55 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:34 20:09 37:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243501">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243501</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Masselos, Recital, October 7, 1972 Recital tape 1972 10-7 Description An account of the resource Held October 7, 1972. Creator An entity primarily responsible for making the resource Masselos, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fe26d6d3e5a21035b8f3fde3e436a168.pdf 594e68532b700db2537252406623a3b7 PDF Text Text THE STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents THE LENOX STRING QUARTET i n res idence Peter Marsh, v io l in Delmar Pe t tys , v io l i n Toby Appe l , v io la Dona ld McCa l l , c e l lo Wednesday, October 25 , 1 9 72 Don A . Watters Theater – 8 : 1 5 p . m . �P rogra m Quar te t i n C Ma jor , Opus 33, No . 3 Haydn “The Bird” A l le g ro moderato (A l le g re t to) Scherzo Ada g io (P res to) Rondo Ezra Laderman (1969) Quartet No. 3 (Composer i n res idence) In Four Movements INTERMISSION Quartet i n C Minor , Opus 5 1 , N o . l Brahms A l le g ro Romanze (Poco adag io) A l le g re t to mo l to moderato e comodo A l le g ro The Un i ve rs i t y Orches t ra conduc ted by A l f red Mor r is , w i t h gues t a r t is t Seymour Fink , p ian is t , w i l l presen t the next concert November 3, 1 9 72 a t 8 : 1 5 p . m . i n the Watters Thea te r . The Lenox Quar te t w i l l present the nex t concert i n th is Chamber Se r ies Sa t ur day , Novem– ber 1 1 , 1 9 7 2 . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:34 41:14 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243506">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243506</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet, October 25, 1972 Recital Tape 1972-10-26 Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-10-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/aab91eb8735c192e4babe90ce20d6edd.pdf 9b9cceafe30aa71a3ae45040c2367908 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents THE HARPUR SYMPHONY ORCHESTRA Alfred Clinton Morris, conductor Seymour Fink, guest soloist Friday, November 3, 1972 Don A. Watters Theater, 8:15 p.m. �Trumpets Brian King Edward Helbein Fred Back lund Robert Lindstrom Trombones Michael Rosen Danny Addison Steve Howell Tuba Tom Wood Timpani Pat Hollenbeck Joe Roma Percussion Michael Beebie Dean Fidelman Harp Betsy Wagner Orchestra Oﬀicers President, Brian King Vice President, Nancy Ranger Secretary, Peggy Acker Librarian and Personnel Manager, Anna Hemmendinger � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 30:23 12:58: 43:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243562">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243562</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Symphony Orchestra Concert, November 3, 1972 Recital tape 1972-11-3 Description An account of the resource Works of Copland, Beethoven and Franck. Held at 8:15 pm, November 3, 1972, Watters Theater. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-11-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 24:30 30:13 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243514">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243514</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ezra Laderman Lecture, November 8, 1972 Recital tape 1972 11-8 Description An account of the resource Held November 8, 1972. Creator An entity primarily responsible for making the resource Laderman, Ezra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-11-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/00bcfd43c010af342b4386ea641f3e7f.pdf 46aa26d698e1ee3d6a155ab8136d8fe2 PDF Text Text THESTATEUNIVERSITYOFNEWYORKATBI NGHAMTON DEPARTMENT OF MUSIC presents THE LENOX STRING QUARTET in residence Peter Marsh, violin Delmar Pettys, violin Toby Appel, viola Donald McCall, cello Saturday, November 11, 1972 Recital Hall – 8:15 p.m. Fine Arts Building �Program Notes All Beethoven Program Tonight ’s Beethoven program has an unusual feature. Beethoven wrote Opus 130 between 1823 and 1826, the last years of his life, when he was totally deaf. In its original form, Opus 130 had as its ﬁnale The Grosse Fugue. Quartet in A Major, Opus 18, No. 5 Beethoven Allegro Menuetto Andante cantabile Allegro The Fugue, considered unplayable by string players contem– porary to Beethoven, was radical and incompre– INTERMISSION hensible to the audience at the ﬁ rs t performance. Artaria, Beethoven ’s publisher, persuaded him to write a new ﬁnale , which proved to be the last work completed before his death. It is of felicitous character, entirely diﬀerent from the heroic feeling and proportions of The Fugue. The Fugue was later published as Opus 133, a separate work. As you will notice, tonight ’s program juxtaposes both ﬁnales of Opus 130. Quartet in BP Major, Opus 130 Beethoven Adagio, ma non troppo – Allegro Presto Andante con moto, ma non troppo Allegro assai (Alla danza tedesca) Cavatina (Adagio molto espressivo) Allegro Quartet in BP Major, Opus 133 Beethoven “The Grosse Fuge” Overtura Fuga (Allegro) Meno mosso e moderato Allegro molto e con brio The next concert in the Chamber series will be presented by Toby Appel, violist, and Walter Ponce, pianist, Wednesday, December 13, 1972 at 8:15 p.m. in the Don A. Watters Theater. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:31 30:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243536">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243536</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet, November 11, 1972 Recital tape 1972-11-11 Description An account of the resource All Beethoven program. Held at 8:15 pm, November 11, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-11-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6977d43e6d928414e6f354bdb2323892.pdf 58cde290417c1bc3b42f940a3ffcbaf1 PDF Text Text �THE HARPUR CHORALE PROGRAM Fred Thayer, Director Glory to God in.the Highest PERSONNEL Randall Thompson (1899) Alla Riva Del Tebro G. P. da Palestrina (1526-1594) ranos Abendlied Zu Gott Robyn Friedman Laurie Kieﬀer Diane Krasinski Karen Madsen Valarie Overton Susan Ball Maria Bartolotta Amy Beech K a t h y Denmark Victoria Devany Doryce Penn Jody Silbiger F. Joseph Haydn (1732-1809) Ma r t i n K a s s , accompanist Sherri Strichman Carol Weir Sara Whitmore ENSEMBLE Ri cha rd Tou lson , director Altos Sing We and Chant It Marla Frazer Karen Fung Leslie Green Deborah Hamilton Susan Hamilton Susan Hoﬀmeister Karen Adler Maria Belva Wendy Bishop Jill Borenstein Jeanne Falinski Lori Finkelstein Allison Jameson Marjorie Millan Evelyn Pellicane Barbara Savage Barbara Wild Stacie Williams Song for Chorus and Piano Richard Berent R i c h a r d B e r e n t , accompanist “Cum Sancto Spiritu” _ from Petite Messe Solennelle Tenors Richard Berent Marc Berman Greg Gibbs Ian Kirschner Thomas Morley (1557-1602) (1954~ Gioacchino Rossini (1792—1868) Jill Borenstein, Glen Lyons Craig Russell Kevin McDermott Mitch Mendelson David Roseman Richard Toulson Jay Tran Philip Wu Barbara Savage , accompanistas INTERMISSION Psalm 90 Charles Ives (1874-1954) Basses R i c h a r d Brehm Robert Halliday Martin Kass Gary Levine Ross Levinson Kenneth Martin T i m Dungan James Elniski Ke i t h Go rhan J ay Gronachan President Vincent Vito A l l is o n Jameson Ri cha rd Tou lson J eanne F a l i ns k i G re g G ib b s S t ac i e W i l l i a ms Home Area Manager Tour Manager Secretary Treasunen Librarian R us s e l l S e n t i P h i l i p Wu She r r i S t r i ch man Men’s Wardrobe Women’s Wardrobe _2_ Publicity Sara Whitmore, orga R o b e r t H a l l i d a y , B a r b a r a S ava g e, R i c h a r d To u l s o n , Barbara W i l d , percusgion Laurie Kieﬀer , Philip Wu, soloists Andrew Rosing Bruce Sabacek Russell Senti David Swanda OFFICERS Gary Levine ) Reincarnations Mary Hynes Anthony O ’Daly The Coolin Samuel Barber (1910~ ) Great Day Arr. Warren Martin Susan Ba l l , Ri cha rd Brehm , Ke i t h Go rham , Ga ry Le v i ne , Jul Don A . W a t t e r s T h e a t e r 4 8 December 1 1 , 1972 �ACKNOWLEDGEMENTS We wish to thank our friends who have helped us this fall, and a special thanks to the following: Mr. Seymour Fink U.S.C. Representatives (particularly Mr. Fric Frank and Mr. Peter Knapp) Mr. A1 Hackling Mrs. Leatha Houck Mrs. Helen Donovan Mrs. Irene Sabacek Mr. Albert Hamme Mr. Philip Ccnole Mr. Chris Granger Mr. Alfred G. Brooks Mr. Harry Lincoln Mrs. Barbara Maxwell T r. Philip Friedhei m Miss Pam Fentv Mr. James Elnisl:i was the designer of the poster and the program cover. Miss Linda Uhley and Mrs. Patricia Thayer contributed their sewing skills. Especial thanks to Mr. Philip Wu and his friends in Taiwan for their contribution to the Chorale. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:24 53:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243541">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243541</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kaleidoscope in Sound, Harpur Chorale, December 11, 1972 Recital tape 1972-12-11 Description An account of the resource Works of Thompson, Haydn, Morley, Rossini, Ives and Barber. Held on December 11, 1972, Watters Theater. Creator An entity primarily responsible for making the resource Harpur Chorale Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-11 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/7c5f660ea2aa4c3ede3e024a00e639cc.pdf e90737bd19e36af8f1f5c6ceb50d62a8 PDF Text Text THE STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents A VIOLA AND PIANO RECITAL Toby Appel, viola with Walter Ponce, piano Wednesday, December 13, 197 2 Don A. Watters Theater - 8:15 p.m. �PROGRAM Igor Stravinsky Sonata for viola and piano Largo Allegro Largo Allegro Antonio Vivaldi Elegie for unaccompanied viola Lento Premiere Sonate alto et piano Entrée I II Francaise III Air IV Final Darius Milhaud Paul Hindemith Sonate für Bratsche allein Op. 25 Nr. 1 (Sonata for unaccompanied viola) Breit Viertel I II Sehr Frisch und straff III Sehr Langsam IV Rasendes Zeitmas V Langsam mit viel Ausdruck (Pictures from Fairyland) Märchenbilder R. Schumann viola and piano Op. 113 (moderato) Nicht Schnell Lebhaft (vivace) (vivace) Rasch Langsam, mit melancholischem Ausdruck (Lento malinconico) - INTERMISSION - The University Chorus and Orchestra conducted by Alfred Clinton Morris with guest artists Mareda Graves, soprano, Carole O'Hara, mezzo-s oprano, Jack Horton, tenor, and Brannon Hall, Baritone, will present C. P. E. Bach's Magnificat on Monday, Decemb e r 18, 1972 at 8:15 p.m. in the Watters theater. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 43:31 30:53 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243545">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243545</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viola and Piano Recital, Toby Appel and Walter Ponce, December 13, 1972 Recital tape 1972-12-13 Description An account of the resource Works of Vivaldi, Milhaud, Schumann, Stravinsky and Hindemith. Held at 8:15 pm, December 13, 1972, Watters Theater. Creator An entity primarily responsible for making the resource Appel, Toby Ponce, Walter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-13 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d53d0c7430229dfe5a569c625e4c97ef.pdf 9d5271af6a1778c009c8689284b42b40 PDF Text Text S @ R S T 4 i NaC 3) + 3 . EA NDT \ Aha a ar PP { N & x. ~ ~ T H E UNIVERS ITY CHORUS A N D ORCHES TRA o f the STATE UNIVERS ITY O F N E W Y O R K AT BINGHAM TON directed by ALFRED M O R R I S pre s e n t MAGNIFICAT by CARL I’HILII’I) EMANUEL BACH FANTA SIA O N CHRIST MAS CAROL S hy RALPH VAUGHAN WILLIAMS CHRIST MAS CONCE RTO ANGELO CORELLI MONDAY . DECEMB ER 18 8:15 p. m . WATTER S THEATE R, SUNY - BINGHAM TON �T H E HARPUR SYMPHONY ORCHESTRA and UNIVERSITY CHORUS CHORUS : Magn iﬁca t anima mea Dominum. My soul doth magni f y the Lord . And my sp i ri t hath re joiced i n God my Saviour . E t e xu l t av i t s p i r t us me us i n Deo sa lu t ar i meo . Alfred Clinton Morris, conductor Nico la Maris i , assistant conductor SOPRANO: Q u i a respe xi t h umi l i t a t em A N ADVENT CONCERT PROGRAM Concer to grosso, Op us 6, No . 8 (Chris t mas Conce r to) For he hath regarded the lowl iness of h is handmaiden . For behold , f rom henceforth a l l generations sha l l ca l l me b lessed . anc i l lae suae : ecce enim ex hoc beatam me dicen t omnes genera t iones . A rcange lo Core ll i ! (1653-1718) Vivace, grave Allegro Adagio, allegro, adagio For he that i s migh ty hath magn iﬁed me ; and holy i s h is Name. po tens es t ; e t sanc t um nomen e j us . \ Vivace TE‘IV OR : Quia f ec i t mih i magna q u i CHORUS: Et misericordia e j us a And h is mercy i s on them that fear h im throughout a l l genera t ions . progenie i n progenies t imen t ib us eum . Allegro Pastorale ad libitum BASS Feci t potentiam i n brach io suo . Dispers i t superbos mente cordis s u i . so lo is ts Benjamin Hudson, ﬁrst violin Browning Cramer, second vio lin Carolyn MacIntosh, violoncello Fan tas ia on Ch r is t mas Ca ro ls ALTO and TENOR: Deposui t potentes de sede , e t e xa l t avi t h umi les . Esurien tes i mp levi t b on is ; e t d ismis i t inanes . He hath put down the migh ty f rom their seat, and hath exal ted the meek and h ud l le . He hath ﬁ l l e d the hungry w i th good th ings ; and the rich he hath sent empty away . Ra lph Vaughan Wi l l i ams (187 2-1958 ) Brannon Hall , baritone soloist INTERMISSION C ar l P hi lipp E manue l Bach Magn iﬁca t He ha th showed s t rength w i th h is arm. He hath scattered the proud i n the imagina t ion of their hear ts . (1714-1788) ALTO: l l l Suscepi t Is rae l puerum suum, recordatus misericordiae suae . S icut locut us es t ad pa t res nos tros , Abraham e t semin i He remeabering h is mercy hath holpen h is servant Is rae l ; as he promised to our forefathers, Abraham and h is seed, for ever . ejus in saecula. CHORUS Gloria Pa t ri , et Fi l i o , e t Sp i r i t ui Sancto. Glory be to the Father, and to the Son , and to the Holy Ghos t . CHORUS S icut erat i n p r inc i p io, As i t was in the beginning , is now, and ever sha l l b e : World wi thout end . Amen . e t nunc , e t sempe r . E t i n saecula saeculorum. Amen . s olo is t s Mareda Graves, soprano Carole O ’Hara, mezzo-soprano Jack Horton, tenor Brannon Hall , baritone i e The Gospel according to Luke , I : 4 6-5 5 -3- �ABOUT THE SOLOISTS PROGRAM NOTES Mareda Gai ther–Graves , a na t ive of Bal t imore , Mary land , was awarded a Mary– land State Scholarsh ip to the Jui l l iard School of Mus ic , f rom wh ich she graduated w i th a Bachelor of Science Degree . Later , she was awarded a John Hay Wh i tney Oppor tuni ty Fe l lowsh ip to con t inue her s tud ies w i th Es te l le L ieb l ing . Under the sponsorsh ip of a Fulb ri gh t Fe l lowsh ip Gran t , she s tudied i n Paris and was awarded ﬁ r s t prize i n f our compe t i t ions . Recen t ly , she acquired a Master of Mus ic Degree f rom I thaca Co l lege and i s presen t ly teach ing and con t inuing stud– ies toward an advanced degree . Mrs. Graves has appeared i n New York ’s Town Ha l l Arcangelo Co re l l i par t icipa ted vi t a l ly i n the c rys tal l iza t ion of the con– certo technique i n the Baroque Era . Born i n 1653 , Co re l l i was famed both as a composer and as a performer, and was cer tainly noted f or h is advances on bow ing techniques . The Concerto Grosso , composed of two un i ts (a sma l l body of ins t ru– ments opposed to a larger one ) , reached i ts deﬁn i t i ve form w i th Co re l l i . The eigh th of the twelve Concertos bears the des igna t ion ”Concerto composed f or the n i gh t of the N a t i vi ty . ” O r i g i na l ly perf ormed as par t of the church ceremony , i n modern t imes i t has become known as the “Chris tmas Concer to . ” The Fantasia on Christmas Carols f or bari tone so lo, chorus and orchestra was ﬁ r s t performed i n 19 1 2 . Ralph Vaughan Wi l l iams , an Eng l ish composer, based h is f an tas ia upon four t rad i t iona l caro ls : The truth sent f rom above , Come a l l you worthy gen t lemen , On Chris tmas n i gh t , and There i s a f oun tain . He a lso used f ragmen ts of o ther caro ls . i n concer t ; was gues t so lo is t w i th the Mo te t s inge rs , the Binghamton Symphony , and has performed w i th the T r i - Ci t ies Opera . Las t year she sang the soprano so lo for the Univers i ty Chorus perf ormance of Brahms ’ Requiem . ' ! In the open ing sec t ion the b ar i tone so lo is t ac ts as a theologian dea l ing w i th the Crea t ion , the Fa l l , and the Redemp t ion . As the p iece progresses , the mus ic i n t e ns iﬁes w i th the orches t ra , chorus and so lo is t expressing the joyousness of the new born King . i ’ Carole O ’ Hara was born i n Wheel ing , West V i r g in ia . She received her Bach– elor degree i n Mus ic at Capi tal Univers i ty i n Columbus, Oh io, and started her mus ical career as a pian is t and accompanist and later made her ﬁ r s t pub l ic appearances as a singer i n church and oratorio arrangements. She made her op– erat ic debut w i th the New York Ci ty Opera Company and was a member of the NBC Televis ion Opera Theatre un t i l i ts demise in 1960 . Miss O ’Hara has appeared as a concert so lo is t throughout the United States and has had three appearances w i th the NBC Concert Orchestra. She has sung w i th the New York Oratorio Soci– e ty i n Carnegie Ha l l , the Cap i ta l H i l l Choral Soc ie ty i n Alb any , and a lso a t Dar tmouth , Queens Co l lege and Wesleyan Un ive rs i ty . Car l Ph i l ipp Emanuel Bach , born i n 1 714 , i s cons idered one of the most impor tan t composers during the t rans i t ion period between the Baroque and Class– i ca l Eras . Noted as the most impor tan t exponent of keyboard mus ic , he was also a master of vocal forms and techniques . His M agniﬁcat , composed i n 1749 , was based on h is f ather ’ s model of the same work and thus reﬂe c ts some of the more conservat ive elemen ts of the Baroque Era . Some of the choruses, however , reveal h is progress ive a t t i t udes and po in t to h is h is to r ic pos i t ion as a l i nk be tween J . S . Bach and the C lass ica l composers Mozart and Haydn . program notes by Larry Zukof Jack Horton was graduated f rom West V irginia Univers i ty Creative Arts Cen– te r , where he was a West V i r g i n i a Me t ropo l i tan Opera A ud i t ions w inne r . H is pro– ABOUT THE CONDUCTOR Al f red C l in ton Morris was born in Pi t tsburgh , Pennsy lvania on the seventh of March, 1 946. Being the son of a concert p ian is t , Martha Skinner Morris , h is mus ical t raining began at an ear ly age . Al f red Morris began h is vio l i n s tud ies a t the age of ten and during the summe r of 196 1 , John Krueger, former conduc tor of the Youngstown (Oh io) Ph i lharmon ic , heard Al f red conduct the orchestra at a f es t iva l in Pennsy lvania and was ex tremely impressed w i th h is ta len t . From that t ime un t i l 196 4 , Al f red worked w i th Mr . Krueger and was appoin ted the conductor of the Youngs town Youth Symphony . Mr . Morris had h is f orma l t ra in ing at the Mannes Conservatory of Mus ic i n New York C i ty , where he s tudied w i th S tef an Bauer–Mengelberg, and f rom wh ich he gradua ted w i th d is t inc t ion i n conduc t ing . In 1969 Mr . Morris received a gran t f rom the North Caro l ina Schoo l of the Arts to s tudy i n S iena , I ta ly at the Accademia Ch i g i ana . I t was then tha t he met Maestro Franco Ferrara w i th whom he s tudied i n 1969 and 19 70 . Mr . Morris has also received in terna t ional recogni t ion in France , I ta ly , and Denmark . In January he has engagemen ts i n Sw i t ze r land and I t a ly . a le 5 1 1 f ess ional credits inc lude three seasons w i th the Lake George Opera Fes t ival and the Goldovsky Opera Theatre. He has toured and recorded w i th the Robert Shaw Chorale , was f eatured so lo is t w i th the New York Sextet f or communi ty concerts f rom coas t to coas t , and i s w e l l known throughout the coun try f or h is so lo work w i th the Man of Concert Quar te t . He i s a 197 2 winner of the Wi l l i am Matheus S ul l i van Founda t ion Award for outs tanding s ingers , and i s curren t ly the lead ing tenor i n a concert attraction cal led Mus ic for the Theatre f rom Opera to Broad– way . In December he w i l l s ing the ro le of L ione l i n the opera Martha for the Miami Fami ly Opera Soc ie ty , and i n March , he w i l l have the lead tenor ro le i n their production of Madame Bu t t erﬂy . Brannon Ha l l was graduated f rom Howard Univers i ty in Washington, D . C . w i th a major i n Drama and a minor i n Mus ic . He has since s tudied voice w i th Professor Leonard Rudko i n New York, and has been coached voca l ly by Maestro Wi l l iam Spada . He also has attended the New York Opera Theatre of the Manhat tan School of Mus ic . i B �UNIVERSITY CHORUS ORCHESTRA PERSONNEL Firs t Vio lins Ce l los Horns Ben jamin Hudson, concertmaster Andrea A . Andros Dan Mowrey Mary Barton Eve l ina Chao Mar i jane Wo j tow i t z Paul Goodman Oscar Maxwel l Barbara Duﬀo rd Paul Friedman Carolyn MacIn tosh , princi pa l David Heiss Rache l Abby Ho l l y Wi lson Fred Ra imi Lo is Lawson Myra Greenstein Sa l ly Riemersma Rob in Jackman Mi chae l Barnard Mar t in Burk i Pa t Dowden Trumpets Brian King Robert Lindstrom Fred Backlund Basses Browning Cramer , principa l Sydna Strassberger Michae l S turm Joan Tanenhaus Carol Zeavin Lydia Verbizky Diane Fe i g in John Ho j tow i t z Ed Hie lunsk i Marty Goldman Ri t a Orzelek El len Vavra Vio las Joe l Rosenberg , I 1 princi pa l Peggy Acker Zelman Bokser Jennie Hansen El len Wei l Jan ice L ub insk i sf I Trombones Second Vio lins . Michae l Sanders , princi pa l Mark Bergman Rober t Sw id le r Richard Thomas Rober t Ko lbe r Michael Rosen Danny Addison S teve Howe l l o ’ Tuba Flutes Tom Wood V incen t Tuf o David Schapiro Timpani Pa t Ho l lenbeck Oboes Chimes Dan ie l Cross Nancy Ranger Anna Hemmendinger Dorian Schwartz Joe Roma Harpsichord C larine ts Charles E . Brewer Heady Os teyée Sheldon Berkowi tz Organ Bassoons Edward Gob rech t Tom Closser Orchestra O ﬀ i c e rs President , Brian King Vice Presiden t , Nancy Range r Secretary , Peggy Acker Librarian and Personne l Manager , Anna Hemmendinger ro M . Lee Sui t o r Fred Jones 1] Kl l SOPRANOS ALTOS TENORS Lynn Addison Mar ia Belva Kathy Calantone L o i s Fis ch thal E l l en Golds te in L e s li e Green Grace Houghton Ann Hudock Joan Janus zkiewic z Joan Juri ch Laur ie K i e ﬀ e r Janice Keenan S tephanie K l e in P h y ll i s Kr i s t al I le ene Mi t t leman Madlyn Nathanson Nancy Perkins Angela Pe tronio Karen P is c io t ta C lara Por ter Barbara Ri ck le r Jess ica R i le y Adele R o lide r Ri c a Rutmanowi t z Chris ta Schafer Susan Seppala Karen A dle r Joan Apple ton Joan Aronow Ann Baer Adele Bass Cyn thia Benne t t Mery l Blackman Cara Browne ll Chery l Brozos t C lara Budin Jane t Cahn Margare t Donelian Jeanne F alinsk i Marla Frazer Karen Fung Gl o r i a Gaumer Sharon Gelf and Mi r i am Gi lb e r t Jess ie Godfrey T e rr i Goldri ch Susan Hami l t on Susan Hi tchens Zack Bowen Anthony Brienza Gregory Gibbs Thomas Glauber Jackie Jacobs Luciano Lama Craig Russe l l Paul Suozzi Richard Toulson Jay Tran Floyd West Anna Sperr Es ter S t e rling Sherri S trichman Denise Trautman Linda Uhly Louise U l r i ch Karen Haskow A l i c e Weintraub Mar cia Wellwar th Sara Whitmore Nadene W i l l c o x Judy Hoak A l l i s on Jameson Ka therine Kadish E l l en Klarman Nancy Lazeski Mona Margari ta Sandra Menter Helen Ot taway Irene P ap oulis Gre tchen Pe terson N i ck i Pokow i t z Mar la Se li gs ohn Jane Shear Theresa Vaughan S t ac ie W i l l i ams Grace Hu s » Rehearsal Accompanist Jane Y ule Chorus Oﬀi cers Presiden t , Mi t ch e l l Mendelson Vice Presiden t , Kenneth Mar t in Secretary , Jeanne Fa l insk i Treasurer, Richard Toulson Librarian , Louise U l rich Pub lici ty , Clara Budin P h i l i p Wu John Ying BASSES Richard Berent Richard Caves H i l l e l Dolgenas John Howard Mar t in Kass Thomas Lamphere Kenneth Martin Mi t che l l Mendelson Malcolm Ottaway Andrew Rosing Randy Sei f er t Russe l l Sen t i Bernard Sheredy Roger S tein R . James Vivyan Laurence Hexer Geoﬀrey wheeler Larry Zukof �I p Acknowledgements U . S . G . f or i ts support Ka th ie Kad ish f or her ar twork Un ive rs i ty P ub l ica t ions f or i t s ass is tance Fred Thayer f or h is ass is tance i n conduc t ing 1 l i A concert f or two orchestras w i l l be presented by the Harpur Symphony Orchestra, conducted by Al f red Cl in ton Morris , w i th the Lenox Quartet on March 15 , 1973 , i n Watters Theater , perf orming works by J . C . Bach , V i va ld i , Ives , and Schoenberg . 1 The Univers i ty Chorus w i th the Harpur Symphony Orchestra w i l l presen t a concer t on May 9 , 19 7 3 , i n Ha t ters Thea ter w i th Ha l te r Ponce, piano so lo is t . There w i l l be works by Verd i , Mozart, and Bee thoven . l l ’ - a � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audiotape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:24 53:22 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243549">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE243549</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Advent Concert, State University of New York at Binghamton, University Chorus and Orchestra, December 18, 1972 Recital tape 1972-12-18 Description An account of the resource Works of Corelli, Vaughan Williams, and C.P.E. Bach. Held at 8:15 pm, December 18, 1972, Watters Theater. Creator An entity primarily responsible for making the resource Harpur College Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-12-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound tape reel Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:19:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63591 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63591"> Students of William Lockwood Studio Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Students of William Lockwood Studio Recital Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Balay, Bozza, Hubeau. Held at 8:15 pm, February 11, 1972, Recital Hall. Creator An entity primarily responsible for making the resource Lockwood, William Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-11 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Balay, Guillaume, 1871-1942 Bozza, Eugène, 1905-1991 Hubeau, Jean, 1917-1992 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096339 https://omeka.binghamton.edu/omeka/files/original/f88d0852675cd9777498bb5fbbd7959f.pdf 69d63cf3b23cfee541c9f5054f6bdcf2 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON DEPARTMENT OF MUSIC presents ****** **** * **** ** * ** * *** * * THE HARPUR COLLEGE SYMPHONY ORCHESTRA * * conducted by * * Stefan Bauer-Mengelberg * * * * * * * * * * * * * * * * * * * * * * * * * * 7:00 and 9:00 p.m. February 24, 1972 * * * * * * * * Social Room Student Center �* * * * * * * * * * * * * * * ** * * LUDWIG VAN BEETHOVEN * * * * (1770 -1827 ) * * * * ************** * 7:00 p.m. Publi c Dress Rehea rsal 9:00 p.m. Perfor mance Symphony No. 3, in E-fla t major , Op. 55 ("Ero ica") Alleg ro con brio Marci a funeb re: Adagi o assai Scher zo: Alleg ro vivac e Final e: Alleg ro molto - Paco andan te - Prest o �THE HARPUR COLLEGE SYMPHONY ORCHESTRA VIOLIN Eric Lewis, Concertmaster John McLeod, Principal, Second Violins David Agard Andrea Andros Mary Barton Alice Click Browning Cramer Terie Crumbliss Diane Feigin Paul Friedman Paul Goodman Joanne Jenner Andrew Jennings Arthur Mannis Oscar Maxwell Daniel Mowrey Robert Rozek Mark Sokol Martha Strassberger Michael Sturm Joan Tanenhaus Debra Tanklow Lydia Werbizky Jeff Wheeler VIOLA Andrew Berdahl, Principal Peggy Acker Zelman Bokser Pat Foley John Kochanowsky Carolyn Lohmann Joyce Stelzl CELLO Judith Rachel Miriam Norman CELLO (continued) Carolyn McIntosh Timothy Perry Fred Raime BASS Robert Taffet, Principal Robert Ciringione Robert Keith Kolber Michael Sanders FLUTE Betsy Ross Phyllis Wiesenthal Valerie Vastola OBOE Stan Moshman Nancy Ranger Dorian J. Schwartz CLARINET Wendy Os teyée Sheldon Berkowitz BASSOON Carol Shapiro Douglas Epstein FRENCH HORN Janice DeWolf Cindy Weldon Brett Brockman TRUMPET Robert Lindstrom Wendy Natter Glyde, Principal Abbey Diamond Fisher TIMPANI Joseph Roma Or chestra Manager: Browning Cramer � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 38:53:00 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63594 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63594"> Harpur College Symphony Orchestra Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur College Symphony Orchestra Concert, February 24, 1972 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Held at 7:00 pm, February 24, 1972, Social Room, Student Center. Creator An entity primarily responsible for making the resource Harpur College Symphony Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1972-2-24 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020096024 39091020096073