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lS77

�TRANSLATIONS  and  TEXTS
PROGRAM

DIE  MIT  TRANEN  SAEN 
HEINRICH  SCHUTZ
They  who  sow  with  tears  shall reap  in joy.

I

UNSER  WANDEL  IST  IM  HIMMEL
SIEGFRIED  REDA
Our  true  commonwealth  is  in  Heaven, and
from  it  we  await  the  Saviour.

SINFONIA  IN  G MAJOR
ANTONIO  VIVALDI
(Allegro  molto  –  Andante  –  Allegro)
FOUR­PART  FANTASIA  IN  F  MAJOR
(June  1b, 1680)

HENRY  PURCELL

THE  BAROQUE  CHAMBER  ORCHESTRA,

Mitch  Mendelson,  conductor

II
KYRIE  ELEISON–CHRISTE  ELEISON–KYRIE  ELEISON
AGNUS  DEI (third  setting)
from  “Missa  de  Beata  Virgine”  JOSQUIN  DESPREZ

III
from  “CARMINA  GERMANICA  ET  GALLICA”
Ein  Beurisch  Tanz
Heth  Sold  Ein  Meisken  Garn  om  Win

THE  RENAISSANCE  CONSORTIUM,
Larry  Zukof,  director

IV
MISERERE  MEI
O  GOD,  WONDERFUL  ART  THOU

WILLIAM  BYRD
THOMAS  TOMKINS

V

SONATA  NO.XIIT  for  TWO  INSTRUMENTAL  ENSEMBLES
(1615) 
GIOVANNI  GABRIELI
THE  RENAISSANCE  CONSORTIUM  AND
THE  BAROQUE  CHAMBER  ORCHESTRA
INTERMISSION

TWO  CANONS
HELMUT  BORNEFELD
Bittet, Dass  Eure  Flucht
Pray, that  your  ﬂight  shall  not  take  place
in  winter.
Ich  Hab  Die  Nacht  Getrdumet 
:
I  dreamed  of  a  tree  in  a  garden– which  was  a
church (or  grave?)–yard–  of  a  golden  pitcher ,
ﬁlled  with  the  tree ’s  blossoms, which  fell
and  broke  into  a thousand  pieces–  of  rolling
pearls  and  rose–red  drops ; dearest  one, are
you  dead?
GOD’S  WORLD
THOMAS  COLVILLE
(poem  by  Edna  St.Vincent  Millay)
0 World , I cannot  hold  thee  close  enough!
Thy  winds, thy  wide  grey  skies!
Thy  mists, that  roll  and  rise!
Thy  woods, this  autumn  day, that  ache  and  sag
and  all  but  cry  with  colour!
To 1ift  the  lean  of  that  black  bluﬀ!
0 World , I cannot  get  thee  close  enough!
Long  have  I known  a  glory  in  it  all,
but  never knew  I  this ;
Here  such  a  passion  is  as  stretcheth  me  apart,
Lord, I  do  fear, thou ’st  made  the  world
too  beautiful  this  year ;
My  soul is  all  but  out  of  me,
let  fall  no  burning  leaf ; prithee,
let  no  bird  call.

�VI
ANTONIO  VIVALDI
SINFONIA  in  B MINOR 
(Adagio  molto  – Allegro  ma  poco)

THE  BAROQUE  CHAMBER  ORCHESTRA

VALL
HEINRICH  SCHUTZ

DIE  MIT  TRANEN  SAEN 
VIII

from  “CARMINA  GERMANICA  ET  GALLICA”
Weinickhen  Auserlesner  Frantzhosen
Tant  Que  Vivrai

IX
UNSER  WANDEL  IST  IM  HIMMEL 

SIEGFRIED  REDA

HELMUT  BORNEFELD
TWO  CANONS 
Bittet, Das  Eure  Flucht
Ich  Hab  Die  Nacht  Getraumet
GOD’s  WORLD 

THOMAS  COLVILLE
(see  insert  for  text)

MOONDOG’s  THE  ONE 
FOUR  CANONIC  MADRIGALS 
You, the  Vandal 
Nero’s  Expedition
Sparrows

Maybe

PAUL  JORDAN
MOONDOG
(Louis  Hardin)

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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

Haufnr  Symphony  Orvohrehsta
Algred  Clinton  Morris,  conductor

Don  A.  Wa t t e rs   T h ea te r
March  7 ,   1974  a t  8:15  p.m.

�THF,  HARPT'/R  SYMPHONY  ORCHESTRA

ALFRED CLINTON  MORRIS, conductor
CLIFFORD  ATHORN, assistant  conductor
GUEST  SOLOISTS*

WENDY  OSTEYEE  and  STEVE  ROSENFELD

PROGRAM

PREMIERE  RHAPSODIE  POUR CLARINETTE  ET ORCHESTRE.  .  .  . .  . .  . .CLAUDE  DEBUSSY
(1862–1918)
WENDY  OSTEYEE, clarinet

PIANO  CONCERT) NO.l  in  C MAJOR, OPUS  15.  . . . . . . . . .LUDWIG  von  BEETHOVEN
(1770–1827)
ALLEGRO  CON  BRIO

LARGO
RONDO

STEVE  ROSENFELD ,, piano
I NTERMI SSI 01V

SYMPHONY  NO.3  in  F MAJOR, OPUS  90.  . . . . . . . . . . . . .  JOHANNES  BRAHMS
(1833–1897)
ALILFGRO  CON  BRIO

POCO  ALLEGRETTO

ALLEGRO
*  FINALISTS  IN  THE  FIRST CONCERTO  COMPETITION

ORCHESTRA  PERSONNEL
F i r s t   Violins

Cellos

Bassoons

Mary  Reynolds,

Kris  Gunn,

Louis Papastrat
Edward  Wadin
Brian  Rosen

concer tmistress

principal
David  Heiss
Holly  Wilson

Aurthor  Mannis
Mary  Barton
Andrea  Andros
Evelina  Chao
Robert Seletsky
Oscar  Maxwell
Skye  Weaver
Lydia  Werbhizky

Myra  Greenstein
Craig  Weaver
Jona  Orlofsky
Wendy  Schottman
Sally  Riemersma

Pat  Dowden
Kenneth  Weissman

Second  Violins

Basses

Trumpets

Masako  Matsumoto,
principal
Michael  Sturm

Michael Sanders,

Brian  King
Allen  Wivans

Olev  Viro
Cordula  Rosow
Norman  Reid
Ed  Wielunski
Anita  Gustafson
Laura  Nathanson
Diane  Feigin
Rita  Orzelek
Suzanne  Wren
Hallie  Cohen

Horns

principal
Karen  Hansen

Richard  Thomas
Dominique  Hyatt
Flutes
Bruce  Karten
Merrell  Weiss
Elizabeth  West

Martin  Burki
Robin  Jackman

Trombones

James  Buttolph
Michael  Williamson
Percussion

Joe  Rama
Martin  Ricciardi

Oboes

Harp
Violas
Abigail  Riley,
principal

Nancy  Ranger
Geoﬀrey Barron
Rod  Elkins

Pe g gy  Acker
John  Dexster

English  Horn

7elman  Bosker

Geoﬀrey Barron

Eric  Gustafson
Carol  Isaacson
Jeﬀrey Brooks
Janice  Luhinski

Clarinets

Nancy  Julius

Wendy  Osteyée
Sheldon  Berkowitz

PERSONNEL  MANAGER,  ROBIN  JACKMAN

�</text>
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                    <text>LENOX  QUARTET

\ ‘9 /
S
\
v
A
2
A N S

BI”

Chamber  Music  Series
March  9,  1974
Don  A.  Watters  Theater
8:16  p.m.

�Pe te r  Marsh,  v i o l i n  
Delman  Pe tt ys,   v i o l i n  
R

R

R

E

R

R

Toby Appel,  v i o l a
Donald  McCall,  c e l l o
R

R

R

K

R

R

R

R

QUARTET  IN  F MAJOR,  op.18,1  LUDWIG  von BEETHOVEN
Allegro con  b r i o
Adagio  (Afgettuoso  e d  appassionato)
Scherzo  (ALLegrno  molto)
Allegro

FIVE PIECES,  op.5  (1909) 
Hegtig  bewegt ­  Efwas  ruhigen
Sehr Langsam
Sehr bewegt

ANTON  WEBERN

Seh r  Langsam
In zanten Bewegung

INTERMISSION

QUARTET  IN  C#  MINOR,  op.131  LUDWIG  von BEETHOVEN
Adagio,  ma  non tro p p o   e  molto  e s p re s s iv o
Allegro molto  vivace
Allegro moderato
Andante,  ma  non t ro p p o  e  molto  c o n t a b i l e

Presto
Adagio  quasi un  poco  andante
Allegro

�COMING  EVENTS
March  16  – Margie  Graber,  piano

Casadesus  R e c i t a l   Hall  a t   8:15  p.m.

March  17  ­ Harpur  College  Wind  Ensemble
Watters  Theater  at  8:15  p.m.

March  30  ­ Barbara  Wild,  piano

Casadesus  R e c i t a l   Hall  a t  8:15  p.m.

March  31  – Robin  Jackman,  French  Horn
Casadesus  Recital  Hall  at  8:15  p.m.
April  1 – Etude  Concert,  sponsored  by  M.G.G.

Casadesus  R e c i t a l   Hall  a t  8:15  p.m.

April  3 –  Sheldon  Berkowitz,  cl a r i n et
Casadesus  R e c i t a l   Hall  a t   8:15  p.m.

April  4 – Harpur  Chorale  Concert
Watters  Theater  at  8:15  p.m.

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                    <text>STATE  UNIVERSITY  OF  NEW  YORK 

AT 

BINGHAMTON

Harpur College
Department of Music

Lecture­Demonstration

Cliﬀord Athorn

A p r i l  2 5 ,   1974  a t  8 : 1 5  p . m .
Casadesus  R e c i t a l   H a l l

�PROGRAM
BRANDENBURG  CONCERTO  #5  (BWV  1050) 

J.S.  BACH

Jane  Hawkins,  piano
Cordy  Rosow,  violin
Elizabeth  West,  ﬂute

INTERMISSION
RUMANIAN  FOLK  DANCES (1917) 
I 
Joc  cu  bata
II  Braul
III  Pe  loc
IV  Buciumeana
\ 
Poarga  Romaneasca
VI  Maruntel
VII  Maruntel

BELA  BARTOK

ADAGIO  FOR  STRINGS (Op.  11) 

SAMUEL  BARBER

�1 st  v i 11;_ 1 
 
Robert  Seletsky 
Lydia Werbizky 
eu 
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Laura Boyd 

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��</text>
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                    <text>LENOX  QUARTET

Q ‘9 /

SAS ) \\ OJ
Sas) \\ oJ

Z i

Chamber  Music  Series
April  27,  1974
Don  A.  Watters  Theater
8:15  p.m.

�Peter  Marsh,  violin 
Delmar  Pettys,  violin 

Toby  Appel,  viola
Donald  McCall,  cello

&gt;€&gt;E&gt;h€X­X­ Jhbhhbhhbhhﬁthk*******J€**********=ﬁ**************

QUARTET  in  C MAJOR,  Opus  76  No.3 
("Emperor")

J.  HAYDN

Allegro
Poco  Adagio,  cantabile
Menuetto  (Allegro)
Presto
WILLIAM  KLENZ

QUARTET,  1973 

Andante
Adagio
Marcia
Allegro

INTERMI SSI 01V

QUINTET,  Opus  44  in  gp 

R.  SCHUMANN

Allegro  brilliante
In  modo  d’una  Marcia (un  poco  largamente)
Scherzo  (molto  viva ce )
Allegro  ma  non  troppo
Walter  Ponce,  piano

William Klenz  and  Walter  Ponce  are both
members  of  the  SUNY–Binghamton  Music  Department
faculty

�The  QUARTET,  1973  has  as  i t s  nucle us  an
impromtu  classr oom  examp le,  which  i s  subje cted t o

the  classic  treatment,  established  by  Haydn  and
invoked  by  Mozart,  Beethoven,  Bartok  and  Debussy.
It entails  cumulative  development  by  fragmentation,
metamorphosis  and  resynthesis  within  the  framework
of  an  imaginary,  abstract,  universal  “scenario”  or
dramatic  plan.  Other   eleme nts  are  introd uced  i n t o

the  diverse  movements,  but  all  are  related  by  the

c e n t r a l  i d e a .   The  ﬁ r s t  impu lse  toward   i t s  comp ositio
n

dates  from  May  of  the  year,  the  last  weeks  of
December  saw  i t s  comp letion .

Willia m  Klenz

�</text>
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                    <text>P E T E R  M A R S H

W A L T E R  P O N C E

ALL  BRAHMS  PROGRAM

Chamber  Music  Series
October  5,  1974
Don  A.  Watters  Theater
8:15  PM

�A BRAHMS  SONATA  RECITAL

Peter Marsh,  vi o l i n

Coming  Events

Walter  Ponce,  piano

éhhhf****&amp;*X~****J§*******************************

October 12

October 19

Conductor,  composer  and  organist
IRWIN  FISCHER  comes  to  Harpur  to
conduct  his  own  music.  Paul  Jordan
at the  organ.  CASADESUS  RECITAL
HALL.  8:15  PM.  Free.

Sonata  No.  1  i n  G major,  opus  78

Vivace  ma  non  troppo
Adagio
Allegro  molto  moderato

Chamber  Series  Concert.
The  Lenox  Quartet. Watters  Theater.
8 : 1 5   PM

October 27

Sonata  No.  2 i n  A major,  opus  100

Allegro amabile

Andante  t ra n qu i l l o  ­  Vivace

THE  HARPUR  WIND  ENSEMBLE.

Sunday,  Don  A.  Watters  Theater.
Free.
October 31

Allegretto  grazioso  (quasi  Andante)

THE  HARPUR  SYMPHONY  ORCHESTRA,
directed  by  Alfred  Clinton  Morris.
Works  by  Beethoven  and  Sibelius.
Watters  Theater,  Thursday,  8:15  PM.

INTERMISSION
I 
­ 

Sonata  No.  3  i n  D minor,  opus  108
Allegro
Adagio

Un  poco  presto  e con  sentimento
Presto  agitato

E — — —

E—

E

 

­

—

�THE  1974–75  CHAMBER  MUSIC  SERIES

Oct 5

Oct 19
Nov 9

Nov 24
Dec 13
Feb 2
Feb 22
Mar 16

Apr 3
Apr 13

Peter  Marsh,  violin
Walter  Ponce,  piano
Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello
Walter  Ponce,  piano
Dorian  Quintet
Lenox  Quartet

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK 

AT 

BINGHAMTON

Harpur College
Department of Music

Stein  Fischer
Conductor

PAUL  JORDAN,

Organ  and  Celesta

October  12,  1974
Jean  Casadesus  R e c i ta l   Hall
8 : 1 5   PM

I 

R

R

R

.

.

.

�PROGRAM
HUNGARIAN  SET:  THE  PEARLY  BOUQUET  (1943)
for  celesta  and  string  orchestra
IRWIN  FISCHER
7

Allegretto 

2.

Andante 

3. Poco  Allegro 

4. Andantino 

“Always  have  I inclined  to  the
life  of  a shepherd”
“Fly  from  my  window,  dear  swallow”
“The  stars  have  already
disappeared  into  the
coming  daylight”
“Dew  is  sparkling  on  the  grains

of  wheat”

O
F Adagio 

6. Allegro 
moderato

7&amp;8.  Allegro 
giocoso 

v  “Master,  please  pay  me  what  you
owe  me”
“Even  lovely  faces  are  false

“My  top  boots  are  new”  and
“That  lad’s  a  hopeless  case

CONCERTO  IN  G MAJOR,  OPUS  4,  NO.  1 (1738)
for  organ,  strings  and  continuo
GEORGE  FRI DERI C HANDEL

Allegro
Adagio
Allegro
INTERMISSION

CHORALE  FANTASY  (1938) for  organ  and  orchestra
IRWIN  FISCHER

�</text>
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                    <text>THE
LENOX
STRING

QUARTET

�Peter Marsh,  vi o l i n
Delmar  Pettys,  violin

Toby  Appel,  viola
Donald  McCall, cello

A d d ­ J U N G 5 &amp; 1 ­ i i J U D E i ­ i ­ ka a h l ­ a h h h h h h k i ' M H Ea l ­ J h ﬁ i ' X­ J G x­x ' x­ a h k x­x­ t h ﬁ

THE 1974–75  CHAMBER  MUSIC  SERIES

Oct 19

Feb 2
Feb 22
Mar 16

Lenox  Quartet
Paul  Jordan,
organ  and  recorder
Christine  Lindsay,
harpsichord
Walter  Ponce,  piano
Lenox  Quartet
Lenox  Quartet
Lenox  Quartet
Donald  McCall,  cello

Apr 3
Apr 13

Lenox  Quartet

Nov 9

Nov 24
Dec 13

Walter  Ponce,  piano

QUARTET  IN  D MAJOR,  K.  499
("THE  HOFFMEISTER")

Allegretto
Menuetto  (Allegretto)
Adagio
Allegro

QUARTET  NO.  4 (1928) 
Allegro
Prestissimo,  con  sordino
Non  troppo  lento
Allegretto  pizzicato
Allegro  molto

W.  Mozart

B.  Bartok

Dorian  Quintet

INTERMISSION

QUARTET  IN  B  FLAT  MAJOR,  OPUS  67 

Vivace

J.  BRAHMS

Andante
Agitato,  Allegretto  non  troppo

Poco  A l l e g r e t t o  eon  Variazioni

�</text>
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                    <text>STATE  UNIVERSITY  OF  NEW  YORK  AT  BINGHAMTON

Harpur College
Department of Music

Harpur  Symphony  Oworetrsat
Alfred Clinton  Morris,  conductor

Don  A.  Wat ters  T heater
Thursday,  October  31,  1974
8 : 1 5   PM

�THE  HARPUR  SYMPHONY  ORCHESTRA

ALFRED  CLINTON  MORRIS,  conductor
MARY  REYNOLDS,  guest  soloist*
ORCHESTRA  PERSONNEL

JEAN  S I B E L I U S
( 1 8 6 5   ­  1 9 5 7 )

CONCERTO  FOR  VIOLIN  AND  ORCHESTRA  IN  D MINOR,  OPUS  47

ALLEGRO  MODERATO
ADAGIO  DI  MOLTO
ALLEGRO  MA  NON  TROPPO

MARY  REYNOLDS,  violin

First  Violins

Cellos

Horns

Gregory  Fulkerson
Andrea  Andros
Robert  Seletsky
Cheryl  Page
Elmar  Oliveira
George  Myers
Bruce  Berg
Paul  Goodman
Robert  Provell
Lydia  Werbizky
Evelina  Chao
Oscar  Maxwell

Tom  Shaw

Robin  Jackman
Martin  Burki
Ken  Weissman
Ellen  Loring

Second  Violins

INTERMISSION

LUDWIG  VAN  BEETHOVEN
( 1 7 7 0   ­  1 8 2 7 )

SYMPHONY  NO.  6 ("THE  PASTORALE")

ALLEGRO  MA  NON  TROPPO 

Awakening  of  happy  feelings  on
getting  out  into  the  country

ANDANTE  MOLTO  MOSSO 

By  the  brook  side

ALLEGRO 

Peasants’  merrymaking

ALLEGRO 

Thunderstorm

ALLEGRETTO 

Shepherd’s  song  ­­  Happy  and
thankful  feelings  after  the  storm

*FINALIST  IN  THE  FIRST  CONCERTO  COMPETITION

Janet  Brady
Rosa  Campa
Norman  Reid
Susan  Mitchell
Masako  Matsumoto
Alexandra  Werbizky
Paul  Childs
Dinah  Voorhies
Cordula  Rosow
Diane  Feigin
Rob er t  Nosofsky
Rita  Orzelek

David  Heiss
Dan  McIntosh
Holly  Wilson
Craig  Weaver
Seth  Jacobs
Steven  Stalker
Myra  Greenstein
Kris  Gunn

Howard  Cohen
Tracy  Slack

Trumpets

Basses
Richard  Thomas
Debra  Neu
Michael  Sanders
Dominique  Hyatt
Donal  O ’Buckley

Brian King
Allan  Winans
Steve  Winans
Trombones

Donald  Robertson
Michael  Williamson

Flutes

Roger  Keagle

Fran  Shafer
Susan Clarvit

Percussion

Piccolo

Martin  Ricciardi
Joseph  Roma

Merrell  Weiss

Personnel  Manager

Oboes

Geoﬀrey  Barron

Violas
Larry  Bradford
Mary  Ba r ton
Ron  Carbone
Geoﬀrey  Brooks

Eliot  Friedman

Carol  Hutter

Clarinets

Barbara  Gorin
John  Dexter
Carol  Isaacson
Sandra  Robbins
Jeanne  Woodruﬀ
Janis  Lubinsky

Bassoons
Louis  Papastrat
Brian Rozen

Nancy  Ranger

Wendy  Osteyee
J o y c e  Rose

�</text>
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