57 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:07:55 57:21 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153187">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153187</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Symphony Orchestra concerto and aria competition, November 15, 2009 Recital Tape 2009-11-15 Description An account of the resource Held at 6:30 p.m., November 15, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/10df6b9a9e910066197bd5fb8c30a6ef.pdf af60b16e6b037f37886896b44ea6125d PDF Text Text BINGHAMTON UNIVERSITY - ._ STATE UNIVERSITY OF NEW YORK , usi DEPARTMENT DAN FAGEN AND SARAH FENSTER SENIOR RECITAL From the Studios of April Lucas and Sarah Chandler with Margaret Reitz, piano Saturday, November 14, 2009 8:00 p.m. Casadesus Recital Hall �PROGRAM Concerto No. 1 in F minor, Op. 73(1811) ...... Carl Maria von Weber (1786-1826) I Allegro moderato Sarah Fenster, clarinet Pej Reitz, piano Sonata (1732) ........................... ..... .................................... Henri Eccles (1670-1742) Sigurd Rascher, arr. I Largo II Courante III Adagio IV Presto Dan Fagen, alto saxophone Pej Reitz, piano Suite from the Victorian Kitchen Garden (1989) .............. Paul Reade (1943-1997) I Prelude II Spring III Mists IV Exotica V Summer Sarah Fenster, clarinet Pej Reitz, piano �Sonata, Op. 19 (1937)......... ............. ................ ................. Paul Creston (1906-1985) II With tranquility III With gaiety Dan Fagen, alto saxophone Pej Reitz, piano Eight Pieces, Op. 83 (1910) .............................................. Max Bruch (1838-1920) Harry Gee, arr. I Andante con moto II Allegro con moto III Allegro vivace, ma non troppo Dan Fagen, alto saxophone Sarah Fenster, clarinet Pej Reitz, piano �ABOUT THE PERFORMERS DAN FAGEN, from StatenIsland, NY, is a senior double majoring in music and psychology at Binghamton University. He began playing clarinet when he was 9 years old and began playing alto saxophone at age 13. In high school, he began studying jazz and improvisation with Ray Scro and Chris Garone. At Binghamton, he has continued to be involved with jazz music, playing lead alto saxophone in The Harpur Jazz Ensemble under the direction of Mike Carbone. He recently began studying classical saxophone with Professor April Lucas. He would like to thank Professor Lucas for fixing his long list of bad playing habits, Professor Reitz for accompanying him, and his parents and friends for their support. SARAH FENSTER, from Buffalo, NY, is a double major in Sociology and Geography at Binghamton University and will be graduating in May of 2010. She is a three-year member of the University Wind Symphony, and has also been studying with Sarah Chandler during her years at Binghamton. In the past, she has played with various Erie County and NYSSMA ensembles. She would like to thank her family and friends for always supporting her musical passion. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area. She received her Bachelor and Master of Music degrees in piano performance with She attended Boston University, New England accompanying emphasis. Conservatory and Binghamton University. Ms. Reitz has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce and accompanying with Allen Rogers. She has accompanied throughout the United States, in England, South America, Spain and at the American Institute of Musical Studies in Graz, Austria. She was a winner of the Artistic Ambassadors Program by the United States Information Agency in partnership with the John F. Kennedy Center for the performing arts. Ms. Reitz was an official pianist at the International Double Reed Competition and Convention in 2007 at Ithaca College and was invited to play the 2009 Convention in Birmingham, England with the Glickman Ensemble. Ms. Reitz was selected to accompany at the Interpretation of Spanish Music in conjunction with University of Madrid in Grenada, Spain coached by Teresa Berganza and at Mannes School of Music in the summer of 2008. She was a Guest Artist playing two concerts in Granada, Spain this past summer and accompanied the Barcelona Song Festival in July. She is the pianist for Theater Street Productions performing concerts in Lenox, Mass and Newport Rhode Island this fall. Ms. Reitz has been on the faculty at Binghamton University since 1991 and with the Ithaca College School of Music since 1999. She is on the Executive Board of the New York District MTNA organization. She is President of the local District VII Music Teachers _Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 53:03 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153184">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153184</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCover Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dan Fagen and Sarah Fenster senior recital: from the studios of April Lucas and Sarah Chandler, November 14, 2009 Recital Tape 2009-11-14 Description An account of the resource Held at 8:00 p.m., November 14, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Fagen, Dan Fenster, Sarah Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-14 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/f1f2634b2d6e932e2eb6bab15e6075e3.pdf e885c58f32cb585bb884d311eb0bde2f PDF Text Text BINGHAMTON U N I V E R S I T Y STATE U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T THURSDAY MIDDAY CONCERT Thursday; November 12, 2009 . 1:20pm. ! Chsadesus Kecigal Hal �PROGRAM University Symphony Orchestra C oncer to & A r i a (ete Fantasie for Viola and Orchestra ............... Johann N. Hummel Maxim Pekarskiy, viola Michael Salmirs, piano * = i g : } é 2 T "Ie.l , I " ‘ I m E sr “1 5 / Concerto No. 1 in Eﬂat Major Allegro maestoso Quasi Adagio Franz Liszt (18111886) I _» : b = Stephen Kong, piano Ewa MackiewiczWolfe, piano “ 3 a ; R Te) E 32 I a l , 5 ﬁ : : ' v UARF ' RE : i T s i z > KE 2 1 1 g 1 EF 8 J i e ; x a a ~ : V2 5 % { r . s oo ~F . _ 4 A. A L L ~. . > C omp e t it i o n 4 0 Sunday, November 15 from 6:30 – 9:30 p.m. Casadesus Recital Hall Free T ommm n u h u i g ﬂ y w w mm a z m o w �Binghamton University Musci Department’s UPCOMING EVENTS W W W s i m m Saturday, November 1 4 ” Student Clarinet Recital: Sarah Fenster & Dan Fagen, 7:00 PM, Casadesus Recital Hall, FREE Sunday, N ov ember1 5 ” Binghamton Philharmonic and the Binghamton University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM, Osterhout Concert Theater, (for tickets, call BPO at 607.723.3931) Sunday, November 15% Concerto and Aria Competition, 6:30 PM, Casadesus Recital Hall, FREE Thursday, November 1 9 ” MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Satur day, November 2 1 Master Recital: Julie Williams, soprano, 8:00 PM, Casadesus Recital Hall, FREE Sunday, N ovember 22™ Master Recital: Ashley Maynard, soprano, 3:00 PM, Casadesus Recital Hall, FREE Thur sday, December 3 ” Jazz MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Thur sday, December 3 ” H arpur Jazz Ensemble Concert (cosponsored by the Harpur Jazz Ensemble and the Binghamton University Department of Music), 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) Friday, December 4 Flute Studio and Flute Chamber Concert, 10:15 AM, Casadesus Recital Hall, FREE Friday, December 4 Elizabethan Madrigal Feaste (Harpur Chorale and Women’s Chorus), 6:30 PM, Old Union Hall, $$ Friday, December 4 ” Master Recital: Susan Amisano, soprano, 8:00 PM, Casadesus Recital Hall, FREE Satur day, December 5 Elizabethan Madrigal Feaste (Harpur Chorale and Women’s Chorus), 6:30 PM, Old Union Hall, $$ For ticket information, please call the . Ander son Center Box O ﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:55 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153181">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153181</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 12, 2009 Recital Tape 2009-11-12 Description An account of the resource Held at 1:20 p.m., November 12, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-12 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/fea3874f015691c70a746faada0685f5.pdf bcef0c42afc754afce5530c531f7f27a PDF Text Text BINGHAMTON U N I V E R 3 1 T Y S T A T E U N I V E R S I T Y O F N E W Y O R K zedec B E P A R T M E N T THURSDAY MIDDAY CONCERT Tbursdsay, November 5 , 2 0 0 9 £ 2 0 p .m. . Casadesus Recital Hal �PROGRAM Pensrero r a n k Bridge (18791941) Roberta Crawford, viola Michael Salmirs, piano Concertino University Symphony Orchestra C on certo & A ria Ferdinand David (18101873) William Marsiglia, trombone William Lawson, piano ;_ ‘ " S18 t Concerto in G Major, K. 216... Allegro W. A. Mozart (17561791) Piano Concerto No. 3 in C minor, Op. 37.................Ludwig van Beethoven Allegro con brio (17701827) P E — ' i I e E 0 ' e r s l h i e ) E Imji Choi, violin Michael Salmirs, piano Jieun Jang, piano Michael Salmirs, orchestra p E R N A5 ‘ << s . 2 7 B e e e e C omp et it ion ® 0 Sunday, November 15 from 6:30 – 9:30 p.m. Casadesus Recital Hall Free T o a h d n ﬂ l ﬂ ﬂ h h M M Q d ﬂ a l ﬁ ﬂ O J M D W �Binghamton University Music Department ’s U P C O M I N G EVENTS W W W Satur day, N ovember 7 ” Master Gass: Bruce Neswick, guest organist, 10:00 AM – 12:00 NOON, First Presbyterian Church, Binghamton, FREE Satur day, N ovember 7°" Air Force Brass Quintet, 8:00 PM, FREE, Casadesus Recital Ha/l Sunday, N ovember 8 ” 1 Bruce Neswick, guest organist, 4:00 PM, First Presbyterian Church, Binghamton, $$ Thursday, November 1 2 ” MidDay Concert, 1:20 PM FREE Casadesus Recital Hall 1 4 ” Student Clarinet Recital: Satur day, N ovember Sarah Fenster & Dan Fagen, 7:00 PM, Casadesus Redta/ Hall, FREE Sunday, N ovember 1 5 ” Binghamton Philharmonic and the Binghamton University Chorus: Songs of Destiny by Brahms and Beethoven, 3:00 PM, Osterhout Concert Theater; (for tickets, call BPO at 607.723.3931) Sunday, N ovember 1 5% Concerto and Aria Competition, 6:30 PM, Casadesus Recital Hall, FREE Thursday, November 1 9 ” MidDay Concert; 1:20 PM FREE Casadesus Recital Hall Satur day, N ovember 21% Master Recital: Julie Williams, soprano, 8:00 PM, Casadesus Recital Hall, FREE Sunday, N ovember 22™ Master Recital: Ashley Maynard, soprano, 3:00 PM, Casadesus Redta/ Hall, FREE FREE Thursday, December 3 Jazz MidDay Concert, 1:20 PM — Casadesus Recital Hall Ensemble Concert (cosponsored Thursday, December 3 ° Harpur Jazz by the Harpur Jazz Ensemble and the Binghamton University Department of Music), 8:00 PM, Osterhout Concert Theater, $$ (FREE for students) For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:38 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153178">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE153178</a>h Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, November 5, 2009 Recital Tape 2009-11-05 Description An account of the resource Held at 1:20 p.m., November 5, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-11-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/3aa013464616e45c788fc7d41cae9038.pdf e2480c1917a24f931f48a84090a9e872 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W Y O R K D E P A R T M E N T THURSDAY MIDD4ay CONCERT 1 M M O PFRA PROGRAM Dane Skrabalak, PIED 4CCompanisy Thursday, October I, 2009 1.20 p .m. Casadasus Keacrial Hal �PROGRAM Music for a While H. Purcell from Oedipus (16597?) Julian Whitley baritone Ach, ich fuhl’s.......... .W.A. Mozart from Die Zauberﬂote (1756 1791) Victoria Cannizzo soprano Where e’er you walk G.F. Handel from Semele (1685 1759) Daniel Ibeling tenor Mi Iusinghe iI dolce aﬀetto G.F. Handel from Alcina (1685 1759) Ashley Maynard mezzo soprano Quanta & bella. s Michael Fries tenor Frere, voyez! i n Donizetti from Elisir d’amore (1797 1848) J. Massenet Amanda Chmela soprano Do You Know the Land from Werther (1842 1912) Mark Adamo Julian Whitley baritone from Little Women (b. 1962) WEVERENN. WLA . Mozart Dove sono “from Le Nozze d i Figaro Victoria Cannizzo soprano Dies Bildnis ist bazaubemd schoen. Daniel Ibeling tenor Verdi Prati (1756 1791) .W.A. Mozart from Die Zauberﬂote (1756 1791) G.F. Handel Ashley Maynard mezzo soprano Zuetgnung from Alcina (16851759) R. Strauss Michael Fries tenor A Simple Sailor.. ( 1 8 6 4 1949) .A. Sullivan Amanda Chmela soprano from HMS Pinafore (1842 1900) NOTES AND TRANSLATIONS Ach, Ich ftlhl’s... Pamina, unaware that Tamino is undergoing a special initiation rite within the sacred precincts of the enlightened of Sarastro’s order, mistakes his reticence for rejection. She states that, denied the aﬀection of Tamino, she will seek solace in death alone. Ml Iusinghe ll dolce aﬀetto... I am enchanted with sweet aﬀection for the vision of my beloved. But who knows? I must fear then I deceive myself by falling in love again But if she were to be the one whom I truly adored and abandoned, then I am but unfaithful, ungrateful, and a cruel traitor. Quanto é bella Nemorino rhapsodizes on the attributes of Adina – beautiful, charming, Ieamed and wise. He, alas, considers himself an unworthy suitor, being unschooled, oaﬁsh, and simple, and laments his inability to create any kind of aﬀectionate bond with the superior object of his desires. Frére, Voyez... Sophie the evercheerful, encounters Werther the evermorose friend of her family, and tries to lift his spirits for a Spring celebration, announcing that even the newly returning birds have declared that God himself declares that it is appropriate and forgivable to be happy. Do You Know the Land... During a debate about the merits of opera and art in general, Jo March asks for a deﬁning example of what should be considered “proper” art. Professor Friedrich Bhaer responds by reciting a poem by Goethe (Kennst du das Land).When Jo asks for a translation Bhaer complies with an ex tempore translation, in which the poem not only clariﬁes the sentiment but evolves as a convenient vehicle in which he reveals his own feelings towards Jo. Dove sono... Countess Almaviva ﬁrst debates the wisdom of her decision to plot with Susanna and Figaro to teach her errant husband a lesson about ﬁdelity. She then goes on to lament that the charm and magic of the early days of their aﬀair (cf. The Barber of Seville) seem to be distant history. She concludes with a resolve to try one last time to resurrect the devotion that she and her husband once enjoyed. Dies Blldnls lst bezaubernd schoen... Tamino has been sent a portrait of Pamina, daughter of the Queen of the Night, by the queen’s attendant ladies. He falls immediately in love with the image, and swears to ﬁnd Pamina and make her “forever mine". He later learns that there is a quest involved. He must free her from the clutches of Sarastro, high priest of a cult which he later aspires to join. �Verdi Prati... Green meadows, inviting woodlands you will lose your beauty Lovely ﬂowers, ﬂowing streams your charm and beauty will soon be changed. Green ﬁelds, charming woods your beauty will be lost and the charming graces will transform into the former look of bleakness and horror Zueignung Yes, you know it, dearest soul When far from you I suﬀer Love can make the heart sick Have thanks_ Once I, a drinker of freedom held high the amethyst cup And you blessed the drink Have thanks_ And you cleansed the evils from it Until I, as I had never been before Blessedly sank upon your heart Have thanks_ A simple sailor... Josephine is faced with a crucial decision: Whether to yield to her father’s wishes and wed the inﬂuential and wealthy Sir Joseph, or to follow her heart and accept the attentions of Rackstraw, an honest, hard working, albeit lowborn sailor. She visualizes what life for her would be like in both scenarios, and calls upon the twin gods of Love and Reason to advise her. Binghamton University M usic D epartment’s M P C O M l N 4 E V E N T S M M October – eve r y Thursday MidDay Concert, 1:20 PM, Casadesus Recital Hall, FREE October – various d ates a n d ti m e s 3Penny Opera with the Theatre Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$ Sa tu r d ay, O ctober 1 7 Paul Taylor Dance Company with the Binghamton University Symphony Orchestra, 8:00 PM, Osterhout Concert Theater, $$ Saturday, O ctober 2 4 ” Family Weekend Concert {Harpur Chorale, Women’s Chorus and Wind Symphony), 3:00 PM, Osterhout Concert Theater, FREE : Fri d ay, N ovember 6 Song of Silk (for school gmups grades 712), 10:00 AM, Watters Theater, (for tickets, contact BOCES Arts in Education at 607. 766. 3773) For ticket information, please call the Anderson Center B ox O ﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 48:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152858">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152858</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert MM opera recital, October 1, 2009 Recital Tape 2009-10-1 Description An account of the resource Held at 1:20 p.m., October 1, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-10-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0a993d2f0fc04c14111da29af0f953bb.pdf 134f92c5c877a948159283704f616e49 PDF Text Text BINGHAMTON U N I V E R S I T Y S TAT E U N I V E R S I T Y O F N E W Y O R K wdc D E P A R T M E N T THURSDAY MIDDAY CONCERT Thursday, Ocgober 29, 2 0 0 9 L 2 0 p m . . Casadesus Recital Hal �PROGRAM Zyczenie Smutna Rzeka Pose! Leci liscie z drzewa TRANSLATIONS Frederic Chopin (18101849) Ashley Maynard, mezzosoprano William James Lawson, piano Liebst du um Schonheit Das Veilchen O weh des Scheidens Mein Stern Loreley Clara Schumann (18191896) Franz Schubert (17971828) Mary Burgess, soprano Timothy Perry, clarinet Stephan Zank, piano TRANSLATIONS Zyczenie (A Maiden’s Wish) River, ﬂowing from the mountains, Tell me why your waters are swollen? Is it the snow thawing and ﬂooding your banks? The snow lies unmelted in the hills, and ﬂowers hold my banks ﬁrm. At my source sits a mother sorrowful and weeping. Seven daughters she bore and loved, seven now lie buried. In death they know not night nor day, they lie, facing east. Waiting in pain by their grave, she tells her sorrow to their spirits. And her unceasing tears ﬂow, swelling my waters to a ﬂood. Pose! (The Messenger) Jana Kucera, soprano ChaiKyou Mallinson, piano Der Hirt auf dem Felsen, Op. 129 Smutna Rzeka (Sad River) If I were the sun in the sky, I would shine only on you. I would pass blindly over the meadows and grass, but would shine in your window forever if I were the sun. If I were a little bird from that forest, I wouldn’t sing in any foreign country. I would pass over the meadows and grass, but would sing at your window forever if I could change into that little bird. Dew lies on the meadows, the winter days are changing. You, faithful bird, are again before us, singing. With you, the sun shines longer, with you there is the pleasant spring; Welcome from the journey, joyful singer! Don’t go, wait! Maybe you are begging for seed? Maybe you bring a new song from distant lands? You run, you look around with your dark eyes... Don’t look so happy, she is not here! She went after a soldier, she threw him a hat by the roadside shrine and said goodbye to her mother. Maybe she was running away? Tell me, bird, are they hungry, is it good for them in the world? Leci Iiscie z drzewa (Leaves Are Falling) Leaves are falling, where once the tree grew free. Now there sits a wild bird calling by a grave. O forever and ever, Poland is good. Everything fades like a dream, and your children are in the grave. Cottages are burned, villages destroyed, women lament, homeless in the ﬁelds. Men have ﬂed from family and friends, crops shrivel and die, and are left untended. Young men gather to defend Warsaw’s walls; Poland begins to rise from the darkness. Fighting through winter and summer heat. Then came autumn to thin our ranks. Now the war is over, our toil expended in vain. The ﬁelds we once tilled remain empty. Some lie buried, some languish in prison, some wander in exile homeless and hungry. Heaven has not helped us, and neither did the hand of men. The unsown ﬁelds turn to waste, and nature’s gifts are nothing. Leaves are falling, and more leaves thick and black. Oh Poland, cherished land, see how your sons are slaughtered for you, They worked at guarding the land, and now suﬀer and die for Poland. Fight with all your strength, ﬁght for your freedom! There are traitors in this country, but there are also those who are faithful. Fight with all your strength, ﬁght in the name of liberty! Poland belongs to those who are devoted to this land. Liebst du u m Schoénheit (Do You Love Beauty) Do you love beauty? Oh do not love me! Love thou the sun who wears her golden hair! Do you love youth? Oh do not love me! Love thou the Spring, it is young every year! �Do you love riches? Oh do not love me! Love thou the mermaid, she has many pearls! Do you love love? Oh yes, then love me! Love me always, I will always love you! Das Veilc hen (The Violet) A violet in the meadow stood bowed to itself and unknown; It was a tender violet. Then came a young shepherdess with light steps and cheerful spirit from there, across the meadow singing. Ah, thought the violet, if only I were the most beautiful ﬂower of nature, Ah, just a little while, ‘til I were by my beloved plucked, and on her bosom fainting, pressed! Ah only, ah only a short quarter hour long! But alas! The girl came by, and o f the violet took no heed but crushed underfoot the poor violet. lt drooped and perished, and yet rejoiced, for if I die, yet still I die through her, through her and at her feet. O we h des Scheidens (The Sorrow o f Parting) Oh the sorrowful parting that he took when he left me in longing! Oh the sorrowful pleading as he asked, his tears and weeping! He said to me: “Give up your grief!” Yet he himself withdrew in sorrow. l was dampened by his tears, so that it chilled me to the heart. Mein Stern (My Star) O thou my star! I behold you joyfully! When the sun sinks quietly in the ocean your golden eye so consolingly beckons in my night. O thou my star! From far beyond, if you are a messenger with love’s greetings, let your rays hungrily kiss me in the uneasy night! O thou my star! Linger willingly, and smilingly carry on the plumage of light the dreams of angels to my beloved below, in his night. Lorel ey (Loreley) I know not what it means that I feel so sad; a tale from old times will not leave my mind. The air is cool; it is getting dark and peacefully ﬂows the Rhine. The summit of the mountain sparkles in the evening sunshine. The most beautiful maiden sits up there, wonderfully. Her golden jewels ﬂash, she combs her golden hair. She combs it with a golden comb and sings a song all the while; it has a wondrous powerful melody. It possesses with violent woe the sailor in a little ship. He is seized with wild pain, he sees not the rocky reef, he only looks up in the end. I believe the waves swallow and end sailor and ship and that, with her singing, The Loreley has done. Der Hirt a uf dem Felsen (The Shepherd on the Rock ) When upon the highest rock I stand, and gaze into the deep valley below, and sing, and sing, farm from out the deep, dark valley resounds the echo from the caverns. The farther my voice resounds, the brighter it echoes from below. My darling lives s o far from me, I long for her so intensely, so far oﬀ. In deepest grief I am consumed, Joy has ﬂown, no hope for me, I am so alone here. So longingly my song rang through the woods, throughout the night, it draws the heart heavenward with wondrous power. The springtime will come, the spring my joy, now I make ready for wandering once more! � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 39:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152855">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152855</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, October 29, 2009 Recital Tape 2009-10-29 Description An account of the resource Held at 1:20 p.m., October 29, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-10-29 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/0fc6b5b7cb12a30dbfed614a6f186020.pdf 67d43dc551744a11f746653f4ebbd5e4 PDF Text Text BINGHAMTON EL N I V E R S I T Y STAT E U N I V E R S I T Y O F N E W YO R K D E P A R T M E N T THURSDAY MIDDAY CONCERT Thursday, October 22, 2 0 0 9 1. 2 0 p .m. Casadasus Recital a z �l PROGRAM l Four Songs... Allerseelen, Op 10, no. 8 Seitdem dein Aug‘ , Op. 17, no. 1 Heimkehr, Op. 15, no. 5 Zueignung, Op. 10, no. 1 Richard Strauss (18641949) Mary Burgess, soprano Stephen Zank, piano L’'Heure E x q u i s e Nell, Op. 18, no. 1.. Adieux de I’ hotesse Arabe. i i i! l { !1 Ashley Maynard, mezzosoprano William James Lawson, piano i 1 Aria, “Dove sei, amato bene,” from Rodelinda ..George Frederick Handel Aria, “Bel piacere,” from Agrippina (16851759) Susan Amisano, soprano William James Lawson, piano ...Jean Sibelius (18651975) Julie Marie Williams, soprano William James Lawson, piano Aria, “Tornami a vagheggiar,” from Alcina............George Frederick Handel (16851759) Amanda Chmela, soprano ChaiKyou Mallinson, piano l l .. Reynaldo Hahn (18741947) Gabriel Faure (18451924) ....Georges Bizet (1 8 3 8 1875) Three S o n g s Den forsta Kyssen Op. 37 no. “1” Till Kvallen, Op. 17, no. 6 Flickan kom irfan sin alsklings mote, Op. 37, no. 5 TRANSLATIONS : Allerseelen But now the sun departs, (All Souls’ Day) Place on the table the fragrant And calm descends upon the grove, As long ago in May. Give me your hand, that I may secretly clasp it, And if it is observed by others, I will not mind; Give me one of your sweet glances, As long ago in May. Today each grave is ﬂowering and fragrant, Once a year it is All Souls’ Day— Come to my heart that I again may Zueignung (Devotion) Ah, you know it, dear soul, That, far from you, I languish; Love causes hearts to ache— To you my thanks! Once, drinking to freedom, I raised the amethyst cup, And you blessed the drink— To you my thanks! You exorcised the evil spirits in it, So that I, as never before, Cleansed and freed, sank upon your breast, To you my thanks! mignonettes, Bring here the last of red asters, And let us speak again of love, have you, As once again in May! Seitdem dein Aug’ (Ever since your eyes) Ever since your eyes looked into mine, And love, as if from heaven above, Showered down upon me, What more had the earth to oﬀer? It gave its best to me, And with peaceful happiness of the heart My whole life was ﬁlled, because of that one moment. Heimkehr (Homeward) The tree boughs are waving softly, Swiftly towards the shore moves the boat, Back to its nest ﬂies the dove, My heart returns home to you. Too long on a bright day, Surrounded by life’s turmoil, On its ﬂuttering wings, It has been straying. And it feels that near you is peace, Near you alone is rest. L ‘Heure Exquise (The Exquisite Hour) The white moon shines in the forest, from every branch comes forth a voice, under the foliage, Oh beloved! The pond, a deep mirror, reﬂects in which the wind is crying. Let us dream, ‘tis the hour! A vast and tender calm seems to descend from the ﬁrmament, which the orb clads in rainbow colors; ‘Tis the exquisite hour! Nell Your purple rose in your bright sun, O June, is sparkling as if intoxicated; bend your golden cup also toward me: My heart is just like your rose. Under the soft shelter of a shady bough a sigh of pleasure rises up: �More than one ringpigeon sings in the remote wood, O my heart, its amorous lament. How sweet your pearl in the ﬂaming sky, star of the pensive night! But how much sweeter is the bright light that shines in my charmed heart! The singing sea, all along the shore, will silence its eternal murmuring. Before in my heart, dear love, O Nell, your image will stop blossoming! Adieux de I’hotesse Arabe Adieux o f the Arab Hostess Since nothing holds you to this happy land, neither the shade of a palm tree, nor yellow corn, neither rest, nor abundance, nor seeing beat at the sound of your voice the youthful breasts of our sisters, whose dance, like that of a hive of bees, crowns the evening hills. Adieu, handsome traveler. Alas! Oh, why aren’t you one of those who limit their lazy feet to their own roofs of branches or canvas! Who, dreamers, listen to stories without making any, and sit by their door in the evening, dreaming of ﬂying away to the stars! Had you wished it, perhaps one of us, young man, would have liked to serve you, kneeling, in our huts that are always open. She would have lulled you to sleep, and made a fan of green leaves to chase away the ﬂies from your brow. If you don’t come back, think sometimes on the desert’s daughters, softvoiced sisters; dancing barefoot on the dune. Handsome young white man, lovely bird of passage, remember. For perhaps, oh rapid stranger, your memory remains in more than one of them! Dove sei, amato bene? (Where are you, beloved?) Where are you, beloved? Come to console my heart! Come, come, beloved! I am beset by sorrow, And my harsh pains I can only bear with you. Bel piacere (Great pleasure) ‘Tis great pleasure to enjoy, To enjoy a faithful love! This brings contentment to the heart. Splendour is not measured by beauty, if it does not come from a faithful heart. i . Den forsta kyssen (The First Kiss) On silver clouds there sat an evening star, when through the dusk a maid called from afar: “Oh, tell me, star, will heaven think amiss, when ﬁrst I bless my Iov’d one with a kiss?” And heaven’s bashful daughter thus did sigh: “A choir of angels lifts their heads up high, and sees their grace reﬂected in night’s keep; so Death doth turn his eyes away and weep.” . Flickan kom ifran sin alsklings mote (The Tryst) The girl came from meeting her lover, came with her hands all red. Said her mother: “What has made your hands so red, girl?” Said the girl: “I was picking roses and pricked my hands on the thorns.” & Again she came from meeting her lover, came with her lips all red. Said her mother: “What has made your lips so red, girl?” Said the girl: “I was eating raspberries and stained my lips with the juice.” Again she came from meeting her lover, came with her cheeks all pale. Said her mother: “What has made your cheeks so pale, girl?” Said the girl: “Oh mother, dig a grave for me, hide me there and set a cross above, and on the cross write as I tell you: Once she came home with her hands all red...they had turned red between her lover’s hands. Once she came home with her lips all red...they had turned red beneath her lover’s lips. The last time she came home with her cheeks all pale...they had turned pale at her lover’s unfaithfulness.” Till kvéllen (To Evening) Welcome, dark, mild and starry evening! Your gentle fervour I adore and caress the dark tresses That ﬂutter round your brow. If only you were the magic bridge that would carry my soul away, No longer burdened by the cares of life! And if it were the happy day when, overcome with weariness, I might join you when work is over and duty done, When night unfolds its black wings, and a grey curtain falls over hill and dale, O evening, how I would hurry to you! Tornami a vagheggiar (Return to Me) Return to me so that I may look upon you with love. My faithful soul loves only you, Dear, my beloved. Already to you I gave my heart, faithful will be my love. Never to you will I be cruel, Dear, my hope. �* 9 * e 0 0 0 0 0 0 0 . 0 0 0 R ie ie E E +4 0 0 O A S D A Ddro 0 n Q n * * e 3 a 4 birds Get your tickets now f o r th e Elizabethan ie ie * 4 po po Madrigal Feasts 34 * + ie ie * * * ® Featuring: Harpur Chorale Women’s Chorus University Wind Ensemble Saturday, October 2 4 3:00 p.m, ‘ 0 0 # J ( Osterhout Concert Theater Ld * ie * Ld 4 d A J # s po v 5 The Lords Featuring: and Ladies of the . t e ke Harpur Chorale, the Singing ho \ Wenches o f the Women’s Chorus, her Majesty’s own Royal Brass, ' o the S killed Musicians o f the Early } 3 Musick Consorte, actors and > The Froaste: 4 * 4 pe 4 ed Salade o f Romaine Lettuce, Celery. Mandarin Orange and Craisins y d 4 ‘ peo* 4 o t h e r d isreputables... Thickke Vega table (bene) soupe F e) Ld i ( IA . TH i ie [4 . 1 4 ° " ) ! . ie Ld 4 O po v = o Ld $e o ve pe Be 4 \ Startling spectacles and a fabulous ' 4 A 4 ‘n‘ﬁ‘ ‘ e a s t w ith music 4 mayhem 3 33 “o 4 ho oE Tendre Roasted Boeﬀ Fowl with Herb Marinade Greene Benes with M ushrooms Carrotes, Rice Pilaf Chocolate Cake Wire and Wassar? 4 3 o d ‘ o d 4 O bo Ee Fr i . , D e c e m b e r # * & Sat. , P e c e n b e r 5% a t 6 : 3 0 p . m . i n Y e O l d e U n i o n H a l ( B U ) For tickets call, (607) 777ARTS by Mon., Nov. 23". 1 ‘ O 4 P o R*N $08333832523300830032003300332e3880388288322830830013328435d ' �Bin gha mto n Un ive rsi ty Music D epa rtm ent ’s U P C O M I N G E V E N T S Sat urd ay, O ctob er 2 4 ” Family Weekend Concert y), 3:00 PM, FREE, (Harpur Chorale, Women’s Chorus and Wind Symphon Osterhout Concert Theater Thu rsda y, Oct obe r 2 9 ” MidDay Concert; 1:20 PM —FREE Casadesus Recital Hall Thu rsda y, Nov emb er 5% MidDay Concert, 1:20 PM —FREE Casadesus Recital Hall aster Class: Bruce Neswiok, Sat urd ay, N ove m b e r7*" M 12:00 NOON, First Presbyterian Church, guest organist, 10:00 AM — Binghamton, FREE Sat urd ay, N o v e m b e r Air Force Brass Quintet, 8:00 PM, FREE, Casadesus Recital Hall Sun day, N ove m b e r 8 ” B ruce Neswick, guest organist, 4:00 PM, First Presbyterian Church, Binghamton, $$ Thu rsda y, Nov emb er 1 2 ” MidDa y Concert, 1:20 PM FREE Casadesus Recital Hall Sat urd ay, N ove mbe r 1 4 ” Student Garinet Recital: Sarah Fenster & Dan Fagen, 7:00 PM, Casadesus Recital Hall, FREE hamton Philharmonic and the Sun day, N ove mbe r 1 5 Bing Binghamton University Grorus: Songs o f Destiny by Brahms andO at Beethoven, 3:00 PM, Osterhout Concert Theater, (for tickets, cal BP 607. 723.3931 ) PM, S u n d ay, N ove m b e r 1 5% Concerto and Aria Competition, 6:30 Casadesus Recital Hall, FREE Thu rsda y, Nov emb er 1 9 ” MidDay Concert; 1:20 P M FREE Casadesus Recital Hall For ticket information, please call the And erso n Cen ter Box O ﬀice a t 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:46 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152852">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152852</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, October 22, 2009 Recital Tape 2009-10-22 Description An account of the resource Held at 1:20 p.m., October 22, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-10-22 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9aa2779ef2f8a823755fe32e0eea3880.pdf f2ba93441cce3fdb50e390e6d878525d PDF Text Text BINGHAMTON UNI V ER SI T Y STATE U N I V E R S I T Y O F N E W Y O R K , o w dee D E P A R T M E N T THURSDAY MIDDAY CONCERT 2 I { o ZEmmﬁy;Ohwer51&%%? . ZZUpun. . Casadesus Kecrial Hal �TRANSLATIONS PROGRAM Concertino for Clarinet, Op. 26 Carl Maria von Weber Adam Davis, clarinet Margaret Reitz, piano (17861826) Three Songs from Shakespeare ....... Ralph Vaughan Williams (18721958) 1. Take, O Take (from “Measure for Measure") 2. When Icicles Hang by the Wall (from “Love’s Labour’s Lost") 3. Orpheus with his Lute (from “Henry VIII") Mark Rossnagel, tenor ChaiKyou Mallinson, piano from Concerto in E ﬂat Major (1934) ....... Alexander Glazunov (18651936) Nathan Rose, alto saxophone Margaret Reitz, piano from L ’elisir d ’amore .................................Gaetano Donizetti (17971848) Come paride vezzoso Julian Whitley, baritone William James Lawson, piano Vaghissima sembianza................................. Stefano Donaudy (18791925) from Don Giovanni ...................... Wolfgang Amadeus Mozart (17561791) II mio tesoro Michael Fries, tenor Margaret Reitz, piano Come paride vezzoso As gracious Paris oﬀered the apple to the most beautiful woman, my delightful peasant girl, I oﬀer you these ﬂowers. But I am more proud, more happy than he, since in reward for my gift I carry away your beautiful heart. I see clearly in that little face that I’m winding my way into your breast. That’s nothing surprising; I’m gallant, and I’m a sergeant. There is not a beautiful woman who resists the sight of a military crest; even the Mother of Love yields to Mars, the god of war. Vaghissima sembianza Most charming semblance of my formerly loved woman, who, then, has portrayed you with such a likeness that l gaze, and speak, and believe to have you before me as in the beautiful days of love? The cherished memory which in my heart has been awakened so ardently has already revived hope there, so that a kiss, a vow, a cry of love I no longer ask except of her who is forever silent. II m io tesoro Go, meanwhile, to console my beloved; and try to dry the tears from her beautiful eyes. Tell her that I am going oﬀ to avenge her wrongs. . . that I will come back messenger only of ravages and deaths – yes! �Bingh amton Univer sity M usic Depart ment’ s UPC OMI NG EVE NTS Fr iday, October 16% 3Penny Opera with the Theatre Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$ Saturday, October 1 7 ° 3Penny Opera with the Theatre Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$ Saturday, October 1 7” Paul Taylor Dance Company with the Binghamton University Symphony Orchestra, 8:00 PM, Osterhout Concert Theater, $$ Sunday, October 18% 3Penny Opera with the Theatre Department and University Symphony Orchestra, 2:00 PM, Watters Theater, $$ Thursday, October 22™ MidDay Concert, 1:20 PM —FREE Casadesus Recital Hall Saturday, October 2 4 ” Family Weekend Concert (Harpur Chorale, Women? Chorus and Wind Symphony), 3:00 PM, FREE, Osterhout Concert Theater FREE Thursday, October 29 ” MidDay Concert; 1:20 PM — Casadesus Recital Hall FREE Thursday, November 5 ” MidDay Concert, 1:20 PM — Casadesus Recital Hall Saturday, N ovember 7”' Master Class: Bruce Neswick, guest organist, 10:00 AM – 12:00 NOON, First Presbyterian Church, Binghamton, FREE Saturday, November 7 Air Force Brass Quintet, 8:00 PM, FREE, Casadesus Recital Hall Sunday, November 8 ” Bruce Neswick, guest organist, 4. 00 PM, First Piesbyterian Church, H A R P , $8 For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:29 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152849">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152849</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday mid-day concert, October 15, 2009 Recital Tape 2009-10-15 Description An account of the resource Held at 1:20 p.m., October 15, 2009, Casadesus Recital Hall. Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-10-15 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/a87260e9504b29d0bf72be702705dac5.pdf 81093ffd7fa5bb5798a7e46f2208a412 PDF Text Text BINGHAMTON U N I A V E R S L T S TAT E U N I V E R S I T Y O F N E W Y O R K [4 D E P A R T M E N T Rajeer . \v’ ) — d e \ y « . 8 ' a ” , ' — – q – f , K Friday, September 25, 2009 8:00 p .m. Anderson Center Chamber H all ' ﬂ . “ ioo i n 5 v �PROGRAM HINDUSTANI CLASSICAL MUSIC Note: Indian musicians choose pieces on the spur of the moment based upon the time of day and the particular mood they wish to emphasize. Here is a general outline for tonight’s performance: e The instrumental performance tonight features an extensive opening solo sarod sequence known as « I+ pJorJh+I+. The ° l° p is an unmetered improvisation that demonstrates the scale, mood, and musical rules of the raga. Normally musicians begin at the mid range of their instrument, and slowly descend to the lowest notes. Then the « I p progresses all the way up to the highest octave on the instrument, and then back down to the middle range. e In the next section, the jor, the musician introduces a sense of pulsation through the extensive plucking of a set of 3 drone strings (cik« re), in alternation with strokes on the melody strings. e The ﬁnal part o f the opening sequence, jh I , is a climactic section featuring extensive strumming of the drone strings often using sixteenth notes and building up speed to a thunderous climax. Depending on the skill and mood of the performer, this completely extemporaneous opening sequence can last from 10 40 minutes (sometimes longer). e Following the above opening sequence, the artist will play one or more instrumental compositions known as gat. Gat are precomposed melodies that are thoroughly developed using extensive improvised runs that return to the main theme. Gat are in a tala cycle, and at this point in the performance the tabla drummer will enter, often with a rhythmic cadence timed to end on the ﬁrst beat of the tala cycle. Often the sitar and tabla will trade rhythmic combinations in a playful question and answer style. Normally an artist will choose from slow, medium, and fast speed gats in the same raga, although they may employ diﬀerent tala cycles. oe Subsequent to the full performance o f the chosen raga, the artist will choose one or more shorter pieces drawn from folk music, devotional hymns, or from various ‘Iight’ classical genres to conclude the program. W W W The origins of Indian classical music can be traced to the Vedas, a set of four texts that comprise the foundation o f the Hindu religion, and were passed down orally until around 1500 BC when they began to be written down. The texts comprise hymns, which not only aided memorization, but also provide the foundation of Indian music. In the ﬁrst few centuries AD, the sage Bharata compiled a treatise on music, dance, and theatre that provided the theoretical foundations for future directions in Indian composition. Bharata outlined the organization o f rhythm and meter into cycles made up o f groupings of beats now referred to as tala. Every composition is set to a particular tala cycle made up of stressed and unstressed beats. Knowledgeable audience members may extemalize the tala by a system of claps (tali) representing the strong beats, and waves (khali) representing the weak beats. Bharata also formulated the concept of raga, which is the melodic system underlying Hindustani music. A raga consists of a scale, as well as a set of musical rules governing choice and emphasis of pitches, melodic motion, and ornamentation. A raga can also be associated with certain times of day and/or seasons of the year. Bharata related each raga to a speciﬁc rasa, or emotion, such as love, humor, anger, compassion, valor, wonder, or fear. The term raga means color – a raga should color the mind and stimulate listeners to emotional awareness of its feeling. After the writings of Bharata, wandering monks began composing sacred hymns, known as bhajans, using the raga and tala cycles formulized by Bharata. These sacred hymns provide the source for many contemporary Indian classical compositions. From this common historical origin, classical music in India has gradually become divided geographically into Northern (Hindustani) and Southern (Kamatik) traditions since the 13” century AD. The source of this diversion was the occupation of Northern India by successive waves of Muslim conquerors including Persian, Turkish, Arab, and Central Asian peoples. During the successive reigns of these Muslim dynasties, Northern India came to adopt and adapt several instruments, styles, and techniques from Persian and Arabic music. Hindustani classical music, as we know it today, took shape in the 16” century AD in the courts of the Mughal emperors as Hindu musicians began to seek employment as court musicians. At the Mughal courts, Hindu musicians mixed with Persian musicians, and they began to develop a hybrid of both musical traditions. They also began to intermarry, and many contemporary Hindustani musicians have Persian surnames. Through time, certain families of court composers established gharana, or stylistic schools of performance and interpretation. Eventually these schools took on talented students from outside the family, spreading the inﬂuence of these previously local styles. During the British colonization of India (1850 1947), many of the courts were dissolved and musicians shifted their performances to the concert stage, where it can now be enjoyed by all. �ABOUT THE INSTRUMENTS ABOUT THE PERFORMERS Tanpura/Sruti b ox Tanpura is a longnecked lute, unfretted and roundbodied. It has four or ﬁve wire strings that are open plucked one after the other to create a steady drone ambiance. The strings are normally tuned to the 1 * and 5 ” scale degrees of the raga. The tanpura articulates a constant drone, to melodically frame the monophonic improvisations of the musicians. Nowadays, this instrument is commonly replaced by an electronic device. called sruti box, which is portable and easier to travel with. Internationally acclaimed performer, Rajeev Taranath is one of the world’s leading exponents of the Sarod. A distinguished disciple of Maestro Ali Akbar Khan, his performances masterfully combine the depth and rigor of the tradition of Hindustani classical music with an inspired imagination and emotional intensity. Sarod The Sarod, along with the sitar, is the most popular and prominent instrument in Hindustani Classical music. The sarod originated in Afghanistan, from a similar instrument called the rebab. Immigrant musicians brought it to the courts of Northern India in the late 1700s. It is made of carved teak wood, with the resonator covered with goatskin and the ﬁngerboard covered with polished nickel. It has up to 25 strings, 10 of which are plucked by a coconut shell pick; the other 15 strings run below the playing strings and are sounded by the vibrations from the plucked strings above them. This gives the sarod a shimmering sound, as each plucked note vibrates the 15 strings below. The lack of frets and the tension of the strings makes it very technically demanding to play, as the strings must be pressed hard against the ﬁngerboard. Normally the musician uses the tips of the ﬁngernails to press the strings, allowing them to ring out, and also permitting the liberal use of slides up and down the neck. The descent of the sarod from the lute family of Persian–Afghani instruments makes it a distant relative to the European lute. Tabla The tabla set is the principle percussion instrument used in Hindustani classical, religious, and ﬁlm musics. The instrument consists of a pair of hand drums of contrasting sizes and timbres. The smaller drum, played with the dominant hand, is made from a conical piece of wood and is often called tabla. One of its primary tones is tuned to a speciﬁc note of the raga, and thus contributes to and complements the melody. The larger drum, played with the other hand, is called b y n and is made of metal. It covers a lower range than the other drum. The playing technique for both drums involves extensive use of the ﬁngers and palms in various conﬁgurations to create a wide variety of diﬀerent sounds. On the bey+n, the heel of the hand is also used to apply pressure, in a sliding motion, so that the pitch is changed during the sound’s decay. l l Hailed a prodigy in Hindustani vocal music, he had been earlier trained by his father Pandit Taranath and other eminent musicians and was a concert and radio artist before he was twenty. Rajeev has toured extensively as a performer in India, Australia, Europe, Yemen and throughout the U.S. He has also composed music for several nationally and internationally honored Indian ﬁlms. He is the recipient of the Indian Government’s highest award in the arts, the Sangeet Natak Academi Award for 19992000, given in recognition of outstanding achievement in the ﬁeld of Hindustani Instrumental music. In 1998 he received the prestigious national Award, ‘Chowdiah Award for Music’ from the Government of Karnataka in India for excellence in the ﬁeld of instrumental music. He has also received awards from the Indian State Government of Karnataka for his contribution to music the Sangeet Nritya Akademi Award in 1993 and the Karnataka Rajya Prashasti in 1996. In 1980, he was the subject of a documentary made for the television in Eden, Yemen, entitled Finnan MinAlHind (Artist from India). Rajeev Taranath’s distinctive musicianship demonstrates striking imaginative power, technical excellence and emotional range. He is respected for the clarity of musical understanding which he brings to the unfolding of a raga and the beauty of the tone he evokes from the sarod. The New York Times (April 14, 1982) described his music by commenting with great enthusiasm about the exuberance and versatility of his playing, which ranged from the spiritual to the spirited. I Rajeev was a Ford Foundation scholar (1989 to 1992) and researched during this period on the Teaching Techniques of the MaiharAllauddin Gharana. Rajeev has also received guidance from Pandit Ravi Shankar and Shrimati Annapurna Devi. From 19952005 he was a member of the music department faculty at the prestigious Califomia Institute of the Arts in Los Angeles, California. Rajeev Taranath frequently performs and tours throughout India and internationally with concert engagements for major Indian music conferences, Universities, western chamber music series, world music festivals and Indian cultural organizations dedicated to the presentation of high caliber Indian classical music. �Nitin Mitta is one of the most s ought after young tabla players of our generation with rare technical virtuosity and sensitivity. He has WSKG performed worldwide with some of India’s most celebrated and honored musicians such as Pt. Jasraj, D r. Prabha Atre, Pt. Rajan Sajan Mishra, Pt.Vishwa Mohan Bhatt, Smt. Veena Sahasrabudhe and Pt. Budhaditya Mukherjee just to name a few. Nitin received his early training in Hyderabad from Pandit G. Satyanarayana. In his years as a tabla student, he won many accolades, including the ﬁrst prize in the All India Competition held in Calcutta. He was also awarded a National Scholarship by the Ministry of H uman Resource Development, Central Govt. His passion for rhythm and his desire to enhance his repertoire of tablacompositions, lead him to seek the guidance of Pandit Arvind Mulgaonkar. Both of Nitin’s Gurus are disciples of the late Ustad Amir Hussain Khan Saheb, legendary doyen of the Farukhabad Gharana. Nitin has thus received two perspectives upon a single tradition and he has enriched his inheritance through his own capacity for assimilation and interpretation. Public B roadcasting m a l i a n m a d o G i l l i . A i n aniariam e n a T E S S T T R O A w s m Fe 1 1— —] r = E — — — _ On moving to the United States in 2002, Nitin received a grant from the Rhode Island State Council on Arts. He has been on the Faculty at the Learn Quest Academy of Music in Waltham, MA. Now a resident of New York City, he is actively involved in teaching, performing, recording, and conducting tabla workshops. He has recently performed at venues like The Metropolitan Museum of Art, Rubin Museum of Art, The Asia Society, and The Indian Embassy in New York and The Smithsonian Museum in Washington DC. He has also conducted lecture demonstrations and performed at Brown University, MIT, Harvard, UC Berkeley, U Penn, The University of Chicago and Drury University. Nitin has performed in some of the major festivals and venues in India, the U.S. and in Canada, Germany, France, England, Ireland, Finland, Sri Lanka and the Baltic countries Lithuania, Belarus, and Vilnius. He has performed at the Purcell Room, London and the India culture centre, Berlin. In India, he has performed at some of the most prestigious music festivals and venues, including The Pt. Motiram and Pt. Maniram Sangeeth Samaroh, Hyderabad, The Pt. Radhika Mohan Moitra Music conference, Kolkatta, Music Academy, Chennai, SPICMACAY, The St. Xavier’s’ IMG Music Festival, Mumbai, Surya Festival, Trivandrum, India Habitat Centre, New Delhi and the Nehru Centre, Mumbai. His performance in the musical album entitled “Soul Strings” released by Music Today has been widely appreciated. To learn more about Nitin, visit his website at www.NitinMitta.org. E g E y — — m u l l l l ” \5:1V5’ \ rere [ 3 B S E rd a . . . . . . ¢ . P i t valle, w e w e i s s 5 l u u l h r 6 { L feb wary § & l ’ l ) I [ I w a n . r i t i l ig i sge r o. c a m E moy 2, apiil IM K 010 �Bingha m ton Univer sity Music Depar tment’s U PCO M I N G E V E N T S idDay Concert, 1:20 PM FREE Thursday , October 1 ° M Casadesus Recital Hall Thursda y, October 8 ” MidDay Concert, 1:20 PM FREE Casadesus Recital Hall Friday, O ctober 9 ” African DanceDrumming Workshop with Kwadzo Tagboxlo and Pierrette Aboadjx, 1:00 – 3:00 PM, FA 104, FREE Friday, October 9 ” 3Penny Opera with the Theatre Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$ Saturda y, October 1 0 ” African DanceDrumming Workshop with Kwadzo Tagborlo and Pierrette Aboadji, 1:00 – 3:00 PM, Africa House, 50 Washington Avenue, Endicott, NY, FREE pera with the Theatre Saturda y, October 1 0 ” 3Penny O Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$ Thursday, Octob er 15% MidDay Concert, 1:20 PM FREE Casadesus Rectal Hall pera with the Theatre Department Friday, October 1 6 3Penny O and University Symphony Orchestra, 8:00 PM, Walters Theater, $$ Saturda y, October 17°" 3Penny Opera with the Theatre Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$ Saturda y, October 17°" Paul Taylor Dance Company with the Binghamton University Symphony Orchestra, 8:00 PM, Osterhout Concert Theater, $$ pera with the Theatre Department Sunday, October 1 8 ” 3Penny O and University Symphony Orchestra, 2:00 PM, Watters Theater, $$ For ticket information, please call the Anderson Center Box Oﬀice at 777ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:06:01 24:48 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152845">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152845</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Indian sarod, September 25, 2009 Recital Tape 2009-09-25 Description An account of the resource Held at 8:00 p.m., September 25, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Mitta, Nitin Tarananth, Rajeev Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-09-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/06b3451d41ec1d81b0fa607868e89c55.pdf 3105dbb9cc9133ac8ec698f0ba328e58 PDF Text Text BINGHAMTON U N I V E R S T A T E U N I V E R S I T Y O F N E W Y O R K [4 P E Zed e C T TT M A E N RT A BACH CELEBRATION T H E COMPL ETE OR GAN W ORKS OF JOHAN N SEBASTIAN E (16851750) A C H PROGRAM V JONAT HAN BI GGERS ORGAN 6 September, 2009 4:00pm First Presbyte rian Church �ABOUT THE PERFORMER P rogra m Prelude and Fugue in Cmajor, BWV 547 From the Miscellaneous ChoralePreludes Ach Gott und H err (per canonem), BWV 714 Allein Gott in der Hoh sei Ehr (ma nualiter, 3vv.), BWV 717 Allein Gott in der H o h sei Ehr (bicinium), BWV 711 Vater unser im Himmelreich, BWV 737 Wo soll ich ﬂiehen hin, BWV 694 Prelude and Fugue in Dminor, BWV 549a & INTERMISSION 8 Sonata VI in Gmajor, BWV 530 L. II. III. Vivace Lente Allegro T o c c a t a a n d F u g u e i n F m a j o r , BWV 540 GuilbaultThérien Organ, 1996 JONATHAN BIGGERS, hailed as “one of the most outstanding concert organists in the United States,” maintains an active career as both a professor of organ and harpsichord, and as a concert organist of the ﬁrst order. He holds the prestigious Edwin Link Endowed Professorship in Organ and Harpsichord at Binghamton University (State University of New York), and has presented hundreds of concerts in church and university settings throughout the United States, Canada, and Europe. He has appeared as a featured soloist with orchestras in both the United States and Canada, including the Atlanta Symphony Orchestra and the Calgary Philharmonic Orchestra, and has been featured frequently on NPR (“Pipedreams”), the Canad ian Broadcast Corporation (CBC), and on Radio and Television Suisse Romande broadcasts in Geneva, Switzerland. Scott Cantrell, formerly classical critic of The Kansas City Star, stated that Biggers’ performances demonstrate “authority and eloquence”, and further stated “were there more performers like this, the organ would be far less a minority interest". Dr. Biggers studied with Russell Saunders (Eastman School of Music, DMA); Lionel Rogg (Conservatory of Music, Geneva, Switzerland; Fulbright study); J. Warren Hutton (The University of Alabama, MM and BMus); and with Wallace Zimmerman (Atlanta, precollege); he has also worked extensively with Harold Vogel (Bremen, Germany), and with Arthur Poister (former Professor of Organ at Syracuse University). A prizewinner of dozens of competitions, he was notably awarded a unanimous ﬁrst prize in the 1985 Geneva International Competition, one of the most prestigious music competitions for organ in the world; second prize in the 1982 American Guild of Organists National Organ Playing Competition; and a unanimous ﬁrst prize in the 1990 Calgary International Organ Festival Co ncerto Competition, where he p resented, with the Calgary Philharmonic Orchestra, the world premier performance of Snowwalker: A Concerto for Organ and Orchestra by Pulitzer prizewinning composer Michael Colgrass. A champion of new music for the organ, he has premiered other works by notable 20th and 21st century composers such as Richard Proulx (Chicago: Concerto for Organ and Orchestra), Craig Phillips (Los Angeles: Suite for Organ, Brass and Percussion), Persis Vehar (Buﬀalo: Soundpiece for Organ), and David �Brackett, fo rm e r composition professor at Binghamton University (Montréal: Nightworks for Organ solo). Two highly acclaimed compact disc recordings of Dr. Biggers’ performances have been released by Calcante Recordings (Sleepers Wake! A Reger Perspective, featuring ﬁve major organ works by Romantic composer Max Reger; and Bach on the Fritts! , featuring major organ works by Johann Sebastian Bach). Plans are also underway for the production of several other CD releases in the future, including a recording of the complete organ works of J.S. Bach. At present, Dr. Biggers is beginning the second year of a fouryear presentation of the complete organ works of Johann Sebastian Bach, presented in a series of 16 concerts, four events per season. The four scheduled concerts of the series “A Bach Celebration: The Complete Organ Works of Johann Sebastian Bach” will be presented in two diﬀerent locales: September 6, 2009, and March 21, 2010 at First Presbyterian Church in downtown Binghamton; and December 6, 2009, and February 7, 2010 in the Binghamton University Fine Arts Building, Room 21. This latter location features the new Hellmuth Wolﬀ mechanical action organ installed in Binghamton University d uring the 20082009 academic season. Tickets for these future concerts are available from the Anderson Center for the Arts Box Oﬀice at Binghamton University, telephone 777ARTS; tickets for the concerts presented at First Presbyterian Church are also available at the entrance to the church on the day of the performance. We regret that we cannot guarantee ticket availability past 80 for the performances held in Fine Arts Room 21, due to space restrictions in the facility; thus, the concerts scheduled in this room will be presen ted twice to accommodate all who wish to enjoy the event. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:09:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152696">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152696</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Bach Celebration! The complete organ works of Johann Sebastian Bach, September 6 , 2009 Recital Tape 2009-9-6 Description An account of the resource Held at 4:00 p.m., September 6, 2009, First Presbyterian Church. Creator An entity primarily responsible for making the resource Biggers, Jonathan Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-09-06 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound