Oberlin College, studying comparative religion, and earned the Master of Music degree from Western Michigan University, where he studied composition with Ramon Zupko. As a saxophonist, he tours internationally and records with Matt Wilson’s jazz quartet, which again won this year’s Downbeat Poll for one of the best Acoustic Jazz Groups of the Year. He also tours with Salsa artist Jimmy Bosch. As a freelance musician, Lederer also has performed with the Mingus Big Band and Latin music legend Tito Puente. Together with vocalist Mary LaRose, he has produced four recordings for various record label, including Gunther Schuller’s GM Records. In 2003, his reimagining of Vivaldi’s Four Seasons, Los Sazonesscored for chamber orchestra and Salsa band, was premiered by the Chicago Symphony Orchestra at the Ravinia Festival. The concert was repeated in 2004 at Ravinia’s 100th anniversary celebration and performances with major American orchestras are scheduled for next season. Reviewing the premiere, The Chicago Tribune wrote, “Lederer has created a forum in which both the classical and jazz units could collaborate and exchange ideasyet without compromising or demeaning either musical language.” Lederer continues to work in areas that cross stylistic boundaries and artistic traditions. In the fall of 2004, a new work for chorus, winds and percussion by the group VocalEssence in Minneapolis will be premiered. Lederer also will launch his own new group, Shakers n’ Bakers. The group will perform his music inspired by the ecstatic musical practices of the Shaker religious sect. He is also transcribing Central African vocal music for use in school music programs. 1 l CHRIS WASHBURNE is a musician whose musical activities cross many styles and cultural borders. F rom early in his career, he refused to be pigeon holed as just a jazz or classical player, but instead has continually pursued a diverse path. Washbume is freelancing as a studio musician and performing trombone, bass trombone, tuba, didjeridu, and percussion with various classical, jazz, rock, and Latin groups in New York City. He also tours extensively with various groups and has concertized throughout the North America, Europe, Asian, Africa, South America, Central America, and the Caribbean. Washburne has performed with Tito Puen te, Eddie Palmieri, Mark Ant hony, Gloria Estefan, 1 1 Celine Dion, Celia Cruz, Muhal Richard Abrams, Ruben Blades, Roscoe Mitchell, Grady Tate, Jaki Byard, Duke Ellington Orchestra, Danilo Caymmi, Daniel Ponce, Ran Blake, Arturo Sandoval, Hilton Ruiz, Lawrence “Butch” Morris, Anthony Braxton, John Cale, Baba Olatunje, Candido, Freddie Cole, Leslie Uggams, Maria Schneider Big Band, Chico O’Farrill Dicapo Opera Company, Bang on a Can Allstars, American Microtonal Festival Chamber Orchestra, RMM Allstar Salsa Band, Regis Philbin, and the Dinosaur Annex, under the direction of Gunther Schuller. He is a regular performing member with the Boston Art Quartet, Manhattan Chamber Orchestra, SEM Ensemble, Sun Spits Cherries, Walter Thompson Big Band, Marie McAuliﬀe’s Ark Sextet, Dadadah, The Last of the International Playboys, and leader of S.Y.O.T.O.S., a Latin jazz group that features his original compositions. He can be heard on the S.Y.O.T.O.S. releases, Bobby Sanabria’s Grammy nominated Big Band record “Live and in Clave,” the BAQ’s debut CD “The Fax” and Ray Vega’s selftitled CD, all of which feature his original compositions. He also can be heard on the recordings of David Byrne, Tito Puente, Eddie Palmieri, The Barrio Boyz, Oscar D’Leon, Louie Ramirez, Manhattan Chamber Orchestra, Bang on A Can Allstars, Brian Lynch, Orlando Watusi y su cartel de la salsa, Nerissa, Raulin Rosendo, Danny Rojo, Yorman D’Leon, among many others. He received his Bachelor of Music degree in classical trombone performance from the University of Wisconsin, where he studied with William Richardson, Richard Davis, and Les Thimmeg. In 1988, he completed a Master of Music degree from the New England Conservatory in Third Stream Studies, where he studied with John Swallow, Ran Blake, and Bob Moses. He was the winner of the 1988 New England Conservatory Graduation Concerto Competition. In 1985, he spent two months living in Zambia studying the traditional music of that region. In 1993, he received a Mellon Fellowship to travel to and explore the rich musical traditions of Cuba. In 1996, he received a Sinfonia Foundation grant to assist in the research for his dissertation. In 1999, he received his Ph.D. in Ethnomusicology from Columbia University. He has commissioned and premiered more than 20 contemporary compositions for trombone. He holds a teaching position in the Jazz Department at the New School for Social Research and is an assistant professor at Columbia University. �ERIC VELEZ is a Nuyorican who was born and raised in the Bronx. He learned how to play at the age of three with the help of his brother Jose Jusino and watching the “Rumberito All Stars,” which include his brother, Bobby Allende, Tito Allende and Marc Quinones. His ﬁrst gig was performing with Groupo Fascinacion at the age of 15. During the next two years, he performed with Pete “El Conde” Rodriquez, Ismael Mirande, Cheo Felicano, Johnny Rivera. At 17, Velez played with Eddie Palmieri, which featured the singing of La India. In 1993, Velez joined the Mark Anthony band and also made his ﬁrst recording with Anthony for the music sound track “Carlito’s Way.” He played with Willie Colon for three years. In 1996, Velez joined Isidiro Infante and La Elite, where he recorded with Oscar Deleon, Jose Alberto, Isidiro Infante, Eddie Palmieri with Nuyorican Soul. He also traveled with the RMM band, which featured Celia Cruz and Tito Puente. In 1997, Velez rejoined Mark Anthony and joined DLG, with whom he traveled throughout the U.S. Europe, South and Central America, and Japan. He also worked with producer Serjio George and recorded with Charlie Cruz, Charlie Cardona, and Luis Damon with Olga Tannon. In 1999, Velez recorded with Celia Cruz on the Grammy nominated album “Mi Vida Es Cantar.” Also in 1998, Velez performed for President Bill Clinton with Mark Anthony. Since 2000, Velez has performed with Anthony on two tours and in the 2000 Grammy, Mad TV Latin Grammy, Jay Leno Show, HBO special with Mark Anthony, 2001 VHI Divas Show and Rockefeller Christmas Tree Special. Velez works with La India, Jimmy Bosch and is ﬁnishing a project with his brother. rl l . o = �Coming Eve nts F riday, November 1 9 – Charles Ives Remem bered Preview – Documentary and comments by Paul Goldstaub 8:00 p.m. – Casadesus Recital Hall – free Sunday, Nove mber 2 1 – Charles Ives Remembere d – An afternoon of song and cham ber music – 3:00 p.m. – Anderson Center Chamber Hall $15 general public; $13 faculty/staﬀ/seniors; $7 students Th ursday, December 2 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free for students Th ursday, Decem ber 2 – Studen t Performance of Elizabethan Mad rigal Dinner ~ 6:30 p.m. – Mandela Room of University Union – $16 F riday, Decemb er 3 – Flute Studio R ecital – 10:30 a.m. – Fine Arts Room 1 1 1 – free F riday, December 3 – Elizabethan Mad rigal Dinner ~ 6:30 p.m. – Mandela Room of the University Union $35 Saturd ay, December 4 Elizabethan Mad rigal Dinner – 6:30 p.m. – Mandela Room of the University Union $35 Sunday, Decem ber 5 – HoHo Holidays! University Wind Ensemble – 1:00 p.m. – Oakdale Mall – free Tuesday, Dece mber 7 Univ ersity Percussi on Ensemble – 8:00 p.m. – Anderson Center Chamber Hall – free Thursday, December 9 – Holiday MidDay Concert – 1:20 p.m. – Casadesus Recital Hall – free Th ursday, December 9 – University Symphony Orchestra – Field, Forest and Fiacre – 8:00 p.m. – Anderson Center Osterhout Concert Theater $10 general public; $ 7 faculty/staﬀ/seniors; free for students Sunday, Dece mber 1 2 Maste r ’s Recital – Am ber Alarcon, mezzo soprano – 7 :30 p.m. – Casadesus Recital Hall free i i � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 45:39 56:48 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252032&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252032&change_lng=en&select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of hot Latin jazz, November 18, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-18 Description An account of the resource Works of Herman, Chatman, Mingus, Mayfield, Corea, Bickhardt, Castillio, Ellington, Gillespie, Lederer, Washburne, Puente, Shorter. Held at 8:00 p.m., November 18, 2004, Anderson Center Osterhout Theater. Creator An entity primarily responsible for making the resource Carbone, Michael Lederer, Jeff Washburne, Chris Velez, Eric Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/2004 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:49:49 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253356&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253356&change_lng=en&select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur jazz midday program, November 18, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 11-18b Description An account of the resource Works of Lederer, Puente, Hubbard, Shorter, Coltrane. Held at 1:20 p.m., November 18, 2004, Anderson Center Osterhout Theater. Creator An entity primarily responsible for making the resource Washburne, Chris Lederer, Jeff Velez, Eric Carbone, Michael MacMillan, Molly Phillips, Talitha Chaluisant, Carlos Ludovico, Vinny Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/2004 Rights Information about rights held in and over the resource In copyright Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 0:24:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253359&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253359&change_lng=en&select_viewer=metsViewer</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz improv class, November 18, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004 11-18c Description An account of the resource Jazz improv class November 18, 2004 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/18/2004 Rights Information about rights held in and over the resource In copyright https://omeka.binghamton.edu/omeka/files/original/f85017e0e39e2a0cfeb3fb5e7e77c5b4.pdf e8aa52542cad5364d4f508e832fb0057 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K [4 w d e e D E P A R T M E N T JAZZM ID—D AY CONCE RT J e ﬀ S tock ha m – T ru m pet & French Horn & Mike Du baniewic z – Saxop hones A Bill Carter: Piano Mike Carbone: Saxophones Tony Marino: Bass Tom Whaley : Drums Th u rsd ay, N ovem be r 20, 2014 1:20 p.m. Osterhou t Concert Thea te r � OGRAM 4 . Trumpeter/homist J E F F STOCKHAM is w e l l k n o w n , “ yN e selected from the following: Grew ’s Tune. .Mulgrew Miller I Remember Cliﬀord. Rit .Benny Golson . Arr. By Mike Solazzo I ’ve Heard the News. .Bill Carter Meet Benny Bailey . . . Quincy Jones Arr. By Ray Brown The Quota. Jimmy Heath Strollin‘ . Horace Silver So What. Miles Davis music fans. A graduate of the Eastman School of Music and a W 3 4 5 ? » : renowned Eastman Jazz Ensemble, his performance credits read like a Who’s ‘ » Who of the upstate New York music scene. H e has performed with the Central , New York Jazz Orchestra, Salt C ity Jazz Collective, the Stan Colella Orchatra, the Mario DeSantis Orchestra, The Balcklites, The Destination, Little Georgie & the Shuﬀlin’ Hungarians, Larry Arlotta, the Bearcat Jass Band, the Syracuse University Brass Ensemble, Joe Salzano & the Blue Devils, Atlas, Danny D’lmperio’s Big Band Bloviation, the Syracuse Symphony. the Rochester Philharmonic Orchestra, and many other regional mainstays. He has backed up numerous national artists including Tony Bennett, Frank Sinatra Jr., Rosemary Clooney, Aretha Franklin, Josh Groban, Harry Connick Jr., Robert Goulet, Natalie Cole, Johnny Mathis, Wayne Newton, Tommy Tune, Marvin Hamlisch, Jeﬀ Muld. uer, Al Martino, Don Rickles, Jimmy Cavallo, Jerry Vale, Leslie G ore, Shari Lewis, and many others. He has been a mem ber of the orchestra for the national touring company of Les Miserables. He has toured Europe and Africa with Chicago blues guitarist Jimmy Johnson. J e ﬀ is also one of the few musicians world wide to play jazz on French horn. H e is trumpeter and French hornist in Thelonius Monk Jr.'s “Monk on Monk” big band, with which he has toured Europe, Israel, and the United States several times, and with which he has had the opportunity to perform in concert with jazz luminaries such as Ron Carter, Herbie Hancock, Bobby Watson, Wallace Roney, Don Braden, Howard Johnson, Ronnie Matthews, Danilo Perez, Gerri Allen, Diane Reeves, Nnenna Frelon, Jacky Terrasson, Helen Sung, James Knowles, Bobby Porcelli, Kevin Mahogany, Marcus Roberts, Willie Williams, John ‘ Fedchock, and Joe Henderson. He has also appeared in concert on trumpet in the ~ T.S. Monk Sextet. , He is a member of “Dreaming The Duke", a project blending jazz and classical 5J:reatments of the music of Duke Ellington. With the “Dreaming The Duke” Ensemble, he has performed with such worldclass musicians as pianist Mike “Garson, sopranos Nnenna Frelon and Harolyn Blackwell, drummer Adonis Rose, ‘saxophonist Virginia Mayhew, trombonist Andrew Hunter, and violist Ron wrence. if you enjoyed this performance, join us for the evening jazz concert ut 7:30 p.m. in Osterhout Concert Theater has also been a member of the George Grunt Cont‘crt Jazz Band, one of the preeminent jazz ensembles in Europe. The personnel included such celebrated lcinns ns Le w Soloﬂ’, Howard Johnson, Joe Magnarelli, Alex Sipiagin, Dave _ n, Scott Robinson, Gary Smulyan, Chris Hunter, Sal Giorgianni, Luciano , ini, and Tanya Darby. s\ “ YCharter mem ber of the Central New York Jazz Orchestra, he has perfo rmed ‘the las t two decades years with a host of top jazz artists including C lark Terry, ‘ , nnell, Phil Woods, Eddie Daniels, Howard Johnson, Houston Person, reus Pr in tu p, Wallace Roney, J oe Locke, Bill Dobbins, Jimmy Heath, Cla udio �Roditi, A l Vizzutt i, Dan Miller, Byron Stripling, Michael Phillip Mossma n, Bob Berg, Antonio Hart, Bob Mintzer, Gary Smulyan, Rufus R eid, Michael Davis, Slide Hampton, Kevin Mahogany. Diane Schuur, and many others. Hailing from Syracuse, NY, M I K E DUBAN IEWICZ graduated from Th e Universi ty of No rth Texas with a Bachelor of Music Educa tion degree. Following that, he moved to New York C ity to attend the Manhattan School of Music and pursue a freelance music ca reer. Wh ile at the Manh attan Sc hool he played lead alto in the Jazz Orchestra perfor ming wi th such jazz lege nds as J on Hend rix, Sir Roland Hanna, Michael Brecker, Joe Lovano, and Frank Foster. M ike received a Master o f Music in Jazz and Comme rcial Music from MSM in 1997 . Furthermore, in 2009 he was a warded the Doctor of Musica l Arts d egree fro m the Eastman School o f Music. From 19982003, Mike toured the world with Maynard Ferguson ’s Big Bop Nouveau Band serving as a featured soloist and music direc tor (200203). I n the summer of 2006 he was asked back by M r. Ferguson to join him on a tou r that culmina ted at the famed Blue Note jazz club in NYC. Shortly thereafter Mike joined Maynard i n studio and recorded what would be the trumpet legend’s ﬁnal studio recording, The One and Only Maynard Ferguson. .' “e ‘ g i n over 20 countries including Thailand, Germany, l. f ,» , , Australia, Russia and Sweden. In addition, he has shared the ‘ Franklin, Phil Woods, Frankie Valli, The Vanguard Jazz , w l i. f") 1.515115 ' Reid, a nd The Temptat ions. He has also . . 5 m!» . wit] Phil ‘Ra mone, Michael Feinstein, Bobby Shew, Wayne Be rgeron ‘ and Dianne Sch uur. Trumpet legend Maynard Ferguson described Mike as a “creative and engaging jazz soloist, whose playing is ﬁrst rate". No ted author, and J azz Times contributing columnist Ira G itler calls Mike’s saxophone play ing “exploratory". Furthermore, Scott Yannow ; author of ten jazz books describes him as “A swinging alto saxophonist with a beaut iful tone”. His saxophone teachers have included Jerry Santy, Dick Oatts, Ramon Ricker, Walt Weiskopf. Ralph Lalama, and Steve Slagle. Mike’s arrangements and compositions have been performed by Maynard Ferguson, jazz pianist Billy Childs and “Th e Eastman School of Music Jazz Ensemble. His product endorsements include : Cannonball Saxophones, AMT Microphones and Bari Mouthpieces. In 2009 Mike released his ﬁrst C D as a leader entitled Drive Time (Jazzed Media). I n March 09, the C D entered the national charts by breaking in to the top 40 on JazzWeek.com. You can visit Mike on the web at: www.mdsax.net. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz mid-day concert, November 20, 2014 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Gillespie, Gershwin, Gershwin, Raye, DePaul, Taylor, Castillo, Kupka, McClain, Shrew, Beach, Shutack, Weber, Wonder, Green. Held at 1:20 p.m., November 20, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Stockham, Jeff Carter, Bill Carbone, Mike Marino, Tony Whaley, Tom Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Gillespie, Dizzy, 1917-1993 Gershwin, George, 1898-1937 Gershwin, Ira, 1896-1983 Raye, Don DePaul, Gene Taylor, Mark Castillo, Emilio Kupka, Stephen McClain, Marlon Shrew, Bobby Beach, Doug Shutack, George Weber, Andy Wonder, Stevie Green, Susaye Date A point or period of time associated with an event in the lifecycle of the resource 11/20/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Format The file format, physical medium, or dimensions of the resource audio/wav https://omeka.binghamton.edu/omeka/files/original/63688cf8ea7ce476a836061ee8f68d87.pdf 4172cad55f1f87b567a63ef14c3ce265 PDF Text Text BI NGHAMTON U N I V E R S I T Y S T A T E U N I V E R S I T Y O F N E W Y O R K W [4 0 D E P A R T M E N T HARPUR JAZZ ENSEMBLE DIRECTED BY MIKE CARBONE F EA TU RI NG J eﬀ Stock ha m, t r u m pe t « french hor n M ike D ubaniewicz, saxo phone A Thursday, November 20, 2014 7:30 p.m. Osrcrhout Concert Theater �2c) P ROG RAM (93 FIRST HALF G roovin ’ High..... . Embraceable Y o u . . . . . . o i o c . George Gershwin and. ‘ G Arrangedey’ ' i Love Chan t. . t eeseria ns ,,. G e e s e s t e e s r r e n a s You Don’t Know What Love Is. A Waltz for Patrice o o u u n u m n o u ‘ RRs Souled Out....Emilio Cast illo SECOND HALE? Blue... j oooootoaoooir‘ﬂ Castine................. o . . . o o o o o . o o . . n o o u o v u “ 1 ’ Cruisin’ For a Bluesin'. Got R h y asee ns t t er e s e s e n n s t h .3 lCan ’t Help It ......ooueeureencssensuscassassn SLEIGH Like Someone in L o v e .. . ..Emilio Castillo, and Marlon McClain Arranged by M i k e B e Night Train .. . .Stevie Wonder & Sus Arranged by M i ke There’s Only So Much Oil In the G rou nd” ..Stephen Kupk Emillo Castillo Arranged by Mike T‘ �i“ BOUT THE PE RFO RME RS &A TOCK HAM is wellknown to Upstate New York music tsni‘ t J E F F S of the E astman School of Music and a veteran of the renowned zz En: ble,’his performance credits read like a Who’s Who of the fuse 1sic scene. He has perfo rmed with the Central New York Jazz Collective, the Stan Colella Orchestra, the Ma rio DeSantis alcklites, “The Destina tion, Little Georgie & the Shuﬀlin ’ arcat Jass Band, the Syracuse U niversity Brass a s a, ‘ the Be I D the Blue Devils, Atlas, Danny D’lm perio’s Big Band [M i n it he Rochester Philharmonic Orchestra, and ' i ﬁ é ' h a s backed up numerous national artists kw mantra Jr., Rosemary Clooney, Aretha Franklin, r., Robe rt Goulet, Natalie Cole, Johnny Mathis, isch, Jeﬀ Muldauer, Al Martino, Don mg i ”SimplLewis, and many others. He l touring company of Les nationa ¥ , ‘ reago blues guita rist Jim my yalp MPijafzz on French horn. He is on Monk” big band, n p . “Monk 5C! ted States several times, and ‘1 p: » in concert with jazz lum inaries ,no ‘ Wallace Roney, Don Braden, Allen, Diane Reeves, ed e Bobby Porcelli, b a ,s i l S e x t e t. : c . bake” pianist Mike immer «Morris Rose, d / violist Ron M i ' Jazz Ba nd, one of the el included such celebrated 3 2,‘ Joe Magnarelli, Alex Sipiagin, Dave an, Chr is Hunter, Sal G iorgiann i, Luciano 3 ehT , 4 , , NeW’Y’ork Jazz Orchestra, he has performed with a h ost of top jazz artists i ncluding Clark Terry. a , Eddie Daniels, Howa rd Johnson, Houston Person, R‘0ney,‘JOe Locke, Bill Dobbins, Jimmy Heath, Claud io �Roditi, Al Vizzutti, Dan Miller, Byron Str i pling, Michael P h ﬂ lh ; Berg, Anton io Hart, Bob Mintzer, G ary Smulyan, Rufus Reid , Mi . Hampton, K evin Mahogany, Diane Schuur, and many others, 3 1 1 Hailing from Syracuse, NY, MIKE DUBANIE WICZ graduated U niversity of North Texas with a Ba chelor of M usic Educat ion degree that, he moved to New York City to attend the Manhatta n School of pursue a freelance music career. While at the Manhattan Sc hool he pla in the Jazz Orchestra performing wit h such jazz legends as Jo n Hendrix, : Hanna, Michael Brecker, Joe Lovano, and Fran k Foster. M ike r e ce i ve d y Music in Ja zz and Com mercial Music from MSM in 1997. Furthermo he was awa rded the Doctor of M usical Arts degree from the Eastma n Music. From 19982003, Mike toured the world with Maynard Ferguson’sa Nouveau Band serving as a featured soloist a nd music d irector (200203 5“ summer of 2006 he was asked back by Mr. Ferguson to join him on a i e :. culminated at the famed Blue Note jazz club in NYC. Shortly thereafter Mik 132,, Maynard in studio and recorded what would be the trumpet legend’s ﬁnal recording, The One and Only Maynard Ferguson. . h’ Mike has performed in over 20 countries including Thailand, Germ Azerbaijan, Israel, Australia, Russia and Sweden. In add ition, he has sh stage with Aretha Franklin, Phil Woods, Frankie Valli, The Vangu. Orchestra, Slide Hampton, Rufus Reid, and The Temptations. He .E; recorded wi th Phil Ramone, Michael Feinstein, Bobby Shew, Wayne Bergeron Dianne Schuur. , Trumpet legend Mayna rd Ferguson described M ike as a “creative and e 3.5 .i soloist, whose playing is ﬁrst rate”. Noted author, and Jazz Times contrib columnist Ira Gitler calls Mike’s saxophone playing “exploratory". Furthem Scott Yannow; author of ten jazz books describes him as “A swinging saxophonist with a beautiful tone". ‘ . His saxophone teachers have included Jerry Santy, Dick Oatts, Ramon R icker, “ Weiskopf, Ralph Lalama, and Steve Slagle. “ Mike’s arrangements and compositions have been performed by Mayn: Ferguson, jazz pianist Billy Childs and The Eastman School ofMusic Jazz Ense His product endorsements include: Cannonball Saxophones, AMT M icrophon and Bari Mouthpieces. g i In 2009 Mike released his ﬁrst C D as a leader entitled Drive Time (Jazzed In March 09, the C D entered the national charts by breaking into the top Jazz Week.com. ' You can vis it Mike on the web at: www.mdsax.net. �ABOUT THE DIRECTOR 4» Ensemble director, MICHA EL J . CARBONE, is a native of U tica, " l ' . to the Bingha mton area in 1 981 and is an instrumental music ei j6hnson City School district where he currently is Coordinator of ' of Concert Band, and Jazz Ensemble at the high school. He joined on U niversity music faculty in 1997 and serves as the Directo r of the ogram and the Director of the Harpur J azz Ensemble. He holds a : the Crane Sc hool of Music and a M.M. from Bingham ton University. performed as a side man with many wellknown artists including Al ie Cole, Tom my Tune, Mel Torme, The Jimmy Dorsey Orchestra, ' v, 10’s Big Band Bloviation, the Central New York Jazz Orchestra, and us. Mike currently is the saxophonist with the local and popular jazz ? 1 Ahead. THE HA RPU R JAZZ ENSEMBLE 4» OPHONES .hanie Verhage al Sauer m ick Follett ‘ ‘ ' Angyal GUITAR Juntoku Shim izu PIANO Mo “Reese” Taylor nr Vanderaa nielle Stoner ‘. Ft I‘E’IS 7b “ ‘ Barber es (Cole , ' uel Davis na/ Ginsburg i Alice” Xue . on Young ‘M’BONES ' . Jones Marquardt ‘ " kci McG ra th cob Solon BASS Lucas Hennessey Jeremy Raphael DRUM SET Sam Wolﬀ Andy Castillo VIBRAPHONE & PERCUSSION Alexander Strong VOCALIST Inez Nelson �VIS IONS2 0142015 SEASON _ a n ne u m r on, r JoséLuisNovo Q ; “(8mm MI ME 6077233931 www.binghamtonphilharmonic.org ‘ g e ;ﬁl m’sf: “ . . l f —A n n . . ~ A s E A S 0 N o f REVENGE... REVELRY... ; .JKEDEMFTION! W‘ﬂﬁ ALGR IS n u ; witt ipertities Fobtaary 6 &8, 2015 TRI(‘II [lib ‘” = 4 Ti–Cit PERA f A " "» ' ’ . ' u A’B/uuﬁror/y 11 n ; u mn suncil of ~ A ‘ m l ’ l h ‘ 1d the N e w v o w L. 5 W ‘ W ’ I v : Cul tu ra l F u ra . i ; nu! h by the New York tr of < Ann m (’"" "'”‘""“"”‘ es O pe r a m . 5 1 . 1 7 ” ! m the U ( a d Bun u n ty Arts C “ m . “ T h e F o r u m T h e a t r e 2 3 6 W ash ing ton St. ' B inghamton, N Y For tickets call 6 077720400 or » 2 Rak purchase online a t tricitiesopera.com. �1 i ngham t on Com munity Orchestra — 2 1.9 1 '–' l C.) fe Preﬁx/(ﬂy Quality Or chestral afar/077005 f ” ﬁ ,_. i & 20742075 Season The Migh ty H and ful” l aturdaY November 22. 2014 , . _ . l G) 7 H “ H ow Su ite It Is!” !1 V Saturday. February 28. 20 15, . –l¢ Cl.) ._‘£ O Q o — “ Romantic Sp ring” = Saturday, M ay 9, 2015 Q =) Welcoming back to the podium as conductor O >» Dr. Timothy Per ry [as] — . –' Concerts start at 7 pm East Middle School ) Bﬁxhunm,” } 0 ' . Community 167 East Frederick Street Binghamton, N Y 13904 I O rrhesl m i n g h a m t o n C o m m u n i t y O r c h e s t r a . o r g f o r m o r e i n fo r m a t i o n! . www.B i a > Fa lstaﬀ T he B i n g h a m t e n “ i v o r y / [ y * T fI/[lm irr . I ’ l ﬂ l r t m u n l I ) r t ’ 4 { ' ) l [ . . f Act 1 of Verdi’s comic opera “Falstaﬀ” based on Shakespeare’s ”The Merry Wives of Windsor” and a scene from Douglas Moore‘s ‘The Ballad of Baby Doe’ Sunday, De cember 7 at 1 p.m. and 4 pm , in the Anderson Chamber Hall For tickets, call (607) 777ARTS or visit anderson blnghamton edu �B i n g h a m t o n Un i ver si ty M usic D e p a r t m e n t ’ s Co m i ng E ven ts e ﬁ é ﬂ a é b é é ﬂ ﬂ é ﬁ ﬂ é b é i b ﬂ ﬁ b é b ﬁ é ﬂ Sunday, No vember 2 3 – Uniwrsi ty Wind Sym ph ony: I n M emory and I n Tribute – A n Homage i n Music – 3 :00 p.m. – Anderson Center Chamber Hall $7 general public; $5 facul ty/ staﬀ/ seniors/ alumni; free for students 7 – Percussion Ensemble Concert – 7:30 p.m. – Osterhout Tuesday, Dc vnbcr 2 Concert Theater $ 7 general public; $5 fuculIy/Slujj/xcniors/ulumni; free for students Thursday, D c m b e r 4 – Mid1);u’ C on c er t 1:20 p.m. Fine Arts Building, Room 2 1 – free Friday, D e c e m ber 5 Flute Studio and Flun.~ Chamber Concert 10:45 (1.771. Casadesus Recital Hall free Friday, December 5 Holiday Oman Concert featuring Jonathan Burgers 7:30 p.m. – United Presby terian Church, 42 Cheango Street, Binghamt on $5 genera l public; free for students Saturday, December 6 – University Symphony Orchestra: From the New World 3:00 p.m. – Osterhout Concert Theater $7 general public; $5 faculty/staﬀ/seniors/alumni; free for students Saturday, D ecember6 Italian Dielion Class Recital 7:30 p.m. Casadesus Recital Hall free Sunday, December 7 – First Act o f Verdi’s ”I"'a lstaﬂ”– 1 p m & 4 p.m. – Anderson Center Chamber Hal l – $ 1 0 general public; $ 7 faculty/staﬀ/seniors/alum ni; $ 5 for students Tuesday, December 9 – Piano Ensemble Concert – 7:30 p.m. Casadesus Recital Hall free H’cdnaﬁlay. December 1 0 – Nukporfe African Drumming and Dance Ensemble – 7:30 p.m. W’uucrs Thea ter 5 5 general admission at the door Thursday, December 1 1 Ho liday Mid–Day Concert 1 : 2 0 p.m. Casadesus Recital Hall free Thursday, December 1 1 H arpur Chora le and l l bmcn '.~' Chorus Ho liday Concert 7 : 3 0 p.m. – Trinity Mum unul Church, Binghamton – u free donation will be collected m t he door h ar bon é ib n ﬁ i é o a é é ﬂ ﬁ é u é ib n é f a ﬂ é é n é é n é é n é é ﬂ ﬁ w é ' — E a p l = [ w m ] For tickets or to be added to our email lbl, visit anderson .bi nghamt on .edu or (till ( 607 ) 777ARTS. For a mmplclc lni of o u r concerts (till ( 607 ) 7772592, r im music.binghamt on.edu or beco me a fan on Facebook. 1}. you were inspired by this performa nce, rou nder supporting the Department of Music with l l ﬁnancial gift. Your supporl helps to continue the work of students, faculty, uml guest artists rind (heir contributions to our community. Please make your donation payable m the Bmgluimlon University Music Department, mid send your check to B u M usic Department, l’,( ). Box 6000, Binghamton, N Y 1 390 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF Choose this for any item where the file type is PDF. This template and others do not support mixed file types (PDF and image attached to same item). If you have mixed file types, you can either create another Omeka item or contact Digital Initiatives for assistance converting from pdf to image or vice versa. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 57m 11s Streaming Audio Streaming URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE75076 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Jazz Ensemble featuring Jeff Stockham and Mike Dubaniewicz Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works by Gillespie, Gershwin, Gershwin, Raye, DePaul, Taylor, Castillo, Kuupka, McClain, Shrew, Beach, Shutack, Weber, Wonder, Green. Held at 7:30 p.m., November 20, 2014, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource Harpur Jazz Ensemble Stockham, Jeff Carbone, Michael Dubaniewicz, Mike Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Gillespie, Dizzy, 1917-1993 Gershwin, George, 1898-1937 Gershwin, Ira, 1896-1983 Raye, Don DePaul, Gene Taylor, Mark Castillo, Emilio Kupka, Stephen McClain, Marlon Shrew, Bobby Beach, Doug Shutack, George Weber, Andy Wonder, Stevie Green, Susaye Date A point or period of time associated with an event in the lifecycle of the resource 11/20/14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/1eb3a0ccd18fb17b2bed5120d93a6b3e.pdf 40b6a5f3bf940f9a5afa19ba52f3fdd2 PDF Text Text U n i v hfe © APD 2004 Y Z JrELC BINGHAMTON EEN E V E R S 4 0 State University of New York D e pa rtm e n t of M usi c I . Charles Ives Remem bered A n Af ternoon of Song and Chamber Music Timothy LeFebvre, baritone Michael Salmirs, piano Margaret Reitz, piano Timothy Perry, clarinet a n d conductor Patricia Sunwoo, violin Ste phen Stalker, cello Ben Aldridge, trumpet and The Rod Serling Dance Compan y at Binghamton High School Karen Koyanagi, director with commentary by Paul Goldstaub, composer Sunday, November 21, 2004 3:00 p.m. Anderson Center Chamber Hall i �Program The Alcotts from Sonata #2, “Concord, Massachusetts, 184060” , (composed 19021919) Michael Salmirs, piano In The Alley (text by Ives, composed 1896) Memories (text by Ives, composed 1897) The Greatest Man (text by Anne Collins, composed 1921) The Housatonic a t Stockbridge (text by Robert Underwood Johnson, composed 1908) They Are There! (text by Ives, composed 1917) Timothy LeFebvre, baritione Margaret Reitz, piano In The Barn from Sonata #2 for Violin and Piano (composed 1908) Timothy Perry, clarinet Margaret Reitz, piano Intermission–– from The AllEnduring Timothy LeFebvre, baritone Margaret Reitz, piano �Trio (composed 190407, revised 191415) Movement III: moderato con moto Patricia Sunwoo, violin Stephen Stalker, cello Michael Salmirs, piano Four Songs for Brass Qu intet (arranged by Kenneth Singleton) On The Counter (text by Ives, composed 1920) The Slide Show (text by Pat Rooney, Sr., composed 1886) Slow March (text by L. Brewster, with additions by Ives family members) Tarrant Moss (text by Rudyard Kipling, composed 190203) 1 1i Timothy LeFebvre, baritone Margaret Reitz, piano Erinn Hibbard, Stephen Boel, trumpets Patrick Lokken, horn David Henann, trombone Daniel Gallagher, tuba The Unanswered Question (composed 1908) Binghamton University Orchestra Timothy Perry, conductor Stephen Boel, assistant con ductor Ben Aldridge, trumpet Rod Serling Dancers at Binghamton High School Cornelia Horne, Lisa Bettencourt, Karen Koyanagi Choreography by Karen Koyanagi Visit our Charles Ives Website, designed by graduate stud ent Christian Ritter, at. bingweb.binghamton.edu/~musinova/ �About the Performers Baritone TIMOTHY LEFEB VRE recently made his debut with Syracuse Opera singing the role of Germont in La Traviata to rave reviews. LeFebvre’s other operatic experience includes leading roles with San Francisco Opera, TriCities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Indianapolis Opera, and Opera Theater of Pittsburgh. Also a frequent concert singer, he recently sang performances of the Beethoven 9th Symphony with Chattanooga Symphony and Opera, Magniﬁcat and the Easter Oratorio with the Rochester Bach Festival, the Brahms Requiem with the Susquehanna Valley Choral Society and The Bells by Rachmaninoﬀ with the Binghamton Philharmonic. LeFebvre has also appeared in concert with the Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Berkshire Choral Festival, Williamsport Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with the prestigious Marlboro Music Festival. He has appeared in concert at New York ’s Carnegie Hall and Alice Tully Hall. LeFebvre is a winner of the N ew York Liederkranz Vocal Competition, and other awards include the Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre is a graduate of Carnegie Mellon University and Binghamton University and is currently an adjunct lecturer in voice at Binghamton University and is also on the faculty of the Berkshire Choral Festival. Future engagements include a solo recital at Binghamton University in February, Beethoven 9th Symphony with Syracuse Symphony in April, Sharpless in Madama Butterﬂy with Syracuse Opera in lateApril, and the Count in Le Nozze di Figaro with Waco Opera in May. Pianist MICHAEL SALMIRS, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber musician performing extensively throughout the region. He has appeared as soloist with the Corning Philharmonic, Binghamton University Orchestra, Cayuga Chamber Orchestra, and has been a featured pianist on their Sunday chamber series. As a performer of contemporary music, he has participated in such series as Binghamton University’s Musica Nova, Cornell University ’s Ensemble X, and has toured and recorded for the Syracuse Society for New Music. Salmirs studied at the New England Conservatory and Eastman School of Music; his teachers have included pianists Leonard Sh ure and Rebecca Penneys and composer Karel Husa. Salmirs has taught at the Syracuse University School of Music and Hobart and William Smith Colleges. He is a faculty member at Binghamton University and Aﬀiliate Artist at Cornell University. He maintains a private piano studio in Ithaca and enjoys teaching students o f all ages and levels. 1 l " r �] 1 MARGARET A. REITZ, pianist, is a native of the Binghamton area. She received her Bachelor and Master of Music degrees in piano performance with accompanying emphasis. She attended Boston University, New England Conservatory and Binghamton University. She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria. She and Binghamton University faculty member Timothy Perry were winners of the 1997 Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. They bot h were invited to present a recital at the International Clarinet Conference in Paris summer 1996 and were invited back to perform in Belgium in 1999. She recently was a guest soloist with the Binghamton Community Orchestra performing “Africa” by C. SaintSaens. She was an oﬀicial accompanist for the MTNA State and Eastern Division Competition held at Ithaca College in 2001. This past summer (2003) she was a guest chamber music artist in Morges, Switzerland. She has been on the faculty at Binghamton University since 1991 and Ithaca College School of Music since 1999. She maintains a private piano studio in Vestal, New York. She is on the Executive Board of the New York District MTNA organization. She is past President of the local Southern Tier Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. TIMOTHY PERRY is a Professor of Music at Binghamton University, where since 1986 he has served as Director of the University Orchestra, Conductor of the University Wind Ensemble, and Professor of Studio Clarinet and Conducting. He recently stepped down after his tenth season as Music Director of the Binghamton Community Orchestra. Perry holds degrees from the Manhattan and Yale Schools of Music, where he earned numerous honors as a doublemajor student of Otto Werner Mueller, John Mauceri, Arthur Weisbergand, Szymon Goldberg (in conducting) and Leon Russianoﬀ and Keith Wilson (in clarinet). Perry is widely known as a virtuoso solo and chamber music clarinetist with pianist Margaret Reitz, twice appearing as a featured artist at the International Clarinet Conferences ll in Belgium and France, and touring Latin America and the Caribbean for the Department of State as a United States Musical Ambassador. He appeared as solo clarinetist at festivals in Thy, Denmark (1998) and Vinalhaven, Maine (1999) and with the Binghamton Philharmonic in 2001. He has recorded the complete 18 Etudes de Perfectionnemen t of Paul Jeanjean and prem iered his reconstruction of The Hour of Hosts by the Romantic Munich virtuoso Karl Baermann in 2003. �Canadianborn violinist PATRICIA SUNWOO made her New York orchestral debut in 1995, performing Alban Berg’s Violin Concerto at Alice Tully Hall, and has since been active as a recitalist and chamber musician throughout the United States. She has won prizes from the Canadian Music Competitions, Montreal Symphony Orchestra Competition, and CIBC Festival of Music. As a member of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg Award, she performed to critical acclaim across the United States, France and South America, recorded works of Artur Schnabel and Michael Whalen for labels CP2 and Arabesque Recordings, and was aired by NPR and Japan’s NHK. Recent engagements include appearances at the Carnegie Hall’s Weill Recital Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount School and L’Espace Pierre Cardin in Paris. She has worked with composers John Corigliano, Joan Tower and George Crumb, and given premieres with the Whitman Quartet, Metamorphosen Chamber Orchestra and new music ensembles. Sunwoo is also an active advocate of music education, and has been a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles and Carnegie Hall. In 2001, she joined the faculty at Binghamton University. Her major teachers include John Loban in Vancouver, the Juilliard String Quartet, and Sally Thomas at the Juilliard School, where she received her doctorate. v¥ 1 STEPHEN STALKER, cello, has performed in chamber groups throughout the United States and Europe. As a member of the Madison Quartet, he performed in the U.S., France, Germany and Switzerland, recorded for the Orion and Musical Heritage Society labels, was a ﬁnalist in the Evian International String Quartet Competition and the Naumburg Chamber Music Competition, and was an Artistin Residence at Colgate University. Since 1980, he has played in the Catskill Chamber Players, performing and premiering many compositions by prominent American composers, including the world premiere of the late string quartets of Henry Bryant, “Four Score,” at the Weill Recital Hall in New York City. He has performed the complete Beethoven Trio cycle with colleagues at Binghamton University. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau and toured Greece with the Schenectady Philharmonic. He teaches cello and double bass at Binghamton University. BEN ALDRIDGE holds both Bachelor’s and Master’s degrees from Yale University, and began teaching trumpet at Binghamton University in 1976. Aldridge has directed both trumpet and mixed brass ensembles throughout his tenure at BU, has performed both solo and chamber repertoire, and has taught theory as well. Aldridge is a member of the Binghamton Philharmonic and the Utica and Catskill Symphonies, as well as the Glimmerglass Opera Orchestra. He also performs with and arranges for the Catskill Brass Quintet. Aldridge is a charter member of the International Trumpet Guild, and has been recorded on Columbia and Redwood records. [4 ‘ �PAUL GOLDSTAUB is associate professor of music theory and composition at Binghamton University. His works have been performed by the Guthrie Theater, the Minnesota Opera and the Cincinnati Opera; at Lincoln Center and Carnegie Hall; and in Canada, Great Britain, Japan, Germany and Italy. His comic opera, The Marriage Proposal, based on Chekhov, was produced oﬀoﬀBroadway. Binghamton University faculty, including Bruce Borton, the late Janet Brady, Mary Burgess, Mike Carbone, Dan Fabricius, Al Hamme, April Lucas, Ewa MackiewiczWolfe, Georgetta Maiolo, ChaiKyou Mallinson, Timothy Perry, Margaret Reitz, Stephen Stalker and Brian Sternberg, have given many of his works their local or world premieres. A national ﬁnalist in the St. Paul Chamber Orchestra’s American Composer Competition, he has been awarded grants by the National Endowment for the Arts, the National Endowment for the Humanities, Meet the Composer and the Minnesota State Arts Board. He is also an annual ASCAP award recipient. A compact disc of instrumental compositions was released in 1998. He is a frequent guest lecturer at the Chautauqua Institution, and has presented papers and conducted workshops at the Oberlin Conservatory, Syracuse University, St. Olaf College, the Crane School of Music at SUNY Potsdam, and national and regional meetings of the College Music Society and the National Association of Schools of Music. KAREN KOYANAGI was trained in Canada. Koyanagi has a BFA (Honors) in Dance from York University (Toronto) and a BSC in Marine Biology from the University of British Columbia. Before moving to Binghamton, she danced in Toronto, Vancouver and San Francisco. While primarily working in modern dance, she has choreographed musicals, been involved in music and performance videos and collaborated with innovative high tech performance artists. She has taught for organizations such as Binghamton University, Whitney Center for Dance, 171 Cedar Arts, Inc., the Southern Tier Institute, and the Imagination Celebration. Koyanagi is a frequent performer with the American Dance Asylum and a member of the B.F. Harridans Women’s Morris. Presently, Koyanagi is Task Force Chair working with the New York State Department of Education to develop a statewide Regents exam for dance. She teaches at the Rod Serling School of Fine Arts at Binghamton City Schools, New York and is artistic director of the Rod Serling Dance Company. Special thanks to Timothy Rolls, Audio Production , Steve Machlin, Technical Director, Anderson Center, and Dan Sonnen, Assistant Technical Director, Anderson Center �[las University Orchestra Violin Akira Maezawa Micah BannerBaine Corinne Paull Tamara Potapova Jennifer Paull Emily Peterson Jungsun Oh James Leddy Tiﬀany Chang Karen A. Krause Richard Goldman Mark Liu Christina Wan Samuel Wang Sarah Baird Viola _ Melissa Mattern Leah Robinowitz Kerry Conway Christopher Fiore Janet Ievins Cello Alex Wiesendanger Nicholas Capone Emily Creo YiEun Park Heajung Kim Katy Walker Bass Andrew Eiche Chris Zavala Flute Megan Pulver Joanna Hunt Caitlynn MacMullin Erin Lahm * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Coming Events Thursday, December 2 – MidDay Concert with faculty and student performers – 1 :20 p.m. – Casadesus Recital Hall – free for students Thursday, December 2 – Student Performance of Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of University Union – $16 Friday, December 3 – Flute Studio Recital 10:30 a.m. – Fine Arts Room 1 1 l – free Friday, December 3 – Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of the University Union $35 Saturday, December 4 Elizabethan Madrigal Dinner – 6:30 p.m. – Mandela Room of the University Union $35 1 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:32 46:17 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253362&change_lng=en&select_viewer=metsViewer</a> PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charles Ives remembered: an afternoon of song and chamber music, November 21, 2004 Alternative Title An alternative name for the resource. The distinction between titles and alternative titles is application-specific. Recital Tape 2004-11-21 Description An account of the resource Works of Ives. Held at 3:00 p.m., November 21, 2004, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource LeFebvre, TImothy Salmirs, Michael Reitz, Margaret Perry, Timothy Sunwoo, Patricia Stalker, Stephen Aldridge, Benjamin Goldstaub, Paul Koyanagi, Karen Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 11/21/2004 Rights Information about rights held in and over the resource In copyright