53 10 1775 https://omeka.binghamton.edu/omeka/files/original/6f5813811a9a88cb92db3cc5083463b3.pdf 7ba9fd204c252cf591e178f154f5f970 PDF Text Text STATE  UNIVE RSITY  OF  NEW  YOR K  A T BIN GHAM TON CONVOCATIO NS COM MITTEE presents ‘ v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v v ‘ Beethoven S o n a t a s  for  Piano and Violin Ru th and Jaime  LAREDO �Ruth and Jaime LAREDO December 10, 1967 3:00 p. m. Music Recital Hall BEETHOVEN  SONATAS  FOR  PIANO  AND  VIOLIN J A I M E   LAREDO—Violin  R U T H   LAREDO—Piano (1800­1) Sonata  No. 4–Opus 23 in A  Minor Presto Andante  scherzoso,  piu  Allegretto Allegro molto (1802) Sonata  No. 8–Opus 30  No. 3 in G Major  Allegro assai Tempo di Minuetto, ma  molto moderato e grazioso Allegro vivace I NTE RM ISSIO N Sonata  No. 9–Opus 47 in A  Major  ( Kreutzer Sonata ) Adagio  sostenuto–Presto ( 1802­3 ) Andante con Variazioni Finale: Presto TH E  PLACE  OF   TH E  P IANO­VIOL IN  SOi ATAS  I N  BE E THOVEN’S  L IFEWOR K Beethoven published eight sonatas as works for piano “with violin,” or  for  piano  “with  violin accompaniment.”  This  in  no way  means,  however,  that  the  keyboard  is  the  predominating instrument.  Although  Beethoven’s  own  instrument,  on  which he  appeared  in  public  when  he  was  a  rising  young  musician in  Vienna, was  the piano, he  understood  the  violin thoroughly. In 1794  he  took  violin  lessons  from  Ignaz  Schuppanzigh, who later became the celebrated leader of  the group that gave their first hearings to Beethoven’s string quartets.  The  reason for the appellation,  “piano  with  violin,”  was  a  simple  and  practical one.  This  was  before  the  age  of  the  virtuoso  piano  recital.  A co mmo n  practice  of  the  time  was  for  a  pianist­com poser  to give  a  public  concert  with  the  collaboration  of  one  of  the eminent  violinists  of  the  day.  Beethoven  made  such  appear­ ances. Op.  23  in  A  Minor I n  the  fourth  sonata  in  A  minor,  Op.  23,  Beethoven  pro­ duces  a  dazzling  experiment  of  ideas  in  the  classic  form, w riting  m usic  of  constant  stops,  starts,  a n d  su rprises  which flow  with  a  broadly  lyrical  slow  movement. The  first  movement,  Presto  begins  with  a  stormy declama­ tory  theme  from  the  piano,  hut  the  passion  quickly  subsides with  the  transition  to  the  whimsical  second  theme.  The  ex­ position  is  rounded  with  a  motif  much  like  its  opening.  This leads  strikingly  into  the  recapitulation,  which  presents  the exposition motifs  in  a  more familiar  shape, and  then  the  coda occupies  itself  again  with  the freshly bo rn  lyrical  melody  that comes out  of  the  development. The  second  movement,  in  A  major,  is  marked  Andante Scherzoso,  piu  Allegretto,  a  clue  to  the  serious­joking  mood of  the  entire  sonata,  Hero  rhythmic  invention  and  playfulness take  over.  There  is  a  short  development  section,  with  a  re­ flective  use  of  the  opening  syncopations,  and  then  a  lovely ornamental  recapitulation  of  the  opening  material.  The  last movement,  Allegro  molto,  starts  again  with  a  fiery,  dramatic theme,  utterly  unlike  a  classic  rondo  theme  in  spirit.  It  re­ appears  over  and  over,  in  the  same  key,  with  interspersed episodes.  But  the  episodes  are  slow  and  reflective,  as  if Beethoven  were  teasing  the  listener  with  a  constant  brake  on the  momentum. Op. 30  No. 3 in  G  Major The  C  major  Sonata,  Op.  30  No.  3  shows  Beethoven’s remarkable  creative  imagination.  The  first  movement,  Allegro arsui, sonata  fomi  with  a  short  development  section,  and  the concluding  rondo,  Allegro  vivace, are  characteristic  of  his  ex­ pressive  powers.  They  flank  one  of  the  uniquely  shaped  and lovely  slow  movements  of  this  period.  Marked  T em po  di Minuetto,  ma  molto  moderato  e  grazioso,  it  is  of  course  no minuet  but  a  flowing  melodious  invention  in  minuet  rhythm, starting  in  E  flat,  and  somewhat  kin  to  the  dance  rhapsody that  makes  up  the  slow  movement  of  the  Second  Symphony, composed  the  same  year. The  Kreutzer  Sonata The  ninth  sonata,  Op.  47  in  A,  is  the  most  celebrated  of all  violin  sonatas,  so  much  so  that  the  name  “Kreutzer”  itself has  taken  on  mysterious  associations,  which  Tolstoi’s  novel served  to  intensify.  As  Beethoven  explained,  the  sonata  was written  for  a  thoroughly  capable  violinist  and  the  dedication to  Rudolphe  Kreutzer  is  all  the  more  appropriate. The  movement  begins  with  a  slow  introduction,  Adagio Sostenuto,  in  A  major,  which  is  a  Presto.  The  introduction is  never  repeated,  yet  its  influences  prevades  the  movement. The  motif  of  a  rising  second  with  the  second  note  stressed, heard  first  in  the  thirteenth  bar  of  the  introduction,  is  the germinal  motif  givin g  birth  to  eve ry  theme  of  the  movement proper.  For  the  second  movement,  Andante  con  Variazioni  in F  major,  Beethoven  cream.  a  songful  theme  of  great  beauty; then  in,  a  “pianistic”  variation.  a  “violinistic”  varia tion,  a varia tion  in  minor,  a n d  a  re tu rn  to  ma jor,  with  a  d rawn  out, lovoly  coda.  The  closing  movement,  Presto,  is  a  rondo  in tarentelle  rhythm  with  a  sonata­form  development. Program  notes  paraphrased  from  S’orielgl,  Inc.  New  Yo r k . Notes  by  Sidney  Finkelstein,  Beethoven :  The  Ten  Sonatas for  Piano  and  Violin;  Joseph  Szigeti  and  Claudia  Arrau, Vanguard  Recording  Society,  Inc.,  New  York. Ruth and Jaime LAREDO �STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON CONVOCATIONS  COMMITTEE v v v v v v   v v v v v v v e w w v v v v v v v v v v v v v v v v v v RUTH  LAREDO  pianist Ruth  ( Meckler )  Laredo  was  born  in  Detroit,  and  was  a  student of  Rudolf  Serkin and  Mieczyslaw  Horszowski  at  the  Curtis Insti­ tute in Philadelphia. Miss Laredo’s  career  has  been  as full and  varied  as  her  talents. She has performed as  recitalist in  New York,  Philadelphia,  Montreal, the  Phillips  Gallery  Series  in  Washington,  D.C.,  and  the  Garden  Museum  in  Boston,  as  soloist  with  major  orchestras,  in  duo  recitals with  her  husband,  Bolivian  violinist  Jaime  Laredo,  and  in  chamber music  concerts. '\  Ruth  Laredo  has  been  soloist  with  the  Detroit  Symphony  Orchestra,  the  American  Symphony  Orchestra  under  Leopold  Stokowski, the  Marlboro Festival Orchestra, and with the Philadelphia Orchestra. Miss  Laredo  was  chosen  to  represent  the  United  States  as  Carnegie  Hall­Jeunesses  Musicales  exchange  artist  on  a  concert  tour  of Europe.  In  New  York,  her  recital  appearances  have  been  under  the auspices  of  the  young  Artists  Series  of  the  Metropolitan  M useum of  Art, and  the  Young Concert  Artists Series. Ruth  Laredo  toured  the  United  States  this  season  with  “Music  From  Marlboro,”  the  great  chamber  music  groups  which  originated at  the  famed  Marlboro  Festival  in  Vermont,  and  was  honored  when Rudolf  Serkin,  Artistic  Director  of  the  Festival,  invited  the  young pianist  to  appear  with  him  in  performances  of  the  Bach  T riple  Concerto  on  a  State  Department  “Marlboro”  tour  of  Europe  and  the Middle  East.  Miss  Laredo  also  appeared  in  an  all­contemporary  American  chamber  music  program  at  Philharmonic  Hall  of  Lincoln Center,  in  New  York. J A I M E  L A R E D O   violinist Since  he  won  the  coveted  Queen  Elisabeth  of  Belgium  Competition  in  1959,  Bolivian  violinist  Jaime  Laredo  has  distinguished himself  here  and  abroad  as a  violin  virtuoso  of  the  first  rank.  Now  at  the  age  of  24  he  has  to  his  credit  appearances  with  the  orches­ tras  of  New  York,  Boston,  Philadelphia,  Cleveland,  Washington,  Chicago  and  Dallas,  among  others.  He  has  also  concertizcd  widely through  Europe,  South  America,  the  United  States  and  Canada. Mr.  Laredo  has  been  honored  many  times  in  his  native  Bolivia, and  one  of  the  highest  accolades received  was a  series of  com­ memorative  stamps  issued  in  his  honor  in  1960.  More  recently,  he  was  named  Cultural  Attache  representing  Bolivia  at  The  United Nations,  making  him  the  youngest  representative  to  the  august  organization. Laredo  was  also  honored  by  Rudolf  Serkin  when  he  invited  the  young  violinist  to  appear  in  performances  of  tho  Beethoven Triple  Concerto  during  the  first  tour  of  Europe  and  the  Middle  East  of  Music  From  Marlboro,  the great  chamber  music  groups which originated  at  the  famed  Marlboro  Festival  in  Vermont.  He  also  toured  the  United  States  this season  with  Music  From  Marlboro,  and will do  so  again  during  the  1966­67 season  in addition  to  fulfilling his  usual  commitments as soloist  with  orchestra  and  in  recital  from coast to  coast. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:33 31:55 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60323 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60323">Ruth and Jamie Laredo Recitall</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth and Jamie Laredo Recital, December 10, 1967 Subject The topic of the resource Concerts Description An account of the resource Held at 3:00 pm, Dec. 10, 1967, Music Recital Hall. Works of Beethoven. Creator An entity primarily responsible for making the resource Laredo, Ruth Laredo, Jamie Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-10 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Ruth and Jamie Laredo Recital, December 10, 1967.pdf https://omeka.binghamton.edu/omeka/files/original/e5af3c1066d3370ade0826eb5830c54a.pdf 8df1276f876764f8eab7c21ce14df916 PDF Text Text I’ATE  UNIV E RSITY OF  NEW  YORK  AT BINGH AMTON HARPUR  COLLEGE T HE DEPARTMENT OF  MUSIC R UT H  LAREDO,  Guest  Pianist December  13, 1967  8 :1 5 p. m.  T he College T heater P RO   GRAM Sonata  in G Ma jor, K. 379, for Violin & P iano  Mozart Adagio ­  Allegro Thema ­  Andantino cantabile John Dalley, violin  Ruth Laredo, piano Sonata  in D Minor, Op. 40, for  ’Cello & Piano  Allegro non troppo Allegro Largo Allegro David Soyer,  ’cello  Shostakovich Ruth Laredo, piano Intermission 7Trio  in E Minor, Op.  90 (“ Dumky”)  Dvorak Lento maestoso Andante Andante moderato Allegro Lento maestoso Rut h La redo, piano  Jo hn Dalley, violin  Da vid Soyer,  ’cello FL’TL’RE  EVENTS  CALENDAR DECEMBER  14  OPEN  REHEARSAL Thursday, 11 :00— 1 :00  M usic Recital  Hall T he Guarneri String Quartet DECEMBER  14  Thursday, 8:15 p. m.  M usic Recital  Hall  No charge T HE  HARPUR  COLLEGE  ORC HEST RA Infor mal reading of contem porar y English com positions No charge � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:59 26:05 34:11 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60327 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60327">Ruth Laredo Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth Laredo Recital, December 13, 1967 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, Dec. 13, 1967, College Theater. Works of Mozart, Shostakovich, and Dvorak. Creator An entity primarily responsible for making the resource Laredo, Ruth Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1967-12-13 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Shostakovich, Dmitriĭ Dmitrievich, 1906-1975 Dvořák, Antonín, 1841-1904 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Ruth Laredo.pdf https://omeka.binghamton.edu/omeka/files/original/61f3aa99df1fb309729b2049b57da380.pdf 3cadc8c88defe770a7dc468ada4bc952 PDF Text Text STATE U N IVE R S I T Y  O F  N E W  YO R K  A T  B I N G H A M TO N l lARPl’R COLLEGE TH E DE PARTMENT OF  MUSIC SENIOR  RECITAL Ellen  Leinwand, pia no  e  David Crowe,  pvrcu. . ion / January 5, 1 968  lr’  ' 8 15 p.m. Music Recital  Hall PROGRAM Scherzo  for  Four  Timpani David Crowe, percussion Rebecca Tobin, piano Sonata  No.  15, Op. 28 in D Ma jor Allegro Andante Scherzo ­  Allegro vivace ­  T rio Rondo ­  Allegro ma non t roppo E llen Leinwand, piano Didier Graeffe Ludwig v.  Beethoven Intermiss ion Rondo  for  Ma rimba .  ‘ 7 ,   " David  Crowe, percussion Susan Peters, piano Intermezzo, Op. 117, No. 2 in B Flat Minor Capriccio, Op. 76, No. 8 in C Major Intermezzo, Op. 119, No. 1 in B Minor Capriccio, Op. 116, No.  3 in C Minor E llen Leinwand, piano Hors  d ’oeuvres David Crowe, percussion Barbara Garges, piano T heodore Frazeur Johannes  Brahms Roland  Petit A  RECEPTION  honoring t his evening’s performers will  he held in the Green Room Lounge ad jacent to the  Recital Hall immediately following the performance.  All are cordially invited to attend. T his  recital is gi ve n in part ial f ulfil l m e nt of t he  requi rements for t he degree of  Bachelor of Arts in Music. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:10 30:34 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60332 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE60332"> Ellen Leinwand and David Crowe Senior Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ellen Leinwand and David Crowe Senior Recital, January 5, 1968 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, January 5, 1968. Works by Graeffe, Beethoven, Frazeur, Brahms, Petit. Creator An entity primarily responsible for making the resource Leinwand, Ellen Crowe, David Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-01-05 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Brahms, Johannes, 1833-1897 Beethoven, Ludwig van, 1770-1827 Frazeur, Theodore Petit, Roland Graeffe, Didier State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Ellen Leinwand and David Crowe Senior Recital.pdf https://omeka.binghamton.edu/omeka/files/original/4e1a9eb136b29e2f6836dc55b68f9c8b.pdf dab378d8f19a7e2d4b89fed87b613d05 PDF Text Text S TAT E  U N IVE RS IT Y  O F  N E W  YO R K  A T  B I N G H A M TO N HA RPl ’ R  COLLEGE T H E  D E PA R T M E N T  O F  MUSIC THE  HARPUR  ORCHESTRA Da v i d Bu t to l p h ,  co nd u c to r with JEAN  CASADESUS, PIANIST­IN­ RESIDENCE Sunday, January 7,  1968, 8 :15 p. m. T he College T heater �PR OGRAM Suite  de  Pulcinella  Sinfonia Serenata Scherzino ­ Allegro ­ Andantino Tarantella Toccata Gavotta con due variazione Vivo Minuetto ­  Finale Concert  Champétre  pour  Piano  et Orchestre  Jean Casadesus, pianist Allegro molto Andante Presto Igor Stravinsky Francis Poulenc Intermission Siegfried Idyll  Richard Wagner Second Concerto pour Piano et Orchestre (Op. 22)  Camille Saint­Saéns Jean Casadesus, pianist Andante sostenuto Allegro scherzando Presto A  RECEPTION  honoring  this evening’s performers will be held in the Green  Room  Lounge  adjacent  to  the  Music  Recital  Hall immediately following the concert.  T he audience is cordially invited to attend. Ushering  courtesy  of  Alpha  P hi  Omega  and  Gamma  Sigma Sigma. Smoking is permitted in the hallways, but not in the theater. �P ulcinella  Suite  Stravinsky ) (1882~  In  the  years  1917­1920,  the  director  of the Ballet Russe (Diaghileff) conceived  the  idea of devising some new productions based upon music by old  Italian  composers.  Instead  of  merely arranging and transcribing the material chosen, Stravinsky reverted in  imagination to the environment of the  Neopolitan  music­makers  of  the  early  eighteenth  century.  Taking material f rom five trio sonatas and a popular song as a point of departure, Stravinsky  creates  a highly original  “portrait” of  Pergolesi, a distillation of the spirit of the tunes, an enlivening and strengthening of  phrases rather than arbitrary decoration. Concerto  Champetre  Poulenc (1899­1963) T he  Concerto  Champetre,  or  “Rustic  Concerto” belongs to the com­ poser’s  so­called  “elegant  period. ”  Composed  in  1927­28,  Poulenc desc ribes  the work as “set in a very definite atmosphere of the eighteenth century. ”  Not  surprising  when  we  realize  that the work was inspired by Poulenc ’s f riendship with the late Wanda Landowska, and written originally for harpsichord. T he piano version (authorized later) can scarcely disguise the musical alliance  between  the Baroque style and the surprises of modern harmony. Siegf ried  Idyll  Wagner (1813­1883) Composed  in  November  of  1870, the Siegf ried Idyll was rehearsed in utmost  secrecy  and  performed  early on Christmas morning on the stairs of  the  Wagner  home  as  a  surprise  birthday  present to the composer’s wif e, Cosima. T he  Idyll  is a piece of  intensely quiet and purely instrumental music, connected  with the opera only by a private undercurrent of  poetic illusion. Concerto  in  G  Minor  Saint­Saéns (1835­1 921) Anton  Rubinstein  wanted  to  conduct  a concert in Paris and asked his good  f riend,  Camille  Saint­Saens,  if  he  would  write  a concerto.  Three weeks  later  the  work  was  performed,  the  composer  playing as soloist. T he year was 1868. T he G minor concerto ­ second of five piano concerti ­ is unquestion­ ably  stamped  with  the  mark  of  a  master  musician, brillian organist and piano  virtuoso ;  a man who, by reason of  his high standards in form, style and  workmanship,  was  greatly  responsible  for  the  emergence of  French instrumental  music  f rom  a subservience to the opera tradition during the latter half of the 19th century. �THE  HARPUR  ORCHESTRA VIOLINS Marianne Wallenberg Barbara  Hull Nancy Robbins Gaye Butler Judith Sackser Marcia Carpenter Edward Pettengill Kay Roberts Diane Berde Ruth Everett Sally Shaf er Sophie Horowitz Marie Kulasza Jeffrey Feinsilver John Hagopian VIOLAS David Einf eldt Valarie Gara bedian Russell Colton Kenneth Hollister Karl Getz Ira Miller CELLOS Fritz Wallenberg Jane Whitmore Donal O’Buckley Linda Driver BASSES Richard Thomas Dayle Sherba Stephen Kotrch FLUTES Margaret Jackson Christine Dietrich OBOES Sue Weiner Geoffrey Barron CLARINETS Beverly Tomasosky Michael Bereha BASSOONS Dennis Williams Linda Crane Louise Belsky HORNS Karen Kester George Papstrat Brian Sternberg Timothy Wetherbee TRUMPETS John Williams Delbert Cobleigh T ROMBON ES John Baldon Allen Thompson TUBA Alan Thrasher TIMPANI David Crowe P ERCUSSION Robert Mersky Christian Granger PERSONNEL  MANAGER Alan Thrasher LIBRARIAN Ann Grant � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 23:59 27:59 23:52 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63025 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63025"> Jean Casadesus Concertl</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jean Casadesus Concert, January 7, 1968 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, January 7, 1968, College Theater. Works of Stravinsky, Poulenc, Wagner. Creator An entity primarily responsible for making the resource Casadesus, Jean, 1927-1972 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-01-07 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Stravinsky, Igor, 1882-1971 Poulenc, Francis, 1899-1963 Wagner, Richard, 1813-1883 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Jean Casadesus Concert_1968-01-07.pdf https://omeka.binghamton.edu/omeka/files/original/23b1206e80eaefbd5dac00a0a6cb80e5.pdf efdf97306cd1f9f9215ceed246d1e1f3 PDF Text Text S TA T E  U N IVE RS IT Y  O F  N E W  YO R K  A T  BIN GH AMTON HA RP U R  CO LLE GE T H E  DE PA RT M E NT  O F  MU SIC VOICE  STUDIO R EC ITAL 3 We dnesday ,  Ja nu a ry  17 .  19 68 JAPE  1 8 :15  p . m . M us ic  Re c ita l  Ha ll P RO G R A M ARM,  ARM,  Y E BR AV E  (Juda s Mac ca ba eu s ) Ke ith W i llc ox ,  ba ss Ha nd e l PANIS ANG EL ICUS F ra nc k Jo y E dw a rdse n,  sopr an o IN  QUESTA  TOMHA  OSCURA Be et ho ve n O ISIS UND OSIRIS (Die  Za ube rfloete ) Freder ick Rich a rds.  ba ss Mo za rt V E RGIN ,  TU T TO A M OR Du ra nte DANZ A,  DANZ A,  FANC IU LL A  GE NTILE Lin da  Uh ly,  sopr an o Du ra nte IN  TH E  MI DS T OF THE BAL L Pa ul Robb ins ,  tenor Tc ha iko vs ky ete r  Gronac ha n,  ba rit one Ma rc ia  Be rnha rdt ,  mezz o­soprano DEL  MIO CORE (Orfeo) Lin da  Ho lge rs,  sopr an o  .  — (a pe  2 ­ Hay dn PE R  LA  GLORIA D ’ADOR AR VI Ja m es  Va n Har t,  ten or Bo no nc ini UN C ER TO N ON SO C HE Gr ac e Martin ,  soprano Viv a ld i LUNGI DAL C ARO BE NE G.  Mi chae l Rau che r,  tenor Se cc hi RO LL IN G IN  F OA MING BI L LOWS ( C rea t ion ) Pa ul Da rnell ,  ba ss Ha y dn SI,  MI C HIA MANO MIMI ( La  Bohem e) Lin da T ra ve r,  sopr ano Pu cc ini ­  int er miss ion ­ �P R O G R A M  ( Cont in ue d) TM:  J TOTA L EC LI PS E  (Sa m son)  Alan A .  Ka tz ,  te no r V I O L A  Q U E B R A D A   Ja yne  Ka pla n,  m ez zo ­s op ra no Ha ndel V i lla­Lobos NONE  BU T  TH E  LONE LY  H E AR T  Do m in ic  De fa zi o,  ba rit one Tc ha iko vs ky O MIST RE SS M IN E  Ro ge r Qu i lte r Thom as Strain,  ba rit one ‘ NE BBIE  Na nzy Ca rls on ,  me zz o­sopr ano VE RBORGE NH EI T  Anne Gra nt ,  m ezzo­s op ra no AU F EIN A LT ES BILD  DE R  GA ERTNER  Ca ro lyn K im ble,  sopr ano CH ANSON  EPIQUE (Don Quichotte a  Du lc ine e)  IM R H EIN  (D ic ht e rli ebe)  Russel l  Fu lle r,  ba rit one AU F DE M SE E  DORT IN D EN W EIDEN  J u d i t Wolf W o lf Te rr y  Howe ll,  ba rit one BOTS CH AF T  Resp igh i h Elte rm an ,  m ez zo ­s op ra no Wolf Brah m s Ra ve l Sc hu m ann Br ah m s Brah m s DANS LES R UINES D’ UN A BB AY E  [ A =   7  Ja net  Pete rson,  soprano Fa ure LES  BE RC EA UX  Fa ure CHANSON  TRISTE  TES YE UX  ‘  Ma rga re t Jac ks on ,  m ez zo­sop ra no Alida Sta hl,  soprano AU F OND DU T EM PLE  SAIN T ( Le s  Pe cheu rs de  Pe rles )  Al a n  A .  Ka tz ,  te no r Te rr y  Howe ll,  ba rit one Donna  Ha lle n,  pia no Ba rbar a  Ga rges ,  ac co mpan ist fo r M iss S ch losse r ’s st ud en ts . Cha i­kyou Kim ,  ac co m pa nist f or M r.  W ill iam ’s  st udents . Dupa rc Ra bey Bize t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 17:41 26:11 37:10 16:03 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63031 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63031"> Voice Studio Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voice Studio Recital, January 17, 1968 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, January 17, 1968, Music Recital Hall. Works of Handel, Franck, Beethoven, Mozart, Tchaikovsky, Vivaldi. Creator An entity primarily responsible for making the resource Dept. of Music, State University of New York at Binghamton Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-01-17 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Handel, George Frideric, 1685-1759 Mozart, Wolfgang Amadeus, 1756-1791 Tchaikovsky, Peter Ilich, 1840-1893 Vivaldi, Antonio, 1678-1741 Franck, César, 1822-1890 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Voice Studio Recital 1-17.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 16:32 38:14 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guarneri Quartet Recital, February 11, 1968 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, February 11, 1968, Harpur College Theater. Works of Klenz, Webern, Korte. Creator An entity primarily responsible for making the resource Guarneri Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-02-11 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Webern, Anton, 1883-1945 Korte, Karl State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058545 39091020058594 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28:48 16:34 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63035 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63035"> New York Woodwind Quintet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York Woodwind Quintet Recital Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, February 13, 1968, Harpur College Theater. Works of Fine and Adler. Creator An entity primarily responsible for making the resource New York Woodwind Quintet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-02-13 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Adler, Samuel, 1928- State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058644 39091020058693 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 33:05 24:59 27:58 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid= Photo of Subject <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63039"> Combined Choral Concert</a> Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63039"> Combined Choral Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Combined Choral Concert Subject The topic of the resource Concerts Description An account of the resource Held February 18, 1968, Harpur College Theater. Conductors: Rafaele Cantanzariti, Geneseo, Dennis Williams, Harpur College. Creator An entity primarily responsible for making the resource Cantanzariti, Rafaele Williams, Dennis Choristers, Carol SUC Geneseo Harpur College Men's Glee Club Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-02-18 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Cantanzariti, Rafaele Geneseo Williams, Dennis State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058743 39091020058798 39091020058255 https://omeka.binghamton.edu/omeka/files/original/ea41301d3b8ee0f0762d0dada8ea47a3.pdf 3d852dc8d17f1115894344a5ec6c456d PDF Text Text STATE  UNIVERSITY  OF  N E W  YORK  AT BI NGHAMTO N HA RPU R COLLEGE T H E DEPARTME NT OF  MUSIC THE  GUARNERI  STRING  QUARTET in residenc e Michael T ree,  viola David Soyer, cello A rnold Steinha rdt, violin  John Dalley,  violin  Ha rpur College T heater  F ebrua ry 25, 1968  8:15 p. m . PROGRAM W . A .  Mo za rt Qua rtet in D  Ma jor, K. 575  Allegretto Andante Menuetto.  Allegretto Allegretto L. von Beethoven Quartet  in E­Flat Ma jor, Op. 74  Poco Adagio; A llegro Adagio Presto Allegretto con  Va riazioni Intermission Maurice Rave l Qua rtet  in F  Ma jor  Allegretto moderato ­ tres doux Assez vif ­ t rés rhythme’ T rés lent Vif et agite Ushering courtesy of Alpha Phi Omega and Ga m ma Sigma Sigm a. FUTURE  MUSICAL  EVENTS SU N DAY,  MARC H  3, 8 :15 p.m .  College Theater, N o cha rge  T H E  COLLEGE  WIN D E NSE M BL E conducted by  Robert We r ne r W E DN ESDAY,  MA RC H 6, 12 :15 p.m .  M usic Recital Hall, N o cha rge  JOH N  M E T Z,  PIAN IST Wor ks by Sca r latti, Beethoven, M essiaen SUNDAY,  MA RC H  10, 8 :15 p.m .  Music Recital Hall, No charge  NOON  RECITAL Student Performers �QUARTET  IN  D MAJOR, K.  575  ­ W.  A.  Mozart T he  Qua rtet  in  D  Ma jor of  Moza rt (K. 57 5)  is one of the pro jected set  of  six  (only  three  were  written)  dedicated to F rederick  William II and  therefore  known  as  the  “ Berlin”  or  “King  of P russia ” qua rtets. The  King  was  a  ’cellist  which  accounts  for  the impo rtance gi ven the cello  in  their  fabric.  Cha racterized by a  richness and beau ty of sou nd and  genial  melodic  inspiratio n  they  represen t  the  balance  among th e elements  of  spontane ity,  tradition  and  science  which Mo za rt achieves in his lat est work s. QUARTET  IN  E ­FLAT  MAJOR, OP. 74  ­ L. von  Beethoven Beethove n ’s tenth quartet, Op. 74, wa s written i n 1 809 and p ublished in  1810.  Of  all  the qua rtets, it pe r ha ps conve ys the gr eatest be auty of shee r  sonority.  T he  magical  spacing  of  the  pa rts  in the lab ryinthine int roduction  and  the  a rpeggios  — bowed  and  plucked —  of  the Allegro (which gi ve the wo rk its nic kname, t he “Ha rp”) a re all dis posed in such a  way  that  the  physical  beauty  of the sound beco mes (as  is not always the  case  with  Beethove n)  an  unusually  affective  dimensio n.  This is especiall y true of  the Adagio where the considerable use of subdominant ha rmonies contribut es to the exalted serenit y of the movement.  The form is strophic— a Lied, or aria of three stanzas—each repeat being va ried, and,  something  exceptional,  the  principal  melody  (I  violin)  cast each time an octave lower so tha t the fina l verse ca n make use of the ea rnest ent reaty of t he violin ’s lowest st r ing. T he Presto  (not actua lly ma r ked”Sche r zo ”) is built upon the  famous  ­ ­ .)  which ha s al ready a ppea red a t the cod a of the fi r s t “V ”  motive  (­ 7 Allegro.  The  key (C m inor) and the moti ve inevit ably reca lls the F ifth Symphony  (Op. 67) a nd the rel ationship between the “Sche rzo” and  “T rio” certainly  suggests  a simila r r hythmica l  juxtaposi tion in the Scherz o of the Ninth . The  theme  of  t h e  Allegret to  con  Variz ioni  is  taken f rom a Sy m­ phony  (in  C)  by  Haydn.  T he  movemen t,  though  genial, is  relative ly slight.  It  should  be  rega rded  as  an  elegant,  gracious epilogue added like  a  program  encore,  the t rue force of the pi ece having expend ed i t ­ self  in  the  preceding  P resto –which,  be  it  again  noted, Beethoven did not  mark “Sc herzo. " QUARTET  IN  F MAJOR ­ Maurice Ravel The single quarte t of  Ravel, which dates from the year 1902, is one of  the  masterpieces  of  French  chamber  music.  Dedicated to Ravel ’ s teacher,  Gabriel Fauré, it e xtends the idiom of that composer with Ra ­ vel ’s  unique  fla i r  for  color  and  effect.  Essentia lly  classic i n form ­ F rance  remains  the  home  of  classicism  ­  it exploits the full  range of inst rumental  vi rtuosity  without  a ny t race of a r rant disp lay ; eve rything is subordinate to expressive intention, marked by prec ision and refine ­ ment and by an extraordina rily beau tif ul aesthe tic surfa ce. P rogram notes by Wil liam  Klenz � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 29:29 33:19 24:04 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63044"> Guarneri Quartet Recital&nbsp;</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guarneri Quartet Recital, February 25, 1968 Subject The topic of the resource Concerts Description An account of the resource Held at 8:15 pm, Feb. 25, 1968, Harpur College Theater. Works of Mozart, Beethoven, Ravel. Creator An entity primarily responsible for making the resource Guarneri Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-02-25 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Beethoven, Ludwig van, 1770-1827 Ravel, Maurice, 1875-1937 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context Guarneri Quartet 2-25.pdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:13 26:48 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63049 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63049"> Ruth and Jamie Laredo Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ruth and Jamie Laredo Recital Subject The topic of the resource Concerts Description An account of the resource Held March 6, 1968. Piano-Violin Sonata no.6 & no.10 / Beethoven. Creator An entity primarily responsible for making the resource Laredo, Ruth Laredo, Jamie Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1968-03-06 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058503 39091020058552