50
10
1775
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
32:39:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63283"> New York Woodwind Quintet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New York Woodwind Quintet Recital
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Danzi, Gounod, and Beethoven. Held at 8:30 pm, July 31, 1970, Social Room, Student Center.
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-7-31
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Danzi, Franz, 1763-1826
Gounod, Charles, 1818-1893
Beethoven, Ludwig van, 1770-1827
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607146
39091019607351
39091019607195
-
https://omeka.binghamton.edu/omeka/files/original/4b22ad6b86d7550ba531176ecbab3c6a.pdf
1069fa1f176f0981fb1ad00383a51040
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE LENOX STRING QUARTET
in residence
Peter Marsh, violin
Delmar Pettys, violin, viola
Paul Hersh, viola, piano
Donald McCall, cello
8:15 p. m .
Sunda y, September 20, 1970
Don A. Wa tters Thea ter
P R OG R A M
Joseph Ha ydn
Qua r te t in C Ma jor , Opus 20, No. 2
Moderato
Adagio
Menuetto (Allegretto)
F uga a Soggetti (Allegro)
Maurice Ravel
Quartet i n F
Al legro Mode ra to (T r és doux)
Assez vi f (T r és r ythm é)
Tres Lent
V i f e t agi té
Intermission
Robe r t Schumann
Piano Qua r te t i n E F la t Ma jor , Opus 47
Sostenuto a ssa i (Allegro ma non t roppo)
Scherzo (Molto vivace)
Andante canta bile
Finale (viva ce)
F U T U R E E V E N T S
P E T E R MARSH, VIOLIN
Lecture Recital
THURSDAY, S E P T E M B E R 24, 8 :15 p. m .
Music Recital Ha ll
P E T E R MARSH, VIOLIN
FRIDAY, S E P T E M B E R 2 5, 8 :15 p. m .
Music Recital Hall
Recital
SUNDAY, S E P T E M B E R 27, 8:15 p.m.
N E W YORK WOODWIND Q UINTET
SUNDAY, OCTOBER 4, 8:15 p.m.
PAUL HERSH, PIANO
Fall Chamber Music Series
Don A. Watters Theater
F a ll C ha m be r M usic Se r i es
Don A. Wa tte rs Thea te r
(over)
�On Oc tobe r 15, 16, 17 a nd Oc tobe r 2 2, 23, 24 the Lenox St r in g Qua r te t wi l l p resent a se r i es
of concerts on which they will pe rfor m the enti re set of string qua r te ts by Ludwig von Beethoven.
The conc e r ts wi l l be held i n the M usi c Rec i ta l Ha l l a t 8 :15 p. m . on ea c h of the a bove dates.
Ti c kets wi l l be o n sa le o n da tes to be a nnounced sho r tl y . The ti c kets will be sold as a sub
sc r i p tion se r i es , a t the sa m e p r i ce pe r conc e r t a s the C ha m be r M usi c Ser ies . Individua l
ti c kets wi l l be sold the n igh t of the conc e r t i f a n y a r e a va ila ble. Wa tc h the loca l newspa pers
and the pi pe d ream for fu r the r infor ma tion .
There will be a reception i n honor of tonigh t ’s pe rfor m e rs, im m edia tel y after the concert,
i n the cou r t ya rd next to the ba lcon y . In case of poor wea the r , the reception will be i n the G reen
R oom .
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:10:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63288
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63288">Lenox String Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Lenox String Quartet, September 20, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Haydn, Ravel, and Schumann. Held at 8:15 pm, September 20, 1970, Don A. Watters Theater
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-9-20
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Ravel, Maurice, 1875-1937
Schumann, Robert, 1810-1856
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607401
39091019607245
39091019607138
-
https://omeka.binghamton.edu/omeka/files/original/39e68783648cd1f86888f638160399c7.pdf
6219e335fa1062a9c05a0c68ae1eec9e
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
THE NEW YORK WOODWIND QUINTET
Thomas Nyfenger , flute
David Glazer, clarinet
Ronald Roseman, oboe
Arthur Weisberg, bassoon
Ralph Froelich, French horn
Septem ber 27, 1970
8 : 1 5 p. m .
Don A . Watters Theate r
PROGRAM
Quintet i n B F lat, Opus 56 , No. 1
A llegretto
F ranz Danzi
Andante con moto
Minuetto (Allegr etto)
Allegro
Quintet
Lento
Moderato
Agi ta to
Gunther Sc huller
Inte rmission
Allegro and A r ioso
Ingolf Da hl
Quintet, Opus 43
Allegro ben mod era to
Menuet
Praeludium : Tema con varia zioni
Carl Nielsen
A reception honoring tonight ’s perfor mers will be held af ter the per
f or mance i n the G reen Room . The a udience is cordia lly invited.
(over)
�PROGRAM NO TES
On August 7th of this yea r , while he was on sabba tical in Switzerland, Ingolf Dahl died. Equally
accomplished as a com poser , per for mer , teacher and schola r , Mr. Dahl , a facul ty mem ber at the
University of Southern California , was one of the m ost respec ted m usicians in America . Born in
Ger many in 1912, he was educa ted in Zurich, where he later wor ked as conductor of the Zurich
Opera. In 1938 he came to the United Sta tes, settled on the West Coast, and beca me active in all
phases of m usical life there. Besides teaching M r . Dahl served as conduc tor and ar ranger in
Hollywood fil m studios, perfor med as pianist, composed a good deal of m usic , and served as one
of the prime notivating forces of musical life in the Los Angeles area.
His m usic is prima rily of the c ha m ber va riety, the Al legro and A r ioso being one of his finest
pieces. Written in 1942 for Adolph Weiss, this piece has been familiar to the New York Wood
wind Quintet for many years. It is with a deep sense of loss for a great musician that the mem
bers of the Quintet have asked tha t this concert be dedicated to the memory of Ingolf Dahl .
Franz Danzi (17631826) was a “ third generation ” Mannheim musician, who, although he out
lived the fa mous Mannheim orchestra , was inevitably influenced by the musical style and
philosophy which sur rounded it. Though best known to modern audiences for his chamber
music (especially tha t written for winds) Danzi was at home in all genres and has to his credit
a respectable output of symphonic and sacred music. In the history of opera Danzi holds a
little known but important place as the forerunner of Weber and romanticism (Danzi was Weber ’s
teacher).
The nine woodwind quintets , of which this one in B Flat is per haps the best known , are not
of Danzi ’s m ost profound output, and are indica tive of the Mannheim influence through their
polish and notica ble lack of content. Danzi re ma ins , however , one of the founding fa the rs and
most i m por tant contributors of the woodwind quintet literature.
The woodwind quinte t of G un the r Sc huller was wr i tten for the New Y or k Woodwind Quin te t, and
was given i ts wor ld pre m iere in 1958 a ta radio concer t in Cologne , Ge r many d ur ing a tour by the
quintet. Sc huller is one of the m ost br illiant m usic ians of his genera tion . He has been ac tive
as a F rench hornist, conduc tor , lec turer , jazz critic (he is c redited with the invention of the
“ third strea m ” concept) and director of the New England Conservatory in Boston, as well as
being an ac tive composer .
E S bySamuel p
a—
The ou tstanding Danish com poser , Carl Nielsen, studied at the Conservatory of Copenhagen
wi th V. Tofte (violin) and O. Rosenhoff (composi tion). His studies there led him into conduc ting
and while thus engaged he continued to compose most industriously. His early style was deter
m ined by the com bined influences of Gade, Grieg and Liszt, whereas Nielsen ’s later wor ks dis
play the powerful impac t of the moder n idiom , and orchestral writing which is opulent and rich
in instrumental color. The quintet, composed in 1922, shows many of these influe nces in i ts com
posi tion and sound. Nielsen ranks wi th Jean Sibelius of Finland not only as the greatest sym
phonist of the Nor thern countries, bu t as one of the few sym phonists of the pat fif ty years.
note by Ronald Roseman
FUTURE EVENTS
SATURDAY, OCTOBER 3, 8:15 PM
PAUL HERSH, PIANIST
Don A . Wa tters Thea ter
Cha m ber Music Series
PLEASE NOTE THAT THIS IS A C H A N G E O F D A T E FROM THAT PRINTED ON YOUR TICKETS!
TUESDAY, OCTOBER 13, 8:15 PM
Music Recital Hall , Adm ission Free
PETER MARSH, VIOLINIST
Lec ture/Reci tal on Beethoven Qua r tets
OCTOBER 15, 16, 17, 22, 23, 24,
Music Recital Hall
LENOX STRING QUARTET
Beethoven Quar tet Series
8:15 PM
TUESDAY, OCTOBER 27, 8:15 PM
Don A. Wa tters Thea ter
COLLEGE WIND ENSEMBLE
Directed by Alber t Ha m me
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound tape reel
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
40:18:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63298"> New York Woodwind Quintet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New York Woodwind Quintet Recital, September 27, 1970
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Danzi, Schuller, Dahl, Nielsen. Held at 8:15 pm, September 27, 1970, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
New York Woodwind Quintet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1970-9-27
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Danzi, Franz, 1763-1826
Schuller, Gunther
Dahl, Ingolf, 1912-1970
Nielsen, Carl
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091019607237
39091019607120
-
https://omeka.binghamton.edu/omeka/files/original/10f04cdbf980f779ab4644869c49d65f.pdf
d32ddd3700d21779da002b916ed52f12
PDF Text
Text
AT BINGHAMTON
YORK
ST ATE UNIVERS
CO LLEGE
THE
A VOICE
OF
MUSIC
NT OF NT
DEPARTMEME
STUDIO RECITAL
and
OPERA
SCENES
12, 1971
y,
Ja nuary
Tuesda
8:15
p.m.
Music Recital Hall
�VOICE STUDIO RECIT
by the students of '
L
Roberta Schlosser
1 i
PROGRAM
Tu
morte
( Orfeo)
Monteverdi
Charles Seltzer
Chacun le sait
(La Fille du Régiment)
Ricky Stern
0 mio babbino caro
(Gianni Schicchi)
Norma Schlesinger
Sola perduta abbandonata
(Manon Lescaut)
Susan Ball
Donizetti
Puccini
Puccini
Caro nomé (Rigoletto)
Margaret
0 Image, angel like and fair
Kotylo
(Magic Flute)
Tony Brienza
Mozart
Dehi vieni non tardar (Le Nozze di Figaro)
Phyllis Kristal
Stephan Kotrch, accompanist
Non più andrai (in "ll'nrlish - Marriage of Figaro)
Mozart
LarryZukof
Depuis le jour
(Louise)
Charpentier
Grace Martin
Paladilhe
Claire Witlin
Les temps des Lilas
Chausson
James Osborne
My dear, Marquis
(Die Fledermaus)
Kvitka Cisyk
BARBARA GARGES, Accompanist
- - -n-t i rn
mi s
i o n----
�OPERA
SC
EN
ES
BY STUDENTS FROM THE OPERA WORKSBOP
LA
Traviata
Giuseppe Verdi
Scene from Act II
Characters
Violetta Valery
Giorgio Germont
Soprano
Donna Ribble
Baritone
Terrance Howell
- - - - -- -- - - - - -
The Fair of Sorotchinsk
-Solo-scene The Song
11
Khivria
Modeste Moussorgsky
of Khivria"
Mezzo-soprano
Kathleen Tyrrell
George Gershwin
Characters
Serena
Bass
Porgy
Alfred Wilson
Musical Numbers
Summertime
I Got Plenty o' Nuttin'
I Wants To Stay Here
- - - - - .. -- - - - - - - Bess,
-
Musical Preparation
Dramatic Director
Coach and Accompanist
You Is My Woman Now
Roberta Schlosser
William Lewis
Barbara Garges
Explanatory Note:
The drama
t ic direction of both the Traviata and Porgy scenes was, in the ear
ly
rehearsals, • the responsibility of the students performing, as another
aspect
of
their experience in the Opera Workshop.
�PROGRAM
NOTES
La Traviata
Verdi's La Traviata is the most popular and well known of his early works
together with Trovatore and Rigoletto. It was first produced in Venice in 1853.
i
and Al
by
Younger
Dumas theCamel
Camelias
aux
by Alexandre
aux
aux Camelias
Dame
Dame
The libretto was based on La
written for Verdi by Francesco Piave. Compared to the brutality and agony of the
operas preceding this work, Traviata is a drawing room tragedy in a more restrained.
intimate musical style. Perhaps it is this expressive melodic abundance which
makes this opera so universally appealing and enjoyable.
The action takes place in and near Paris in 1850 and centers around Violetta
Valery, a courtesan and woman of pleasure. The first act is in Violetta's house.
A party is in progress as Violetta meets and falls in love with a young nobleman,
Alfredo Germont.
In the second act Alfredo and Violetta are living tog ther in a country house.
The scene performed this evening begins with the entrance of Giorgio Germont,
Alfredo's father. He has come to dissolve the alliance between his son and this
infamous woman. Upon their meeting, he accuses her of squandering his eon's
fortune, but she reveals that her own fortune is paying for everything. Then
Germont (as he is called in the opera) explainshis real reason for coming in his
aria 11 Pura sicomme un angelo". His other child, a daughter, is to be married, but
the bond cannot be made as long as Alfredo continues to live with her. Violetta
agrees that she will leave Alfredo until the marriage is done. Germont insists
that they must separate forever. Violetta, realizing the finality of his demands,
tel.ls him that she loves only Alfredo and cannot leave him as she is dying slowly
with a mortal disease. She begs that she would rather die than leave him now
(Non sapete, quale affetto"). Germont argues that her youth and beauty will fade
and so will their love and pleads with her to agree to his demands. In the most
famous part of this scene ("Dite alla giovine") , Violetta at lastconsents to the
relentless demands of Germontwhile he consolesher and blesses her for her
sacrifice. Violetta secretly decides to make Alfredo think her faithless so he
will not pursue her. Germont begins to leave and she begs only that someday be
reveal to his son the true story. Germontnow realizesthe depth of her love
and the great sacrifice he asks and promises this lastwish. They part, Violetta
in tears and Germont remorseful over what he had to do.
In the final scenes of the opera, Violetta accomplishesher deed and Alfredo,
embittered and heartbroken,leaves her. The lastact finds Violetta on her death
bed. Alfredo, having learnedthe truth, returns only to have her die in his arms.
It is interesting to note that Traviata at its premierein 1853 wasa colossal failure due to the fact that it took place in the present and the singers
wore contemporarydress. The opera-goers of the timewere not prepared to accept
s.
real life emotions which could take place in their own li
Howell
----Terrance
Fair of Sorotchinsk
-The
from the like-named
t
Fair of Sorotchinsk (1877) wasadapted
stepmother of
the
Khivria,
Dikanka.
at at
his novels Evenings
far fromaverse to
ill
t
matron,
buxom
a
is
Parasha (the heroineof Gogol's story)
of her husband,
absence
the
during
an occasional flirtation. She sings this song
Afanasius
lover
her
of
Tcherevik, while she is awaiting the arrival
the peasant
repast.
pa d a delicious
she has
Ivanovitch, the pope's son, for
The textof
tale by Gogol in
The
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:39:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63376
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63376"> Voice Studio Recital and Opera Scenes State University of New York at Binghamton, Department of Music</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Voice Studio Recital and Opera Scenes, State University of New York at Binghamton, Department of Music, January 12, 1971
Subject
The topic of the resource
Concerts
Live sound recordings
Description
An account of the resource
Works of Monteverdi, Donizetti, Mussorgsky, Gershwin, Puccini, Verdi. Held at 8:15 pm, January 12, 1971, Music Recital Tape.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-1-12
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Monteverdi, Claudio, 1567-1643
Donizetti, Gaetano, 1797-1848
Puccini, Giacomo, 1858-1924
Verdi, Giuseppe 1813-1901
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020065003
39091020065052
39091020065102
-
https://omeka.binghamton.edu/omeka/files/original/3073c79bef89d3666eb2cb145bd89711.pdf
bec148365b589c217eea54738e84885f
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMENT OF MUSIC
JEAN CASADESUS, PIANIST
Friday, January 8, 1971
Don A. Watters Theater
8:15 p.m.
PROGRAM
Preludes, First Book
Claude Debussy
Danseuses de Delphes
Voiles
Le Vent Dans la Plaine
Les Sons et les Parfums tournent dans l'air du Soir
Les Collines d' Anacapri
Des Pas dans la N eige
Ce qu'a vu le Vent d'Ouest
La Fille aux Cheveux de Lin
La Sérénade interrompue
La Cathedrale engloutie
La Danse de Puck
Minstrels
Intermission
Prelude, Choral and Fugue
Cesar Franck
Three Miniatures
Dance
Song
Hymn
Karl Korte
Two Etudes
Resonance
Chords
Robert Casadesus
FUTURE EVENTS
Tuesday, January 12, 1971
Music Recital Hall 8:15 p.m.
Studio Voice Recital and Opera Scenes by the
students of Roberta Schlosser and William Lewis
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
38:55:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63372
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63372">Jean Casadesus, Pianist, Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jean Casadesus, Pianist, Concert, January 8, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Debussy, Franck, Korte, and Robert Casadesus. Held at 8:15 pm, January 8, 1971, Watters Theater.
Creator
An entity primarily responsible for making the resource
Casadesus, Jean
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-1-8
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Debussy, Claude, 1862-1918
Franck, Cesar, 1822-1890
Korte, Karl, 1928-
Casadesus, Robert, 1899-1972
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020064857
39091020064907
-
https://omeka.binghamton.edu/omeka/files/original/d95f63fa4735c48276ac487d5340b06e.pdf
6e5af6227e64879f7f460b468cbe5a8a
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
PAUL HERSH, piano
Sun. Oct. 24, 1971 - 8:15
Don A. Watters Theater
PROGRAM
BEETHOVEN - THE LAST SONATAS
Sonata in E major, Op . .109
Vivace, ma non troppo
Prestissimo
Andante molto cantabile ed espressivo
(variations)
Sonata in þÿA&m,
Op. 110
Moderato cantabile, molto espressivo
Allegro molto
Adagio ma non troppo-Arioso delente-FugaArioso-poi a poi di nuovo vivente
INTERMISSION
Sonata in e minor, Op. 111
Maestoso-Allegro con brio ed Appassionato
Arrietta: Adagio molto semplice e cantabile
The next concert on the Fall Chamber Music Series will take place
on Nov. 8, 1971, in the Don A. Watters Theater. (The concert
was originally scheduled for Nov. 7)
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
16:32
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63531
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63531"> Paul Hersh, Piano, Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Paul Hersh, Piano, Recital, October 24, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven. Held at 8:15 pm, October 24, 1971, Don A. Watters Theater.
Creator
An entity primarily responsible for making the resource
Hersh, Paul
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-10-24
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020073726
39091020073775
-
https://omeka.binghamton.edu/omeka/files/original/3963b10147fc8cca5bb3ba13633c3cbd.pdf
b5992e7856aa4dda354c1a9439d1bba5
PDF Text
Text
State University of New York at Binghamton
Harpur College
The Department of Music
THE HARPUR CHORALE
Sunday, November 21, 1971, 4:00 P.M.
The University Union
�PROGRAM
NACH DIR, HERR, VERLANGET MICH ( Canta ta 150)
Diane Krasin ski, Sopran o Solo
1.
2.
3.
4.
5.
6.
7.
J.S. Bach
(1685- 1750)
FREOOME - FREEDOM
Sinfon ia
Chorus
Aria
Chorus
Trio
Chorus
Chorus
Elliot Carter
(b 1908- )
Coleri dge-Ta ylor Perkin son
(b. 1936- )
Eugen ia Falins ki, Contr alto Solo
Barba ra Savage , Piano
Rober t Kolbe r, Bass
Joseph Roma, Drums
Instru menta lists
PSALM THIRTEEN
(premi ère)
Karl Korte
(b-192 8)
For mixed chorus with synthe sized and proces sed sound
Gregor y Matthe ws, Tape Opera tor
MAGNI FI CAT
For mixed chorus a cappe lla
Sergei Rachm aninof f
(1873- 1943)
MY LORD WHAT A MORNIN'
Harry Burlei gh
(1866- 1949)
EVERY TIME I FEEL THE SPIRIT
Philip Wu
Willia m Dawson
(b 1901- )
Intermission
THE CREATION
THE HARMONY OF MORNING
For Women's Chorus
Woodwind Quint et, Piano and String s
(A Rock Canta ta)
Beverl y Penn, Sopran o Solo
Terry Harte r, Richar d Toulso n, Tenors
Barbar a Wild, Piano
Eric Lench ner, Guitar
Robert Taffe t, Bass Guitar
Joseph Roma, Drums
Violin s
Eric Lewis , Rober t Rosek, Andrea Andros
John McLeod, Joanna Jenne r, Mary Barton
Violas
Andrew Berda hl, Patric ia Foley, Edward Petten gill
Celli
Judith Glyde, Frede rick Raimi
Bass
Micha el Sande rs
Flute
Valeri e Vasto la
Oboe
Dan Cross
David Bobro witz
and Stephe n Porter
Clarin et
Sheldo n Berkow itz
Bassoo n
Carol Shapir o
French Horn
Janice DeWolfe
Piano
Claire Howard
�THE HARPUR CHORALE
David L. Buttolph, Director
Fred Thayer, Graduate Assistant
The Women's Chorus
Maria Bartolotto
Linda Finn
Carol Flamm
Diane Krasinski
Beverly Penn
Doryce Penn
Alice Weintraub
Carol Weir
Jill Borenstein
Ellie Chiccarelli
Kathy Denmark
Eugenia Falinski
Linda Lockwood
She rri Strichman
Maria Theodore
Linda Uhly
Susan Winnett
Joan Appleton
Ka ren Fung
Carol Gill
Sue Ho ffmeis t e r
Allison Jameson
Debbie Kanter
Nancy Lazeski
Ann Marsland
Barbara Savage
Janet Stecher
Barbara Wild
Stacie Williams
The Men's Chorus
John Evans
Terry Harter
Mike Kass
Nino Lama
Fritz Rath
Richard Toulson
Marc Berman
Tim Dungan
Leon Fried
Gregory Gibbs
Keith Gorham
Bob Halliday
Bob Kendall
Mitchel Mendelson
Russell Senti
James Elniski
Jon Krieger
Gary Levine
Ira Miller
Ken Morgan
Bruce Sabecek
Philip Wu
Officers
Nino Lama . .
Gary Levine.
Barbara Wild
James Elniski.
Susan Winnett.
Carol Weir . .
Allison Jameson .
Richard Toulson.
Janet Stecher. .
President
V.P. of Men's Chorus
V.P . of Women's Chorus
Secretary of Men's Chorus
Secretary of Women's Chorus
Treasurer
Librarian
Wardrobe
Tour Manager
Next Choral Concert
The Harpur Men's Chorus and The Oneonta State University Women' s Chorus in a
combined concert: Sunday, December 5, 1971, 4:00 P.M. in the University Union.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
29:29:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63550
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63550">Harpur Chorale Concert</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale Concert, November 21, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Bach, Korte, Rachmaninoff, Burleigh, Dawson, Perkinson, and Carter. Held at 4:00 pm, November21, 1971 at University Union
Creator
An entity primarily responsible for making the resource
Harpur Chorale
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-11-21
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Bach, Johann Sebastian, 1685-1750
Korte, Karl, 1928-
Rachmaninoff, Sergei , 1873-1943
Burleigh, Harry, 1866-1949
Carter, Elliott, 1908-2012
Perkinson, Coleridge-Taylor
Dawson, William L. (William Levi), 1899-1990
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
3909102007374
39091020073684
39091020073635
-
https://omeka.binghamton.edu/omeka/files/original/fee8a35691b06129a39db806026f8c0d.pdf
b98934935fb80eb301d21588f5c746d5
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
THE LENOX QUARTET
Mon., Nov. 8, 1971 - 8:15
Don A. Watters Theater
PROGRAM
Quartet in þÿE&m
major, Op. 20, no.l
Allegro moderate
Menuetto-Allegretto
Affettuoso e sostenuto
Finale. Presto
Quartet inf minor, Op. 95
Allegro con brio
Allegretto ma non troppo
Allegro assai vivace, ma serioso
Larghetto espressivo - Allegretto agitato
Haydn
Beethoven
INTERMISSION
Quartet in F
Madere - Très doux
Assez vif - Tres rythme
Très lent
Agitl
Ravel
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:05:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63545
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63545">Lenox String Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Lenox String Quartet, November 8, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Haydn, Beethoven and Ravel. Held at 8:15 pm, Nov. 8, 1971, Don A. Watter Theater.
Creator
An entity primarily responsible for making the resource
Lenox String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-11-8
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Haydn, Joseph, 1732-1809
Beethoven, Ludwig van, 1770-1827
Ravel, Maurice, 1875-1937
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020073585
39091020073536
39091020073486
-
https://omeka.binghamton.edu/omeka/files/original/9e0c6ccb30559aa8a8838d9c82d86040.pdf
f40713ff0438fb50341ba215a96974fc
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
Th e
Manh a t t an
String Quartet
F r i . , Dec“ 1 0 , 1971 – 8 : 1 5
Re c i t a l Ha l l
Eric Lewis, violin
John Mcleod, violin
Andre w Berdahl, viola
Judith Glyde, cello
�PROGRAM
Bee thoven
(17 70– 1827)
Quar te t Op . 1 8 , No . 3
A l le g ro
Andan te con mot o
A l le g ro
P res to
Kirchner Quar te t No. 3 f o r S t r ings and E lec t ronic t ape
The f o l low ing re mar ks are by the compose r:
Qua r te t No . 3 f o r S t r ings and
E lec t r i c Tape ( 1967)
Leon Kirchner
(b . 19 19 )
INTERMISSION
Quar te t No . 4 (1928)
A l le g ro
P res t iss imo , con so rd ino
Non t roppo len t o
A l le g re t t o p i zz ica to
A l le g ro Mol t o
“Bef ore beg inning my Th i rd S t r ing Quar te t I gave cons ide rab le thou gh t
to the par t icular at t r ibu tes of e lec t ronic mus i c . The e lec t ronic med ium i s
f requen t ly spoken o f as being absol u te ly un l imi ted in poss ib i l i t y . In gene ral ,
I wou ld say that mus i c has g ained new ins i gh ts f rom the man ipu la t ions of e lec–
t ron i c sounds , but the supposed l ac k of l i mi t a t i on i s rea l ly qu i te decep t ive .
Theo re t i ca l ly , i t wou l d seem to be un l i mi t ed , and yet I th ink t h is i s the
area wh i ch i s mos t p roble ma t ic - and w i t h compu te rs , even more so . By a
th i rd , i f not second , per f or mance o f even an exe mplary e lec t ronic p iece ,
one deve lops a ce r tain l is tene r ’ s f at ig ue . . . i t could be bored om. The re
i s no ‘ ch a rac te r is t i c l i mi t ’ o r ins t an t accommoda t ion t o a b r i l l i an t wh i m
Bar tok
(1881– 1945)
THE MANHATTAN QUARTET i s i n res idence at Co rne l l U n i ve rs i t y
and w i t h the Young A r t is t s P rog ra m i n Chamber Mus i c a t
SUNY /Bingh a mt on .
or ‘acc iden t . ’ The s ub t le mani f es t a t ions that are sub jec t to h uman con t rol
i n the great per f or mer ha ve l i t t le or no l i f e at a l l i n the e lec t ronic
med ium.
“ More interes t ing to me are combinat ions of ins t ruments wi th elec t ronic
sounds and fi l t e rs . The ins t rumen t al qual i t ies are then somehow refle c t ed ,
extended and en larged . ‘ Human involve men t ’ is , of course , essen t ial , f or the
proble ms of compos i t ion re main the p r imary f ac tors . My Th i rd Quarte t was
w r i t ten w i t h a l l o f t h is i n mi nd . I se t out to produce a mean ing f u l con–
f ron t a t ion be tween ‘ new ’ e le c t ron i c sounds and those o f t he t r ad i t i ona l
s t r ing quartet - a k ind of d ialog ue-idea i n wh i ch the e lec t ronics are qu i te
in te g ra l .
“There i s a g reat dea l of t alk these days about systems analys is , de te rmina t ion o f ru les , and so f or th , but the ac t of tot al involve men t , o f phys ical
and sp i r i t ua l p lay , see ms t o be f o rgot ten . Ru les are va l uab le , and , w i t h
proper unders tand ing , we can cons t ruc t mode ls f rom wh i ch inval uab le inf or–
ma t ion may be inf e r red . Howeve r , the adequacy of a ru le i s en t i re ly dependent
upon h igh ly refined and sens i t ive observat ion , and , g iven an adequate rule ,
we mus t also unde rs tand that the va r iab les (a mos t produc t ive area) are
d i ff i c u l t to ‘ cove r . ’ When we g rasp a f ac t by desc r ib ing i t , the re i s no
reason to ass ume that we ha ve unde rs tood the t ot al phenomenon . One o f the
na i ve assump t ions i n the cons t ruc t ion of computer mus ic , f or ins t ance , i s that
i f one programs the parameters (durat ion , dens i t y , p i tch , e t c . , e t c . , ) mus i c
should resul t . Gran ted compe tence i n techniques , i t i s the i r us e that i s
essen t ial - and the i r ar t is t ic use depends on the vas t and tot al me mory bank
of the h uman mind . In th is sense , though the e lec t ronic sounds i n my Quar te t
t ook f ou r days t o w r i t e , t he no tes t ook f o r t y y ea rs .
“Nus ic i s an ar t , not a sc ience . The recent , almos t e xc l us ive invol ve –
ment w i th the ‘ s ubs t an t ive ’ and the c raze f or ‘ ve r ific a t ion ’ or ‘ caus al e xp lanat ion ’ seems to me to f oss i l i ze that art and make i t b lood less . Th is
i s wha t I ’ ve always t r ied to a void . My Quar te t ilo. 3 i s not concerned w i t h
sys te ms , ru les , p rocedures - o r tha t mons t ros i t y k nown as ‘ t o t a l c on t ro l . ’
I composed the wor k because o f sheer mus ical urge . I t was f un , and wh i le I
composed i t I was ve ry conscious of the j oy of c reat ing mus i c . ”
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
30:17:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63564
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63564"> Manhattan String Quartet Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Manhattan String Quartet Recital, December 10, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Beethoven, Kirchner, and Bartók. Held at 8:15 pm, Dec. 10, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Manhattan String Quartet
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-12-10
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Beethoven, Ludwig van, 1770-1827
Kirchner, Leon
Bartók, Béla, 1881-1945
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020073593
39091020073544
39091020073494
-
https://omeka.binghamton.edu/omeka/files/original/1c983d4682bb6689bec07ba4099da87c.pdf
3f6b1afb7413d26745294374053ffb57
PDF Text
Text
STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presen ts
Cha r les Brewer, Harps ichord
Sa t . , Dec . 11, – 1 9 71 – 8 : 1 5
Rec i t a l Ha l l
�PROGRAM
Ga l l ia rd
Anon. (The Mul l ine r Book ca. 1555)
Pavane
Louis Couperin , ca . 1626– 1661 (Pa rvi l le MS)
Four p ieces f rom the “ In tabola tura Nova D i Ba l l i ” (Ven ice, 1551)
Pass ’ e mezo nouvo (I , I I , I I I )
Sa l ta re l lo d e l Re
Pavana ‘ F us i ’
Moneghima Gag l ia rda
Pavana Lachrymae
John Dowland , 1562– 1626
set by W i l l iam Byrd, 154 3– 1623
( F i t zw i l l iam V i r g ina l Book, CXXI )
Suonata p r ima,
‘
Johann Kuhnau, 1660– 1 722
I l Comba t t imen to tra David e Go l ia t h
(The F igh t be tween Dav id and Go l ia t h)
(1) Go l ia t h ’ s s tamp ing and ran t ing
(2) The t remb l ing of the Is rae l i t es , and thei r prayer
to God a t the s ig h t of t h is horr id enemy
(3) The s tead f as tness o f David , h is urge to crush the
g ian t ’ s boas t f u l d efian c e , and h is c h i l d l ike t rus t
i n God ’s help
(4) The cha l leng ing words exchang ed between David and
Go l ia t h, and the fi g h t i ts e l f , i n which the stone
i s s lung in to Go l ia th ’ s forehead , by which he i s
f e l led and even k i l led
(5) The fl i g h t of the P h i l is t ines , as we l l as how the
Is rae l i t es chase them and s lay them by the sword
(6) The re jo ic ing o f the Is rae l i t es a t t h is V ic tory
(7) The concert to the g lo ry of David , performed by
the women i n cho irs
(8) And fi n a l l y the general happ iness which shows
i ts e l f i n an abundance of danc ing a f ro l ic king
(S i x B ib l ic a l Sonatas f or Keyboard, 1 700)
INTERMISSION
In Nomine
SpanyBle r Tancz
Hopper dancz
Doctor John B u l l , ca . 1562– 1628
( F i t zw i l l iam V i r g ina l Book, XXXVII )
Hans Weck, ca. 1510
Four P ieces f rom the Keyboard P ub l ica t ions of P ie rre A t ta ingnan t ,
. 1 55 2
Chanson "Cel le q u i ma tan t pourmen e'– C laudin (Dixneu f dChansor
Pavane, Ga i l la rde (Quatorze ga i l la rdes , neuf pa rmes . . . 1530)
,
15 29)
Chanson "Tant que vivray "– C laudin (V ing te t Cinq Chansons , . . .
1530)
O Rosa Be l la
John Duns tab le, ca . 1370– 1453
(Buxheim Organ Book, ca . 14 70)
My Lady Cakeys Dompe
Anon. (B r i t ish Museum, R . App . 5 8, ca . 15 1C
Cen to P a r t i t e sopra Passaca g l i
G i ro lamo Fresc oba ldi, 158 3– 164 3
(Toccate d ’ In t a ro la t u ra . . . , Lib ro P r imo, 16 37)
Concerto Op . 3, No. 1 2
An ton io V i va l d i
t ransc ribed f o r so lo Keyboard by J . S . Bach
Harps ichords
“ French", 2 manuals , 2 x 8' , 1x4!”
“ I ta l ian " , 1 manua l, 2x8 ’
“ V i rg ina ls , 1 manua l, 1x8 ”
W i l l i a m Dowd , 1 9 6 8
W i l l iam Dowd, 1968
Derwood Crocker , 1 965
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
3 sound tape reels
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
37:27:00
OHMS Object
URL
https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63569"> Charles Brewer, Harpsichord, Recital</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Charles Brewer, Harpsichord, Recital, December 11, 1971
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works of Dowland, Kuhnau, Weck, Dunstable. Held at 8:15 pm, Dec. 11, 1971, Recital Hall.
Creator
An entity primarily responsible for making the resource
Brewer, Charles
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
1971-12-11
Rights
Information about rights held in and over the resource
In copyright
Contributor
An entity responsible for making contributions to the resource
Dowland, John, 1563-1626
Kuhnau, Johann, 1660-1722
Weck, Hans, 1495-1536
Dunstable, John, 1390-1453
Type
The nature or genre of the resource
sound
Identifier
An unambiguous reference to the resource within a given context
39091020073742
39091020073692
39091020073643