59 10 1775 https://omeka.binghamton.edu/omeka/files/original/5d15880ece312474a9b984cdcc5e2d6e.pdf 22d6a4d9cd614c09214525febae4e2e2 PDF Text Text BINGHAMTON U N I V E R S I T Y State University of  New York d e c [4 E P C L A R I N E T  STUDIO S P R I N G  RECITAL with Margaret Reitz, pia no Saturday, April 18, 2009 3:00 p.m. Casadesus Recital Hall A �PROGRAM Divertimento  “Don Giovanni,”  Wolfgang Amade us Mozart KV 527..  .....................................(1756­1791) Aria “Madamina, il catalogo e questo Duettino “La ci darem la mano” Sarah Fenster, clarinet Kyle Doyle, clarinet Brianna Palisi, bass clarinet II. Vivo e giocoso  7 M 1 k l ..  Wolfgang Amade us Mozart from Serenade for Wind Instruments, K. 361  (1756­1791) Roy Douglas, arr. Mark DelloStritto, clari net Margaret Reitz, piano Quartett “Ri posate vezzose ragazze” Sonatina, Op. 2 Minuet and Trio  Concerto No. 1  II. Adagio ma non troppo  o s Rozsa   (1907­1995) cessseenennsens  Carl Maria von Weber (1786­1826) James Wu, clarinet Margaret Reitz, piano Gregg Ackerman, clarinet Menuett... .. Friedrich Kuhlau (1786­1832) Forrest L. Buchtel, arr. Stephen Collins, clarinet Margaret Reitz, piano Andante  .. Charles Bochsa from Quartet No. 1 for clarinet and string trio  (1789­1856) Jin Kim, clarinet Margaret Reitz, piano Variations on “Ah, Vous  ..  .. Wolfgang Amadeus Mozart “Dirai­je, Maman, ” KV 265 (300e)  (1756­1791) Roger Garrett, arr. Sarah Fenster, clarinet Kyle Doyle, clarinet Abby Cohen, clarinet Brianna Palisi, bass clarinet Concert Piece No. 2 in D Minor, Op. 114  I.  Presto  II.  Andante III. Allegretto grazioso Gregg Ackerman, clarinet James Wu, clarinet Margaret Reitz, piano Felix Mendelssohn (1809­1847) �ABOUT THE PERFORMERS Sarah  Fenster,  Kyle  Doyle,  Brianna  Palisi,  Jin  Kim,  James  Wu, Gregg  Ackerman,  Stephen  Collins,  Mark  DelloStritto,  and  Abby Cohen  are  clarinet  students  under  current  study  with  SARAH CHANDLER,  clarinetist,  with  the  Department  of  Music  at Binghamton University. MARGARET (PEJ) REITZ, pianist, is a native of the Binghamton Area.  She received her Bachelor and Master of Music degrees in piano  performance  with  accompanying  emphasis.  She  attended Boston  University,  New  England  Conservatory  and  Binghamton University.  Pej  has  studied  piano  with  Jean  Casadesus,  Victor Rosenbaum,  Seymour  Fink  and  Walter  Ponce  and accompanying with  Allen  Rogers.  She  has accompanied  throughout  the  United States, in England, South America, and at the American Institute of Musical Studies in Graz, Austria.  She and Binghamton University faculty  mem ber  Timothy  Perry  were  winners  of  the  Artistic Ambassadors Program by the United States Information Agency in partnership  with  the  John  F.  Kennedy  Center  for the  performing arts. Pej has been on the  faculty at Binghamton University since  1991 and Ithaca College  School of Music since  1999.  She maintains a private piano studio in Vestal, New York.  She is on the Executive Board  of the  New  York  District  MTNA organization, and  she  is President of the local District VII Music Teachers Association and is an active adjudicator for the National Piano Guild Organization. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 41:43 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151159">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151159</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clarinet studio spring recital: with Margaret Reitz, April 18, 2009 Recital Tape 2009-4-18 Description An account of the resource Works of Mozart, Rózsa, Kuhlau, von Weber, Mendelssohn. Held at 3:00 p.m., April 18, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Reitz, Margaret Fenster, Sarah Doyle, Kyle Palisi, Brianna Ackerman, Gregg Collins, Stephen DelloStritto, Mark Wu, James Cohen, Abby Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/cde746a66fe1c4e55bd6cd9fd705aeac.pdf 6d7b7f033d4ea7d50f903f2478a0982a PDF Text Text BINGHAMTON B N I  Y E R S I T Y S T A T E  U N I V E R S I T Y   O F  N E W   Y O R K  yC dee [4 D  E  P  A  R  T  M  E  N  T F o r  Slava: Remembering th e G reat Russian Cellist, Mstislav Rostropovich (1927­2007) Stephen Stal ker, cello Michael Salmirs, piano Ma ry Burgess, soprano Patricia Sunwoo, violin Sunday, April 19, 2009 7:30 PM Casadesus Recital Hall �ABOUT T H E  PERFORMERS STEPHEN STALKER, cellist, teaches at Binghamton  University. He formerly  taught  at  Colgate  University,  Mansfield  University,  Ithaca College and the Binghamton City School District. He was the principal cellist  of  the  Cayuga  Chamber  Orchestra  in  Ithaca,  NY,  and  has PROGRAM Suite for Cello, Op. 72 for solo cello Canto Primo:  Sostenuto e largamente Fuga:  Andante moderato Lamento:  Lento rubato Canto secondo:  Sostenuto Serenata:  Allegretto (pizzicato) Marcia:  Alla  marcia moderato Canto terzo:  Sostenuto Bordone :  Moderato quasi recitativo ..Benjamin Britten (1913­1976) 5 l Moto pepetuo e Canto q uarto :  Presto Seven Poems of Alexander Blok................ for soprano, violin, cello and piano Ophelia ’s Song Hamayun, the Prophetic Bird We Were Together l Dmitry  Shostakovich (1906­1975) l l The City is Asleep The Storm Secret Signs Music WINTERMISSION3 Sonata in C Major for cello and piano Andante Grave,  Moderato animato Moderato,  Andante dolce Allegretto ma non troppo,  Andantino v Sergey Prokofiev (1891­1953) performed extensively  with  the Catskill  Chamber  Players  of Oneonta, NY,  and  in  concerts at  Binghamton  University.  Performing  with  the Catskill Chamber Players he has presented Meet the Composer concerts with  prominent  American  composers  including  John  Cage,  Virgil Thomson,  Lou  Harrison  and  George  Crumb.  The  Chamber  Players appeared at  Weill Recital Hall,  premiering a set of four string quartets by Henry Brant. With violinist, Janet Brady, and pianist, Walter Ponce, he performed the complete Beethoven Trio cycle at SUNY­Binghamton. He performed with Solisti New York on their Alaskan cruise of the Inner Passage from Vancouver to Juneau. As a member of the Madison String Quartet, he was a finalist in th e Naumberg Chamber Music Competition in  New  York  City  and  the  Evian  International  String  Quartet Competition  in  Evian,  France.  He  has  performed  in  many  recital appearances with  pianist, Michael Salmirs. He  performs regularly with the Trio Amici, Trilogy, Baroque  ‘n Blue, Early On and in concerts at Binghamton University.  He is a past president of the New York State Chapter of the American String Teachers: Association and was Strings Chair for the New York State School Music Association.  He is a founder of the Southern Tier Music Teachers Association and the  Binghamton Cello  Festival. He is a graduate of the Manhattan School  of Music in New York City. Pianist MICHAEL SALMIR S, a founding member and artistic director of the Finger Lakes Chamber Ensemble, is well known as a recitalist and chamber  musician.  He  has  appeared  as  soloist  with  the  Corning Philharmonic,  Binghamton  University  Orchestra,  Cayuga  Chamber Orchestra, and is frequently a featured pianist on their Sunday Chamber Series. In  addition  to performing most of the standard  chamber music repertoire  for strings and  piano, he has  premiered  numerous solo and chamber works, and recently gave the world premieres of David Liptak ’s and  Marek  Harris’  Piano  Quintets.  He  has  also  participated  in  such contemporary music  series as Binghamton  University’s  Musica  Nova, Cornell  University’s Ensemble X, Ch iron, and has toured and recorded for the Syracuse Society for New Music. MARY BURGESS, soprano, a graduate of the Curtis Institute of Music, has been a member of the Binghamton University voice facu lty for over twenty years.  Ms. Burgess made her U. S. operatic debut with New �PROGRAM NOTES York  City  Opera  while  still  a  student  at  the  Curtis  Institute,  and subsequently appeared with  Santa Fe Opera, Washington Opera, New Orleans  Opera,  Nevada  Opera,  and  many  other  regional  companies including Tri­Cities Opera in Binghamton.  Her European operatic debut was at the Holland Festival in Amsterdam; she has also performed at the Spoleto  Festival  in  Italy,  at  the  Theatre  Royale  de  la  Monnaie  in Brussels, and with Dublin Grand Opera.  Burgess has appeared as soloist with  more  than  two  dozen  U.  S.  orchestras,  including  the  Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon).  She has been a frequent guest  at  such  prestigious  festivals as  Marlboro,  Monadnock,  Ravinia, Aspen, Blossom, Casals, Chautauqua, and the Cincinnati  May Festival. Her repertory of forty roles in  five languages ranges from  Monteverdi and  Cavalli  to  Britten  and  Virgil  Thomson.  Her  performances  of Britten’s  Les  Illuminations  and  Mahler ’s  Symphony  No.  2  with  the Omaha Symphony were filmed for broadcast by Nebraska ETV.  She has recorded for Columbia, Masterworks, CRI, Sony Classical, and Telarc. PATRICIA SUN WOO, violinist, winner of the 1998 Naumburg Award as a member of the Whitman String Quartet, has performed across the United States and Europe to critical acclaim.  For five years she was on faculty at Binghamton University.  Ms. Sunwoo currently tours with the Bard  Festival  String  Quartet,  and  is  a  member  of  the  Rochester Philharmonic Orchestra and the Finger Lakes Chamber Ensemble.  She also directs the Chamber Music Connection  program at the  Hochstein School of Music and Dance.  She spends the rest of her days with  her husband  David  Brickman, and enjoying her daughters Claire (12) and Lillian (2). oS  én Mstislav  Rostropovich  (1927­2007),  known  as  Slava  to  a  wide circle  of friends, is widely regarded as the greatest cellist of the twentieth century.  His fame rests not just on his musicianship and his  association  with  major  composers  (he  commissioned  and premiered over one hundred works) but for his championship of human freedom.  His support of Alexander Solzhenitsyn won him the 1974 award from the International League of Human Rights ­ a stance  which  propelled  him  into  exile.  He  later  wrote  “When Leonid Brezhnev stripped us of our citizenship in 1978, we were obliterated.  My  wife  [the  Bolshoi  Opera  soprano  Galina Vishnevskaa]  and  I  were  cut  out  of  photographs  and  history books.”  His citizenship was restored in  1990,  long after he had become an American citizen.  Born in Baku in the Soviet Republic of Azerbaijan in 1927, he came from a musical family.  His father and  grandfather  were  eminent  cellists.  A  gifted  youngster,  he entered  the  Moscow  Conservatory  at  the  age  of  16.  He  soon embarked on a long and highly successful career as a performer, teacher, and from 1 977 to 1994, the Music Director of the National Symphony in Washington, D.C.  In addition to being a great cellist and a conductor, Rostropovich was also a fine pianist who often accompanied his wife in recitals.  He had an astonishing memory. In  whatever  medium  he  performed­­­soloist,  conductor, accompanist­­­he never used a score. This evening’s recital presents important works from three famous com posers o f the twentieth century : two were Russian and one was British.  The circumstance that brought together composer and performer was different for each work as is noted in our brief description  of each  composition.  Each  situation  resulted  in  a major addition to the cello repertory and a new level of enjoyment for the modern audience.  The composer, knowing he is writing for one o f the century’s great virtuosos, creates a  work that displays the virtuoso’s abilities­­­flatters him, indeed!­­­and the new piece becomes  a  challenge  attainable  by  only  the  most  capable performers. In  the  early  1940s,  the  young  student  Rostropovich  had been lucky enough to gain a much­coveted place in Shostakovich’s orchestration class, thus beginning a lifetime association between the famous composer and his talented student.  The Seven Verses �of Aleksander Blok grew out of a request in  1968 from Mstislav and Galina  for a set of vocalizes for voice and cello.  The first verse, “Ophelia’s Song ” is indeed for voice  and cello.  “You see, Slava, I tried to satisfy your request, but whe n I started writing the second movement with a whacking pizzicato in the cello, I realized I  didn’t  have  enough  instruments.”  ­  with  that  comment  the composer explains his reason for adding violin  and piano to the ensemble.  The  verses  of  the  symbolist  poet  Alexander  Blok (1880­1921)  concern  troubled  nights,  sleep,  a  storm,  and  the importance of music.  The first three verses are for voice and one instrument, verses fou r and five use two in struments, and verses six and seven call for the full ensemble.  The first five songs are intimate  and  pensive;  the  last  two  are  powerful,  indeed  almost strident. In  December  1948,  Rostropovich  gave  the  first performance  of a  new sonata  for  cello  by  Myaskovsky.  The composer came backstage with his friend, Sergei Prokofiev (1891­ 1953), who  told Rostropovich  “I want to write a sonata for you.” As soon as he had finished the work, the Cello Sonata, op. 119,  he invited the young cellist to his dacha near Moscow.  Rostropovich later recounted this experience: I had prepared the sonata well and had also learned the piano part from memory.  By now Prokofiev no longer played the piano so well, and when we read through the sonata I was amazed that he had managed to forget his own music so quickly.  He played as if he was sight­ reading!  I went so far as to  correct  him  when  he  played  some  wrong  notes.  At  this  he turned to me: “Young man, who wrote this work, you or me?”  He suggested that I play t he sonata with [the gr eat pianist] Sviatoslav Richter,  thereby  giving  his  blessing  to  the  start  of  my  duo relationship with ‘Teofilovich"‘ The sonata, equally  demanding  for  cellist  and  pianist,  is cheerful and tuneful, with a decided change in the third movement which  has a more somber undertone.  One  reviewer succinctly described  the  work  as  sensuous  in  the  first  movement,  full  of mischief and mirth in  the second movement, and enigmatic in the closing  movement.  The  premier  performance  took  place  in Moscow in 1949,  played by Rostropovich and Richter. Benjamin  Britten  (1913­1976)  was  introduced  to Rostropovich  by Shostakovich at the Edinburgh Festival in 1960. Britten  said  he’d  never  heard  such  cello  playing.  A  warm friendship  developed.  Britten, a formidable  pianist, was also  a violist  who  knew  how  to write  for  strings.  His  first work  for Rostropovich, a sonata, greatly impressed t he cellist.  In  1964, a series  o f  am using  events  for  com pose r  a n d  pe rform e r,  too complicated  to  be  described  in  these  brief notes, culminated  in Britten’s  signing a  mock  contract on the  corner o f a  restaurant menu in which he prom ised to write six suites for cello.  Obviously. the  promised  composition  was also  to  be  an  homage  to  Bach’s great six suites for unaccompanied cello.  The composer lived only long enough to complete three of the suites.  Rostropovich argued that no other com pose r understood th e nature o f  string playing so well.  The three suites for cello display innovations in instrumental writing such as presenting two separate melodic  lines in  double­ stops.  Each suite includes a fugue. a tribute to the fu gue writing in  Bach’s  Well­Tempered  Clavier.  In  fact,  there  is  a  clear similarity  between  Britten’s  fugue  in  the  first  Suite  and  the  C major fugue in Volume One of the Bach work. The Bach cello suite consists of a Prelude followed by five baroque Dances.  Britten’s suite structure has six basic movem ents framed  by  a  Canto  which  appears  three  times  among  the movements  and  again  at  the  close.  Within  the  Canto there  is emphasis on an ascend ing scale pattern (E F sharp G A B) which is heard  in  many  guises  throughout  the  work.  Britten  notated dynamics and  phrasing  precisely  and  yet,  because  much  of the music  is  non­metrical (bar len gths vary), the performance yields the spontaneity of an  improvisation.  The  Suite  no. 1,  op. 72, written  in  1964, was  first  performed  by  Rostropovich  at the Aldeburgh Festival in June of 1965. Harry B. Lincoln �Coming ‘Crents Saturda y, A p r i l  2 5% Honor’s Recital: Elizabeth Sterling, violin and voice, Casadesus Recital Hall, 3:00 PM, FREE Saturda y, April 2 5 ” J unior Recital: Briana Sakamoto, soprano, Casadesus Recital Hall, 7:00 PM, FREE ) i t   niversity Wind Symphony, 3:00 PM, FREE Sunday,  April 2 6 ” U Anderson Center Chamber Hall ecital: Susan Amisano, soprano,   Sunday,  A p r i l  2 6 ” Master’s R Casadesus Recital Hall, 3:00 PM, FREE cital: Sarah Sterling, viola,   S u n d a y,  A p r i l 2  6 ” Honor’s Re Casadesus Recital Hall, 7:30 PM, FREE Tuesday, April 2 8 ” F n‘edheim Memorial Lecture/Recital: Audible Processes – Minimalism and Beyond, Casadesus Recital Hall, 8:00 PM, $ $ Thursda y, April 30°" Mid­Day Concert, 1:20 PM ­ FREE Casadesus Recital Hall Friday, May 1°" Flute Studio and Flute Chamber Concert; 10:15 AM, Casadesus Recital Hall, FREE Recital: Griffin Sargent. violin,   Friday, May 1 ° Student  Casadesus Recital Hall, 8:00 PM, FREE Saturda y, May 2  Master’s Recital: Sung Jin Park, soprano, Casadesus Recital Hall, 3:00 PM, FREE Saturda y, May 2  Student Recital: Laura MacAvoy and Chelsea Pace, sopranos, Casadesus Recital Hall, 8:00 PM, FREE   niversity Symphony Orchestra “Fantastique!” Saturda y, M a y  2 ™ U Osterhout Concert Theater, 8:00 PM, $$ For ticket information, please call the Anderson Center  B ox O ffice at 777­ART S. i l � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:14:32 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151156">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151156</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource For Slava: remembering the great Russian cellist, Mstislav Rostropovich, April 19, 2009 Recital Tape 2009-4-19b Description An account of the resource Held at 7:30 p.m., April 19, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Stalker, Stephen Salmirs, Michael Burgess, Mary Sunwoo, Patricia Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-19 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/4caafae1f11a37a4e4d8c50bccfde216.pdf 78c6f1e34e083cf79b5b00dde437d9ba PDF Text Text BINGHAMTON DMN  I V E R S I T S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K olde [4 B E F A  R T M   E N T Flute  Studio 7) Fniday, W a y  1 , 2 0 0 9 10:15 aun. Casadesus  Recital dJal �PROGRAM  Sarabande for Flute Quartet..........................Claude Debussy (1862­1918) Transcribed by Harold L. Walters Festival for Flute Quartet........c..cccevvveceerrennecrenenee...  Brandt Transcribed by H. Voxman Sonatina for Flute and Piano  ......Arnold Cooke  Allegra moderato  Russian Folk Song  (1906­2005)  ;  fi Binghamton Universnty Flute Quartet Emily Morris, flute Rachelle Haddad, flute Judy Kahn, flute Jaclyn Scott, flute Andantino  Allegro vivace  Tae Kim, flute  Mrs. Margaret Reitz, piano A  i  Variations for Flute and Piano......................... Reynaldo Hahn  On a Theme of Mozart  (1875­1947) a .........Traditional Transcribed by H. Voxman Le Flute de Pan Op. 15  Pan Les Berges  1.  A ndante  dolce  Jules Mouquet (1867­1946) Valerie Spiller, flute 2.  A  Tempo  Mark Rossnagel, piano 3.  Paco piu Lento 4.  Un poco  pui Lento  5  Py animapnt a  3  6.  Allegro molto :  ; Night Soliloquy  Kent Kennan (1913­2003) Melissa Voldan, flute Gabriel Luce, piano Emily Morris, flute  Mrs. Margaret Reitz, piano Fantasie in C Major for Flute Alone  Georg Philipp Telemann  (1681­1767)  Suyeon Oh, flute I m p ro m p li s. . . c ae Suite for Three Flutes  Andante  Allegro William Presser (1906­2005) Adagietto Scherzo .........Jean Conte  Suyeon Oh, flute  Mrs. Margaret Reitz, piano  (1830­1888) The Drunken Sailor.............  .......... Arranged by C. Cowles Binghamton University Flute Trio Suyeon Oh, flute Valerie Spiller, flute Melissa Voldan, flute Flutists are from the Flute Studio of G   eorgetta Maiolo �Binghamton University Music Department’s UPCOMING EVENTS Sung Jin Park, soprano, 3:00 PM,   Satur day, May  2 ° Masters Rectal:  Casadesus Recital Hall, FREE Susan Amisano, soprano, 8:00 PM,   Saturday, May 2 ”Masters Recital:  Casadesus Recital Hall, FREE Saturday, May  >  University Symphony Orchestra “Fantastique!” Osterhout Concert Theater, 8:00 PM, $$ Jenean Truax, soprano, 3:00 PM,   Sunday, M a y Masters Rectal:  Casadesus Recital Hall, FREE Tu esday, May  5  Percussion Ensemble, 8:00 PM, Anderson Center Chamber Hall, FREE Thursday, May  7*" Student Recognition Mid­Day Concert, 1:20 PM, Casadesus Recital Hall, FREE Thursday, May a  Harpur Chorale and Women’s Chorus, 8:00 PM, Anderson Center Chamber Hall, FREE Ensemble, 8:00 PM,   Friday, May  8 ” Binghamton University African Music  Casadesus Recital Hall, FREE (North Indian) Classical: Tomek Regulski,   Saturday, May 9  ” Hindustani  Casadesus Recital Hall, 8:00 PM, FREE For ticket information, please call the Anderson Center Box Office at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 51:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150688">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150688</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flute studio and flute chamber concert, May 1, 2009 Recital Tape 2009-5-1 Description An account of the resource Held at 10:15 a.m., May 1, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Kim, Tae Reitz, Margaret Morris, Emily Oh, Suyeon Binghamton University Flute Quartet: Haddad, Rachelle Kahn, Judy Scott, Jaclyn Spiller, Valerie Rossnagel, Mark Luce, Gabriel Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-01 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/116a3f43cba10d1f6a08d4d6a207a9bc.pdf 1e311d1cdff7b3fc00fc0bf18bfdc33c PDF Text Text BINGHAMTON UP  N I V E R S I L I Y S T A T E   U N I V E R S l T Y   O F  N E W   Y O R K odee [4 E P A R  I M  E N T U N I V E RS I T Y  P ERCUSSIO N E N S E M B L E  C O N C E R T Daniel Fabricius, Conductor Stephanie J. Lehman, Assistant Conductor Assisted by Sam Smith, Bass Caleb DeGroote, M arimba Tuesday evening, May 5, 2009 8:00 PM Anderson Center Chamber Hall �University Percussion Ensemble Personnel PROGRAM Celestial Welcome........................................ Kristen Shiner McGuire Music for Percussion E nsemble  Minuano (Six Eight) ..  A R S u b .. Tomek Regulski Pat Metheny & Lyle Mays Arranged by Robert Curnow a ! .    ..............Mark Ford Marc Silvagni, Stephanie Lehman, Caleb DeGroote WINTERMISSION3 Stinkin’Garbage...............................................  .......Ed Argenziano Enchanted Circus...  Bicksa  Scott Tignor Thom Hasenpflug Cumana '.......................Barclay Allen, Harold Spina & Roc Hillman Arranged by Dan Fabricius Adam Goldenberg Amanda Jacobs Stephanie Lehman Brian Lindenbaum Gavin Osterhaudt Wayne Papke Marc Silvagni Kelly Tufo Lee Vilinsky The UNIVERSITY PERCUSSION ENSEMBLE plays a wide variety of music written  for percussion instruments.  They have played much of the traditional  literature  composed  for  Percussion  Ensemble  as  well  as compositions and arrangements from BU students and faculty.  Students are often featured as soloists with the group and audiences can expect to hear the sounds of traditional standard orchestral instrument along with many non­ traditional  “percussive  sounds”.  The  ensemble  presents  a concert  every semester and has developed a loyal following of people who try to attend each performance.  The group meets to rehearse for one hour each week. DANIEL  FABRICIUS,  Lecturer  of  Music  in  Percussion,  has  been  a member  of the  Binghamton  University  faculty  since  1992.  He  holds degrees  from  Mansfield  University  and  Ithaca College  where  he  studied percussion with Richard Talbot and Gordon Stout. In addition to his work at BU, he has served as Director of Bands at Owego Free Academy since 1989. He has been a member of the Binghamton Philharmonic percussion section since 1982  but  is also comfortable performing in  popular, rock, jazz, and other styles.  He plays regularly on drums as a member of several musical organizations in the Southern Tier.  He has also played often as a free­lance percussionist,  accompanying  national  touring artists such  as  Michael  W. Smith, Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the  Smothers Bothers, and  Ella Fitzgerald.  He  is highly regarded  in  the region  as  a  percussion  soloist  and  ensemble  player  and  has  played collaborated often with organist Jonathan Biggers and the Ithaca Brass.  For many  years  Professor  Fabricius  has  served  the  New  York  State  School Music Association as an All­State Percussion adjudicator.  He also serves on the faculty of the Binghamton High School Percussion Camp each summer and  over  the  years  has  presented  many  percussion  clinics  at  state conventions  and  conferences.  In  addition  he  often  serves  as  a  guest conductor for honor band  festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals throughout New York. �STEPHANIE LEHMAN  is  now in  her second  year here at Binghainton University  as  a  graduate  teaching  assistant  while  pursuing  her  Masters degree  in  percussion  performance.  Here  at  Binghamton,  she  is  very fortunate  to  be  studying  percussion  under  Dan  Fabricius.  She  recently graduated from  University of Delaware with a Bachelors degree in  music education with a concentration in percussion.  While here in Binghamton she is  spending  her  time  teaching  fellow  students  while  practicing  and performing as much as possible.  Last fall Stephanie was the winner in the Winds,  Brass,  and  Percussion  Division  for  the  Binghamton  University concerto competition.  Her prize was to perform as marimba soloist with the University Symphony Orchestra last spring.  She has also performed two exceptional Master’s Recitals to complete her degree requirements. TOMEK  REGULSKI  is  a second  year  Masters  student  at  Binghamton University, studying music composition in the studio of Dr. Paul Goldstaub. He  received his B.A. in music at Hartwick College, studying composition under Dr. Thomas Licata.  Music for Percussion Ensemble, which is being performed  this evening,  is Tomek’s first  composition written entirely  for percussion instruments. “The  piece  begins  and  ends  with  a  slow,  rhythmically  free  section­  a moment characteristic of my recent work.  In between these outer sections are two  faster sections, the first of which features the mallet instruments, while the second features the timpani.  The goal for these two sections is for there  to  be  a  constant  momentum  that  builds  up  across  both  sections, reaching its climax at the very end and coming to a halt on the first beat of the return of the slow section, allowing the energy to dissipate across two fermatas.” Tomek will be graduating this year with his Masters of Music degree, and will  begin  the  Doctorate  of  Musical  Arts  degree  program  in  music composition at the University of Maryland  in  August.  In addition to his studies  in  composition,  Tomek  has  been  studying the  classical  music  of North  India  for  the  last  three  years  under  sitar  maestro  Acharya  Roop Verma.  He is giving a recital on Saturday, May 9 at 8 p.m. in Cassadesus Recital  Hall as a culmination of this time, and  invites everyone to come share in the moment with him. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 44:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150685">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150685</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource University Percussion Ensemble, May 5, 2009 Recital Tape 2009-5-5 Description An account of the resource Works of McGuire, Regulski, Metheny & Mays, Ford, Argenziano, Tignor, Hasenpflug, Allen, Spina & Hillman. Held at 8:00 p.m., May 5, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Fabricius, Daniel Lehman, Stephanie J. Smith, Sam DeGroote, Caleb Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 sound disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36:36 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150682">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150682</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hindustani (North Indian) classical music an evening raga, May 9, 2009 Recital Tape 2009-5-9 Description An account of the resource Held at 8:00 p.m., May 9, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Regulski, Tomek Mirabito, Dean Sakamoto, Briana Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-09 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/186e4e58c17eeddaeff6bea670830a4a.pdf bdab289726dd88c6364b4063a627ab7d PDF Text Text BINGHAMTON U N I V E R S T I X S T A T E   U N I V E R S I T Y  O F  N E W  Y O R K d e e [4 B E F A  R T M   E N T AN E VENING O F  A FRICAN D ANCE P rese nted by : T h e N u k porfe Africa n Da nce–D rum mi ng Ensemble, Bin gham ton University Directed by J a mes Bu rns a n d  P ierrette Aboad ji Friday, May 8, 2009 8 p.m. Casadesus Recital Hall �PROGRAM wINTERMISSION¢3 In  this  program  we  present  an  evening  of  dance­drumming  from  southern Ghana.  The  Nukporfe  Dance­Drumming ensemble is  made  up  of advanced drummers  and  dancers  who  have progressed  through  various  introductory courses  including  the  Beginning  and  Advanced  sections  of  African  Dance (THEA  289J/389J;AFST 289J/389J) and  the African  Music  Ensemble  (MUS 143B/AFST  188B).  These  courses  are  ofiered  each  semester  through  the commonly used to  open dance performances throughout southern Ghana, Togo and Benin. I. Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As the drummers and dancers proceed to the stage in traditional fashion, they sing a war song that calls the warriors to battle against the  European colonial powers. The second song memorializes the great warrior Kundo who led warriors into battle and has been killed. This was originally a war dance of the Ewe people. The movements imitate moments of the battle, and follow the drum language of the lead drum, atsimevu. VII. Togo Atsia. This dance piece is made up of a series of choreographed dance  sequences  known  as  atsia. These  sequences  are  cued  by  drum language phrases [vugbe] played by the lead drummer on atsimevu – the tall drum leaning on the stand – which are answered by the response drum kidi –  the  medium–sized  drum.  In  the  19605,  expert  choreographers  and drummers  in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisd movements into a performance piece, which they dubbed Togo Atsia, in recognition of their source within Ewe groups in Togo. Departments of Africana Studies, Music, and Theatre Dance. II. Kinka. Kinka is a funeral dance of the southern Ewe. It  only uses one basic movement so that regular members of the community can participate in the dance. III. Kpatsa. This dance comes from a neighboring group of the Ewe, known as the Ga­Adangbe. They share many linguistic and cultural affinities with the Ewe, and these two groups have historically interacted with each other. T he characteristic movement of Kpatsa is a limping gait that imitates t he movements of dwarfs, a magical race of beings which inhabit rural areas in Ghana. These movements were embellished with dance combinations and eventually became a social and recreational dance known as Kpatsa, whose name is an onomatopoeic reference to the movement of dwarfs. IV. Adzokpa  ‘Ele  ‘lodo – ge matso ’ [It is tired, let it fall and I will pick it up!]. In southern Ewe drumming, an adzokpa is an interlude to the main dance(s) consisting of a drum language conversation between the lead drum and the chorus. The lead drum intones the first part of the conversation (before the hyphen) and the chorus intones the second part. The adzokpa presented here is a humorous quip about to a woman’s big buttocks, the drums say, ‘let it fall, we will catch it!” V. Gahu. Gahu is a neo­traditional dance that has been adopted and adapted by the Ewe people of Ghana. It  is an offshoot of the Gome dance, a Pan­ Atlantic  African  dance  form that  emerged  in  the  19” century from  the synthesis  of  European  hymns and  marches  with  West  African  musical sensibilities. The  name Gahu suggests an airplane, and  represents local experiences  with  new  technology  and  culture.  The  songs  are  often humorous and fun, suggesting themes of courtship and celebration. VI. Invocational Song “Hunye de". A music performance typically begins wit h a n invocation consisting of o ne o r m ore songs normally used to notify t he spirits a n d a ncest ors t hat t hey a re goi ng t o pe rfo rm . T h e  p rese nt so ng is VIII. Adzokpa  ‘Kpo towo gbo  d ’asi mado lo, adzianye vi, d ’asi mado lo ’ [Go back home, my love, let me sleep!]. This adzokpa is another humorous tale of an exhausted lover, who begs their partner for a moment of rest.  It could be spoken from the male or female point of view. IX. Sohoun. Sohoun is an Ewe­Fon sacred dance used to open a ceremony of the Yeve shrine. The original movements danced at the shrine inspired the choreography for this folkloric version, created by Dr. Opoku for the Ghana Dance Ensemble. X. Sikyi. This dance is another neo­contemporary dance of the Akan people of southern  and  central  Ghana.  Sikyi,  pronounced  see  chee,  forms the rhythmic  foundation  of  Ghanaian  Highlife  music,  the  primary style  of popular music in Ghana. X1.  Gota. Gota  is a  Fon dance that  is  played for  many different social occasions.  lts  original  version  is  played  on  gourds  rather  than  drums; however, the Ewe have transferred it  on to their standard drum set. It  was also choreographed by the Ghana Dance Ensemble. We would like to invite members of the audience to come up and participate in this dance. �ABOUT T H E  PERFORME RS Dances Directed and Choreographed by Pierrette Aboadji, Department of Theatre Dance Professor Aboadji is a Ghanaian performer and teacher of A frican dance.  As  a  performer,  she has  been  a  member  of the Ghana Dance Ensemble since 1995; as a  teacher, she is a lecturer in African dance at Binghamton University. Da ncers : Tamara  Pitter,  Amber  Ri vers,  Evelyn  Quist,  Latoya  Jean­ Baptiste, Genev a Johnson, Marcel March, Aarong Lee, Tinesha Feiton,  Emmy  Alba,  Vera  Adutwumwaah ,  Janet  Addae, Bernice Osei,  Megan  Buah, Michelle Nusinov, Lau ren G use, Marissa Schwa rtz, Fatima Nagaya, K risten Donaphin Drumming directed and arranged by James Burns, Departments of Music and Africana Studies Professor James Burns is an ethnomusicologist in the Depart ments of  Africana  Studies  and  Music  at  Binghamton  University.  His research focuses on music in West Africa and the Diaspora. D rum m e rs : Samuel  Young, Keaton Rood, Samuel Yaggy, Wayne Papke, Sacha Sigelma n­Schwartz, M elanie Clark, A lexander Crave r, Graham Feltha m, Randy Benje nk, Thomas Elefante r x E .  “ f “   lk  Elli”: _f. ‘ 4 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:02:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150679">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150679</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An evening of African dance, May 8, 2009 Recital Tape 2009-5-8 Description An account of the resource Traditional dance-drumming pieces from southern Ghana. Held at 8:00 p.m., May 8, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Nukporfe African Dance-Drumming Ensemble, Burns, James Aboadji, Pierrette Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-08 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:08:53 35:05 1:16:08 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151074">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE151074</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friedheim memorial lecture-recital : audible processes : minimalism & beyond, April 28, 2009 Recital Tape 2009-4-28 Description An account of the resource Works of Reich, Pärt, Adams. Held at 8:00 p.m., April 28, 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Perry, Timothy Janey, Choi Reitz, Margaret Mackiewicz-Wolfe, Ewa Salmirs, Michael Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-28 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:09 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150501">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150501</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An afternoon with Debussy : a senior honors recital, April 25, 2009 Recital Tape 2009-4-25 Description An account of the resource Works of Debussy. Held at 3:00 p.m., April 25 2009, Casadesus Recital Hall. Creator An entity primarily responsible for making the resource Mallinson, Chai-Kyou Reitz, Margaret Sterling, Elizabeth Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-04-25 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 47:57 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150498">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150498</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Echoes of the East" : orchestral orientalism, 1783-1933, March 7, 2009 Recital Tape 2009-3-7 Description An account of the resource Works of Mozart, Tschaikovsky, Saint-Saens, Borodin, Ravel, McPhee. Held at 8:00 p.m., March 7, 2009, Osterhout Concert Theater. Creator An entity primarily responsible for making the resource University Symphony Orchestra Perry, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-03-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/84a57a0f74d8146a05d509a7ee22922c.pdf 02254cb1bc030244c3a8a406a18137e0 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K o d e [4 D E P A R T M E N T S I N G  I N T O  S P R I N G Women ’s Chorus Christine Ryder, conductor Harp ur Chorale Peter Browne, conductor Thursday, May 7, 2009 8:00 p.m. Anderson Center Chamber Hall �PROGRAM Traditional American Arr. Aaron Copland Ching­a­Ring Chaw  ‘  ‘  i  r \ ’  i  Northumbrian Folksong Arr. John Clements Blow the Wind Southerly...  ..........................Japanese Folksong Kokiriko Bushi..  Arr. Wendy B. Stuart Ain­a­That Good News..................  J i  Set Me asaSeal............. ..African­American Spiritual Arr. William Dawson ............René Clausen I How Can I Keep  from  Singing  Robert Lowry Arr. Robert I. Hugh Samantha Van Ad elsberg and Laura MacAvoy, soloists Boogie Woogie Bugle Boy............ .......Don Raye an d Hughie Prince Arr. Ed Lojeski The Women ’s Cho rus William Lawson, accompanist �Translations Alleluia, Sing a New Song................... Jaeobus Gallus (Jakob Handl) Trois Chansons ...Claude Debussy T rois Chansons .  I. Dieu! qu’il la fait bon regarder! II. Quant j’ai ouy le tabourin III. Yver, vous nestes qu’un villain  Dieu! qu’il la fait hon regarder! ‘ Briana Sakamoto, soloist Elizabeth Sterling, conductor (I. and II.)  Peter Browne, conductor (111. ) } Natasha Bobrowski­Koury, soprano Glenn Parker, tenor Five Hebrew Love SONES..............cocouiecivercnseresssesnesseee. Wh itacre 1. Temuna 2. Kala kalla 3. Larov 4. Eyze shaleg 5. Rakut Briana Sakamoto, soprano Elizabeth Sterling, violin Folk Song  A P P R  cscnivismrsmvisiisismmmiirmniniundiirnisumabomn Folk  Arr. Sonja Poorman Michael Mechmann, fl ute  Donde esta la Ma T e od o r a ? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  C uban Arr. Joaquin Nin­Culmell The Har p u r Chorale Peter Browne, conductor Who could tire of her? Her beauty constantly renews itself; On neither side of the ocean Do I know any girl or woman Who is in all virtues so perfect; It‘s a dream even to think of her; God, what a vision she is. II. Q u a n t   ouy le tabourin When I heard the tambourine Call us to go a­Maying, I did not let it frighten me in my bed Or lift my head from my pillow, Saying, “It is too early, 1 will go back to sleep.” When I heard the tambourine Call us to go a­Maying Young folks dividing their spoils, l cloaked myself in nonchalance, Clinging to it And finding the nearest neighbor. When I heard the tambourine Call us to go a­Maying, I did not let it frighten me in my bed Or lift my head from my pillow. Dan Forest Selah.  God, what a vision she is ; One imbued with grace, true and beautiful! For all the virtues that are hers Everyone is quick to praise her. { \ III. Yver, vous n‘estes q u ’un villain Winter, you ’re naught but a rogue. Summer is pleasant and kind, As we see from May and April, Which accompany it evening and morn. Summer, by nature’s order, clothes fields, woods and flowers With its livery of green And many other hues. But you, Winter, are too full Of snow, wind, rain and sleet. We must send you into exile. I’m no flatterer and I speak my mind. Winter, you’re naught but a rogue. Five Hebrew Love Songs 1 . Tem una A picture is engraved in my heart; Moving between light and darkness: A sort of silence envelops your body, And your hair falls upon your face just so. 2. Kala kalla Light bride She is all mine And lightly She will kiss me! 3. Larov “Mostly,” said the roof to the sky, “the distance between you and l is endlessness; But a while ago two came up here, And only one centimeter was left between us.” 4. Eyze shaleg What snow! Like little dreams Falling from the sky. 5. Ra kut He was full of tenderness; She was very hard. And as much as she tried to stay thus, Simply, and with no good reason, He took her into himself, And set her down In the softest, softest place. (Hila Plitmann) A rirang Arirang, my love is leaving. Arirang, he is going over the hill. The one who leaves me Will not go far without hurting his feet. Donde esta la M a  Teodo ra? Where is she? Where is she, the Ma Teodora? She is flick­flacking the strings with her cane and her guitar strum. �The Women ’s Chorus Christine Ryder, conductor Jennifer Easley and Danielle Sisson, associ ate conductors William Lawson, accompanist Samantha Grieco Sarah Kuras Chelsea Pace Amanda Pachomski Soprano 1 Meredith Collins Catherine Cornell Nicole Katz Laura MacA voy Jessica Pond Christine Ryder Ashley Samuel Samantha van Adelsberg Soprano 2 Molly Adams­Toomey Samantha Banton Kristina Dowling Jennifer Easley Julia Rose Becka Thompson Alto Lauren Anuszewski Floralis Artiles Ilyssa Baine Danielle Barbanell Melanie Clark Rebecca Dinhofer Brianna Jenkins Rita Pesh ko Annie Ferro Kristina Seeley Danielle Sisson The Harp ur Chorale Peter Browne, conductor Soprano Michele Aronson Natasha Bobrowski­Khoury Nuala Gaffey Allison Metcalfe Briana Sakamoto Elizabeth Sterling Lynsey Zuar Alto Daron Blake Ayla Gordon Eliza Espinosa­Thomas Shaina Carmel Indovino Janice Lee Krystiana Resto Sarah Sterling Tenor Alexander Blitstein Jonathan Karlas Ross Matthei Glenn Parker Bass Jonathan Brownell Theodore Chakos Joshua Darfler Michael M. Mechmann Exra Monasebian Robert Operman Mark Rossnage! Theodore Trembinski Upcoming Choral Events For the 2009­2010 Season Family Weekend Concert Women’s Chorus and Harpur Chorale Saturday, October 24, 2009 Osterhout Concert Theater; 3:00 p.m. Beethoven Symphony No. 9 University Chorus and Binghamton Philharmonic Sunday, November 15, 2009 Osterhout Concert Theater; 3:00 p.m. El izabethan Madrigal Feaste Women ’s Chorus and Harpur Chorale Friday and Saturday, December 4­5, 2009 Old Union Hall, Student Union; 6:30 p.m. University Cham ber Chorus Sunday, January 24, 2010 Trinity Memorial Church; 3:00 p.m. Women ’s Chorus an d Har p u r Chorale Thursday, March 18, 2010 Anderson Center Chamber Hall; 8:00 p.m. University Chorus Saturday, April 17, 2010 Osterhout Concert Theater; 8:00 p.m. Spring Concert Women’s Chorus and Harpur Chorale Thursday, May 6, 2010 Anderson Center Chamber Hall; 8:00 p.m. �M a w ­ W M The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus Recital Hall (FREE) Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday, May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE) Jonathan Moots, bass, presents his Master Recital on Sunday, May 10‘", at 7:00 p.m. in Fine Arts Rom 21 (FREE) The Summer Youth  Music Theater Works hop will perform “All Shook Up ” in the Watters Theatre on Saturday, 8/1509, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m. both days, $$ Our 200 9­2010 Gleason ­ Afous ‘ro S u it ed ! September: The Friedheim Memori al Lecture/Recital : Find out what makes great music “tick ” and then enjoy the composition in performance! Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of the complete Organ works of J.S. Bach. BU Alumnus Neil Berg retums to the Osterhout Concert Theater with a spirited tribute to 100+ Years of Broadway. October: The 2009­10 Chamb er Series opens in the Chamber Hall with a Reunion Recital featuring Music Department vocal alumni and faculty. The University Sym phony Orchestra opens the Anderson Center’s 2 5 A nniversary Season in a gala performance with the world­famous Paul Taylor Dance Compan y. The University Win d Symphony, Harpur Chorale, and Women ‘s Chorus combine for a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre). November; The University Chorus is joined by the Binghamton Philharmonic and soloists for a reading of Beethoven ’s epic Ninth Symphony. December: The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the heat with the finest in Big­band literature. Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of medieval and renaissance vocal entertainment at the Madrigal Dinner. For more information, please visit our website at www.binghamton.edu/music or call 607.777.2592 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:42 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150495">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE150495</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sing Into Spring, May 7, 2009 Recital Tape 2009-5-7b Description An account of the resource Works of Copland, Clements, Stuart, Dawson, Clausen, Lowry, Raye and Prince, Gallus, Debussy, Forest, Whitacre, Poorman, Nin-Culmell. Held at 8:00 p.m., May 7, 2009, Anderson Center Chamber Hall. Creator An entity primarily responsible for making the resource Women's Chorus Ryder, Christine Harpur Chorale Browne, Peter Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2009-05-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound