58
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/bc4bf41667cb837200006673487671e9.pdf
2eccd50445f4333cabe632a3216a3057
PDF Text
Text
BINGHAMTON
YP N I V E R S I T Y
S I T Y O F N E W Y O R K
Hiee
D E P A R T M E N T
F R I E D H E I M MEMORIAL
LECTURE/RECITAL
Johann Sebastian Bach
Sonata in b minor BWV 1 030
Harry Lincoln, Lecturer
Georgetta Maiolo, Flute
Jonathan Biggers, Harpsichord
Thursday, September 24, 2009
8:00 p.m.
Casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
Johann Sebastian B ach
HARRY LINCOLN is a Distinguished Service Professor,
Emeritus. He holds a PhD in musicology from Northwestern University
with a specialty in Renaissance Italian music and joined Harpur College
in 1951. A founder and first president of the Binghamton Symphony
Sonata in b minor BWV 1030
Sonata in b minor.
Johann Sebastian Bach
Andante
Largo e dolce
Presto, Allegro
1685 1 750
Remarks on the Composition
Professor Emeritus Harry Lincoln
Performance
Georgette Maiolo, Flute
Jonathan Biggers, Harpsichord
ABOUT THE SERIES
The Friedheim Memorial Series honors the memory of
Professor Philip Friedheim (19301986) whose remarkable tenure at
Binghamton University featured many memorable lecturerecitals with
faculty and guest artistperformers on major works of the classical music
tradition. We seek to recreate Phil’s special combination of scholarship
and performance that served to deepen our understanding for – and love
of – great works of musical art. All proceeds of the series will go towards
the undergraduate scholarship funds of the Department of Music.
Today’s performance opens the 20092010 series with Professor
Emeritus Harry Lincoln’s remarks on J. S. Bach’s Sonata in B minor
featuring Georgette Maiolo on flute and Jonathan Biggers on
harpsichord. The next performance in the series will be held on
Thursday, March 4, 2010, and will highlight composer and music critic
Robert Schumann, who played a major role in the 19” century’s
emerging Romantic Movement. Please join us as Mobius Ensemble’s
Janey Choi (violin), Roberta Crawford (viola), Stephen Stalker (cello),
and Michael Salmirs (piano) discuss and perform three representative
works by this influential and enigmatic musician: Papillons, Op. 2,
Mérchenbilder, Op. 113, and Piano Quartet, Op. 47.
Orchestra (now the Binghamton Philharmonic), he was principal flutist in
that ensemble for ten years. His publications include editions of Italian
madrigals and early Baroque keyboard music. A pioneer in the use of
the computer for music research, he published two large thematic
indexes of Renaissance polyphony as well as reporting on this research
to meetings in Nottingham, Edinburgh, Copenhagen, Paris, Ljubliana,
Barcelona and Tokyo. He contributed articles to The New Grove
Dictionary of Music. He was active in the College Music Society,
developing the Directory of Music Faculties in USA and Canada, and
serving as national president in 19691970. He enjoys the challenge of
analyzing music for general audiences and, in retirement, has presented
lectures in the annual Lyceum program series.
GEORGETTA MAIOLO is on the faculty of Binghamton University and
Broome Community College teaching Flute and directing Flute
Ensembles. Mrs. Maiolo is the principal flutist of the Binghamton
Philharmonic Orchestra and the TriCities Opera Orchestra. In addition to
her playing positions, she concertizes as a soloist, recitalist and chamber
musician. Mrs. Maiolo is faculty advisor for Mu Phi Epsilon, Zeta Eta
Chapter at Binghamton University.
In the past, Mrs. Maiolo performed several Lecture/Recitals at
Binghamton University with Professor Philip Friedheim. It is an honor to
perform, for the Friedheim Memorial Series, the Sonata in b minor by
Johann Sabastian Bach with Professor Harry Lincoln and Professor
Jonathan Biggers.
JONATHAN BIGGERS maintains an active career as both a
Professor of Organ and as a concert organist. He is Professor of Organ
and Harpsichord at Binghamton University, and Adjunct Professor of
Organ and Harpsichord at Ithaca College. Dr. Biggers has presented
several hundred concerts in church and university settings throughout
the United States, Canada, and Europe, and has appeared with various
orchestras in North America. He has been featured on NPR, Canadian
Broadcast Corporation, and Radio Suisse Romande broadcasts.
Dr. Biggers has studied extensively with Russell Saunders
(Eastman School of Music; DMA), Lionel Rogg (Conservatory of Music,
Geneva, Switzerland; Fulbright study), J. Warren Hutton (The University
of Alabama; MM and BMus), and Wallace Zimmerman (Atlanta; pre
college), and has worked with Harold Vogel (Bremen, Germany) during a
recent sabbatical study period. He was awarded a unanimous first prize
in the 1985 Geneva International Competition, secondprize in the 1982
American Guild of Organists National Organ Playing Competition, and
�unanimously w o n the 1990 Calgary International’ Organ Festival
Concerto Competition, where he presented the world premier
performance of Snowwalker: A Concerto for Organ and Orchestra, by
Pulitzerprize winning composer Michael Colgrass. He has premiered
other works by notable composers such as Richard Proulx (Concerto for
Organ and Orchestra), Craig Phillips (Triptych for Organ, Brass and
Percussion), Persis Vehar (Soundpiece for Organ), and David Brackett
(Nightworks for Organ). Two highly acclaimed Compact Disc recordings
of his performances (“Sleepers, Wake! A Reger Perspective” and “Bach
on the Fritts!) have been issued by Calcante Recordings.
Binghamton University M usic D epartment’s
U P C O M I N G E V E N T S
Friday, S eptember 2 5 ” Fast Indian Sarod with guest artist
Rajeev Taranath, 8:00 PM, Anderson Center Chamber Hall, $$
Thursday, October 1 % MidDay Concert, 1:20 PM, Casadesus Recital Hall
FREE
idDay Concert, 1:20 PM, Casadesus Recital Hall
Thursday, October 8 ” M
FREE
October various d ates a n d ti m es 3Penny Opera with the Theatre
Department and University Symphony Orchestra, 8:00 PM, Watters Theater, $$,
call 607. 77ZART5 for dates and times
Thursday, October 1 5 ” MidDay Concert, 1:20 PM, Casadesus Rectal Hall
FREE
Sa tu rd ay, October 1 7 ” P aul Taylor Dance Company with the Binghamton
University Symphony Ordrestra, 8:00 PM, Osterhout Concert Theater, $$
Thursday, October 22™ MidDay Concert; 1:20 PM, Casadesus Recital Hall
FREE
Sa tu rd ay, October 2 4 ” Family Weekend Concert (Harpur Chorale, Women’s
Chorus and Wind Symphony), 3:00 PM, Osterhout Concert Theater, FREE
Thursday, October 2 9 ” MidDay Concert, 1:20 PM, Casadesus Recital Hall
FREE
For ticket information, please call the
Anderson Center Box O ffice a t 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:08:49
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152706">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152706</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Friedheim memorial lecture/recital, September 24, 2009
Recital Tape 2009-9-24
Description
An account of the resource
Works of Bach. Held at 8:00 p.m., September 24 , 2009, Casadesus Recital Hall.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-09-24
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c96969260c10fcaeab1cd8e1f4697cd6.pdf
d3969a4076a34ef00799cf1b028a84cd
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
ST A TE UN I VERSITY O F NEW YORK
UNI V A \'.(,
Recita
CD
\
D E P A A T M E N T
2009
4-26 ''THREE REVELATIONS
T
SPC COL F
ROM HE
LOTUS SUTRA''
Kimberly Metaxas
Associate Conductor
Robert G. Smith
Music Director and Conductor
Sunday, April 26, 2009
3:00 p.m.
Anderson Center Chamber Hall
�PROGR AM
Conducted by Ms. Metaxas
A Musical Toast (1980) ................................................... Leonard Bernstein
(1910-1990)
arr. Clare Grundman
Fantasia in G Major (circa 1703) ........................... Johann Sebastian Bach
(1685-1750)
arr. Richard Franko Goldman
English Folk Song Suite (1924) ............................. Ralph Vaughn Williams
(1872-1958)
I. March-"Seventeen Come Sunday"
II. Intermezzo-"My Bonny Boy"
III. March-"Folk Songs from Somerset"
Variations On A Korean Folksong (1966) ................... John Barnes Chance
(1932-1972)
I. Con Moto
II. Vivace
III. Larghetto
IV. Allegro Con Brio
V. Sostenuto
VI. Con Islancio
National Emblem (1906) .......................................................... E. E. Bagley
(1857-1922)
ed. Frederick Fennell
INTERMISSION
Conducted by Professor Smith
Three Revelations from the Lotus Sutra ................................... Alfred Reed
(1921-2005)
I. Awakening
(To Awaken in The Light of the Universe)
IL Contemplation
(To Contemplate the Depths of the Soul)
III. Rejoicing
(To Rejoice in the Beauty ofPeace)
�ABOUT THE MUSIC
Leonard Bernstein (1910-1990) was born in Lawrence, Massachusetts and was the first
American-born conductor to direct the New York Philharmonic Orchestra. Bernstein
studied composition at Harvard, conducting at the Curtis Institute, and conducting at the
Tanglewood Music Festival with Serge Koussevitzky, former conductor of the Boston
Symphony Orchestra. Well known for his symphonies, vocal music, and the Broadway
musical "West Side Story," Bernstein was also passionate about music education. During
his post as director of the New York Philharmonic brchestra (1958-1969), Bernstein
conducted free outdoor concerts in the parks of New York City, and televised his "Young
People's Concerts," an educational series that educated the public about different
composers, genres, and characteristics of music. Bernstein also broke gender and racial
barriers when he appointed to the orchestra the first two female instrumentalists and the
first African-American instrumentalist.
A Musical Toast (1980) was devoted to the memory of Andre Kostelanetz (1901-1980), a
Russian born American conductor for the CBS radio network, known for popularizing
classical music and influencing the film music of his time. In his last Will and Testament,
Kostelanetz left this message:
"If there is contemplated a gathering of my family, friends and associates in
New York City, or elsewhere, I direct that such a gathering shall be a cheerful
get-together."
Upon this request, Bernstein wrote this musical tribute as a bright and energetic
composition. Predominately in the meter of seven-eight, the musical phrase created just
so happened to fit nicely with the rhythmic flow of the remembered friend's name.
Johann Sebastian Bach (1685-1750), born in Eisenach in Germany, was a virtuosic
organist and composer influenced by Pachelbel, Frescobaldi, and Buxtehude. Bach
acquired compositional skills through copying and arranging the music of other
composers including Vivaldi and Telemann. He was one of the most prolific composers
of fugues, chorales, cantatas, toccatas, fantasias, and other styles of the Baroque era.
Bach's music career included appointed positions as church organist, court musician and
Kapellmeister (music director). From 1723-1739, Bach held one of the most prestigious
positions in Germany as the Cantor of St. Thomas School in combination with civic
director of music where he composed and directed music for the church, the school, and
town ceremonies.
Fantasia in G Major was composed early in Bach's career during residence in Arnstadt
between 1703 and 1707. Fantasia in G Major, composed in a freely improvisatory style
of the Baroque era, was categorized as one of the grandest of all Bach's compositions
written for the organ. This selection also fits the description associated with many of his
early works and considered to be too full of "wonderful variations and foreign tones."
The rich harmonies of this five-part polyphonic composition contain frequent
suspensions, dissonances, and modulations of the key.
Ralph Vaughan Williams (1872-1958), born in England, studied piano, organ, violin,
viola, and theory and harmony at an early age, and earned degrees in music and history
from Trinity College in Cambridge. After studying composition abroad in Germany and
Paris, Vaughan Williams refocused his interest toward folksongs from his native country
of England. He was well known for his collections of folk songs and his involvement
-with the English Folk Dance and Song Society, as well as incorporating folk songs into
�compositions. Throughout his life, he also served as the director of music for the First
Army of the British Expeditionary Force, and flourished as a lecturer, writer, and
conductor.
English Folk Song Suite was written for British Military Band in 1924, and was
comprised with arrangements of several different English folk songs.
Movement I. March-"Seventeen Come Sunday" begins with the song "Seventeen Come
Sunday," then "Pretty Caroline" was used in a lyrical style featuring a clarinet and
trumpet duet, followed by a heavy section based on the song "Dives and Lazarus."
Movement II. Intermezzo-"My Bonny Boy" opens with the oboist playing the melody of
the folk song "My Bonny Boy." The lyrics to this folk song portray a devoted girlfriend
whose boyfriend leaves her for another. "Green Bushes," which interrupts "My Bonny
Boy," depicts a boy suffering heartbreak when he finds that his girl has left him for
another boy.
Movement III. March-"Folk Songs from Somerset" presents "Blow Away the Morning
Dew" with solo trumpet, followed by "High Germany," "The Tree so High" in six-eight
time featuring the upper woodwind section, and the "John Barleycorn" featuring the
rugged melody in the low woodwind and brass sections.
John Barnes Chance (1932-1972) was born in Beaumont, Texas and earned degrees in
music from the University of Texas at Austin where he studied composition with Clifton
Williams. Chance's early musical accomplishments included playing timpani for the
Austin Symphony orchestra, as well as conducting and arranging for the Fourth and
Eighth United States Army Bands. He served as the composer in residence at the Ford
Foundation Young Composers Project held in North Carolina from 1960-1962, and as a
professor of music at the University of Kentucky until his tragic accidental death caused
by electrocution at the age of forty.
Variations on a Korean Folk Song, which Chance won the American Bandmasters
Association Ostwald Award for in 1966, was inspired and based on the Korean folk song
"Arirang," which Chance heard while serving in Seoul, Korea with the Eighth United
States Army Band during the 1950s. Although, the word arirang does not possess a
modem translation, in the ancient Korean language, arirang may have been translated as
beautiful or lovely dear. Versions of the lyrics tell the story of a person expressing
sadness at the departure of a loved one.
The piece begins with the statement of the pentatonic melody in its regular form followed
by sections consisting of variations of that melody. The first variation includes a fast
pace motion of sixteenth notes interrupted by the second part of the melody. The
Larghetto section is played in a slower tempo with the melody inverted from its original
form first played by the oboe, then the flutes, alto saxophones and horns, and finally the
trumpet. Next, the melody returns in the style of a march, followed by an augmentation
ohime in which the melodic material has been stretched out. Finally, the piece ends in a
fast tempo beginning with percussion, followed by the vibraphonist and woodwinds
presenting the second half of the melody as a round while the brass abruptly enters with
the first half of the melody played as a hemiola, written in triple meter, however, felt in
duple meter.
Edwin Eugene Bagley (1857-1922), born in Craftsbury, Vermont, began his performing
career at age nine as a vocalist and comedian touring the United States with the Leavitt's
Then, he played cornet with the Swiss Bellringers and the Blaisdell's
Bellringers.
�Orchestra of Concord, New Hampshire. In 1880, Bagley moved to Boston and continued
to perform on cornet, as well as the trombone, with several ensembles including the
Boston Symphony Orchestra.
National Emblem (1906) has been described as "one of the most 'perfect' marches."
After an explosive introduction, Bagley opens the march with the first twelve notes of
The Star Spangled Banner arranged in duple rather than triple time. The trio section
contains one of the most memorable melodies introduced by the robust sound of the low
brass section and followed by the high winds. Frederick Fennell, former conductor of the
Eastman School of Music Wind Ensemble, described what this march has meant to him:
"This marvelous march .never fails to lift my spirit to the loftiest heights of inner joy,
outer physical exhilaration, and ultimate personal fulfillment. On some occasions I have
felt that knowing it, loving it-being able to listen to it any time being played by the band
in my head-was my whole reason to be alive. It is a march for marching; sit-down
performances of it should continue to march, for that is its heritage-music for the feet, not
for the head-and it is unmistakably music for the spirit!"
Notes by K. Metaxas
Alfred Reed (1921-2005) is one of America's most frequently performed composers
with over 250 published works for concert band, wind ensemble, orchestra, chorus,
chamber groups. His music career began in the New York School of Music and he was
later offered a scholarship to study composition with Paul Y artin. Reed wrote many
compositions and arrangements for band during his service with the Army Air Corps in
World War IL When composer Roy Harris and Reed's commanding officer both ordered
him to produce a work for radio broadcast honoring the friendship between the Russian
and American people they gave him a two week deadline. In eleven days, Reed produced
Russian Christmas Music the work that launched his career as a composer of music for
winds. Following the war, he studied with Vittorio Giannini at Julliard but left to work as
a staff composer and arranger at both NBC and ABC. Bernard Kalban of Charles H.
Hansen Music Corporation asked Reed to write music for young wind players thus
beginning his long association with the school band movement. In 1953, Reed accepted a
position as conductor of the Baylor University Orchestra and while there he completed
his bachelor' s and a master' s degree. In 1956, he returned to work at Hansen. In 1966, he
took a position at the University of Miami in order to have time to devote to his writing.
Over the next 27 years he composed most of his well-known works for band including:
The Hounds ofSpring, Othello, Music for 'Hamlet, and Armenian Dances (part I and 11).
In 1981, he was invited to Japan by Sony's Toshio Akiyama to conduct and record with
the Tokyo Kosei Wind Orchestra. This led to a long association with TKWO and other
Japanese music organizations. His work took him to 49 states and 18 countries.
t1
\
Three Revelations from the Lotus Sutra (1982-84) is an attempt to realize in music
three different states of man's soul in his quest for ultimate perfection. The first
movement, Awakening (To Awaken in the Light of the Universe) portrays the vastness
and richness of the experience of the human mind on expanding its field of view from the
narrow confines of daily life to the contemplation of, and merging with, the entire
universe. The second movement, Contemplation,(To Contemplate the Depths of the
Soul), represents a turning away of the mind from the 'outer' to the 'inner' universe .. .
the attempt to fathom the limitless possibilities of the human consciousness in its quest
for identity, to answer the eternal questions beginning with the word "Why?" The third
and final movement, Rejoicing, (Rejoicing in the Beauty of Peace), depicts the realization
that, while on earth, peace is not merely the absence of war, destruction , pain and
suffering, buit a thing of beauty in and of itself . . . and an occasion for heartfelt rejoicing
on the part of all men, everywhere , who share the same eternal quest as true brothers.
�The suite was commissioned by, and is reverently dedicated to, Rissho Kosei-kai on the
occasion of the 77th birthday of its founder and president, the Reverend Nikkyo Niwano.
Rissho Kosei-kai, sponsor of the world-famous Tokyo Kasei Wind Orchestra, is an
organization of Buddhist laymen devoted to the effort of perfecting man's personality on
the basis of the true meaning of Buddhism. Central to the purpose of this movement is the
body of doctrine assembled from the teachings of Buddha, called the Lotus Sutra, the
Absolute Truth, termed the "Wonderful Law." The third movement was premiered by the
TKWO in 1982 at Reverend Niwano's birthday celebration with the composer
conducting. The complete work was first performed in 1984 by TKWO under Frederick
Fennell.
Score notes by the composer
ABOUT THE PERFORMERS
KIMBERL Y METAXAS, a native of Vestal, NY, is a graduate student of conducting at
Binghamton University studying with Professor Robert Smith. Ms. Metaxas holds
Bachelor' s degrees from Michigan State University in Music Therapy, and from SUNY
Fredonia in Music Education. She taught music for special education students during
BOCES 2008 summer school program. She is currently an instructor for the marching
bands at Susquehanna Valley and Union-Endicott high schools. Ms. Metaxas has been a
member of Binghamton University's Wind Symphony and Jazz Ensemble, BCC Jazz
Band, Vestal Community Band, and the Empire Statesmen Drum and Bugle Corps.
Ms. Metaxas' performance today is in partial satisfaction of the thesis requirements for
the Master of Music degree in Wind Conducting.
ROBERT G. SMITH is Music Director and Conductor of the Binghamton University
Wind Symphony. Professor Smith holds degrees from Hartwick College, Binghamton
University and is a candidate for the Doctor of Musical Arts in Music Education from
Boston University. Prof. Smith also teaches advanced instrumental conducting and
graduate wind conducting at BU. His career includes 32 years as a public school music
educator. He conducts the annual Triple Cities TubaChristmas and is former conductor of
the Maine Community Band, the oldest band of its kind in the United States. He has guest
conducted all-county bands throughout New York State including the 2007 Ulster County
Senior High School All-County Band. In March of 2009 Prof. Smith will guest conduct
in Sullivan County, NY. Among other ensembles Smith has conducted are the Goshen
College (IND) Wind Ensemble and Orchestra, The United States Army Ground Forces
Band (GA), the Southern Tier Concert Band (NY) and the Vestal Community Band
(NY). An active performer, he currently plays principal euphonium with the Southern
Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass
sextet. Smith is the immediate past president of the Broome County Music Educators
Association and recipient of the 2005 BCMEA Distinguished Service Award.
Professional memberships include The Broome County Music Educators Association, the
New York State School Music Association, the Music Educators National Conference,
The National Band Association, The Association of Concert Bands, The Conductors
Guild, The World Association of Symphonic Bands and Ensembles, The College Band
Directors National Association and the International Tuba and Euphonium Association.
�Wind Symphony Musicians
Stephanie Lehman-Percussion Graduate Assistant
Piccolo
Melanie Adler
Beth Wieman
Flute I
Melanie Adler
Rachelle Haddad
Emily Morris (principal)
Kathleen Spelman
Beth Wieman
Flute II
Rebecca Falik
Kimberly Hom
Judy Kahn
George Lourentzatos
Oboe
Kyle LaGrutta
Bassoon I
Kristen Grennan
Bassoon II
Katherine Navarette
Eb Clarinet
Jon Envid
s·
Bb Clarinet I
Kyle Doyle
Sarah Fenster (principal)
Anthony Kwon
Bb Clarinet II
Abby Cohen
Mark Dellostritto
Woo Jin Kim
Mellissa Klepper
Victoria Serigano
Bb Clarinet 111
Stephen Collins
Gregory Norman
Mark Norman
Javier Rodriguez
Trombone I
Daniel Weinstein
Bass Clarinet
Brianna Palisi
Daniel Zaccarini
Trombone Ill
Magana Jayakumar
Bb Contrabass
Clarinet
Kristen Weiss
Alto Saxophone
Dean Papadopoulus
John Tanzi (principal)
Tenor Saxophone
Bradley Alder
Baritone Saxophone
Benjamin Kane
Cornet I
Nick Polacco
(principal)
Kevin Hannon
Cornet II.Ill
Nick Quackenbush
Dan Schain
Trumpet I.Cornet Ill
Max Beasley
F Horn I
Leanna Varderese
F Horn II
Glenn Parker
Trombone II
Christina Donaldson
Euphonium
Damon Dye
Anthony Legnetto
Tomek Regulski (principal)
Tuba
Daniel Nevins
David Parnes (principal)
Daniel Ryan
Percussion
Caleb DeGroote
Thomas Elefante
Soya Gao
Adam Goldenberg
Stephanie Lehman (principal)
Wayne Papke
Kelly Tufo
�Sunday, April 26th Honors Recital: Sarah Sterling, viola,
Casadesus Recital Hall, 7:30 PM, FREE
Tuesday, April 28th Friedheim Memorial Lecture/Recital:
Audible Processes - Minimalism and Beyond, Casadesus Recital Hall,
8:00 PM, $$
Thursday, April 30thMid-Day Concert, 1:20 PM - FREE
Casadesus Recital Hall
Friday, May 1st Flute Studio and Flute Chamber Concert, 10:15 AM,
Casadesus Recital Hall, FREE
Friday, May 1stStudent Recital: Griffin Sargent, violin,
Casadesus Recital Hall, 8:00 PM, FREE
Saturday, May .z1d Masters Recital: Sung Jin Park, soprano,
Casadesus Recital Hall, 3:00 PM, FREE
Saturday, May .z1d University Symphony Orchestra ''Fantastique!"
Osterhout Concert Theater, 8:00 PM, $$
Sunday, May 3rdMasters Recital: Jenean Truax, soprano,
Casadesus Recital Hall, 3:00 PM, FREE
Tuesday, May 5th Percussion Ensemble, 8:00 PM, FREE
Anderson Center Chamber Hall
Thursday, May 7th Student Recognition Mid-Day Concert,
Casadesus Recital Hall, 1:20 PM, FREE
Thursday, May 7th Harpur Chorale and Women's Chorus,
Anderson Center Chamber Hall, 8:00 PM, FREE
Friday, May 8th Binghamton University African Music Ensemble,
casadesus Recital Hall, 8:00 PM, FREE
For ticket information, please call the
Anderson Center Box Office at 777-ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
3:14
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152703">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152703</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Three revelations from the Lotus Sutra, April 26, 2009
Recital Tape 2009-4-26
Description
An account of the resource
Works of Bernstein, Bach, Williams, Chance, Bagley, Reed. Held at 3:00 p.m., April 26, 2009, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
University Wind Symphony
Metaxas, Kimberly
Smith, Robert G.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:05:25
38:30
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dedication concert, Wolff & Associe_s organ, opus VI (1972/2008) the complete organ works of Johann Sebastian Bach (1685-1750), program III, February 24, 2009
Recital Tape 2009-2-22
Description
An account of the resource
Works of Bach. Held at 4:00 p.m., February 22, 2009, Fine Arts Building, Room 21. Concert repeated at 8:00 p.m., February 24, 2009 and February 27, 2009, Fine Arts Building, Room 21.
Creator
An entity primarily responsible for making the resource
Biggers, Jonathan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-02-22
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/9d6d02a52616a0b155cf56545cd9c0fc.pdf
a9a00871db5eeecbf67149087bbde54f
PDF Text
Text
BINGHAMTON
U NI VE R SITY
STATE UNIVERSITY OF NEW YORK
usi
DEPARTMENT
HARPUR JAZZ ENSEM BLE
MICHAELCARBONE, DIRECTOR
featuring
Sherrie Maricle, Drum Set
Jennifer Leitharn. Bass
Thursday, April23, 2009
8:00
p.m.
Osterhout Concert Theater
Co-sponsored by the Department of Music and the Harpur Jazz Ensemble
�PROGRAM
Put It Right Here ..................................................... Louis Be/Ison
arr. by Sammy Nestico
The Jody Grind ....................................................... Horace Silver
arr. by John Clayton
Don't Know Why ..................................................... Jessie Harris
arr. by Paul Murtha
Mosaic............................................ ........................... Bob Mintzer
I Said No ........................................... Frank Laesser & Julie Styne
Transcribed by Jon Harpin
Goodbye Pork Pie Hat........................................... Charles Mingus
arr. by Sy Johnson
John Brown's Other Body. ............................................John Oddo
INTERMISSION
The second half of the program will be selected from the following
compositions. All selections feature guest artist Sherrie Maricle on
percussion and Jennifer Leitham on bass.
Caravan ....................................................................... Juan Tizol
arr. by Michael Abene
Ding Dong .............................................. arr. by Tommy Newsom
Lefty Leaps In .................................................... Jennifer Leitham
arr. by Scott Whitfield
Put A Little Love In Your Heart. ...................... arr. by John Martino
Slambo ............................................................... Peter Appleyard
arr. by Sherrie Maricle
Stick It In Your Ear ............................................ Jennifer Leitham
arr. by Scott Whitfield
�ABOUTTHEPERFORMERS
SHERRIE MARICLE is not only a jazz artist and composer, but a teacher
and music director as well. From the drum set, Maricle leads her big band
The DIVA Jazz Orchestra and her quintet FIVE PLAY. From Carnegie Hall,
she performs with The New York Pops and is also the orchestra's Director of
Education . As a music director, Maricle works with acclaimed Broadway star
Maurice Hines. As a teacher she runs a private drum set and percussion
studio and is also a conductor for The New York Summer Festival. She is
also a busy freelance performer and a published composer/arranger in both
the classical and jazz mediums. With The DIVA Jazz Orchestra and FIVE
PLAY she has performed at many of the world's most acclaimed music
venues including: Carnegie Hall, Lincoln Center, Tanglewood, the Kennedy
Center, the Hollywood Bowl, and major jazz festivals throughout the United
States and abroad. DIVA has been featured on CBS Sunday Morning with
Charles Osgood, as well as numerous times on CNN Arts Break, and it was
highlighted on The 25th Anniversary of the Kennedy Center Television
Special and the NHK (Japan) Network's New York Jazz. Most recently DIVA is
prominently featured in a documentary film entitled The Girls in the Band,
scheduled for a 2009 premier.
JENNIFER JANE LEITHAM has been referred to by noted jazz critic
Leonard Feather as the "left-handed virtuoso of the upright bass." In
addition to her successful performance career, Leitham has appeared on
over 100 recordings with some of the giants of jazz music. In addition, she
has recorded 7 highly acclaimed CDs of her own. Leitham is best known for
her decade long stints with both Mel Torme and Doc Severinsen. She has
appeared with many distinguished artists including Woody Herman, George
Shearing, Gerry Mulligan, Peggy Lee, Joe Pass, Cleo Laine, Louie Bellson,
Pete Rugolo, Bill Watrous, and numerous others. She has also been a
member of the Tonight Show All-Stars, The Woody Herman Thundering
Herd, Benny Carter Quintet, Bob Cooper Quartet, DIVA, and more. A highly
regarded educator, she is enthusiastically received as a presenter of
workshops and clinics at schools and colleges around the country, and has
joined the faculty at California State University Long Beach as a Studio Artist.
He
moved to the Binghamton area in 1981 and is an instrumental music teacher
in the Johnson City School district where he is Director of Concert Band and
Jazz Ensemble at the middle school. He joined the Binghamton University
music faculty in 1997 and serves as the Director of the Jazz Studies Program
and a Director of the Harpur Jazz Ensemble. He holds a B.M.E. from the
Crane School of Music and a M.M. from Binghamton University. Carbone has
performed with many well-known artists including Al Marino, Natalie Cole,
Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D'Imperio's
Big Band Bloviation, the Central New York Jazz Orchestra, and The
Temptations.
MICHAEL J. CARBONE, director, is a native of Utica, New York.
�THE HARPUR JAZZ ENSEMBLE
The Harpur Jazz Ensemble studies and performs big-band repertoire and
appears frequently on and off campus. Guests who have appeared in
concert with this popular ensemble include, among others, Clark Terry,
"Slam" Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods,
Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide
Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person and
Walter White. The 2009 Spring semester includes the following ensemble
personnel:
BASS
SAXOPHONES
st
Sam Smith
Tyler Vallet
Dan Fagen (1 alto)
Nathan Rose (2 nd alto)
Camille Thurman (1 st tenor)
Jeremy Gold (2 nd tenor)
Margaret Hager (Baritone Sax)
Joseph Frasca
Kevin Greer
TRUMPETS
DRUM SET
Tomasz Falkowski
Laura Kinne
Drew Hanessian
Kim Metaxas
Alex Weiser
Alex Gregorio
GUITAR
VIBRAPHONE & PERCUSSION
Marc Silvagni
PERCUSSION
TROMBONES
Nicholas Carter
Reese Taylor
Adrienne Victor
Kevin Pinkel
Stephanie Lehman
FLUTE
Stefanie DeVito
CLARINET
PIANO
David Sa rd one
Matt Austen
Gabriel Luce
VOCALISTS
Liz Sterling
Allie Metcalfe
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 sound discs
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
57:19
54:55
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152709">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152709</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Jazz Ensemble, April 23, 2009
Recital Tape 2009-4-23b
Description
An account of the resource
Works of Bellson, Silver, Harris, Mintzer, Loesser & Styne, Mingus, Oddo, Tizol, Newsom, Leitham, Martino, Appleyard, Leitham. Held at 8:00 p.m., April 23, 2009, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Carbone, Michael
Maricle, Sherrie
Leitham, Jennifer
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-23
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c44efcf3d8116fec38fe73ef197aa264.pdf
881b5a92509872628b2f5a6215843e55
PDF Text
Text
BINGHAMTON
UNIVERSI TY
STATE UNIVERSITY OF NEW YORK
featuring
Sherrie Maricle, Drum Set
Jennifer Leitham, Bass
with
Mike Carbone, §axophone and Flute
Bill Carter, Piano
CamilleThurman, Tenor Saxophone
Al Hamme,Alto Saxophone
Thursday,April23, 2009
I :20 p.m.
Osterhout Concert Theater
Co-sponsored by the Department of Music and the Harpur .Jazz Ensemble
�PROGRAM
The program today will be selected from the
following and announc ed from the stage:
All Bets Are Off.... ... ........... ... ... .. ... .... .... .. ...... .. ..... ..... . Bill Carter
Beat the Meatles .... ..... ..... ........ ... ... ................. Jennifer Leitham
Room 777 ........ .......... .. .. .................... ........ .... ..... Sherrie Maricle
Take Ten ....................... .......... ........ ...... .............. Paul Desmond
arr. by Bill Carter
Take Your Pick .. .. .. ..... .. ................ ...... ....... ...... . by Hank Mobley
arr. by Don Sickler
The Preacher .. .. .......... .. ................. .. .. ............. .. .... Horace Silver
arr. by Al Hamme
Sherr ie Maricle: drum set
Jenni fer Leitha m: bass
Bill Carter: piano
Al Hamme : alto saxophone
Mike Carbone: saxophones & flute
Camille Thurman: tenor saxophone
�•·ABOUT THE PERFORM ERS
SHERRIE MARICLE is not only a jazz artist and composer, but a teacher
and music director as well. From the drum set, Maricle leads her big band
The DIVA Jazz Orchestra and her quintet AVE PLAY. From carnegie Hall,
she performs with The New York Pops and is also the orchestra's Director of
Education. As a music director, Maricle works with acclaimed Broadway star
Maurice Hines. As a teacher she runs a private drum set and percussion
studio and is also a conductor for The New York Summer Festival. She is
also a busy freelance performer and a published composer/arranger in both
the classical and jazz mediums. With The DIVA Jazz Orchestra and FIVE
PLAY she has performed at many of the world's most acclaimed music
venues including: carnegie Hall, Lincoln Center, Tanglewood, the Kennedy
Center, the Hollywood Bowl, and major jazz festivals throughout the United
States and abroad. DIVA has been featured on CBS Sunday Morning with
Charles Osgood, as well as numerous times on CNN Arts Break, and it was
highlighted on The 25th Anniversary of the Kennedy Center Television
Special and the NHK (Japan) Network's New York Jazz. Most recently DIVA is
prominently featured in a documentary film entitled The Girls in the Band,
scheduled for a 2009 premier.
JENNIFER JANE LEITHAM has been referred to by noted jazz critic
Leonard Feather as the "left-handed virtuoso of the upright bass." In
addition to her successful performance career, Leitham has appeared on
over 100 recordings with some of the giants of jazz music. In addition, she
has recorded 7 highly acclaimed CDs of her own. Leitham is best known for
her decade long stints with both Mel Torme and Doc Severinsen. She has
appeared with many distinguished artists including Woody Herman, George
Shearing, Gerry Mulligan, Peggy Lee, Joe Pass, Cleo Laine, Louie Bellson,
Pete Rugolo, Bill Watrous, and numerous others. She has also been a
member of the Tonight Show All-Stars, The Woody Herman Thundering
Herd, Benny carter Quintet, Bob Cooper Quartet, DIVA, and more. A highly
regarded educator, she is enthusiastically received as a presenter of
workshops and clinics at schools and colleges around the country, and has
joined the faculty at California State University Long Beach as a Studio Artist.
MICHAEL J. CARBONE, director, is a native of Utica, New York. He
moved to the Binghamton area in 1981 and is an instrumental music teacher
in the Johnson City School district where he is Director of Concert Band and
Jazz Ensemble at the middle school. He joined the Binghamton University
music faculty in 1997 and serves as the Director of the Jazz Studies Program
and a Director of the Harpur Jazz Ensemble. He holds a B.M.E. from the
Crane School of Music and a M.M. from Binghamton University. Carbone has
performed with many well-known artists including Al Marino, Natalie Cole,
Tommy Tune, Mel Torme, The Jimmy Dorsey Orchestra, Danny D1mperio's
Big Band Bloviation, the Central New York Jazz Orchestra, and The
Temptations.
�THE HARPUR JAZZ ENSEMBLE
The Harpur Jazz Ensemble studies and performs big-band repertoire and
appears frequently on and off campus. Guests who have appeared in
concert with this popular ensemble indude, among others, Clark Terry,
"Slam" Stewart, Manny Albam, Urbie Green, Frank Wess, Phil Woods,
Jimmy Owens, Marian McPartland, Steve Brown, Mel Lewis, Slide
Hampton, Peter Appleyard, John Faddis, Rufus Reid, Houston Person and
Walter White.
Binghamton University Music Department's
UPCOMING EVENTS
Saturday, April 25th
Honors Recital: Elizabeth Sterling, violin and
voice, casadesus Recital Hall, 3:00 PM, FREE
Saturday, April 25th
Junior Recital: Briana Sakamoto, soprano,
casadesus Recital Hall, 7:00 PM, FREE
Sunday, April 26thUniversity Wind Symphony, 3:00 PM, FREE
Anderson Center Chamber Hall
Sunday, April 26thHonors Recital: Sarah Sterling, viola,
casadesus Recital Hall, 7:30 PM, FREE
Tuesday, April 28th Friedheim Memorial Lecture/Recital:
Audible Processes - Minimalism and Beyond, Casadesus Recital Hall,
8:00 PM, $$
Thursday, April 30thMid-Day Concert, 1 :2Q PM - FREE
casadesus Recital Hall
Friday, May 1stFlute Studio and Flute Chamber Concert, 10:15 AM,
casadesus Recital Hall, FREE
Saturday, May 2ndMasters Recital: Susan Amisano, soprano,
casadesus Recital Hall, 8:00 PM, FREE
For ticket information, please call the
Anderson Center Box Office at 777-ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
45:29
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152254">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152254</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Jazz Ensemble featuring Sherrie Maricle and Jennifer Leitham, April 23, 2009
Recital Tape 2009-4-23
Description
An account of the resource
Works of Carter, Leitham, Maricle, Desmond, Mobley, Silver, Pediford. Held at 1:20 p.m., April 23, 2009, Osterhout Concert Theater.
Creator
An entity primarily responsible for making the resource
Carbone, Mike
Carter, Bill
Thurman, Camille
Hamme, Al
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-23
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/cbca950ae47d1123e0f04c7538c33627.pdf
c8884ad5f645441933a27a964b087428
PDF Text
Text
UNIV ARC
—
Ke c fl 2\
co
1
LAN
4
p
\
L “ <
1
Phe a N N® g y
Q
U . S . A I R F O R C E
BAN D O F L I B E R T Y
www.bandofliberty.af.mil
America’s Air Force
Integrity— Service—Excellence
and
University of Minnes ota Dul uth
present
SOU NDIN GS
OMXR
SrA Michael A. Correa
and
Prof. Gene Koshinski
�Senior Airman Michael A. Correa is a percussionist with The United
States Air Force Band of Liberty, Hanscom Air Force Base, MA. He is
the principal percussionist for the Concert Band, percussionist for the
Colonial Brass and also performs with the Ceremonial Band, and the
Show Band. He has been a featured soloist with the Concert Band and
Colonial Brass. SrA Correa earned a Bachelor of Music Performance
and Music Education from the Ithaca College School of Music in 1998.
(MM) and is currently completing a doctoral degree (DMA) at the
Hartt School. His debut recording, Klung, is carried by the Equilibrium
record label and his method book and compositions are distributed
internationally by The Percussion Source.
In 2000, he graduated from the Cincinnati CollegeConservatory of
Music with a Master of Music degree in Performance. Following post
graduate work at the Eastman School of Music SrA Correa held
positions as music director for the Tilton School in NH, and
Band/Orchestra Director for the St. Stephens & St. Agnes School in
Alexandria, VA. SrA Correa also served as the director of Percussion
studies and music theory instructor at the Performing Arts Institute in
PA from 19982006. He is currently a DMA candidate at the Cincinnati
CollegeConservatory of Music as well as being a member of the Air
Astor Piazzolla (19211992)
Nightclub 1960
from The History of the Tango
CaDance 4 2
Andy Pape (b.1955)
I’m Your Pal
Steve Swallow (b.1940)
arr. Gary Burton
trans. Errol Rackipov
Force Band of Liberty. His teachers include Joel Smales, Gordon Stout,
Ted Rounds, Jon Beck, Allen Otte, Rusty Burge and James Culley.
Gene Koshlnski has received international acclaim as a percussionist
and composer (ASCAP) and is currently director of percussion at the
University of Minnesota Duluth. He is in constant demand as a
performer and most recently completed tours in Jordan, Germany,
Austria, Slovenia, Canada, and the US. In 2002, Mr. Koshinski won the
National MTNA Collegiate Artist Percussion Competition in Cincinnati,
OH and in August 2004 finished 3rd in the prestigious Universal
Marimba Duo Competition in Belgium. He is active as a performer and
freelance percussionist, having worked with organizations and artists
including NFL Films, Late Show with David Letterman, Mary Wilson
(the Supremes), David Samuels, Wycliffe Gordon, Philadelphia Boys
Choir, The Lettermen, Lehigh Valley Choral Arts, Minnesota Ballet, and
is currently section percussionist for the Duluth Superior Symphony
Orchestra and a member a Nebojsa Zivkovic’s Jovan Perkussion
Projekt. For his work with NFL Films, he can be heard on the Emmy
awardwinning soundtrack A Century of NFL. Performances have also
been heard on the CBS, PBS, EPSN television networks as well as NPR
(National Public Radio). He has also commissioned and premiered
works by renowned composers including Stuart Saunders Smith,
David Macbride, Dave Hollinden, and Alejandro Vifiao. Mr. Koshinski
holds degrees from West Chester University (BA), The Ha rtt School
And So The Wind Blows... *
Kaskada
The Hummingbird
* World Premiere
Gene Koshinski (b.1980)
Eckhard Kopetzki (b.1956)
George Hamilton Green (18931970)
�This con cert is sp onsored by the U SAF Ban d of Libe rty
a nd the U niversity of Minneso ta Dulut h.
Gene Koshinski is endorsed by Ko rogi Mar imbas,
Innovative Percussion, Sa bian Cym bals, and Remo.
The Air Force is a valuesbased o rganization guided by ou r
core values: Integrity, Service Befo re Self, a nd Excellence In
All We D o. As an Expeditionary Aerospace Fo rce, our
people stand rea dy to de ploy com bat power around the
globe a t a m om e nt ’s notice t o p ro tect America ’s interes ts.
U L S :A
R F O R C E
For information regarding Air Force
opportunities, contact the Air Force via your
local recruiter, www.airforce.com,
or dial 1800423USAF
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:00:09
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152251">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152251</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
U.S. Air Force Band of Liberty and University of Minnesota Duluth present Soundings, March 20, 2009
Recital Tape 2009-3-20
Description
An account of the resource
Works of Piazzola, Pape, Swallow, Koshinksi, Kopetzki, Green. Held at 8:00 p.m., March 20, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Correa, Michael A.
Koshinski, Gene
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-20
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f6b8b8e6d2110cb4b0262e74ad61d823.pdf
a93e7a34d76689ab77bff3869935b4bf
PDF Text
Text
BINGHAMTON
M N I V E R S I Y
X
T
S T A T E U N I V E R S I T Y O F N E W Y O R K
wide
[4
D E P A R T M E N T
F R I E D H E I MM
EMORIAL
L E C T U R E / R E C I T A L
F R A N Z S C H U B E R T
Wanderer Fantasy
Alice L. Mitchell, L ectu re r
J o h n Covelli, Piano
Sunday, February I, 2009
3:00 PM
Casadesus Recital Hall
�The Binghamton University Department of Music
presents the 20082009
Philip F riedheim Memorial LectureRecital Series
ABOUT T H E PERFORMERS
F ranz Schubert ’s
ALICE MITCHELL is a native New Yorker who received her earliest music
education at the Third Street Music School Settlement and as an undergraduate
at Hunter College. She continued with graduate studies in musicology at Smith
College, as a student of Alfred Einstein and at Columbia University with Paul
Henry Lang. She has performed as a piano soloist at Town Hall, Steinway Hall,
and at the Brooklyn Academy of Music. Her publications include an edition and
translation of Carl Czemy’s Treatise on Improvisation (Op. 200), articles in the
Musical Quarterly, the Musical Heritage Review and Grove’s Dictionary, and
liner notes for Dover Publications recordings. She has served as Chair of the
Music Department, during which she initiated the joint graduate program in
opera with TriCities Opera and opened negotiations that resulted in the Link
Professorship.
Wanderer Fantasy
C major, Op. 15, D. 760
Remarks on the Text and Composition
Professor Alice L. Mitchell
Performance
John Covelli, Piano
E BBC E
C B C E C B C B B C B C B C B B CBE C
B B BC B
While recognized as one of the more versatile conductors of his generation,
JOHN COVELLI has for most o f his life been known and respected as an
extraordinary piano talent. As a Chicagobom piano prodigy studying since age
four, he was credited in his youth with numerous concerts, broadcast recitals,
special musical awards, performances at the Chicago Music Festival, with the
Chicago Symphony at age 9; reci pient of the Chicagoland Festival Award; a
highly lauded allBach concert at the Texas Bach Festival, as well as composing
prizes. A s a teenager, h e was t he on ly conce rt pianist ever to win the famous
The Friedheim Memorial Series honors the memory of Professor Philip
Friedhiem (19301986) whose remarkable tenure at Binghatmon University
featured many memorable lecturerecitals with faculty and guest artist
performers on major works of the classical music tradition. We seek to recreate
Phil’s special combination of scholarship and performance that served to deepen
our understanding for – and love of – great works of musical art. All proceeds
of the series will go towards the undergraduate scholarship funds of the
Department of Music.
The 20082009 series opened in September 2008 with Professor Emeritus
Harry Lincoln ’s analysis of Schubert ’s classic lied Der Erlkonig. (Incidentally,
Harry served as performer with Walter Ponce on one of Phil’s many programs.)
Today’s performance, as noted above, features an examination of Schu bert ’s
Wanderer Fantasy, with a lecture by Professor Alice L . Mitchell (another o f
Phil’s colleagues) and Guest Pianist John Covelli.
The third and final Friedheim concert of the 20082009 series will be on
Tuesday, April 28", and will unravel mysteries of modern music in Audible
Processes: Minimalism and Beyond with Professor Paul Schleuse lecturing.
Faculty performers include Timothy Perry, Margaret Reitz, Janey Choi, Michael
Salmirs and Ewa MackiewiczWolfe.
Godfrey Talent Scout Program and appeared in a series of nationwide CBSTV
performances. His New York debut drew rave notices from every newspaper
and major publication present including the Times stating, “This is one of the
best debut recitals in our recollection.” While conductor and soloist of the famed
Seventh Army Symphony, he was selected special musical ambassador for USIS
gleaning accolades as featured touring soloist throughout Europe. As a winner
in two o f E urope’s m ost prestigious piano com petitions t he Queen Elizabeth of
Brussels, and the Busoni International Piano Competition in Bolzano, Italy, John
Covelli was launched from youthful prodigy to an international performer of
major standing. Critical praise from major music capitals was unanimous. In
addition to solo piano concerts, the unique excitement John Covelli brings to the
dual role of conductor/pianist in a wide range of concertos from Gershwin,
Gottschalk, Shostakovitch, and Saint Saens, to Bach, Beethoven, Mozart and
more has become a special part of his international musical charisma.
(Biography © 2003 John Covelli, All rights reserved.)
�Coniz (enst
S u n d a y, Februa r y 1 5% Musica Nova: Sing a New Song,
Anderson Center Chamber Hall, 3:00 PM, $$
Saturda y, Februar y 21% A Russian Fantasy for Two Pianos with
Ewa MackiewiczWolfe and Michael Salmirs, pianists, 8:00 PM, $$,
Anderson Center Chamber Hall
Sunday , Februa ry 2 2 ™ Organist Jonathan Biggers A Bach
Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold O ut)
Tuesda y, Februar y 24°" Organist Jonathan Biggers – A Bach
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$
idDay Concert, 1:20 PM FREE
Thursda y, Febru ary 2 6 ” M
Casadesus Recital Hall
uest Artist: Dr. Hal Reynolds, trombone,
Thursda y, Februa ry 2 6 ” G
Casadesus Rectal Hall, 8:00 PM, FREE
rganist Jonathan Biggers – A Bach
Friday, Februar y 2 7 ” O
Celebrationl.l Series, Fine Arts Room 21, 8:00 PM, $$
Thursda y, March 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursda y, March 5 Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 7:30 PM, $$
Saturda y, March 7°" University Symphony Orchestra: Hearing the
Orient, Osterhout Concert Theater, 8.00 PM, $$
Wind Symphony, 3:00 PM, FREE
S u n d a y, March 8 ” University
Anderson Center Chamber Hall
oncert, 1:20 PM – FREE
Thursda y, March 1 2 ” MidDay C
Casadesus Recital Hall
For ticket information, please call the
Anderson Cente r B ox O ffice
at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiocassette
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:26
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152248</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Friedheim memorial lecture/recital: Franz Schubert, Wanderer Fantasy, February 1, 2009
Recital Tape 2009-2-1
Description
An account of the resource
Held at 3:00 p.m., February 1, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Covelli, John
Mitchell, Alice L.
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-02-01
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/6ec79c9f61249f4c575b9deb3877d96f.pdf
ef60bc931bdbee7956a0c3d2e835aef1
PDF Text
Text
BINGHAMTON
UNI V ERSI T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
U
n
i
v
f
A R C
{ s c % \
'
P
w
x B
e
E
P
IT F M EA N RT
% 4 0 ¥
MA STER’SR
ECITAL
S T E P H E N B R O O K S
D O U B L E B A S S
WITH
M A R G A R E T R E I T Z , P I A N O
S a t u r d a y , M a r e h 2 1 , 2 0 0 9
£ 0 0 p . m .
casadesus Recital Hall
�PROGRAM
ABOUT THE PERFORMERS
SONGLA 192 G TNLNOY cusncviissrssssssassinnensn Eccles
STEPHEN BROOKS graduated from SUNY Oneonta in 2007 with
a B. A. in Music, during which time he studied the double bass
under the instruction of Professor Rich Mollin. While at SUNY
(16701742)
I. Largo
II. Allegro con spirito
III. Adagio
IV. Vivace
Romance and RONAO... ...................
Franz Keyper
I. Romance
II. Rondo
(17561815)
® I N T E R M I S S I O N
J
O
U
T U B E S s os n m i i v m i i i m n n n i s K
i N E S S E V i L Z R Y
I. A n d a n t e
II. Valse Miniature
SOMBEE 1953
1. Slow a n d P
eaceful
II. Moderate 4Swing
III. Molto Adagio
IV. Allegro energico
(18741951)
Frank Proto
( b. 1941)
Oneonta, Mr. Brooks studied jazz as well as other modern musical
styles. For the past two years, he has been studying with cellist
Stephen Stalker, pursuing an M. M. in Performance at Binghamton
University, focusing his studies on classical music. Mr. Brooks has
performed with the Catskill Symphony and can frequently be seen
playing with any number of jazz groups at the Otesaga Resort in
Cooperstown. He also collaborates with pianist Gabriel Luce in a
trio that recently opened for jazz piano legend Junior Mance.
Upon his graduation from Binghamton University, Mr. Brooks
plans to continue to study and perform a wide variety of musical
styles to satisfy his eclectic tastes.
MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton
Area. She received her Bachelor and Master of Music degrees in
piano performance with accompanying emphasis. Ms. Reitz
attended Boston University, New England Conservatory and
Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce
and accompanying with Allen Rogers. Ms. Reitz has accompanied
throughout the United States, in England, South America, and at
the American Institute of Musical Studies in Graz, Austria. She
and Binghamton University faculty member Timothy Perry were
winners of the Artistic Ambassadors Program by the United States
Information Agency in partnership with the John F. Kennedy
Center for the performing arts.
Ms. Reitz is currently on the faculty at Binghamton University
since 1991 and Ithaca College School of Music since 1999. She
maintains a private piano studio in Vestal, New York and serves
on the Executive Board of the New York District MTNA
organization. Ms. Reitz is President of the local District V II Music
Teachers Association and is an active adjudicator for the National
Piano Guild Organization.
� idDay Concert, 1:20 PM FREE
Thursday, March 2 6 ” M
University Art Museum, Celebrating Women’s History Month
aster’s Recital: Jonathan Moots, baritone,
Saturday, March 2 8 ” M
Fine Arts Room 21, 3:00 PM, FREE
tenor,
Saturday, March 2 8 ” 1993 Reunion Redtal: Todd Geer
Allison SwensenMitchell, mezzosoprano, a n d J. Penna, piano,
Anderson Center Chamber Hall, 8:00 PM, $$ (cosponsored by the Music
Department and the Alumni Association)
Sunday, March 2 9 ” J unior Recital: Marc Silvagni, percussion,
Casadesus Recital Hall, 3:00 PM, FREE
idDay Concert, 1:20 PM – FREE
Thursday, A pril 2 ™ M
Casadesus Recital Hall
Thursday, A pril 1 6 MidDa y Concert: 1 :20 PM FREE
Casadesus Recital Hall
FREE
larinet Studio Recital, 3:00 PM —
Saturday, April 1 8 ” C
Casadesus Recital Hall
rahms’REQUIEM with the Binghamton
Saturday, April 1 8 ” B
Philharmonic Orchestra and the University Chorus, 8:00 PM,
Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic
at 7233931
Sunday, April 19th Master’s Recital: Stephanie Lehman, percussion,
Casadesus Recital Hall, 3:00 PM, FREE
Sunday, April 19°" For Slava: A concert remembering the great
Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$,
Casadesus Recital Hall
Tuesday, April 21% String Department Recital, 8:30 PM – FREE,
Casadesus Recital Hall
For ticket information, please call the
Anderson Center Box O ffice at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiocassette
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
43:38
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152245">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152245</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Master's recital, Stephen Brooks, March 21, 2009
Recital Tape 2009-3-21
Description
An account of the resource
Held at 8:00 p.m., March 21, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Brooks, Stephen
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-21
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/5aa4741e22c1dae3940758fce648fb4f.pdf
ab24d69d7aeb83dca2f1e5be200cf01f
PDF Text
Text
BINGHAM TON
UN I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
wodec
[4
B E E P A R T M E N T
A L M O S T A L L AMERICAN
TRIO
Janey Choi, Violin
Ha kan TaygaH romek, Cello
ChaiKyou Mallinson, Piano
Saturday, Jan uary 31, 2009
8:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
I
J
Piano Trio in G major,
Andanti no con m oto allegro
Claude Debussy
(18621 918)
Café Music
Allegro
Andante moderato
Presto
Paul Schoenfipld
(b. 1947)
Scherzo * Intermezzo: Moderato con brio
Andante espressivo
Finale : Appassionato
WINTERMISSIONC3
Roots II (selected movements)......
Incantation
Dance in Congo Square
Sorrow Song
Jubflee
.......David N. Ba ker, Jr.
(b. 1931 )
This concert is sponsored by the Broome County Arts Council in
addition to Binghamton University Music Department sponsorship.
�ABOUT TH E MUSIC
One could not find a more celebrated AfricanAmerican composer on the
The title “Almost All American Trio” refers both to the program content and to
the background o f the performers (see “About the Performers” below). We
wanted to emphasize contemporary American composers representing diverse
cultures, but of course an earlier Eu ropean work was needed for balance.
The G Ma jor Piano Trio is the only work Debussy wrote in this form, written
at the age of eighteen, when he was still groping to discover his eventual very
distinctive style. At the time, he was in service to M me. Nadejda von Meck,
Tchaikovsky’s patroness, upon the recommendation of his piano teacher,
Antoine Marmontel. He was hired to join Madame and her children on their
travels, give piano lessons to her chi ldren, accompany the singing of her twenty
sevenyearold daughter, and play d uets with herself. Not long later, a violinist
and cellist joined the entourage at the Villa Oppenheim in Florence, and this trio
was required to pe rform nightly, which gave Debussy the impetus to compose in
this form. Madame ended his employment when, as a brash twentyyearold, he
proposed marriage to her fifteenyearold daughter.
academic scene than the composer of Roots II, David Nathaniel Ba ker, Jr., a
native of Indianapolis, IN. At the School of Music at Indiana University, he
holds the title of Distinguished Professor, where for years he has chaired the
l
l’
former vice president o f th e International Association of Jazz Educators,
president of the National Jazz Service Organization, and senior consultant for
music programs for the Smithsonian Institution, and has given past service to
many other music organizations. His awards inc lude Down Beat Magazine’s
New Star Award (for tromboneplaying) and Lifetime Achievement A ward, Jazz
Education Hall of Fame Award, the National Association of Jazz Educators Hall
of Fame Award, and the National Endowment for the Arts American Jazz
Masters Award.
Roots II (1992) is an outgrowth of Roots (1978), both of which were composed
for the Beaux A rts Trio. Roots II comprises a wide variety of styles which
Portions o f the score remained in autograph in private hands (some portions
evidently revisions) until the 1980 ’s when they came to the Pierpont Morgan
Library (New York) and the University of Michigan School of Music (Ann
Arbor). These have been assembled to prod uce the present score, now available
for general use (for more detail, see the Preface to the Henle edition). In this
work one finds intermittent flashes of what finally emerged as Debussy ’s mature
style, against a background showing influences of Schumann, Franck, and
Delibes.
Paul Schoenfield, composer of Ca fé Music, began studying piano at age six,
and wrote his first composition the following year. At age 22, he received the
Doctor of Musical Arts from the University of Arizona where he studied
composition with Robert Muczynski. He has won many awards from such
organizations as the National Endowment for the Arts, the Rockefeller Fund, the
Bush Foundation, the Ohio Arts Council, and Chamber Music America, to name
a few, and he has received numerous commissions from orchestras and artists
around the world. He currently resides in Israel. About Café Music he writes:
“The idea to perform Café Music first came to me in 1985 afier sitting in one
night for the pianist at Murray’s restaurant in Minneapolis. Murray’s
employs a house trio which plays entertaining dinner music in a wide variety
o f s tyles. My intention was to write a kind o f highclass dinner music which
could be played at a restaurant, but might also (just barely) find its way into a
concert hall. The work draws on many types of music played by the trio at
Murray’s. For example, early 20” century American, Viennese, light
classical, gypsy, and Broadway styles are all represented. A paraphrase of a
beautiful Hasidic melody is incorporated in the second movement. Café
Music was commissioned by the St. Paul Chamber Orchestra and was
premiered in January 1987.”
Jazz Department. He has written more than 2000 compositions, of which more
than 500 were commissioned. Mr. Baker serves as the conductor and artistic
director o f the Smithsonian Jazz Masterworks Orchestra. He i s president and
Baker describes: “Work songs, field hollers, blues, ragtime, boogie woogie,
rhythm & blues, spirituals, gospel songs, calypso, rock & roll, rap and of course
jazz . . . In composing this work, I made use of some of the musical features
common to these varied styles, among them rhythmic preeminence, the spirit
and attitude of the blues call and response, the ostinato, and certain musical
forms, harmonic and melodic materials.” The first and third movements are
borrowed from the original Roots.
“Incantation” evokes the sinister and mesmerizing quality of voodoo rites.
“Dance in Congo Square” is essentially a calypso. Congo Square refers to Place
Congo, where slaves gathered to celebrate their holidays, denying for the
moment with thei r gaiety the harsh reality of their ex istence.
[
\
“Sorrow song” grew out of “spirituals, laments, and church house moans. It is
the plaintive cry of a downtrodden people”. But at the end you will hear the
gently dissonant music evaporating into thin air, as if we are liberated from the
sorrow.
The fourth movement, “Boogie Woogie”, is omitted from this performance.
The finale, “Jubilee", refers to a C hristmas time dance, clearly expressing pure
joy. After extensive jazz improvisation, the opening theme returns, building up
to a frenzied outburst.
�ABOUT THE PER FORMERS
Canadianborn violinist JANEY CHOI joined the faculty of
Binghamton University in 2006. Dr. Choi attained her Doctor of Musical
Arts degree at Rutgers Un iversity, studying with Arnold Steinhardt, and
holds her Bachelor and Masters degrees from The Juilliard School where
her major teachers were Joseph Fuchs and Joel Sm irnoff. She gave her
Carnegie Hall recital debut in 1997 as a winner of the Artists
International Auditions a nd continues an active perform ing career as a
recitalist, chamber, and orchestral musician throughout the country and
abroad. She is the recipient of numerous awards including the Ontario
Arts Council’s Chalmers Performing Arts Training G rant, and First Prize
in the National Finals of the Canadian Music Competition. Ms. Choi has
participated in such festivals as Mostly Mozart, Juilliard’s Focus Festival,
Norfolk, Taos, the Spoleto Festivals, Festival Musical de Santo
Domingo, the Santa Fe Opera and the Sarasota Ope ra. An avid interarts
and crossgenre collaborator, she is the Music Director of Thomas/Ortiz
Dance, and has performed numerous times with the Parsons Dance Co. at
the Kennedy Center in Washington, D.C. She has recorded and appeared
with such mainstream performers as Bono and Quincy Jones, Enya,
Elton John, Sarah McLachlan, Lisa Loeb, Kanye West, JayZ and
Beyoncé. Ms. Choi is a Teaching Artist for the New York Philharmonic,
Lincoln Center Institute, C hamber Music Society of Lincoln Center and
the Bloomingdale School of Music in New York City.
Cellist HAKAN TAYGA HROMEK was trained in music performance
at Ithaca College, SUNY Purchase, and Binghamton University. His
teachers include Peter Wiley, Marion Feldman, Daniel Phillips, Stephen
Stalker, Einar Jeff Holm, and Fritz Wallenberg. He has attended the
International Congress of Strings, Round Top International Festival,
Chamber Music at the 92nd Street YNYC, Spoleto Music Festival,
Skaneateles Festival, and the Kenai Penninsula Music Festival In Alaska.
An active performer, Mr Hromek is principal cellist of the Binghamton
Philharmonic, TriCities Opera Orchestra, and The Orchestra of the
Southern Finger Lakes. He has also performed with the Cayuga Chamber
Orchestra, Bach Works in NYC, and the Syracuse Symphony. During the
summer of 2006, Mr. Hromek completed his fourth season as cellist in
the DeVere Quartet, which serves as resident quartet for the Kenai
Peninsula Festival in Alaska and at present is cellist for the Novo
Quartet. An avid chamber musician, Mr. Hromek enjoys collaborating in
a cello and piano duo on a regular basis with Margaret Reitz and various
local artists in the Central New York area.
CHAIKYOU MALLINSON, currently on the faculty of the
Department of Music at Bingharnton University, received a B.M.degree
in Piano from Julliard, Li cence d ’Enseignement from Ecol e Normale de
Musique de Paris, France and a M.A. degree from Binghamton
University. Her teachers include Jean Casadesus, JeanMichel Damase,
Jules Gentil and Alton Jones. She also performed in Master Classes by
Robert Casadesus. A prize winner in the Korean National Music
Competition, she was awarded the French Government Scholarship,
Tanglewood Summer School Full Scholarship and the Fontainebleau
American Conservatory Full Scholarship. She gave a debut Recital in
Carnegie Recital Hall and has been active as a recitalist, vocal coach,
accompanist, and chamber music performer, as well as an active
adjudicator of piano auditions and competitions. She is a member of the
Music Teachers National Association, and of the board of judges for the
National Guild of Piano Teachers Association.
She has premiered compositions of contemporary composers including
Ezra Laderman, Paul Goldstaub, Meyer Kupferman and William Klenz.
Among many concerts she performed, three were sponsored by the New
York State Council on Arts. She appeared in a performance with the
Seoul Philharmonic Orch estra, which Eumag Choonchu, one of Korea’s
most respected music magazines, described as “of rare quality, moving
and lyrical.” She was awarded an Individual Artist Award 20082009 by
the Broome County (NY) Arts Council.
Among many concerts at BU that she has proposed, organized and
performed (in collaboration with other artists) are a concert celebrating
the works of former Binghamton University Composer in Residence
Ezra Laderman in anticipation of his receipt of an h onorary Doctorate in
2004 (for which she had recommended him), a concert of songs (2006)
with Tim LeFebvre, with interpretations choreographed and danced by
Galumpha, “Homage a Casadesus” (2008), a conce rt honoring the “First
Family of Piano”, the Casadesus family, and commemorating Jean
Casadesus’ years at BU, and three concerts for piano trio. As a
performer she appeared twice with the Binghamton University Orchestra,
as harpsichordist in the Bach Fifth Brandenburg Concerto (2000), and as
pianist in the Mozart Concerto for Two Pianos, K. 365 (2004).
�Sunday, February 1 % Friedheim Memorial Lecture/Recital:
Schubert Wanderer Fantasy, Casadesus Recital Hall, 3:00 PM, $$
Sunday, February 1 5% Musica Nova: Sing a New Song,
Anderson Center Chamber Hall, 3:00 PM, $$
Saturday, February 21% A Russian Fantasy for Two Pianos with
Ewa MackiewiczWolfe and Michael Salmirs, pianists, 8:00 PM, $$,
Anderson Center Chamber Hall
Sunday, February 22™ Organist Jonathan Biggers A Bach
Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)
rganist Jonathan Biggers – A Bach
Tu esday, February 2 4 ” O
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$
cert, 1:20 PM FREE
Thursday, February 2 6 MidDay Con
Casadesus Recital Hall
: Dr. Hal Reynolds, trombone,
Thursday, February 2 6 Guest Artist
Casadesus Rectal Hall, 8:00 PM, FREE
Friday, February 27°" Organist Jonathan Biggers A Bach
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$
Thursday, March 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, March 5% Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 7:30 PM, $$
ymphony Orchestra: Hearing the
Saturday, March 7 ” University S
Orient, Osterhout Concert Theater, 8:00 PM, $$
ind Symphony, 3:00 PM, FREE
Sunday, March 8 ” University W
Anderson Center Chamber Hall
For ticket information, please call the
Anderson Center Box O ffice
at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audiocassette
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
53:36
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152242">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152242</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Almost All American Trio, January, 31, 2009
Recital Tape 2009-1-31
Description
An account of the resource
Works of Debussy, Schoenfield, Baker. Held at 8:00 p.m., Jan., 31, 2009, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Choi, Janey
Tayga-Hromek, Hakan
Mallinson, Chai-Kyou
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-01-31
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/b20589993596463c9d34165ff6c0394d.pdf
6db78dbe01d6d729d77eac1ba464aa38
PDF Text
Text
BINGHAM TON
U N 1 V E RrS L T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
d e e
[23
D E P A R T M E N T
J U N I O R R E C I TA L
Marc Silvagni, Percussion
Margaret Reitz, Piano
Sam Smith, Electric Bass
Alex Gregorio, Drum Set
Sunday, March 29, 2009
3:00 PM
Casadesus Hall
�PROGRAM
PROGRAM NOTES
A meric an Suite : For Unaccompanied Snare Drum ......Guy G . G authreaux II
American Suite : F o r Unaccompanie d S nare D rum (1989) is a
fivemovement work based primarily on a short rhythmic motive.
Each movement offers unique challenges utilizing many aspects
associated with snare drumming in America, including jazz,
rudimental, ethnic, orchestral, marching, contemporary, and so
forth. The first movem ent serves to firm ly introduce the rhythmic
motive with only an occasional use of unrelated material. The
second moveme nt is a combination of the old rudimental style of
drumming with a more contemporary marching application. The
third movement, written entirely for brushes, makes extensive use
of handtohand independence while maintaining the rhythmic
I Introduction
II Rudimental
III – Jazz
IV – Latin
V Contemporary
Fantasy on Japanese Wood Prints, Op. 2 1 1
Alan Hovhaness
(191 1 – 2000)
Margaret Reitz, Piano
motive in a jazz style. The fourth move ment, written in a Latin
style, uses numerous playing arias and special techniques. The last
movement is mo re contemporary in nature and c ontains new and
INTERMISSION
Etude op. 6, No 8 ...
Etude in C Major Op. 6, No” 1 0
..Clair Omar Musser
(19011998)
Three Episodes for Timpani............ccocssscsscssesssssnssssessse.JONN Beck
IL
onga
II Andante
III Marcato
CHIR o
f
D
o
v
e
r
E
r
i
c Johnson
(b. 1954)
Arr. Marc Silvagni and Richard Silvagni
(b. 1988)
(b. 1987)
Sam Smith, Electric Bass
Alex Gregorio, Drum Set
previously stated motivic variations. This piece was selected as 1*
place winner in the 1989 Percussive Arts Society Composition
Contest.
Fantasy on Japanese Wood prints, Op. 2 1 1 (1965) is a concerto
in one movement written for xylophone and orchestra by American
composer Alan Hovhaness. He wrote it while studying Oriental
musical styles in Japan during his career. Much of the 15minute
work contains many themes of modal Japanese m usic, especially
the last 3 minutes. Due to the richer and fuller sound, many
soloists opt to play the solo part on marimba rather than
xylophone. The piece begins with a series of cadenzas for the
soloist, all in free time (senza misura). Under each cade nza, the
accompaniment holds a soft chord containing many fourths and
halfsteps, and the bass line is given a series of notes to improvise
with until a cutoff. In between each cadenza, the accompaniment
plays a dissonant glissando patte rn all in free time until another
cutoff. The concerto develops into an eerie slow adagio, with
shimmering chords in the string section and ending with another
cadenza. A dark section in 6/8 ensues, with the xylophonist taking
over and playing an extended solo completely in 32 nd notes before
the accompanim ent comes in with another free time cadenza. The
�piece then launches into a marchlike tempo, and the theme is
completely stated by xylophone and accompaniment, with a
repeated rhythm that occurs on a different beat every time. A 6/8
dance comes back, and the n a cadenza in time occurs with the
accompaniment playing the melody over the soloist. A series of
and the melody progress through the pedaling of the tim pani. This
creates a very trippy sound. The last movement is a standard
sounding timpani piece that is quick, very loud, and shows off
speed.
loud crescendos and climaxes in free time bring the soloist into the
final cadenza before a fast 3/4 comes in, with a fierce tai ko rhythm
and buildup until the end. The version featured here is an
orchestra reduction played o n piano.
]
l
Etude Op. 6, No. 8 and Etude in C Ma jor Op. 6, No. 1 0 are two
etudes written by the great Clair Omar Musser. Musser was a
pioneer for solo percussion music. He invented t he prototype to
the fourmallet grip that most percussionists use today. Also, most
marimbas used are made by his company LudwigMusser (Ludwig
the drum company). Musser wrote etudes in every key and in
almost every scale. The first etude, no. 8, is in wholetone. The
piece never settles around a tonal center nor has a real melody.
Though the piece is slow, the difficulty within it is the ability to
maintain its flow. When done correctly, the ring of the marimba
fills the room with beautiful harmony. The Etude in C Major acts
as an antithesis to the wholetone sound when played right after it.
The piece is very fast, very major sounding, and always intense.
This piece is short (about 2 :00), but is probably the most taxing to
play. Afier the opening line, the piece does not stay in C Major,
but rather bounces between different keys and has an interesting
progression leading to a final C Major chord.
Three Episodes for Timpa ni was written by the famous timpanist
John Beck who taught at the Eastman School of Music for many
years. The piece is in three very distinctive movements. The first
movement uses a piano with the pedal held down so the strings
constantly ring. There are cues written to play the width of one’s
hand on the piano. Also sometim es in the piece, the drums are
muffled quickly to allow the piano ringing to be in the foreground
of the music. The second movement is very 60s sounding. It uses
three timpani mallets at once so the left hand can play a perfect 5
ostinato while the right hand plays melody. The movement is slow
H
Cliffs of Dover is a guitar, bass, and d rum trio piece written by
Eric Johnson in 1990. The piece is fi rmly in G Major and includes
intro and end ing solo cade nzas. It is in a swing style throughout
with the melody always in the guitar. There is a middle section
where the song goes into halftime. It goes back to a tempo in A
Major briefly before return ing to G Major. The piece is featured
on Johnson’s album Ah Via Musicom, which reached #67 on
Billboard’s Top 200 in 1990 . “Cliffs of Dover” was voted number
17 in Guitar World magazine’s list of 1 00 Greatest Guitar Solos,
placing it between 16, “Heartbreaker ” by Led Zeppelin, and 18
“Little Wing” by The Jimi Hendrix Experience. In 1991, “Cliffs of
Dover” won a Grammy award for Best Rock Instrumental
Performance, beating the Allman Brothers Band ("Kind of Bird"),
Danny Gatton ("Elmira Street Boogie"), Rush ("Where’s My
Thing?"), and Yes ("Masquerade"). It is also featured in the video
game Guitar Hero III: Legends of Rock on the final tier. The
ending in this arrangement has been changed and modulates to F
Major. This leads to an open solo section for all the instruments
ending with another song: “Universal Mind” by Liquid Tension
Experiment, a progressive band side project of the famous
progressive band Dream Theater.
2 sS>
�PERFORMERS
MARC SILVAGNI is a junior at Binghamton University. He is
currently double majoring in Music Performance (Percussion) and
Psychology. He plans on attending graduate school after
Binghamton for an MSW degree. He was born on December 25,
1988 in Flushing Hospital in Flushing, Queens. He currently
resides in Flushing, Queens.. Marc started his music career
relatively late in 7 ” grade at 1.S. 25 under band director and
amazing jazz drummer, Marc Copell. There he was assigned to
play bells, but later started in other percussion. During the
summers following 7 ” and 8™ grade, Marc attended the Man hattan
School of Music Summer Camp and studied under percussionist
Jeff Kraus who taught him about the entire world of percussion.
He then attended St. Francis Preparatory High School in Fresh
Meadows, Queens, and studied under percussionist Mark Teofilo.
He also performed with every music performance group the school
had, including singing bass under voice teacher Fernando Sicilia.
In the summer of his sophom ore year, Marc and other students,
under teacher David Kobayashi (Binghamton Alum), traveled to
Australia and played with the Tallahassee Winds in the Sydney
Opera House for the Eric Whitacre Festival. He has never
performed for NYSSMA. Next, Marc began college at
Binghamton University under percussionist Dan Fabricius. Here
he has enjoyed featured solos with the Percussion Ensemble and
has played with the Harpur Jazz Ensemble, University Orchestra,
Harpur Chorale, Women’s Chorus, and the Commencement Wind
Ensemble. He has also played at the Musica Nova concert and at
Stephanie Lehman’s Masters Recital. Marc’s philosophy of music
has always been that music should be more fun than serious. The
playing of music should be respectable, but there should not be
heavy pressure to perform. Marc always performs with a smile,
whether it is showing or not.
MARGARET (PEJ) REITZ, pianist, is a native of the
Binghamton Area. She received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She
attended Boston University, New England Conservatory and
Binghamton University. She has studied piano with Jean
Casadesus, Victor Rosenbaum, Seymour Fink and Walter Ponce,
and has studied accompanying with Allen Rogers. She has
accompanied “throughout the ‘United States, in England, South
America, and at the American Institute of Musical Studies in Graz,
Austria. She and Binghamton University faculty member Timothy
Perry were winners of the Artistic Ambassadors Program by the
United States Information Agency in partnership with the John F.
Kennedy Center for the performing arts.
Pej has been a guest chamber music artist in Morges, Switzerland.
She also was selected to attend the Accompanying Workshop for
Singers and Pianists held at Northwestern University with Chicago
Lyric Opera Faculty and Coaches. Pej was recently invited to the
International Clarinet Conference to play a recital in Tokyo, Japan.
She was a guest artist on the Cornell Summer Series this past
summer, and she was an official pianist at the International Double
Reed Competition and Convention in 2007 at Ithaca College. She
was selected to accompany at the Interpretation of Spanish Music
in conjunction with the University of Madrid in Grenada, Spain in
July 2007, coached by Teresa Berganza, and at the Mannes School
of Music in the summer 2008. Pej will be in residence at the
Barcelona Festival of Song this summer in Spain as
coach/accompanist, and has been asked to play a concert this
summer with the Glickman Trio in the United Kingdom at the
IDRS Convention..
Pej is currently on the faculty at Binghamton University since 1991
and Ithaca College School of Music since 1999. She maintains a
private piano studio in Vestal, New York. She is on the Executive
Board of the New York District MTNA organization, and she is
President of the local District VII Music Teachers Association and
is an active adjudicator for the National Piano Guild Organization.
SAM SMITH and ALEX GREGORIO are freshmen at
Binghamton University. Sam is majoring in Music and Economics
while Alex is majoring in Mechanical Engineering. They are both
from the town of Warwick in Orange County, NY. They have
been playing music together for as long as they can remember.
They hang out with the son of the late bass legend Jaco Pastorius
and jam. Sam and Alex both play in the Harpur Jazz Ensemble.
�Thursday, April 2 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
FREE
1:20 PM —
Thursday, April 1 6 MidDay Concert:
Casadesus Recital Hall
FREE
Saturday, April 1 8 ” Clarinet Studio Recital, 3:00 PM —
Casadesus Recital Hall
Saturday, April 1 8 ” Brahms’REQUIEM with the Binghamton
Philharmonic Orchestra and the University Chorus, 8:00 PM,
Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic
at 7233931
Sunday, April 1 9 ” Master’s Recital: Stephanie Lehman, percussion,
Casadesus Recital Hall, 3:00 PM, FREE
S u n d a y, A p r i l 1 9°" For Slava: A concert remembering the great
Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$,
Casadesus Recital Hall
FREE,
Tuesday, April 21% String Department Recital, 8:30 PM —
Casadesus Recital Hall
Thursday, A p r i l 2 3 ™ Jazz MidDay Concert with Sherrie Maricle,
1:20 PM – FREE, Osterhout Concert 7heater
Thursday, April 2 3™ Harpur Jazz Ensemble Concert with Guest
Artist, Sherrie Maricle, 8:00 PM, $$, Osterhout Concert Theater
Saturday, April 2 5 ” Honor’s Recital: Elizabeth Sterling, violin and
voice, Casadesus Reaital Hall, 3:00 PM, FREE
Saturday, April 2 5 ”1 Junior Recital: Briana Sakamoto, soprano,
Casadesus Recital Hall, 7:00 PM, FREE
For ticket information, please call the
Anderson Center B ox O ffice at 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:04:11
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152239">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE152239</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Junior recital, Marc Silvagni, March 29, 2009
Recital Tape 2009-3-29
Description
An account of the resource
Works of Gauthreaux II, Hovhaness, Musser, Beck, Johnson. Held at 3:00 p.m., March 29, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Reitz, Margaret
Smith, Sam
Gregorio, Alex
Silvagni, Marc
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-29
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound