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BINGHAMTON
V
W
NIVYERSIITY
S TAT E UNIVERSITY OF N E W Y O R K
vwdze
T M E N T
[4
D E P A R
MASTER’S RECITAL
JENEAN TRUAX, SORPANO
with
William James Lawson, Piano
Adam Davis, Clarinet
Sunday, December 13, 2009
3: 00 p.m.
Casadesus Recital Hal
�{
l
i
PROGRAM
i
PROGRAM
{
I.
Ridente Ia cama...
..Wolfgang Amadeus Mozart
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte (1756
1791)
Abendempfindung
. Giacomo Meyerbeer
(1 791 1 864)
Hirtenlied........
Fn’ihlingsglaube, Op. 20, no. 2..............cocooicvinnniiios .Franz Peter Schubert
Auf dem Wasser zu singen, Op. 72
(17971828)
Fischerweise, Op. 96, no. 4
Gretchen am Spinnrade, Op. 2
¢
m
o
o
The Breath o f a R
At the W
e
l
Pastorale. .
S
é
g
r
E
u
u
because, alas,
he did not sing to me alone.
You’re catching fire, and soon,
you dear ones,
there will be no trace left of you.
But alas, the man who wrote you
may perhaps burn for a long time yet
in my heart.
Abendem pfindung
( Evening Feeling)
0
G u i t a r e .
Del cabello Mas s
along with all of the adoring songs,
(18991963)
Le sommeil
Quelle aventure!
La reine de coeur
Ba, Be, Bi, Bo, Bu
Les anges musiciens
Le carafon
Lune d’Avril
r
t
d
/
l
l
. G e o r g e s Bizet
(18381875)
l .Fernando Obradors
(18971945)
l
e Manuel de Falla
(18761946)
Als Luise die Briefe
i hres ungetre uen Lie bhabers
ver bran nte
(As Luise b urn ed th e letters
of her faithless lover)
now 1 give you back to flames
. Francis Poulenc
La Courte Paille
and with your soulful gaze
look down gently upon me.
You owe your existence to flames;
r I I A Bolcom
(b. 1938)
e .William Grant Still
(18951978)
l .Richard Hageman
(18821966)
...Aaron Copland
(19001990)
s
that are so wel come to m y heart.
Born of a fiery imagination,
brought into the world in an hour of
rapture,go to destruction,
you children of melancholy!
®INTERMISSIONCs
A
gazing in mourning at my ashes,
I shall appear to you
and strew Heaven over you.
May you also grant me a little tear,
m y dear, to tie the bonds of marriage
o
If you then weep beside m y grave,
Ridente la cal ma
(Calm ness is smiling)
Calmness is smiling in my soul;
no trace of disdain or fear remains.
You will arrive at any moment,
It is evening, the sun is gone,
and the moon sheds silver light.
So pass life’s loveliest hours;
they flit by like a dance.
Soon the bright scenery of life is gone,
and the curtain rolls down.
Our play is over,
and a friend ’s tears are already falling
upon our grave.
Soon perhaps—like a gentle west wind
comes a quiet premonition—I shall
close this life’s pilgrim journey
and fly away to a land of rest.
and pick a violet for m y grave,
Shed a tear for me,
and ah! do not be ashamed to do so.
O, it will be the most beautiful pearl
in my crown.
lI.
Hirtenlied (Shepherd ’s Song)
Aloft here, alone in the mountains,
the blue heavens overhead,
the light breezes swaying the grasses,
I rest on a meadow flower bespread;
my lambs lying round
on the greensward,
the shepherd ’s pipe soothing and soft
and glinting with gold in the sunlight,
the birds flying homeward alofi, aloft!
They vanish away in the distance,
through half the world they must fly!
Gladly I linger a prisoner here
beneath the blue roof of the sky!
In the cities mankind is distracted,
with grief or illhumour distressed,
here, filled with the peace of the
mountains,
the heart is forever at rest, at rest!
So sweetly pass the blessed hours of
summer,
so still are the days and nights,
far on the shore are the breakers,
silence is here on the heights!
Good sheep here contentedly grazing
the meadows
.
green with flowery charm,
no echoes of earthly discord
can riffle a heaven so calm, so calm!
�lII.
F rii hlingsglau be (Spring faith)
The gentle breezes are awakened,
they whisper and stir day and night,
and penetrate everywhere.
Oh fresh scent, oh new sound!
Now, poor heart, be not afraid.
Now must it all, all change.
The world grows fairer with each day,
one does not know
what is still to come,
the flowering will not cease;
the farthest, deepest valley blooms;
now, poor heart, forget your torment!
Now must it all, all change.
IV.
La Courte Paille
Fischerweise
(Fisherman ’s melody)
I. Le sommeil (Sleep)
The fisherman is not tormented
Sleep has gone o ff on a journey,
G racious me! Where can it have got to?
l have rocked my little one in vain,
by worries, grief, and sorrow,
he sets sail early in the morning
in a lighthearted mood.
he is crying i n his cot,
He has been crying ever since noon.
Peace still rests all around
on wood and meadow and stream,
and with his songs he awakens the
golden sun.
He sings at his work
with full and lusty vigor;
Work gives him strength,
the strength of joy in life!
Soon will a colorful swarm
I
l’
:
Ah! Come back, come back, sleep,
on your fine racehorse!
answer from the depths,
and be seen splashing in the sky
Auf dem Wasser zu singen
(To be s ung u pon th e water)
Amid the shimmering of the mirroring
waves glides, like swans,
the swaying rowboat;
ah, on the joy’s gentle shimmering
waves
glides the soul along like the rowboat;
for from heaven down onto the waves
dances the sunset around about the
rowboat.
Over the treetops o f the western grove
waves to us kindly the rosy light;
under the branches of the eastern grove
murmur the reeds in the rosy light;
the soul breathes the joy of heaven
and the peace of the grove in the
reddening light.
Ah, time slips by on dewy wings,
As I am gently rocked upon the waves;
Let tomorrow fly shimmering away and
vanish like yesterday and today,
until I myself,
on loftier gleaming wings,
slip away from the changes of Time.
In the dark sky, the Great Bear
that is reflected in the water.
has buried the sun
But he who would cast a net
needs eyes clear and sound,
and rekindled his bees.
must be cheerful like the waves
If baby does not sleep well
he will not say good day,
he will have nothing to say
to his fingers, to the milk, to the bread
and as free as the tide;
On the bridge fishes the shepherdess,
the sly rascal!
Just give up your scheming,
you won’t deceive this fish.
that greet him in the morning.
II. Quelle aventure!
(What GoingsOn)
G retchen am Spin n rade
(G retchen at the s pinning wheel)
My heart is heavy, my peace is gone;
Never, never again shall I find it.
Where he is not with me,
to me is a grave;
The whole world seems bitter as gall.
My poor head is in a frenzy,
my poor mind is shattered.
I seek only him as I peer from the
window;
To seek only him do I leave the house.
His proud bearing, his noble stature,
his smiling lips, compelling eyes,
The magic flow of his speech,
The touch of his hand, and ah, his kiss!
My heart yearns for him.
Oh, if I could but embrace and hold
him,
and kiss him as I would—
from his kisses I would perish!
My heart is heavy, my peace is gone—
Never, never again shall I find it.
Where has sleep put
its sand and its gentle dreams?
I have rocked my little one in vain,
he tosses and tums perspiring,
he sobs in his bed.
A flea, in its carriage,
was pulling a little elephant along
gazing at the shop windows
where diamonds were sparkling.
– G ood gracious! Good gracious!
l
«
l
:
what goingson!
who will believe me if I tell them?
The little elephant was absent mindedly
sucking a pot of jam.
But the flea took no notice,
and went on pulling with a smile.
—Good gracious! Good gracious!
If this goes on
I shall really think I am mad!
Suddenly, along by a fence,
the flea disappeared in the wind
and I saw the young elephant make off,
breaking through the walls.
—Good gracious! Good gracious!
it is perfectly true,
but how shall I tell Mummy?
III. La reine de cceur
(The Queen of Hearts)
Gently leaning on her elbow
at her moon windows,
the queen waves to you
with a flower of the almond tree.
She is the queen o f hearts,
she can, i f she wishes,
lead you in secret to strange dwellings.
Where there are no more doors,
n o r ooms nor towers
and where the young who are dead
come to speak of love.
The queen waves to you,
hasten to follow her
into her castle of hoarfrost
with the lovely moon windows.
IV. Ba, Be, Bi, Bo, Bu
(Ba, Be, Bi, Bo, Bu)
Ba, be, bi, bo, bu, be!
The cat has put on his boots,
he goes from door to door
playing, dancing, singing.
Pou, chou, genou, hibou.
“You must learn to read,
to count, to write,”
they cry to him on all sides.
But Rikketikketau,
the cat burst out laughing,
as he goes back to the castle:
he is Puss in Boots!
V . Les anges musiciens
(The Angel Musicians)
On the threads of the rain
the Thursday angels
play all day upon the harp.
And beneath their fingers, Mozart
tinkles deliciously
in drops of blue joy.
For it is always Mozart
that is repeated endlessly
by the angel musicians,
Who, all day Thursday,
sing on their harps
the sweetness of the rain.
�VI. Le ca rafon
(The Baby Carafe)
V.
Guitare (Guitar)
Tell us, said the men,
How, with our small skiffs,
‘Why,’ complained the carafe,
‘should I not have a baby carafe?
At the zoo, Madame the giraffe,
has she not a baby giraffe?’
Can we flee from the alguazils?
—Row, said the fair ones.
by astride a phonograph,
How, said the men,
the carafe and let Merlin hear it.
‘Very good,’ said he, ‘very good.’
He clapped his hands three times
and the lady of the house
still asks herself why
she found that very morning
a pretty little baby carafe
nestling close to the carafe
just as in the zoo, the baby giraffe
rests its long fragile neck
against the pale flank of the giraffe.
Poverty and danger?
—Sleep, said the fair ones.
A sorcerer who happened to be passing
recorded the lovely soprano voice of
VII. Lune d ’Av ril (April Moon)
Moon
beautiful moon, April moon,
let me see in my sleep
the peach tree with the saffron heart,
the fish who laughs at the sleet,
the bird who, distant as a hunting horn,
gently awakens the dead
and above all, above all,
the land where there is joy,
where there is light,
where sunny with primroses,
all the guns have been destroyed.
Beautiful moon, April moon,
Moon.
Can we forget quarrels,
How, said the men,
Can we enchant beauties
Without rare potions?
—Love, said the fair ones.
Del cabello m as sutil
(F rom the finest hair)
From the finest hair
in your tresses
I wish to make a chain
to draw you to my side.
In your house, young girl,
I’d fain be a pitcher,
to kiss your lips
whenever you went to drink. Ah!
Séguidille (Seguidilla)
Her skirt clinging to her hips,
i n her chignon an enormous comb,
rippling legs and dainty feet,
pale, with fiery eyes and white teeth;
Alza! Ola!
Behold, a true streetgirl from Madrid.
Bold of gesture, free of speech,
as spicy as salt and pepper,
oblivious of the morrow,
fantastic love and wild grace;
Alza! Ola!
Behold, a true streetgirl from Madrid.
T o s ing, to dance w i t h castanets,
and in the bullring
to judge the bullfighters’ thrusts,
all the while smoking cigarettes;
Alza! Ola!
Behold, a true streetgirl from Madrid.
ABOUT THE PERFORMER(S)
J e n e a n Tr u a x , as a member of Baptist Bible College’s music faculty
since 2006, teaches music theory and aural skills courses, as well as
private piano and voice lessons. Jenean and her husband Paul live in
Jermyn, PA, with their son, Eli. Her love for music began while focusing
on instrumental music, playing in marching band, concert band, jazz
band, handbell choir, and taking private lessons. During this time she
studied piano with Marylee Morton and voice, at the Riverside Academy
of Music, with Norma Codispoti. Once at Baptist Bible College, she
majored in Music Education with an emphasis in voice. She studied
piano with Margaret Bos and Dr. Larry Kauffman and voice with Dr.
David Harris. In addition to the degrees she earned from Baptist Bible
College, she has also taken courses from Stephen F. Austin State
University, Southwest Texas State University, and is currently working
toward a Master of Music in vocal performance from Binghamton
University, studying voice with Mary Burgess.
William James L aw s o n coaches and accompanies singers at
Binghamton University. As a coach, he specializes in English diction for
American and English art songs and the sacred and classical theater
repertoires. He studied at Binghamton University (B.A. 1980), where his
teachers included Seymour Fink and Patricia Hanson in piano, M. Searle
Wright in church music, and Stevenson Barrett in vocal coaching. He
holds an M.A. from New York University (1984) and was one of the first
graduates of New York University’s innovative Department of
Performance Studies, an interdisciplinary program in the performing arts.
A d a m D a v i s is a clarinetist in the Binghamton University Symphony
Orchestra and is a sophomore math and physics major at Binghamton
University. He was afinalist in the 2009 Concerto Competition
Woodwind/Brass/Percussion Division and spent last summer as an
intern in the astrophysics division at the NASA Goddard Space Flight
Center. During high school, he was selected for New York AllState on
clarinet, won honorable mention in the Southern Tier Music Teachers
Association Competition on piano, performed with the Binghamton Youth
Symphony Orchestra for three years on violin and clarinet, and during his
junior year as an exchange student, performed with the University Choir
in Wroclaw, Poland.
�Binghamton University Music D epartment’s
U PC O M I N G E V E N T S
6 & M 6 M t b ’
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Tuesday, December 1 5% Master’s Recital: Jana Kucera, soprano,
7:30 PM, Casadesus Recital Hall, FREE
S u n d ay, J a n u a r y 2 4 ” University Chamber Chorus, 3:00 PM – FREE
Trinity Memorial Church, Binghamton
rganist Jonathan Biggers A Bach
S u n d ay, F e b ru a r y 7 ” O
Celebration!! Series, 4:00 PM, Fine Arts Room 21, $$
Satu rd ay, Februar y 2 0 ” Master’s Recital: Amanda Chmela,
soprano, 8:00 PM, Casadesus Recital Hall, FREE
S u n day, Februar y 21% Mus/ca Nova: New Compositions for Voice.
3:00 PM, Anderson Center Chamber Hall, $$
For ticket information, please call the
Anderson Center B ox O ffice a t 7 77ARTS.
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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24:57
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Master's recital, Jenean Truax, December 13, 2009
Recital Tape 2009-12-13
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Held at 3:00 p.m., December 13, 2009, Casadesus Recital Hall.
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Lawson, William James
Davis, Adam
Truax, Jenean
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Binghamton University Libraries
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2009-12-13
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sound
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1960's - present
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Faculty fireworks, December 12, 2009
Recital Tape 2009-12-12
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Held at 8:00 p.m., December 12, 2009, Osterhout Concert Theater.
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Binghamton University Symphony Orchestra
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PDF Text
Text
BINGHAMTON
UNIVERSITY
usi
D E P A R T M E N T
HOLIDAY
MID-DAYCONCERT
Thursday, December
10, 2009
1:20 p.m.
Casadesus
Recital
Hall
�PROGRAM
Variations on "Puer nobis nascitur' ... ... .......... ... Jan Jacob van Eyck
{To Us a Son Is Born)
(1590-1657)
Timothy Perry, alto recorder
Timothy LeFebvre , baritone
Masters in this Ha/1 .. ... .... ..... ... ..:.... .. ... ... .... .... ............ William Morris
arr. Peter Browne
(1834-1896)
S'vivon .. ....... .. .... ..... ..... .... .... .. .. ........... ... ... .......... Hebrew Traditional
arr. Joshua Jacobson
Winter Wonderland ....... .. ...... ......... Felix Bernard and Richard Smith
arr. Peter Browne
(1897-1944) (1901-1935)
Joy to the World......... ............ ... ........ Isaac Watts and Lowell Mason
(1674-1748) (1792-1872)
Boar's Head Carol .......... ... ..... ...... ... ... ....... .... ..... Traditional English
arr. Peter Browne
Members of the Harpur Chorale
All the Things You Are .......... ....................................... Jerome Kern
arr. Lennnie Niehaus
(1885-1945)
Ragtime Suite ... ... ... ... ..... ... .... .... ...... ...... ... .......... ...... ... .. Scott Joplin
(1868-1917)
Something Doing
The Cascades·
Dan Fagen, soprano sax; Nathan Rose, alto sax;
Andy Block, tenor sax; Dean Papadopoulos, baritone sax
In Dulci Jubilo, from Musae Sioniae (1607) .... ..... Michael Praetorius
(In Sweet Jubilation)
(1571-1621)
Matthew Hassel, Heather Worden, Timothy Perry, clarinets
Zach Stanco, bass clarinet
Dan Fagen, soprano sax; Nathan Rose, alto sax;
Andy Block, tenor sax; Dean Papadopoulos, baritone sax
Le Sommeil de L'Enfant Jésus .......... .. .... ........ ... ....... .. Henri Busser
(Cradle Song for Christmas Eve)
Mary Burgess, soprano
William James Lawson , piano
(1872-1973)
�Felicity ..................... ............. ................................ Raymond Premru
(1934-1998)
Jingle Bells ...................................................... James Lord Pierpont
arr. Ted Blumenthal
(1822-1893)
We Wish You a Merry Christmas ...................... .. .. ........ .... Traditional
Jay Bartishevich, Bill Marsiglia, Rob Menard, trombones
Damon Dye, euphonium; Matt Gukowski, tuba
0 Holy Night ............................................................ Adolphe Adam
( 1803-1856)
Timothy LeFebvre, baritone
Mary Burgess, soprano
Jonathan Biggers, piano
Le Sommeil de L'Enfant Jésus
(Cradle Song for Christmas Eve)
The bells are ringing in the night,
Their joyous voices lead us to the Baby in the humble crib,
Lying in the fragrant hay.
Sleep, little Jesus, sleep, sweet cherub!
Your mother watches over you all through the night. Sleep.
Our hearts are full of hope;
We have faith in your love!
Rest sweetly, Jesus, dearest child! Sleep!
To God we shout our joy!
Noël! Sing we Noël!
Always we sing Noël!
Noël, the blessed feast, the day of deliverance!
A Savior is born; we kneel before him here at his feet.
Noël! Midnight all mysterious; everything sleeps around us.
Rest sweetly, Jesus, dearest Child!
Sleep, sweet cherub.
Ah, how many resplendent wings are there around you,
As the angels, dainty hands crossed,
Give shelter to your divine face.
Sleep, sweet cherub!
Noël! Noël! Noël!
�Binghamton University Music Department's
:.
UPCOMING EVENTS
Friday, December 11th Singing Chinese Class Recital, 7:00 PM,
Casadesus Recital Hall, FREE
Saturday, December 12thFaculty Fireworks: Winter Winds (with
the University Symphony Orchestra) - a gala benefit concert for the
Music Department, 8:00 PM, Osterhout Concert Theater, $$
Sunday, December 13th Master's Recital: Jenean Truax, soprano,
3:00 PM, Casadesus Recital Hall, FREE
Tuesday, December 15thMaster's Recital: Jana Kucera, soprano,
7:30 PM, Casadesus Recital Hall, FREE
Sunday, January 24th University Chamber Chorus, 3:00 PM - FREE
Trinity Memorial Church, Binghamton
For ticket information, please call the
Anderson Center Box Office at 777-ARTS.
•
'·
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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42:45
Streaming Audio
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Holiday mid-day concert, December 10, 2009
Recital Tape 2009-12-10
Description
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Held at 1:20 p.m., December 10, 2009, Casadesus Recital Hall.
Publisher
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Binghamton University Libraries
Date
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2009-12-10
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In copyright
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sound
-
https://omeka.binghamton.edu/omeka/files/original/e165aa0171ea95d87392858cb9adb5b4.pdf
1fefbc8f52a2a7e36e56422d3b0dd8d4
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
d ee
[4
R E P A R T M E N T
UNIVERSITY PE RCUSSION
ENSEMBLE CON CERT
Daniel Fabricius, Conductor
Marc Silvagni, Assistant Conductor
Adam Goldenberg, Xylophone Soloist
Tuesday evening, December 8, 2009
8:00 P M
Anderson Center Chamber Hall
�PROGRAM
Yobel ’ (1978)...
University Percussion Ensemble Personnel
...
...Jesse Ayers
Yobel ’ is a p r a i a wordfor a silver trumpet that announces
i h e Y ear of Jubilee.
Samuel Bae
Adam Goldenberg
Amanda Jacobs
Mike Longo
Overture for Percussion (1997)... .
...Mario Gaetano
Dance Barbaro (
...Phillip Lambro
1
8
5
) . . .
. .
Benjamin Ramos
Keaton Rood
Marc Silvagni
Lee Vilinsky
Andrew Williamson
DANIEL FABRICIUS has been a member of the Binghamton
aoINTERMISSIONoa
The Doomsday Machine (2000). . . . . . .
...Michael Burritt
Ceremomium CIOBT). c o i i i s i s i a i o i i i c i i i i i i i n S
pears
Marc Silvagni, Conductor
Bit O
QRiothas (
1
9
3
2
)
H
a
r
r
y Breuer
Adam Goldenberg, Xylophone
We Three Kings (
2
0
0
9
) ...John Henry Hopkins
Arranged by Daniel Fabricius
University faculty as percussion instructor since 1992 and has also
served as Director of Bands at Owego Free Academy since 1989. He has
been a member of the Binghamton Philharmonic percussion section
since 1982 and is also comfortable performing in popular, rock, jazz, and
other styles. He has played as a freelance percussionist accompanying
national touring artists such as Michael W. Smith, Tommy Tune, Jerry
Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothers,
and Ella Fitzgerald. He is highly regarded in the region as a percussion
soloist and ensemble player. He has served the New York State School
Music Association as an AllState Percussion adjudicator for many
years. In addition he is the Instrumental Jazz Reviews ed itor of The
School Music News and was the Jazz editor for the recently publ ished
NYSSMA Manual, Edition XXIX. Dan serves on the faculty of the
Binghamton High School Percussion Camp each summer and over the
years h as presented many percussion clin ics at several state conventions
and conferences. He also often serves as a guest conductor for honor
band festivals and has adjudicated Jazz Ensemble and Concert Band
performances at music festivals th roughout New York.
�MARC SILVAGNI is a senior at Binghamton University. He is
currently double majoring in Percussion Performance and Psychology.
He plans on attending graduate school after Binghamton to earn a MSEd
degree in Social Studies. Marc started his music career relatively late in
7” grade under band director and amazing JAZZ drummer Marc Copell.
During the summers following 7” and 8 grade, Marc attended the
Manhattan School of Music Summer Camp and studied under
percussionist Jeff Kraus who taught him about the entire world of
percussion. He then attended St. Francis Preparatory High School in
Fresh Meadows, Queens, and studied under percussionist Mark Teofilo.
In the summer of his sophomore year, Marc and other students, under
teacher David Kobayashi (Binghamton Alum), traveled to Australia and
played with the Tallahassee Winds in the Sydney Opera House for the
Eric Whitacre Festival. Marc began college at Binghamton University
under percussionist Dan Fabricius. Here he has had featured solos with
the Percussion Ensemble and has played with the Harpur Jazz Ensemble,
University Orchestra, Harpur Chorale, Women’s Chorus, and the
Commencement Wind Ensemble. He has also played at the Musica Nova
concert and at Stephanie Lehman’s Masters Recital.
ADAM GOLDENBERG is a graduate of Vestal High School where he
held the positions of Center Snare with the Vestal Marching Band,
Principle Percussionist with the Vestal Concert Band, and was the lead
kit player with the Vestal Jazz Ensemble. During the summer of 2009,
Adam was selected to attend the Leigh Howard Stevens Summer
Seminar; an intensive three week seminar devoted solely to the study of
mallet percussion where he had the chance to attend master classes with
several world renowned percussionists including Gordon Stout, Marta
Klimasara, Thomas Burritt, Michael Burritt, and Percussive Arts Hall of
Fame inductee Leigh Howard Stevens. In his spare time, Adam enjoys
skiing, scuba diving, and pursuing a dual degree in Biochemistry and
Integrated Neural Systems at Binghamton University.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 sound disc
Duration
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34:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153829">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153829</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
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University Percussion Ensemble concert, December 8, 2009
Recital Tape 2009-12-8
Description
An account of the resource
Held at 8:00 p.m., December 8, 2009, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Fabricius, Daniel
Silvagni, Marc
Goldenberg, Adam
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-12-08
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f1e00b958aaf474ac41b24590028168b.pdf
ffaaeb7d166195830c1dcd872068c44d
PDF Text
Text
BINGHAMTON
UNIVERSI TY
STATE UNIVERSITY OF NEW YORK
FLUTE STUDIO
AND
FLUTECHAMBER CONCERT
Friday,
mber
D e c e2009
10:15 a.m.
Casades us Recital Hall
4,
�Program
Berceuse for Flute and Piano .................................................... Gabriel Faure
(1845-1924)
Katy Spelman, Flute
Chai-Kyou Mallinson, Piano
Allegretto for Flute and Piano, Opus 116 .............................. Benjamin Godard
(1849-1895)
Rebecca Falik, Flute
Chai-Kyou Mallinson, Piano
Minuet and Dance of the Blessed Spirits ................... Christoph Willi bald Gluck
from the opera "Orfeo"
(1714-1787)
Rachel Serwetz, Flute
Chai-Kyou Mallinson, Piano
Serenade for Solo Flute ............................................................... Philip Glass
Prelude
(b.1937)
Caprice
Finale
Jenna Goldin, Flute
Suite for Flute and Piano ... ................................................. Norman Delle Joio
Improvise
(b.1913)
Aria
Emily Morris, Flute
Mark Rossnagel, Piano
Suite de Ballet for Flute and Piano ................ :........... Ralph Vaughan Williams
Improvisation
(1872-1958)
Humoresque
Natalie McCreary, Flute
Mark Rossnagel, Piano
�Binghamton University Flute Trio
Sonatina, Opus 36, No. 5 for Three Flutes .............................. Muzio Clementi
Rondo
(1752-1832)
arranged by Jay Daniels
Variations on "La Ci Darem La Mano" ......................... Ludwig van Beethoven
for Two Flutes and Alto Flute
(1770-1827)
arranged by Arthur Ephross
Aura Lee .......................... ............................ ................................ Traditional
arranged by Ricky Lombardo
Arkansas Traveler ........................................................................ Traditional
arranged by Ricky Lombardo
Binghamton University Flute Trio
Natalie McCreary, Flute
Emily Morris, Flute and Alto Flute
Rachel Serwetz, Flute
Flutists are from the Flute Studio of Georgetta Maiolo
�Binghamton University Music Department's.
UPCOMIN G EVENTS
Friday, December 4th Elizabethan Madrigal Feaste (Harpur Chorale and
Women'sChorus), 6:30 PM, Old Union Hall, $$
Friday, December 4th Masters Recital: Susan Amisano, soprano,
8:00 PM, Casadesus Recital Hall, FREE
Saturday, December 5th Elizabethan Madrigal Feaste (Harpur Chorale and
Women's Chorus), 6:30 PM, Old Union Hall, $$
Sunday, December 6th Wind Symphony, 3:00 PM - FREE
Anderson Center Chamber Hall
Tuesday, December 8th Percussion Ensemble, 8:00 PM - FREE
Anderson Center Chamber Hall
Thursday, December 10thHoliday Mid-Day Concert, 1:20 PM,
Casadesus Recital Hall, FREE
Friday, December 11th Holiday Mid-Day Concert, 4:00 PM,
University Downtown Center, FREE
Friday, December 11th Singing Chinese Class Recital, 7:00 PM, Casadesus
Recital Hall, FREE
Saturday, December 12thFaculty Rreworks: Winter Winds (with the
University Symphony Orchestra) - a gala benefit concert for the Music
Department, 8:00 PM, Osterhout Concert Theater, $$
Sunday, December 13th Masters Recital: Jenean Truax, soprano,
3:00 PM, Casadesus Recital Hall, FREE
Tuesday, December 15th Masters Recital: Jana Kucera, soprano,
7:30 PM, Casadesus Recital Hall, FREE
, For ticket information, please call the
Anderson Center Box Office at 777-ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
41:43
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153826">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153826</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Flute studio and flute chamber concert, December 4, 2009
Recital Tape 2009-12-4
Description
An account of the resource
Works of Fauré, Godard, Gluck, Glass, Dello Joio, Vaughan William, Clementi, and Beethoven. Held at 10:15 a.m., December 4, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Spelman, Katy
Falik, Rebecca
Serwetz, Rachel
Goldin, Jenna
Morris, Emily
McCreary, Natalie
Mallinson, Chai-Kyou
Rossnagel, Mark
Maiolo, Georgetta
Binghamton University Flute Trio
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-12-04
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/24cbddf210928d0c1a8c9734a9af1f48.pdf
dd646f7b659c2628ad644818fc23b1a5
PDF Text
Text
BINGHAMTON
W N I V E R S I ]
S TAT E U N I V E R S I T Y O F N E W Y O R K
d e e
[4
D E P A R T M E N T
HARPUR JAZZ ENSEMBLE
FEATURING
Tony Kadleck, Trumpet
7
Thursday, December 3, 2 009
8:00 p.m.
Osterhout Concert Theater
usic and the Harpur Jazz Ensemble
Cosponsored by the Department o f M
�ABOUT THE PERFORMER
PROGRAM
PA RT
D Menza
d
r
a
Groovin’ H
All of Me
S Simons & ( 5 Marks
Blue Bossa..
.
Arranged by Billy Byers
..K Durham
Arranged by Sy Johnson
Everything.......................... Michael Buble’, A. Chang and A. Foster
Arranged by W. Scott Ragsdale
C
a
Sophisticated Lady
What Is Hip?
PART II
r
l
a
B Mintzer
D. Ellington, I. Mills and M. Parish
S. Kupka, E. Castillo and D. Garabaldi
Arranged by Mike Tomaro
Featuring Tony Kadleck
(To be selected from the following)
Can’t Buy Me Love..
..J. Lennon & P. McCartney
Arranged by Tony Kadleck
Desafinado......................................................
. A.C. Jobim
Freddie Freeloader..........................................
.M. Davis
Arranged by Tony Kadleck
Arranged by Tony Kadleck
How Do You Keep the Music Playing? . . . A Bergman & M. Legrand
Arranged by Tony Kadleck
SummertIme
..G. Gershwin
Arranged by Tony Kadleck
TONY KADLECK has been praised as a highly effective sideman, who has lent
his hand to numerous musical activities. H e is currently one of the most sought
after trumpet players in the New York area.
While attending the New England Conservatory in Boston, Kadleck studied
both classical and jazz music, a task that would later benefit him, as he went on
to perform and record with the Boston Pops Orchestra. In 1986, Tony was
asked to join the trumpet section of the Buddy Rich Band, and later that year,
decided to move to New York.
After graduating from the Manhattan School of Music in 1989, Kadleck did
some touring with Frank Sinatra, Barbra Streisand, and Blood, Sweat & Tears.
Eventually, the NY studios kept Tony too busy to leave town, and he found
himself recording with a number of artists, including Luther Vandross, Michael
Jackson, Elton John, and Celine Dion. Kadleck also spends plenty of time
playing a wide variety of live concerts, having performed with Stevie Wonder,
Steely Dan, Ella Fitzgerald, Issac Hayes, and most recently the Count Basie
Orchestra.
In addition to playing on countless jingles and for many films and shows,
Kadleck has also done a great deal of composing. Since he was 15 years old,
Tony has always loved writing music. His debut CD “Extended Outlook",
features eight of his original works, about which Tony says, “There is nothing
more gratifying than hearing spectacular musicians making these songs come
to life.” Kadleck has drawn upon many musical experiences to form his own
voice, which can be heard in both his playing and in his writing throughout this
release. The CD features an amazing cast of musicians, including Chuck Loeb,
David Mann, Henry Hey, Jon Herington and Andy Snitzer.
When asked about his musical influences, Kadleck is quick to point out his first
teachers: Bernard Shifrin in Tony’s hometown of Binghamton, NY; and Andre
Come, formerly of the Boston Symphony Orchestra.
Tony is currently a member of many organizations including the Maria
Schneider Jazz Orchestra, the New York Pops, John Fedchock’s NY Big Band,
the Westchester Jazz Orchestra, and John Pizzarelli’s “Swing Seven".
ABOUT THE SERIES
The Harpur Jazz Ensemble studies and performs bigband repertoire and
appears frequently on and off campus. Guests who have appeared in concert
witht his popular ensemble include, among others, Clark Terry, “Slam” Stewart,
Mannny Albam, Urbie Green, Frank Wess, Phil Woods, Jimmy Owens, Marian
McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter Appleyard, John
Faddis, Rufus Reid, Houston Person, Walter White, and Maceo Parker.
�ABO UT THE H ARPUR JAZ Z ENSEMBLE
The Harpur Jazz Ensemble director, MICHAEL J. CARBONE, is a native of
Utica, New York. He moved to the Binghamton area in 1981 and is an
instrumental music teacher in the Johnson City School district where he is
ed
Director of Concert Band and Jazz Ensemble at the middle school. He join
the Binghamton University music faculty in 1997 and serves as the Director of
the Jazz Studies Program and the Director of the Harpur Jazz Ensemble. He
holds a B.M.E. from the Crane School of Music and a M.M. from Binghamton
g AI
University. Carbone has performed with many wellknown artists includin
Marino, Natalie Cole, Tom my Tu ne, Mel Torme, The Jimmy Dorsey Orchestra,
Danny D’Imperio’s Big Band Bloviation, the Central New York Jazz Orchestra,
and The Temptations.
The 2009 Fall semester o f the Harpur Jazz Ensemble includes the following:
SAXOPHONES
Dan Fagen
Nathan Rose
Dean Papadopoulos
Andy Block
Margaret Hager
BASS
Sam Smith
1% alto
Nick DeFeo
2™ alto
1% tenor
DRUM SET
2™ tenor
Baritone Sax Alex Gregorio
T R U M P E T S (alphabetical order)
Andy Castillo
Tomasz Falkowski
VIBES & DRUM SET
Drew Hanessian
Kim Metaxas
Nicholas Polacco
Carl Sanon
Devan Tracy
PERCUSSION
Keaton Rood
TROMBONES
FLUTE & Alt o Sax
Nicholas Carter
Mo “Reese” Taylor
Kevin Pinkel
Andrew Rosenberger
Stefanie DeVito
PIAN O
Russ Carpenter
VOCALIST
Allie Metcalfe
GUITA R
Kevin Greer
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:19:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153823">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153823</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
A name given to the resource
Harpur Jazz Ensemble, December 3, 2009
Recital Tape 2009-12-3b
Description
An account of the resource
Held at 8:00 p.m., December 3, 2009, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Kadleck, Tony
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-12-03
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/47f573ca0675c4676e3ab95b028b954c.pdf
0d4aba4ff9639cfb2c5de762a6abd45f
PDF Text
Text
BINGH AMTO N
R S 1 X
U N I V E
STATE U N I V E R S I T Y O F N E W YORK
wdec
[4
D E P A R T M E N T
Saturday,
Featuring:
Harpur Chorale October 2 4
Womens’ Chorus
University Wind
Ensemble
3:00 p.m,
oc¢erhout Concert
Theater
�Tho Women
Christine Ryder, conductor
l
1
William James Lawson, accompanist
William James Lawson and Peter Browne, pianists
Three Hungarian Folk Songs
The N
i
g
h
t
n
l
l
®
Thomas Weelkes
(b.1955)
Raquel Rozner, Annie Ferro, and Meredith Collins, soloists
At the RIVEE
Zion’s Walls
Big Spender (from Sweet Charity)
Aaron Copland
(19001990)
i
l
a
m Byrd
(1 5431623)
(19021986)
.. Thomas E. Benjamin
(1975)
eople. For his merciful
tions; praise him all you p
Praise the Lord, all you na
kindness is great toward us, and the truth of the Lord endures forever.
(Psalm 117)
Alison Metcalfe, Ayla Gordon, Joshua Setren, Joshus Darfler, quartet
Barbara and Conrad Chaffee
(2009)
It is that exquisite morning hour
Reddened by a sudden sun.
Through the autumn fog
The garden’s leaves fall.
l
l
1
Their fall is slow. One can follow them
With one’s gaze, recognizing
The oak by its leaf of copper,
The maple by its leaf of blood.
The last, the rustiest,
Fall from stripped branches,
But it is not yet winter . . .
Aaron Copland
<eeeeee... Coleman
and Dorothy Fields
l
Maurice Duruflé
Matin D O c t o b r e . . . . .............
(c. 1 5751623)
FrobisherBay..............................................................James Gordon
1
Laudate Dominum...
(18811945)
g
W
Where charity and love abide, God is there. We are gathered as one in the love
of Christ; therefore let us rejoice and be glad. And as we hear and love God, so
let us in sincerity love all people.
{
i
s
e
Ubi Caritas
(b.1953)
..........Béla Bartok
In the Village
Boatman! Boatman!
See the Roses
i
This is the day that the Lord has made; let us rejoice and be glad in it. Alleluia.
(Psalm 118: 24)
..René Clausen
Psalm 100..
Haec D
Peter Browne, conductor
A blonde light saturates
Nature, and, in the rosecolored air,
You would think it was snowing gold.
(Frangois Coppee, 18421 908)
A Nightingale Sang in Berkeley Square................. Manning Sherwin
(1940)
Wade In the Wally
Traditional S piritual
Marc Silvagni, percussion
(arr. Norman Luboff 1970 )
�THE WOMEN’S CH ORUS
Robert G. Smith, Conductor
Kimberly Metaxas, Associate Conductor
Dedication Overture(1965).............................
Symphonic Dance No. 3, Fiesta (1964) .
The Free Lance March (1906)
Vittorio Giannini
(19031966)
..........Clifton Williams
(19231976)
:
1
John Philip Sousa
Soprano I
Meredith Collins
Catherine Cornell
Laura MacAvoy
Raquel Rozner
Ariel Schlesinger
Siobhan Sculley
Samantha Grieco
Yiting Liang
Dorothy Rota
Allison Timpson
Soprano II
Molly AdamsToomey
Rebecca Dinhofer
Kristina Dowling
Annie Ferro
Alto
Ilyssa Baine
Danielle Barbanell
Alicia Caruso
Tahnee Fallis
Samantha Ng
Melanie Young
(18541932)
T H E HARPUR CHORAL E
ABOUT T H E PERFORMERS
KIMBERLY METAXAS. a native of Vestal, NY, is a graduate student of conducting at
Binghamton University studying with Professor Robert Smith. Ms. Metaxas holds a Bachelor’s
Degree in Music Education from SUNY Fredonia, and a Bachelor’s Degree in Music Therapy from
Michigan State University. She is a music teacher for the Susquehanna Valley High School and
UnionEndicott High School marching bands, and BOCES summer school program. Most recently,
Ms. Metaxas has been a member of Binghamton University‘s Wind Symphony and Harpur Jazz
Ensemble, Vestal Community Band, and the Empire Statesmen Drum and Bugle Corps.
ROBERT G. SMITH is Music Director and Conductor of the Binghamton University Wind
Symphony and teaches advanced instrumental conducting and graduate wind conducting at BU. He
conducts the annual Triple Cities TubaChristmas and is former conductor of the Maine Community
Band, the oldest band of its kind in the United States. He has guest conducted allcounty bands
throughout New York State. Among other ensembles Smith has conducted are the Goshen College
(IND) Wind Ensemble and Orchestra, The United States Army Ground Forces Band(GA), the
Southern Tier Concert Band(NY ) and the Vestal Community Band(NY). An active performer, he
currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass
Nickel quintet and the Crown City Brass sextet. Smith is past president of the Broome County
Music Educators Association and recipient o f the 2005 BCMEA Distinguished Service Award.
Professional memberships include The Broome County Music Ed ucators Association, the New York
State School Music Association, the Music Educators National Conference, The National Band
Association. The Association o f Concert Bands, The Conductors Guild, The World Association of
Symphonic Bands and Ensembles. The College Band Directors National Association and thc
International Tuba and Euphonium Association.
[
l
Women
Men
Michele Aronson
Laura Demsey
Eliza EspinosaThomas
Tahnee Fallis
Eliana Frim
Ayla Gordon
Shaina Carmel Indovino
Brianna Jenkins
Alexandra Kirby
Sarah Kuras
Allison Metcalfe
Krystiana Resto
Samantha VanAdelsberg
Jaclyn Wallach
Thomas Blumenthal
Joshua Darfler
David Frey
Ariel Hausman
Jonathan Karlas
Gabriel Lotto
Michael Mechman
Glenn Parker
Mark Rossnagel
Joshua Setren
Alexander Turo
�WIND SYMPHONY MUSICIANS
Piccolo
Rachel Serwetz
Flute I
Rachelle Haddad (principal)
Emily Morris
Kathleen S pelman
Flute II
Kimberly Hom
Rebecca F alik
Raquel Goldsmith
Oboe
Kyle LaGrutta
Bassoon I, II
Daniel Bessel
Paige Elliott
E b Clarinet
Heather Worden (Grad Student)
Bb Clarinet I
Sarah Fenster (Principal)
Kyle Doyle
Kerry Goodacre
Mark DelloStritto
Bb Clarinet II
Kristin Hohn
Anthony Kwon
Abby Cohen
Bb Clarinet III
Stephen Collins
Greg Norman
David Morrissey
Melissa Klepper
Bass Clarinet
Zach Stanco
Brianna Palisi
F H o rn l l l l l l l V
Zack Arenstein
Zack Bimbaum
Kirstie Cummings (Principal)
Natalie Rivera
Leanna Verderese
Alexa Weinberg
T rombone I
Jay Bartishevich
Alto Saxophonel
Alex Horspool
Trombone II
Mogana Jayakumar
Alto Saxophone I I
John Tanzi
Tenor Saxophone
Dean Papadopoulus
Bass Trombone
Carter McGriff
Trumpet I
Nick Polacca (principal)
Kevin Hannon
T rumpet I1
Nick Quackenbush
Brian Lee
Trumpet ITI
Tim O’Brien
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her Majesty’s own Royal Brass,
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Torn Elefante
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Adam Goldenberg
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D a m o n D y e ( Grad Student, Principal)
Baritone Saxophone
Bradley Alder
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�Bingh amton University Music Depart ment’ s
UPC OM ING EVE NTS
Thursday, October 2 9 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
T hursday, Nove mber 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Satur day, November 7 ” Master Class: Bruce Neswick,
guest or ganist, 10:00 AM – 12:00 NOON, First Presbyterian Church,
Binghamton, FREE
Satur day, N ovember 7 ” Air Force Brass Quintet. 8:00 PM, FREE,
Casadesus Recital Hall
Sunday, November 8 ” Bruce Neswick, guest organist, 4:00 PM,
First Presbyterian Church, Binghamton, $$
T hursday, November 1 2 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Saturday, November 1 4 ” Student Clarinet Recital:
Sarah Fenster & Dan Fagen, 7:00 PM, Casadesus Recital Hall, FREE
Sunday, Novem ber 1 5 ” Binghamton Philharmonic and the Binghamton
University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM,
Osterhou t Concert T heater, (for tickets, call BPO at 607.723.3931)
Sunday, November 15% Concerto and Aria Competition, 6:30 PM,
Casadesus Recital Hall, FREE
Thursday, Nov ember 1 9 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Satur day, N ovember 21° Master Recital: Julie Williams, soprano,
8:00 PM, Casadesus Recital Hall, FREE
Sunday, N ovem ber 2 2 ” Master Recital: Ashley Maynard soprano,
3:00 PM, Casadesus Recital Hall, FREE
Sunday, November 2 2 ” Honor Recital: Nathan Rose, saxophone,
7:30 PM, Casadesus Recital Hall, FREE
For ticket information, please call the
Anderson Center Box Office at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:23
25:01
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153819">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153819</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Family weekend concert, October 24, 2009
Recital Tape 2009-10-24
Description
An account of the resource
Held at 3:00 p.m., October 24, 2009, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Harpur Choral
Women's Chorus
University Women's Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-10-25
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/2a8964aafe650eac35cc4072e8d644a9.pdf
c2a070320c527637653ec2b555009778
PDF Text
Text
BINGHAMTON
U N E V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
owdee
[4
RB.EFP A
R
I M
E N T
1
l
MASTERS RECITAL
JANA KUCERA, SOPRANO
with
ChaiKyou Mallinson, piano
and
Geogetta Maiolo, flute
Tuesday, December 15, 2009
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
PROGRAM
Son tutta duolo
(1 60 5 1 674)
Vittoria, mio corel
(16591725)
Victory, my heart!
Do not weep any more!
(Victory, my heart)
Alessandro Scarlatti
Intorno all’idol mio
.........Marco Antonio Cesti
Before, the evil one
(1 6 5 71 71 6)
Liebst du um Schonheit ...
Das Veilchen
O weh des Scheidens
....Clara WieckSchumann
(1 819 1 896)
Mein Stern
Loreley
That hurls a mortal wound
Une Hute I n v i s i b l e . . . wereennnn.Camille SaintSaéns
(1 8 3 5 1 92 1 )
Il pleure dans mon coeur .
..............Claude Debussy
(1 862 1 9 1 8)
Les Heures
wereeenn. AmédéeErnest Chausson
( 1 85 5 1 899)
Mandoline.........................................Gabriel Edouard Xavier Dupont
(1 878 191 4)
TAIYAHION
FranrD Leoni
It’s all I have to bring
A Little China Figure.
r
i
n
v
Would make you suffer,
With many glances,
With false charms set his traps.
The deceit,
The pain,
No longer take place.
The fervor of cruel fire
Has extinguished.
From his smiling eyes
No longer darts an arrow
& INTERMISSIONCS
p
The abject slavery of love,
Has ended.
(162016697?)
Giovanni Battista Bassani
Dormi bella, dormi tu?...
The Year’s at the S
L
.............Giacomo Carissimi
Vittoria, mio corel ..
g
A
(1 864 1949)
...Ernst Bacon
(1 898 1990)
..Franco Leoni
(1 864 1949)
m
y Beach
(1 86 7 1944)
Into my chest.
In sadness, in torment,
I no longer tear myself to pieces
Every snare is broken:
Fear has disappeared.
Son tutta duolo
(I am all sadness)
I am all sadness:
I have nothing but woes
And cruel pain kills me.
And for me alone,
The stars, the Fate,
The gods and Heaven,
Are tyrants.
Intorno all’idol mio
(Around my idol)
Drift around my idol,
Gentle and pleasant breezes.
On his cheeks,
Kiss him for me,
Kind breezes.
Grant pleasant dreams
To my beloved,
Who sleeps on the wings of peace,
And reveal to him,
O h spirits,
My passion and love.
Danni bella, dormi fu?
(Do you sleep, beautiful one?)
Do you sleep, beautiful one?
If you sleep,
Dream of being less c ruel ;
If you are awake,
Offer me some pity!
Deep sighs come from my heart,
And you do not respond,
Ah, cruel love.
Beautiful, rebellious eyes,
Who opened you?
And you say nothing,
Ah, cruel love.
IL
Liebst du um Schonheit
(If you love for beauty)
If you love for beauty,
Oh, do not love mel
Love the sun,
She has golden hair.
If you love for youth,
Oh, do not love mel
Love the spring,
It is young every year.
If you love for treasure,
Oh, do not love me!
Love the mermaid,
She has many clear pearls.
If you love for love,
Oh yes, love me!
Love me forever,
And I will love you evermore.
�Das Veilchen
(The Violet):
A little violet
Stood on the meadow
Bent over itself,
And u n kno wn
Along came a shepherdess
Mein Stern
(My Star)
Oh star of mine!
When over the ocean
The sun is sinking
Winks with faithful comfort
In my dark night!
Oh star of mine!
From a far distance,
You are a herald of
Loving greetings,
Let your beams give me
Thirsty kisses
In my yearning night.
Ah! The maiden came
And paid no attention
To the little violet.
It sank and withered underfoot
But rejoiced
For even though he died,
He died at her feet.
Oh star of mine!
Please stay
And smiling,
Travel u p to the star’s rays
In dreams appear as my friend ’s
bright angel
In his dark night.
O weh des Scheidens
(O woe o f p arting)
Loreley
O woe of begging,
As he begged,
His lamenting led to tears.
He said to me :
“ Leave your tears,”
But he himself cried,
And left in pain.
His teardrops left me wet
And cold in my heart.
Come! An unseen flute
Sighs in the orchards
The most gentle song,
Is the song of shepherds.
Your golden eye
With light step and happy
demeanor,
And sang (as she walked).
“Ah!” (Thought the little violet)
“If only I were the most beautiful
bloom of nature
Ah! If she were to press me to her
bosom for just a quarter hour!”
O woe of parting,
That he caused
That he has left me,
Aching.
III.
Une flute invisible
(An unseen flute)
i
l
The wind ripples beneath the Live
Oak
And on the dark mirror of the
waters
The most joyous song,
Is the song of birds.
Let no care torment you
Let us love forever!
The most lovely song,
Is the song of lovers.
1 pleure dans mon coeur
(Tears fall in my heart)
Tears fall in my heart
As rain falls on the town.
What is the listlessness that
penetrates my heart?
I don’t know what it means,
Why I feel so sad;
An old tale,
Won’t leave my mind.
Oh, the soft sound of the rain,
On the ground,
And on the roofs.
The air is cool and dark
And the Rhine flows peacefully
The top of the rocks
Sparkle in the evening sunshine.
The most beautiful maiden sits
Atop it, sorrowfully;
Tears fall without reason
In this heart which sickens
She combs her golden hair,
She combs it with a golden comb,
This grief is without reason
It is truly the worst pain
For a heart which grows listless
Oh the sound of the rain!
Her golden jewels twinkle ;
And sings a song.
It has a wondrous, powerful
melody.
A sailor in a little ship,
ls seized with wild anguish;
He doesn’t see the rocky reef,
He looks up at her at the end
I think the waves swallow
And kill the sailor and his boat!
And that, with her singing,
The Loreley has done.
What? No betrayl?
l
lI
To not know why.
Without love and without hatred,
My heart feels so m uch pain.
Les Heures
(The Hours)
The pale hours beneath the moon,
Sing until death
With a sad smile
They move, one by one
On a lake bathed in moonlight
Where with a sad smile,
The stretch out, one by one,
Their hands, which lead to death.
And some, pale in the moonlight,
With unsmiling eyes,
Knowing that the hour of death is
near,
Giver their hands, one by one.
And all depart into the shadows,
And in the moonlight,
To languish and then to die
With the hours, one by one,
The hours with the pale smile.
Mandoline
The givers of serenades
And the lovely listeners
Exchange insipid comments
Beneath the singing branches.
There is Tircis
And there is Aminte
And there is the eternal Clitandre
And there is Damis,
Wh o writes many tender verses
For cruel women.
Their short jackets of silk,
Their long gowns with trains,
Their elegance,
Their joy,
And their soft, blue shadows
Whirl in the ecstasy of a pink and
gray moon.
And the mandoline chatters
Amid the shivers of the breeze.
�PROGRAM NOTES
ABOUT THE PERFORMERS
The program begins with four 17th century Italian songs explore and
arias that explore various expressions o f love. The first, Vittoria, mio core, is
one of about 150 cantatas by Carissimi, most of which are longer and more
JANA KUCE RA, was raised in Binghamton, New York, and is a 2004
graduate of Chenango Valley. She graduated from Binghamton University in
2008 with a Bachelor of Music, Vocal Performan ce degree, and is currently
complex. Son tutta duolo is an aria from Scarlatti’s opera La donna ancora é
fedele, a three act dramatic opera with a libretto by Domenico Filippo Contini.
Intorno aII’idoI mio is an aria sung by the title character in Cesti’s Orontea, first
performed at the court theater in Innsbruck on February 19, 1656. The final
piece in the set, Dormi bella, dormi tu? is a fragment from Basani’s cantata “La
Serenata.”
Clara WieckSchumann was often encouraged by her husband, Robert,
to compose. Liebst du um Schonheit was a birthday gift inscribed “to my
beloved husband on the 8th of June, 1841, composed by his Clara,” with text by
Friedrich Riickert. O weh des Scheidens (text by Friedrich Riickert) and Loreley
(text by Heinrich Heine) are part of a set from another birthday gift to Robert
inscribed “to my beloved husband on the 8th of June 1843.” Mein Stern is one of
two poems by Friederike Serre, inscribed “for the author with friendly greetings,
composed by Clara Schumann.” Das Veilchen with text by Johann Wolfgang
von Goethe, is perhaps more widely recognized as a composition by Mozart, but
was composed by Clara July 7, 1853.
The poem Viens! Une fl u t e invisible soupire by Victor Hugo has
inspired a number of composers. Camille SaintSaens’ duettino titled Viens! was
written for two voices with piano accom paniment, published in 1856 (the same
year the poem was printed as part of Les Contemplations). SaintSaéns returned
to the poem in 1885, the year of Hugo’s death, and composed a second version
for voice, flute and piano, titling it Une flute Invisible.
11 pleure dans mon coeur is the second piece in Debussy’s Ariettes
oubliées, with text from poems by Paul Verlaine. The music is highly chromatic
and tonally ambiguous, with the piano accompanying the long vocal lines with
what would become Debussy’s typical “raindrop” music.
Les Heures is the first of three of Chausson’s Op. 27 lieder, composed
in 1896 to text by Camille Mauclair. Dupont was a rising French musician who
was reaching his potential when he suddenly died at the age of 36. He was an
accomplished pianist whose skills translated well to vocal music; his talents at
the piano can be seen in his composition of Mandoline.
The phrase “Tallyho” is a largely Brit ish phrase, used in foxhunting,
shouted when a rider sees the fox: Leoni ’s song was composed in 1919 with text
by C.P. Raydon.
Ernst Bacon set sixtyseven of Emily Dickinson’s poems, and to
accommodate the flexible poetic meter, Bacon mixed duple and triple time.
Beach received worldwide fame with her 1899 composition to the Robert
Browning poem The Year’s at the Spring; the demanding piano accompaniment
no doubt reflects the composer’s own career as a professional pianist.
pursuing a Masters of Music in Vocal Performance degree under the tutelage of
Mary Burgess. She is a member of the TriCities Opera chorus and has
performed in nearly 20 operas with them. She recently performed the role of
Ulla in “The Producers” at the Endicott Performing Arts Center, and appeared as
a soloist in the Summer Savoyards 50” Anniversary Gala. She made her debut
with the Summer Savoyards in 2006 as Elsie Maynard in The Yeomen of the
Guard, and has since performed the roles of YumYum in the Mikado, and
Princess Ida (title role).
CHAIKYOU MALLINSON, currently on the faculty o f the Department o f
Music at Binghamton University, received a B.M. degree in Piano from Julliard,
Licence d’Enseignement from Ecole Normale de Musique de Paris, France and a
M.A. degree from Binghamton University. Her teachers include Jean Casadesus,
JeanMichel Damase, Jules Gentil and Alton Jones. She also performed in
Master Classes by Robert Casadesus. A prize winner in the Korean National
Music Competition, Ms. Mallinson was awarded the French Government
Scholarship, Tanglewood Summer School Full Scholarship, and the
Fontainebleau American Conservatory Full Scholarship. Ms. Mallinson gave a
debut Recital in Carnegie Recital Hall and has been active as a recitalist, vocal
coach, accompanist, and chamber music performer, as well as an active
adjudicator of piano auditions and competitions. She is a member of the Music
Teachers National Association, the Southern Tier Music Teachers’ Association,
and of the board of judges for the National Guild of Piano Teachers. Ms.
Mallinson has premiered compositions o f contemporary composers including
Ezra Laderman, Paul Goldstaub, Meyer Kupferrnan and William Klenz. Among
many concerts in which she performed, three were sponsored by the New York
State Council on the Arts. She appeared in a performance with the Seoul
Philharmonic Orchestra. In 20082009, Ms. Mallinson was awarded an
Individual Artist Award by the Broome County (NY) Arts Council.
GEORGETT A MAIOLO is a member o f the faculty o f Binghamton University
and Broome Community College, teach ing Flute and directing Flute Ensembles.
From 1977 to 1996, she held the position of Assistant Professor of Flute at
Ithaca College, Ithaca, New York. She also taught flute at Hartwick College,
Oneonta, New York and West Virginia University, Morgantown, West Virginia.
Mrs. Maiolo is a graduate of Duquesne University, Pittsburgh, Pennsylvania and
attended graduate school at West Virginia University, Morgantown, West
Virginia. She studied with Bernard Goldberg, principal flutist of the Pittsburgh
Symphony, Marcel Moyse at Marlboro School of Music, and Victor Saudek. At
the age of 15, she made her solo debut with the Pittsburgh Symphony. Mrs.
Maiolo is the recipient of numerous honors, including the Very Reverend
Thomas j. Quigley Award, the NCMEA National music award, the Pittsburgh
Tuesday Musical Club, the Enola M. Le wis Scholarship and the Mu Phi Epsilon
�Sterling Achievement Award. Mrs. Maiolo is the principal flutist of the
Binghamton Philharmonic Orchestra, TriCities Opéra : Orchesfra, and
Downtown Singers Orchestra. In addition to her playing positions, she
concertizes as a soloist, recitalist and chamber musician. Mrs. Maiolo has been
recognized for the breadth of her contributions to performance and music
education. She has premiered compositions for flute by Jack Martin, Dan
Locklair, Edith Borroff, Malcolm Lewis, Richard Herman, Jeffrey Nitch,
Timothy Rolls and Paul Goldstaub. In 1985, Mrs. Maiolo was honored to
conduct the NYSSMA AllState Flute Choir. She served as the flute
chairperson for the NYSSMA Manual from 1981 to 2001. She is faculty advisor
for Mu Phi Epsilon, Zeta Eta Chapter at Binghamton University.. She is a
“clinician” for the Selmer Company. She is a member of the National Flute
Association, and she has recorded for Crest Records and NPR.
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Master's recital, Jana Kucera, December 15, 2009
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Maiolo, Georgetta
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PDF Text
Text
BINGHAMTON
UNIVERSITY
D E P A R T M E N T
MASTER'S RECITAL
ASHLEY MAYNARD,
MEZZO -SOPRANO
Julie Williams,
Soprano
· S uN
n
od
v ea
m
22, y
b
2009
e,
r 2
3:00 p.m
Casadesus Recital Hall
�PROGRAM
Selections from "Alcina" ..... ................ George Frederic Handel
Mi lusinga ii dolce affetto
(1685-1759)
Verdi prati
Ègelosia
g
L'Heure exquise ............................................... Reynaldo Hahn
(187 4-1947)
Nell Op. 18, no.1 ..................................................... Gabriel Faure
((1845-1924)
Adieux de l'Hotesse Ara be ............................. ... Georges Bizet
(1838-1875)
Selections from 17 Polish Songs, op. 74 .......... Frederic Chopin
2yczenie (A Maiden'sWish)
(1810-1849)
Smutna Rzeka (Sad River)
Pose› (The Messenger)
Leci þÿli[cie
z drzewa (Leaves Are Falling)
INTERMISSION
Four duets from Op. 63 .... ............................. . Felix Mendelssohn
Abschiedslied der Zugvogel
(1809-1847)
Gruß
Herbstleid
Maiglockchen und die Blümelein
Selections from Cabaret Songs .......... ....... ..... William Bo Icom
Over the Piano
(b. 1938)
Places to Live
Toothbrush Time
�TRANSLATIONS
Mi lusinga ii dolce affetto
(The Sweet Affection Enchants
Me)
The sweet affection for my
beloved enchants me.
But who knows? I must fear
of making a mistake by falling in
love again.
But if she were to be the one
I adored and then abandoned,
then I am unfaithful, ungrateful,
and a traitor.
Verdi prati
(Green Meadows)
Green meadows, charming
woods,
you will lose your beauty.
Lovely flowers, flowing streams,
your charm,
your beauty, soon will change.
Green meadows, charming
woods, you will lose your beauty.
And, the loveliness (having been)
transformed,
Everything in you will return to the
horror of its former appearance.
Ègelosia
g
(It's Jealousy)
It's jealousy, the power of love
that causes you anguish
and makes your heart ache.
But I suffer from it too.
For a lovely face, you sadly sigh ;
we are full of resentment
and we all love without pity.
L'heure exquise
(The Exquisite Hour)
The white moon shines in the
forest, from every branch comes
forth a voice under the foliage,
"Oh beloved!"
The pond, a deep mirror, reflects
the silhouette of the dark willow,
in which the wind is crying:
Let us dream, 'tis the hour!
A vast and tender calm
seems to descend from the
firmament, which the orb clads in
rainbow colors;
'Tis the exquisite hour!
Nell
Your purple rose in your bright
sun,
0 June, is sparkling as if
intoxicated;
Bend your golden cup also
toward me:
My heart is just like your rose.
Under the soft shelter of a shady
bough
a sigh of pleasure rises up:
More than one ring-pigeon sings
in the
remote wood,
0 my heart, its amorous lament.
How sweet your pearl in the
flaming sky,
star of the pensive night!
But how much sweeter is the
bright light that shines in my
charmed heart!
The singing sea, all along the
shore,
will silence its eternal murmuring,
before in my heart, dear love,
0 Nell, your image will stop
blossoming!
�Adieux de l'hotesse arabe
(Farewells of the Arabian
Hostess)
Since nothing holds you to this
happy land,
neither the shade of a palm tree,.
nor yellow corn ,
neither rest, nor abundance,
nor seeing beat at the sound of
your voice the youthful
breasts of our sisters, whose
dance,
like that of a hive of bees, crowns
the evening hills,
Farewell, handsome traveler.
Alas!
Oh, why aren't you one of those
who limit their lazy feet
to their own roofs of branches or
canvas!
Who, dreamers, listen to stories
without making any,
and sit by their door in the
evening,
dreaming of flying away to the
stars!
Had you wished it, perhaps one
of us, young man, would have
liked to serve you, kneeling ,
in our huts that are always open .
She would have lulled you to
sleep ,
and made a fan of green leaves
to chase away the flies from your
brow.
If you don't come back, think
sometimes
on the desert's daughters, softvoiced sisters,
dancing barefoot on the dune.
Handsome young white man,
lovely bird of passage, remember,
for perhaps,
oh rapid stranger, your memory
remains in more than one of
them!
Zyczenie
(A Maiden's Wish)
If I were the sun in the sky,
I would shine only on you.
I would pass blindly over the
meadows and grass,
but would shine in your window
forever if I were the sun.
If I were a little bird from that
forest,
I wouldn't sing in any foreign
country.
I would pass over the meadows
and grass,
but would sing at your window
forever
if I could change into that little
bird.
Smutna Rzeka
(Sad River)
River, flowing from the mountains,
Tell me why your waters are
swollen?
Is it the snow thawing
and flooding your banks?
The snow lies unmelted in the
hills,
and flowers hold my banks firm.
At my source sits a mother
sorrowful and weeping .
Seven daughters she bore and
loved,
seven now lie buried.
In death they know night nor day,
they lie, facing east.
Waiting in pain by their grave, she
tells her sorrow to their spirits.
And her unceasing tears flow,
swelling my waters to a flood.
�Poset
(The Messenger)
Dew lies on the meadows,
the winter days are changing .
You, faithful bird, are again before
us, singing.
With you, the sun shines longer,
with you there is the pleasant
spring;
Welcome from the journey,
joyful singer!
Don't go, wait!
Maybe you are begging for seed?
Maybe you bring a new song
from distant lands?
You run, you look around
with your dark eyes .. .
Don't look so happy,
she is not here!
She went after a soldier,
she threw him a hat
by the roadside shrine
and said goodbye to her mother.
Maybe she was running away?
Tell me, bird, are they hungry,
is it good for them in the world?
z drzewa
Leci þÿli[cie
(Leaves Are Falling)
Leaves are falling,
where once the tree grew free .
Now there sits a wild bird
calling by a grave.
0 forever and ever,
Poland is good.
Everything fades like a dream,
and your children are in the
grave.
Cottages are burned,
villages destroyed,
women lament,
homeless in the fields .
Men have fled
from family and friends,
crops shrivel and die,
and are left untended.
Young men gather
to defend Warsaw's walls,
Poland begins to rise
from the darkness.
Fighting through winter,
and summer heat.
Then came autumn
to thin our ranks.
Now the war is over,
our toil expended in vain .
The fields we once tilled
remain empty.
Some lie buried,
some languish in prison,
some wander in exile
homeless and hungry.
Heaven has not helped us, and
neither did the hand of men.
The unsown fields turn to waste,
and nature's gifts are nothing.
Leaves are falling,
and more leaves thick and black.
Oh Poland, cherished land,
see how your sons are
slaughtered for you,
They worked at guarding the
land,
and now suffer and die for
Poland.
Fight with all your strength,
fight for your freedom!
There are traitors in this country,
but there are also those who are
faithful.
Fight with all your strength,
fight in the name of liberty!
Poland belongs to those who are
devoted to this land.
�Abschiedslied der Zugvogel
(Farewell Song of the Birds of
Passage)
How beautiful were the woods
and fields,
how sad the world is now.
Gone is the beautiful
summertime,
and after joy comes sorrow.
We didn't know anything about
trouble.
We sat under the canopy of
leaves,
happy and gay in the sunshine,
and sang
out into the world.
We poor little birds are so sad .
We have no homeland anymore.
We must now fly away from here
and fly to far off lands.
Gruß
(Greeting)
Wherever I go I look in the field ,
and wood and valley.
From the hilltop on the meadow,
from the mountain outwards,
far into the blue, I send you a
thousand greetings.
In my garden I find my flowers,
beautiful and delicate.
I make many wreaths out of them,
and bind them
with a thousand thoughts and
greetings therein.
But I dare not present them to
you. You are too good,
too fair, and they will fade too
soon.
Love without equal stays forever
in the heart.
Herbstlied
(Autumn Song)
Oh how soon the dancing ends,
changing spring
into wintertime!
Ah, how soon into sad silence
changes all happiness!
Soon are the last sounds
silenced ,
Soon the last singers are flown;
Soon is the last green gone!
All want to
hurry homeward.
Ah, how soon the dancing ends
and joy changes
into longing sorrow.
Were you a dream, you thoughts
of love?
Sweet as spring and just as soon
past?
One thing only will never waver,
and that is Longing , which never
dies.
�Maiglockchen
und die Blümelein
(The May-bell
and the Flowers)
May-bells are ringing in the valley,
they ring so bright and clear:
"So come one and all to the
dance,
you lovely little flowers!"
The flowers, blue and yellow, and
white, all come over.
Forget-me-nots and violets
are among them.
May-bells start up the dance
again and they all dance then.
The moon looks kindly upon
them, and enjoys the scene.
Jack Frost disapproved very
much; he came down into the
valley.
The May-bells danced no more;
away went the flowers.
But the frost had hardly left the
valley, when May-bells called
them quickly again to the spring
festival and rang twice as brightly.
Now I too will stay no longer
inside;
May-bells are also calling me.
The little flowers are going out to
the dance, and I will go too!
�PROGRAM NOTES
Handel's Alcina, an opera in three acts , is based on
Orlando furioso, an epic poem written by Ludivoco Ariosto.
Ruggiero, a knight, is betrothed to the beautiful Bradamante.
He is in love with her, but an unfortunate series of events
puts a strain on this otherwise deeply rooted love.
Bradamante's flying horse (a hippogriff) captures Ruggiero
and lands him on an island in the middle of the ocean. Here,
Ruggiero learns that the island is inhabited by the powerful
sorceress named Alcina. She is a seductress, and entices
every man who lands on the island. However, once she tires
of these men, she turns them into stones, plants and
animals. Sure enough, Alcina lures Ruggiero into her spell,
and he becomes entranced by her ("Mi lusinga ii dolce
affetto").
Meanwhile, Bradamante and Melissa, Ruggiero's former
tutor, have been searching frantically for the beloved. When
they arrive on the island, Bradamante realizes that Ruggiero
has fallen for Alcina, and she becomes jealous ("E gelosia").
Melissa urges Ruggiero to come back to his senses, and
through a magic ring, reveals to him the island as it really is.
Ruggiero recognizes that he has been tricked into love
("Verdi prati"). He looks around at the "seemingly lush"
surroundings, and knows that they, just like his love for
Alcina, are an illusion. He realizes that, when stripped of all
illusions, love changes, and vows to leave the island at once.
Bradamante and Ruggiero smash Alcina's urn, the source
where Alcina's magic was stored . Alcina vanishes, her
former lovers return to their former selves, and all are saved.
�Chopin's 17 Polish Songs
Frédéric Chopin wrote the 17 Polish Songs between the
years 1829-1847. All the texts were from Polish poets, and
most of them were written by Stefan Witwicki, a friend of
Chopin. The pieces within this opus (Opus 74) are divided
into two distinct categories-the romantic and the historical.
Three of the songs on this program are in the personal,
romantic category, and the final piece falls into the historical
time period during the Polish uprising against Russia.
Mendelssohn Duets, Opus 63
Felix Mendelssohn composed these duets for his close
friends to sing while he lived in Leipzig between the years
1836-1844.
The texts were written by Hoffmann van
Fallersleben, (Abschiedslied der Zugvogel and Maiglockchen
und die Blümelein), Joseph van Eichendorff (Gru/3), and Carl
Klingemann (Herbstlied) who was also a friend of
Mendelssohn.
Bolcom Cabaret Songs
William Balcom wrote his two volumes of Cabaret Songs for
his wife and singer, Joan Morris. The librettist was Arnold
Weinstein, who was also Bolcom's teacher. Together, these
people created a work that is witty, charismatic, and allaround brilliant.
�ABOUTTHEPERFORMERS
ASHLEY MAYNARD, a native of Connecticut, is pursuing a Master of
Music in Opera degree at Binghamton University and is a Resident Artist
with Tri-Cities Opera. She is a student of Professor Mary Burgess, and
also works with Duane Skrabalak, Peter Sicilian, and Diane Richardson .
Ms. Maynard graduated summa cum /aude with a Bachelor of Music
degree in Music Education and Vocal Performance from Nyack College.
She has performed with Nyack College Opera, singing the roles of
Giovanna (Rigoletto), Mercedes (Carmen), Carmen (Carmen), and Mary
Magdalene in the sacred opera I Am the Way by Jerome Hines. She has
also sung the Cousin (Madama Butterfly) and First Alms Nun (Suor
Angelica) with Opera Theater of Connecticut. With Tri-Cities Opera, Ms.
Maynard has performed the roles of Giovanna (Rigoletto), Marcellina
(The Marriage of Figaro), the Mother (Amahl and the Night Visitors), Miss
Todd (Old Maid and the Thief), and Siebel (Faust). In the spring of 2009,
she was alto soloist in Haydn's Theresienmesse with the Binghamton
After graduation, Ms.
University Chamber Chorus and Orchestra.
Maynard plans to continue to sing with Tri-Cities Opera, and in
December will be performing the roles of the Mother and Hansel in
Hansel and Gretel.
JULIE WILLIAMS, is a native of South Jersey. Julie began piano
lessons at the age of five, and voice lessons when she was ten . She
graduated with honors from The University of the Arts in Philadelphia, PA
with a Bachelor of Music in Voice Performance in 2006. Julie is currently
pursuing a Master of Music in Vocal Performance from Binghamton
University where she studies with Mary Burgess.
Last January, Julie served as soprano soloist for Haydn's
Theresienmesse. Julie was a member of the Tri-Cities Opera Chorus in
the 2008-2009 season, appearing in Rigoletto, Amahl and the Night
Visitors, 60th Anniversary Gala, and Faust. In the fall of 2006 and
summer of 2007, Julie gave recitals for Arts at Grace Church in
Haddonfield, NJ. She taught voice and piano lessons privately from
2002-2009.
WILLIAM JAMES LAWSON coaches and accompanies singers at
Binghamton University. As a coach, he specializes in English diction for
American and English art songs and the sacred and classical theater
repertoires. He studied at Binghamton University (8.A. 1980), where his
teachers included Seymour Fink and Patricia Hanson in piano, M. Searle
Wright in church music, and Stevenson Barrett in vocal coaching. He
holds an M.A. from New York University (1984) and was one of the first
graduates of New York University's innovative Department of
Performance Studies, an interdisciplinary program in the performing arts.
�♦
♦♦♦
♦
.
Hurry! Only one day left to get your tickets for the...
♦
♦
♦
i.
♦
Elizabethan
Madrigal Feaste
♦
It is an evening of socially savvy vignettes, startling spectacles and song, :
:roving rapscallions, fabulous feasting and sundry surprises presented by
the musicians and ne'er-do-wells of the Music Department.
Featuring: The Lords & Ladies of the Harpur Chorale, The
Singing Wenches of the Women's Chorus, Her Majesty's Own
Royal Brass, The Skilled Musicians of the Early Musick Consorte,
Actors and other disreputables...
♦
Fri.., December4th &
♦
♦
♦
Ye Olde Union
Sat.,December 5th at 6:30
Hall, Binghamton
p. m.
University
♦
♦
♦
♦
♦♦♦♦♦♦♦♦♦♦♦♦♦♦
♦♦♦♦♦♦
♦♦♦♦♦♦♦♦♦♦♦♦♦♦
♦♦♦
�Binghamton University Music Department's
UPCOMING EVENTS
Thursday, December 3rdJazz Mid-Day Concert with Tony Kadleck,
trumpet co-sponsored by the Harpur Jazz Ensemble and the Binghamton University
Department of Music}, 1 :20 PM, Casadesus Recital Hall, FREE
Thursday, December 3rdHarpur Jazz Ensemble Concert with Tony
Kadleck, trumpet {co-sponsored by the Harpur Jazz Ensemble and the Binghamton
University Department of Music}, 8:00 PM, Osterhout Concert Theater, $$
(FREE for students}
Friday, December 4th Flute Studio and Flute Chamber Concert,
10:15 AM, Casadesus Recital Hall, FREE
Friday, December 4th Elizabethan Madrigal Feaste (Harpur Chorale
and Women's Chorus}, 6:30 PM, Old Union Hall, $$
Friday, December 4th Master's Recital: Susan Amisano, soprano,
8:00 PM, Casadesus Recital Hall, FREE
Saturday, December 5thElizabethan Madrigal Feaste (Harpur
Chorale and Women's Chorus}, 6:30 PM, Old Union Hall, $$
Sunday, December 6th Wind Symphony, 3:00 PM - FREE
Anderson Center Chamber Hall
Tuesday, December 8thPercussion Ensemble, 8:00 PM - FREE
Anderson Center Chamber Hall
Thursday, December 10thHoliday Mid-Day Concert, 1:20 PM,
Casadesus Recital Hall, FREE
Friday, December 11th Holiday Mid-Day Concert, 4:00 PM,
University Downtown Center, FREE
Saturday, December 12th Faculty Fireworks: Winter Winds (with
the University Symphony Orchestra} - a gala benefit concert for the
Music Department, 8:00 PM, Osterhout Concert Theater, $$
For ticket information, please call the
Anderson Center Box Office at 777-ARTS.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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Original Format
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2 sound discs
Duration
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39:43
23:49
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153422">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153422</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Master's recital, Ashley Maynard, November 22, 2009
Recital Tape 2009-11-22
Description
An account of the resource
Held at 3:00 p.m., November 22, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Williams, Julie Marie
Lawson, William James
Maynard, Ashley
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
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2009-11-22
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/fa4796ab7dea5563b7a2d9a36c2a60ea.pdf
f0002683d5c19f5ea06a5c6e04895e23
PDF Text
Text
BINGHAMTON
U . N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
MASTER’S RECITAL
J U L I E M A RI E WILLIAMS,
SOPRANO
with
William, James Lawsory
Prano
and
ely Maynard,
AshMeggo
sopranc
S at urd ay, November 2 1, 2009
'
8 . 0 0p .mu
Casadesus Recital Hall
�TRANSLATIONS
Ch’io mi scordi di te
(l should forget you?)
I should forget you?
You can advise me to surrender to
him?
And you can wish that I continue to
live?
Ah no! My life would be worse than
death.
Let death come! I await it unafraid.
But that I might give my affection to
another,
How could I attempt that? I would
die of grief.
Do not fear, beloved, my heart will
be always yours.
I can no longer endure such pain,
My soul is fainting away.
You are sighing? O solemn grief!
Consider at least what a moment
this is!
O God, I cannot explain.
Barbarous, pitiless fate, why such
cruelty?
Kindly souls, who see my pain in
such a moment,
Say, can a faithful heart endure
such torments?
Abschiedslied der Zugvogel
(Farewell Song o f the Birds o f
Passage)
How beautiful were the woods and
fields,
How sad the world is now.
Gone is the beautiful summertime,
And after joy comes sorrow.
We didn’t know anything about
trouble.
We sat under the canopy of leaves,
Happy and gay in the sunshine, and
sang
Out into the world.
We poor little birds are so sad.
We have no homeland anymore.
We must now fly away from here
And fly to far off lands.
Gruss
(Greeting)
Wherever I go I look in the field,
and wood and valley.
From the hilltop on the meadow,
from the mountain outwards,
Far into the blue, I send you a
thousand greetings.
In my garden I find my flowers,
beautiful and delicate.
I make many wreaths out of them,
and bind them
With a thousand thoughts and
greetings therein.
But I dare not present them to you.
You are too good, too fair,
And they will fade too soon.
Love without equal stays forever in
the heart.
Herbstlied
(Autumn Song)
Oh how soon the dancing ends,
Changing spring into wintertime.
Ah, how soon into sad silence
changes all happiness.
Soon the last sounds silenced,
Soon the last singers are flown;
Soon is the last green gone!
AII want to hurry homeward.
Ah, how soon the dancing ends and
joy changes into longing sorrow.
Were you a dream, you thoughts of
love?
Sweet as spring and just as soon
past?
One thing only will never waver,
And that is Longing which never dies.
Maigléckchen und die
Bliimelein
(The Maybell and the Flowers)
Maybells are ringing in the valley,
They ring so bright and clear.
“So come one and all to the dance,
You lovely little flowers!”
The flowers, blue and yellow, and
white, all come over.
Forgetmenots and violets are
among them.
Maybells start up the dance again
and they all dance then.
The moon looks kindly upon them,
and enjoys the scene.
Jack Frost disapproved very much;
He came to the valley.
The Maybells danced no more;
Away went the flowers.
But the frost hardly left the valley,
When Maybells called them
Quickly again to the spring festival
and rang twice as brightly.
Now I, too, will stay no longer inside;
Maybells are also calling me.
The little flowers are going out to
the dance,
And I will go, too!
Chanson Triste
(Sorrowful Song)
In your heart moonlight sleeps,
Gentle summer moonlight,
And to escape from the stress of life
I will drown myself in your radiance.
I will forget past sorrows,
My love, when you cradle
My sad heart and my thoughts
In the loving peacefulness of your
arms.
You will take my aching head
Oh! Sometimes upon your knee,
And will relate a ballad
That seems to speak of ourselves.
And in your eyes full of sorrows,
In your eyes then I will drink
So deeply of kisses and of
tenderness
That, perhaps, I shall be healed...
Extase
(Ecstasy)
On a pale lily my heart sleeps
A sleep sweet as death...
Exquisite death, death perfumed
By the breath of the beloved...
On your pale breast my heart sleeps
A sleep sweet as death...
Chanson d’Avril
(Song o f A pril)
Arise! Arise! Spring is just born!
Yonder over the valleys rosy
gossamer floats!
Everything thrills in the garden,
everything sings, and your window
Like a joyous glance, is full of sun!
Beside the lilac with its purple
clusters,
Flies and butterflies hum together,
And the wild lilyofthevalley, ringing
its tiny bells,
Has awakened love asleep in the
woods!
Since April has sown its white daisies
Put off your heavy cloak and your
cozy muff,
Already the bird calls you, and your
sisters the periwinkles
Will smile in the grass on seeing your
blue eyes!
Come let us go! At morn the springs
are more limpid!
Let us not wait for the burning heat
of the day,
I would moisten my feet in the damp
dew,
And tell you of my love beneath the
flowering pear trees.
�Den forsta kyssen
(The First Kiss)
Flickan ko m ifran sin alsklings
the Evening Star.
The girl came from meeting her lover,
Came with her hands all red.
Said her mother:
On the edge of a silver cloud sat
From the twilight of the grove the
maiden asked her:
“Tell me, Evening Star, what do
they think in heaven
When the first kiss is given to a
lover?”
And heaven’s shy daughter was
heard to reply:
“The whole angelic host looks down
to earth
And sees its own bliss reflected.
Only Death turns away his eyes
and weeps.”
Till kvéllen
(In the Evening)
Hail to you, Evening,
With your retinue of stars!
The dark locks surrounding the night
of your dear,
Lofty brows are so dear to me.
O sublime Evening, if only you could
form the bridge
That could bear my heart’s yearning
Towards the land of dreams,
Could miraculously free me
From the shackles that oppress and
wear me here!
How deep is my happiness when you
console me,
When prostrated before you I find
repose,
When day closes and all turmoil is
silenced!
When the mist veils Earth’s hills
and valleys
And the night ascends with somber
wings,
Then will my spirit hasten to meet
you.
Creation
mote
(The Tryst)
“What has made your hands so red,
girl?”
Said the girl:
“I was picking roses
And pricked my hands on the thorns.’
0
!
i
I give birth to myself
My own mother and father
For years I ran like a clockwork
mouse
Mama says, Papa says,
Mama says, Papa says,
When does Goldilocks say I am
I am
Driven I didn‘t stop
Expected more from the umbilicus
Never once got off the hook line or
sinker
Again she came from meeting her
lover,
Came with her lips all red.
Said her mother:
“What has made your lips so red,
girl?”
Said the girl:
“I was eating raspberries
And stained my lips with the juice.”
Now before the world
I reach out.
Again she came from meeting her
lover,
Came with her cheeks all pale.
Said her mother:
“What has made your cheeks so
pale, girl?”
Said the girl:
“Oh mother, dig a grave for me,
Hide me there and set a cross above,
And on the cross write as I tell you:
Once she came home with her hands
all red,
They had turned red between her
lover’s hands.
Once she came home with her lips
all red,
They had turned red beneath her
lover’s lips.
The last time she came home with
her cheeks all pale,
They had turned pale at her lover’s
unfaithfulness.”
And slide me into the gutter
Without the niceties of smalltalk
roses or champagne.
I mean business, I want whiskey
I want to be swallowed whole,
I want tiles to spring off of walls
When we enter hotel rooms or
afternoon apartments
I won’t pussyfoot around
responsibility
“shoulds” and “oughts” are out for
good.
And I don’t want to be a fat domestic
cat
I want to be frantic,
Yowls and growls to sound like the
lion house at feeding time
I don’t give a damn who hears,
I don’t give a damn!
No discreet eavesdroppers coughs
can stop us in our frenzy.
Let the voyeurs voient
And let the great cats come.
Animal Passion
Fierce as a bobcat’s spring
With startup speeds of sixty miles
per hour
I want a lover to sweep me off my
feet
i
v
N
Alas! Alack!
Alas!
Alack!
I have a knack for falling for the
wrong man
Cavaradossi or Don Ottavio were
just too tame
I never seem to want to stick to my
own script
It’s the chainsmoking bad guy in
leather
The one who’ll ruffle my feathers
the most who gets me
I fear it’s a lack—Alas!
As Tosca I lost it over Scarpia
Not such a bad fella
He had the power and the steady job
The better tune
So when they asked me to pick up
the knife and dispatch him I
demurred
Perhaps it was his theme song I
preferred
I know there’s a lack—Alas!
If I were Oberon,
I’d choose Puck,
For Pamina, it’s Papagena
If I’m Brannhilde it’s bound to be
Wotan on whom I’m stuck
If Isolde were smitten by King Marke
or Melot
Would it make her a zealot?
Damn!
I know there’s a lack—Alas!
�ABOUT THE PERFORMERS
Indian S u m m e r B lue
When I was sixteen I had a red hot
Chevy
Bucket seats, white top,
The steering not too heavy
I loved that car
Like a child loves a pony
Shoe blacked its tires
My freedom to ride
Now I am Bluebeard’s wife
I’d rather be Sleeping Beauty
“Honey, don’t open that door,” he
says
Though he gave me a master key
And I’ve peeked through the keyhole
Always a guard on duty
A red light and odor of rusty gardenia
slips out from under the door
No bushes grow in the garden
A saint‘s blood smells of roses
Blue
Blue was married before a t least
three times
No fam’ly portraits, and I don’t ask
It’s so hot
I get tired here in the east
I could doze away the days
Blue thinks I’m too fat,
Too this too that
Mama says Curiosity killed...
The Cat may well undo me.
JULIE MARIE WIL LIAMS a native of South Jersey, began piano
lessons at the age of five, and voice lessons when she was ten. She
Joy Alone (Connectio n)
The stunning silence of myself
From the hearts of forests
Middle of mountains
A late low sun rests her friendly hand
On the crowns of uncompromised
trees
A fox streaks across the sand and
scented sagebrush
A chatter of chipmunks scatters
Squirrels who stuff their briefcases
for the winter
Bluecollar workers
Long term plans
The resiny crunch of orange pine
needles warm under foot
A windfall of sweet cones
Joy alone
A startle of saplings
The power of trees
Unrav’ling of rivers
Joy alone
Joy
graduated with honors from The University of the Arts in Philadelphia,
PA, with a Bachelor of Music in Voice Performance in 2006.
Last January, Julie served as soprano soloist for Haydn’s
Theresienmess and was a member of the TriCities Opera Chorus in the
20082009 season, appearing in Rigoletto, Amahl and the Night Visitors,
The 60” Anniversary Gala, and Faust. In the fall of 2006 and spring of
2007, she gave recitals for Arts at Grace Church in Haddonfield, NJ,
participated in the Opera Studio of the American Institute of Musical
Studies in Graz, Austria in the summer of 2005, and has taught private
voice and piano lessons since 2002. Julie is currently pursuing a Master
of Music in Vocal Performance at Binghamton University and is a student
of Professor Mary Burgess.
W I L L I A M J A M E S L A W S O N coaches and accompanies singers at
Binghamton University. As a coach, he specializes in English diction for
American and English art songs and the sacred and classical theater
repertoires. He studied at Binghamton University (B.A. 1980), where his
teachers included Seymour Fink and Patricia Hanson in piano, M. Searle
Wright in church music, and Stevenson Barrett in vocal coaching. He
holds an M.A. from New York University (1984) and was one of the first
graduates of New York University’s innovative Department of
Performance Studies, an interdisciplinary program in the performing arts.
ASHLEY MAYNAR D, a native of Connecticut, is pursuing a Master
of Music in Opera degree at Binghamton University and is a Resident
Artist with TriCities Opera. She is a student of Professor Mary Burgess,
and also works with Duane Skrabalak, Peter Sicilian, and Diane
Richardson.
Ms. Maynard holds a Bachelor of Music degree in Music Education
and Vocal Performance from Nyack College. She has performed with
Nyack College Opera, singing the roles of Giovanna (Rigoletto),
Mercedes (Carmen), Carmen (Carmen), and Mary Magdalene in the
sacred opera I Am the Way by Jerome Hines. She has also sung the
Cousin (Madama Butterfly) and First Alms Nun (Suor Angelica) with
Opera Theater of Connecticut. With TriCities Opera, Ms. Maynard has
performed the roles of Giovanna (Rigoletto), Marcellina (The Marriage of
Figaro), the Mother (Amahl and the Night Visitors), Miss Todd (Old Maid
and the Thief), and Siebel (Faust). In the spring of 2009, she was alto
soloist in Haydn’s Theresienmesse with the Binghamton University
Chamber Chorus and Orchestra.
After graduation, Ms. Maynard plans to continue to sing with TriCities
Opera, and in December will be performing the roles of the Mother and
Hansel in Hansel and Gretel.
�Binghamton University Music D epartment’s
U P C O M I N G E V E N T S
a o a e de
a
o
a
Thursday, December 3 – Jazz MidDay Concert with Tony
Kadleck, trumpet – 1:20 p.m. – Osterhout Concert Theater –
free (Cosponsored by the Binghamton University Music
Department and the Harpur Jazz Project)
Thursday, December 3 – Harpur Jazz Ensemble Concert
w i t h Tony Kadleck, trumpet – 8 p.m. – Osterhout Concert
Theater – $$ (Cosponsored by the Binghamton University Music
Department and the Harpur Jazz Project)
Friday, December 4 – Flute Studio and Flute Chamber
Concert – 10:15 a.m. – Casadesus Recital Hall – free
Friday, December 4 & Saturday, December 5– Elizabethan
Madrigal Feaste (Harpur Chorale and Women’s Chorus) –
6:30 p.m. – Old Union Hall – $$
Friday, December 4 – Master’s Recital: Susan Amisano,
soprano – 8 p.m. – Casadesus Recital Hall – free
Sunday, December 6 – Wind Symphony – 3 p.m. – Anderson
Center Chamber Hall – free
Tuesday, December 8 – Percussion Ensemble – 8 p.m. –
Anderson Center Chamber Hall – free
Thursday, December 1 0 – Holiday MidDay Concert – 1:20
p.m. – Casadesus Recital Hall – free
Friday, December 1 1 – Holiday MidDay Concert – 4 p.m. –
Downtown Center – free
Saturday, December 1 2 – Faculty Fireworks: Winter Winds
( w i t h t he U niversity Symphony Orchestra) A gala benefit
concert f o r t h e M usic Department – 8 p.m. – Osterhout
Concert Theater – $15 general public; $10 faculty/staff/seniors;
$5 students
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
58:30
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153419">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153419</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, Julie Marie Williams, soprano, November 21, 2009
Recital Tape 2009-11-21
Description
An account of the resource
Held at 8:00 p.m., November 21, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Williams, Julie Marie
Lawson, William James
Maynard, Ashley
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-11-21
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound