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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
DANIEL FARINA, alto saxophone
Barbara Garges, piano
* ~Mon., Dec. 13, 1971 – 8:15
»
Recital Hall
PROGRAM
Sonata for Alto Saxophone and Piano
Andante
Courante
Adagio
Presto
Particles for Alto Saxophone and Piano.
Allegro–Lento–Allegro moderato e
barbaro–Andante–Allegro
Sonata for Alto Saxophone and Piano
Allegro
Andante sostenuto
Allegro agitato

Eccles
(arr. Rascher)

Armand Russell
Garland Anderson

INTERMISSION
DUO for Alto Saxophone and Piano(1964)

Walter S. Hartley

Siciliene for Alto Saxophone and Piano

Pierre Lantier

Sonata for Alto Saxophone and Piano
Ruhig bewegt
Lebhaft
Sehr langsam
Lebhaft

Hindemith

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                    <text>The U niversity Chorus
State U niversity of N e w Y ork a t B ingham ton
* *%
* %

D a v i d B u t t o l p h , c onduc tor

Iessial
by

Beory Friedrich Fyimdel

Sunday, De ce m be r 19, 19 71
4:00 p.m .

�Isaiah XL:1

Isaiah XL:2

Isaiah XL:3

Isaiah XL:4

ARIOSO FOR TENO™
Comfort ye, comfort ye my people, saith your

God.
Speak ye comfortably to Jerusalem, and cry u i
her, that her warfare is accomplished, that her
iniquity is pardoned:. . .
The voice of him that crieth in the wilderness,
Prepare ye the way of the Lord, make straight in
the desert a highway for our God.
AIR FOR TENOR
Every valley shall be exalted, and every mountain
and hill. . .made lowz. . .the crooked. . straight,

and the rough places plain:

Isaiah XL:5

Haggail

CHORUS
And the glory of the Lord shallbe revealed, and

all ﬂesh shall see it together: for the mouth of the
Lord hath spoken it.
ACCOMPANIED RECITATIVE FOR BASS

...thus saith the Lord of hosts; Yetet ononce,. . .a
little while, and I will shake the heavens, and the

earth,. . .the sea,and the dry land ;

Haggai 11:7
Malachi III: 1

Malachi I11:2

Andlwillsh akeallnations, andthedesi reofall
nations shall come:. . .
. . .t he Lord, whom ye seek, shall suddenly
come to his temple, even the messenger of the
covenant, whom ye delight in: behold, he shall
come, saith the Lord of hosts.
AIR FOR CONTRALTO
But who may abide the day of his coming? And
who shall stand when he appeareth? Forhe is like a
reﬁner’s ﬁre,. . .
CHORUS

Malachi I I I :

. . .and he shall purify thesonsof Levi . .that
they may oﬀer unto the Lord an oﬀering in

righteousness.

1
Isaiah V I I :4

RECITATIVE FOR CONTRALTO
. . Behold, a virgin shall conceive, and bear a son,
and shall call his name Immanuel, “God-with-us.”

�o
La a

I
Isaiah XL ."9

Isaiah L X : 1

Isaiah L X :2

Isaiah L X :3

Isaiah 1X:2

Isaiah IX :6

A I R F O R CONTRALTO A N D CHORUS
O thou that tellest good tidings to Zion, get thee
up into the high mountain ; O thou that tellest
good tidings to Jerusalem, lift up thy voice with
st rength ; li ft it up, be not afraid ; say un to the cities

l

Luke Il: 13

of Judah, Behold your God!
A rise, shine ; for thy light is come, and the glory
of the Lord is risen upon thee.
ARIOSO FOR BASS
For, behold,. . .darkness shall cover the earth,
and gross darkness the people : but the Lord shall
arise upon thee, and His glory shall be seen upon

thee.
And the Gentiles shall come to thy light, and
kings to the brightness of thy rising.

Luke Il:11

Luke II:14

;

Zechariah IX .‘9
Zechariah I1X:10

AIR FOR BASS
The people that walked in the darkness have seen
a great light : and they that dwell in the land of the
shadow of death, upon them hath the light shined.

Isaiah XXX V :5
Isaiah XXX V.'6

CHORUS
For unto us a child is born, unto us a son is
given : and the government shall be upon his
shoulder : and his name shall be called Wonderful,
Counsellor, The Mighty God, The Everlasting
Father, The Prince of Peace.

Isaiah XL .' I 1

PIFA (Pastoral Sy mphony)

Luke I I :

Luke I1:9

RECITATIVE FOR SOPRANO
. . .there were. . .shepherds abiding in the ﬁeld,
keeping watch over their ﬂock by night.

Matthew XI:28

Matthew XI:29

ARIOSO FOR SOPRANO
And, lo, the angel of the Lord came upon them,

and the glory o f the Lord shone round about
them : and they were sore afraid.
Luke II: 10

a

Matthew XI:30

For unto you is born this day in the city of
David a Saviour, which is Christ the Lord.
ARIOSO FOR SOPRANO
And suddenly there was with the angel a
multitude of the heavenly host praising God, and
saying,
CHORUS
Glory to God in the highest, and peace on earth,
good will towards men.
AIR FOR SOPRANO
Rejoice greatly, O daughter of Zion ; shout, O
daughter of Jerusalem ; behold, thy King cometh
unto thee : he is the righteous Saviour,. . .
. . .and he shall speak peace unto the heathen :. . .
RECITATIVE FOR CONTRALTO
Then shall the eyes of the blind be opened, and
the ears of the deaf. . .unstopped.
Then shall the lame man leap as a hart, and the
tongue of the dumb shall sing:. . .
AIR FOR CONTRALTO
He shall feed his ﬂock like a shepherd : and he
shall gather the lambs with his arm, and carry them
in his bosom, and . . .gen tly lead those that are
with young.

AIR FOR SOPRANO
Come unto Him, all ye that labour and are heavy
laden, and He will give you rest.
Take His yoke upon you, and learn of Him, for
He is meek and lowly of heart : and ye shall ﬁnd
rest unto your souls.
CHORUS
. . .His yoke is easy, and His burthen is light.

Part 2

RECITATIVE FOR SOPRANO
And the angel said unto them, Fear not : for
behold, 1 bring you good tidings of great joy,
which shall be to all people.

John I :29

l

CHORUS
. . .Behold, the Lamb of God, that taketh away
the sin of the world!. . .

�D

Isaiah LIII :3

Isaiah L II .'4
Isaiah L III :5

Isaiah Llll:6

Psalm XXII'. 7

Psalm X X I]'. 8

Psalm L X IX .'20

Lamen rations 1 : 1 2

A I R FOR CONTRA LTO
He was despised and rejected of men ; a man of
sorrows, and acquainte d with grief:. . .

CHORUS
Surely he hath borne our griefs, and carried our
SOITOWS:. . .
. . .he was wounded for our transgressions he was
bruised for our iniquities : the chastisem ent of our
peace was upon him ;
And with his stripes we are healed.
All we like sheep have gone astray ; we have
turned every one to his own way ; and the Lord
hath laid on him the iniquity of us all.

Psalm XXIV:8

Psalm XXIV :19
Psalm XXIV :10

!d

Psalm X VI :10

Psalm XXI V: 7

Romans X:15

ARIOSO FOR TENOR
All they that see him laugh him to scorn : they
shoot out their lips, and shake their heads, saying,

Romans X:18

CHORUS
He trusted in God that he would deliver him : let,
him deliver him, if he delight in him .

Psalm II : I

ACCOMP ANIED RECITAT IVE FOR TENOR

Thy rebuke hath broken his heart ; he is full of
heaviness : he looked for some to have pity on him ,
but there was no man, neither found he any to
comfort him.
ARIOSO FOR TENOR
. . .Behold, and see if there be any sorrow like

Psalm II: 2

CHORUS
The Lord gave the word : great was the company
of the preachers.
AIR FOR SOPRAN O
. . .How beautiful are the feet of them that
preach the gospel of peace, and bring glad tidings
of good things.

CHORUS
. .their sound is gone out unto all lands, and
their words unto the ends of the world.
ACCOMP ANIED RECITAT IVE FOR BASS
Why do the nations so furiously rage
together, . . . why do the people imagine a vain
thing?
The kings of the earth rise up, and the rulers take
counsel together, against the Lord, and against his
anointed, . . .

Psalm II: 3

CHORUS
Let us break their bonds asunder, and cast away
their yokes from us.

Psalm II : 4

AIR FOR SOPRAN O
But thou didst not leave his soul in hell ; nor didst
thou suﬀe r thy Holy One to see corruption.

RECITATIVE FOR TENOR
He that dwelleth in heaven shall laugh them to
scorn : the Lord shall have them in derision.

Psalm II: 9

CHORUS
Lift up your heads, O ye gates ; and be ye lift up,
ye everlasting doors ; and the King of glory shall

AIR FOR TENOR
Thou shalt break them with a rod of iron ; thou
shalt dash them in pieces like a potter’s vessel.

Revelation XIX: 6

CHORUS
Hallelujah :
reigneth.

i

unto his sorrow,. . .
Isaiah L II .'8

Psalm L X VIII :11

Who is this King of glory? The Lord strong
an ;mighty, the Lord mighty in battle.
Lift up your heads, O ye gates; and be ye lift up,
ye everlasting doors; and the King of glory shall
come in.
Who is this King of glory? The Lord of hosts, he
is the King of glory.

ACCOMP ANIED RECITAT IVE FOR SOPRAN O
. . .he was cut oﬀ out of the land of the living:
for the transgression of thy people was he stricken.

come in.

E

]

)

l

for the

Lord God omnipotent

�CHORUS
. . . Worthy is the Lamb that was slain and hath
redeemed us to God by His blood to receive power,
and riches, and wisdom, and strength, and honour,
and glory, and blessing.
. . . Blessing, and honour, . . . glory, and power,
be unto Him that sitteth upon the throne, and
unto the Lamb for ever and ever.

Revelation V : 12
Revelation XI : 15

Revelation XIX: 16

. . . The kingdom of this world is become the
kingdom of our Lord, and of his son Christ ; and he
shall reign for ever and ever.
. . . King of Kings, and Lord of Lords.

Revelation V : 13

Part 3

AMEN.
E

Job XIX: 25
Job XIX: 26
I Corinthians X V : 20

I Corinthians XV: 21
I Corinthians X V : 22

I Corinthians X V : 51
I Corinthians XV: 52

AIR FOR SOPRANO
. . . I know that my redeemer liveth, and that he
shall stand at the latter day upon the earth :
And though . . . worms destroy this body, yet in
my ﬂesh shall I see God.
For now is Christ risen from the dead, . . .
the ﬁrst fruits of them that sleep.

:

l

TIMPANI
Joseph A. Roma, Jr.

last trumpet.

I Corinthians X V : 54

RECITATIVE FOR CONTRALTO
. . . then shall be brought to pass the saying that
is w ritten, Death is swallowed up in victory.

I Corinthians X V : 55
I Corinthians XV: 56

I Corinthians X V : 5 7

DUET FOR CONTRALTO AND TENOR
O death, where is thy sting? O grave, where is thy
victory?
The sting of death is sin ; and the strength of sin
is the law.
CHORUS
But thanks be to God, who giveth us the victory
through our Lord Jesus Christ.

OBOE
Dan Cross
Stan Moshman
Dorian J. Schwartz
Patricia Thayer
BASSON
Carol Shapiro
Douglas Epstein
Thomas Closser
TRUMPET
Robert E. Lindstrom
Dave Hibbard

ACCOMPANIED RECITATIVE FOR BASS
Behold, I tell you a m ystery ; We shall not all
sleep, but we shall all be changed,
In a moment, in the twinkling of an eye at the

I Corin thians X V : 52

— — — — — — — " TT.

ORCHESTRA

CHORUS
. . . since by man came death, by man also the
resurrection of the dead.
For as in Adam all die, even so in Christ shall all
be made alive.

AIR FOR BASS
. . the trumpet shall sound and the dead shall be
raised incorruptible, and we shall be changed.

E

BASS
Robert Keith Kolber
Michael Sanders
Robert Scott Taﬀet
Richard Thomas

!1
i

C

HARPSICHORD
Charles Brewer
CELLO
Judith Glyde, Principal
Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
Jennifer Rae
Fred Raime

—

E

Y

,

PERSONNEL

VIOLIN
E ric Lewis, Concertmastcr
John McLeod, Principal, second
Andrea Andros
Mary Barton
William Bergman
Alice Click
Browing Cramer
Diane Fcigin
Paul Fried man

Paul Goodman
Joanne Jenner
Andrew Jennings
Ar thur Mannis
Oscar Maxwell
Daniel Mowery
Robert Rozek
Mark Sokol
Martha Strassberger
Michael Sturm
Joan Tanenhaus
Debra Tanklow
Lydia Werbizk y

VIOLA
Andrew Berdahl, Principal
Peggy Acker
Zelman Bokser
Pat Foley
John Kochanowsk y
Carolyn Lohman
Joyce Stetzl
Willy Sucre

ORGAN
Barbara Garges

O

D
E

T

r

S

a

�UNIVERSITY CHORUS
Sopranos

Susan Ball
Elvira Chiccarelli
Kathleen Crowe
Katherine Denmark
Susan Dershin
Lois Fischthal
Janet Hill
Grace Houghton
Joan Januszkiewicz
Janet Johnson
Ursula Raeth
Regina Sablauskas
Christa Schaeﬀer
Esther Sterling
Sherri Strichman
Maria Theodore
Mary F. Thompson
Linda Uhly
Louise Ulrich
Alice Weintraub
Marcia Wellwarth
Nadene Willcox

Contraltos

Joan Appleton
Sally Baron
Adele Bass
Kathryn Bassin
Jill Borenstein
Cara Brownell
Cheryl Brozost
Clara Budin
Janet Cahn
Nancy Carlson
Lee Discesare
Jeanne Falinski
Anna Fontana
Karen Fung
Sharon Gelfand
Carol Gill
Allison Jameson
Kathy Kadish
Debbie Kanter

————

Debbie LaSalle
Claudia Lee
Doris Lockwood
Linda Lockwood
Ann Marsland
Dorothy McKensie
Sandra Menter
Rita Orzelek
Diana Paﬀrath
Nicki Pokowitz
Barbara Savage
Jane Shear
Anna Sperr

Connie Sterling
Shirley Tan
Stacie Williams
Susan Winnett
Grace Wu
Jacquelyn Zinman

A

t t s i .

Basses
Tenors

Peter Bellmio
Kevin Bertolino
Zack Bowen
Anthony Colle
Jeﬀrey Dershin
John Evans
Philip Gottlieb
Michael Kass
Nino Lama
Mitchel Mendelson
John Mulhern
Larry Pepper
Fritz Rath
Dick Toulson

Richard Axt
John Belniak
David Crowe
Richard Fried
Robert Kendall
Mitchell Medina
Kenneth Morgan

John Niessen

Roger Norton

Malcolm Ottaway
Craig Russell
Evan Segal
Bernard Sheredy
Fred Silverman
Roger Stein
James Vivyan
Keith Willcox
Phillip Wu
Larry Zukof

J u d y Grosh , Rehearsal A Accompanist

Ee
EEEE———————————————

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4

n

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC

presents

************************
*
*
*
THE HARPUR COLLEGE SYMPHONY ORCHESTRA
*
*
*
conducted
by
*
*
*
*
Stefan
Bauer-Mengelberg
*
*
*
*
*
*
************************

Thursday
December 2, 1971

8:15 p.m.
Don A. Watters Theater

�****************
*
*
* WOLFGANG AMADEUS MOZART *
*
*
(1756-1 791)
*
*
*
*
****************

Concer to in C Major, for Oboe and Orches tra, K. 314

This Concer t is dedica ted to the memory of
William J. Mitche ll, 1906-19 71.
Mr. Mitche ll came to State Univer sity of New York
at Bingham ton as a DISTINGUISHED PROFESSOR OF MUSIC from
Columb ia Univer sity in 1968. Intern ationa lly renowne d
as a schola r and teache r, he made an immeas urable and
unforg ettable contrib ution to our univer sity and community during his last three years. Colleag ues, studen ts
and friends revere the memory of this wonder ful being.

Allegro aperto
Adagio non troppo
Rondo: Allegr etto
Ronald Rosema n, solois t

Eine kleine Nachtm usik, in G major, for String s, K. 525
Allegro
Romanze: Andante
Menuet to: Allegr etto
Rondo: Allegro

INTERMISSION

Concer to No. 27, in B-flat major, for Piano
and Orches tra, K. 595
Allegro
Larghe tto
Allegro
Jean Casade sus, solois t

�THE HARPUR COLLEGE SYMPHONY ORCHESTRA
VIOLIN
Eric Lewis, Concertmast er
John McLeod, Principal,
Second Violins
Andrea Andros
Mary Barton
Alice Click
Browning Cramer
Diane Feigin
Paul Friedman
Joanne Jenner
Andrew Jennings
Arthur Mannis
Oscar Maxwell
Daniel Mowery
Robert Rozek
Mark Sokol
Martha Strassberge r
Michael Sturm
Joan Tanenhaus
Debra Tanklow
Lydia Werbizky
VIOLA
Andrew Berdahl,Pri ncipal
Peggy Acker
Zelman Bokser
Pat Foley
John Kochanowsky
Carolyn Lohman
Joyce Stetzl
Willy Sucre
Orchestra Manager:

CELLO
Judith Glyde, Principal
Rachel Abbey
Miriam Diamond
Norman Fischer
Sarah Hartshorne
Carolyn McIntosh
Timothy Perry
Jennifer Rae
Fred Raime
BASS
Robert Keith Kolber,
Principal
Michael Sanders
Robert Scott Taffet
FLUTE
Betsy Ross
OBOE
Stan Moshman
Dorian J. Schwartz
BASSOON
Carol Shapiro
Douglas Epstein
FRENCH HORN
Janice DeWolf
Cindy Weldon

Browning Cramer

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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
DEPARTMENT OF MUSIC
presents
LENOX QUARTET
David Montgomery, piano
guest artist
Sat., Dec. 4, 1971 - 8:15
Watters Theater
PROGRAM
Quartet in F major, K. 590
Allegro moderato
Allegretto
Menuetto (Allegretto)
Allegro

Mozart

Quartet no. 2 (1917)
Moderato
Allegro molto capriccioso
Lento

Bartok

INTERMISSION
Quintet in þÿE&amp;m
for Piano and Strings,
Op.44
Allegro Brilliante
Marche funebre
Scherzo
Finale. Allegro

Schumann

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORK AT BINGHAMTON
HARPUR COLLEGE
THE DEPARTMEN T OF MUSIC

THE LENOX STRING QUARTET
in residence
Peter Marsh, uiolin
Delmar Pettys, uio/in, uiola

Paul Hersh, uiola, piano
Donald McCall, cello

CHAMBER MUSIC SERIES

Saturday, February 6, 1971
8:15 P.M.
Don A. watters Theater

�P ROGRAM

Wolfgang Amade us Mozart

Quartet in G Major 1 K. 387
Allegro vivace assai
Menuetto (Allegretto)
Andante Cantabile
Molto allegro

Leon Kirchner

Quartet No. 1 (1949)
Allegro ma non troppo
Adagio
Divertimento
Adagio

intermission

Piano Quartet inc minor, Opus 60

Johannes Brahms

Allegro non troppo
Paco Adagio
Scherzo (Paco Allegro)
Allegro

future

events

Sunday 1 February 14th
Music Recital Hall 1 3:00 PM

Tom Closser. bassoonist
Graduate Recital

Thursday, February 18th
Music Recital Hall, 4:00 PM

Student Recital

Saturday, February 20th
Music Recital Hall, 8:15 PM

Steve Kotrcb 1 pianist
Senior Recital

�</text>
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                    <text>THE LENOX STRING QUARTET
in residence
Peter Marsh, violin
Delmar Pettys, violin, viola

Paul Hersh, viola, piano
Donald McCall, cello

SPRING CHAMBERMUSIC SERIES

Wednesday, March 10, 1971
8:15 p.m.
Don A. Watters Theater

�PROGRAM
Joseph Haydn

Quartet in C Major, Opus 54, No. 2
Vivace
Adagio
Menuetto (Allegretto)
Adagio - Presto - Adagio

String Trio (1946)

Arnold Schoenberg

i n t e r mi s s

i

Quartet in D minor, Opus posth .
("Death and the Maiden")

o n

Franz Schubert

Allegro
Andante
Scherzo (Allegro molto)
Presto

FUTURE EVENTS

Thursday, March 11
Recital Hall, ?:00 p. m.

Open rehearsal by members of the New York
Woodwind Quintet and
Chr istine Lindsay .

Friday, March 12
Watters The ater, 8: 15 p . m.

An Evening of Baroque
Chamber Music by the
above performers.

Sunday, Mar ch 14
Watters Theater, 8: 15 p. m.

College Wind Ensemble
Winter Concert . Albert
Hamme , conductor.

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                    <text>AN EVENIN:; OF BAROQUE CHAMBER MUSIC

Friday, March 12, 1971
8:15 p.m.
Don A. Watters Theater

�PROGRAM

Trio Sonata in G Major
J. J. Quantz
(for flute, oboe and continua)

J. P. Rameau

Les Tendres Plaintes
La Triomphante
Gavotte and Six Doubles

Andante
Allegro
Un poco largo
Vivace

G. P. Telemann

Quartett in D Minor

Sonata No. 5
J.E. Galliard
(for Bassoon and continua)
Adagio
Allegro e spiritoso
Alla Siciliana
Allegro Assai
Sonata in E Minor
(for flute and continuo)

Three Pieces for Harpsichord

Andante
Vivace
Largo
Allegro

J.M. Leclair

Adagio
Allegro ma poco
Sarabande
Allegro

THE

ARTISTS

Members of the New York Woodwind Quintet:
Thomas Nyfenger, flute
Ronald Roseman, oboe
Arthur Weisberg, bassoon

INTERMIS S ION

Sonata in G Major
(for oboe and continua)
Andante
Allegro
Adagio
Minuetto

G. Sammartini
Guest artist:
Christine Lindsay, harpsichord

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Tue sday ,  March  2 ,   1 9 7 1
8 : 1 5  PM
Don  A .  Watters  Theat er

1 El.

O R C H E S T R A

�P E R S O N N E L

PROGRAM
1ST  VIOLINS
S i mp l e  Symphnny 

Ben jam in  B r i t t e n

1. 
Boist er ous  Bourree
I I .   P l ay f u l  P i z z i c a t o
1 1 1 .   Sen t i men t a l  Sa rahznd

I. 

I I .  

Eric  Lewis

Browning  Creme r

Andrew  Berdahl
Carolyn  Lohmann

Ca ro l  c e r e b e dlnn

Ade le  Tannenbaum

Art hur  Mannis

1v.  Frolicsome  Finale
Brandenberg  Concerto No.  5 

VIOLAS

Ri c h a rd  Brooks

Joen  Tanenhaus

Joyce  S te l zl

Martha  S trassb e rg e r

Jan  Lubinsky

Laura  Boyd

Johann  S .   Bach

A l le gr o

Ze lmnn  Bokser

Peggy  Acke r

Ann  F l l l e y

Toby  Harris

CELLOS

 Aﬀettuoso

111.  A lle gro
C a r o l   Sevush,  ﬂ u t e
Er i c  Lewis ,  v l n l l n
P aul  Her sh ,  cembalo

1. 

Dana  Schn ippe r

Jennifer  Rae

John  McLeod
Andrea  Andros
J e ﬀ r ey   Fe lnsl lve r
Pau l  Fr iedman
Joanne  Breckenridge
Andrea  Tabbat

i n t e r m i s s i o n
S infon iett a 

Judith  Clyde

ZND  VlOLINS

Albe r t  Roussel

A l l zg ro me lt o

J oani  Ludka

M ir ia m Diamond

BASSES

Martin  Goldmen

Robert  K olber
Mi c h ae l  Sande rs  ,

Debra  Tanklow
Samue l  Jacobs

Robe r t  C i r i n g i on e

An t hony  P reus

I I .   Andan te
IIT.  Al legro

Con c e r t o  i n  d  m ino r 

J ohann  S .   Bac h

(fa r  two vio l i n s ,  str ing and  con t inuo)

1. 

II. 

Vlvnee

La rgo ma  non  trnppo

I I I .   Al legro

Peter Marsh  and  Delmar  P ettys ,  so lo vio l in s

cmAw
S t eve  Kotrc h

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                    <text>AT BINGHAMTON
STATE UNIVERSITYOF NEW YORK
DEPARTMENT OF MUSIC

AN

OF

EVENING

GREEK

FOLK

&amp;
DANCE

Sotirios (Sam ) Chiani s
director

DON

A.

WATTERS THEATER

M ARCH 30,
8:15

1971

P.M.

MUSIC

�PRO GRA M

OPEN ING REM ARK S
Fath er Cons tanti ne Com bitch is of the Annu n ciatio
n Gree k Ortho dox
Chur ch, Endi cott, New York .
"The 150th Anni v e rsary of Gree k Indep ende nce"
KLE PHT IKO
One of the most impo rtant categ ories
Pelo ponn esus and cent ral Gree ce (Rou m eli}
The Klep htiko is a histo rical song , relat ing
durin g the long strug gle for indep ende nce.
the song begin s in free- mete r.
Cimb alum solo

of folk song s throu ghou t the
are the Klep htic balla ds.
the hero ic deed s of the Klep hts
Afte r a shor t intro ducti on,

Sotir ios Chia nis

KAL AMA TIAN O
The Kala mati ano is the only folk danc e that can
corre ctly be calle d
pan- Helle nic. The mete r of the Kala mati ano is
7/8 (3 + 2 + 2) and the
danc e conta ins twelv e basic steps (in the cycle }.
The entir e Danc e Ense mble
SYN GA THIS TOS HOR OS
The north ern regio n of Gree ce, calle d Epir us,
has alwa ys enjoy ed
a weal thy folkl orist ic tradi tion. Amo ng the num
erou s folk danc es of this
regio n, the Syng athis to is most char acter istic .
The musi c from Epir us
tends to be penta tonic in natu re, slow in temp o,
and with many melo dic
slide s. This danc e is set in 5/4 mete r and perfo
rmed by wom en only.
Row ena- Robe rtson - lead danc er

�TRATA
In parts of Greece, especially along the coastline of the Peloponnesus,
certain dances are highly traditional. The dance, literally meaning the
fisherman's net, reflects the motions of "pulling-in the nets." The Trata
is traditionally danced only by women. The music is in 4/ 4 meter.
Stephanie Zunno - lead dancer

ZONARADHIKO
The Zonaradhiko dance is from the eastern part of the region Thrace.
In this facinating region, people still retain their village customs, costumes,
and rich folk traditions.
The dance, named after the beautiful belts of
Thrace (as can be seen on the dancers), is traditionally performed only by
women.

PAIDOUSKA
Also from the region of Thrace, the Paidouska contains many small
and intricate dance steps. Though it resembles the Bulgarian Paidouska,
this version is definitely Greek.

SYR TOS HOROS
A very common dance in all parts of Greece is the Syrto. It is set
in 4/4 (or 2/4) meter and generally the tempo is lively. In this particular
Syrto, the mode is diatonic and the melodic style characterizes the region
of Roumeli. Many dance tunes, such as this Syrto, are strictly instrumental.
Instrumental Ensemble

BALLOS
The music of the Aegean Islands tends to be rather lively and "lighthearted" in character. Of all the Greek dances found on the various islands,
the Ballas is considered the most common. It is a multi-sectional composition, set in a lively 2/4 meter,
and commonly played strictly instrumentally.
This Ballas is well-known throughout the Aegean.
Instrumental Ensemble

�PENTOZALI
Though the island of Crete is located in the southern Aegean, Cretan
traditions such as music, dances, instruments, language, etc. can be found
on no other Greek island. The Pehtozali is definitely Cretan. Though the
music is quite repetitive, the dance offers many opportunities to display
the leaps, turns, and intricate dance-steps so c ommonly found on Crete.
The Pentozali is traditionally performed by m en.

TSAMIKOS HOROS
In all of Greece, there is no folk danc e more h eroi c in character than
the Tsamiko. The lead-dancer is free to perform the danc e in his own
particular style while the remaining dancers maintain the basic steps of the
dance. Instrumentally, the Tsamiko offers the lead instrumentalist a unique
opportunity to display his improvisatory abilities · in the section of the Tsamiko
known as "sto dopo!'
Saul Stahl - lead dancer

INTERMIS S ION

KERKYRAIKOS HOROS
This music comes from the island of Kerkyra (in English it is known
as Corfu). You will readily hear that West e rn musi cal traditions have very
greatly influenced this music. The music is in 2/ 4 meter and performed
on the instrument known as the kanoun (or ka nonaki).
Lorelei Beer - Kanoun

POGONNISIO
Another characteristic dance from Epirus is the Pogonissio. The dan c e
is in two parts: the first being rather slow an d stat e l y , _while the second
The entire dance continu e s in this manner . . The t ext of the
part is lively.
dance begins:
"I will become a basil plant a t y our window
And will remain a bachelor for y our pleasure."

�KARA GO UNA
This dance com es from
live several nomadic peoples
exceedingly wealthy tradition
dance; beginning slowly and

the plains of Thessaly. On this rich land
such as the Karagounidhes. They have an
of song and dance. Again, it is a doubleending quite lively.

SOUSTA
One of the liveliest folk dances of Crete is the Sousta. The steps
are short and highly intricate. The dance begins at a lively tempo and
becomes even livelier.

ZEIBEKIKO
The Zeibekiko dance is very popular among the islands of the Eastern
The music is set in 9 / 4 meter (divided 4 + 5) and the tempo
Aegean Sea.
Though many Zeibekika have song texts, this one
deliberate.
and
is slow
is instrumental.

SKYRIANOS HOROS
In many regions of Greece, a distinct style is developed for a certain
folk dance. For example, on the island of Skyros (located in the North
Aegean), the Syrto is performed in a typical manner. The music is lively,
gay, and in meter 2/4.

SYRTAKI
A presentation of songs and dances of Greece would not be complete
without the Syrtaki. Though it properly belongs to the popular tradition,
it nevertheless has taken Greece by storm; everyone is dancing the Syrtaki.
The style is Greek but the harmonies are very Western. The dance begins
slowly, with highly stylized steps; and is brought to a close with a lively
dance called the Has sapiko.
The entire Dance Ensemble

�ACKNOWLEDGMENTS

We are greatly indebted to The American Civic Association,
Binghamton, New York, for their willingness to loan us the Greek
Foustanella costumes.
Our sincerest and warmest thanks go to Mrs. Lambro u and her
daughter, Aliki, of Athens, Greece.
Because of their genuine love for
the many traditions of their small island of Skyros, and for their sincere
interest in our Study Program of Greek Folk Music and Dance here at
Harpur, they so kindly made it possible to bring to America (for the
first time) authentic folk costumes from the island of Skyros.
We would also like to acknowledge the Greek Community of the
Triple-Cities and their organizations.
These are:

Annunciation Greek Orthodox Church
Endicott, New York
Father Constantine Combitchis
Holy Trinity Greek Orthodox Church
Binghamton, New York
Father Constantine Regopoulos
Greek Orthodox Ladies Philoptohos Society
Annunciation Greek Orthodox Church
Endicott, New York
• Mrs, Josephine Koukoudes: President
American Hellenic Educational Progressive Association (AHEPA)
Brotherhood Chapter No. 77
Triple- Cities
Mr. Charles Leounis: President
Daughters of Penelope
Athens Chapter No. 39
Triple-Cities
Mrs. Tillie Carbo: President
Greek Orthodox Youth of America (GOYA)
Triple-Cities
Miss Margo Alexander: President

�INSTRUMENTALISTS

*
*
*

*

Accordion - George Romonchuk
Cimbalum, Clarinet
Sotirios Chianis
Dumbek
George Carris Jr.
Guitar
George Carris
Kanoun
Lorelei beer
Mandolin
John Carris
VOCALIST
Kathleen Tyrell
DANCERS
Bunny Mednick
Marcy Meinwald
Barbara Moskowitz
Paul Olson
Sandra Orzelek
Rowena Robertson

Saul Stahl
Alma Sternberg
Brian Sternberg
Daniel Unger
Mark Weinheimer
Stephanie Zunno
SINGERS

Kristin Adolph
Sheryl Bernard
Linda Berry
Robert Brodesky
Francine Carris
Ronald Drumm
Kathie Edson
Lynne Federman
Alice Gavenda
Mirian Gilbert
Ellen Goldhaar
Judy Gross
Karen Gwertzm an
Elise Heim
Cheryl Hyde
Marilyn Kar han
Aviva Katz
Linda Klein

*

Guest Artist

Mary Lawler
Louise Lippen
Carol Lowenheim
Karen Pearlman
Eileen Perahia
Margaret Polemis
Nancyanne Preston
Deborah Reed
Sharon Rosenblum
Jeanne Spira
Elyse Springer
Sherry Stern
Constance Stirling
Phillip S ykas
Gary Trager
Ilene Traiger
Debra Triffleman
Roslyn · Tunis
Linda Uhly

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                    <text>SPRINGCHAMBER MUSIC SERIES
A TRIO

CONCERT

WITH MEMBERS OF THE

LENOX STRIN; QUARTET
and the

NEW YORK WOODWIND QUINTET

Wednesday , March 31, 1971

8 :15 PM

Watters Theater

�PROGRAM
Trio in C Minor (from the Musical Offering)

Bach

Largo
Allegro
Andante
Allegro
Thomas Nyfenger, •flute
Peter Marsh, violin
Christine Lindsay, harpsichord
Arthur Weisberg, bassoon
Future Events

Clarinet Trio in B-flat Major, Opus 11
Thursday, April 1st
Music Recital Hall 4:00 PM

Student Recital.
vocal program.

Friday, April 16th
Music Recital Hall 8:15 PM

Donald McCall, cellist
Solo recital by cellist
of the Lenox Quartet

Saturday, April 17th
Music Recital Hall 8:15 PM

Steve Zank, pianist
Piano recital by visiting
student from Boston
Conservatory

Sunday, April 18th
Watters Theater 8:15 PM

Spring Choral Concert
David Buttolph, conductor

All

Beethoven

Allegro con brio
Adagio
Theme and variations: Allegretto
David Glazer, clarinet
Paul Hersh, piano
Donald McCall, cello

i n t e r mi s s i o n
Horn Trio in E-flat Major, Opus 40
Andante
Allegro
Adagio mesto
Finale: Allegro con brio
Ralph Froelich, French horn
Delmar Pettys, violin
Paul Hersh, piano

Brahms

�</text>
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