6
10
1775
-
https://omeka.binghamton.edu/omeka/files/original/bb43160c66da7eb060b596eca2e470b9.pdf
673c2a2c63ec79bbb19350a7b533f852
PDF Text
Text
L
Stat e University of New York
Dep artm ent of Music
St ud en t Re cit al
Alicia Fus ani , violin
Sar ah Steiding, violin
Ry an Bagg, gui tar
Ma rga ret Reitz, pia no
Frid ay, Marc h 26, 2004
8:00 p.m.
Casa desu s Reci tal Hall
�Program
Partita No. 2 in d minor. ................................................... ..J.S. Bach
Allemande
(1685-1750)
Sarah Steiding, violin
Cantabile for Violin and Guitar ...................... ....... Niccolo Paganini
(1782-1840)
Historie du Tango, Bordel 1900 ....... ......................... Astor Piazzolla
(1921-1992)
Ryan Bagg, guitar
Sarah Steiding, violin
Concerto No. 3 in b minor, Opus 61 ................. Camille Saint-Saens
Movement Ill
(1835-1921)
Alicia Fusani, violin
Margaret Reitz, piano
--Intermission-Sonata No. 3 ................................................................ Eugene Y saÿe
Ballade
(1858-1931)
Alicia Fusani, violin
"Nigun" (Improvisation) from Baal Shem ............ ........ Emest Bloch
(1880-1959)
Sarah Steiding, violin
Margaret Reitz, piano
44 Duos for 2 Violin .. .. ................. .. ............................... Béla Bart6k
41. Scherzo
(1881-1945)
43. Pizziccato
42. Arabian Song
Alicia Fusani, violin
Sarah Steiding, violin
�About the Performers
ALICIA FUSANI, a Buffalo, N.Y native, is enrolled in a dual degree
program with a BA in Music and a BS in Human Development. After
touring with the Buffalo Suzuki Tour Ensemble, she became a Nielson
Scholarship Recipient under the direction of the late Janet Brady. She is a
student of Patricia Sunwoo. She is a member of the Binghamton
University Symphony Orchestra, Sinfonia, various chamber groups, and
other selective activities. She also participates in two dance organizations
(Kickline and International Flag Dancers), as well as being Educational
Chair for her Pre-Health Fraternity Delta Epsilon Mu. Fusani plans to
pursue a dual master's program in Music Performance and Music
Therapy.
SARAH STEIDING, from Long Island, N.Y., is a senior who plans to
graduate in May 2004 with a BA in Music. Steiding studied violin with
Laura Broverman for twelve years at the North Shore Suzuki School. She
is a student of Patricia Sunwoo.
She was concert mistress of
Binghamton's newly-formed Sinfonia Orchestra, as well as a member of
the Binghamton University Symphony Orchestra, various chamber
ensembles, and the Peter Mozart Band. Steiding plans to attend graduate
school next fall for a Master's degree in Music Education.
RYAN BAGG, from Vestal, N.Y., started playing the guitar at age 13.
Bagg sings in the Binghamton Crosbys and University Chorus. This
semester, Bagg was a percussionist with the University Wind Ensemble.
He plans to graduate with a BA in Music in Fall 2004. He 1s a
singer/songwriter and a founding member of the Peter Mozart Band.
MARGARET REITZ, an active recitalist and accompanist, has been on
the faculty at Binghamton University since 1991 and The Ithaca College
School of Music since 1999.
**The performers would like to extend a thank you to Roberta Crawford,
Timothy Perry, Margaret Reitz, Pattie Sunwoo, Jane Zuckerman, Ryan
Bagg, friends and family.
�Coming Events
Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Thursday, April 15 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem
- Bruce Borton, conductor, also Brahms' Tragic Overture, Timothy Perry,
conductor - 8:00 p.m. - Osterhout Concert Theater - $8 general public; $6
fac•ulty/staff/seniors; free for students
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person,
saxophone - 1:20 p.m. - Osterhout Concert Theater - free
Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston
Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout
Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 25 - University Wind Ensemble: New Dances - Timothy
Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall
- free
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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0:39:04
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Title
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Student recital, March 26, 2004
Alternative Title
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Recital Tape 2004-3-26
Description
An account of the resource
Works of Bach, Paganini, Piazzolla, Saint-Saëns, Ysaÿe, Bloch, Bartók.
Creator
An entity primarily responsible for making the resource
Fusani, Alicia
Steiding, Sarah
Bagg, Ryan
Reitz, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
3/26/2004
Rights
Information about rights held in and over the resource
In copyright
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https://omeka.binghamton.edu/omeka/files/original/6fc0ca26060d018ca36474900ee30d77.pdf
092f595366bd7a7f7bc3ca2bdf36d76f
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Text
UNIV ARC
Recital
BINGHAMTON
Tape
2004
UNIVERSITY
3-25b
SPEC
-
State University of New York
Department of Music
The Harpur Brass Ensemble
Ben Aldridge, Director
Stephen Boel, conductor
Thursday, March 25, 2004
8 p.m.
Casadesus Recital Hall
�Program
The Earl of Oxford's March ................................. . ..... William Byrd
(1543-1623)
Rondo for Li fey .................................................... Leonard Bernstein
(1918-1990)
Stephen Boel, trumpet
Concerto for Trumpet ............................ Johann Nepomuk Hummel
( 1778-183 7)
Allegro con Spirito
Erinn Hibbard, trumpet
Suite for Five Trumpets .......................................... Ronald LoPresti
(Composed in 1957)
Intrada - Chorale - Finale
Stephen Boel, conductor
-- Intermission -Prelude and Fugue ......................................................... Eric Ewazen
(b. 1954)
for Trumpet Choir
Moro Lasso al mio Duo lo ........................................ Carlo Gesualdo
(1560-1613)
Contrapunctus I ................................. ........... Johann Sebastian Bach
(1685-1750)
The Harpur Brass Quintet
Four Moods for Brass Quintet ........................... ..... ..... Arthur Harris
(b. 1927)
Chorale- Waltz
Lyric Piece - Finale
Rondeau .................... ......................................... Jean Joseph Mouret
( 1682-1738)
�About the Performers
BEN ALDRIDGE holds both Bachelor's and Master's degrees
from Yale University, and began teaching trumpet at Binghamton
University in 1976. Aldridge has directed both trumpet and mixed
brass ensembles throughout his tenure at BU, has performed both
solo and chamber repertoire, and has taught theory as well.
Aldridge is a member of the Binghamton Philharmonic and the
Utica and Catskill Symphonies, as well as the Glimmerglass Opera
Orchestra. He also performs with and arranges for the Catskill
Brass Quintet. Aldridge is a charter member of the international
Trumpet Guild, and has been recorded on Columbia and Redwood
records.
STEPHEN BOEL is a graduate student in Instrumental
Conducting at Binghamton University, where he studies with
Timothy Perry. A graduate of Eastern Nazarene College in Quincy,
MA, Boel double-majored in Music Education and Music
Performance. He also fulfilled the requirements for the Choral
Conducting Certificate of ENC while serving for three years as the
student director of the A Cappella Choir and Chamber Singers
under the mentorship of Timothy Shetler. Boel served as director
of music for the Wollaston Church of the Nazarene on the campus
of his alma mater, played trumpet in the brass septet Tribute in
Brass and assisted with the Wind Ensemble of Eastern Nazarene
College. He serves as assistant director of the Binghamton
University Wind Ensemble.
�The Ensemble
Trumpets
Stephen Boel
Derek Ersbak
Laura O'Hanl on
Phillip Dietz
Erinn Hibbard
Paul Persichette
Alex Rubie
Horn
Max Guido
Trombone
David Henann
Tuba
Daniel Gallagher
**** **** **** **** **** **** **** ***
Coming Events
Saturday, March 27 - Cherished Friends, Cherished Songs - Soprano Mary
Burgess and pianist George Darden - 8:00 p.m. - Anderson Center Chamber
Hall - $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Thursday, April 15 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem
- Bruce Borton, conductor - 8:00 p.m. - Osterhout Concert Theater - $8
general public; $6 faculty/staff/seniors; free for students
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $ I 4 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person,
saxophone - 1:20 p.m. - Osterhaut Concert Theater - free
Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston
Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout
Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 25 - University Wind Ensemble: New Dances - Timothy
Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall
- free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:41:36
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&change_lng=en&select_viewer=metsViewer</a>
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Title
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The Harpur Brass Ensemble, March 25, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-3-25b
Description
An account of the resource
Works of Byrd, Bernstein, Hummel, LoPresti, Ewazen, Gesualdo, Bach, Harris, Mouret.
Creator
An entity primarily responsible for making the resource
Aldridge, Benjamin
Boel, Stephen
Date
A point or period of time associated with an event in the lifecycle of the resource
3/25/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/a7d2c925536663b6d2ed98fd7d193879.pdf
7f0ac0c0ca6b54491c80457b9dec78f6
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
State University of New York
Department of Music
WOLFGAN G AMADEUS MOZART
Lecture - Recital •
Patricia Sunwoo, violin
Roberta Crawford,vio la
Stephen Stalker, cello
Michael Salmirs, piano
Alice Mitchell, lecturer
Sunday, March 21, 2004
3:00 p.m.
Casadesus Recital Hall
�Wolfgang Amadeus Mozart
(1756-1791)
Comments on the Program ....................... ................ Alice Mitchell
--pause--
Divertimento for Violin, Viola and Cello in E-Flat Major, KV 563
I.
II.
III.
IV.
V.
VI.
Allegro
Adagio
Menuetto: Allegretto - Trio
Andante
Menuetto: Allegretto - Trio I - Trio II
Allegro
--Intermission--
Piano Quartet in G Minor, KV 4 78
I.
II.
III.
Allegro
Andante
Rondeau
�About the Performers
Canadian-born violinist PATRICIA SUNWOO made her New York orchestral
debut in 1995, performing Alban Berg's Violin Concerto at Alice Tully Hall, and
has since been active as a recitalist and chamber musician throughout the United
States. She has won prizes from the Canadian Music Competitions, Montreal
Symphony Orchestra Competition, and CIBC Festival of Music. As a member
of the Whitman String Quartet, winner of the 1998 Walter W. Naumburg
Award, she performed to critical acclaim across the United States, France and
South America, recorded works of Artur Schnabel and Michael Whalen for
labels CP2 and Arabesque Recordings, and was aired by NPR and Japan's NHK.
Recent engagements include appearances at the Carnegie Hall's Weill Recital
Hall, Corcoran Gallery in Washington, D.C., Bard College, Meadowmount
School and L 'Espace Pierre Cardin in Paris. She has worked with composers
John Corigliano, Joan Tower and George Crumb, and given premieres with the
Whitman Quartet, Metamorphosen Chamber Orchestra and new music
ensembles. Sunwoo is also an active advocate of music education, and has been
a teaching artist for the Midori Foundation, Da Camera Society of Los Angeles
and Carnegie Hall. In 2001 , she joined the faculty at Binghamton University.
Her major teachers include John Loban in Vancouver, the Juilliard String
Quartet, and Sally Thomas at the Juilliard School, where she received her
doctorate.
ROBERT A CRAWFOR D enjoys an active career as a recitalist and chamber
musician. As Associate Director and founding member of the Finger Lakes
Chamber Ensemble, Crawford has participated in more than one hundred solo,
chamber, and lecture-recitals presented by the ensemble since its formation in
1990. She has performed with the Catskill Chamber Players, appeared
frequently on the Cayuga Chamber Orchestra's Sunday Chamber Music Series
and has been a guest performer with the Ariadne String Quartet. Crawford has
played with the Portland and Syracuse symphonies and has served as principal
violist for the Cayuga Chamber Orchestra. An advocate of new music, Crawford
has premiered numerous works featuring viola and has been the dedicatee of
several works written specifically for her. She has participated in music fest ivals
throughout the United States and in the Caribbean and has appeared in live
performance broadcasts for public radio and television. A dedicated teacher,
Crawford has served as clinician, coach and adjudicator for many music
organizations and is co-director of the NY ASTA ViolaFest, hosted by
Binghamton University. She has been a guest faculty member at Phillips
Academy, the Quartet Program, Ithaca College and the Eastman School of
Music and is Coordinator of Strings at Binghamton University.
�chamber groups throu ghou t
STEPHEN STALKER, cellist, has performed in
the Madison Quartet, he
the United State s and Europe. As a member of
nd, recorded for the Orion
performed in the U.S., France, Germany and Switzerla
in the Evian International
and Mus ical Heritage Society label s, was a finalist
mber Music Competition,
String Quartet Competition and the Naumberg Cha
ersity. Since 1980, he has
and was an Artist-in-Residence at Colgate Univ
ng and premiering many
played in the Catskill Chamber Players, performi
ding the world premiere
compositions by prominent American composers, inclu
Score," at the Weill Recital
of the late string quartets of Henry Bryant, "Fou r
plete Beethoven Trio cycle
Hall in New York City. He has performed the com
ormed with Solisti New
with colleagues at Binghamton University. He perf
from Vancouver to Juneau
York on their Alaskan cruise of the Inner Passage
onic. He teaches cello and
and toured Greece with the Schenectady Philharm
double bass at Binghamton University.
and Artistic Director of the
Pianist MICHAEL SALMIRS, a founding member
as a recitalist and chamber
Finger Lakes Chamber Ensemble is well known
n. He has appeared as
musician performing extensively throughout the regio
ton University Orchestra,
soloist with the Com ing Philharmonic, Bingham
red pianist on its Sunday
Cayuga Chamber Orchestra, and has been a featu
ic, he has participated in
chamber series. As a performer of contemporary mus
Nova, Cornell University's
such series as Binghamton University's Mus ica
Syracuse Society for New
Ensemble X, and has toured and recorded for the
atory and Eastman School
Music. Salmirs studied at the New England Conserv
ard Shure and Rebecca
of Music; his teachers have included pianists Leon
taught at the Syracuse
Penneys and composer Karel Husa. Salmirs has
Smith Colleges . He is a
University School of Music and Hobart and William
Affiliate Artist at Cornell
faculty member at Binghamton University and
Ithaca and enjoys teaching
University. He maintains a private piano studio in
perform Poulenc's Aubade
students of all ages and levels. In May , Salmirs will
with the Cayuga Chamber Orchestra.
received her earliest music
ALICE MITCHELL is a native New Yorker who
nt and as an undergraduate
education at the Third Street Music School Settleme
ies in musicology at Smith
at Hunter College. She continued with graduate stud
mbia University with Paul
College, as a student of Alfred Einstein and at Colu
Town Hall, Steinway Hall,
Henry Lang. She has performed as a piano soloist at
ons include an edition and
and at the Brooklyn Academy of Music. Her publicati
ion (Op. 200), articles in the
translation of Carl Czerny's Treatise on Impro visat
Grove's Dictionary, and
Musical Quarterly, the Musical Heritage Review and
has served as Chair of the
liner notes for Dover Publications recordings. She
join t graduate program in
Music Department, during which she initiated the
ns that resulted in the Link
opera with Tri-Cities Opera and opened negotiatio
Professorship.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:27:47
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253443&change_lng=en&select_viewer=metsViewer</a>
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Title
A name given to the resource
Wolfgang Amadeus Mozart, lecture-recital, March 21, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-3-21
Description
An account of the resource
Works of Mozart
Creator
An entity primarily responsible for making the resource
Sunwoo, Patricia
Crawford, Roberta
Stalker, Stephen
Salmirs, Michael
Mitchell, Alice
Date
A point or period of time associated with an event in the lifecycle of the resource
3/21/2004
Rights
Information about rights held in and over the resource
In copyright
-
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b4859993af5734ea4048bec4f9ebf764
PDF Text
Text
(,
UNIV
ecital
tape
00
4-.. 1
CO
BINGHAMTON
U N I \' E R S I T Y
State University of New York
Department of Music
Presents
Brahms Tragic Overture
Op. 81
Mozart Requiem
K. 626
Leslie Hochman, soprano
Lara Longsworth, mezzo soprano
Timothy Fallon, tenor
Richard Galyon, baritone
The University Chorus
The University Symphony Orchestra
Timothy Perry and
Bruce Borton, conductors
Saturday, April 17, 2004
8:00 p.rn.
Osterhout Concert Theater
�Program
Tragic Overture (Op. 81) ..................................... Johannes Brahms
( 1833-1897)
University Symphony Orchestra
Timothy Perry, conductor
Requiem .............................................. Wolfgang Amadeus Mozart
(17 56-1791 )
1. Requiem/Kyrie
2. Dies irae
3. Tuba mirum
4. Rex tremendae
5. Recordare
6. Confutatis
7. Lacrymosa
8. Domine Jesu
9. Hostias
10. Sanctus
11. Benedictus
12. Agnus Dei/Lux aeterna
Leslie Hochman, soprano; Lara Longsworth, mezzo soprano
Timothy Fallon, tenor; Richard Galyon, baritone
The University Chorus
University Symphony Orchestra
Bruce Borton, conductor
�Program Notes
Brahms Tragic Overture
The Tragic Overture, Op. 81 is Brahms' contribution to the genre
of "absolute" concert overture - that is, a work not tied to any specific
dramatic or operatic production. Brahms himself never so much as hinted
at any extra-musical associations for the overture. Issued with its
companion overture, the Academic Festival Overture Op. 80 (a fantasy
on student drinking-songs) perhaps Brahms wished to "keep faith" with
wearing the mantle of Beethoven's successor. The work is in any case
magnificent in its compressed power, mastery of variation technique and
brilliance of orchestration. The thematic material, all laid out in the first
ten bars, is I) the interval of a fourth, either open (as at the outset) or
filled in melodically and 2) two intervals of a third which span the octave
between them. The work's central section consists of a curious funeral
march cum fugato which presages similar episodes in Mahler's
symphonies by a dozen years. With the balanced outer sections, Brahms
thus creates a broad (ABA) sonata form. As to the specifics of the
tragedy - desolation, depression, anger and rage in the first thematic area;
hope, happiness or the remembrance of better times in the second theme
(in the major key) area; the crumbling of great empires, or the ravages of
fate - each listener has ample room to discover the tragic story for himor herself.
--T.Perry
Mozart Requiem
The decade leading up to 1791 saw the creation of most of
Mozart's most important compositions in all genres including chamber
music, operas, symphonies, and keyboard works. It was not until 1791,
however, that the composer returned, after a decade of inactivity, to the
composition of choral music. The summer and early autumn months
were filled with first the composition and rehearsals of his opera La
clemenza di Tito, composed for the coronation of the Emperor in Prague
and then the completion and rehearsals for The Magic Flute in Vienna. In
the midst of this intense activity, Mozart managed to compose his
Masonic Cantata, the exquisite motet Ave verum corpus, and began work
on his final composition, Requiem.
The historical circumstances surrounding the commission and
composition of the Requiem have become clouded with 200 years of
inaccuracies and theatrical fiction. The truth is perhaps less colorful but
interesting nonetheless. In the spring of 1791, Mozart was approached
�by a messenger with a letter from an anonymous patron who wished to
commission a memorial Requiem in honor of his recently deceased wife.
It was not until 1963 that music scholars discovered the true identity of
this patron as Herr Franz, Count von Walsegg, a wealthy nobleman and
amateur musician and composer who may, in fact, have hoped to pass off
the Requiem as his own composition.
Mozart set to work, only to be interrupted by his journey to
Prague and the final preparations for The Magic Flute. When he finally
was able to return to the choral work in the Fall , he was beginning to
show signs of his final illness. In spite of his progressively weakening
condition, the composer worked intensively, and was able to complete
the first movement, Requiem and Kyrie, and sketch the vocal parts and
orchestral accompaniment of the movements through Hostias. Of the
final movements, Sanctus, Benedictus, Agnus Dei, no trace survives in
Mozart's hand. Mozart died in December of 1791 leaving the work
incomplete, and the commission unfilled. Mozart' s widow, Constanze,
approached several individuals with the proposal to complete the work ,
finally persuading Mozart's pupil, Franz Xaver Stissmayr, to undertake
the task.
The question of how much of the Requiem's completion is
attributable to Mozart and how much is original to Stissmayr remains an
open debate. Contemporary accounts, including reports of Constanze
and her sister, describe Mozart in his final days singing parts of the
unfinished work with Stissmayr at his bedside, presumably receiving
instructions as to how to complete the work. Scholars have pointed out a
number of flaws in Stissmayr' s work, and several other "completions.,
have been published in recent years.
Perceived flaws notwithstanding, the Requiem represents the
pinnacle of achievement in choral composition for the composer, and
lovers of choral music can only lament the fact that Mozart's early death
came at the very moment that he seemed poised to return to choral
composition. His dramatic approach to the setting of this text set the
stage for later romantic era settings of Berlioz, Verdi , and other
nineteenth century composers. In particular, these later composers
seemed drawn to the colorful and dramatic possibilities of the Dies irae
poem which forms the heart of the Requiem liturgy. The Mozart
Requiem takes the genre clearly out of its traditional religious setting
and into the realm of true concert music.
-- Bruce Borton
�Requiem, K.626 (1791)
I. Requiem and Kyrie
Chorus and Soprano Solo
Rest eternal grant to them, 0 Lord, and let perpetual light
shine upon them. A hymn befits thee, 0 God in Zion, and to
thee a vow shall be fulfilled in Jerusalem. Hear my prayer, for
unto thee all flesh shall come. Lord have mercy. Christ have
mercy. Lord have mercy.
2. Dies irae
Chorus
Day of wrath, that day shall dissolve the world into embers, as
David prophesied with the Sybil. How great the trembling
will be, when the Judge shall come, the rigorous investigator
of all things!
3. Tuba mirum
Soloists
The trumpet, spreading its wondrous sound through the tombs
of every land, will summon all before the throne. Death will
be stunned, likewise nature, when all creation shall rise again
to answer the One judging. A written book will be brought
forth, in which all shall be contained, and from which the
world shall he judged. When therefore the Judge is seated,
whatever lies hidden shall be revealed, no wrong shall remain
unpunished. What then am I, a poor wretch, going to say?
Which protector shall I ask for, when even the just are
scarcely secure?
4. Rex tremendae
Chorus
King of terrifying majesty, who freely saves the saved: Save
me, fount of pity.
5. Record are
Soloists
Remember, merciful Jesus, that I am the cause of your
sojourn; do not cast me out on that day. Seeking me, you sat
down weary: havingsuffered the Cross, you redeemed me.
May such great labor not be in vain. Just Judge of vengeance,
grant the gift of remission before the day of reckoning. I
groan. like one who is guilty; my face blushes with guilt.
Spare your supplicant, 0 God. You who absolved Mary
(Magdalene). and heeded the thief, have also given hope to
me. My prayers arc not worthy, but Thou, good one, kindly
grant that I not burn in the everlasting fires . (irant me a
favored place among thy sheep, and separate me from the
goats, placing me at thy right hand.
�6. Confutatis
Chorus
When the accursed are confounded, consigned to the fierce
flames, call me to be with the blessed. I pray, suppliant and
kneeling, my heart contrite as if it were ashes: protect me in
my final hour.
7. Lacrymosa
Chorus
0 how tearful that day, on which the guilty shall rise from the
embers to be judged. Spare them then, 0 God. Merciful Lord
Jesus, grant them rest.
8. Domine Jesu
Chorus and Soloists
Lord Jesus Christ, King of glory, liberate the souls of all the
faithful departed from the pains of hell and from the deep pit;
deliver them from the lion's mouth; let not hell swallow them
up, let them not fall into darkness: but let Michael, the holy
standard-bearer, bring them into the holy light, which once
thou promised to Abraham and to his seed.
9. Hostias
Chorus
Sacrifices and prayers of praise, 0 Lord, we offer to thee.
Receive them, Lord, on behalf of those souls we
commemorate this day. Grant them, 0 Lord, to pass from
death unto life, which once thou promised to Abraham and to
his seed.
I 0. Sanctus
Chorus
Holy, Holy, Holy, Lord God of Hosts. Heaven and earth are
full of thy glory. Hosanna in the highest.
11. Benedictus
Soloists
Blessed is he who comes in the name of the Lord. Hosanna in
the highest.
12. Agnus Dei
Chorus and Soprano Solo
Lamb of God, who takest away the sins of the world, grant
them rest. Lamb of God, who takest away the sins of the
world, grant them rest. Lamb of God, who takest away the
sins of the world, grant them rest everlasting. Light eternal
shine on them, 0 Lord, with Thy saints forever. because Thou
art merciful. Eternal rest give unto them. 0 Lord. and let
perpetual light shine on them.
�About the Performers
Leslie Hochman is a native of Austin, Texas and is currently
pursuing a Master of Music in Opera Degree at Binghamton
University. She received a Bachelor of Music from the University
of Texas, where she performed the roles of Olympia in Les Contes
d 'Hoffmann, Gretel in Hansel and Gretel, Servilia in La Clemenza
di Tito, Mme. Silbertonen in Der Schauspieldirektor, and The
Friend in Amelia goes to the Ball. Other opera credits include
Adele in Die Fledermaus with the Austin Singers' Circle and
Blondchen in Die Entfuhrung aus dem Serail with the AustrianAmerican Mozart Academy. Oratorio credits include Handel's
Messiah at the St. Louis Catholic Church of Austin and Mozart's
Litanaie Lauretanae in churches across Austria. Leslie is currently
a resident artist at the Tri-Cities Opera. She was recently seen as
Mrs. Gobineau in Menotti's The Medium and will make her
mainstage debut this month as Suor Genovieffa in Suor Angelica.
Lara Longsworth is a mezzo-soprano from Richmond, VA . She
is a member of Tri-Cities Opera Resident Artist Training Program
and a candidate for a Master of Music in Opera at Binghamton
University. She is a graduate of VA Commomwea lth University
where she performed the roles of Cenerentola in Rossini ' s La
Cenerentola, Prince Orlofsky in Strauss' Die Fledermaus , and
Fidalma in Cimarosa's fl Matrimonio Segreto. She made her TCO
debut as the Mother in Menotti's Amahl and the Night Visitors.
Other roles with TCO include: Giovanna in Verdi's Rigoletto, the
Voice of the Mother in Offenbach ' s Les Contes d 'Hoffmann, and
Marcellina in Mozart ' s Le Nozze di Figaro. She will sing the roles
of the Monitor and the Mistress of the Novices in TCO's upcoming
performance of Puccini ' s Suor Angelica. She made her concert
debut with the Richmond Symphony Orchestra in 1997 as Carmen
in a concert performance, George Manahan conducting.
Longsworth's honors include First Place at the SE Regional and
VA State National Association of Teachers of Singing
Competition.
�Tim othy Fall on , tenor, is a native of Binghamton New York
: This
is his first season with the Tri-Cities Opera as a Master of Mus
ic
student. He recently performed his first role with the company
as
Spalazani in Les Contes d' Hoffman. He also performed the role
of
Basilio in Mozart's The Marriage of Figaro. Last summer, he
performed in the Spoleto Festival USA in Charleston, SC, with
the
Westminster Choir and sang at the Music Academy of the Wes
t in
Santa Barbara, CA under the tutelage of Marilyn Horne. Fallon
holds a B.A. degree from Westminster Choir College, Princeton
,
NJ.
Richard Galyon, baritone, is in his first season with the Tri-C
ities
Opera's Resident Artist Training Program. He was seen most
recently as Mr. Gobineau in Menotti's The Medium, following
performances of Count Almaviva in Moz art's Le Nozze di Figa
ro
and Hermann and Schlemil in Offenbach's Les Contes
d"Hoffmann, all this season at TCO. He is covering the role of
Silvio in Leoncavallo's Pagliacci this spring. Last year,Galyon
studied in the Opera Performance program at The University of
Texas at Austin. During his short stay there, he played Mr.
Gobineau in Menotti's The Medium and also was seen as Master
Spinelloccio and Pinellino in Puccini's Gianni Schicchi. He was
the featured baritone soloist for a concert performing Herbert
Howells' Requiem, among other pieces, with UT's Chamber
Singers, under the direction of James Morrow. He has studied
voice with David Small, Burt Rosevear and Gregory Oaten.
�University Symphony Orchestra
Timothy Perry, conductor
Flute
Kelsey Bauer*
Caitlynn McMullen
Kira Slocum
Karen Krause
Mark Liu
JungSun Oh
Aman da Dumo nt
Oboe
Lana Banne r
Rebec ca Rodbart*
Violin II
Christina Wan
James Leddy
Shaun a Buckm an
Lindsey Krecko
Tama ra Potap ova
Jennifer Paull
Jah-yu (Lulu) Chen
Claud ia Fathi
Sheri Zola
Karen Tang
Stephanie Mawh irt
Sarah Baird
Clari net
Caroline Bravo
Jordan Paster nak•
Bassoon
Robin Kindig
Kimberly Meeker*
French Horn
Ernie Epelman
Alfred Jacobsen*
Patrick Lokken
Greg Cecere
Trum pet
Erinn Hibbard*
Glen Widjeskog
Trom bone
David Hennan*
Jonathan Ludwin
Timpani/Percussion
Matthew Chidester*
Violin I
Morgan Kim
Sarah Steiding
Alicia Fusani
Marie Mizuno
Julia Kim
Micah Banner-Baine
Meggie Knapp
Yoh-Seung Chiu
Youlee Choi
Viola
Melissa Mattern
Kenneth Perschke
Melissa Lee
Christopher Fiore
Kerry Conw ay
Leah Rabinowitz
Christopher Trow
Cassandra Aikman
Janet levins
Cello
Ben James
Tanya Brescia
Nicholas Capon e
Emily Creo
Matthew Woolever
Michael Day
Katy Walker
Shelley Levin
Angela Wynne
Yi-Eun Park
Contrabass
Beth Bartlett
Andrew Eiche
�The University Chorus
Bruce Borton, conductor
Corry Shimer, Emily Burr, and Jennifer James,
assistant cpnductors
Peter Browne, accompanist
Soprano 1
Susan Bachman
Rebekah Baker
Nanette Borton
Martha Jane Bralla
Emily Burr
Priscilla Clark
Asali Daniel
Alison Dura
Lorrina Fuentes
MayBelle Golis
Margaret Hays
Barbara Heme
Jennifer James
Donna Lundy
Susan MacLennan
Cathie Makowka
Joyce Merwin
S. Joselle Orlando
Mary Joan Ragard
Marilyn Ross
Diane Ruocco
Gloria Salameda
Corry Shimer
Jennifer Stahl-Perkins
Barbara Thamasett
Faith Vis
Soprano 2
Cari Begeal
Patricia Caldwell
Heather Jean Chin
Hyun Choi
Joanne Corey
Sandra Czelusniak
Vadhya Elivert
Joyce Haber
Nancy Jeavons
Tiffany Jetter
Soyeo Jung
Natalie KhalatovKrimnus
Monica Lee
JoAnne Maniago
Juliana Maslen
Mary Peg Mathis
Katherine L. McCrink
Elaine McGuinness
Donna Miller
Sioux Petrow
Susan Sarzynski
Lois Wilston
April Witkes
Alto 1
Jee Yun Ahn
Melanie Andrejev
Jue Ting Chen
Maria Luisa Cook
Randi N. Cook
Barbara DeShane
Rachel Franz
Janet Frederick
Danielle Furey
Elaine Hilton
Grace Houghton
Claire Labbe
Theresa Lee-Whiting
Margit Mayberry
Anna Nicholas
Allison Pfiefer
Molly Polin
Dorothy Powell
Joyce Printz
Ruth Rajkumar
Richel Ruivivar
Jane Shear
Patricia Souder
Susan Szczotka
Katie Wolff
Linda M. Wolff
Erica Yamamoto
Alto 2
Amy Au Yeung
Kathryn Baine
Barbara Barno
Kate Bouman
Jean Bruce
Phyllis S. Burr
Jeanne Fenzel
Mary Beth Gamba
Sandra Haining
Carol Hammond
Ida Amelia Jones
Flo Koniski
Beverly Kresge
Cheryl Labban
Ethel F. Molessa
Shirley Rodgers
Lee Shepherd
Hae Lee H. Shin
Nadia Zarembo
�The University Chorus
Tenor
David Andrus
Roy Bergstraser
Joseph Boccio
David Clark
Araoye lbitoye
H.B. King
Carl Kinne
Dennis Leipold
Anne Linn
Hanbyoel Park
Ed Schappert
Floyd R. West
Paul White
Sherry Williamson
Bass 1
Toby Anderson
Ryan Bagg
Eric Bare
Ronald Bauchamp
Anthony Biconish
Sthephen M. Boel
Robert Bruce
Daniel Uan Chan
Robert Christie
Michael Darfler
Richard Dutko
Remington Gregg
James Hilton
Michael Jabo, J .D.
Bohyun Jo
Brian Jones
Daniel Keller
Tom Lamphere
Chris Longano
Edward J. Orosz
Don Powell
Alex Pullman
Brian Scott Sanderson
Richard F. Schwartz
Myron F. Shlatz
Gerry Turock
Timothy Wetherbee
Bass2
Chris Benjamin
Lance Dunning
Mark Epstein
Harry Frederick
David Hanson
Hu Huang
J. Scott Husted
Darren Klein
Michael A., Little
Ario H. Meeker
Phil Millspaugh
Christian Ritter
David L. Schriber
Donald Lee Stanley
Bob Sullivan
�Coming Events
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artist Houston Person,
saxophone - l :20 p.m. - Osterhout Concert Theater - free
Thursday, April 22 - Harpur Jazz Ensemble with guest artist Houston
Person, saxophone - Michael Carbone, conductor - 8:00 p.m. - Osterhout
Concert Theater - $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 25 - University Wind Ensemble: New Dances - Timothy
Perry, Stephen Boel, conductors - 3:00 p.m. - Anderson Center Chamber Hall
- free
Tuesday, April 27 - University Percussion Ensemble - 8:00 - Anderson
Center Chamber Hall - Free
Friday, April 30 - Flute Studio Recital - I 0: 15 a.m. - Casadesus Recital Hall
- free
Wednesday, May 5 - An Evening of German Songs featuring graduate and
undergraduate voice and opera students - 8:00 p.m. - Casadesus Recital Hall
-free
Thursday, May 6 - Student Recognition Mid-Day Concert - l :20 p.m. Casadesus Recital Hall - free
Thursday, May 6 - Harpur Chorale and Women's Chorus - Peter Browne
and Emily Burr, conductors - 8:00 p.m. - Anderson Center Chamber Hall free
I
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio discs
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50:26
13:51
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Dublin Core
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Title
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Brahms, Tragic Overture, Op. 81, Mozart, Requiem, K. 626, April 17, 2004
Alternative Title
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Recital Tape 2004-4-17
Description
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Tape 1. Brahms, Tragic overture -- tape 2. Mozart, Requiem.
Creator
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Hochman, Leslie
Longsworth, Lara
Fallon, Timothy
Galyom, Richard
Perry, Timothy
Borton, Bruce
Brahms, Johannes
Mozart, Wolfgang Amadeus
Date
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4/17/2004
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/78b6b00675d692cc84b6473ccf48d867.pdf
14bea3f65ad7a30fe13e1f84876e48a1
PDF Text
Text
State University of New York
Department of Music
Joint Student Recital
Jessica Bastek, piano
Juliana Maslen, piano
Saturday, May 1, 2004
3:00 p.m.
Casadesus Recital Hall
�About the Performers
JESSICA BASTEK is a senior majoring in math and economics.
She has played the piano since she was young. She studied
privately with Diane Miller during elementary school, Vivian
Graziano during middle school and Morris Borenstein during high
school. She played with the Minisink Valley band, chorus and at
All County Jazz Festivals. At Binghamton University, she studies
with Chai-Kyou Mallinson.
JULIANA MASLEN is a junior majoring in psychology and
music. She began studying piano at age seven with Charlotte
Davis. She continued her studies through high school with Marie
Balcom. At Binghamton University, she takes private piano
instruction with Chai-Kyou Mallinson and participates 1n
University Chorus. Maslen hopes to become a music therapist.
A Few Tips on Concert Etiquette
For those in the audience who are new to classical concerts, here are a few
suggestions on what to do and what not to do. Please turn offall cell phones and
pagers. Please do not talk to your neighbor (even softly), move around
excessively in your chair, rustle papers or cellophane. If you need a throat
lozenge, open it during applause only. And one more tip -- please don't applaud
between movements -- wait until the end of the piece. Follow these few simple
rules and you 'll make the concert a joy for everyone! And thank you for coming!
�Program
French Suite in G Major .................................................... J.S. Bach
Allemande
(1685-1750)
Courante
Sarabande
Gavotte
Sonata in C Minor, K 457 .......................... ....... W. A. Mozart
Allegro
(1756-1791)
Adagio
Mo/to Allegro
Jessica Bastek, piano
Intermission
Songs Without Words ......................... ..... Felix Mendelssohn
Venetian Boat Song
(1809-1847)
Spring Song
Rhythm (From Three Pieces for Piano, 1999) ......... Paul Goldstaub
Juliana Maslen, piano
Toccata (From Trois Pieces) ........................ ................... F. Poulenc
(1899-1963)
Duets ............... .......................... ............ George Gershwin
(1898-1937)
I Was Doing All Right
Slap That Bass
I Got Plenty o 'Nuttin '
Jessica Bastek, piano
Juliana Maslen, piano
�Coming Events
Thursday, May 6 - Student Recognition Mid-Day Concert - 1:20 p.m. Casadesus Recital Hall - free
Thursday, May 6 - Harpur Chorale and Women's Chorus - Peter Browne
and Emily Burr, conductors - 8:00 p.m. - Anderson Center Chamber Hall free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 audio disc
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0:57:54
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Title
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Joint student recital, May 1, 2004
Alternative Title
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Recital Tape 2004-5-1b
Description
An account of the resource
Works of Bach, Mozart, Mendelssohn, Goldstaub, Poulenc, Gershwin. Binghamton University Department of Music, Jessica Bastek, piano, Juliana Maslen, piano.
Creator
An entity primarily responsible for making the resource
Bastek, Jessica
Maslen, Julia
Date
A point or period of time associated with an event in the lifecycle of the resource
5/1/2004
Rights
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/320b909fb8f248b6deb09a1dd43a41f5.pdf
c2769d5ce08a636d5ed15a96017c6338
PDF Text
Text
VA
\
C
Recital
C \)
00
4
3 7
SPECC 0
L..§tate University of New York
Department of Music
UNIVERS ITY WIND
ENSEMB LE
Timothy Perry, conductor
Stephen Boel, assistant conductor
"Cinematic Signatures II:
The Film Music of John Williams''
Sunday, March 7, 2004
3:00 p.m.
Anderson Center Concert Theater
�The Binghamton University Department of Music prcs<::n ts the
Wind Ensemble
University
Timothy Perry, Director and Conductor
Stephen Boel, Assistant Conductor
CINEMATIC SIGNATURES II
THE FILM MUSIC OF JOHN WILLIAMS
Program
"Jaws" Suite ( I975) ....................... ......... arr. John Cacavas
Main Title - The First Victim - Out to Sea - Epilogue
"Star Wars: The Empire Strikes Back" (l 980) .. arr. Jack Bullock
Finale - End Credits
"Raiders of the Lost Ark" ( 1981) ................ arr. Jack Bullock
Raiders March - Marion's Theme
"E.T. The Extra-Terrestrial" (l 982) ........... arr. Frank Erickson
Adventure on Earth - E.T. and Elliott - Over the Moon - Main Theme
''The Witches of Eastwick" ( 1987) ............. arr. Paul Lavender
Dance of the Witches
"Schindler' s List" ( 1993)
arr. Calvin Custer
Main Theme
Alicia Fusani, Violin Solo
"Saving Private Ryan" ( 1998) .................. arr. Paul Lavender
Hymn to the Fallen
"Harry Potter and the Sorcerer's Stone"(2001) .. arr. Robert Smith
Hedwig's Theme - Nimbus 2000Hogwarts Forever - Quiddi tch Leaving Hogwarts - Harry's Wondrous World
�UNIVERSI1Y WIND ENSEMBLE
TIMOTHY PERRY, DIRECTOR
STEPHEN BOEL, GRADUATE AsSISTANT
Piccolo
Amy Forgacs
Tenor Saxophone
Stephanie Mack
Flute
Lisa DePaula
Stephanie Holleran
Nicole Lean
Elise Martingale
Jennifer Thomas*
Jennifer Weintraub*
Baritone
Saxophone
Oboe
Nancy Bayewitch
Clarinet
Heather Boland*
Caroline Bravo*
Sandra Czelusniak*
Lloyd Gewuerz
Michelle Grexer
Andrew Hsu
Angela Orlando
Julie Pinsonneault
Bass Clarinet
Sam Jones*
Christopher Strub
Soprano
Saxophone
Philip Belle*
Michael Irani
Keyboard
Judy Zhu
Trumpet
Max Baden
Philip Deitz
Derek Ersbak
Michael Osa*
Thomas Osa
French Horn
Greg Cecere*
Ernie Epelman
Maxwell Guido
Trombone
Ari Atkinson
Jamie Cepler
Ten-Seng Guh
David Henann*
Jonathan Ludwin
Euphonium
Dennis Pettas
Jay Gwak
Tuba
Alto Saxophone
Emily Alkiewicz*
Amy Natiella*
Percussion
Ryan Bagg
Matt Green
Kristine Jackson
Robin Kindig
Pete Tringali*
Dan Gallagher
* Section Leader
�About the Performers
Conductor/Clarinetist TIMOTHY PERRY is Professor of Music
at Binghamton University, where he serves as Director of
Orchestral Activities, Director of the Wind Ensemble Program,
and Professor of Instrumental Conducting and Studio Clarinet.
Off campus, he is completing his tenth season as Music Director
of the Binghamton Community Orchestra and recently guestconducted the Catskill Symphony and Binghamton Philharmonic
orchestras. In addition to directing more than two hundred
concert programs as conductor, Perry maintains a career as solo
clarinetist and chamber musician. He has presented two programs
at world conferences of the International Clarinet Association,
toured Latin America as a United States Musical Ambassador,
and recently premiered his composed reconstruction of Carl
Baermann's concertina, The Hour of Ghosts.
STEPHEN BOEL is a graduate student 1n Instrumental
Conducting at Binghamton University, where he studies with
Timothy Perry. A graduate of Eastern Nazarene College in
Quincy, Massachusetts, Boel double-majored in Music Education
and Music Performance. He also fulfilled the requirements for the
Choral Conducting Certificate of ENC while serving for three
years as the student director of the A Cappella Choir and Chamber
Singers under the mentorship of Timothy SShetler. Conducting
opportunities while ·serving as student director, and later as
assistant director, included appearances at the Pennsylvania State
University, New England Conservatory's Jordan Hall, and St.
Paul's Cathedral in London. Upon receiving his baccalaureate
degree, Boel served as director of music for the Wollaston Church
of the Nazarene on the campus of his alma mater, a position held
for five years before coming to Binghamton. During that time, he
also played trumpet in the brass septet Tribute in Brass and
assisted with the Wind Ensemble of Eastern Nazarene College. He
serves as assistant director of the Binghamton University Wind
Ensemble. He plans to graduate with his M.M. in Instrumental
Conducting in the spring of 2005.
�
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:54:24
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253433&change_lng=en&select_viewer=metsViewer</a>
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Title
A name given to the resource
The film music of John Williams, March 7, 2004
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2004-3-7
Description
An account of the resource
Title from cassette label
Creator
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Williams, John
Date
A point or period of time associated with an event in the lifecycle of the resource
3/7/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/6caa5d740cf59b10dcd4296bef893d58.pdf
cddd43e692d8f5b46396fa0a3eb6aede
PDF Text
Text
ap
200 4
-5
SPECCOL State Univ ersity of New York
Dep artm ent of Mus ic
A Tri but e to Ez ra La der ma n
with
Geo rget ta Maiolo, flute
Ma rlon Tor res, dan cer
Cha i-K you Mal lins on, pian o
Lar a Lon gsw orth , mez zo-s opra no
B·ru ce Bor ton, spe ake r
Friday , March 5, 2004
8:00 p.m.
Ander son Cente r Cham ber Hall
�Program
Ezra Laderman, composer
(b. 1924)
I.
*June 29th for Solo Flute (1983)
Georgetta Maiolo, flute
II.
Two arias from Opera-Oratorio Galileo Galilei ( 1967)
My friend, you speak too openly
I too am woman
Lara Longsworth, mezzo-soprano
Chai-Kyou Mallinson, piano
Bruce Borton, spoken part
III.
*Sonata for Flute and Piano (1952)
Moderato
Allegro motto
Fugato
Allegro
Georgetta Maiolo, flute
Chai-Kyou Mallinson, piano
--Intermission--
�IV.
*Ten Pieces for Piano (2000)
("The Circus of My Mind")
I.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Mercurial
Driven & impetuous
Andante
Andantino
Gently
Forceful , Brusque
Pesante
Con amorc
Allegro
Tenderly
Chai-Kyou Mallinson, piano
V.
*Duet for Flute and Dancer ( 1966)
Choreographe d by Marlon Torres
Georgetta Maiolo, flute
Marlon Torres, dancer
*Premiere performances in this region
�Program.Notes
June 29th 1983) was written for Carol Wincenc. June 29th is our
mutual birthday. The two-note motif is a heartbeat. That beat is
transformed into a life affirming pulse. The pulse evolves and
develqps, extends and contracts and throbs with verve and
excitement.
(
Galileo was premiered over CBS Television in 1975. Joanna
Simon sang the role of the Friend. This role is the only one in the
opera that is not historically based. It is a composite person made
up of those who befriended Galileo, warned and pleaded with him
during his struggles with the Church. The Tri-Cities Opera
. Company, directed by Carmen Savoca and conducted by Peyton
Hibbitt, gave the first theatrical performance in Binghamton on
March 2, 1979.
The Sonata for Flute and Piano ( 1952) was written for Sam and
Carol Baron. It is the first published piece of mine that I will
happily listen to. The four distinctly different movements are filled
with youthful verve and drive. The lyricism is unabashedly tonal
and the Sonata concise, though it covers a lot of territory.
Ten Pieces for Piano was written in 2000. The pieces interlocked
by a four-note cell are distinctly disparate. The emotional range is
large and the technical challenges demanding. Although these
pieces make up the second movement of the Piano Sonata No. 3,
the pieces can and have been done as an entity unto itself.
Duet for Flute and Dancer ( 1966) was written for Sam Baron and
Jean Erdman. The unique aspect of this work is that the dancer's
part is rhythmically and dynamically written out and incorporated
into the score by the composer. The gestures are created by the
choreographer based on the instructions notated. The spatial
relationships are also created by the artists, should they both be on
stage.
--Ezra Laderman
�About the Performers
EZRA LADERMAN was born in Brooklyn, New York, on June 29, 1924.
He attended the Brooklyn Ethical Culture School, the High School of Music and
Art, and Brooklyn College. He served in the Field Artillery of the 69 th Division
from l 943 to 1946. Laderman studied composition with Stefan Wolpe, and with
Otto Luening and Douglas Moore at Columbia University, where he received his
M.M. in l 952.His compositions range from solo instrumental and vocal works
to dance, large-scale choral and orchestral music. His eleven string quartets and
his concertos for piano, violin, viola, cello, flute, clarinet, oboe, bassoon, bass
clarinet, string quartet, and double winds are notable contributions to the
repertory. His works for orchestra, including eight symphonies, have been
conducted by Lawrence Leighton Smith, Eleazar Decarvalho, Ricardo Muti,
Andre Previn, Alfredo Antonini, Carlo Maria Giulini, Rostropovitch, Eduardo
Mata, Cristof Eschenbach, Sergio Commisiona, Ferrucio Scaglia, Thomas K.
Sherman, Herbert Bloomstedt, Michael Tilson Thomas, Hugh Wolff, Arthur
Weisberg, Andre Kostelanetz, Gunter Herbig, Jose Serebrier, Dennis Russell
Davies, Julius Hegyi, Jesse Levine, Michael Palmer, Peyton Hibbitt, Margaret
Hillis and David Hayes. He has also written music to the Academy Award
winning films The Eleanor Roosevelt Story and Black Fox. He has written seven
operas and six dramatic oratorios with librettos by Ernest Kinoy, Clair Roskam,
Joe Darion, Norman Rosten, and Daniel Hofmann. His music for dance has been
choreographed by Jean Erdman, Anna Sokolov, Jose Limon, John Butler, and
Sophie Maslow.
Laderman incorporates a lyrical style into a contemporary context, using
tonal material in combination with atonal, polytonal or aleatoric elements, and
seeking out unusual formal structures for his music. A compositional process
that has evolved through many of his works deals with the transformation of
musical material. Whether it be enigmatic or declarative at the outset, the initial
musical structure is intrinsic to all that follows.
Commissions have come from the orchestras of Chicago, Philadelphia, New
York, Los Angeles, Minnesota, National, Louisville, American Composers,
Pittsburgh, Dallas, Houston, Fort Worth, Denver, New Jersey, Saint Paul,
Detroit, Columbus, and New Haven. He has written many works for CBS TV,
the Library of Congress, the Kousevitsky and Barlow Foundations, Meet the
Composer, the National Endowment for the Arts, in addition to commissions
from such distinguished artists as David Shifrin, Ransom Wilson, Yo-Yo Ma,
Emmanuel Ax, Aldo Parisot, Jean-Pierre Rampal, Judith Raskin, Elmar Oliveira,
Julius Baker, Robert Bloom, Nathaniel Rosen, Toby Appel, Leonard Amer,
Eugene List, Erica Morini, Samuel Baron, Patrick Jee, and the Juilliard,
Concord, Lenox, Composers, Tokyo, Audubon, Sequoia, Colorado and Alard
Quartets. He has written for the Connecticut Trio, Elm City Ensemble (now
Antares), DaCapo Chamber players, the International Society of Contemporary
Musicians, the New York Woodwind Quintet, and the Yale Cellos. Laderman ' s
opera Marilyn, based on the life of Marilyn Monroe, had its premiere at the New
York City Opera in 1993. The dramatic oratorio Brotherly Love, based on a
�poem by Daniel Hoffm
an , was premiered Mar
ch 4, 2000 by the Ph
singers under David Ha
iladelphia
yes. Th e Concerto fo r
Ba
ss Clarinet an d Orches
premiered January 20,
tra wa s
2003 with Richard Pa
ge. Hsing-ay Hsu prem
Piano Sonata No . 3 De
iered hi s
cember 13 , 2003 at the
Yale School of M us ic 's
Hall.
Sprague
Laderman was Dean of
the Yale School of Mus
ic from 1989-1995 and
currently Professor of
is
Music .
He
ha
s
be
en
ch
airman of the Natio
Endowment for the Ar
nal
ts composer-librettist pr
ogram ( 1973-79), pres
American Music Cent
ident of the
er (1972-75), director
of the music program
National Endowment
of the
for the Arts (1979-82),
president of the Natio
Council (from 1983-87)
na
l
Music
, and chairman of the bo
ard of the American Co
Orchestra (1987-91). He
mposers
is currently Vice Presid
ent of the American Ac
of Arts and Letters.
ademy
He has taught at Sara
h Lawrence College (
1960-61, 1965-66) and
State University of N ew
at the
York at Binghamton (1
97
1-82), where he also he
position of composer-i
ld the
n-residence. He has
also held the position
composer-in-residence
of
visiting
at Yale University ( 19
88-89). He has receiv
separate Quggenheim
ed
three
fellowships (1955 , 19
58, and 1964) the Ro
(1963), and has had
me Prize
residencies at the Be
nnington Composers
(1952), and at the Am
Conference
erican Academy in
Rome (1982-83), and
Rockefeller Foundatio
at the
n at Bellagio (1986)
. He was the directo
Bennington Composers
r
of
the
Conference (1967 and
'6 8) , and was in resid
the Israel Philharmonic
ence with
( 1982).
Recordings of his music
include Concerto fo r Do
uble Orchestra with Hu
W ol ff and the Ne w Jers
gh
ey Symphony (New W
or
ld), Citadel, Sanctuary,
Violin Concerto with th
an
d
the
e Louisville Orchestra
and Lawrence Leighton
(First Editions), Pentim
Smith,
ento with the Albany
Symphony with Hegy
Concerto fo r Orchestra
i (CRI),
, Baltimore Symphony
with Co m m isi on a (Des
Etudes with Elana Vere
to
), Piano
d (Connoisseur) Quartet
No. 6 with the Audubon
Victor), Quartet No. 7
(RCA
with the Colorado (Alb
any), and ov er the last
five CD 's have been
three years
released by Albany Re
cords of his solo and
works. A sixth CD is no
chamber
w in production. Many
of his earlier works publ
Ox fo rd University Pres
ished by
s, are with Theodore Pr
esser. His music is now
exclusively by G. Schirm
published
er.
Dancer MARLON TO
RRES is a member of
Company and a featu
the Se co nd Hand Danc
red dancer with Linc
e
ol
n Amphitheater. He's
television appearances
made
on The Jerry Lewis Te
lethon MDA, Por fin es
Boy, Los Mini Pops an
lunes, Rat
d Agatha. Torres has ap
peared as an actor or
BU in Free Beer, Hot
dancer at
Sex and The Weight of
Gravity and Chicago, an
Lincoln Amphitheater
d with
in The Music Man. He
has studied ja zz with Fr
Rick Atwell, and Denise
ed Weiss,
LaPointe , ballet with Ka
theryn Sullivan and Al
Tresser, tap with Deni
exander
se Butterfly and moder
n dance with Miguel
Milton May ers.
Lopez and
\
�Flutist GEORGETTA MAIOLO is a graduate of Duquesne University,
Pittsburgh, Pennyslvania with a Bachelor of Science Degree in Music
Education.
She attended graduate school at West Virginia University,
Morgantown, West Virginia. She has studied with Bernard Goldberg, principal
flutist of the Pittsburgh Symphony, Marcel Moyse at Marlboro School of Music,
and Victor Saudek. At the age of 15, she made her solo debut with the
Pittsburgh Symphony. Maiolo is the recipient of numerous honors. She is the
principal flutist with the Binghamton Philharmonic Orchestra, Tri-Cities Opera
Orchestra, B.C. Pops Orchestra, Southern Tier Concert Band and Downtown
Singers Orchestra. In addition to her playing positions, she concertizes as a
soloist, recitalist, and chamber musician. As a soloist, she has appeared with the
Binghamton Youth Symphony, Oneonta Symphony, Geneseo Community
Orchestra, Hornell Symphony and Symphonette, Elmira Symphony, B.C. Pops
Orchestra, and high school orchestras and wind ensembles. She is a member of
the Binghamton Woodwind Quintet, The Three Winds, Flute and Harp Duo,
Four Flutes for Fun, and the Binghamton University Faculty Woodwind Quintet.
Maiolo is a faculty member at Binghamton University and Broome Community
College, teaching flute and directing flute ensembles.
CHAI-KYOU MALLINSON, on the faculty of the Department of Music
at Binghamton University, received a B.M. degree in Piano from Juilliard,
Licence d 'Enseignement from Ecole Normale de Music de Paris, France and a
M.A. degree from Binghamton University, where she studied with Jean
Casadesus. A prize winner in the Korean National Music Competition, she was
awarded the French Government Scholarship, Tanglewood Summer Music
School Full Scholarship and the Fontainebleau American Conservatory Full
Scholarship. She gave a debut Recital in Carnegie Recital Hall and has been
active as a recitalist, vocal accompanist and coach, and chamber music
performer, as well as an active adjudicator of piano auditions and competitions.
By invitation, she appeared in a performance with the Seoul Philharmonic
Orchestra, which Eumag Choonchu, one of Korea's most respected music
magazines, described as "of rare quality, moving and lyrical----". As a teenager
iin her native Korea, she was invited to perform with the orchestra of the Korean
Broadcasting System after winning a prize in the Korean National Music
Competition in Piano. She made numerous appearances on Korean TV and
radio, and has performed in Europe and in the U.S.
LARA LONGSWORTH (mezzo-soprano) is from Richmond, VA. She is
a member of the Tri-Cities Opera Resident Artist Training Program and a
candidate for a Master of Music in Opera at Binghamton University.
Longsworth is a graduate of Virginia Commonwealth University where she sang
the title role in Rossini's La Cenerentola, Prince Orlofsky in Strauss's Die
Fledermaus, and Fidalma in Cimarosa's fl Matrimonio Segreto. She made her
Tri-Cities Opera debut as the Mother in Menotti's Amahl and the Night Visitors.
�Coming Events
Saturday, March 6 - Duke Ellington Orchestra - 8:00 p.m. - Anderson
Center Concert Theater - $25 general public; $20 faculty/staff/seniors; $10
students (co-sponsored by the Harpur Jazz Project)
Sunday, March 7 - University Wind Ensemble - "Cinematic Signatures II Music by John Williams" - 3 :00 .m. - Anderson Center Concert Theater free
Thursday, March 18 - Mid-Day Concert with Faculty and student performers
- 1:20 p.m. - Casadesus Recital Hall - free
Saturday, March 20 - Harpur Chorale and Women's Chorus - 8:00 p.m. Anderson Center Chamber Hall - free
Sunday, March 21 - Mozart Lecture/Recital - Lecture by Alice Mitchell with
faculty artists performing - 3:00 p.m. - Casadesus Recital Hall - $8 general
public; $6 faculty/staff/seniors ; free for students
Thursday, March 25 - Harpur Trumpet Ensemble Concert - 8:00 p.m. Casadesus Recital Hall - free
Saturday, March 27 - Songs My Teachers Taught Mc - Soprano Mary
Burgess and Friends - 8:00 p.m. - Anderson Center Chamber Hall - $14
general public; $12 faculty/staff/seniors; $6 students
l
Thursday·,. April 1 - Mid-Day Concert with faculty and student performers 1:20 p.m. - Casadesus Recital Hall - free
Thursday, April 15 - Mid-Day Concert with faculty and student performers I :20 p.m. - Casadesus Recital Hall - free
Saturday, April 17 - University Chorus and Orchestra - Mozart's Requiem
- Bruce Borton, conductor - 8:00 p.m. - Anderson Center Concert Theater $8 general public; $6 faculty/staff/seniors; free for students
Sunday, April 18 - The King of the Instruments: Guest Organist David
Heller - 4:00 p.m. - First Presbyterian Church, Chenango Street, Binghamton
- $14 general public; $12 faculty/staff/seniors; $6 students
Thursday, April 22 - Jazz Mid-Day Concert with guest artists - I :20 p.m. Anderson Center Concert Theater - free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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1 audio disc
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1:04:35
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Title
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A tribute to Ezra Laderman, March 5, 2004
Alternative Title
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Recital Tape 2004-3-5
Description
An account of the resource
Works of Laderman
At head of title: Binghamton University Department of Music
Creator
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Laderman, Ezra
Maiolo, Georgetta
Torres, Marlon
Mallinson, Chai-Kyou
Longsworth, Lara
Borton, Bruce
Date
A point or period of time associated with an event in the lifecycle of the resource
3/5/2004
Rights
Information about rights held in and over the resource
In copyright
-
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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0:37:04
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253427&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253427&change_lng=en&select_viewer=metsViewer</a>
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Title
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Senior recital, February 29, 2004
Alternative Title
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Recital Tape 2004 2-29
Creator
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Lucia, Jennifer
Date
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2/29/2004
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In copyright
-
https://omeka.binghamton.edu/omeka/files/original/6f2c5af34ce9ddc5fe257ddab08cb3fe.pdf
6a74c6e7f56f90a4308eb1a85c1d237f
PDF Text
Text
V A
U
f<<tt.\
al
tape
2003
5-3
c_ COL
SPE
BINGHAMTON
U N I V E R S I T Y
State University of New York
Department of Music
HARPUR CHORALE
Peter Browne, conductor
WOMEN'S CHORUS
Jane True, conductor
Saturday, May 3, 2003
3:00 p.m.
Trinity Memorial Church, Binghamton
�Program
Harpur Chorale
I.
Jubilate Deo .................................................................. Orlando di Lasso
(1530-1594)
Ave Verum Corpus ............. ................................................. W.A. Mozart
(1758-1791)
Sanctus ............. .................................................... Johann Sebastian Bach
(1685-1750)
II.
Rejoice in the Lamb ...................................................... Benjamin Britten
(1913-1976)
Jennifer Lucia, soprano
Deanna Bunal, alto
Josh McMahon, tenor
Christopher Waterstraat, bass
John Novak, organ
III.
0 How Amiable ............................................... Ralph Vaughan Williams
(1872-1958)
Praise Ye the Lord ................................................................. John Rutter
(b. 1945)
John Soto, baritone
�Women's Chorus
IV.
Laudate pueri Dominum ........................... Felix Mendelssohn-Bartholdy
Opus 39, No. 2
(1809-1847)
Messe Basse ......... ............................................................... Gabriel Fauré
Kyrie
(1845-1924)
Sanctus
Benedictus
Agnus Dei
How Can I Keep From Singing ......................................... Arr. Jane True
Jane True, conductor
�About The Performers
PETER BROWNE, conductor of the Harpur Chorale, is a graduate of Bard
College, and received his MM degree from Binghamton University in 1980. He was
an organ performance major at both institutions, serving as chapel organist during
his student years at Bard. While at Binghamton University, he studied organ with
Paul Jordan and Searle Wright, and choral conducting with David Buttolph. He has
done additional coursework at Westminster Choir College and several other schools.
In 1994, he was awarded a fellowship to study choral conducting with Sir David
Willcocks, former music director of King's College Chapel, Cambridge, and the Bach
Choir of London. Browne has served as a church musician in Pennsylvania,
Connecticut, and New York, and has been organist-choir director at Trinity Episcopal
Church in Binghamton since 1981. He was interim choral director at Binghamton
University in 1986-87, and continues as accompanist for the University Chorus. He
has appeared as a conductor, soloist, and accompanist in the eastern U.S.
Harpur Chorale
Soprano
Hila Bezalel
Johanna
Blackstone
Samantha LaDue
Jennifer Lucia
Jane True
Emily Y anisko
Alto
Shannon Ahn
Deanna Bunal
Amali Cowan
Emily Mangino
Pamela Schrage
Rebeccah Socoloff
Megan Westfall
Sarah Williams
Alexis Witek
Amy Wolff
Tenor
William Duffy
Martin Goldman
Seung Lee
Joshua McMahon
Santosh Varghese
Christopher Tartaro
Ozzie Bute
Bass
Michael Boxer
Mark Ceci
Benjamin Darfler
Michael Mondazzi
John Resser
Joseph Salina
Christopher Waterstraat
JANE TRUE, conductor of the Women's Chorus, is a graduate
assistant in the University's Department of Music.
Woman's Chorus
Soprano I
Nicole Casale
Jennifer Curiano
Laura DeCarlo
Jenny Gill
Meaghan Hait
Cheryl Hill
Wendy Schneider
Bonnie Streigold
Regina Zimmers
Alto I
Melissa Balfus
Naomi Boyarsky
Emily Creo
Han-Ni Jang
Michelle Katz
Eva Kiviat
Ramayee
Periakaruppan
Valerie Stepien
Soprano II
Rachel Herman
Aine Mccaughey
Catherine McDonald
Debra Menter
Kate Metzler
Jamie Mittleman
Hilary Parry
Maria Puntillo
Jessica Rios
Segaal Schorr
Kathy Kim, rehearsal pianist
Jesslyn Shafer
Irene Strong
Jennifer Walsh
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
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Original Format
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1 audio disc
Duration
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0:47:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253424&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253424&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Chorale and Women's Chorus, May 3, 2003
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2003-5-3
Description
An account of the resource
Women's Chorus, Jane True, conductor
Title on disc surface: Harpur Chorale & Women's Chorus, 5/3/2003
Creator
An entity primarily responsible for making the resource
Browne, Peter
True, Jane
Date
A point or period of time associated with an event in the lifecycle of the resource
5/3/2003
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/57ad0c39f8804e214acc6c140aaf9102.pdf
137c7bfca1663ae73660a5ac220280a6
PDF Text
Text
UNIV ARC
i ci l
t
pe
2003
4-
3
SP C CO L
State University of New York
Department of Music ·
The Harpur Tr11mpet Ensemble
Ben Aldridge, Director
Margaret A. Reitz, Accompanist
Thursday, April 3, 2003
8p . m.
Casadesus llecital Hall
�Program
Fanfare for Europe .................................................. Edmund Rubbra
(1901-1985)
Prayer of St. Gregory .............................................. Alan Hovhaness
(1911-1989)
Todd Paciencia
Nightsongs ............................................................... Richard Peaslee
(b. 1947)
Erinn Hibbard
Chorale ..................................................................... Verne Reynolds
(b. 1936)
Angels ................................................... ..... Carl Ruggles
(1876-1971)
--Intermission -Chorale ........................................................................... G.F. Handel
(1685-1759)
Sonatina .................................................................. Harald Genzmer
Andante Tranquillo
(1918-1984)
Phillip Deitz
Concerto ..................................................................... .Robert Planel
Anime - Lent - Vivace
(b. 1923)
Erinn Hibbard
Canzon ..................................................... ................. Samuel Scheidt
(1587-1684)
Here's That Rainy Day ............................. .............. Jim Van Heusen
�About the Performers
BEN ALDRIDGE holds both Bachelor's and Master's degrees from Yale
University, and began teaching trumpet at Binghamton University in 1976.
Aldridge has directed both trumpet and mixed brass ensembles throughout his
tenure at BU, has performed both solo and chamber repertoire, and has taught
theory as well. Aldridge is a member of the Binghamton Philharmonic and the
Utica and Catskill Symphonies, as well as the Utica and Catskill Symphonies, as
well as the Northeast Pennsylvania Philharmonic and the Glimmerglass Opera
Orchestra. He also performs with and arranges for the Catskill Brass Quintet.
Aldridge is a charter member of the international Trumpet Guild, and has been
recorded on Columbia and Redwood records.
MARGARET REITZ, piano, received her Bachelor and Master of Music
degrees in piano performance with accompanying emphasis. She attended
Boston University, New England Conservatory and Binghamton University.
She has studied piano with Jean Casadesus, Victor Rosenbaum, Seymour Fink
nied
and Walter Ponce and accompanying with Allen Rogers . She has
has
aaccompa
c
throughout the United States, in England, South America, and at the American
Institute of Musical Studies in Graz, Austria . Reitz has been on the faculty at
Binghamton University since 1991 and The Ithaca College School of Music
since 1999.
�The Ensemble
Trumpets
Phillip Deitz
Timothy Haley
Michael McKean
Alex Rubie
Derek Ersbak
Erinn Hibbard
Todd Paciencia
Sarah Streb
Horns
Greg Cecere
Patrick Lokken
*********************** ********
Coming Events
Friday, April 4-An Evening of Piano Music with Ewa Mackiewicz-Wolfe8:00 p.m. - Anderson Center Chamber Hall - $14 general public; $12
faculty/staff/seniors; $6 students
Thursday, April 10- Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall -- free
Saturday, April 12 - University Chorus and Orchestra, Timothy Perry,
conducting - 8:00 p.m. - Anderson Center Concert Theater - $8 general
public; $6 faculty/staff/seniors; free for students
Thursday, April 24 - Mid-Day Concert with faculty and student performers 1:20 P.M. - Casadesus Recital Hall - free
Sunday, April 27 - Guest Organist: Todd Wilson - 4:00 p.m. - First
Presbyterian Church, Chenango Street, Binghamton - $14 general public; $12
faculty/staff/seniors; $6 students
Tuesday, April 29 - Piano Recital by students of Michael Salmirs - 8:00
p.m. - Casadesus Recital Hall - free
Thursday, May 1 - Jazz Mid-Day Concert with guitarist Dave Stryker - 1:20
p.m. - Watters Theater - free
Thursday, May 1 - Harpur Jazz Ensemble with guitarist Dave Stryker- 8:00
p.m. - Watters Theater - $8 general public; $6 faculty/staff/seniors; free for
students
Friday, May 2 - Flute Studio Recital - 10:00 a.m. - Casadesus Recital Hall free
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
0:47:58
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253421&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253421&change_lng=en&select_viewer=metsViewer</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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The Harpur Trumpet Ensemble, April 3, 2003
Alternative Title
An alternative name for the resource. The distinction between titles and alternative titles is application-specific.
Recital Tape 2003-4-3b
Description
An account of the resource
Works of Edmund Rubbra, Alan Hovhaness, Richard Peaslee, Verne Reynolds, Carl Ruggles, G.F. Handel, Harald Genzmer, Robert Planel, Samuel Scheidt, Jim Van Heusen.
Creator
An entity primarily responsible for making the resource
Aldridge, Benjamin
Reitz, Margaret
Date
A point or period of time associated with an event in the lifecycle of the resource
4/3/2003
Rights
Information about rights held in and over the resource
In copyright