61 10 1775 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels: Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 31:49 15:28 29:00 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE59852">Christmas Choral Concert with the Harpur Chorale & Orchestra</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christmas Choral Concert with the Harpur Chorale & Orchestra Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Korte, Kodaly, Buttolph, Praetorius, Bach. Held at 8:15 pm, December 17, 1969, Don A. Watters. Creator An entity primarily responsible for making the resource Harpur Chorale & Orchestra Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1969-12-17 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Korte, Karl, 1928- Kodály, Zoltán, 1882-1967 Buttolph, David L., 1924 -2013 Praetorius, Michael, 1571-1621 Bach, Johann Sebastian, 1685-1750 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058008 39091020057950 39091020057901 https://omeka.binghamton.edu/omeka/files/original/ccef58b268d39ed61fb140ed83f92195.pdf e48a6efc01476d9cbe7846aab043c123 PDF Text Text The Founda tion of the State University of New York at Binghamton A Scholarship Beneﬁt Concert PRESEN TED B Y THE CASADE SU S FAMILY THE NEW YORK W OODWIND QUIN TE T THE LENOX QUARTET David L. Buttolph C 0nd uctor WEDNESDAY, JANUARY 7 , 1970, 8:30 P.M. DON A. WATTER S THEATE R HARPUR COLLEGE �GUEST ARTISTS Robert and Gaby Casodesus ARTISTSINRES IDENCE Jean Cosadesus The New York Woodwind Quintet Thomas Nyfenger, F lute Ronald Roseman, Oboe David Glazer, Clarinet Arthur Weisberg, Bassoon Ralph Froelich, French Horn The Lenox Quartet Peter Marsh, Violin Delmar Pettys, Violin Paul Hersh, Viola Donald McCall, Cello assisted by Alvin Brehm, Double Bass (5.U.N.Y. StonyBrook) �Program Concert fLir drei Klaviere in C dur Johann Sebas tian Ba ch Allegro Adagio Allegro Conce rt ﬁi r drei Pianof orte ( K242) Allegro Adagio Rondo Tempo di Me nuetto Wolfgang A madeus Moza rt INTERMISSION Nonet te in F (Opus 31) . . . . . . . . . . . . . Ludwi gSpoh r Allegro Scherzo: Allegro Adagio Finale : Vivace Conce rto pou r trois pianos et O rchest re a cordes (opus 65) . . . . . . . . . . . . Robert Casadesus Allegro marziale Andante Siciliano Presto Spagnolo Followi ng the Concert : R E C E P T l O N in the U niversit y Art G allery �THE CASADESUS FAMILY Robert Casadesus was born in Paris into a family of artists and musicians. A t the age of four he began pianistic study and when he was twelve entered the Paris Conservatory.While there he won all the major awards and em barked on a career in which, in addition to excelling in concert and recital appearances, he has in cluded the composition of almost sixty works. He made his American debut with the New York Philharmonic orchestra i n 1935 when he was already considered in Europe to be the most eminent of French pian ists. I t was im media tely af ter this concert that Toscanini, who was in the audience, invited Casadesus to play under him the following season. The 196768 season ma rked his 94 th, 95th and 96th appearances with the Philharmonic and his 200th. 2015t, and 202nd appear ances in the city of New York– almost unparalleled among con temporary pianists. Robert Casadesus also appears jointly in recitals with his wife, Gaby, whom he met at the Paris Conservatory when he was enjoy ing the ﬁrst triumphs of his career. One day he came to the conserva tory to show his former teacher, Louis Diemer, a twopiano work he had composed. The professor introduced him to his current prize pupil, Gaby L’Hote, and the two young artists performed Robert’s composition. Soon after they were married and began a musical col laboration that has taken the dis tinguished cou ple a rou nd the world. I t was a t t h e suggestion of the la te Dimitri Mitropoulos tha t their son, Jean, joined his illustrious pa ren ts in performances of t he concerto for three pianos and or chestra by I. S. Bach. Later these three great artists added the M o za r t th ree piano concerto to their repertoire. A new three piano work, this time by Robert, had its premiere performance during the sum mer o f 1965 w h e n t h e t h ree Casadesus played with the New York Philharmonic at the French American Festival in New York. Jean Casadesus’ professional career was brilliantly launched when he made his debut as solo ist wi t h E uge n e O r m a nd y i n 194 7. The following autumn he won the First Meda l at the Geneva Inter national Competition and since then has toured e x tensi v ely throughout Europe, North and South America and Israel. He has appeared frequently with major orchestras as solo guest artist a nd in three piano works with his par ents. They have played together in Europe with the Santa Cecilia Orchestra in Rome and the So cieté des Concerts in Paris, and in this country with the New York Philharmonic, and the orchestras of St. Louis, Kansas City, Balti more and Miami. Truly, the family of Casadesus has been a glory of French and Interna tional music annals for genera tions. �THE LENOX QUARTET The L eno x String Quartet takes i t s name from the to wn i n M as s a chusetts where it was founded in The members of the Lenox Quartet have ma de their homes in the Triple Cities area since July, 1958 wh en its members were on 1969 when they assumed their ter ( Tanglewood Summer Festi R esidence at Ha rpur College, Sta te University of New York at Bing hamton. In addition to their reg ula r concert activities, studio in the faculty of The Berkshire Cen val ). Du r i n g fou r sum mers, wh ile on the s t a ﬀ o f the C ompo si tion Depa r t m en t, the m en we re in present posi tion as Quartetin volved with the Fromm Founda struction, and ensemble coaching, gram. The Foundation was crucia l classes in the regular curriculum. They also have done extensive taping for educational television. tion’s contemporary music pro in t he support of t he Qua rtet in its early years, including concerts fea turing ﬁrst performances of n e w compositions a t the N e w School of New York and at the U n i v e r s i t y o f C h i c a g o . T h e Fromm Foundation also supported t h e Qua rtet ’s residencies a t t he Princeton Seminars in Advanced Musical Studies. c these eminent artis ts teach some Besides, va rious sta te a rts coun cils have employed them in a va riety o f educa t iona l presen ta tions. In performance, lectureconcerts, and in “workshop” conditions, The Lenox Quartet inspires and instructs t h e young m usicians of tomorrow. e THE NEW YORK WOODWIND QUINTET The other of the chamber en sembles in residence at the State University of New York at Bing hamton is the New York Wood wind Quintet. Since 1952 t he Quin tet has ma inta ined its position of pre eminence in the ﬁeld of chamber music through numerous concerts in the United S tates and abroad, radio and television appearances, and highly praised recordings. The Quintet is an ensemble of es tablished solo artists well known to the musical world. Their col laboration has resulted in an en semble which has prompted many critics to classif y t he Quin tet i n the highest category of chamber music performance. T h e New Yor k W oo d w i nd Quintet, which recently returned f rom its second S ta te Depa r tm en t tour of South America, has been in residence at Harpur College since 1967. Each member i s on the faculty of the Music Depa rt ment. �PRO GR AM NOTES F rom i ts incep tion, t h e t h ree piano concerto has been a ” famil y aﬀair.” ]. S. Bach crea ted th e mul ti(two, three, or four) keyboard concerto for the uses of his own circle of sons and pupils which comprised a group of the best keyboardists of that or any epoch. It was accomplished by the simple expedient of reworking, expand ing or working to the model of al ready existi ng conce rtos for t wo or more violins of which those of Vivaldi are the best known. The prese nt wo rk is an ex ampl e. It e x ploits the dynam ism and ﬂorid, no t t o sa y glitte ring, ornam en ta tion of the Baroq ue Italia n con certo. The tutti sections contrast with the solo portion: the princi pal interest lies in the eloquence of the individual solos (of which there are three in the last move ment ) and, as with Vivaldi, es pecia lly in t he intric a te tex tures created by the three keyboards playi ng toget her. Moza r t ’s th ree pi ano c oncer to is likewise a family project. It was written for a Salzburg family, a Coun tess Lodron and her da ugh ters, amateur pianists who had al ready comm issioned other works by Moza r t ( Diver timen ti, K 247 a nd K 287) . It is a galla nt work, simple and elegant, whose form and diction show the inﬂuence upon Moza rt of the school of pianists developed by expat riate Germ an vi rtuosi in Paris and ob served by Moza rt on his visits there. The C oncer to fo r Three Pianos and Strin gs o f Robert Casadesus wa s wri t ten i n t h e Sp r i ng o f 196 4 for a famil y per forma nce with th e New York Philharmonic during a F rench A m e r ican F es t i va l. T h e work con tinues t he tradit ion of stylized evocation which has been a featu re of native French key board music since the begin ning, notably in Couperin a nd Ramea u as well as many others . Although renowned in his own time as a violinist, com poser and conductor, history has not dealt kindl y with the reputation of Ludwig Spohr. With out t he pow erf ul, crea tive force of eithe r Beethoven or Brahms, he never theless stands as a link between them in the tradit ion of solid craftsmanship and sincerity of Germ an m usic. For all its adherence to the structural principles of Ha ydn a nd Beethoven, the N o nettei s a fr iend ly, unpr eten tious work . The Scherzo is derived from popular danc e music, the Land ler. The slow movement, thematically re lated to the ﬁrst, recalls Beethoven and oﬀers more than a hint of Brahms. The last movemen t is in genuous and charm ing. Despite the opulence of the means af forded by the large group, no wher e does Spoh r desc end to bombast or empty display, and the piece remains genuine cham ber music. —Willium Klenz 14 �THE ORCHESTRA VIOLINS: VIOLAS: Peter Ma rsh Concert Master Delmar Pettys Principal Second Section Ralph Wa de Ma rianne Wallenberg Melba Sandberg Carl Silfer Lorraine Fink Richa rd Leavitt Nancy Robbins M rs. Judith Niles David Agard Betty Lou Agard Paul Hersh Edward Pettengill Russell Colton Ronald Roseman Peter Hedrick BASSES: FRENCH HORNS: Alvin Brehm, Principal Richard Thomas Ralph Froelich John Covert D r. Fritz Loewenstein CELLO: Donald McCall, Principal Enzo Liva Fritz Wallenberg David Howard OBOES: DAVI D L.BUTTOLPH From student days at Yale Uni v e r si t y a n d s t u d y wi t h P a u l Hindem i t h to post wa r study a t the Juilliard School in piano with Gordon Stanley followed by in tensive work at Fontainebleau and the Paris Conservatory with Na dia Boulanger, David Buttolph has pursued a conducting career of extraordinary scope and variety. The development of his conduct ing technique was greatly aﬀected by his studies with Fritz Mahler, Eleazar de Carvalho and Pierre Monteux. Th e pa t h lea ds f rom ea rly choirboy experience to timpanist with the New Orleans Philhar monic; from choral conducting in the South to vocal arrangements for a Broadway production; and from the orchestral conducting faculty at the Manha t tan School of Music to music director for sev eral community college and pro fessional organiza tions in metro politan New York. M r. Buttolph’s earliest associa tions with music came through his grandmother, a singer of lieder, and his mother, a music teacher and accompanist, as well as his uncle, a composer for ﬁlms in Hol lywood. M r. Buttolph was appointed to the Music faculty at Harpur Col lege i n 1965. H e is Di rector o f t he Harpur Orchestra and the Harpur Chorale. �ABOUT THE FOUN DATION The Founda tion of the Sta te Univer sity a t Bingh am ton wa s in corpor a ted i n 1957. A ta x ex em p t corporation, it is charged with th e soliciting, managing and allocat who is also a m ember of the Coun cil. The Founda tion meets quar terly, o n the c ampus. T h e ma jor em phasis of t h e Founda tion’s a ctivity has been the ing of gif t f unds in suppo rt o f t he disbursement of scholarships. Last versity. students. Les ser amounts were de– educat ional programs of the Uni The membership of the Foun dation consists of nine members of the Council of the State Uni versity at Bingha mton, who are appoin ted by the Governor, and 22 additional persons including the President of the University at Bingha mton and the Chancellor of the State University of New York. The Presiden t of th e Foun dation is Cornelius C. Van Patten, y ear $3 0,475 was aw arded t o 141 voted to sup port fa culty r esea rch, t o s t u d e n t p r i z es a n d t o t h e acquis ition o r com missio ning of works of art. T h e Fo u nd a t ion a ccom plish ments are due both to the dedica tion of its dist inguished lay mem bers, a nd to the insight and gen erosity of those persons who have made gifts for various Founda tion purposes possible. ME MBE RS OF THE FOU NDATION Cornelius C. Van Patten, Preside n t D r. Orin Q. Fli nt, V ice Pre siden t Frank A. Nem ia, S ec o nd V ice Pre siden t Bruce Dearin g, S ecretar y Stewar t W. M orse, T reasur er Edwar d Demske, Assista nt Trea surer Glenn G. Bar tle William S. Chi ttenden Roger B. Coo per Donald Donn ellan Joseph F. Garbarino Morris Gitlitz S. Stewart Go rdon Samuel B. Gould Ralph J. Hasbrouck Cyrus M . Higley Alexander Ho rowitz Donald W . Krame r M rs. Edwin A. L ink William A. Lyons H. Kenne th MacQueen W . Wallace McDowell Hartwell P. M orse, Jr. Samuel Naka sian M rs. Edward Ne zelek Edward M . Prentice Alec Rosefsky Fred A . Rosek rans John F. Russell Michae l N. Scelsi Robert T. Tho rne Lee J. Wolf �NOTE OF APPRECIATION The Founda tion of the Sta te University of New York a t Bingham ton is grateful to the Casadesus Family for dona ting their services a nd to all members of the audience for their contributions to the Scholarship Fund. Special thanks to the Patrons, Benefactors, Sponsors a nd Donors listed below and many others whose names reached us too la te for publica tion. PATRONS M r. and M r s. Glenn G . Ba rtle M r s. Elizabeth Knapp M r . a nd M r s . W illiam S. Chittenden M r . and M r s . W illiam Lyons M r s. E ben H. E llison M r . and M r s. Ma r io Romano D r. a nd M r s . Orin Q. Flint D r . and M r s . I . J . Rosef s ky M r s. Thomas G riﬀith M r . Leland B . Sh eerer M r . and M r s . G eorg e L . Hinman M r . and M r s . Lynn H. Smith M r s . H. Gordon Kent BENEFACTORS D r. and M r s. Andrew B . Adams M r. and M r s. Ca r rol Coates M r . and M r s. Edg a r W. Couper Gustav Daeum ich M r . and M r s . B r u c e Dea ring M r. and M r s. Leopold E c kler D r. and M r s. V. Garabedian M r . and M r s. Mo r r is G itlitz M r s. Stanley H. Hill M r. and M rs. Alexander Horwitz D r. and M r s . Ba i rd D. Ja y M r. a nd M r s . David Levene M r. and M r s. Edwin A. Link M r. and M r s. Stuart McCarty M r . and M r s. Edward Moore M r . and M r s. Wendell H. M iller M r . and M r s. William J . M i tchell M r . and M r s . Edwa rd L . Nezelek M r s. Ma ry P illepich M r . Seymour M . P itcher M r . and M r s. Alec Rosef sky M r . and M r s. John F . R ussell M r . and M r s. S. E . Va il M r . and M r s . Cornelius C. Van Patten D r. and M r s. Robert J . Weiss SPONSORS M r. and M r s. A. Lawrence Abrams M r. and M r s. John Belniak D r. and M r s. Clif ton H. Berlinghof M r. and M r s. Joseph P . Conte D r. and M r s. Mor r is E ber D r. and M r s. Samuel Finkelstein D r. and M r s. Raul G rinberg Hugh E . Hunter M r . and M r s. Frithiof Johnson M rs. Bette Keefe M r . and M r s. Joseph M . Levene M r . and M r s. Nat L ieber M r . and M rs. Rober t F . Melville M r . and M r s. Cha rles L . Rosenthal Cha rles R . Rosenthal D r. and M r s. Joseph E . Van Riper D r. Anton A. V reede M r . and M r s. P eter N. Vukasin M r . and M r s. Thornton W. Whipple �ADDITIONAL NOTE OF THANKS Due to dela y in the mai ls duri ng the Chr istmas and New Yea r holidays, the following con tribu tions to the Scholarsh ip Fund re ache d us af ter t he Souvenir P r o . ress p gram s ha d gone to PAT RONS M rs. E dwa rd P ettin gill M r. F r i t z Wa llenberg M rs. Maria nne Wal lenberg BEN EFA CTO RS D r. and M r s. A swad M r . and M r s. G eorg e Fo r bes M r. and M rs. W illia m H. Johnson, J r. M r . and M r s. H a r twel l M o r s e M r . and M rs. F rank Nem ia M r. Je rom e Schact er M r s. M erri tt Stewa rt SPONSORS M r . and M r s. G eorg e Co uper thwa it M r . and M r s. G eorg e T . De ck e r D r. and M rs. G eorge Gi tlitz M r . and M r s. E dwa rd R . Le vene D r . and M rs. J ack Leve ne M r . and M r s. H erbe rt R . Le vine M r . and M r s. K eith Ma r tin M r . and M r s. David Pa tter son D r. an d M r s. A rthu r So lom an D r. and M r s. Jo hn T repa M r . and M r s. T hom as L . Ul rich DONORS M r . and M rs. W a l te r Al brec ht M r. and M rs. W illia m Ander son M r. Joseph Cornacchio D r. and M rs. B . R. Dorce y M r . and M r s. W illia m D ri ver M r . and M r s. Ronal d Ga le M r . and M rs. Rober t Ga llag her M r. and M rs. Rober t Guy M r. and M rs. Charles Houghton M rs. K atzin M r . and M rs. Bohda m Kostyshyn M r . and M r s. Samu el L even e M r. and M rs. A lber t Ma ll M r . and M r s. S tanle y P e l t e r M r. Donald Rheubottom M r. and M rs. Robert F . Sullivan M r. W illia m T ilton M r. and M rs. L a rry Vest M rs. M ichael Zucke rma n �DONORS M rs. William Anderson M r . and M r s. William R . Austin M r s. E . W. Baumga rtner M r. and M rs. Alex Began 1. Belley M r . and M r s. David Ber nstein D r. and M rs. Alfred Brooks M rs. David L . Buttolph Ma rgery Colell i M r. and M rs. Thomas J . Conlon M r. and M rs. Mumford Crossley M r. and M rs. Edward J . Demske M r. and M rs. F r i t z Dersch M rs. H. H. Die ke Paul H. Diek e Miss G. Diet erle M r. and M rs. George Dunham M r. and M rs. Glenn V. Elmore M r. and M rs. Harvey F airbanks M r. and M rs. Joseph C. Federick M rs. Eduard F eitzinger M r. and M rs. George S. Fichtel M r. and M rs. David C. Fisher M rs. Robert G . F letcher D r. and M r s. Joseph J. F riedman M r. Arnold D. Ga rdner M r . and M r s. U. S. G reene Joan E . Halik D r. and M rs. George Hamilton M r. and M rs. Ralph J. Hasbrouck M r. and M rs. Roy Hase npﬂug Peyton M. Hibbitt Clarence F . Hotchkiss, J r. M r. and M rs. Charles H . Ide Jean Judge D r. Ma rek Kaplan M r . and M rs. Chandler Y. Kelle r M r . and M rs. George S. Kotrch M r. and M rs. Richa rd F . Kuhnen M r. and M rs. William H . Lamb M rs. Robert L arkin M r s. Ha r ry H. L evy M r. and M rs. Alex Livingston M r . and M r s. Walter Lowen M rs. Alfred Lowenstein M rs. Fritz Lowenstein D r. and M r s. Vernon C. Lubs M r. and M rs. E . Scudder Mac key M rs. Ma rga ret Manley D r. and M rs. Melnitz M r . and M r s. S. David Molyneaux D r. and M rs. F rancis E . Moore, J r. M rs. F . W. H. Muell er William B. M ullen Dr. and M rs. Thomas Nytch M r . and M r s. Richa rd H. Pa rish M r . and M rs. Jerome J . P e r l M r. and M rs. Howard P raeger M rs. T racy C. Pren tice M r. and M rs. F red A. Rosek rans M r. and M rs. Herbert J . Savitch M r. and M rs. Maurice Sall M r . and M rs. Edua rd R. Sch e r re r M r. and M rs. Vito F . Sinisi M r. and M rs. Stephen Smyk M r . and M rs. David G . Thomas M r. and M rs. L. N. Vacca M rs. Don A. W atters D r. and M rs. George B . Werner M r. and M r s. James H. Wilmoth Adam H., Wood D r. and M rs. Robert H . Zappert M r . and M rs. Allen D. Z iebur M r. Norbert Ad ler contributed the design and preparation of this Souvenir Program and various other related materials. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 4 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:30 25:29 31:43 18:05 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63158 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63158 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63158">Scholarship Benefit Concert</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) FacingCoverContinuous Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scholarship Benefit Concert, January 7, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Bach, Mozart, Spohr, and Robert Casadesus. Held at 8:30 pm, January 7, 1970, Watters Theater. Creator An entity primarily responsible for making the resource Casadesus family New York Woodwind Quintet Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-01-07 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Bach, Johann Sebastian, 1685-1750 Mozart, Wolfgang Amadeus, 1756-1791 Spohr, Louis, 1784-1859 Casadesus, Robert, 1899-1972 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020058057 39091020058107 39091020058156 39091020058106 https://omeka.binghamton.edu/omeka/files/original/2ce53924225977a55e61c9a897cf73e2.pdf 32ee246c9ef14cc1e0a0796920a2f2f6 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC and DICKINSON COLLEGE Present PAUL HERSH Pianist 8 :15 p.m. Friday, February 6, 1970 Recital Hall PROGRAM SONATA IN E MAJOR, Opus 109 Vivace, ma non troppo Prestissimo Beethoven Andante molto cantabile ed espressivo Intermission 33 VARIATIONS on a Waltz by A . Diabelli, Opus 120 Tema : Vivace Var. Var. Var. Var. Var. Var. Var. Var. Var. Var. Var. Var. I Alla marcia maetoso II Poco allegro III L’istesso tempo IV Un poco piu vivace V Allegro vivace VI Allegro ma non troppo e serioso VII Un poco piu allegro VIII Poco vivace IX Allegro pesante e risoluto X Presto XI Allegretto XII Un poco piu moto Beethoven �Var. XIII Vivace Var. XIV Grave e maestoso Var. XV P resto scherzando Var. XVI Allegro Var. XVII Var. XVIII Poco moderato Var. XIX Presto Var. XX Andante Var. XXI Allegro con brio Var. XXII Allegro molto all “notte e giorno faticar ” di Mozart Var. XXIII Allegro assai Var. XXIV Fughetta : Andante Var. XXV Allegro Var. XXVI Var. XXVII Vivace Var. XXVIII Allegro Var. XXIX Adagio ma non troppo Var. XXX Andante, sempre cantabile Var. XXXI Largo, molto expressivo Var. XXXII FugazAllegro Var. XXXIII Tempo di minuetto :moderato w Paul Hersh attended Yale University and studied piano with Eduard Steuermann and Leonard Shure. As violist of the Lenox String Quartet, he has concertized extensively in the United States, Canada, and Europe. He has been artistinresidence and a member of the faculty of the Berkshire Music Center, the Aspen Music Festival,the Spoleto Festival, Lecturer in Music at Grinnell College, and is at present artistinresi dence and member of the faculty at Harpur College, SUNY Binghamton. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 20:42 12:51 39:43 Streaming Video HTML For video https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63164 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63164 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63164"> Paul Hersh Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paul Hersh Recital, February 6, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Beethoven. Held at 8:15 pm, February 6, 1970, Recital Hall. Creator An entity primarily responsible for making the resource Hersh, Paul Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-06 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064212 39091020064261 39091020064311 https://omeka.binghamton.edu/omeka/files/original/a2a96c1614f57bf6acbd0e40016b64e1.pdf 1eb4c1c4a973e8a016f632243205add4 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Peter Marsh, violin Paul Hersh, viola, piano Delmar Pettys, violin, viola Donald McCall, cello and DA VID G L A Z ER, Clarinetist Sunday, February 8, 1970 8 :15 p.m. Don A . Watters Theater M P R OGRA Quintet in A Ma jor f or Clarinet and Strings, K.581 Allegretto Larghetto Menuetto Tema con variazioni Quartet No. 3, opus 36 “ Adlerian” (1969) SonoramenteFeroce LentoDoppio movimento Mesto Agitato Sostenutopoco rubato Veloce Mozart Stoker Intermission Quintet in B Minor f or Clarinet and Str ings, opus 115 Allegro Adagio Andatino Con moto Brahms �STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Peter Marsh, violin Delmar Pettys, violin, viola Paul Hersh, viola, piano Donald McCall, cello and DA VID G L A Z ER, Clarinetist Sunday, February 8, 1970 8:15 p.m. Don A . Watters Theater PR OGRA M Quintet in A Major f or Clarinet and Strings, K.581 Allegretto Larghetto Mozart Menuetto Tema con variazioni Quartet No. 3, opus 36 “ Adlerian” (1969) SonoramenteFeroce LentoDoppio movimento Mesto Agitato Sostenutopoco rubato Stoker Veloce Intermission Quintet in B Minor f or Clarinet and Strings, opus 115 Allegro Adagio Andatino Con moto Brahms � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:43 20:21 36:54 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63169 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63169"> Lenox String Quartet Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, February 8, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Stoker, and Brahms. Held at 8:15 pm, February 6, 1970, Recital Hall. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-08 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Stoker, Richard, 1938- Brahms, Johannes, 1833-1897 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064360 39091020064410 39091020064469 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 40:25 24:21 OHMS Object URL https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63174 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE63174"> David Marcus and Donna Hallen Senior Recital</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource David Marcus and Donna Hallen Senior Recital, February 26, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Vanhal, Schumann, Schubert, Saint-Saens. Held at 8:15 pm, February 26, 1970, Music Recital Hall. Creator An entity primarily responsible for making the resource Marcus, David Hallen, Donna Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-02-26 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Vanhal, Johann Baptist, 1739-1813 Schumann, Robert, 1810-1856 Schubert, Franz, 1797-1828 Saint-Saëns, Camille , 1835-1921 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064519 39091020064568 39091020064667 https://omeka.binghamton.edu/omeka/files/original/1ce2648d20b103bfe9548066b5137d3e.pdf 54f9aa8677c8e195f78423de1730dae6 PDF Text Text STATE UNIVERSITY OF NEW YORK AT BINGHAMTON HARPUR COLLEGE THE DEPARTMENT OF MUSIC THE LENOX STRING QUARTET in residence Pctcr Marsh, violin Delmar Pettys, violin, viola Sunday, March 1, 1970 Paul Hersh, viola, piano Donald McCall, cello 8 :15 p.m. Don A . Watters Theater PR OGRA M Quartet in Bﬂa t Ma jor, K. 589 Mozart Allegro Larghetto Moderato Allegro assai Second String Quartet, Op. 17 Bartok Moderate Allegro molto capriccioso Lento Intermission Quartet in Csharp Minor, Op. 131 Adagio ma non troppe e molto expressive Allegro molto vivace Allegro moderato Andante ma non troppo e molto cantabile Presto Adagio quasi un poco andante Allegro Beethoven � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus. Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 3 sound tape reels Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 26:03 28:55 37:14 Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox String Quartet Recital, March 1, 1970 Subject The topic of the resource Concerts Instrumental music Live sound recordings Description An account of the resource Works of Mozart, Bartok, Beethoven. Held at 8:15 pm, March 1, 1970, Don A. Watters Theater. Creator An entity primarily responsible for making the resource Lenox String Quartet Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1970-03-01 Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Mozart, Wolfgang Amadeus, 1756-1791 Bartók, Béla, 1881-1945 Beethoven, Ludwig van, 1770-1827 State University of New York at Binghamton. Department of Music. Type The nature or genre of the resource sound Identifier An unambiguous reference to the resource within a given context 39091020064220 39091020064279 39091020064329 https://omeka.binghamton.edu/omeka/files/original/a626dbf5c38e2876a8eb77f1b5a94204.jpg d5e2678fb9266ab16f4d5b31a21f3c14 https://omeka.binghamton.edu/omeka/files/original/3ea59a2460c0ad42955718fe8424b7a5.jpg 765c80c74e26e194663076a1068e1685 https://omeka.binghamton.edu/omeka/files/original/9b07566c6b9ce2e070c68107bf90f44f.jpg 8e2ecf23917ed6a0abd7c3b1e8eea026 https://omeka.binghamton.edu/omeka/files/original/dcf57693412da6358a6f48a9cedbe5bf.jpg 368c36f224dc8e6a6e36704f375511e9 https://omeka.binghamton.edu/omeka/files/original/85cd8d5425ceeb80dcdc92b880e9aaa8.jpg 625143a2f13204ae5cf1ef76c63ca39c https://omeka.binghamton.edu/omeka/files/original/dd777b9b9f4da13b177f2d73dd9abd10.jpg b8fe3b20184c785035285542ac633e96 https://omeka.binghamton.edu/omeka/files/original/35693e5f65b8883eba6d374462b37b8f.jpg b2ddee6b93ead5ffeb9a5c04b6e8e2d1 https://omeka.binghamton.edu/omeka/files/original/d5d9ffef5952368a7c34c4ed87107097.jpg f44707d59975b4982c5594301461c66b https://omeka.binghamton.edu/omeka/files/original/41466735149ad0f41bbeb43f0945cffe.jpg 84b07b54a50e2a80c507ca2de589f2af https://omeka.binghamton.edu/omeka/files/original/783120363d6f9f642bc1d53b34c8d513.jpg 8e97684bfd50511cae5a27ffbdc59fe5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description No performances given. Markings in black pencil, blue pencil. Prop list, cast list, music list, and stage drawing all given in opening pages. Stage sketches and directions found at beginning of first two acts. Promptbook marked consistently throughout, some sections in Act II and Act III crossed out. Written notes found throughout in black pencil. Added, handwritten dialogue at end of Act II. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 29 cm. Earlier version Earlier version (dcterms:isVersion Of) Importance of being earnest Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.152 Production(s) Not specified. Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ernst : Komödie in drei Aufzügen [promptbook] Subject The topic of the resource Wilde, Oscar, 1854-1900. Importance of being earnest -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Wilde, Oscar, 1854-1900 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Blei, Franz, 1871-1942 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3247 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/8adbb76c42122c73da5550f372d3edc5.jpg 7c5b4996d5e761f8c84f27b90cd03d3c https://omeka.binghamton.edu/omeka/files/original/7a39055289a81957256342641f5c26fa.jpg 4ca33a87d74bb9dfcf55693fdb5e65e5 https://omeka.binghamton.edu/omeka/files/original/3cacf5e670df84d7c78bebc555a0873a.jpg cce1b1d6cd5bb4042fc199b5670ba353 https://omeka.binghamton.edu/omeka/files/original/817fadf6dbd1acab1e6bc929b6ddd5a8.jpg 4c9d80f022e06502cf323a422eef1927 https://omeka.binghamton.edu/omeka/files/original/18d877eaa89433112316999229b24c16.jpg 24fcf22cc4c6259918efe79cca793f39 https://omeka.binghamton.edu/omeka/files/original/6a7c93e58985a6a565b7271df5b9f2b3.jpg 443c848162e42b3435ccaa729b03bf8a https://omeka.binghamton.edu/omeka/files/original/9743bbce69034aada97e6c5dc879b647.jpg 4ecfeb65f75e9bd3e8052f22f90e429a https://omeka.binghamton.edu/omeka/files/original/2b85d675ac884ee0c3a77b4b50e36d6f.jpg 3a232b8f46f184de50a2ee51454f5f39 https://omeka.binghamton.edu/omeka/files/original/c427e7a6e3a4deb48ae46551f1a9de01.jpg 190a7a3b2f7c974088c6ef4af9262a71 https://omeka.binghamton.edu/omeka/files/original/6af16a98d4e02882be22105c17bc4d19.jpg 7833df86a9e9eb6352dd785ae9a9222e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Cover labelled “Regiebuch III.” Markings in blue pencil, red pencil, black pencil, purple pen, and black pen. Blue pencil note key with page numbers found front inside cover. Red pencil note key with page numbers found back inside cover. Extensive notes throughout, many written in every single ink color. Markings stop with end of play on page 154, pages continue until page 164. Also found throughout are various note slips inserted in pages and other supplemental pages. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 18cm x 12.5cm Earlier version Earlier version (dcterms:isVersion Of) King Lear Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.109 Production(s) December 1913, Königstein; February 6, 1925, Vienna; April, 1916, city unspecified; “Shakespeare 300 Todestag” (for the 300th anniversary of Shakespeare’s death). (As indicated by notes within promptbook) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource König Lear [promptbook] Subject The topic of the resource Shakespeare, William, 1564-1616. King Lear -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Shakespeare, William, 1564-1616 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3201 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/718fe14d885d4bf3d6c7813ff7b0eaea.jpg bab0abf07540eb8ec77b6fc0467143a9 https://omeka.binghamton.edu/omeka/files/original/682ab7fa02155c99394ae2c3e8bf3ea3.jpg 5d21ab3204a6fddaabf0e15d1e2a66a5 https://omeka.binghamton.edu/omeka/files/original/b0e5ab1211c3a8c7e14cfe3ebe205842.jpg 206898dc51888ff364e36da25a233b2c https://omeka.binghamton.edu/omeka/files/original/a0778fb302b5ce7e8769f387c1c67ba8.jpg 3571070689609486f3f9016409869981 https://omeka.binghamton.edu/omeka/files/original/752a3b16bcf58ed4573b9a76f929913b.jpg ae037ad4fba98622ce4bf2023ece7d9c https://omeka.binghamton.edu/omeka/files/original/c108b5c4c24a3120fdd29401f60146f3.jpg 7ab1b51ef2f008624b4275bd6eeabe63 https://omeka.binghamton.edu/omeka/files/original/2c834395bc7e0f4af7222a73f9817787.jpg 3c6220291c5755abea43fa585913581b https://omeka.binghamton.edu/omeka/files/original/01ba9ae9fbde31a595f37f0a14675db5.jpg 178ac59e73f503cbb5eff76f55fa1d85 https://omeka.binghamton.edu/omeka/files/original/15b6a46aacfab36e75cbea284ca845a1.jpg a1199c7d2c8061d746a27121e6163aa8 https://omeka.binghamton.edu/omeka/files/original/9f7f6481097f8c0548448286718a2b0b.jpg d67f3a403f7eabba7e180bfd141403d3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description Markings in red pencil, black pencil, black pen, purple pen. List of props found inside front cover. Includes two cast lists. Emphasis on the staging of the play with extensive stage drawings and directions found at the beginning of each Bild, and a large portion of all written notes throughout the promptbook have to do with staging, actor movements, etc. throughout the promptbook have to do with staging, actor movements, etc Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 18cm x 12cm Earlier version Earlier version (dcterms:isVersion Of) Zhivoĭ trup Живой труп Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.136 Production(s) December 29, 1912, Tatrafüred, Slovakia; December 31, 1912, Tatrafüred; January 1913 (city unspecified); January 23, 1928, New York. (As indicated by notes within promptbook.) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lebende Leichnam : Drama [promptbook] Subject The topic of the resource Tolstoy, Leo, graf, 1828-1910. Zhivoĭ trup -- Translations into German Promptbooks Stage directions Creator An entity primarily responsible for making the resource Tolstoy, Leo, graf, 1828-1910 Scholz, August, 1857-1923 Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3231 Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. https://omeka.binghamton.edu/omeka/files/original/1a14b05258de63bb75b4af048d299439.jpg b65f4ebef93dc3c08a105cf0e4d403ec https://omeka.binghamton.edu/omeka/files/original/aa0a63df20274316d60d15aed55a2c9b.jpg 7f9ef522c56f871b1c795d098eb94e48 https://omeka.binghamton.edu/omeka/files/original/4f51df3e65985f6f006d9a480bacf3af.jpg 28f701db6c3d54d6c09b381318591168 https://omeka.binghamton.edu/omeka/files/original/1aa5dd97cadb8ee95f1c6be9b0bdd226.jpg aa45774f5ee2b5048b35fdf58281c47a https://omeka.binghamton.edu/omeka/files/original/f9fc02543592a5b143797fae83b444c0.jpg 55067f212897a64b309fcef0155bb256 https://omeka.binghamton.edu/omeka/files/original/ca9de3b08b0666828190df7678bdfc15.jpg 61e4b646eb3a301b191988968145e9fc https://omeka.binghamton.edu/omeka/files/original/220c9c28432929eb46e9000ea6fe381a.jpg 8621b768580733a2ae2a5d7a3e7ac843 https://omeka.binghamton.edu/omeka/files/original/0215b3322cc07006c9b091c34c4a2d62.jpg 6f76e4614732623a1f5dcbffd3cde203 https://omeka.binghamton.edu/omeka/files/original/68ed102bfdbe80046ba6c59cf9ea0b26.jpg 1a8d6c4d397eb0706f43aab871e497e1 https://omeka.binghamton.edu/omeka/files/original/b676b11b0276bcf94fbca510a3faab87.jpg 50d3bfaf08cd3c9988e7d4835ea5480f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reinhardt Promptbooks Description An account of the resource Who is Max Reinhardt? The celebrated Austrian theater director <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt</a>, recognized in America primarily for his elaborate productions of Shakespeare’s A Midsummer Night’s Dream, Franz Werfel’s The Eternal Road, and Karl Vollmoeller’s The Miracle, was born in 1873 at Baden near Vienna, Austria and died in New York City in 1943. Reinhardt’s illustrious career takes on added significance because it coincides with a major shift in the evolution of the modern theater: the ascendancy of the director as the key figure in theatrical production. Reinhardt’s reputation in international theater history is secured by the leading role he played in this transformation, as well as by his innovative use of new theater technology and endless experimentation with theater spaces and locales, which together redefined traditional relationships between actor and audience toward a new participatory theater. What is a prompt book? The prompt book is a master copy of the production script and contains a wealth of instructions and information alongside the basic text of the play. As well as the actors’ lines, you will often see cues for music, movement, light, and many other aspects of stage business. It may also contain sketches of how a piece of staging is supposed to look, or which costume a character should wear in a scene. Why are his important? Reinhardt’s directorial prompt books reflect the ways in which he made plays by major playwrights, including Ibsen, Shakespeare and Wilder, his own. The prompt books contain notations denoting changes in the script, actor moves and technical cues, instructions on how sound, props and scenery were used, and stage drawings. They help us to reconstruct Reinhardt’s techniques and directions in productions. Acknowledgements Thank you to the Gladys Kriebel Delmas Foundation who generously provided the funding to make this extraordinary project possible. Thank you also to the following individuals who helped make this project successful: Binghamton University Libraries’ Staff: Benjamin Coury, Nicholas Eggleston, Jean Green, Blythe Roveland-Brenton, Erin Rushton, David Schuster, Rachel Turner, Brandy Wrighter; Binghamton University Students: Madelynn Cullings, Kashawn Hernandez, Aanyah Jhonson-Whyte, Marisa Joseph, Bethany Maloney, Ashleigh Marie Sherman, Thomas Tegtmeier, Joseph Vitale. Relation A related resource <a href="https://omeka.binghamton.edu/omeka/items/show/2877">Full Display and German Transcription of Max Reinhardt's</a><a href="https://omeka.binghamton.edu/omeka/items/show/2877"> Reigen Promptbook</a> <a href="https://www.binghamton.edu/libraries/about/special-collections/research-and-collections/reinhardt/">Max Reinhardt Archives and Library</a> <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,reinhardt&tab=DigitalCollections&search_scope=DigitalCollections&vid=01SUNY_BIN:01SUNY_BIN&offset=0">Max Reinhardt Collection Photographs</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-timeline">The Life and Times of Theater Director Max Reinhardt</a> <a href="https://omeka.binghamton.edu/omeka/max-reinhardt-theaters">The Theaters of Max Reinhardt</a> Rights Information about rights held in and over the resource In copyright Contributor An entity responsible for making contributions to the resource Jean Green,  Binghamton University Students: Madelynn Cullings Kashawn Hernandez Aanyah Jhonson-Whyte Marisa Joseph Bethany Maloney Ashleigh Marie Sherman Thomas Tegtmeier Joseph Vitale Promptbook Description “Deutsches Theater zu Berlin” stamp in inside cover, title page. Markings in red pencil, black pencil and black pen. Extensive markings throughout, both dialogue and stage. Most black pen markings are dialogue notes. Stage directions, movements, sketches, etc. throughout. Collection Max Reinhardt Promptbooks Dimensions Physical dimensions of item 17.5cm x 12.5cm Earlier version Earlier version (dcterms:isVersion Of) Die Hermannsschlacht : ein Drama in fünf Aufzügen Notes Located in Binghamton University Libraries Special Collections PT2635.E548P75 v.66 Production(s) Possibly April 1915, Berlin; January 22, 1918 (no city specified). (As indicated by notes within promptbook.) Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hermannsschlacht : ein Drama in fünf Aufzügen [promptbook] Subject The topic of the resource Promptbooks Stage directions Creator An entity primarily responsible for making the resource Kleist, Heinrich von, 1777-1811 Publisher An entity responsible for making the resource available Binghamton University Libraries Contributor An entity responsible for making contributions to the resource Reinhardt, Max, 1873-1943 Language A language of the resource German Identifier An unambiguous reference to the resource within a given context R 3161 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Deutsches Theater zu Berlin Rights Information about rights held in and over the resource Copyright undetermined. This image is provided for educational and research purposes only as is stipulated by U.S. and international copyright law. For more information, please contact speccoll@binghamton.edu. Date A point or period of time associated with an event in the lifecycle of the resource 1900s