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BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
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D ANIEL FABRICIUS , CONDUCTOR
Sunday, November 23, 2014
3:00 p.m.
Anderson Center Chamber Hall
�PROGRAM
HOMAGE (
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ELEGY FOR A YOUNG AMERICAN (1964)............................Ronald Lo Presti
(b. 1961!
. SCENES FROM “THE LOUVRE” (1966)..............................Norman Dello Joio
(19132008)
i
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I. The Portals
II. Children’s Gallery
III. The Kings of France
IV. The Nativity Paintings
V. Finale
"’ * * "' * lNTERMlSS/ON * * "‘ "" *
. SLAVA! (1977)....ccosssmmmsssssmsssanssssssssssssassassmssssanssssansessensassess Bernstei .
(19181990)?
Transcribed by Clare Grundman
MUSIC FOR PRAGUE 1968 (1968)..................................................Karel Husa.
(b.1921¥
I. Introduction and Fanfare
II. Aria
III. Interlude
IV. Toccata and Chorale
�24
( RSITY WIND SYMPHONY
Daniel Fabricius, Conductor
ALTO SAXOPHONE
Andrew Pfeiffer
Nicholas Follett
Julia Dunnigan
' ‘rsuo n SAXOPHONE
Crystal Fisher
BARITONE SAXOPHONE
Daniel Gross
, TRUMPET
Brandon Young
371 Brandon Ashley
Letitia Kar Hoo
TROMBONE
Jacob Solon
Joshua Yamuder
Daniel Romberger
EUPHONIUM
Ryan Shumaker
TUBA
Matthew Vegiard
Patrick Jones
PERCUSSION
Emily Goetz
William Potts
Alex Rava
Robert Hopkins
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�CONDUCTOR
Daniel Fab ricius h a s b een a member of the music faculty since 1992,
percussion i n s t r u c t O r for twenty years before his appointment as con
the Bingh amton UHlVersity Wind Symphony. He holds degrees from ma
University and I t h a c a College and has studied conducting with Donal
(Mansfield Univers ity) Rodney Winther (Ithaca College), Stephen pe
(Ithaca Co llege). COI Arnald Gabriel (US Air Force), and Mallory Th
(Northwestern UniVErsi ty). In addition to his duties at BU he also s”
Director of B a n d s at Owego Free Academy where he has develop
outstanding lnStru mental music program. The bands at OFA have r
plenty of praises a n d the OFA Jazz Band has been honored to present
performances a t t h e NYSSMA Winter Conference in 2008 and 2013. "
He is highly r e g a r d e d in the region as a conductor, as a percussion pe "
and as a m u s i c educator. He has been a member of the Bingh
Philharmonic p e rc u s s i o n section since 1982 but is also comfortable perfor
in popular, r o c k , Jazz, and other styles. He has played as a freW
percussionist, acco mpanyin g national touring artists such as Michael W §
Tommy Tune, J e r r y Vail, Lorrie Morgan, Ringling Brothers Circus, the S
Brothers, and E l l a Fitzgerald. Professor Fabricius has served the New Yo "
Slil’lOOl Music ASSOC lation as an AllState Percussion adjudicator for many
He also serves N Y S S M A as the Instrumental Jazz Reviews editor of The Sc
Music News a n d i s t h e Jazz Editor for the NYSSMA Manual. In additio, t
collegiate work a t B U , he has also served Ithaca College as a consultan
member of the S u m m e r Session faculty, and as a cooperating teacherf
35 student t e a c h e r s , He also serves the Summer Music Academy atf"1
College as a p e r c u s s i o n instructor and jazz ensemble conductor. I
Presented many C l i n i c s at music conventions and conferences and often.
as a guest CO PdUCtO” for honor band festivals.
� ”*
, 7
PROGRAM NOTES
ost literal sense: a piece for an occasion. The actual occasion
ns ’ s’t’wentieth anniversary as a conductor of the top Dutch brass
Gloria” (Leeuwarden). To mark the occasion, the band
ii” “Belgian composer Jan Van der Roost to create a surprise
owledge of the person being celebrated, a suitable source of
,
f’ g; ught for. After some thought the choraletheme from Camille
' ‘ “ symphony was chosen, a piece with which Jan de Haan has a
}ft from this chorale, Homage is also based on the names of
m Jan de Haan’ and ‘Soli Deo Gloria’, resulting in the tone row:
sments are combined together and form a grand climax towards
e when the whole band unites in the Saint Saéns’ theme.
, ‘ was born in Duffel, Belgium, in 1956. He studied trombone,
‘t ’and musical education at the Lemmensinstituut in Leuven
m , tinued his studies at the Royal Conservatoires of Ghent and
ihe qualified as a conductor and a composer. At present, he
Wmensinstituut in Leuven (Belgium), is special guest professor
itute of Music” in Tokyo, guest professor at the “Nagoya
" and visiting professor at Senzoku Gakuen in Kawasaki (Japan).
lific composer, he is very much in demand as an adjudicator,
' ‘ n ga nd a guest conductor: his increasing musical activities
ore than 40 different countries in 4 continents, whereas his
being performed and recorded all over the world. Many of
, s have been broadcast on radio and TV in various countries
. have been recorded on CD by renowned performers all over
_
7 ‘ der Roost exclusively composes commissioned works, till
g Z « ' such countries like Belgium, Holland, Switzerland, Italy, the
France, Singapore, Austria, Canada, Norway, Germany,
M '
rg and Hungary.
r.
,
g
.
A r YOUNG AMERICAN – Elegy for a Young American was written in
' ~ .. ed to the memory of President John F. Kennedy. The many
' ing can be felt as the work unfolds. A quiet adagio sets a tone
dna fisoiemnity in the beginning. Feelings of shock and denial are
he dynamics and octave jumps in the melody. Anger and remorse
files, but they are replaced with a resolution of the loss and an
‘ ‘ ion of the contributions of this great American. The maestoso
s us again of our loss.
�Ronald LoPresti, clarinetist and composer, was born in 1933 in Williamstown,
Massachusetts. After graduating from the Eastman School of Music he received
many grants from the Ford Foundation and has also served as the Composerin
Residence for the Ford Foundation. LoPresti has taught at Texas Technical
University, Indiana State College, and Arizona State University. His most popular
work is Elegyfor a Young American, but he has also composed A Festive Music;
Introduction, Chorale, and Jubilee; Pageant Overture; Suite for Winds; Tribute;
and Tundra.
SCENES FROM “THE LOUVRE” Scenes from the Louvre comes from a 1964
television documentary produced by NBC News called A Golden Prison: The
Louvre, for which Dello Joio provided the soundtrack. The documentary tells the
history of the Louvre and its worldclass collection of art, which is in many ways
inseparable from the history of France.
Dello Joio chose to use the music of Renaissanceera composers in his
soundtrack in order to match the historical depth of the film. He collected the
highlights of this Emmywinning score into a fivemovement suite for band in
1965. The first movement, Portals, is the title music from the documentary, and
it consists entirely of Dello Job’s original material, complete with strident
rhythms and bold 20thcentury harmony. The second movement, Children’s
Gallery, never actually appears in the film. It is a lighthearted theme and
variations of Tielman Susato’s Ronde et Saltarelle. The stately third movement
is based on themes by Louis XIV’s court composer, Jean Baptiste Lully, and is
aptly titled The Kings of France. Movement four, The Nativity Paintings, uses the
medieval theme In Dulci Jubilo. The Finale uses the Cestiliche Sonata of Vincenzo
Albrici as its source material, to which Dello Job adds his own harmonic flavor,
particularly in the final passages of the piece. The band work, commissioned by
BaldwinWallace College for its symphonic band, was premiered in 1966 with
the composer conducting.
Norman Dello Joio was born in New York City to Italian immigrants and began
his musical career as organist and choir director at the Star of the Sea Church
on City Island in New York at age 14. His father was an organist, pianist, and
vocal coach and coached many opera stars from the Metropolitan Opera. He
taught Norman piano starting at the age of four. In his teens, Norman began
studying organ with his godfather, Pietro Yon, who was the organist at Saint
Patrick’s Cathedral. In 1939, he received a scholarship to the Juilliard School of
Music, where he studied composition with Bernard Wagenaar.
As a graduate student at Juilliard he arrived at the conclusion that he did not
want to spend his life in a church choir loft, and composition began to become
�his primary musical interest. In 1941, he began studies with Paul Hindemith, the
man who profoundly influenced his compositional style. It was Hindemith who
told Dello Joio, “Your music is lyrical by nature, don’t ever forget that.”
A prolific composer, the partial list of Dello Joio’s compositions include over
fortyfive choral works, close to thirty works for orchestra and ten for band,
approximately twentyfive pieces for solo voice, twenty chamber works,
concertos for piano, flute, harp, a Concertante for Clarinet, and a Concertino for
Harmonica. He has also written a number of pedagogical pieces for both two
and four hands. Dello Joio taught at Sarah Lawrence College, the Mannes
College of Music, and was Professor of Music and Dean of the Fine and Applied
Arts School of Boston University. From 1959 until 1973, he directed the Ford
Foundation’s Contemporary Music Project.
SLAVA! – When prominent Soviet cellist and conductor Mstislav ”Slava”
Rostropovich invited his friend Leonard Bernstein to help launch his inaugural
concert as Music Director of the National Symphony Orchestra, he also asked
him to write a rousing opening piece for the festivities. The world premiere took
place in 1977 at the Kennedy Center in Washington, DC.
Slava! is filled with joyous tunes and contrasts. Theme one is a vaudevillian razz
matazz with slideslipping modulations and glissing trombones. Theme two,
which features the electric guitar and soprano saxophone, is a canon in 7/8
time. Near the end, the ubiquitous trombones quote from the ‘Coronation
Scene’ of Mussorgsky’s opera Boris Godunov where the chorus sings ”slaval”
(”gloryl”), paying homage to Rostropovich, to whom the work is fondly
dedicated.
Leonard Bernstein was an American composer, pianist, and conductor. He was
born to Russian immigrants and attended Boston Latin School, Harvard
University, and the Curtis Institute of Music. His studied with composers Edward
Burlingame Hill and Walter Piston as well as conducting with Fritz Reiner. In the
summers of 1940 and 1941 he studied conducting at Tanglewood with Serge
Koussevitzky along with Frederick Fennell, Lukas Foss, and Walter Hendl. He
become assistant conductor of the New York Philharmonic in 1943 and it was in
this role he became famous by filling in last minute for Bruno Walter for a
national broadcast on 14 November 1943. His Symphony No. 1, “Jeremiah” was
premiered by the Pittsburgh Symphony in January 1944 followed by Fancy Free
and On the Town by the end of the year. These successes led to numerous
opportunities overseas, including being the first American to conduct at La
Scala. In 1951 he become the head of conducting at Tanglewood and seven
years later became Music Director of the New York Philharmonic (19581969).
�In this position he promoted new music, developed a series of Young People’s
Concerts, and recorded the symphonies of Mahler but was limited in his time to
compose. Bernstein was able to compose more in the 1970s. He wrote in many
styles encompassing symphonic and orchestral music, ballet, film and theatre
music, choral works, opera, chamber music and pieces for the piano. Many of
his works are regularly performed around the world, although none has
matched the tremendous popular and commercial success of his musical
theater masterpiece, West Side Story.
MUSIC FOR PRAGUE 1968 –
“It is not as beautiful a music as one always would like to hear. But we
cannot always paint flowers, we cannot always speak in poetry about
beautiful clouds, there are sometimes we would like to express the fight
for freedom.” Karel Husa
Music for Prague 1968 was commissioned by the Ithaca College Concert Band.
It was premiered by the commissioning ensemble in Washington, D.C., on 31
January 1969, Dr. Kenneth Snapp, conductor, at a concert for the Music
Educators National Conference.
Three main ideas bind the composition together. The first and most important
is an old Hussite war song from the 15th century, “Ye Warriors of God and His
Law,” a symbol of resistance and hope for hundreds of years, whenever fate lay
heavy on the Czech nation. It has been utilized by many Czech composers,
including Smetana in My Country. The beginning of this religious song is
announced very softly in the first movement by the timpani and concludes in a
strong unison (Chorale). The song is never used in its entirety.
The second idea is the sound of bells throughout; Prague, named also The City
of “Hundreds of Towers,” has used its magnificently sounding church bells as
calls of distress as well as of victory.
The last idea is a motif of three chords first appearing very softly under the
piccolo solo at the beginning of the piece, in flutes, clarinets, and horns. Later it
reappears at extremely strong dynamic levels, for example, in the middle of the
Aria.
Different techniques of composing as well as orchestrating have been used in
Musicfor Prague 1968 and some new sounds explored, such as the percussion
section in the Interlude, the ending of the work, etc. Much symbolism also
appears: in addition to the distress calls in the first movement (Fanfares), the
unbroken hope of the Hussite song, sound of bells, or the tragedy (Aria), there
�is also the bird call at the beginning (piccolo solo), symbol of liberty which the
City of Prague has seen only for a few moments during its thousand years of
existence. Program Notes by Karel Husa
At the time of the composition, Husa was an exile from his native
Czechoslovakia because of his avant garde music. He was contemplating the
inspiration for a new work commissioned by the Ithaca College Concert Band.
Through the first eight months of 1968, Czechoslovakia’s new Communist Party
chief, Alexander Dubcek set in motion a series of sweeping reforms aimed at
making Czech socialism more liberal and humane, now known as the ”Prague
Spring". The Soviet government apparently could not entertain the thought of
this reformist movement succeeding so they ordered the combined armies of
the Warsaw Pact nations to invade and seize control of the government on
August 20, 1968. The tragic events that followed provided Husa with
inspiration. Listening to news of the event happening in his homeland, Husa
was filled with the need to write a piece to honor the beauty of his native city
and express the utter devastation and injury that he felt because of its great
suffering. The piece is full of allusions to war, chaos, and destruction, but it also
includes the theme of a 15th century Hussite war song; birdcalls, which
symbolize fleeting freedom; the use of brass to convey power; and the use of
percussion to represent the bells of Prague. Within the next seven weeks,
scoring at a high level of inspiration and incentive, Husa composed Music for
Prague 1968 finishing the score in October.
Twentyfive years ago with the astonishing fall of the Berlin Wall and the
eventual “opening up” of Czechoslovakia, friends and admirers flooded Husa
with expressions of support, knowing how deeply he felt his cultural heritage.
In 1990 Husa was finally able to conduct the work in the city of Prague. It was
a poignant homecoming, marking not only the success and perseverance of an
individual artist, but heralding a changing world – changing this time in favor of
hope, new freedom, and new dignity.
�Binghamton Community Orchestra 5
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Presenting Quality Orchestral Lgperiences for the
20742015 Season
“The Mighty Handful”
Saturday, ‘oyember 22, 2014
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“How Suite It Is!” !
Saturday, February 28, 2015 '
“Romantic Spring”
Saturday, May 9, 2015
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Welcoming back to the podium as conductor
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Dr. Timothy Perry
(I a s )
Concerts start at 7 pm
East Middle School
167 East Frederick Street
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Act ‘1 ofVchIS comic
opera “Falstaff
based on
Shakespeare’s
“The Merry Wives of
Wlndsor’
and a scene from
Douglas Moore’s
The Ballad of Baby
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Sunday, December 7 at 1 p.m. and 4 p.m. In the Anderson Chamber Hall
For tickets, call (6071 777ARTS or VISIl anderson binghamton edu
�B I N G H A m T O N r PHILHARMO NlC
JoséLuis Nova ( j Music Director
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236 Washington St, » Binghamton, NY
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purchase online at tricitiesopera.com.
�Bing ham ton U niver sity M usic Department’s
C o m i n g E vents
4&65–fififlflébflébfifiéfl6éflhfibfiéfl
Tuesday, Decem ber 2 Percussi on Ensem ble Conc ert – 7:30 p.m. – Osterhout Concert Theat
er $7
general public; $ 5 faculty/staff/seniors/alumni; free for students
771ursday, D e c e m b e r 4 M i d D a y C o n c e r t 1:20 p.m. Fine Arts Building, Room 21 free
Friday, D e ce m b e r 5 F l u t e S t u d i o a n d F l u t e C h a m b e r C o n c e r t 10:45 a.m. Casadesu
s Recital
Hall free
Friday, December 5 Holiday Organ Concert featuring jonathan Biggers – 7:30 p.m. United
Presbyterian Church, 42 Cheango Street, Binghamton $5 general public; free for students
Saturday, December 6 – University Symphony Orchestra: From the New World 3:00 p.m.
Osterhout Concert Theater $7 general public; $5 faculty/staff/seniors/alumni; free for students
Saturday, Decem ber 6 Italian D iction Cl ass Recital 7:30 p.m. Casadesus Recital Hall
free
Sunday, Decemb er 7 F i r st A c t o f Verdi’s “ Falstafi" ' lp.m & 4 p.m. Anderson Center C
hamber
Hall $10 general public; $7 faculty/staff/seniors/alumni; $5 for students
Tuesday, Decem ber 9 P i a n o Ensemb le C o n ce r t – 7:30 p.m. Casadesus Recital Hall – free
Wednesd ay, Dece mber 1 0 N u k p o r fe African Drummi ng,I a n d D ance En semble 7:30 p.m
.
Watters Theater $5 general admission at the door
77tursday, Decem ber 1 1 – Holida y MidDay Concert 1:20 p.m. Casadesus Recital Hall
free
Thursda y, Decem ber 1 1 H a r p u r Chorale a n d Women ’s C h o r u s H o l i d a y Concert 7:30 p.m
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Trinity Memorial Church, Binghamton a free donation will be collected at the door
Friday, D ecembe r 12 Chinese Singing Class Re cital 7:30 p.m. Casadesus Recital Hall free
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For tickets or to be added to our email list, visit andersonbinghamtoncdu or call (607)
[ = ] 777ART S. For a complete list of our concerts call (607) 7772592. visit
—
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I f you were inspired by this performance, consider supporting the Department of M usic
with a fin ancial gift. Your support helps to continue the work of students, fac ulty, and
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Music Department, P. O . Box 6000 , Binghamton, N Y 1 3902.
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Binghamton University Wind Symphony presents In Memory and in Tribute - An Homage in Music
Subject
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Concerts
Instrumental music
Live sound recordings
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Works by Van der Roost, Lo Presti, Joio, Bernstein, Grundman, Husa. Held at 3:00 p.m., November 23, 2014, Anderson Center Chamber Hall.
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University Wind Symphony
Fabricius, Daniel
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Binghamton University Libraries
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Van der Roost, Jan
Lo Presti, Ronald
Dello Joio, Norman
Bernstein, Leonard, 1918-1990
Grundman, Clare
Husa, Karel
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11/23/14
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sound
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PDF Text
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BINGHAMTON
E R S I T Y
U N I V
S T A T E U N I V E R S I T Y O F N E W Y O R K
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Thursday, November 29, 2012
1:20 p.m.
Fine Arts Building, Room 21
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�PROGRAM
Praeludium in Cmajor, BuxWV 137.
Denise Bassen, organ
Ballade fiir Petra.
. Dietrich Buxtehude
(16371707)
Nebosja J. Zivkovic
(b. 1962)
Benjamin Ramos, marimba
.Robert Schumann
Variations on the name “Abegg”, op.1.
Daniel Malinovsky, piano
Prelude for Unaccompanied Cello .
(1810 1856)
. Peter Cody
(MM/Composition student)
Steve Stalker, cello
Two Registration Studies
Courante, from Partita VI in e minor ...Johann Sebastian Bach
TangoEtude No. 1 (2003).
(1685 1750)
(trans. T. Perry)
. Astor Piazzolla
(1921 1992)
(trans. Michel Pellegrino)
Timothy Perry, clarinet
Toccata and Fugue in Fmajor, BWV 540..
Johann Sebastian Bach
(1685 1750)
Daniel Rosenau, organ
�Binghamton University Music Department’s
Coming Events
W
W
W
Friday, November 30 Flute Studio and Flute Chamber Concert 10:15 a.m.
Casadesus Recital Hall free
Saturday, December 1 – “Holiday Concert for O rgan, Brass and
Percussion” featuring Jonathan Biggers and the Ithaca Brass – 4.00 p.m. –
United Presbyterian Church, 42 Chenango Street, Binghamton $9 general
public; $6 faculty/staff/seniors; $3 students
Sunday, December 2 – Wind Symphony Concert– 3:00 p.m. – Anderson
Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for
students
Tuesday, December 4 – Percussion Ensemble Concert– 8:00 p.m. –
Anderson Center Chamber Hall – $6 general public; $3 faculty/stafi/seniors; free
for students
Thursday, D ecember6 – Holiday MidDay Concertv 1:20 p.m. – Casadesus
Recital Hall free
Saturday, December 8 – University Symphony Orchestra – 3:00 p.m. –
Osterhout Concert Theater – $6 general public; $3 faculty/staff/seniors; free for
students
Saturday, December 8 – Master’s Recital: Meghan Cake/Ii, soprano – 8:00
p.m. – Casadesus Recital Hall – free
Sunday, December 9 – Hansel and Gretel – 1:00 p.m. – Anderson Center
Chamber Hall – $9 general public; $6 faculty/staff/seniors; $ 3 students
Sunday, December 9 – Hansel and Gretel– 4:00 p.m. – Anderson Center
Chamber Hall – $9 general public; $6 faculty/staff/seniors; $3 students
Sunday, December 9 – Senior Recital: Sungkyun Ryu, p iano – 7:30 p.m. –
Casadesus Recital Hall – Free
Thursday, December 13 – Harpur Chorale and Women’s Chorus – 8:00 p.m.
– Trinity Memorial Church, Binghamton – a good will donation will be collected at
the door
Friday, D ecember 14 – Nukporfe African Drumming and Dance Ensemble –
7:00 p.m. – Watter’s Theater – $3 general public
E
For tickets or t o be added t o our email list, visit
anderson.binghamton.edu o r call (607) 777ARTS. For 11 complete list of
:
E
o u r concerts call (607) 7772592, visit music.binghamton.edu o r become
a [ a n on Fuccboak
[ = ] g
I/ you were inspired by this per/armunce, consider supporting the
Department o f M usic with u [ inancizlgi/t. Your support helps to contrnue
the work of students, /aculty, and guest artists and their contributions t o
our community. Please make your donation payable t o t he Binghamton
University Music Department, and send your check t o BU Music
Department, P.O. Box 6000, Binghamton, NY 13902.
�
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Mid-day concert, November 29, 2012
Description
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Works by Buxtehude, Zivkovic, Schumann, Cody, Bach, Piazolla Held at 1:20 p.m., November 29, 2012, Fine Arts Building, Room 21.
Creator
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Bassen, Denise
Ramos, Benjamin
MaliNovember sky, Daniel
Perry, Timothy B.
Rosenau, Daniel
Cody, Peter
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Binghamton University Libraries
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11/29/12
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In copyright
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sound
-
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Flute studio & chamber concert from the studio of Georgetta Maiolo, November 30, 2012
Description
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Works by Telemann, John, Mozart, Vivaldi, Widor, Hindemith, Kummer, Christenson Held at 10:15 a.m., November 30, 2012, Casadesus Recital Hall.
Creator
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Maiolo, Georgetta
Mallinson, Chai-Kyou
Kasinski, Devin
Safran, Nicole
Dayan, Hagar
Ralbovsky, Lindsay
Biagiotti, Jessica
Natale, Cara
Robins, Jacqueline
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Binghamton University Libraries
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11/30/12
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sound
-
https://omeka.binghamton.edu/omeka/files/original/63c1084c682e1f9862d616a339169fe0.pdf
f11578c08aab2cd8973f6799f07b0d5a
PDF Text
Text
U N I V Bre
Binghamton University Department of Music
R
~~ THURSDAY MIDDAY CONCER T
November 4, 2004 – 1:20 P.M . – Casadesus Recital Hall
I
\
Sonata for Solo Violin
Tempo di ciaccona
Akira Maezawa, violin
Linden Lea
Jennifer Curiano, soprano
ChaiKyou Mallinson, piano
G
l Boy
Amorosi miei glorni
Kate Metzler, soprano
ChaiKyou Mallinson, piano
Fantasie for Viola and Piano
Melissa Mattern, viola
Margaret Reitz, piano
...............Béla Bartok
(18811945)
.....Ralph Vaughan Williams
(18721958)
................Fred Weatherly
(18481929)
...............Stefano Donaudy
(18791925)
Johann Nepomuk Hummel
(17781837)
vivssmessorssidy Kompaneyec
Bashkir Hummingson
Timothy Perry, clarinet
Margaret Reitz, piano
Prelude for Viola and Clarinet
Timothy Perry, clarinet
Roberta Crawford, viola
Trio for Piano, Clarinet and Viola, KV 498
Menuetto
Rebecca Clarke
(18861979)
Wolfgang Amadeus Mozart
(175691)
Timothy Perry, clarinet
Roberta Crawford, viola
Michael Salmirs, piano
Eight pieces for Clarinet and Viola, Op. 83, no. 2
Allegro con moto
Timothy Perry, clarinet
Roberta Crawford, viola
Michael Salmirs, piano
............Max Bruch
(18381920)
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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0:41:11
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Thursday mid-day concert, November 4, 2004
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Recital Tape 2004-11-4
Description
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Works of Bartók, Williams, Weatherly, Donaudy, Hummel, Kompaneyec, Clarke, Mozart, Bruch.
Held at 1:20 p.m., November 4, 2004, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Maezawa, Akira
Curiano, Jennifer
Mallinson, Chai-Kyou
Metzler, Kate
Mattern, Melissa
Reitz, Margaret
Perry, Timothy
Crawford, Roberta
Salmirs, Michael
Publisher
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Binghamton University Libraries
Date
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11/4/2004
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In copyright
-
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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77 minutes : 27 seconds
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[Friedheim memorial lecture/recital series] ["The evolution of a lute solo"] November 6, 2012
Description
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Works by Freidheim Held at 8:00 p.m., November 6, 2012, Casadesus Recital Hall.
Creator
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Sweeny, Paul Morris
Kaufman, Barbara
Salasny, Christina
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Binghamton University Libraries
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11/6/12
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5c80ba2b48fbdc858c44df5ad6dffc49
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BINGHAMTON
U N I V E R S I T Y
STATE UN:VEQSITY
OF
NEW YORK
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D E P A R T M E N T
Tnunsmv
Nib DA V CONCERT
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1:20 P.M.
CASADESUS RECITAL HALL
�PROGRAM
In this program we present an afiemoon of dance–drumming from southern
Ghana. These ensembles are the collective work the Beginning and Advanced
sections of African Dance (THEA 289J/389J;AFST 289J/389J) and the
African Music Ensemble (MUS 143B/MUSP 257;AFST 188B). These
courses are offered each semester through the Departments of Africana
Studies, Music, and Theatre Dance.
Beginning African Dance Class
l. Gahu. Gahu is a neotraditional dance that has been adopted and adapted
by the Ewe people of Ghana. It is an offshoot of the Gome dance, a Pan
Atlantic African dance form that emerged in the 19th century from the
synthesis of European hymns and marches with West African musical
sensibilities. The name Gahu suggests an airplane, and represents local
experiences with new technology and culture. The songs are often
humorous and fun, suggesting themes of courtship and celebration.
Advanced African Dance Class/ Nukporfe African Music Ensemble
ll. Slow Agbekor. Agbekor is a war dance of the Ewe people of Ghana. As
the drummers and dancers proceed to the stage in traditional fashion,
they sing a war song that calls the warriors to battle against the European
colonial powers. The second song memorializes the great warrior Kundo
who led warriors into battle and has been killed, The movements imitate
moments of the battle, and follow the drum language of the lead drum,
atsimevu.
Nukporfe African Music Ensemble
Illl Kparsa (Ghana). This dance comes from a neighboring group of the
Ewe, known as the GaAdangbe. The characteristic movement of Kpatsa
is a limping gait that imitates the movements of dwarfs, a magical race
of beings that inhabit rural areas in Ghana. These movements were
embellished with dance combinations and eventually became a social
and recreational dance known as Kpatsa, whose name is an
onomatopoeic reference to the movement of dwarfs.
Beginning African Dance Class
IV . Kpanlogo. Kpanlogo is also a new form o f traditional music that was
created by the Ga people, who reside in and around the capital o t h an a ,
Accra. it uses a distinct rh ythmic background that is found throughout
the Black Atlantic region in musics like Samba, Calypso and Rumba.
Advanced African Dance Class/ N uk porfe African Music Ense mble
V. Fumefume. Fumefume is another new form of traditional music among
the Ga people. Mustapha Tettey Addey, a renowned Ga drummer, is
credited for having created Fumefume out of earlier sacred dances that
were performed during traditional ritual events and ceremonies. This
dancedrumming is now performed during life cycle events such as birth,
naming, initiation, marriage/wedding and funerals among others.
Open Invitational Dance
Vl. Kinka (Ghana). Kinka is a relatively modern style of Ewe funeral music
that became popular in the 1950s. It features a distinctive body of songs
and drum language phrases that juxtapose images and themes from
traditional Ewe culture with modern life. For this piece we will invite
members of the audience to come up and dance!
PERFORMERS
Dances Directed and Choreographed by
Elikem Nyamuame, Departments of Music &T
heatre Dance
Drumming directed and arranged by
James Burns, Departments of Music and Africana Studies
Gavin Webb, Department of Music
If y ou lik e the music please follow our Facebook
page (Nukporfe African DanceDrumming
Ensemble) for upcoming perform ances.
All of the music and dance that you see today is performed by
students at Binghamton University, who are taking one of the
following courses in th e Departments of Music, Africana Studies,
and Theatre Dance:
If you are interested in learning the dancing please register for the
Beginning (THEA 289J/ AFST 289J) or Advanced (THEA389J/
AFST389J) sections of African Dance.
If you are interested in the drumming and singing, register for the
Beginning African Drum ming class (MUS l43B/AFST 188B).
x .
Ethnic Groups of G hana
�Bingb amton Unive rsity Mus ic Depa rtm ent’s
Comin g E ven ts
m
m
w
w
w
w
Saturday, November 8 – Seru’or Recital. Dan R osenau, organ – 4 : 00 p.m. ~ F A 2 1 – free
Sunday, November 9 Mu P h i E psilon Fa l l R e c i t a l 2 : 0 0 p.m. – Casadesus Recital Hall –
free
Sunday, November 9 Composers Concert: Hugunine and Sikor a 4 :00 p.m. ~ Phelps
Mansion Museum $ 1 0 general public; free for B U students with ”J. For reservations call the Phelps
Mansion at ( 6 0 7) 72 2487 3 .
4
Thursday, November 1 3 MidDay Concert 1 :20 p.m. Casadesus Recital Hall free
Saturday, November 15 –U n i versity C horus : Hay dn’s Mass in Time of War– 7:3 0 p.m.
Osterlwut Concert Thea ter $ 7 general public; $5 faculty/smff/senims/alumni; free for students
Sunday, November 16 Senior Recital: A lexia Chang, vio lin 3 : 00 p.m. Casadesus Recital
Hall – free
Monday, November 1 7 – Momenta Quartet Master Class 8:15 10:00 p.m. Camden“
Recital Hall
Tuesday, Novem ber 18 – Momenta Qrmrteu Music Now! – 7:30 p.m. Casadesus Recital
Hall «$10 general pubic; $5 faculty/staff/uniars/ahmni; free for students
.11mirdey, November20 – I w W D a y Concert w
ith Jeff Stockham, numpetandM’lre
fl Dubnniemla, saxophone – 1:20 p.m. _ Osterhout Concert Theater f m
Thursday, November 2 0 – Harpur Jazz Ensemble Concert Witb guest arulst – 7:30 p.m.
Osterhout ConcertTheacr $7 general public; $5 faculty/staff/seniors; free for students
Sunday, November 2 3 – Universi ty Wind Symphony: I n M
emory and I n Tribute A n
Ho m age i n Mus ic – 3 p.m. – Anderson Center Chamber Hall $ 7 general public; $5
faculty/staff/seniors/alumni; free for students
Tuesday, December 2 Percussion Ensemble Concert 7 : 3 0 p.m. Osterhout Concert
Theater – $ 7 general public; $5 facu lty/rmff/scmors/alumm; free for students
Thursda); D c c emb c r l birdDay Concert – 1:20 p.m. Fine Arts Building, Room 21 a free
Friday, De cember 5 Flu te Studio and Flu te Chambe r Cancer! 1 0 : 4 5 a.m. Casadesus
Recital Hall
free
ééeuéiwfibéb'ééfl–éb–éfi'ééflébfiéeeéibéd‘b
E
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—
;
.
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E
For tickets or to be added to our email list, visit nmiersonbinglutmtonedu or
call (607
) 777.»\l\"l S. For a com plete list of o u r concerts call (607 ) 7 7 7 7592,
visit m m : binghnmtonetlu or beco me a fan on Facebook.
If you were inspired by this performance, consider supporting tltr Department
of Music w ith a financial gift. Your su p port helps to continue the uork of
students, faculty, and guest artists and their contributions to o ur communi ty.
Please make your donation paynhlr to the Brnghnmton University Music
Deparsment , and send y our check to BU Music De part ment , P.O. Box 6 0 0 0,
Binghamt on, N Y 1 3902 .
�
Dublin Core
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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52:01:00
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Title
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Mid-day concert, Thursday, November 6, 2014
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Dances directed and choreographed by Elikem Nyamuame
Beginning African dance class
Advanced African dance class
drumming directed and arranged by James Burns
Nukporfe African Music Ensemble. Held at 1:20 p.m., November 6, 2014, Casadesus Recital Hall.
Publisher
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Binghamton University Libraries
Contributor
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Nyamuame, Elikem
Burns, James
Date
A point or period of time associated with an event in the lifecycle of the resource
11/6/14
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/cf8efa67d3b6063b13400cb70e15669a.pdf
b271ccbc7f807c187835b6c1f0a74474
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BINGHAMTON
VG
U N I V E R S I T Y
State University of New York
De part men t of Mus ic
G uest Artist
Ma rin a L om azo v, p ian o
Satu rday, Novem ber 6, 2004
8:00 p .m.
Anderson C enter Cham ber Ha ll
�Program
About t h e Performer
Praised by critics as “a diva of the piano” (The Salt Lake City Tribune), “a
mesmerizing risktaker” (The Plain Dealer, Cleveland), and “simply spectacular”
(International Music Foundation Website, Chicago), dynam ic UkrainianAmerican
pianist Marina Lomazov has established herself as one of the most passionate and
charismatic performers on the concert scene today. Her performances in North and
South Americas, Europe, Japan, and Russia have prompted several reviewers to call
her “one of the best young pianists in America today.”
Lomazov has been awarded top prizes in several of the world’s major piano
competitions including Cleveland (Silver Medal), Gina Bachauer (Outstanding
Female Performer), William Kapell (Carmen Sasmore Prize) and Hilton Head (First
Prize). She has appeared with the Boston Pops, Rochester Philharmonic, Graz
Hochschulorchester, Ohio Chamber Orchestra, Missouri Chamber Orchestra, South
Carolina Philharmonic, and Spokane Symphony Orchestra, to name a few. She has
performed in Weill Hall, Merkin Hall, Steinway Hall, and Rockefeller University
(New York City), Symphony Hall and Steinert Hall (Boston), Abravenel Hall
(Utah), Lyon de Opera (France), Theatro Sao Pedro (Brazil).
Before immigrating t o the United States in 1990, Marina studied at the Kiev
Conservatory, where she became the youngest First Prize winner of the AllKiev
Piano Competition. Lomazov holds degrees from the Juilliard School and the
Eastman School of Music, the latter granting her the highly coveted Artist’s
Certificate – an honor the inst itution has not bestowed upon a pianist for nearly two
decades. Her principal teachers include Natalya Antonova, Barry Snyder, and
Jerome Lowenthal.
Lomazov is a frequent guest artist at music festivals across the United States and
abroad including Moulin d’Andé Arts Festival in France, the Chautauqua Music
Festival (NY), the Northwest Piano Festival (OR), the Wassermann Piano festival
(UT), and the Grand Teton Music Festival (WY). She has been featured on the
“Bravo” Canada cable channel, and her live performances are broadcast regularly
on public radio stations including such programs as NPR’s “Performance Today”,
“Young Artist Showcase” on New York’s WQXR, “Morning Pro Musica” and
“Classics in the Morning " on Boston’s WGBH, Dame Myra Hess concert series on
Chicago’s WFMT.
Lomazov is an Assistant Professor of Piano of the faculty at the University of South
Carolina School of Music, where she is also the Artistic Director of the Southeastern
Piano Festival. In summer of 2003, Lomazov joined the artist Faculty of the Brevard
Music Center.
Modest Moussorgsky
Pictures at an Exhibition .
(18391881)
p
Promenade
l. Gnome
2. The Old Castle
3. Tuileries (Children’s Quarrel After Playing)
4. Oxen (The Oxcart)
5. Ballet of the Unhatched Chicks
6. Two Jews, One Rich and the Other Poor
Promenade
7. Limoges. The Market (The Big News)
8. Catacombs. Roman Sepulchre
(Con mortuis in lingua mortus)
9. The Hut on Chicken Legs (Baba Yaga)
10. The Great Gate (in the Capital, Kiev)
Intermission
Variations (2003)..
Image, Book I ..
1. Reflets dans l’eau
2. Hommage a Rameau
3. Mouvement
Andante spianato and Grande........................
Polonaise brillante, Op. 2 2
...John Fitz Rogers
(b. 1963)
Claude Debussy
(18621918)
Frédéric Chopin
(18101849)
�Com ing Events
Sunday, N ovember 7 – University Wind Ensemble : AmerA rcana – 3 :00
p.m. – Anderson Center Chamber Hall – free
Friday, N ovember 12 – T rio Amici – Stephen Stalker and Hakan Tayga
Hromek, cellists and Margaret Reitz, piano – 8:00 p.m. – Casadesus Recital
Hall $10 general public; $7 faculty/staff/seniors; free for students
Satu rday, November 13 – ViolaFest ’2004 – Allday workshop for violists of
all levels featuring afternoon concerts, guest artist performan ces TBA –
Concerts are free; information about the workshop will be announced at a later
:
date.
Sunday, Novembe r 14 – University Chorus – “How Can I Keep from
Singing” – 3:00 p.m. – Anderson Center Osterhout Concert Theater $10
general public; $7 faculty/staff/seniors; free for students
Thu rsday, November 18 —Jazz Mid Day Con cert with guest artist – 1:20 p.m.
– Anderson Center Osterhout Concert Theater – free
Thu rsday, November 1 8 – An Eve ning of La tin Jazz w ith the Ha r pu r Jazz
Ensemble and guest artists – 8:00 p.m. – Anderson Center Osterhout
Concert Theater $1 0 general public; $7 faculty/staff/seniors; free for students
Sunday, N ovember 2 1 – Charl es Ives Re membered – An afternoon of song
and chamber music – 3:00 p.m. – Anderson Center Chamber Hall $15
general public; $13 faculty/staff/seniors; $7 students '
J
l
J
}
Thursday, December 2 – MidDay Concert with faculty and student
performers – 1:20 p.m. – Casadesus Recital Hall – free for students
Thursday, December 2 – Studen t Perform ance of Elizabethan Mad rigal
Dinner – 6 :30 p.m. – Mandela Room of University Union – $16
Friday, December 3 – Elizabethan Mad rigal Dinn er – 6:30 p.m. – Mandela
Room of the University Union $35
Satu rday, December 4 Elizabethan Mad rigal Dinn er – 6:30 p.m. – Mandela
Room of the University Union $35
�
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Coverage
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audio discs
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51:41
36:29
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252021&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE252021&change_lng=en&select_viewer=metsViewer</a>
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Title
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Guest artist, Marina Lomazov, piano, November 6, 2004
Alternative Title
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Recital Tape 2004-11-6
Description
An account of the resource
Works of Moussorgsky, Rogers, Debussy, Chopin. Held at 8:00 p.m., November 6, 2004, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Lomazov, Marina
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
11/6/2004
Rights
Information about rights held in and over the resource
In copyright
-
https://omeka.binghamton.edu/omeka/files/original/80fccd8772dd6ee7e97d570a8cb1858a.pdf
af7f2cbad6f4f20ddc220f6c0235f7cc
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
VERSI
S TAT E
O F N E W Y O R K
D E P A R T M E N T
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AFRI CAN DRUMMING &
DANCE MID DAY
CONCERT
Thursday, November 8, 2012
1:20 p.m.
Anderson Center Chamber H all
�PROGRAM
In this program we present an afternoon of dancedrumming from
southern Ghana. Th ese ensembles are the collective work the
Beginning and Advanced sections of African Dance (THEA
289J/389J;AFST 289J/389J) and the African Music Ensemble
(MUS 143BIMUSP 2 57;AFST 188B). These courses are offered
each semester through the Departments of Africana Studies,
Music, and Theatre Dance.
V. Ghana Dance Ense mble arranged this series o f atisa
movements into a performance piece, which they
dubbed Togo Atsia, in recognition of their origin within
Ewe groups in Togo.
VI. Kpatsa. This dance comes from a neighboring group of
the Ewe, known as the GaAdangbe. They share many
linguistic and cultural affinities with the Ewe, and these
two groups have historically interacted with each other.
The characteristic movement of Kpatsa is a limping gait
that imitates the movements of dwarfs, a magical race
of beings which inhabit rural areas in Ghana. These
movements were embellished with dance combinations
l. Invocation from the dance Agbekor. Agbekor is a war
dance of the Ewe people of Ghana. The opening song
calls the warriors to battle against the European colonial
powers. The second song memorializes the great
warrior Kundo who led warriors into battle and has been
killed. The movemen ts o f the dancers imitate moments
of the battle, and follow the drum language of the lead
drum,atsimevu.
Il. Gahu. Gahu is a neotraditional dance that has been
adopted and adapte d by the Ewe people of Ghana. It is
an offshoot of the Gome dance, a PanAtlantic African
dance form that emerged in the 19th century from the
synthesis o f European hymns a nd marches with W est
African musical sensibilities. The name Gahu suggests
an airplane, and represents local experiences with new
technology and culture. The songs are often humorous
and fun, suggesting themes of courtship and
celebration.
III.Sohoun, Sohoun is an EweFon sacred dance used to
open a ceremony of the Yeve shrine. The original
movements danced at the shrine inspired the
choreography for this folkloric version, created by Dr.
Opoku for the Ghana Dance Ensemble.
IV.Togo Atsia. This dance piece is made up of a series of
choreographed dance sequences known as atsia.
These sequences are cued by drum language phrases
[vugbe] played by the lead drummer on atsimevu – the
tall drum leaning on the stand – which a re answered by
the response drum kidi – the medium–sized drum. In
the 1960s, expert choreographers and drummers in the
and eventually beca me a social and recreational dance
known as Kpatsa, whose name is an onomatopoeic
reference to the movement of dwarfs.
VII. Gota. Gota is another Ewe dance that was adapted
from their linguistic c ousins the Fon of Benin. Originally
it was played on different sized gourds and calabashes,
but the Ewe typically play it using their standard drum
set. A popular social/recreational dance, for this piece
we would like to invite members of the audience to
come up and join in the dancing!
fi
m
w
m
w
m
a
I f y ou like the music please fo llow our Facebook page (Nukporfe African
DanceDrumming Ensemble) f o r u pcoming p erformances.
We are also an SA Chartered group. and welcome students and faculty to join
our group at: http://paws.binghamton.edu/organization/Nukporfe. All of the music
and dance that you see today is performed by students at Binghamton University
who are taking a course in the Departments of Music, Africana Studies and/or
Theatre Dance. If you a re interested in leaming the dancing please register for
the Beginning (THEA 289J / AFST 289J) or Advanced (THEA389J / AFST389J)
sections of African Dance. If you are interested in drumming and singing, register
for the African Music Ensemble (MUS 143B / AFST 188B).
Don’t miss our final performance in Watter’s
Theater o n Friday, December 14, 2012 at 7:00 p.m.
�Binghamton University Music D epar tment’s
fi
w
m
U PC O M I N G E V E N T S
w w m w w w w
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m
m
Conc er tCanc elled we. Nevember–10 “Colorful Collaborations”
Sunday, November 11 – Mu Phi Epsilon Candidate Recital 12 noon Casadesus
Recital Hall Free
Sunday, November 11 University Chorus, directed by Bruce Borton, and the
Binghamton Philharmonic Orchestra: Verdi ’s Requiem 3 p.m. Osterhout Concert
Theater Call the Binghamton Philharmonic Orchestra at (607) 7233931 for tickets
Thursday, November 15 Jazz MidDay Concert with guest artist 1:20 p.m.
Osterhout Concert Theater free
Thursday, November 15 Harpur Jazz Ensemble Concert with guest artist 8:00
p.m. Osterhout Concert Theater $6 general public; $3 faculty/staff/seniors; free for
students
Friday, November 16 String Orchestra Concert 4:00 p.m. Grand Corridor free
Friday, November 16 Alumni Recital Series with Briana Sakamoto, soprano and
Margaret Reitz, piano 8:00 p.m. Casadesus Recital Hall free
Sunday, November 18 Mu Phi Epsilon Fall Semester Recital 12noon
Casadesus Recital Hall Free
Sunday, November 18 – An Enchanted Italian Evening (Italian Diction Class
Recital) 7:00 p.m. Casadesus Recital Hall free
Thursday, November 29 MidDay Concert 1:20 p.m. Fine Arts Room 21 free
Friday, November 30 Flute Studio and Flute Chamber Concert 10:15 a.m.
Casadesus Recital Hall free
for Organ, Brass and Percussion”
Saturday, December 1 “Holiday Concert
featuring Jonathan Biggers and the Ithaca Brass 4:00 p.m. United Presbyterian
Church, 42 Chenango Street, Binghamton $9 general public; $6 faculty/staff/seniors;
$3 students
é w m w w w w w m w w e m
For tickets or to be added to our email list, visit
anderson.binghamton.edu or call (607) 777ARTS. For a complete list of
[ 5 ] —
= E
our concerts call (607 ) 7772592, visit musi c.binghamton.edu o r become
a fa n on Facebook.
If you were inspired by this performance, consider supporting the
Department o f Music w i t h a financial gift. Your s upport helps t o continue
the work o f students, faculty, and guest art ists and their contribu tions to
E
our community. Please make your donation payable to the Binghamton
University Music Department, and send your check to EU Music
Department, P.O. Box 6000, Binghamton , NY 13902.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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39 minutes :55 seconds
Streaming Audio
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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African drumming & dance mid-day concert, November 8, 2012
Description
An account of the resource
Held at 1:20 p.m., November 8, 2012, Anderson Center Chamber Hall.
Creator
An entity primarily responsible for making the resource
Nukporfe African Dance-Drumming Ensemble
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
11/8/12
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/8a41c90566bc2f8a63682d9e166575f4.pdf
a07fe75bdb556e17fa3b8ee9a7cc75ff
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
[4
zldeC
D E P A R T M E N T
JU N IOR R ECI TAL
Dan iel Rosenau
organ
(Studio of D r . Jona than Biggers)
November 8, 2014
4:00 p.m.
Fine Arts 2 1
�80 ABOU T THE PERFORMER (93
80 PRO G RA M (98
A native of the Binghamton area, Daniel Rosenau is completin g his
Praeludiu m in Earninor.
. Nikolaus Bruhns
(16651697)
B.Mus, degree in organ performance at Binghamton University, and plans
to gradua te in May, 2015. He presently serves as organ ist of Ves tal
Methodist Church.
k a n i t n k A a n o n l ’ a t t t t t a x a n t x t t t fi i fl
fi
8 0 P r og r a m N o tes 0 8
2 ChoralePreludes
Vater unset im himmelreich..
Ein feste Burg ist unser Gott, BuxWV184
iGeorg Bohm
(16611733)
Dieterich Buxtehude
(16371707)
2 ChoralePreludes
Allein Ga n in der hoh sei Ehr, BWV663
Johann Sebastian Bach
(16851750)
O Mensch, bewein dein Sande gross, BWV627
J. S . Bach
Prelude and Fugue in Dmajor, RWVSBZ.
® Organ by H ellmuth W olff « 8
The Pmeludium in Eminor by Nikolaus Bruhns is one of four “pra eludia ”
modeled after those of his famous teacher, Dieterich Buxtehude. Bruhns
studied composition and organ with Buxtehude durin g his musical
education in Lubeck, Germany, and subsequently assumed the position of
organist of the Stadtkirch in Husum (Northern Germany). Only five
organ works by Bruhns have survived the ravages of time. The Praeludium
. in Eminor is set in a multisection format com mencing with a brilliant
opening toccata, followed by a fugue ; sections follow that alterna te free
' ‘writing with con trapuntal fugal tex tures.
‘ _Georg Bohm served as organist of the Johanniskirche in Liineburg for 35
' ‘yents, and is one of the figures that influenced the young Joha nn
_ bastian Bach when Bach was enrolled in the school of the Church of St.
' ichael in 1700. Although there is no direct evidence to support that
studied with Bohm , the style of Bohm’s music certainly impacted
' Bach’s compositional style, as clea rly seen in the choralepreludes and
le partitas that Bohm wrote. The choraleprelude on Vater unser im
Himmelreich (“Our Father who art in Heaven") is a substa ntial composition
featuring the melody of the chorale in a highly embellished form, set
t a simple ac
companiment fea turing a repeated figuration in the
_ \ “ best source of information about the birthplace of Dieterich
3 v
tide is an obituary which appeared in a monthly literary journal for
er
ltic Sea area in the su mmer of 1707, which included the statement
(over)
�that “he lived for about 70 years". Buxtehude was best known as the
organist at the Marienkirche in the North German city of Liibeck, and is
regarded as the principal composer of his generation. The 47 chorale
preludes of Buxtehude were doubtless composed in the context of his
duties as church organist, and would have served as hymn introduction
for congregational singing. Ein fest Burg ist unser Gott (“A Migh ty Fortress
is our God”) is among the more popular of Buxtehude’s chorale settings.
lohann Sebastian Bach is the principal Baroque composer for the organ,
and wrote in all forms popular during his time, including preludes and
fugues, choralepreludes, choralepartitas, trio sonatas, etc. Allein Gott in
der Hoh sei Her (“All Glory be to God on High") is an example of a highly
embellished treatment of the chorale melody so popular during Bach’s
time; in this case, the melody appears in the tenor, performed on a reed
_ ' stop (Cromorne), which adds color to highlight the highly stylized melody.
O Mensch, babein dein Sande grass (“O man, bewail thy grievous sin”) is one
' of the most florid, beautiful chorale setting that Bach composed in his
entire life. The melody is set in the soprano, highly embellished to the
point that the original melody is difficult to ascertain. This chorale
prelude is included in Bach’s Orgelbfichlein (“Little Organ Book”), and is
the most elaborate and lengthy composition in the set. Although written
when Bach was relatively young, the highly expressive manner in which
Bach orna ments the chorale melody places it among his most personal
and beautiful works.
The Prelude and Fugue in Dmajor is an earlier work of Bach, written
during his service as court organist at Weimar (17081717). The work is a
unique combination of two virtuoso pieces which contain stunning
displays of both pedal and manual technique. Bach’s compositions during
this period tend to be highly dramatic, virtuoso works that emphasize th e
technical skill of the performer.
Program notes by Jonathan Biggers
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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40:33:00
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Title
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Junior recital with Daniel Rosenau
Subject
The topic of the resource
Concerts
Instrumental music
Live sound recordings
Description
An account of the resource
Works by Bruhns, Buxtehude, Bach. Held at 4:00 p.m., November 8, 2014, Fine Arts Building, Room 21.
Creator
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Rosenau, Daniel
Publisher
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Binghamton University Libraries
Contributor
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Bruhns, Nicolaus, 1665-1697
Buxtehude, Dieterich
Bach, Johann Sebastian, 1685-1750
Date
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11/8/14
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/9b7cdbd3db0cbeda3d0a2cd6c3b1c03c.pdf
c54a83ac125237cc7e75a14fce44b79b
PDF Text
Text
t\) I V
UN
A RC
Recit al\
t ape
2003
11- 8 b
SPEC COL
State University of New York
Department of Music
CONTRASTS:
An Evening of
Chamber Music Treasures
with
guest artists:
Katie Sebestyen, violin
Ervin Schiffer, viola
Freddy Arteel, clarinet
Dana Protopopescu , piano
Saturday, November 8, 2003
8:00 p.m.
Anderson Center Chamber Hall
�Program
Trio in E-flat, K. 498 (Kcgclstatt) ................. ........ Wolfgang Mozart
Andante
( 1756-1791)
Menuetto
• Allegretto
Trio, Op. 30 ................................................................ Joseph Jongen
Prelude
( 1875-1950)
Variations
.Final
--Inter,nission.--
Lia's Koan ................. .. ........... ......... ............. .. ............ Elias Gistelinck
(b. l 935)
Piano Quartet, Op. 16 ................................... Ludwig van Beethoven
Grave
Allegro con brio
Andante cantabile
Rondo
Allegro ma non troppo
( 1770-1827)
�About the Ensemble
The ensemble CONTRASTS consists of four members of the faculties of
the Royal Conservatories of Belgium who have played together on concert
stages and at universities in nearly every country in Europe. Both separately
and in concert, they have produced a number of recordings as well as live
performances.
Not only has the unusual combination of their four
instruments allowed them to adapt known masterworks, but it has also
encouraged contemporary composers to write for them. Their initial
American connection was with the University of North Carolina's summer
program in Morges, Switzerland, and they have comprised the core of the
chamber music workshop programs both there and in Chapel Hill for more
than ten years. This, their fourth U.S. concert tour, includes Boston and
Washington.
KATIE SEBESTYEN, violin, studied at the Franz Liszt Academy in
Budapest and completed degrees at the Royal Conservatory of Music in
Brussels and Chapelle de la Reine Elisabeth, where she was recently
awarded its highest honor, Professeur Extraordinaire. A founding member
of CONTRASTS and the Haydn Quartet, she is also concertmistress of the
Sebestyen Strings and European Philharmonic Orchestra. She teaches at the
conservatories of Brussels and Brabant (Holland), and is especially proud of
her Laureate from the Friedrich Kuhlau Competition in Germany. Her
travels with these groups have taken her across Europe as well as three tours
of the United States.
ERVIN SCHIFFER, viola, studied under Zoltan Kodaly and Gyorgy Ligeti
at the Franz Liszt Academy before winning prizes in Geneva and Bucharest
and moving to the Low Countries, where he has recently retired from a
lifetime of teaching at the conservatories of Brussels, Amsterdam, and
Utrecht. In addition to serving on juries, he performs regularly around the
world, on his elegant Giovanni Paolo Maggini instrument, both as soloist
and chamber musician. His travels have taken him to Japan, Israel, South
Africa, and the United States. He has recorded extensively with Deutsch
Gramofon, Vox, and Turnabout.
FREDDY ARTEEL'S clarinet has been heard for nearly thirty years since
he completed his studies with Pierre de Leye in Brussels and Guy Peplus in
Paris.
Most of them have been spent as principal clarinet of the
Philharmonic Orchestra of Antwerp while teaching at the Royal
Conservatory of his native Ghent. But this has left him some time to
perform with CONTRASTS and the Antwerp Wind Quartet. Among his
appearances have been the Saskatchewan summer school and the MusicFest
m Aberystwyth, Wales;
his proudest moment was hosting
�700 clarinets from around the world in Ghent in 1993 for an international
festival.
DANA PROTOPOPESCU'S musical career began in her native Bucharest,
Romania, where she made her debut as a soloist with orchestra at the age of
fourteen. Completing her studies in Hanover, Germany, under Eduardo de!
Pleyel and Karl Engel, she migrated to Brussels and joined the Royal
Conservatory. Her career has included soloing with many major European
orchestras as well as an extensive array of solo recordings of the works of
Mendelssohn and Tschaikowsky; receiving numerous awards and honors.
Her teaching and chamber music are closest to her heart. She joined
CONTRASTS shortly after the group's founding.
Program Notes
Trio in £-flat, K. 498
Though the clarinet had been known for nearly a century before Mozart,
he was the first to make significant use of it. Said to have had its origin in
th
the 18 century equivalent of a bowling alley, this delightful trio was
written, together with the quintet with strings (K. 581) to showcase the
extraordinary talent of his good drinking friend (and frequent mooch)
Anton Stadler, who was the outstanding virtuoso around Vienna at the
time.
Trio, Op. 30
The music of this Belgian composer is barely known in this country. His
massive trio, which owes much to his near contemporary César Franck,
was composed in 1909. The ghostly march-like theme of the second
movement and the frantic Walloon kermes of the third are almost
Rubenesque in their florid Late Romantic style.
Lia's Koan
Gistelinck studied at the conservatories of Brussels and Paris, winning the
International Italia Prize for a work for symphony and jazz orchestra. An
early fascination with the colors and rhythms of Far Eastern music led
him to compose "Koan," a Japanese word for the path to equilibrium, the
Japanese foundation of perfection (Lia was evidently the composer's
muse).
Piano Quartet, Op. 16
In 1807, Beethoven wrote a quintet for winds and piano in homage to
Mozart' s earlier master-work for the same instrumentation; at his
publisher's urgent behest, he later rearranged it into a quartet for piano and
strings. CONTRASTS' version of this familiar piece is an inspired
combination of both.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
Duration
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1:19:05
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253412&change_lng=en&select_viewer=metsViewer">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE253412&change_lng=en&select_viewer=metsViewer</a>
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Title
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Contrasts: an evening of chamber music treasures, November 8, 2003
Alternative Title
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Recital Tape 2003-11-8b
Description
An account of the resource
Held at 8:00 p.m., November 8, 2003, Anderson Chamber Hall.
Creator
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Sebsestyen, Katie
Schiffer, Erwin
Arteel, Freddy
Protopopescu, Dana
Date
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11/8/2003
Rights
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In copyright