61
10
1775
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10874babddf7ac8f32578975cbd4ea51
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BINGHAMTON
U N I V E R S I T Y
STATE U N I V E R S I T Y O F NEW Y O R K
I E C
BE E P A R I T M E N T
THURSDAY
S TUDENT R ECOGNITION
M I D D A Y C ONCERT
yeni
= Sepp
T h urs d ay .M
a y 7 . 2 0 0 9
1 : 2 0 p .1In.
L a s a d e s u s L e c i t a l H a l l
�PROGRAM
Declaration, Song, and Dance.
3 ” Movement: Dance
Kristen Shiner McGuire
The African Music Ensemble will perform Friday, May 8", at 8:00 p.m. in Casadesus
Recital Hall (FREE)
Stephanie Lehman, timpani
Enjoy an evening of Hindustani Classical Music with Tomek Regulski on Saturday,
May 9", at 8:00 p.m. in Casadesus Recital Hall (FREE)
Introduced by Robert Smith
C’est I’ext:
Claud
(18621918)
Elizabeth Sterling, soprano
ChaiKyou Mallinson, piano
Introduced by Mary Burgess
Jonathan Moots, bass, presents his Master Recital on Sunday, May 10", at 7:00 p.m. in
Fine Arts Rom 21 (FREE)
The Summer Youth Music Theater Workshop will perform “All Shook Up” in the
Watters Theatre on Saturday, 818/09, and Sunday, 816/09, at 2:00 p.m. and 7:30 p.m.
both days, $$
Passacag/ia on a n Old English Tune (1943)
Rebecca Clarke
(18861979)
Sarah Sterling, viola
Margaret Reitz, piano
Introduced by Roberta Crawford
La Valse (La Plus que Lente)
M a g m m W f é ’ m u
...........Claude Debussy
arr. Léon Roques (18391923)
Elizabeth Sterling, violin
Margaret Reitz, piano
Introduced by Timothy Perry
Christopher Loy
GIEAL D A Y :
(b. 1951)
Sibongile Boyd, soprano”
Christopher Loy, piano
Introduced by Timothy LeFebvre
Sonata No. 2 i n Major, Op. 1
00
Andante tranquillo Vivace
September:
The Friedheim Memorial Lecture/Recital: Find out what makes great music “tick” and
then enjoy the composition in performance!
Our Bach Celebration series featuring Organist Jonathan Biggers continues the cycle of
the complete Organ works of J. S. Bach.
BU Alumnus Neil Berg returns to the Osterhout Concert Theater with a spirited tribute to
100+ Years of Broadway.
October:
The 200910 Chamber Series opens in the Chamber Hall with a Reunion Recital
featuring Music Department vocal alumni and faculty.
The University Symphony Orchestra opens the Anderson Center’s 2 5 A nniversary
Season in a gala performance with the worldfamous Paul Taylor Dance Company.
The University Wind Symphony, Harpur Chorale, and Women’s Chorus combine for
a diverse and entertaining concert on Parent’s Weekend (Osterhout Concert Theatre).
Johannes Brahms
(18331897)
Griffin Sargent, violin
Michael Salmirs, piano
Introduced by Timothy Perry
November;
The University Chorus is joined by the Binghamton Philharmonic and soloists for a
reading of Beethoven ‘s epic Ninth Symphony.
December:
The Harpur Jazz Ensemble welcomes prominent Jazz artists to the band, turning up the
heat with the finest in Bigband literature.
Anne Boleyn, from 7ry Me, Good King (2001)......................Libby Larsen
(b. 1950)
Heather Montana, soprano
Margaret Reitz, piano
Introduced by Timothy LeFebvre
Our 20092010 Season Wow ro Insited!
Join the Harpur Chorale and Women ‘s Chorus as they provide an assortment of
medieval and renaissance vocal entertainment at the Madrigal Dinner.
For more information, please visit our website a!
www.binghamton.edu/music or call 607.777.2592
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio disc
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44:36
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149348">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149348</a>
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Thursday student recognition mid-day concert, May 7, 2009
Recital Tape 2009-5-7
Description
An account of the resource
Works of McGuire, Debussy, Clarke, Loy, Brahms, Larsen. Held at 1:20 p.m., May 7, 2009, Casadesus Recital Hall.
Creator
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Lehman, Stephanie
Sterling, Elizabeth
Mallinson, Chai-Kyou
Sterling, Sarah
Reitz, Margaret
Boyd, Sibongile
Loy, Christopher
Sargent, Griffin
Salmirs, Michael
Montana, Heather
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Binghamton University Libraries
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2009-05-07
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sound
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BINGHAMTON
U N. I V E R S I T Y
STATE UNIVERSITY OF
N'EW YORK
usi
DEPARTMENT
THURSDAY
MID-DAYCONCERT
COUNTERPOINT
CELEBRATING WOMEN IN THEARTS
Thursday, March 26, 2009
1:20 p.m.
University ArtMuseum
�PROGRAM
Divertimento for Solo Flute.: ......................... ................
.
Edith Borroff
(written for Georgetta Maiolo)
(b. 1925)
Andante
Allegretto (Siciliano)
Largo
Allegro
Presto e guisto
Georgetta Maiolo, flute
Selected Songs from Sechs Lieder, Op. 13 ........... Clara Schumann
Liebeszauber, No. 3
(1819-1896)
Der Mond kommt still gegangen, No. 4
Sung-Jin Park, soprano
Chai-Kyou Mallinson, piano
Concerto for Vibraphone and Orchestra ...................... Ney Rosauro
Acalanto (Lullaby)
(b. 1952)
Stephanie Lehman, vibraphone
Margaret Reitz, piano
Passacaglia on an Old English Tune (1943) ........... Rebecca Clarke
(1886-1979)
Sarah Sterling, viola
Margaret Reitz, piano
Bucking Bronco, from Cowboy Songs ................ .
Heather Montana, soprano
Chai-Kyou Mallinson, piano
•••••••••
Libby Larsen
(b. 1950)
�Siciliene ..........•............•... .
••••••••••••••••••••••
Marie Therese von Paradis
(1759-1824)
Stephen Stalker, cello
Margaret Reitz, piano
Selected Songs .................................... Fanny Mendelssohn Hensel
Sehnsucht, Op. 9, No. 7
Verlust, Op. 9, No. 10
ltalien, Op. 8, No. 3
The Half-Minute Songs
(1805-1847)
Carrie Jacobs Bond
(1862-1946) .
Briana Sakamoto, soprano
William James Lawson, piano
Sonata for Clarinet Solo, 1957......................... Germaine Tailleferre
Allegro tranquillo
Andanti no espressivo
Allegro brioso
(1892-1983) Timothy Perry, clarinet
Nocturne
Lili Boulanger
(1893-1918)
Timothy Perry, clarinet
Margaret Reitz, piano
�PROGRAM TEXTS
Liebeszauber
(Love's magic)
Now Love once like a nightingale
in rosebush perched and sang;
with sweetest wonder flew the sound
along the woodland green.
And as it rang, there rose a scent
from ring of thousand buds,
and all the treetops rustled soft,
and softer blew the air;
The brooklets silenced, scarcely come
by splashing from the heights,
the fawns stood still as if in dream
and listened to the tone .
And bright and ever brighter flowed
the sunbeams down inside,
'round blossoms, wood and gorge it
gushed with golden red sunshine.
I walked along the path that day
and also heard that sound.
Alas! What ever since I've sung
was just its echo faint.
how I am so1sad and sick,
.
they would happily let ring out
refreshing song.
And if they knew my pain , the golden
little stars, they would come down from
their height, and speak consolation to
me.
They all cannot know it, only one knows
my pain; He, indeed, he himself has
ripped, ripped apart my heart.
Sehnsucht (Longing)
Text: Johann Gustav Droysen (1809-1884)
Distant and more distant sounds the
round dance. Well to me! Around me
here is silence on the land. To my full
heart only will rest not come.
Hark! The night soars through the
space. Its robe rushes through the
trees, murmuring softly. Ah, thus roam,
love-hot, my wishes and dreams.
ltalien (Italy)
Der Mond kommt still
gegangen
(The moon is stilly creeping)
The moon is stilly creeping,
Her silv'ry lustre grows, weary the earth
is sleeping in beauteous calm repose .
In dreams the trees are sighing, the
brooklet trips afar; Angels are singing
and flying round ev'ry tender star;
And through the distance hover a
thousand fancies dear, from soul of
friend and lover unto the sleepers here.
Below in the valley are sparkling the
lights of my dear one's home; Yet
wander I in the darkling, far in the world
to roam .
Verlust (Loss)
Text: Heinrich Heine (1797-1856)
And if they knew, the flowers, the little
ones, how deeply wounded my heart is,
they would weep with me,
To heal my pain. .
,
·_
•
•.
.
. , I;
:
And if the nightingalesknew;
Text: Franz Grillparzer (1791-1872)
Fairer and fairer the plain decks itself,
As coaxing breezes blow me along,
Away from the burden and trouble of
prose, drawing me toward the land of
poetry.
More golden the sun, bluer the air,
greener the green , more fragrant the
scent! There by the cornstalk, swelling
with sap, struggles the aloe 's obstinate
strength.
Olive tree, cypress, one blond, and one
brown, are you nodding like dainty,
greeting ladies? What gleams in the
foliage, sparkling like gold? Ah!
Oranges, are you lovelies hiding there?
Defiant Poseidon, were you the same
one, who below now jokes and
murmurs so sweetly? And this, half
meadow, half ether, it seems, was the
sea's fearsome horror?
Here I would live! Godlike one: Can
you, Parthenope, bring the waves to
rest? Now then , try it, Eden of Joy,
ease also, the waves in this breast.
�WOMEN IN THE ARTS
EDITH BORROFF (b. 1925)
Edith Borroff was Professor of Music at Binghamton University (SUNY Binghamton) from 1973 to1992.
Divertimento for Solo Flute (1980) was written for Georgetta Maiolo. Ms. Maiolo premiered this work in a
performance for the "Flute Workshop for High School Students" in July 1981 at Binghamton University. An
observation from the SUNY-Binghamton Inside newspaper (July 2, 1981 Volume 2, Number 21), written by
staff writer, Judy Toll, noted, "Edith Borroff admitted that writing a piece for flute alone is 'a terribly difficult
task. There's no piano, no harmony, no underpinning ... The flute is on cloud nine all by itself. The
composition is in five movements and each movement has its own characteristics'." Edith Borroff was
pleased to write music for the flute, an instrument she said she has always loved. "The flute has the glorious
capacity to sing . It also has different personalities and different textures. The mouth is a natural reed and
the mouth of the flute player is a part of the instrument naturally," she said. "I wanted to reveal certain
capacities of this instrument, including its tremendous lyricism and I went about it from that point of view."
Borroffs goal is to establish a relationship "between the technical potential of the instrument and the effect of
the instrument."
CLARA SCHUMANN (1819-1896)
One of the outstanding pianists of the nineteenth century, Clara Schumann's significant contributions have
only in recent years begun to be fully appreciated. As Clara Wieck, a famous young virtuosa touring Europe
with her teacher/father Carl Wieck, she stunned audiences with her effortless technique, tonal power and
depth of musicianship. The romantic and tragic circumstances of her courtship and marriage to Robert
Schumann are well known . She was not only his soul-mate, but also a professional partner and colleague
who vigorously championed her husband's works. The proceeds from her concert tours were a major
financial support to her growing family, especially once Robert fell victim to mental illness and was
hospitalized. Her concert career spanned over sixty years and she was a highly respected teacher, the only
women of her time to hold a position at the Hoch Conservatory in Frankfort. Despite the incredible burden of
caring for her family, she found time to maintain an extensive correspondence with some of the great
musicians of her day. She acted as advisor and colleague throughout her life to her close friend, Johannes
Brahms and collaborated with many of the celebrated musicians of her time. She was deeply involved in
preparing a complete edition of Robert Schumann's works for publication after his death, and she herself
composed a significant body of piano works, songs and chamber music which are now being performed and
receiving well-deserved attention.
EVELYN GLENNIE (b. 1965)
The famous Scottish percussionist, Evelyn Glennie, has thoroughly impressed the world with her
magnificent talent, overcoming deafness since the childhood. Glennie, however, likes to maintain that her
major focus is music that she makes, not the hearing she has lost. Upon listening to a recording or a
performance of her virtuostic playing, one would never imagine that she is unable to hear. The only thing
that might make people think otherwise would be seeing one of her many "barefoot" performances. Glennie
likes to be connected to her instruments. By playing barefoot and feeling the vibrations, Glennie creates a
new way of hearing . It was Glennie's famous performances that really helped Ney Rosaura make his first
marimba concerto as famous as it is. Because of this, Rosaura decided to dedicate this vibraphone
concerto to this inspirational woman . In addition to his dedication to Glennie, Ney Rosauro makes a point of
putting his Brazilian culture into his work . For example, in the second movement, "Lullaby", Rosaura points
out the use of the mallet handle on the instrument's keys, sounding like music box, singing the children to
sleep with traditional folk-like melodies. When I play any piece of music, I try to make a connection with it,
be it the same as the composer or one of my own. I fell in love with the jazzy feel contrasted with the
beautiful heartfelt motion in the second movement. It's clear that I had immediately found my own strong
connection with this piece within its mix of deep emotion and rejoicing, and I am truly excited to share it with
you today. - Stephanie Lehman
REBECCA CLARKE (1886-1979)
Rebecca Clarke, born near London, was an outstanding violist and one of the first women admitted to
London orchestras in the early twentieth century. She was a member of the renowned English Ensemble,
an all-woman piano quartet which toured throughout the world . Admired as a chamber musician, Clarke
often read and performed chamber music with many
great artists of the time including Myra Hess, Pablo Casals, and Arthur Rubinstein . Clarke wrote and
premiered the Passacaglia on an Old English Tune in 1941. The work is based on a theme by Thomas Tallis
and, as is typical of passacaglias, is quite somber in mood. It was dedicated to "BB," which could either refer
to Clarke's niece Magdalen, or to Benjamin Britten. The latter would make sense as Britten had organized a
funeral for Frank Bridge, an influential composer and friend of Clarke's, that same year. The
Passacaglia creates feelings of grief and nostalgia that could easily have accompanied such a loss.
�LIBBY LARSEN (b. 1950)
Libby Larsen is an American composer who studied with Dominic Argento, among others, at the University
of Minnesota. She was one of the first female composers to be commissioned by a major American
orchestra, and possesses a feminism and an intuitive understanding of the voice that influence her
compositions. Her song cycles for female voice also include Try Me, Good King (settings of the final words
of five wives of Henry VIII of England), and By a Departing Light (settings of the poetry of Emily Dickinson).
MARIE THERESE VON PARADIS (1759-1824)
Maria Theresa von Paradis was a Viennese pianist/composer/singer, blinded at an early age by an
unfortunate accident. Her father was a Councilor to Empress Maria Theresa, and her family did much to
encourage the prodigious musical talent of the young girl by making certain she had the best instructors
available. At the age of fifteen, von Paradis was already performing to great acclaim, and in an epoch
replete with great geniuses, she was famous for her artistry and phenomenal memory. Following successful
concert tours that included France and England as well as Germany, von Paradis became increasingly
drawn to composition. She also took a great interest in education, taught throughout her later years and
established a music school for talented young girls as well as a school for the blind.
FANNY MENDELSSOHN HENSEL (1805-1847)
Though from youth Fanny Mendelssohn-Hensel displayed at least as much talent as her brother, Felix, her
family strongly discouraged her pursuit of a musical career, expecting her to be content as a housewife.
Nonetheless, she composed prolifically and developed a distinct musical voice. Tragically, the majority of
her works remain stored in family archives, unavailable to performers and listeners, for Hensel began to
publish only about a year before she died. These three songs are representative of her ability to create rich
musical and emotional textures through forthright, clean melodies with some novel twists .
.
CARRIE JACOBS-BOND (1862-1946)
Carrie Jacobs-Bond wrote for her life. She fought poverty for years and provided for herself and her son
primarily through composing, selling and performing her own songs, songs "unpretentious as a wild rose." It
is easy to imagine the composer speaking and singing the texts of these Half-Minute Songs her pearls of
wisdom and advice. For her there was no question that talent was to be used, and she fought to share her
gifts with the world. "I wonder what the world would be like if there were nobody to do the simple things!"
Jacobs wrote, "And sometimes songs (simple songs) like pins, keep folks together."
GERMAINE TAILLEFERRE (1892-1983)
Born Marcelle Taillefesse, Germaine Tailleferre changed her last name as a young woman to "Tailleferre" to
spite her father who had refused to support her musical studies. She studied piano with her mother at home,
composing short works of her own and then began studying at the Paris Conservatory where she met Louis
Durey, Francis Poulenc, Darius Milhaud, Georges Auric and Arthur Honegger. With her new friends, she
soon was associating with the artistic crowd where the initial idea for Groupe des Six (Les Six) began. The
publication of Jean Cocteau's manifest Le Coq et l'Arlequin led to instant fame for the group. She was the
only female member of the Groupe des Six. The group published an album of piano pieces together (the
famous Album des Six) . Tailleferre wrote many of her most important works during the 1920s, as well as
several pioneering film scores. The 1930s was even more fruitful, and her work in film music included Le
Petit Chose by Maurice Cloche and a series of documentaries. At the outbreak of World War II, Tailleferre
escaped across Spain to Portugal, and found passage on a boat that brought her to America where she
lived the war years in Philadelphia, Pennsylvania. After the war, in 1946, she returned to her home in
France where she composed orchestral and chamber music, plus numerous other works including ballets,
operas, and an impressive number of film and television scores. The majority of this music was not
published until after her death.
LILI BOULANGER (1893-1918)
Lili Boulanger was a French composer, the younger sister of the noted composer and composition teacher
Nadia Boulanger. Boulanger's parents were musicians themselves and encouraged their daughter's musical
education. Her mother, Raissa Myshetskaya, was a Russian princess, who married her Paris Conservatoire
teacher, Ernest Boulanger. Her grandfather had been a noted cellist, and her grandmother had been a
singer. Boulanger, a child prodigy, accompanied her ten-year-old sister to classes at the Paris Conservatoire
before she was five , shortly thereafter sitting in on classes on music theory and studying organ with Louis
Vierne; she also sang and played piano, violin, cello, and harp. In 1913, at the age of 19, she won the Prix
de Rome for her Faust et Hélène, becoming the first woman composer to win the prize. Her work was noted
for its colorful harmony and instrumentation and skillful text setting; aspects of Fauré and Claude Debussy
can be seen in her compositions, and Arthur Honegger was one composer influenced by her innovative
work. Jazz pianist Herbie Hancock has said she is one of his favorite composers. Her life and work were
troubled by chronic illness which cut short her life at age 24.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
Template: PDF / Rosetta
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
50:22
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149345">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149345</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday mid-day concert : Counterpoint : Celebrating woment in the arts, March 26, 2009
Recital Tape 2009-3-26
Description
An account of the resource
Works of Borroff, Schumann, Rosauro, Clarke, Larsen, von Paradis, Hensel, Bond, Tailleferre, Boulanger. Held at 1:20 p.m., March 26, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Maiolo, Georgetta
Park, Sung-Jin
Mallinson, Chai-Kyou
Lehman, Stephanie
Sterling, Sarah
Reitz, Margaret
Montana, Heather
Stalker, Stephen
Sakamoto, Briana
Lawson, William James
Perry, Timothy
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-26
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/ff6722efdcdb9f8ad987c015bf6790fd.pdf
9eeae81cde13900bce5585004bbabed8
PDF Text
Text
BINGHAMTON
U N I V E ..RS . I
TY
STATE UNIVERSITY OF NEW YORK
UNIV ARC
Recit c' l CD
009
4 2
SP C C
THURSDAY
MID-DAYCONCERT
Thursday, April 2, 2009
1:20 p.m.
Fine Arts Room 21
�Stoplist
Wolff & Associes, opus VI (1972/2008)
Grand Orgue (58 notes)
8'
8'
4'
4'
2'/IV
8'
Montre
Flûte à cheminee
Prestant
Flûte à fuseau
f
Doublette/F ourniture
Trompette
metal
metal
metal
metal
metal
metal
Récit (expressive) (58 notes)
8'
4'
2'
1 1/3'
II
8'
Bourdon
Flûte à cheminee
Doublette
Larigot
Nazard/Tierce
Cromorne
Tremblant
wood
metal
metal
metal
metal
metal
Pédale (30 notes)
16'
8'
4'
16'
8'
Bourdon
Flûte ouverte .
Prestant
Trombone
Trompette (extension of 16')
wood
metal
metal
wood
metal
�PROGRAM
Prelude, Fuga and Ciacona in C major ... ...... .. .. ..Dietrich Buxtehude
BuxWV 137
( 1637-1707)
Mark Rossnagel, organ
Shepherds of Provence .............. ... ... ..... ... ....... ... ... ... Eugene Bozza
( 1905-1991)
Maxwell Rosenberg, English horn
John Lathwe/1, oboe
Suite No. 1 in G major ... ...... ... ..... ...... .... ...... ... ..... .. ... ..... .. J. S. Bach
BWV 1007
(1685-1750)
Prelude
Allemande
Courante
Sarah Sterling, viola
Prelude and Fugue in C minor .. ... ... .... ... .... ....... ............... J. S. Bach
BWV 549
(1685-1750)
Prelude in G major.... .... ..... ...... .. ... ... ..... ..... ......... Felix Mendelssohn
(1809-1847)
Jieun Jang, organ
Green Finch and Linnet Bird ........ .. .. ...... ..... .... ... Stephen Sondheim .
from "Sweeney Todd"
(b. 1930)
Take Me to the World
from "Evening Primrose"
On the Steps of the Palace
from "Into the Woods"
Briana Sakamoto, soprano
William James Lawson, piano
Fantasia and Fugue in C minor. ... .. .. ......... ..... .. ........... .. .. . J. S. Bach
BWV 537
(1685-1750)
Jonathan Biggers, organ
�Binghamton University Music Department's
UPCOMING EVENTS
Thursday, April 1 6th Mid-Day Concert: 1 :20 PM - FREE
Casadesus Recital Hall
Saturday, April 18th Clarinet Studio Recital, 3:00 PM - FREE
Casadesus Recital Hall
Saturday, April 18thBrahms'REQUIEM with the Binghamton
Phi/harmonic Orchestra and the University Chorus, 8:00 PM,
Osterhout Concert Theater; for tickets, call the Binghamton Phi/harmonic
at 723-3931
Sunday, April 19th Master's Recital: Stephanie Lehman,percussion,
Casadesus Recital Hall, 3:00 PM, FREE
Sunday, April 19th For Slava: A concert remembering the great
Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$,
Casadesus Recital Hall
Tuesday, April 21st String Department Recital, 8:30 PM - FREE,
Casadesus Recital Hall
Thursday, April 23rd Jazz Mid-Day Concert with Sherrie Maricle,
1 :20 PM - FREE, Osterhout Concert Theater
Thursday, April 23rd Harpur Jazz Ensemble Concert with Guest
Artist, Sherrie Maricle, 8:00 PM, $$, Osterhout Concert Theater
Saturday, April 25th Honor's Recital: Elizabeth Sterling, violin and
voice, Casadesus Recital Hall, 3:00 PM, FREE
Saturday, April 25th Junior Recital: Briana Sakamoto, soprano,
Casadesus Recital Hall, 7:00 PM, FREE
For ticket information, please call the
Anderson Center Box Office
at 777-ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 sound disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
47:55
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149069">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149069</a>
Accessibility
Copy/Paste below:
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday mid-day concert, April 2, 2009
Recital Tape 2009-4-2
Description
An account of the resource
Works of Buxtehude, Bozza, Bach, Mendelssohn, Sondheim. Held at 1:20 p.m., April 2, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Rossnagel, Mark
Rosenberg, Maxwell
Lathwell, John
Sterling, Sarah
Jang, Jieun
Sakamoto, Briana
Lawson, William James
Biggers, Jonathan
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-02
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/c2007ff1248612e4371f060c71e972d4.pdf
e0f7908a42e3b9ef0a1b0000ec433f9a
PDF Text
Text
BINGHAMTON
N M I V
E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
o d e
[4
B E P A R T M
E N T
T HUR SDAY
M I D D A Y C ONCE RT
a—N%a
Q
—
—
T hursday, A pr i l 3 0, 2 009
1 : 2 0 p . m .
Casadesus D
ec ital F a l l
�PROGRAM
PROGRAM
Picnic on the Marne.
1. Driving from Paris
2. A Bend in the River
3. Bal Musette
.Ned Rorem
(b.1923)
Nathan Rose, alto saxophone
Margaret Reitz, piano
Der Einsame, Op. 41..
Im A
bendrot, Nachlass, Lfg. 10
.. Franz Schubert
(17971828)
Mark Rossnagel, baritone
William Lawson, piano
....J. S. Bach
(16851750)
Three Bagatelles for Bassoon
Eliahu David Jacobson
(18841961)
Dan Bessel, Kristen Grennan, Paige Elliott, bassoons
American Lullaby .......................
.
Gladys Rich
What Good Would the Moon Be, fromStreet Scene
...Kurt Weill
Nocturne, Op. 13, no. 4
(18921972)
(19001950)
.Samuel Barber
(19101981)
Laura MacAvoy, soprano
William Lawson, piano
Jean Sibelius
Zueignung, Op. 10, no.1
.
(18651957)
Richard Strauss
(18641957)
Julie Williams, soprano
William Lawson, piano
Adlieux de I’hotesse a/abe. . . . . .. .
Georges Bizet
(18381875)
Va! Laisse cou/ermes larmes, from Werther .......... Jules Massenet
Non S
O
pl) cosa son, cosa TAOLI0:
from Le Nozze di Figaro
Ashley Maynard, mezzosoprano
William Lawson, piano
(18421912)
W. A. Mozart
(17561791)
Der Einsame
The Solitary
I m Abendrot
I n t he R ed E vening
When my crickets chirp
at night on the stillwarm
hearth,
then do I sit, contented of mind,
companionably up against the
flames,
so light of heart, so carefree.
For a cosy quiet hour
it is good to stay awake by the
fire.
When the blaze dies down, you
rake the sparks, and muse and
think:
“Well, that was another day!”
Whatever joy or sorrow
its course has brought for us,
passes once more through the
mind.
Only the badness is rejected;
it must not disturb the night.
For a pleasant dream
you gradually prepare yourself.
And when, free of care, a lovely
picture
fills the soul with gentle delight,
you abandon yourself to rest.
O how I enjoy myself
O how beautiful is your world,
Father, when she shines with
golden beams!
When your gaze descends
And paints the dust with a
shimmering glowing,
When the red, which flashes in
the clouds,
Sinks into my quiet window!
Poem b y Karl Lappe (17731843)
in my quiet rusticity!
What, in the tempest of the
busy world holds the errant
heart in bondage,
brings no contentment.
Go on chirping, dear crickets,
in my hermitage so narrow and
small.
I put up with you gladly, you
don’t disturb me;
when your song breaks the
silence I am not quite alone.
Poem by Karl Lappe
How could I complain, how
could I be afraid?
How could anything ever be
amiss between you and me?
No, I will carry in my breast
Your Heaven for all times.
And this heart, before it breaks
down,
Shall drink in the glow and the
light.
Den fosta kyssen
The First Kiss
On silver clouds there sat the
evening star
When through the dusk a maid
called from afar;
“Oh tell me star, will heaven
think amiss
When first I bless my loved one
with a kiss?”
And heaven’s bashful daughter
thus did sigh:
“A choir of angels lifts their
heads up high,
And sees their grace reflected in
night’s keep."So death doth turn
his eyes away and weep.
�Zueignung
Devotion
Ah, you know it, dear soul, That
far from you I languish, Love
causes hearts to ache,
To you my thanks!
Once, drinking to freedom,
I raised the amethyst cup,
And you blessed the drink,
To you my thanks!
You exorcised the evil spirits in
it,
So that I, a s never before,
Cleansed and freed, sank upon
your breast,
To you my thanks!
Studio and
Fr iday, M a y 1 ° Flute
Flute Chamber Concert, 10:15 AM,
Casadesus Recital Hall, FREE
asters
Saturday, May 2 ” M
Rectal: Sung Jin Park, soprano,
Casadesus Recital Hall, 3:00 PM, FREE
ers
Saturday, M a y1 Mast
Recital: Susan Amisano, soprano,
Casadesus Recital Hall, 8:00 PM, FREE
Saturday, May 2 ” university
Symphony Orchestra “Fantastique!”
Osterhout Concert Theater, 8:00 PM, $$
Sunda y, M a y 3 ° Masters Recital:
Jenean Truax, soprano, Casadesus
Recital Hall, 3:00 PM, FREE
Tuesday, M ay 5 percussion
Ensemble, 8:00 PM, FREE, Anderson
Center Chamber Hall
Thursday, May 7 ” student
Recognition MidDay Concert, Casadesus
Redital Hall, 1:20 PM, FREE
Thursday, May 7 ” Harpur
Chorale and Women’s Chorus,Anderson
Center Chamber Hall, 8:00 PM, FREE
Fr iday, M a y 8 ” B inghamton
University African Music Ensemble,
Casadesus Recital Hall, 8:00 PM, FREE
Saturday, May 9 ” Hindustani
(North Indian) Qassical: Tomek
Regulski, Casadesus Recital Hall, 8:00
PM, FREE
For ticket information,
please call the
Anderson Center Box Office
at 777ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
42:47
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149066">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149066</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday Mid-day Concert, April 30, 2009
Recital Tape 2009-4-30
Description
An account of the resource
Works of Rorem, Schubert, Bach, Rich, Barber, Weill, Sibelius, Strauss, Bizet, Massenet, Mozart. Held at 1:20 p.m., April 30, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Rose, Nathan
Reitz, Margaret
Rossnagel, Mark
Lawson, William James
Bessel, Dan
Grennan, Kristen
Elliott, Paige
MacAvoy, Laura
Williams, Julie
Maynard, Ashley
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-04-30
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/024c718f38e9405207a4795497277454.pdf
5c18c6c3daa0e9edbc154fd769587104
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
o d e
[4
D E P A R T M E N T
T HURSDAY
M I D D AY C
ONCERT
—
—
&
A
Y
Se ge
T h u r s d a y, A
p r i l 1 6 . 2 0 0 9
1 : 2 0 p .1In.
Casadesus D e c i t a l H a l l
�PROGRAM
PROGRAM TRANSLATIONS
Concerto for Vibraphone and Orchestra....................Ney Rosauro (b. 1952)
Movement 1
Stephanie Lehman, vibraphone
Margaret Reitz, piano
Arabesque No. 1
Claude Debussy (18621918)
arr. Gaston Choisnel (18571921)
Valse (La plus que lente)
Claude Debussy (18621918)
arr. Léon Roques (18391923)
Elizabeth Sterling, violin
from Long Pond Revisited....................
poems by C.G.R. Shepard
1. I Looked for Reasons
2. The Pond Seems Smaller
Lori Laitrnan (b. 1955)
Timothy LeFebvre, baritone
Stephen Stalker, cello
Mandoline, Op. 58, No. 1... .
Au bord de l’eau, Op. 8, No. 1
Les berceaux, Op. 23, No. 1
Chanson d’amour, Op. 27, No. 1
. Gabriel Fauré (18451924)
Mandoline
Text: Paul Verlaine (18441896)
The givers of serenades
And the lovely listeners
Exchange insipid words
Under the singing branches.
There’s Thyrsis and there’s Amyntas,
And there’s the eternal Clytander,
And there’s Damis who, for many a
Cruel woman, wrote many a tender
verse.
Their short coats of silk,
Their long dresses with trains,
Their elegance, theirjoy
And their soft blue shadows
Whirl in the ecstasy
Of a moon pink and grey,
And the mandolin prattles
Among the shivers of the breeze.
Au bord de I’eau
Text: René Francois Armand Sully
Prudhomme (18391907)
Briana Sakamoto, soprano
William James Lawson, piano
Nuit d’étoiles..
Les cloches
Romance
Beau Soir
C’est I’extase langoureuse
L’ombre des arbres
Mandoline
Claude Debussy (18621918)
To sit, us two, at the edge of the
stream that passes
to watch it pass;
Us two, if a cloud glides by in the sky,
to watch it glide;
On the horizon, if a thatched roof
smokes,
to watch it smoke;
Around us, if a flower imbues the air,
to be imbued;
Elizabeth Sterling, soprano
ChaiKyou Mallinson, piano
Suite No. 1 in G Major, BWV 1007..
Sarabande
Menuet I and I I
Gigue
.Johann Sebastian Bach (16851750)
Sarah Sterling, viola
To hear, at the foot of the willow where
the water murmurs,
the water murmuring;
Not to feel, as long as this dream
lasts,
The passage of time;
But, bringing no deep passion
but to adore one another,
With no worry of the world’s quarrels,
to ignore them;
And alone, us two, before all that
causes weariness,
without wearing,
To feel love (before all things that pass
away)
not passing away!
Les berceaux (The cradles)
Text: SullyPrudhomme
All along the port, the big ships
That the swell sways in silence,
Pay no regard to the cradles
That the hands of women rock.
But it will come, the day of goodbyes,
As it is necessary that women weep,
And that curious men
Try the horizons that lure them!
And that day, the big vessels,
Fleeing the vanishing port,
Feel their bulk held back
By the soul of the distant cradles.
Chanson d’amour (Song o f love)
Text: Paul Armand Silvestre (18371901)
I love your eyes, I love your forehead,
O my rebel, o my fierce one,
I love your eyes, I love your mouth
Where my kisses will exhaust
themselves.
I love your voice, I love the strange
Grace of all that you say,
O my rebel, 0 my dear angel,
My hell and my paradise!
I love all that makes you beautiful,
From your feet to your hair,
O you, toward whom my wishes rise,
O my fierce one, o my rebel!
�Gomi
vents
S a t u r d a y, A p r i l 1 8 ” C
larinet Studio Recital, 3:00 PM – FREE
Casadesus Recital Hall
Satu rday, A p r i l 1 8 ” Brahms’REQUIEM with the Binghamton
Philharmonic Orchestra and the University Chorus, 8:00 PM,
Osterhout Concert Theater; for tickets, call the Binghamton Philharmonic
at 7233931
Sunday, A p r i l 1 9°" Master’s Recital: Stephanie Lehman, percussion,
Casadesus Recital Hall, 3:00 PM, FREE
Sunday, A p r i l 1 9°" For S/a va: A concert remembering the great
Russian cellist, Rostropovich (Stephen Stalker & friends), 7:30 PM, $$,
Casadesus Recital Hall
Tuesday, A p r i l 21% String Department Recital, 8:30 PM —
FREE,
Casadesus Recital Hall
Th u r s d ay, A p r i l 2 3 ” J azz MidDa y Concert with Sherrie Maricle,
1:20 PM – FREE, Osterhout Concert Theater
Th u rs day, A p r i l 23™ Harpur Jazz Ensemble Concert with Guest
Artist, Sherrie Maricle, 8:00 PM, $$, Osterhout Concert Theater
Sa tu r d ay, A p r i l 2 5 ” Honor’s Recital: Elizabeth Sterling, violin and
voice, Casadesus Recital Hall, 3:00 PM, FREE
Sa tu r d ay, A p r i l 25%" Junior Recital: Briana Sakamoto, soprano,
Casadesus Recital Hall, 7:00 PM, FREE
S u n d ay, A p r i l 2 6 ” University Wind Symphony, 3:00 PM, FREE
Anderson Center Chamber Hall
S u n d ay, A p r i l 2 6 ” Master’s Recital: Susan Amisano, soprano,
Casadesus Recital Hall, 3:00 PM, FREE
S u n d ay, A p r i l 2 6 ” Honor’s Recital: Sarah Sterling, viola,
Casadesus Recital Hall, 7:30 PM, FREE
For ticket information, please call the
Anderson Center B ox O ffice at 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
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In copyright.
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Original Format
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1 audio disc
Duration
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56:44
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149063">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149063</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday mid-day concert, April 16, 2009
Recital Tape 2009-4-16
Description
An account of the resource
Works of Rosauro, Debussy, Laitman, FaureÌ, Bach. Held at 1:20 p.m., April 16, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Lehman, Stephanie
Reitz, Margaret
Sterling, Elizabeth
LeFebvre, Timothy
Stalker, Stephen
Sakamoto, Briana
Lawson, William James
Mallinson, Chai-Kyou
Publisher
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Binghamton University Libraries
Date
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2009-04-16
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/108e8865e51ce951de73adaeab49569d.pdf
e40435174e852164abf912ca53fad1bc
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N E W Y O R K
I
N
V
’
h
[4
D E P A R T M E N T
T HURSDAY
M I D D AY C
ONCERT
S
R
N
i a
m G }
–
e
_
—
t n\
e
w
T h u r s d a y, M
a r c h 1 2 . 2 0 0 9
1 : 2 0 p . 1 n .
Casadesus D e c i t a l r a n
�PROGRAM
TRANSLATIONS
FanlaS/e
FANIDDR CRUDE
(18791941)
Sarah Fenster, clarinet
Margaret Reitz, piano
Sonata 1963...........
I. Slow and Peaceful
II. Moderate 4Swing
III. Molto Adagio
.. Frank Proto
(b. 1941)
IV. Allegro energico
Stephen Brooks, double bass
Margaret Reitz, piano
(16851750)
......... Frederic Chopin
(18101849)
Mengru Zeng, piano
. Johannes Brahms
(18331897)
Stephen Kong, piano
An die MUS/k
Auf dem Wasserzu singen
Friihlingsglaube
Franz Schubert
(17971828)
Franz Schubert
(17971828)
MONINBERAL
R O D E S c h u m a n n
(18101856)
N AV Y ccc n i n e s o r s s s s s i n m n s s s o p p m m n p Kapralove
(19151940)
Nocs Byla Kra’sna’. . ..
Josef Suk
(18741935)
Sibongile Boyd, soprano
Margaret Reitz, piano
Nacht und Traume
(Night and Dreams)
by David Gordon
Holy night, you sink down;
Dreams, too, drift down
Like moonlight through space,
Through the quiet hearts of men;
Often has a sigh. flowing from your harp,
A sweet, holy chord from you
Unlocked to me the heaven of better times,
You dear art, I thank you for that!
They listen with delight
Calling out when day awakens:
Return, holy night!
Fair dreams, return!
Auf d em Wasser z u s ingen
(To be sung on the water)
Mondnacht
(Moonlight Night)
Glides, as swans do, the wobbling little boat;
Ah. on the softshimmering waves of joy,
Glides the soul there like the boat;
Then from the heavens down on the waves
Dances the evening’s red glow around the
boat,
Over the treetops of the westerly wood
The red glow winks to us friendily,
Under the boughs of the easterly wood rustle
the reeds in the reddish shine;
Joy of the heavens and peace of the woods
Breathes the soul, in the reddening shine.
Ah, with dewy wings, time vanishes
From me, on the rocking waves.
Tomorrow, time flies on shimmering wings,
Again, like yesterday and today,
Until I, on higher sparkling wings
Myself will vanish in the changing time.
Frtihlingsglaube
(Springfaith)
Briana Sakamoto, soprano
William James Lawson, piano
NACHE ITE Traume
Have you kindled warm love in my heart,
Have you moved me to a better world!
Text: Graf zu Stollberg
Amid the shimmer of the mirroring waves
Prelude and Fugue in Cminor (WTC I)....... ...........uuue...... Bach
Rhapsodie (Op. 79 No. 1 )
Text: Franz von Schober
You dear art, in how many gray hours,
Where I was ensnared in life’s wild circle,
SR
Etude (Op. 1 0 No. 5)
An die Musik
(To Music)
by Edith Braun and Waldo Lyman
It seemed as if the sky
Had silently kissed the earth,
That she in the shimmer of blossoms
Could only dream of him.
The breeze blew over the fields,
The grain stalks gently surged,
The forests rustled softly,
So starbright was the night.
And my soul unfolded its pinions so wide,
Flew over the silent lands,
As if it were flying home.
Navdzy
(Forever)
by Timothy Cheek
Wild geese fly south
Some will leave and will return again
Some will leave and will never return.
I don’t know if somewhere sky is more
Beautiful than with us.
But you would not count more stars anywhere
When the night is clear.
Text: Ludwig Uhland
The gentle breezes are awake,
They rustle and waft day and night,
They are at work everywhere.
Nocs Byla Krasna
(The Night Was Beautiful)
Now, poor heart, be not afraid!
Transparent as if to see the heavens.
That song, that fragrance, and that humming
Charmed the heart in a magical way.
O pity that you are not present,
You would have heard with me
O fresh scent, o new sound!
Now must everything, everything change.
The world grows Iovelier with every day,
One does not know what yet may come to be,
The flowering will not end;
The farthest. deepest valley blooms,
Now, poor heart, forget your pain!
Now must everything, everything change.
by Timothy Cheek
The night was beautiful,
How everything, everything around
Narrates such gentle speech.
How the whole universe in one song
Which streams from the breast
How weak is the voice that flows
Only from the human heart.
�Saturday, M arc h 1 4 ” Student Recital: Gregg Ackerman, clarinet,
Casadesus Recital Hall, 3:00 PM, FREE
S a t u r d ay, M a r c h 1 4 ” Master’s Recital: Heather Montana, soprano,
Casadesus Recital Hall, 8:00 PM, FREE
Sunday, Marc h 1 5% Guest Fortepiano Concert: Stefania Neonato,
Casadesus Recital Hall, 3:00 PM, $$
Sunday, Marc h 1 5 ” Master’s Recital: Sibongi/e Boyd; soprano,
Casadesus Recital Hall, 7:30 PM, FREE
M o n d ay, M a r c h 1 6 ” Master Class with Guest Fortepiano Artist
Stefania Neonato, 7:30 – 8:45 PM, Casadesus Recital Hall, FREE
Wednesday, M a rc h 1 8 ” Master Class with Jazz saxophonist
Maceo Parker, 4:00 PM, Osterhout Concert Theater (Cosponsored by the
Music Department and the Harpur Jazz Project)
Wednesday, March 1 8 ” Jazz saxophonist: Maceo Parker
Osterhout Concert Theater, 8:00 PM, $$, (Cosponsored the Music
Department and the Harpur Jazz Project)
Thursday, March 1 9 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, M a rc h 1 9 ” Harpur Chorale and Women is Chorus: A
Mediterranean Choral Cruise, Anderson Center Chamber Hall, 8:00 PM,
FREE
Fr i d ay, M a r c h 2 0 ” Percussion Duo: Mike Correa and Gene
Koshiniski, Casadesus Recital Hall, 8:00 PM, FREE (cosponsored by the United
States Air Force Band and the Binghamton University Department o f Music)
S a t u r d ay, M a r c h 2 1 ° Master’s Recital: Stephen Brooks, bass,
Casadesus Recital Hall, 8:00 PM, FREE
For ticket information, please call the
Anderson Center Box Ofl‘ice
at 7 77ARTS.
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
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Original Format
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1 audio disc
Duration
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39:43
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149060">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE149060</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday Mid-day Concert, March 12, 2009
Recital Tape 2009-3-12
Description
An account of the resource
Works of Gaubert, Proto, Bach, Chopin, Brahms, Schubert, Shumann, Kapràlovà, Suk. Held at 1:20 p.m., March 12, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Fenster, Sarah
Reitz, Margaret
Zeng, Mengru
Kong, Stephen
Sakamoto, Briana
Lawson, James, William
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-12
Rights
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In copyright
Type
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sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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42:28
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148806">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148806</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
A name given to the resource
Thursday mid-day concert, March 19, 2009
Recital Tape 2009-3-19
Description
An account of the resource
Works of Britten, Rosauro, Hummel, Donaudy. Held at 1:20 p.m., March 19, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Stalker, Stephen
Lehman, Stephanie
Reitz, Margaret
Sakamoto, Briana
Lawson, James, William
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2009-03-19
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/f868a73734eb8abc3da6d6314e5302f7.pdf
25694e32d62b815c9df39a10ce9b1e8c
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
wee
[4
D E P A R T M E N T
li
\
M USICA N OVA
with
Timothy LeFebvre, baritone
M a ry Burgess, soprano
Michael Salmirs, piano
Margaret Reitz, piano
C hristopher Morgan Loy, composer and piano
Daniel Fabricius, percussion
Stephanie Le hman, percussion
Sibongile Boyd, soprano
Jenni fer Groves, soprano
Heather Montana, soprano
Tomek Regulski, composer
Martin Bidney, translator
Paul Goldstaub, composer and conductor
Sunday, F ebruary I5, 2009
3:00 p.m.
Chamber Hall
Anderson Center for the Performing Arts
�PROGRAM
Jake Heggie
(b. 1961)
Paper Wings
Bedtime Story
Paper Wings
Mitten Smitten
A Route to the Sky
Mary Burgess, soprano
Michael Salmirs, piano
Tomek Regulski
(b. 1985)
The Glance
Heather Montana, soprano
Stephanie Lehman, percussion
Margaret Reitz, piano
l
Ned Rorem
(b. 1923)
In a Gondola
Pippa ’s Song
Sibongile Boyd, soprano
Margaret Reitz, piano
Take Me Back from “Our Town
Ned Rorem
Jennifer Groves, soprano
Margaret Reitz, piano
Christopher Morgan Loy
from Four Spirituals Volume I
Sometimes I Feel Like A Motherless Child (op.38, no.1)
Didn’t My Lord Deliver Daniel? (op.38, no.2)
l
from Two Spirituals Volume V
Great Day (op.52, no.2)
Sibongile Boyd, soprano
Christopher Morgan Loy, piano
INTERMISSION
�l
Every Evening
(premiere pe rformance
h
h
Paul Goldstaub
(b. 1947)
Bedtime Story
Soun, soun, beni, beni, soun, so un, beni doun. Ah!
It was a cold, cold nightso cold, we had a fire.
A cold, cold night. We sat and talked.
All was safe and good.
Then, something happened.
Something soft went by
A second’s wait
“Nothing there. It must have been a dream.”
Again a breeze, a tiny move
What could it have been?
At last we looked and there,
There stood a girl no more than three,
A blanket on her head, her eyes
She thought we couldn’t see.
Ah, but who? Oh, who was that girl?
Oh, child, it was you!
Oh, magic, magic child!
You stayedwe smiled
Lisa.
Translated from the Russi an by Martin Bidney, based on
Konstantin Balmont ’s translations of Spanish folk songs.
Timothy LeFebvre, baritone
Margaret Reitz, piano
Daniel Fabricius, percussion
Stephanie Le hman, percussion
Sibongile Boyd, soprano
Jennifer Groves, soprano
Heather Montana, soprano
Paul Goldstaub, conductor
Martin Bidney, who taught for 35 years at Binghamton University,
has translated, from the Russian, K. D. Balmont ’s Love and Hate:
Spanish Folk Songs (19 11 ), the source of the vocal texts chosen by
Paul Goldstaub for his song cycle. Prof. Bidney earned an M.A. in
Slavic Litera tures at Harvard before ta king the Ph.D. in English at
Indiana University, and a fourth of his 90 articles ha ve dealt with
Russian authors. He writes a poem (usually a sonnet) every day of
his life and sings in the U niversity Chorus; he’s also a classical
violinist and folk fiddler playing in Celtic and klezmer and other
traditions.
The brevity and energy of the micropoems, combined with their
melodic sweetness, makes them a pure delight to read either in
Russian or in Spanish. As Emanuel Geibel’s translation of Iberian
verses led to the wonderful Hispanisches Liederbuch composed by
Hugo Wolf a century ago, so the English renderer of these little
folk gems has felt honored to work with a highly imaginative
composer of the present day.
Paper Wings
When I was young, I lived in G reece with my mother.
That’s right, Greece.
We lived in a house, a house with a great big balcony.
And Signorina, Signorina, Signorina was my nanny.
One day, Signorina made me wings out of paper
That’s right, pa per wings.
And for days and days I pretended to fly, to fly,
Over the rooftops of Athens.
Mitten Smitten
.
My uncle Tim, he once gave me some mittens.
They were from “lndya,” and very special.
But I was small and I’d never seen anything like them.
Where were the fingers?
I put them on.....Strange...
�A Route to the Sky
!
1
My mother taught me to fly, not even knowing she had done so.
I climbed on the roof, a complicated route to the sky
But the firemen got me down,
Oh, the firemen got me down!
Lisa was eight when she climbed through a window
Out onto the roof,
Oh! When I saw how she’d done it I nearly fainted.
So I went out after her. “Lisa, don’t move!”
Then we were both stuck.
Two trucks an ambulance,
Two station wagons of rescue teams came to t he house.
And the firemen got us down,
Oh, the firemen go us down!
Pippa ’s Song
The year ‘s at the spring,
And day ‘s at the morn;
Morning ‘s at seven;
The hillside ‘s dewpea rl’d ;
The lark ‘s on the wing ;
The snail ‘s on the thorn;
God ‘s in His heaven,
All ‘s right with the world.
v
Frederica von Stade
Robert Browning
Take Me Back
Take me back.
Take me back up the hill.
Take me back to my grave.
Wait! One more look.
Goodbye. Goodbye, world.
Goodbye Grover’s Corners.
Mama, Papa, goodbye.
Goodbye to ticking clocks, to mama ’s hollyhocks, to coffee and food,
to gratitude.
Goodbye, goodbye world.
Goodbye to ironed dresses, to George’s sweet caresses, to my wedding ring,
oh ev’ry thing.
Goodbye. Goodbye, world.
Does anybody ever realize life while they live it, every minute of it,
every moment of it?
Oh, earth, you are too magical for anyone to know your miracle!
Oh, take me back.
Take me back up the hill.
Take me back up the hill.
The Glance
Up ahead, I know, he felt it stirring in himself already, the glance,
The darting thing in the pile of rocks,
Already in him, there, shiny in the rubble, hissing Did you want to remain
Completely unharmed?
The pointofview darting in him, shiny head in the ashheap,
Hissing Once upon a time, and then Turn now darling give me that look,
That perfect shot, give me that place where I ’m erased. . ..
The thing, he must have wondered, could it be put to rest, there, in the
Glance
Jorie Graham
Excerpt from “Orpheus and Eurydice”
Sometimes I Feel Like A Motherless Child
In a Gondola
The moth’s kiss, first!
Kiss me as if you made me believe
You were not sure, this eve,
How my face, your flower,
had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope
I burst.
The bee’s kiss, now!
Kiss me as if you enter’d gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is render’d up,
And passively its shatter’d cup
Over your head to sleep I bow.
’
Sometimes I feel like a motherless child a long way from home.
Sometimes I feel like I ’m almost gone along way from home.
Sometimes I feel like a motherless child a long way from home.
�Every Evening
Didn ’t My Lord Deliver Daniel?
If I knew, my dearest life,
The rose falls asleep,
Your heart and mine
Took counsel together
And both have decided
They can’t live apart.
Into the well of envy
I lowered myself to drink.
I drank my fill of en vy,
But thirst I will always have.
Great Day
Your eyes are azure.
Your eyes are blesséd.
My own look and pray
And they ask for yo ur mercy.
I fell in love at night.
The moon told me a lie.
If ever I fall in love again –
Only at daytime, in sunlight.
Great Day!
Great Day the joyous marching
God’s gonna build up Zion’s walls.
You are the pink of April
And you the rose of May,
The moon of January,
And I beneath your spell.
When I got the message
That you do not love me,
Don’t suppose I drowned myself,
The water was too cold.
You’re brighter than the sun so bright,
More white than whitest snow.
You are the Alexandrian rose
That blooms the year around.
Just go, I do not love you,
My love is gone for good.
I ’ve swept you from my heart
With a cleansweeping broom.
Sing a song, and I’ll sing too,
Little bird on greening bough,
Sing a song, and I’ll sing too,
Everyone should sing that loves.
Out of my sight!
I loathe you as much as
A mortal sin.
If I possessed a thousand lives
I ’d give them to you all at once.
I ’ve only one life take it,
But take it a thousand times.
Oh, if God would hear me,
And if stones could wail
And if you could only know:
Revenge how much I crave it!
Hurray, you looked at me!
Hurray, I looked at you!
Hurray, you love me now!
Hurray, now I love you!
Morning there I am, at Mass,
Praying in the church,
Offering my gratitude
For being rid of you.
Sleep, my little baby,
You are barely seen,
Sleep, my little star
Shining before the dawn.
Yes, it’s true I loved you, right.
Stupid to deny it. If you
Live to be a hundred, though,
To me you are a corpse.
Didn’t my Lord deliver Daniel and why not every man?
That you ’re listening to me,
Like a nightingale I ’d sing
Till the morning rays arise.
He delivered Daniel from the lion’s den, Jonah from the belly of the whale.
And the Hebrew children from the fiery fumace, and why not every man?
The wind blows east and the wind blows west, it blows like the judgment day
and every poor soul that never did pray will be glad to pray that day.
I set my foot on the gospel ship, the ship it began to sail.
It landed me over on Canaan’s shore and I’ll never come back any more.
Didn’t my Lord deliver Daniel and why not every man?
Chariot rode on the mountain top
My God spoke and the chariot stopped.
This is the day of Jubilee
The Lord has said that this will be.
Ohsing with joy and praise His name
Heaven’s Love is ours to claim.
We want the brave hearted in our band
To march out boldly in the land.
We love the Lord for He is good
He’ll free us like He said He would.
Great Day!
God’s gonna build a Great Day!
0
Gleaming with dew.
Night ’s coming on :
Sleep, my child.
Away from my eyes,
�I don’t have anything of yours,
And if I did
I ’d toss the thing into the fire
So it would burn.
ABOUT T H E PERFOR MERS
T I M O T H Y L E F E B V R E , baritone, has appeared in concert with the
The shoes that I wore out
I tossed into the mud.
If someone wants to put them on,
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What is that to me?
Go and tell your mother
To comb your hair and wash you,
Give you milk again, and food,
And bring you up to be a man.
I thought that love
Was but a toy,
But now I see
You go through death.
I can’t see in the window now
The things I sa w before.
The window I am looking through
Opens on loneliness.
Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American
Symphony Orchestra, Pittsburgh Symphony, Spokane Symphony, Binghamton
Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, Williamsport
Symphony, Syracuse Chamber Music Society, the Skaneateles Festival and with
the prestigious Marlboro Music Festival. He has also a ppeared in concert at
New York’s Camegie Hall and Alice Tully Hall. Mr. LeFebvre is a winner of
the New York Liederkranz Vocal Competition. Other awards include the
Richard F. Gold Career Grant, an Opera Fellowship at Binghamton University
and Regional Finalist in several Metropolitan Opera Competitions. LeFebvre’s
operatic experience includes leading roles with San Francisco Opera, TriCities
Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syra cuse Opera,
Indianapolis Opera, and Ope ra Theater of Pittsburgh. LeFebvre is a graduate of
Carnegie Mellon University and Binghamton University and is currently on the
faculty at Binghamton Unive rsity.
M A R Y B U R G E S S , soprano, a graduate of the Curtis Institute of Music,
I live without life,
To live such a life.
Alive, I ’m not living.
Living, I die.
Do not kill me, do not kill,
Let me live. Let me live.
Let me pass, let me pass
Through the achings of this world.
Every evening I know I will feel your eyes shine,
And I’ll know every evening that you will feel mine.
And so, truly the moon, in the nearness of night,
Will be mirror for us, in oblivion’s light!
Konstantin Balmont
translated by Martin Bidney
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has been a member of the Binghamton University voice faculty for over twenty
years. Ms. Burgess made her U. S. operatic debut with New York City Opera
while still a student at the C urtis Institute, and subsequently appeared with Santa
Fe Opera, Washington Ope ra, New Orleans Opera, Nevada Opera, and many
other regional companies including TriCities Opera in Binghamton. Her
European operatic debut was at the Holland Festival in Amsterdam; she has also
performed at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie
in Brussels, and with Dublin Grand Opera. Burgess has appeared as soloist with
more than two dozen U. S. orchestras, including the Boston Symphony (with
Seiji Ozawa), Cleveland Orchestra (with Lorin Maazel, Eduardo Mata), Chicago
Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt,
James Conlon). She has been a frequent guest at such prestigious festivals as
Marlboro, Monadnock, Ravinia, Aspen, Blossom, Casals, Chautauqua, and the
Cincinnati May Festival. Her repertory of forty roles in five languages ranges
from Monteverdi and Cavalli to Britten and Virgil Thomson. Her performances
of Britten’s Les Illuminations and Mahle r’s Symphony No. 2 with the Omaha
Symphony were filmed for broadcast by Nebraska ETV. She has recorded for
Columbia, Masterworks, CRI, Sony Classical, and Telarc.
�Pianist M I C H A E L SALMIR S, a founding member and artistic director of
the Finger Lakes Chamber Ensemble, is well kno wn as a recitalist and chamber
musician. He has appeared as soloist with the Corning Philharmonic,
Binghamton University Orchestra, Cayuga Chamber Orchestra, and is frequently
a featured pianist on their Sunday Chamber Series. In addition to performing
most of the standard chamber music repertoire for strings and piano, he has
premiered numerous solo and chamber works, and recently gave the world
premieres of works by David Liptak, Marek Harris and Paul Goldstaub. He has
also participated in such contemporary music series as Binghamton University’s
Musica Nova, Cornell University’s Ensemble X, Chiron, and has toured and
recorded for the Syracuse Society for New Music.
M A R G A R E T ( P E J ) R E I T Z , pianist, is a native of the Binghamton area.
She received her Bachelor and Master of Music degrees in piano performance
with accompanying emphasis. She attended Boston University, New England
Conservatory and Binghamton University. She has accompanied throughout the
United States, in England, South America, and at the American Institute of
Musical Studies in Graz, Austria. She was an official accompanist for the
MTNA State and Eastern Division Competition held at Ithaca College in 2001
and again 2006. She has been a guest chamber music artist in Morges,
Switzerland. She also was selected to attend the Accompanying Workshop for
Singers and Pianists held at Northwestern University with Chicago Lyric Opera
Faculty and Coaches. She was an official pianist at the International Double
Reed Competition and Convention in 2007 at Ithaca College. She has been
asked to play a concert this summer with the Glickman Trio in the United
Kingdom at the IDRS Convention. She was selected to accompany at the
Interpretation of Spanish Music conference, coached by Teresa Berganza, at the
University of Madrid in July 2007, and at Mannes School of Music, 2008. She
will be in residence at the Barcelona Festival of Song this summer in Spain as
coach/accompanist. She is currently on the faculty at Binghamton University
(since 1991) and Ithaca College School of Music (since 1999).
DANIEL FABRICI US, percussion, has been a member of the Binghamton
University faculty since 1992. He holds degrees from Mansfield University and
Ithaca College where he studied percussion with Richard Talbot and Gordon
Stout. In addition to his work at BU, he has served as Director of Bands at
Owego Free Academy since 1989. He has been a member of the Binghamton
Philharmonic percussion section since 1982, and also performs in popular, rock,
jazz, and other styles. He has played as a freelance percussionist,
accompanying national touring artists such as Michael W. Smith, Tommy Tune,
Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers Bothe rs, and
Ella Fitzgerald. He is highly regarded in the region as a percussion soloist and
ensemble player and has collaborated many times with Binghamton University
organ professor Jonathan Biggers and with the Ithaca Brass. He has served the
New York State School Music Association as an AllState Percussion
adjudicator for many years and has presented many percussion or music
education clinics at state conventions and confere nces.
S T E P H A N I E L E H M A N , percussion, is in her second year at Binghamton
University as a graduate teaching assistant while finishing her Masters degree in
percussion performance. Here at Binghamton, she is very fortunate to be
studying percussion under Dan Fabricius. Originally from Baldwin, NY she
graduated from University of Delaware with a Bachelors degree in music
education with a concentration in percussion. In Delaware she had the privilege
of studying privately with Harvey Price, Jim Ancona and Orlando Cotto. At
Binghamton she teaches fellow students, while practicing and performing
percussion and vocal jazz. Last year, Stephanie competed in Binghamton’s
concerto competition and was the winner in the Winds, Brass, and Percussion
Division. She cannot thank all of her teachers, family, friends and loved ones
enough for all of their help and support throughout her musical career.
�S I B O N G I L E BOYD, soprano, hailed for her “lyrical and warm singing
voice” (Hudson Valley Times HeraldRecord – July 29, 2008) and a cum laude
graduate of Harvard University, made her operatic debut with Harvard’s Dunster
House Opera as Yvette in Puccini ’s La Rondine and later appeared as Barbarina
in Mozart ’s Le Nozze di Figaro. She performed opera roles with the Shaker
Mountain Performing Arts Festival, Natchez Festival of Music, and Cantiamo
Opera, and gave recital and chamber performances at the Brooklyn Muse um of
Art, the Sumner Muse um (Washington DC), and the Merck Concert Series
(appearing with the Manchester String Quartet). In 2007, Ms. Boyd sang the
role of Blonde in Opera Company of Brooklyn’s production of Die Entfiihrung
aus dem Serail after making her company debut as Monica in The Medium in
2006. Ms. Boyd is in her second year in the Master of Music program at
Binghamton University, where she performed the roles of Gabriel and E ve in
Haydn ’s The Creation. Recent performances include Zerlina in Delaware
Valley Opera ’s production of Don Giovanni and her solo recital debut at
Bargemusic (Brooklyn, NY) featuring the works of Fauré, Ravel, Mozart, and
Rorem. Ms. Boyd will be appearing at the Dweck Center for Contemporary
Culture (Brooklyn Public Library) in February 2009, presenting a solo recital of
spirituals.
J E N N I F E R G R O V E S , soprano, is in her first year of the Master of Music
in Opera program at Binghamton U niversity. She has recently appeared with
TriCities Opera in their 60” Anniversary Gala as the Second Lady (The Magic
Flute). Other TCO credits this season include the Page in both Amahl and the
Night Visitors and Rigoletto. Ms. Groves graduated in Spring 2008 from S UNY
Geneseo with a BA in Vocal Performance and Interpersonal Communication.
Ms. Groves has performed with Merc ury Opera Rochester in La Bohéme, Amahl
and the Night Visitors, Norma, and L ’elisir d ’Amore. Other credits include solo
recitals in Geneseo, NY and Pawling, NY. Upcoming performances include
Miss Pinkerton in Menotti’s Old Maid and the Thief with TriCities Opera.
H E A T H E R M O N T A N A , soprano, hails from
Utica, N Y , where her
warm, fresh voice has been pleasing audiences for years. Ms. Montana, a cum
laude graduate of Hamilton College, is currently pursuing a Master of Music
degree in Vocal Performance at Binghamton University, where she studies with
Timothy LeFebvre. She has most recently appeared as Buttercup in H.M.S.
Pinafore (Earlville Opera House, Earlville NY), and as Kate in Kiss Me, Kate!
(Hamilton College, Clinton NY). Ms. Montana has also been heard as Bazzard
in Drood: The Mystery of Edwin Drood and as Fiametta in The Gondoliers at
Hamilton College, where she was a member of the College Choir, College Hill
Singers and Oratorio Society. She has appeared recently as a recital soloist for
Utica Monday Night’s Classical Performance series at the Stanley Theater.
Winner of first prize at the Central New York/ Finger Lakes Regional National
Association of Teachers of Singing Competition and at the B# Musical Club
scholarship competition, Ms. Montana was the soprano soloist in Messiah in
Rome, NY.
ABOUT THE COMPOSERS
T O M E K R E G U L S K I is a second year Master of Music student at
Binghamton University, studying music composition in the studio of Dr. Paul
Goldstaub. His song, “The Glance,” is receiving its third performance today.
Premiered in April 2008 during an online web conference between composition
students at BU and the Manhattan School of Music, its first public performance
was in October 2008 in Casadesus Recital Hall. Tomek received his BA in
Music at Hartwick College, studying composition under Dr. Thomas Licata. His
thesis composition, “Beauty Lost,” was the second place recipient of the
prestigious Freedman Prize, a competition open to all students in their senior
year, for which Mr. Regulski received a $3,000 grant for hiring professional
musicians to perform the composition at his senior recital. In addition to
studying composition, Tomek has been studying Hindustani Classical Music on
the sitar for three years under the guidance of Acharya Roop Verma. As a
culmination of his studies he is giving a recital on Saturday, May 9 at 8:00 p.m.
in Casadesus Recital Hall.
C H RI S T O P H E R M O R G A N LOY, composer–pianist, has a catalog of
compositions which includes works for piano, voice, chamber ensembles,
chamber orchestra, full orchestra, and chorus. He earned the Doctor of Musical
Arts in composition from Cornell University in Ithaca, New York in 1993.
Since the 1980’s Loy has received over 25 commissions from members of the
Detroit Symphony Orchestra, St. Paul ’s Episcopal Church in Cleveland Heights,
the Sage Chapel Choir of Cornell University in Ithaca, individuals and
professional musicians. In 1998, 2001 and 2008, he received the New York
State Council on the Arts Decentralization Program Grant to compose his
Serenade, String Quartet # 1 and Poetic Rejuvenations – a largescale work
integrating poetry and music composed for five players and poet. Each year Loy
produces concerts in which he premieres new works of his, along with works of
other composers. His works have been heard and premiered in Cleveland,
Detroit, Houston, New York, San Francisco, San Antonio, and Ithaca. He
teaches Theory and Composition at Binghamton University, and serves on the
faculty of the Community School of Music and Art (CSMA) in Ithaca, NY. He
is organist/ pianist at the First Baptist Church of Ithaca.
Dr. Loy writes: “I consider the five volumes of Spirituals I have set to be new
compositions – not just arrangements. The formal structure, harmonic and
technical ingenuity, and loving care that went into the creation of these works
justifi' their classification as art songs. The Spirituals were inspired by and are
dedicated to my wife, Ernestina Snead.”
�Professor P A U L G O L D S T A U B ’ S compositions have been performed at
Lincol n Center. Carnegie Hall. and in Canada. Great Britain, Japan. Germany,
Russia and Italy. A national finalist in the St. Paul Chamber Orchestra ’s
American Composer Competition. he has been awarded grants by the National
Endowment for the Arts. the National Endowment for the Huma nities, Meet the
Composer and the Minnesota State Arts Board. and is an annual ASCAP awards
recipient. In November. his composition. Swan. was awarded second prize in
the national Ithaca College Choral Composition Competition. A specialist in
creativity, he has presented papers and conducted workshops on music
improvisation at many colleges and conservatories. and at the SU NY conference
on creativity at the Fashion Institute of Technology in New York. At
Binghamton, he directed last year’s online distance learning project with the
Manhattan School of Music. creating live interaction between composition
students at both schools. Goldstaub earned the Doctor of Musical Arts and
Master of Music degrees at the Eastman School of Music. and a Bachelor of
Music degree at Ithaca College. He has held positions at Ithaca College. the
CollegeConservatory of Music of the University of Cincinnati. Minnesota State
University at Mankato and Eastern Michigan University. His work on Every
Evening is featured in the 2009 edition of Binghamton Research magazine. His
publishers include Roger Dean Publishing Company. LawsonGould Music.
Ken Dorn Publications, and the International Trombone Associat ion Press.
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Casadesus Rectal Hall, 8:00 PM, FREE
Fr i d a y, Fe b r u a r y 2 7 ” Organist Jonathan Biggers – A Bach
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $$
Thursday, March 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, M a r c h 5 Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 8:15 PM, $$
Orchestra: Echoes of the
Saturday, March 7 ” University Symphony
East Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$
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S u n d a y, M a r c h 8 ” University Wind Symp
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1960's - present
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1:19:49
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Musica Nova, February 15, 2009
Recital Tape 2009-2-15
Description
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Works of Heggie, Regulski, Rorem, Loy, Goldstaub. Held at 3:00 p.m., February 15, 2009, Anderson Center Chamber Hall.
Creator
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LeFebvre, Timothy
Burgess, Mary
Salmirs, Michael
Reitz, Margaret
Loy, Christopher M
Fabricius, Daniel
Lehman, Stephanie
Boyd, Sibongile
Groves, Jennifer
Montana, Heather
Regulski, Tomek
Bidney, Martin
Goldstaub, Paul
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Binghamton University Libraries
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2009-02-15
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sound
-
https://omeka.binghamton.edu/omeka/files/original/ebf97687c4df74cba0cddc1067211b31.pdf
fdcf700ba2ae4bade2390a2bb655d8a4
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
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Saturday, February 21, 2008, 8pm Anderson Genter Chamber Hall
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INTERMISSION
Suite No. 2, Op. 1 7
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Barcarolle: Allegretto
A Night for Love: A dagio sostenuto
Tears: Largo di molto
Easter: Allegro maestoso
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Valse: Presto
Romance: A n dantino
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�PROGRAM NOTES
Rachmaninoff’s twopiano suites and symphonic dances are among the
composer’s major works. Rachmaninoff was only twenty when the Suite No. 1
“Fantaisie –Tableaux” Op. 5 was published. Dedicated to Tchaikovsky, it
shows a very strong link to that composer’s lyrical art. The Suite consists of four
brief movements which are preceded in the score by quotations from
Rachmanoinoff’s favorite poets: Lermontov, Byron, Tyutchev and Khomyakov.
The first movement, the G minor Barcarolle: Allegretto, captures not only the
serenity of Lermontov’s lines but also something of their restrained pathos.
Gondola Song
O cool evening wave
Lap gently under the oars of the gondola that song
again! and again the sound of the guitar!
The finale, Paques: Allegro maestoso (Russian Easter) is entirely outgoing and
theatrical, with the Kremlin bells tolling exuberantly from the opening bar to the
l
l
...in the distance, now melancholy, now happy,
Was heard the sound of the old barcarolle:
“The gondola glides through the water, and time flies through love;
The waters become smooth again and passion will rise no more.”
Fyodor Tyutchev (1803 – 1873)
Alexei Khomyakov (1804 – 1860)
The Suite No. 2, Op. 1 7, composed years later, was performed by the composer
and his friend, Alexander Siloti, in Moscow in November 1901. The Suite’s first
movement, Introduction: Alla Marcia, is full of energy and confidence, a tour
de force in rhythm and unstoppable momentum with the central climax fading
into a coda of gentle grace. In the unforgettable second movement, Valse:
Presto, music floats on a cascading motoperpetuo fingerwork that is
It is the hour when from the boughs
The nightingale’s high note is heard;
It is the hour when lover’s vows
Seem sweet in every whispered word;
And gentle winds, and waters near,
Make music to the lonely ear.
Human tears, O human tears!
You flow both early and late –
You flow unknown, you flow unseen
Inexhaustible, innumerable,
You flow like torrents of rain
In the depths of an autumn night.
Easter
T he mighty peal rang out over the earth,
And all the air, moaning, shuddered and groaned,
Melodious, silver thunderings
Told the news of the holy triumph.
interspersed with a more luxuriant middle section, showing the demanding
virtuosity and passionate bittersweet romanticism of the youthful Rachmaninoff.
Romance: Andantino, the third movement, was written at about the same time
as the composer’s Second Piano Concerto and is the emotional heart of the Suite.
The last movement, brilliant and exhilarating Tarantelle: Presto concludes the
whole work. It reminds us of the immense technique that Rachmaninoff, the
pianist, possessed.
Mikhail Lermontov (1814 – 1841)
The second movement, La mit...L ’ amour: Adagio sostenuto (A Night For
Love), inspired by Byron’s lines is an extended dialogue which begins with
suggestions of bird song, then rises to a central climax and returns to the
tranquility from which it emerged.
Night... Love
Lord Byron (1788 – 1824)
The next, Les larmes (Tears), is the most characteristic and forwardlooking
movement of agonized melancholy.
Tears
last.
l
L
Being his last opus, the Symphonic Dances, Op. 45 can be considered as
summarizing Rachmaninoff’s entire life. He called it “my last spark.” It was
written in 1940 with the title of Fantastic Dances. After October 29” when
orchestration was completed, the title of the work changed to Symphonic
Dances. A twopiano version was made by the composer from the short score,
and its first performance was given by Rachmaninoff and Vladimir Horowitz at
Rachmaninoff’s Long Island home. Three movements: Noon, Twilight and
Midnight, are regarded to be a reflection of Rachmaninoff’s essentially
pessimistic view of existence. Non Allegro opens with an insistent and angular
rhythmic figure which leads to the haunted, principle theme. Andante con
moto, created in the form of a very energetic and dramatic waltz, is interrupted
by the melancholy moods for which Rachmaninoff had become the absolute
master. Lento assai – Allegro vivace, called a “brilliantly sinister danse
macabre,” is leading to darkness as if Rachmaninoff were resigned to his own
approaching death. His “last spark,” the orchestral version of the piece
performed in 1941 by Philadelphia Symphony Orchestra, was greeted by the
most negative criticism that the composer had ever received. Twenty six months
later, on March 18, 1943, Rachmaninoff died.
Ewa Mackiewicz Wolfe
�A B O U T T H E P E R F O R M E R S
EWA MACKIEWICZWOLFE, pianist, received her Bachelor and
Master degrees in Piano Performance with honors and high distinction
from the Academy of Music in Lodz, Poland where she continued as
Assistant Professor and Master Lecturer in music. Since 1984, she has
been associated with the Binghamton University Music Department,
Binghamton, New York as both a professor of piano and as a performing
artist.
MackiewiczWolfe is the winner of the International Competition of
Renaissance and Baroque Music and the International Competition for
Young Pianists in Warsaw, Poland. She has appeared in Germany,
Hungary, Canada and Poland as a recitalist, chamber musician and as
soloist with symphony orchestras. She participated in several music
festivals such as the Festival of Karol Szymanowski, the Piano Festival
of Vladislav Kedra, Poland, and Chamber Music Festivals in Germany
and Hungary. In the United States, Ewa MackiewiczWolfe has
performed throughout the Northeast including Jordan Hall of the New
England Conservatory of Music, Phillips Academy and Boston
University. She gave F ryderyk Chopin remembrance performances at the
Consulate General of France, the Consulate General of Poland, New
York City; and at the Hamilton Conservatory of Arts, Hamilton, Ontario,
Canada; and at the Anderson Center for the Arts, Binghamton, New
York. Her CD on Classics Label features Piano Sonatas of Mozart,
Beethoven and Chopin.
Pianist M I C H A E L SALMIRS, a founding member and artistic director
of the Finger Lakes Chamber Ensemble, is well known as a recitalist and
chamber musician performing extensively throughout the region. He has
appeared as soloist with the Corning Philharmonic, Binghamton
University Orchestra, Cayuga Chamber Orchestra, and has been a
featured pianist on their Sunday chamber series. As a performer of
contemporary music, he has participated in such series as Binghamton
University’s Musica Nova, Cornell University ’s Ensemble X, Chiron.
and has toured and recorded for the Syracuse Society for New Music.
Salmirs studied at the New England Conservatory and Eastman School
of Music; his teachers have included pianists Leonard Shure and Rebecca
Penneys and composer Karel Husa. Salmirs has taught at the Syracuse
University School of Music and Hobart and William Smith Colleges. He
is currently a faculty member at Binghamton University and an Affiliate
Artist at Cornell University. He maintains a private piano studio in Ithaca
and enjoys teaching students of all ages and levels.
W S K G P ublic Broadcasting
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�nathan Biggers A Bach
Sunday, F ebruary 2 2 ” Organist Jo
Celebration!! Series, Fine Arts Room 21, 4:00 PM, $$ (Sold Out)
rganist Jonathan Biggers – A Bach
Tuesday, F ebruary 2 4 ” O
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $%
idDay Concert, 1:20 PM FREE
Thursday, February 2 6 ” M
Casadesus Recital Hall
uest Artist: Dr. Hal Reynolds, trombone,
Thursday, February 2 6 ” G
Casadesus Rectal Hall, 8:00 PM, FREE
rganist Jonathan Biggers – A Bach
Friday, February 2 7 ” O
Celebration!! Series, Fine Arts Room 21, 8:00 PM, $%
ncert, 1:20 PM FREE
Thursday, March 5 ” MidDay Co
Casadesus Recital Hall
Thursday, March 5 Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 8:15 PM, $$
ymphony Orchestra: Echoes of the
Saturday, March 7 ” University S
East Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$
ind Symphony, 3:00 PM, FREE
Sunday, M arch 8 ” University W
Anderson Center Chamber Hall
ncert, 1:20 PM FREE
Thursday, March 1 2 MidDay Co
Casadesus Recital Hall
Saturday, March 1 4 ” S tudent Recital: Gregg Ackerman, clarinet,
Casadesus Recital Hall, 3:00 PM, FREE
cital: Heather Montana, soprano,
Saturday, M arch 1 4 ” Master’s Re
Casadesus Recital Hall, 8:00 PM, FREE
For ticket information, please call the
Anderson Center B ox O ffice
at 777ART S.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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2 audio discs
Duration
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1:05:23
29:00
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148799</a>
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Rachmaninoff: A Russian Fantasy for Two Pianos, Suites no. 1 & 2, Symphonic Dances, February 21, 2009
Recital Tape 2009-2-21
Description
An account of the resource
Binghamton University Department of Music. Held at 8:00 p.m., February 21, 2004, Anderson Center Chamber Hall.
Creator
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Mackiewicz-Wolfe, Ewa
Salmirs, Michael
Publisher
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Binghamton University Libraries
Date
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2009-02-21
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sound
-
https://omeka.binghamton.edu/omeka/files/original/7cf956a38de6d2c50846f06b94c0936b.pdf
08bfa56bc7a15f1b9455782b92a0b408
PDF Text
Text
BINGHAMTON
U N IV E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
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Casad esus D e c i ta l F a l l
�PROGRAM
Romance and Rondo
Stephen Brooks, bass
Margaret Reitz, piano
Suite No. 1 for Solo Cello, Op. 72 (1965) .
Canto : Sostenuto e largamente
Fuga: Andante moderato
Lamento : Lento rubato
Turn round, keep turning, good wooden horses,
Turn a hundred times, turn a thousand times,
. Benjamin Britten
(1913–1976)
Just as the rain on the city,
Sonata for Viola and Piano in D Minor..........
Mikhail Glinka
Allegro moderate
(1804–1857)
Larghetto ma non troppo
compl. V. Borisovsky
Sarah Sterling, viola
Margaret Reitz, piano
Ariettes oublICes o
i
II. IL pleure dans mon coeur
IV. Paysages belges – Chevaux de bois
i Claude Debussy
(1 8621 91 8)
What is this languor
That pierces my heart?
O soft sound of the rain
On the ground and on the roofs!
For a heart that is weary,
O the sound of the rain!
There is weeping without reason
In the heart that is dejected
What ! No treason?
This sorrow is without reason.
Truly the worst pain
Is not to know why,
Without love and without hatred
My heart has so much pain.
Elizabeth Sterling, soprano
ChaiKyou Mallinson, piano
La Fille aux Cheveux de Lin
arr. Arthur Hartmann
Children ’s Corner: VI. Golliwogg ’s CakeWalk
arr. Jascha Heifetz
Ariettes oubliées: II.
IL pleure dans mon Coeur
(There is weeping in my heart)
There is weeping in my heart
Stephen Stalker, cello
.Claude Debussy
Claude Debussy
Elizabeth Sterling, violin
Margaret Reitz, piano
Sonata for Viola and Pigne & . . . . c . . . . . . i i i v i i Rebecca Clarke
Impetuoso
(1886–1979)
Roberta Crawford, viola
Michael Salmirs, piano
Ariettes oubliées: IV.
Paysages belges – Chevaux de bois
(Wooden Horses)
F ranz Joseph Keyper
(17561815)
James R. Briscoe
Turn often and do not stop,
Turn round, turn to the tune of the oboes.
The child quite red and the mother white,
The boy in black and the girl in rose,
Each one doing as he pleases,
Each one spending his Sunday penny.
Turn round, turn, horses of their choice,
While at all your turning
The sly rogue casts a surreptitious glance.
Keep turning t o t he tune o f t he victorious trumpet !
It is ast ounding h o w it intoxic ates you,
To move thus in this foolish circus,
With empty stomachs and dizzy heads,
Feeling altogether badly, yet happy
in the crowd;
Turn, hobby horses, without needing
Ever the aid of spurs
To make you gallop on.
Turn round, turn, without any hope of hay,
And hurry, horses of their fancy,
Here, alreaay the supper bell is sounded
By Night, which falls and disperses the crowd
Of gay drinkers, whose thirst has made them
Jamished.
Turn, turn round! The velvet sky
Arrays itself slowly with golden stars.
The church tolls a mournful knell
Turn to the gay tune of the drums, keep turning.
Edith Braun, Waldo Lyman, and Kay Maunsbach
�Comnig CCuenst
Thursday, February 2 6 ” G
uest Artist: Dr. Hal Reynolds, trombone,
Casadesus Rectal Hall, 8:00 PM, FREE
Friday, F ebruary 2 7 ” Organist
Jonathan Biggers A Bach
Celebration!!! Series, Fine Arts Room 21, 8:00 PM, $$
Thursday, March 5 MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Thursday, March 5 % Counterpoint: Celebrating Women in the Arts,
Casadesus Recital Hall, 8:15 PM, $$
Saturday, March ” University Symphony Orchestra: Echoes of the
East – Orchestral Orientalism, Osterhout Concert Theater, 8:00 PM, $$
S u n d a y, March 8 ” University Wind Symphony, 3:00 PM, FREE
Anderson Center Chamber Hall
Thursday, March 1 2 ” MidDay Concert, 1:20 PM FREE
Casadesus Recital Hall
Saturday, March 1 4°" Student Recital: Gregg Ackerman, clarinet.
Casadesus Recital Hall, 3:00 PM, FREE
Saturday, March 1 4 ” Master’s Recital: Heather Montana, soprano,
Casadesus Recital Hall, 8:00 PM, FREE
S u n d a y, March 1 5% Guest Fortepiano Concert: Stefania Neonato,
Casadesus Recital Hall, 3:00 PM, $$
S u n d a y, M arch 1 5 ” Master’s Recital: Sibongile Boyd, soprano,
Casadesus Recital Hall, 6:30 PM, FREE
For ticket information, please call the
Anderson Center B ox O ffice
at 7 77ARTS.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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1 audio disc
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58:35
Streaming Audio
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148796</a>
Accessibility
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday Mid-day Concert, February 26, 2009
Recital Tape 2009-2-26
Description
An account of the resource
Works of Keyper, Britten, Glinka, Debussy, Debussy, Clarke. Held at 1:20 p.m., February 26, 2009, Casadesus Recital Hall.
Creator
An entity primarily responsible for making the resource
Brooks, Stephen
Reitz, Margaret
Stalker, Stephen
Sterling, Sarah
Sterling, Elizabeth
Mallinson, Chai-Kyou
Crawford, Roberta
Salmirs, Michael
Publisher
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Binghamton University Libraries
Date
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2009-02-26
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In copyright
Type
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sound