62
10
1775
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BINGHAMTON
U N I V E R S l T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
R
E
P A R T I M N M E N I
THURSDAY
MIDDAY CONCERT
o (L T S)S ~
f; <'
eS
—
/
OCTOBER 29, 2010
1:20 P.M.
CASADESUS R ECITAL H ALL
�PROGRAM
Three Songs
Dans la Nuit
Tyndaris
L’Enamourée
..Reynaldo Hahn
( I 874 I 947)
Briana Sakamoto, Soprano
Margaret Reitz, Piano
The History of the Tango (1982)..
11. Café 1930
...Astor Piazzolla
(192 I I 992)
Prof. Timothy Perry, Clarinet
Margaret Reitz, Piano
Sonata for Bassoon and Piano (1921)
I. Moderately fast
Daniel Bessel, Bassoon
Margaret Reitz, Piano
..Camille SaintSéiens
(18351921)
Pocket Sonata No. 1 ( 1949)
1. Improvisation
2. Blues
3 ln Rhythm
Prof. Timothy Perry, Clarinet
Margaret Reitz, Piano
Alec Templeton
( 19091963)
Three original compositions................................
Christopher Morgan Loy
Homage to Robert Schumann, Op. 56, no.2
C W M Rhondda Fantasy, Op. 56, No. 3
Adventures with Max the Dog, Op. 51 No. 2
Prof. Christopher Morgan Lo y, Piano
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
M
M
M
M
M
M
M
t
b
’
Midday concerts are held on Thursdays, 1:20pm in Casadesus
Recital Hall unless otherwise noted and are FREE
Song of Silk: Saturday, November 6, 2010, 8pm Osterhout
Concert Theater, $$$
Student Recital: Dan Bessel, bassoon, Sunday, November 7,
2010, 3pm, Casadesus Recital Hall, FREE
University Chorus: First Steps and Final Thoughts, Sunday,
November 14, 2010, 3pm, Osterhout Concert Theater, $$$
Student Recital: Briana Sakamoto, soprano, Saturday,
November 13, 2010, 8pm, Casadesus Recital Hall, FREE
Friedheim Memorial Lecture/Recital series: Claudio
Monteverdi, I l l ament d Arianna, Thursday, November 18,
2010, 8pm, Casadesus Recital Hall, $$$
Organist Jonathan Biggers: A Bach Celebration, Friday,
November 19, 2010, 8pm, FAZ1, $$$
Czech Vocal Music: Mary Burgess, soprano, guest artists.
Timothy Lefebvre, baritone; Timothy Cheek, piano, Sunday,
November 21, 2010, 3pm, Anderson Center Chamber Hall,
$58
Organist Jonathan Biggers: A Bach Celebration , Tuesday,
November 23, 2010 (11/19 repeat performance), 8pm, FAZ21,
$53
Percussion Ensemble, Tuesday, November 23, 2010, 8pm,
Anderson Center Chamber Hall, FREE
For ticket information, please call the
Anderson Center B ox O ffice at 777ARTS.
�
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Thursday Mid-day Concert, October 28, 2010
Recital Tape 2010-10-28
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Works by Hahn, Piazzolla, Saint-Saens, Templeton, Loy
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Sakamoto, Briana
Reitz, Margaret
Perry, Timothy
Bessel, Daniel
Loy, Christopher
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Binghamton University Libraries
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2010-10-28
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sound
-
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Binghamton University Music Department Tape Recordings
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Concerts ; Instrumental music ; Live sound recordings
Description
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Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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Fiedheim Memorial Lecture, September 30, 2010
Recital Tape 2010-9-30
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Works by Zank, Ives
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Foley-Reynolds, Chilton
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BINGHAMTON
U N I V E R S I T Y
STATE UNIVERSITY
OF
NEW Y O R K
wdc
[4
D E P A R T M E N T
F I R S T S T E P S
A N D F I N A L T H O U G H T S
E ARLY AND L ATE C HORAL W ORKS
BINGHAMTON UNIVERSITY
CHORUS
Bruce Borton, conductor
Siobhan Sculley, student conductor
Victoria Cannizzo, Susan MacLennan
MayBelle Golis, sopranos
Cabiria Jacobsen, mezzo soprano
Peter Browne and William Lawson, pianists
Sunday, November 14, 2010
3:00 p.m.
Osterhout Concert Theater
�PROGRAM
Schaffe in mir, Gott, ein rein Herz . Op.29 No. 2 ...Johannes Brahms
(18331897)
Schaffe in mir, Gott. ein rein Herz Make me a clean heart, O God,
Und gib mir einen neuen, gewissen Geist. And renew a right spirit within me.
Verwirf mich nicht von deinem Angesicht Cast me not away from thy presence
Und nimm deinen heiligen Geist nicht von mir and take not thy holy Spirit from me.
Troste mich wieder mit deiner Hfilfe, O give me the comfort of thy help again.
Und der freudige Geist erhalte mich. And stablish me with thy free Spirit.
Psalm 51 : 1012
Ave verum corpus (1 791 )
Ave vérum Corpus.
Natum de Maria Virgine:
Vere passum. immolatum
ln cruce pro homine:
C ujus latus perforatum,
Unda fluxit sanguine:
Esto nébis praegustatum
In mortis examine.
Wolfgang Amadeus Mozart
( l 75 61 791 )
Hail, true Body,
born of the Virgin Mary.
Who has truly suffered,
was sacrificed on the cross for mortals.
Whose side was pierced.
whence flowed water and blood:
Be for us a foretaste (of heaven)
During our final examining.
Franz Schubert
(17971828)
Christ ist erstanden! ( l 8 1 6).
Christ ist erstanden!
F reude dem Sterblichen.
Den die verderblichen.
Schleichenden, erblichen
Mingel um wanden.
Christ is risen!
Joy to the One, of us
Who the pernicious,
Ancestral. insidious,
Fault has unwoven.
Chor der Engel aus Faust (Goethe)
<....... Franz Schubert
Stdndchen. (D.920)
Cabiria Jacobsen, mezzo soprano
Men of the University Chorus
Siobhan Sculley, conductor
Zogernd leise.
in des Dunkels nacht ’ger Stille.
Sind wir hier.
In den Finger sanft gekriimmt.
Leise. leise pochen wir
An des Liebchens Kammerthiir.
Doch nun steigend. Schwellend. hebend.
Mit vereinter Stimme laut
Rufen aus wir hochvertraut : Schlafdu nicht.
wenn der Neigung Stimme spricht
Sucht‘ ein Weiser nah und ferne,
Menschen einst mit der Lateme
Wie viel seltner dann als Gold
Menschen uns geneigt und hold.
Drum. wenn Freundschaft. Liebe spricht.
Hesitantly. quietly.
in the dark‘s nocturnal stillness,
We are here.
And with fingers gently bent.
lightly, lightly we knock
At our sweetheart ’s chamber door.
But now increasing, swelling, rising.
with a loud. united voice.
we call out confidently: “Sleep not
when the voice of affection speaks!”
Once a wise man searched near and far
with a lantern for friends.
H o w much rarer than gold
Are people who are gracious and kind.
So. when friendship or love speaks,
Freundin, Liebchen, schlaf du nicht! Friend. sweetheart, do not sleep!
Aber was in allen Reichen But what in all the world
War dem Schlummer zu vergleichen? Would be comparable to sleep?
Drum. statt Worten und statt Gaben, So, instead of words and gifls,
Sollst du nun auch Ruhe haben. You shall now also have rest.
Noch ein Griisschen, noch ein Wort! One more little greeting, one more word!
Es verstummt die frohe Weise; The joyful melody becomes silent;
Leise. leise, Schleichen wir uns wieder fort. Quietly, quietly again we steal away.
Franz Grillparzer
Salut printemps (1882)..............................................Claude Debussy
(18621918)
Salut printemps. jeune saison,
Dieu rend aux plaines leur couronne.
La séve ardente qui bouillonne
S’épanche et brise sa prison.
Bois et champs sont en floraison.
Un monde invisible bourdonne,
Hail spring, young season!
God restores the crown to the plains.
The ardent, bubbling sap
Overflows and breaks its prison.
Woods and fields are flowering;
An invisible world murmurs;
L’eau sur le caillou qui résonne Water runs over the reverberating pebble
Court et dit sa claire chanson. And sings its clear song.
Le genét dore la colline: The broom gilds the hill ;
Sur le vert gazon 1’aubépine On the green lawn the hawthorn
Verse la neige de ses fleurs. Pours forth its snowy blooms.
Tout est fraicheur. amour. lumiére, All is freshness, love and light,
Et du sein fécund de la terre
Montent des chants et des senteurs.
And songs and scents arise
From the fertile bosom of the earth.
Comte de Ségur
Victoria Cannizzo, soprano solo
Noél des enfants qui n’ont plus de maisons (1916 ) .. Claude Debussy
(Christmas Carol of the Homeless Children)
Nous n‘avons plus de maisons! Oh! La! We no longer have homes!
Les ennemis ont tout pris, The enemies have taken everything,
tout pris, jusqu’a notre petit lit! even our tiny beds!
lls ont brulé ;’I'école et notre maitre aussi. They have burned the school, and our teacher too.
Ils ont brulé l‘église et monsieur Jesus Christ. They burned the church and mister Jesus Christ,
Et le vieux pauvre qui n’a pas pu s’en aller! And the old beggar who couldn‘t escape!
Bien sur! Papa est a la guerre. Of course, papa is away at war.
Pauvre mama nest morte! And poor mama died
A vant d ’voir vu tout ca. before seeing all of this.
Qu’est c ’que I’on va faire? What are we to do?
Noél, petit Noél! N‘allez pas chez eux, Santa. dear Santa! Don’t go to their houses.
Punissezles! Vengez les enfants de France!
Les petits Belges, les petits Serbes,
Et les petits Polonais aussi!
Si nous en oublions, pardonneznous.
Noél! Sur tout. pas de joujoux,
Tachez de nous redonner le pain quotidian.
Noél! Ecouteznous,
Nous n’avons plus de petits sabots:
Mais donnez la victoire aux enfants de France!
Punish them! Avenge the children of France!
The little Belgians, the little Serbs.
And the little Poles too!
If we forget some of them. forgive us.
Santa! Above all. no toys!
Try to give us our daily bread once again.
Santa. listen to us.
We have no more little wooden shoes:
But give victory to the children of France!
C. Debussy
Women of the University Chorus
William Lawson, piano
�Missa Brevis in F Major .....................c..ceeeu......... Josef Haydn
(1 7321809)
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Susan MacLennan and MayBelle Golis, soprano soloists
Siobhan Sculley, conductor
Fern I
Cabiria Jacobsen, mezzo soprano
o
Paul Watrobski, cello
e
All the sun long it was running. it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard. blessed among stables, the nightjars
Flying with the ricks, and the horses Flashing into the dark.
And then to awake. and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder. it was all
Shining, it was Adam and maiden. The sky gathered again
And the sun grew round that very day.
i carry your heart with me, (i carry it in my heart)
i am never without it (anywhere i go you go my dear;
and whatever is done by only me is your doing my darling)
i fear no fate (for you are my fate my sweet)
i want no world (for beautiful you are my world, my true)
and it ’s you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky o f tree called life:
which grows higher than soul can hope or mind can hide)
and this is the wonder that ’s keeping the stars apart
i carry your heart (i carry it in my heart)
So it must have been afier the birth of the simple light
In the first. spinning place. the spellbound horses walking warm
—.e. cummings
Missa B r e v i s . . . . . . . . o g t e m w o s L. Webb
(b. 1976)
Out of the whinnying green stable On to the fields of praise.
iI
(MM Choral Conducting. Binghamton University, 2001)
.
Susan MacLennan, soprano solo
Now as l was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley Down the rivers of the windfall light.
And as l was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only.
Time let me play and be Golden in the mercy of his means.
And green and golden I was huntsman and herdsman. the calves
Sang to my born. the foxes on the hills barked clear and cold,
And the sabbath rang slowly In the pebbles of the holy streams.
n Duke
o
J
t
r
a
(18991984
Arranged for chorus by Rachelle Brisson
h
(Premiere performance of this arrangement. completed Spring, 2010)
Kyrie
Sanctus
Benedictus
Agnus Dei
John Corigliano
(b. 1938)
Michelle Anderson, Cheryl Jacobson,
Andrew Fuller, Daniel Romberger, solo quartet
James Hsia, Ella Serrano, violins
I Carry Your H
(1960)
And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over. I ran my heedless ways.
My wishes raced through the house high hay
And nothing I cared. at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden Follow him out of grace.
Nothing l cared. in the lamb white days. that time would take me
Up to the swallow thronged lofi by the shadow of my hand.
In the moon that is always rising. Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
Dylan Thomas
�section the male lover determines that his female companion “needs her sleep
more than his amorous advances.”
NOTES O N T H E MUSIC
Youth is full of pleasance, age is full of care. . .
Youth is wild, and age is tame. (William Shakespeare)
Time is the great arbiter of quali ty in the arts. an d genius in musi c is most often
recognized and acknowledged only afler the passage of a great deal of it. In the
normal course of events, one would expect to find a composer’s greatest
creations only a fter a certain ma turation process the middle to late years. Yet
genius is frequently found in eve n the earliest com positions of the true greats as
we can see in today’s performance of works by t he twentysevenyearold
Brahms, the nineteenyearold Schubert, and the seventeenyearold Haydn.
Johannes Brahms interest in choral music spanned his entire career. His most
wellknown choral work, Ein deutsches Requiem , was composed near the
middle of his life, but the motets, part songs, and folk song arrangements were
written from his early years in Hamburg to the last decade of his life in the
1890’s. The opus 29 motets (there are two of them) were written in 185960 for
local Hamburg choirs. The fugal middle section demonstrates his admiration of
the music of the past, most notably that of J.S. Ba ch. However, in the Ldndler
like third section. one can also hear traces of the German folk music which he
so admired and spent much of his life collecting and arranging.
l
l
The two Debussy choral works presented provide another opportunity to hear
works from the beginning and end of a brilliant creative career. Debussy
composed the short cantata, Salut Printemps. as an attempt to win the Prix de
Rome in 1881. Having encount ered significant difficulties in his earlier
harmony studies at the Paris Conservatoire over his penchant for parallel
fourths and fifths, he followed the advice of his composition teacher. Guiraud,
and curtailed his innovative creative urges and attempted a style that would be
more conventional and pleasing to the judges. The work failed to win the prize
in 1881, but Debussy was successful two years later with his cantata L ‘enfant
prodigue.
Most of Mozart ’s sacred choral music dates from his early years as composer in
service to the Archbishop of Salzburg, Hieronymus, Count Colloredo. It is
always to be regretted that for al most a decade. when the composer was
enjoying his most productive years in Vienna, he abandoned sacred choral
composition. In 1 791, his last yea r, he returned to this genre for two final
masterpieces. th e exquisite motet Ave verum corpus, and his uncompleted
Requiem. The motet was written for Anton Stoll, a village teacher and
choirrnaster at Baden. Mozart composed in an intentionally simple style
befitting the modest resources of the village church.
Very little is known of Schubert ’s inspiration for or the circumstances
surrounding the composition of Christ ist erstanden (also known as Chor der
Engel or “Chorus of Angels”) a text found in Pa rt 1, Act 1, Scene 1 of Goethe’s
Faust. We do know that Schubert was familiar with Faust as early as 1 814
(age 17) because the composer’s famous song for voice and piano. Gretchen
am Spinnrade, dates from that ti me. The choral work was not published until
1839, long after Schubert ’s death in 1828.
Bruce Borton
Schubert composed Stidndchen ( Serenade) in 182 7, less than a year before his
death in 1828. and the first performance was given in August of that year. The
poem by Grillparzer is divided into three sections. The first section describes a
male visitor atte mpting to wake his female companion. The second section talks
about friendship and love. The poem concludes by observing that it is easier to
find gold than it is to find a person that is “Gracious and kind.” In this last
The poet was commissioned by a friend to write t his poem to celebrate the
birthday of his wife. Grillparzer contacted Schube rt and he quickly agreed to
compose the music. When Grillparzer saw the first version for men ’s voices and
soloist, he said, “no Schubert. I can’t use it, as this is supposed to be a
celebration for Gosmar’s female friends.” Schube rt changed the work from male
voices to female voices and on A ugust 1 1, 182 7, a group of Miss Gosmar ’s
female friends sang Standchen to her while in a garden. “The vision of a female
ensemble serenading a girlfriend with a poem written from a male standpoint
must have been a bit strange and certainly humorous.”
Siobhan Sculley
The year 1915 found Debussy suffering from te rminal cancer and deeply
affected by recent events of the war in which the Kaiser’s army had ravaged
and occupied much of Belgium, Poland. and Serbia. Days before undergoing
surgery to remove his colon, he wrote the words and music for this emotional
little song expressing the tragedy though the eyes of an orphaned child.
Originally writte n for solo voice and piano, in 19 16 he rearranged the piece for
children’s chorus. He died later that year, making this choral work his final
work for voice.
Bruce Borton
l
l
Franz Joseph Ha ydn was born in 1732 in Rohrau, Austria. Betwee n 17491750,
Haydn composed the Missa Brevis in F major. It is one of his earliest known
compositions. During this time, he was a freelance musician, teacher, and
composer.
The text in his Missa Brevis follows the ordinary of the Catholic Mass, which
includes the Kyrie. Gloria, Credo. Sanctus, Benedictus and Agnus Dei, but set
in very brief and economical fashion. The two longest text movements. the
Gloria and Credo. last only 1‘30 and 2‘30 respectively in part due to his
employment of a technique called “telescoping”, a process in which several
lines of text are sung simultaneously. This allows the quick delivery o f long
The
and.
ssible to underst
text. although resulting in text that is nearly impo
�performing forces include SATB chorus, two soprano soloists, and a very small
orchestra of violins 1 and 2, and basso continuo.
The overall harmonic structure and form of this work are simple. The form of
the piece resembles Concerto Grosso style, with alternating solo, tutti, solo.
tutti. The simple structure aligns with the ideals of the Catholic Church in the
1750’s. Pope Benedict XIV desired liturgical music that focused on the
religious intention as opposed to operatic style.
Towards the end of Haydn ’s life (1805), the manuscript of the mass was found
in the Servite Monastery at Rossau. Haydn was elated when he rediscovered this
work and found that he enjoyed “the melody and certain youthful fire“.
Siobhan Sculley
“First steps” are frequently taken during student years, and Binghamton
University has been witness to a number of first steps over the years. Rachelle
Brisson came to Binghamton University as a graduate student in 20092010.
She is a graduate of Mansfield University and is currently a resident of Owego,
New York. In the spring of 2010, Ms. Brisson was a student in Bruce Borton ’s
Choral Arranging class and completed her arrangement of John Duke‘s solo
song, i carry your heart, a setting of an e.e. cummings poem, as a final class
project. Today it receives its premiere performance.
Jeffrey Webb completed his Master of Music in Choral Conducting degree at
Binghamton University in May, 2001. While at Binghamton. Jeff conducted
the Women’s Chorus, performed with Harpur Chorale and Uni versity Chorus,
and assisted with the choral program. The Missa Brevis in AFlat was one of
several composition and arranging projects completed during his Binghamton
years. It received its premiere performance by the Harpur Chorale in May.
2001. Webb now is an assistant professor at the University of Pittsburgh
Johnstown and is music director of the Blair Concert Chorale, a community
chamber chorus.
John Corigliano is one of America ’s foremost living composers. His
symphonies, chamber music, film scores and keyboard works have enjoyed
wide acclaim and won the composer a Pulitzer Prize in 2001 for his Symphony
No. 2. His vocal works follow the lyric tradition of Samuel Barber. Fern Hill
is his earliest published choral work, written soon after his graduation from
Manhattan School of Music. The Dylan Thomas poem itself is perfectly
appropriate for today’s program rhapsodizing the glories of youth from the
viewpoint of old age. Conjuring images of the Welsh poet ’s childhood
summers on his aunt ’s farm. the poem describes being “prince of the apple
towns. . .green and carefree, famous among the barns. . In the end, however.
time leads him from these happy times, and finally holds him “green and
dying” but still singing “in my chains like the sea.”
THE UNIVERSITY CHORUS
Bruce Borton, conductor
Siobhan Sculley, student conductor
Peter Browne and William Lawson, accompanists
Soprano 1
Michelle Anderson
Susan Bachman
Brittany L. Bory
Lorrina Fuentes
Mary Gilda
MayBelle Golis
Margaret Hays
Sayuri lto
Susan MacLennan
Cathie Makowka
Mary Barb Martin
Susan Rosenberg
Marilyn Ross
Ligita Roznere
Gloria Salamida
Siobhan Sculley
Barbara Alhart Simon
Barbara Thamasett
Soprano 2
Sarina Barrera
Ency Burhans
Patricia Caldwell
Rachel Christian
Jenna Cooley
Joanne Corey
Christina Cussen
Barbara Herne
Sioux Petrow
Kelly Pueschel
Nuzhat Quaderi
Megan L. Roppolo
Susan Sarzynski
Jennifer Walsh
Lois Wilston
N. Ewa Wu
Alto 1
Carolyn E. Blake
Nanette Borton
Maria Luisa Cook
Carole Dickinson
Jayde Doetschman
Michelle Doherty
Tahnee Fallis
Diane A. Ferraccioli
Amanda Grode
Olivia Hon
Sylvia Horowitz
Grace Houghton
Cheryl Jacobson
Joan Kellam
Claire Labbe
*Choir president
TChoir secretary
Pat Labzentis
Adina Lowy*
Margit Mayberry
Katherine Moscowitch
Greta Myers
Anna Nicholas
Joyce Printz
Mary Schuster
Jane Shear
Sarah Szalasnyt
Susan Szczotka
Susan S. Waring
Mary Woestman
Caitlin Worm
Alto 2
Kathryn Baine
Lois P. Bare
Anna Bitterbaum
Kate Bouman
Phyllis S. Burr
Jeanne Fenzel
Ida Amelia Jones
Janice Lee
Hallie Marks
Ethel F. Molessa
Shirley Rodgers
�Tenor
Barbara Barno
Brad Bennett
Martin Bidney
Kevin D’ Andria
Kevin Doherty
Andrew Fuller
H. B. King
Carl Kinne
Dennis Leipold
David W. Martin
Kevin Mootoo
Justin Padilla
Brian Presser
Carlton Sackett Jr.
Sherry Williamson
Bass 1
Eric Bare
Ronald Beauchamp
Nick DeFeo
Richard Dutko
Benjamin Elling
Russell Feinstein
Michael Jabo, J.D.
Tom Lamphere
Christian Martin
David Mizrahi
Edward J. Orosz
Joshua Perry
Mike Pontera
Myron F. Shlatz
William Clark Snyder
Shane Thorn
Bass 2
Michael Brenner
Carl Bugaiski
Jushin Choi
David DeMoya
Mark Epstein
Adam Geier
David Hanson
Pak Lok Pio Lau
Michael Little
Sean Marrin
Arlo H. Meeker
Joseph E. Nelson
Daniel Romberger
David L. Schriber
Donald Lee Stanley
Bob Sullivan
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The Binghamton Gommunity Orchestra
20102011 SEASON SCHEDULE
Saturday, April 9, 2011, 7pm
Sunday, November 21, 2010, 7pm
Helen foley Theatre
at Binghamton High School
Binghamton Community flrchestm
with the Binghamton Youth
Sarah Jane Johnson Church
Johnson City, AY
Annual STMTA Winners Concert
Tim Perry, Conductor
Symphomy Orchestra
Frieda Abdo, Soprano
Barry Peters, Conductor
For more information:
www.BCOrchestra.com, conductor@BCOrchestra.com or 607 7599004
The Binghamton University Chorus has been performing major works for chorus and
orchestra since 1971. Its 125+ members include university students, faculty, staff, and a
large and loyal group of community singers from throughout the Southern Tier and
northern Pennsylvania. With representatives of all ages and singing experience, it is the
most diverse of all of the ensembles at the University. lts repertoire has included
virtually all the major choral works in the standard repertoire including the major works
of Bach, Beethoven, Brahms. Verdi, Mendelssohn, Mozart, Haydn, and a sizable
number of twentieth and twentyfirst century composers. They perform regularly with
the Binghamton University Symphony and the Binghamton Philharmonic including
recent performances of Brahms Ein deursches Requiem and Beethoven Symphony No. 9
under conductor JoséLuis Novo.
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Something Old
Something N e w
A C o mm u n i ty Si ng w i t h Alice Pa rk e r
Saturday, October 16 2010, 3 :00 p m
Furst Presbrtenan C ,h 42 Chenango Street. Binghamton, NY
F ol k So n g I nspi rat i ons
Directed br fume Bover Cotten
Sunday, Oc tobe: 17, 201 0 , 4:00 p m
T umty Memoual Episcopal Church, 44 Mam Street, B:
NY
L esso ns a n d Ca rols for C h ri s u n a s
11 0.4 00 pm
Saturday, Novem ber 27, 201 0, 73:0 p m & Sunday, Now
Church of t he H ol r Truuty, 346 Prospect Street, Binghamton, NY
C h o ra l jo u rn e ys : D e p a rt u r e s, Dest i n a t i o ns a n d D r e a m s
Led hr. Bruce Borton, ' '*:e for Artistic Director
Sunday, March 20, 20 11 , 4:00 p m
vtenan Church, 42 C henango St e e t , Binghamton, NY
Furst P,
Ali‘s F ai r : So n gs o f L o ve & W a r
L e d by James N iblock, candidate for Artistic Di rector
aday, h i ml l 2011, 4:00 pm
ts P r e s b rt e s i a n Church , 42 Ci nango Street, Binghamton, N Y
(D
T h e M a d ri g a l C h o i r o f B i n g h a m t o n « 201 02011 + 33rd Season 1 KEEIIZZITN
For ticket information visit www.madrigalchoir.com or call 607729–4767
�G
N I G
(eles
Thursday, November 1 8 – MidDay Concert – 1 :20 p.m. – Casadesus Recital
Hall – free
Thursday, November 18 – Fried heim Memorial Lecture/Recital Series:
Claudio Monteverdi, II lamento d ’ Arianna ( Paul Schleuse, spea ker ;
C h rist i na Salasny, soprano ; And re w Wal kling, cello a n d Pa ul Sweeny,
guitar ) – 8 p.m. ~ Casadesus Recital Hall – $5 general public; free for students
(1 00 student tickets available)
F ri da y, Novem ber 1 9 – O rganist J o n a t ha n Biggers : A Bach Celebration ~ 8
p.m. – FA2 1 – $10 general public: $5 faculty/staff/seniors; $2 students
Saturda y, Novem ber 20 – Prof. Ti mot h y C hee k (U ni versity of Michigan )
Masterclass on Czech diction a n d vocal l it e rature – 1 0 a.m. – 1 2 noon and 2
4 p.m. – Casadesus Recital Hall – free
Sunday, November 21 – Czech Vocal Music : Ma ry Burgess, soprano ;
Ti moth y Le Feb v re, baritone ; guest a rt ist Ti moth y C hee k, piano – 3 p.m. –
Anderson Center Cham ber Hall – $ 1 5 general public : $ 1 0 faculty/staff/seniors;
$5 students
T uesday, Novem ber 23 – Percussion E nsem ble – 8 p.m. – Anderson Center
Chamber Hall – free
Wednesda y, Decem ber 1 – Lecture/Recital with J ie un J a n g, piano – 8 p.m. –
Casadesus Recital Hall – free
Thursday, Decem ber 2 – Holiday MidDay Concert – 1 :20 p.m. – Casadesus
Recital Hall – free
Th ursda y, Decem ber 2 – H a r p u r C hora l e & Women ’s C ho rus – 8 p.m. –
Trinity Memorial Church. Binghamton – free
F riday, December 3 ~ Flute Studio a nd Flute C ham ber Concert – 10:30 a.m.
Casadesus Recital Hall – free
Saturday, December 4 – University Symphony O rchestra : America ’s Inner
Life 3 p.m. – Osterhout Concert Theater – $10 general public: $5
faculty/staffiseniors: free for students (Group rate $8 per person)
For ticket information, please call the A nderson Box Office at
7 7 7 ,4 R TS.
�
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1960's - present
Title
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Binghamton University Music Department Tape Recordings
Subject
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Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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1 audio discs
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01:17:15
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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First Steps and Final Thoughts: Early and Late Choral Works, November 14, 2010
Recital Tape 2010-11-14
Description
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Works by Brahms, Mozart, Schubert, DeBussy, Duke, Webb
Creator
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Borton, Bruce
Sculley, Shiobhan
Cannizzo, Victoria
MacLennan, Susan
Golis, MayBelle
Jacobsen, Cabiria
Browne, Peter
Lawson, William James
Hsia, James
Serrano, Ella
Watrobski, Paul
Anderson, Michelle
Jacobsen, Cheryl
Fuller, Andrew
Romberger, David
Publisher
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Binghamton University Libraries
Date
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2010-11-14
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/ddaff5b5611aa4d3fece6dd6438206f5.pdf
fadd9ca6776063443bcf26c455c36c8d
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
S TAT E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
FAMILY WEEKEND
CONCERT
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Saturday, October 22, 2011
s a l p.m.
Osterhout Concert Theater
�PROGRAM
I.
. Ruth Watson Henderson
Cantate Domino...
Kaitlyn Mulligan Christina Santa Maria
Samantha Grieco, Susan Rosenberg, soloists
Nicolas Polacco, trumpet
Eugene Butler
The Nightingale
Come, Shepherd Swains...............................................John Wilbye
.. Franz Schubert
“(choral arrangement by Christina Kompar)
Lied der Mignon
..Kenneth Leslie
Cape Breton Lullaby.............................
(arranged by Stuart Calvert)
The Rest of the Day’s Your Own
Traditional English Folksong
(arranged by Scott Robinson)
The Women’s Chorus
Molly AdamsToomey, conductor
Jushin Choi, piano
II.
Ave verum c
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Walls of Glass (Premier Performance)
Jushin Choi, piano
W
A Mozart
Christian Martin
Water N I O N L . . . . . . . . . . . . Whitacre
Hamba Lulu
Orem/
..Zulu Wedding Song
(arranged by Mike Brewer)
Nigerian “Highlife” Song
(arranged by Mike Brewer)
Adam Goldenberg and Friends, percussion
The Harpur Chorale
Peter Browne, conductor
�III.
Overture to “Orpheus in the Underworld” ...........Jacques Offenbach
(18191880)
Zachary Nobile Kample r, conductor
Karelia Suite, Op. 11.
Il. Ballade
Ill. Alla marcia
. – – . . . – – . . . . . . . – – . . – o – . o – – – – . – o i l – u . –
Jean Sibelius
(18651957)
The Un iversity Symph ony Orc hestra
Timothy Perry, director
Women ’s Chor us
Jennifer Chen
Amy Conway
Janelle Dmochowski
Sheena Finlayson
Crystal Gonzalez
Samantha Grieco
Ashley Grumman
Kaitlyn Mulligan
Erika Noach
Maggie Pictor
Jessica Pyne
Susan Rosenberg
Christina Santa Maria
Ariel Schlesinger
Joanna Wallace
The Ha rpur Chorale
Sopran o
Tenor
Katie Besemer
Michelle Goldrich
Kerianna Krebushevski
Sabrina Scull
Katie Sucha
Holly VanDerHeide
Ari Hausman
Tomas Kerr
Josh Rovou
David Schwarz
Brandon Seabrook
Alto
Bass
Denise Aquino
llyssa Baine
Carrie Buck
Suzanne Greene
Shoshana May
Thomas Furey
Christian Martin
Gavin McClelland
Daniel Romberger
�Univer sity Symphony Orchestra
Timothy Perry, director
Flute/Picc*
Kaitlin Armstrong
Melanie Adler*
Natalie McCreary
l5
Oboe/E ng. Hor n*
John Lathwell+
Clarinet
Jaclyn Adler
James Wu
Bassoo n
Natalie Spitzer
Paige Elliott
French Horn
Matt McAuliffe
Zack Arenstein
Trumpe t
Kevin Hannon
Nicholas Polacco
Trombo ne
Billy Marsiglia
Jacob Strohm
Tuba
Matthew Gukowsky
Percuss ion/Tim pani
Benjamin Rothschild
Andrew Williamson
Keyboa rd
Matthew Gukowsky
Violin I
James Hsia
Gabrielle Maire
Simon Benarie
Brandon Luu
Natalie Bock
Jeffrey Lu
Daniel Park
Jaclyn Podd
Won Jae Lee
Karen Fu
Jin Park
Violin II
Ella Serrano
Yuansi Du
Sara Sunshine
Emily Wong
Nicholas Thompson
Gregory G. Greene
Chris Rogers
Ashley Fancher
Jiwon Nam
Alyssa Starrantino
Kimberly Griffin
Julia Kenny
+Music Faculty
Viola
Benjamin Pochily
Daniel Rodabaugh
Kevin Christie
Jillian Chen
Daniel Rodriguez
Maeve Murray
Violonc ello
Xander Edwards
Peter Hiraldo
Paul Watrobski
Felicia Scalzetti
Eric Wuu
Deborah Mariottini
Alan Wang
Ryan Ference
Contrab ass
Kristine Beckmann
Assista nt Cond uctor
Zachary Nobile Kampler
The USO employs rotating
seating; Woodwinds. Brass
and Percussion rotate by
composition and are listed
alphabetically. Strings
rotate by concert and are
listed in seating order.
NEXT USO CONCERT
Tomorro w!
Sunday, Oct. 23, 2011
Concerto & Aria
Winners’ Concer t
7:30 pm
Osterho ut Theater
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Lessons and Carols tor Christmas
44 Main Street. Binghamton. NY
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Sunday, November 27, 2011. 4:00 p
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Church o f t he HJh Trinity
346 Prospect Street. B inghamton. N Y
$3 Main Street. Binghamton, NY
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�Bingh amton Unive rsity Music D epart ment’ s
U P C O M I N G E V E N T S
MidDay concerts are held on Thursdays, 1:20 PM in Casadesus Recital
Hall unless otherwise noted and are FREE
Sunday, October 23 — TriCitie s Opera present s “Madam e
Butterfl y” — 3 PM — The Forum Theatre — call (607) 7720400 for
tickets
Sunday, October 23 — Alumni Organ R ecital: J ohn Novak (MM
‘06) — 4 PM – First Presbyterian Church, Binghamton – $10 general
public; $6 faculty/staff/seniors; $3 students
Sunday, October 23 — Bingham ton Univers ity Sympho ny
Orchest ra: Conc erto and Aria Com petition Concert — 7:30 PM —
Osterhout Concert Theater — $10 general public; $6 faculty/staff/seniors;
$3 students
Thursday, October 27 — M idDay Concert — 1:20 PM — Casadesus
Recital Hall – free
Friday, October 2 8 — Pianist Margare t Reitz pr esents “For t y
Fingers ” w i t h pianists I d a T iIiTrebi cka, Amy Heyman and Tina
Toglia – 8 PM – Casadesus Recital Hall – $6 general public; $3
faculty/staff/seniors; free for students
Sunday, October 3 0 — Wind Sympho ny: Hols t! — 3 PM — Anderson
Center Chamber Hall – $6 general public; $3 faculty/staff/seniors; free for
students
Thursda y, Novemb er 3 — MidDay Concert — 1:20 PM —
Casadesus Recital Hall – free
Tuesday, Novemb er 8 — Friedhe im Memori al Lecture /Recital
Series: D ebussy’s “Rhapso dies f o r s axophon e and clar inet”
(Stephe n Zank, speaker ; April Lucas, saxopho ne; Timo thy Perry,
clarinet ; Marga ret Reitz, p iano) — 8 PM – Casadesus Recital Hall –
$6 general public; $3 faculty/staff/seniors; free for students
I f you enjoyed and were inspired by this performance, please consider
suppordng the Department o f Music with a financial gift. Your support helps to
continue the work o f students, faculty, and guest artists and their contributions
to our larger community. Please make your donation payable to the
Binghamton University Music Department, and send to P.O. Box 6000,
Binghamton, NY 13902.
For ticket information, please call the
Anders on Center Box O ffice a t 7 77ARTS
To see all events, please visit music.b ingham ton.edu
�
Dublin Core
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1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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2 audio discs
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53:16:00
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<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148448">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148448</a>
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Title
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Family Weekend Concert October 22, 2011
Recital Tape 2011-10-22
Description
An account of the resource
Works by Henderson, Butler, Wilbye, Schubert, Leslie, Mozart, Martin, Whitacre
Creator
An entity primarily responsible for making the resource
Mulligan, Kaitlyn
Santa Maria, Christina
Grieco, Samantha
Rosenberg, Susan
Polacco, Nicholas
Adams-Toomey, Molly
Choi, Justin
Goldenberg, Adam
Browne, Peter
Kampler, Zachary
Perry, Timothy
Publisher
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Binghamton University Libraries
Date
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2011-10-22
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sound
-
https://omeka.binghamton.edu/omeka/files/original/2aeea19de5169e14e32acea2bdfc3cb8.pdf
9293a523431473c5758675585bc5a67d
PDF Text
Text
BINGHAMTON
U N I V E R S I T Y
STAT E U N I V E R S I T Y O F N E W Y O
RK
D E P A R T M E N T
THURSDAY
M ID D A Y CONCERT
‘ "_., 4/
g /
' d d : 4’
I4; (
00}7
)
THURSDAY, APRIL 14, 2011
1:20 P.M.
OSTERHOUT CONCERT
THEATER
�Midda y Musicians
PROGRAM
Program selected from the following:
To m Demp sey: G uitar
All Blues..... ......... ......... ......... ........Miles Da vis
AL Hamme, Saxophones
Mike Carbone, Saxophones
Bridge Over Troubled Wa ter....
Mambo Inn . .........
Paul Simon
Arr. by Tom Dempsey
.........Mario Bauza
Arr. by Steve Brown
One H undred Ways
.........Quincy Jones
Povo. ......... ......... ......... ......... ..Fred die Hubbard
Arr. by Al Hamme
Saucey
......... .Tom Dempsey
Stolen Moments.... .......
Take Your Pick..
.........Oliver Nelson
. Hank Mobley
Arr. by Don Sickler/ Edited by Al Hamme
Mo Reese” Taylor, Trombone
J o e y Lieber, Frano
Paul Watrobsks, Bass
Devan Tracy, Drums
Guitarist Tom De mpsey ’s reputation for hard swinging sophistication
and pure musicali ty has made him a distinc t voice in the New York Ja zz
Scene. In recent years, Tom has performed and/or recorded with
renowned jazz musicians such as: Wynton Marsalis, Paquito D’Rivera,
Jim Hall, John Abercrombie, John Scofield, Tal Farlow, Buddy
Montgomery, George Coleman, Kenny Barron, Roy Haynes, Jack
McDuff, Bobby M cFerrin, Gerald Wilson, Mel Torme, Richard Wyands,
Muhal Richard Abrams, a nd Dave Brubeck . Since 19 92, Tom has been
performing at some of the top jazz venues throughout the world including
the JVC Jazz Festival, Jazz at Lincoln Center, San Francisco Jazz
Festival, The Blue Note, Yoshi’s, Smalls and Smoke. Dempsey has
worked e xtensively with Sa vion Glover in “Bring in ‘da Noise, Bring in ‘d a
Funk” and he has made numerous appearances on New York radio and
television including performances on “The Rosie O’Donnell Show” and
the HBO series “Sex and the City". H e has received no teworthy attention
as a composer as well. Because of his distinctive sound and style,
Dempsey ’s music has been described as having "fine composi tional
ability and stylistic accessibility.” He has taught at Jazz at Lincoln
Center, SUNY Ne w Paltz, Rutgers University, New Y ork JazzAcademy
and as Artistic Director of the Jazz Summit at the National Guitar
Workshop. He has written books and re corded o ver 170 online les sons.
Tom rece ived his Bachelor o f Music Degree in Jazz Studies from Mason
Gross School of the Arts at Rutgers University in May 1991. In May
1996, he acquired his Masters Degree in Jazz/Commercial Music at
Manhattan School of Music.
�Binghamton Universit y Music Departmen t ’ s
U P C O M I N G E V E N T S
aoaeaeaeaoaeaoaeae
Friday, April 15 – Lecture “ Mother, Come and Cure M e " : Songs of
“B lind Tom ” Wiggins by Stephanie JensenMoulton – 3 :00 p.m. –
Casadesus Recital Hall – free
Thursday, April 28 – MidDay Concert – 1:20 p.m. – Casadesus
Recital Hall – free
Thursday, A pril 28 – Trumpet Studio Concert – 8 :00 p.m. –
Casadesus Recital Hall – free
Saturday, April 30 – Harpur Chorale and Women ’s Chorus – 8 :00
p.m. – Anderson Center Chamber Hall – free
Sunday, May 1 – Wind Symphony Concert : Solo Comp etition
Winners – 3 :00 p.m. – Anderson Center Chamber Hall – free
Sunday, May 1 – Master ’s Recit al : J ames Hsia, violin – 7 :30 p.m. –
Casadesus Recital Hall – free
Thursday, May 5 – MidDay Con c ert – 1 : 20 p.m. – Casadesus Recital
Hall – free
Thursday, May 5 – African Music Ensemble – 7:00 p.m. – Anderson
Chamber Hall – free
Friday, May 6 – Flute Studio Recit al – 10:15 a.m. – Casadesus Recital
Hall – free
Friday, May 6 – Faculty Recital : Jinah Lee, pianist – 8:00 p.m. –
Casadesus Recital Hall – $5 general public
Saturday, May 7 – African Drum Ensemble – 3:00 p.m. – Library
Tower (Spring Fling) – free
Saturday, May 7 – Master ’s Recital : Robert Muller, French horn –
3:00 p.m. – Casadesus Recital Hall – free
For ticket information, please call the
Anderson Center Box Offic e at 777ARTS
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Binghamton Universit y Music Departm en t
�
Dublin Core
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Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
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In copyright.
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Original Format
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1 audio disc
Duration
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45:52:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148244">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148244</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Jazz Midday Concert. April 14 2011
Recital Tape 2011-4-14
Description
An account of the resource
Works by Davis, Simon, Bauza, Jones, Hubbard, Dempsey, Mobley
Creator
An entity primarily responsible for making the resource
Dempsey, Tom
Hamme, Albert
Carbone, Michael
Taylor, Reese
Lieber, Joey
Watrobski, Paul
Tracy, Devan
Publisher
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Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-04-14
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/8c8214b699bfc2a4e8605d554125cad3.pdf
887a165a91346fe60efd3072d71bdbcb
PDF Text
Text
BINGHAMTON
U N 1 V E R S I T Y
T A T E U N I V E R S I T Y O F N E W Y O R K
D E P A R T M E N T
THURSDAY
MIDDAY CONCERT
Ss
X L
( r rK
“
–_—
(9
«4
ROVEMBER 2, 2011
1 :20 P.M.
FA 21
�PROGRAM
Golden Helmet of Mambrino
from Man of La Mancha
Mitch Leigh
(b. 1928)
Luke Yerpe, Piano
Evening prayer duet
from H ansel and Gretel
“When at night I go to sleep”
Engelbert Humperdinck
(18541921)
(1756–1791)
Kerianna Krebushevski, Soprano
Molly AdamsToomey, Mezzo Soprano
John Isenberg, Piano
John Isenberg, Piano
Variations on “Freu dich sehr,
o meine Seele”
(17561791)
Georg Bohm
(16611733)
Mark Rossnagel, Organ
Marcellina / Susanna duet........... . Wolfgang Amadeus Mozart
“Via resti servita”
Hee Pyoung Oh, Baritone
Eun Hwan Bae, Tenor
Alexander Bacon, Recorder
Christina Santa Maria, Soprano
Kathleen Jasinskas, Soprano
John Isenberg, Piano
from Le No zze di Figaro
(18581924)
(b. 1 936)
Susanna / Countess duet ..............\Wolfgang Amadeus Mozart
“SuII’ aria”
from La Boheme
“O Mimi, tu piu non torni...”
Pan O v e r N I B a N . . . . Christopher Ball
Kaitlyn Mulligan, Soprano
Michelle Goldrich, Mezzo Soprano
John Isenberg, Piano
from Le Nozze di Figaro
Marcello / Rodolfo duet ................................. Giacomo Puccini
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
fi M W M é fi é o w fi w r a v
Tuesday, November 8 — Friedheim Memorial Lecture /
Recital Series : Debussy’s “Rhapsodies for saxophone and
clarinet ” (Stephen Zank, speaker; April Lucas, saxophone;
Timothy Perry, clarinet; Margaret Reitz, piano) — 8 PM —
Casadesus Recital Hall — $6 general public; $3 faculty/staff/seniors;
free for students
Thursday, November 1 0 — MidDay Concert (African ) — 1 :20
PM — Anderson Center Chamber Hall — FREE
Universi ty Chorus and the
Sunday, November 1 3 —
Symphony Orchestra present Felix Mendelssohn’s “Elijah ”
— 3 PM — Osterhout Concert Theater — $10 general public; $6
faculty/staff/seniors ; $3 students
Thursday, November 1 7 — Jazz MidDay Con cert with guest
artist — 1 :20 PM — Osterhout Concert Theater – free (Co
sponsored by the Binghamton University Music Department and the
Harpur Jazz Project)
Thursday, November 1 7 — Harpur Jazz Ensemble Concert
with guest artist — 8 PM — Osterhout Concert Theater — $10
general public; $6 faculty/staff/seniors; $3 students (Cosponsored
by the Binghamton University Music Department and the Harpur
Jazz Project)
Friday, November 1 8 — Universi ty String Orchestra — 4 :00
PM — Grand Corridor — FREE
Masterclass with organist Wilma
Monday, November 2 1 —
Jensen — 7 PM — First Presbyterian Church, Binghamton — FREE
Thursday, December 1 — MidDay Concert (B urgess) — 1 :20
PM — Casadesus Recital Hall – FREE
Friday, December 2 — Flute Studio and Flute Chamber
Concert — 10 : 15 AM — Casadesus Recital Hall — FREE
If you enjoyed and were inspired by this performance, please consider
supporting the Department of Music with a financial gift. Your support helps to
continue the work of students, faculty, and guest artists and their contributions
to our larger community. Please make your donation pa yab/e to the Binghamton
University Music Department, and send to P.O. Box 6000, Binghamton, NY
13902.
For ticket information, please call the
A nderson Center B ox O ffice at 7 77ART S
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
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1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
33:17:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148241</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Title
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Thursday Mid-day Concert, November 3, 2011
Recital Tape 2011-11-3
Description
An account of the resource
Works by Leigh, Humperdinck, Figaro, Mozart, Rodolfo, Puccini, Ball
Creator
An entity primarily responsible for making the resource
Yerpe, Luke
Mulligan, Kaitlyn
Goldrich, Michelle
Isenberg, John
Santa Maria, Christina
Jasinskas, Kathleen
Oh, Hee-Pyoung
Bacon, Alexander
Rossnagel, Mark
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2011-11-03
Rights
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In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/f3bd2f7c57b24ea5309177bc98a90255.pdf
86213bf6a4d09478b50d08cf4d2d5b85
PDF Text
Text
BINGHAMTON
U N I V E R S I Z N
STATE U N I V E R S I T Y O
F N E W Y O R K
d e c
[4
D E P A R T M E N T
“ IT ALI AN NIG HT “
CLASS RECITAL ( Maria L. Cook Ins tructor )
Monda y, Dece mber 1 3 a t 8 pm
Casade sus H a ll , BU Fine A rts Bui lding
Free ad missio n , recep tion to follow
�Christina Kompar has performed with Eastern Festival
Opera,Bronx Opera, Dell’arte Ensamble , and troupers
Light Opera Company. Former president and music
director of NYU Chamber Singers,Kompar directed the
Children’s Choir for the Eastern Festival Opera’s
production of La Boheme, where she held the position
I. ARIE from OPERA
1.I! valzer di Musetta
Soprano: Christina Kompar
“ Quando men vo......
»
from La Boheme of G. Puccini.
Cities Opera’s Resident Artist Program.
2.Aria del Duca
Questa e quella per me pari sono..... Tenore: Brister Hay
from Rigoletto of G. Verdi (18131901)
3.Aria di Nemorino
of Assistant Chorus Master. Ms. Kompar earnd her
Bachelor’s of Music Education at New York University,
and is currently pursuing a Master’s in Opera at
Binghamton University in conjunction with the Tri
Tenore: Richard Leonberger
from L’Elisir d’Amore o f G. Donizzetti (17971 848)
Brister Hay MM Opera, Bingamton
University,BM/Opera, SUNY Purchase Colloge.
Apperances: king Kaspar, Bingamton University,Amal
and the Night Visitor. Purchase Opera: Tamino in Die
Zauberflote; Gherardo in Gianni Schicchi, Ferrando in
Cosi‘ Fan Tutte. Awards: Clark Felloship, Binghamton
University.
3.L’Alba separa dalla luce l’ombra. Tenore: Brister Hay
Zachary Israel Nobile Kampler, Artistic Director and
Conductor of The Eastern Festival Symphony Orchestra.
A graduate of the Julliard PreColloge program,he has
performed in Alice Tully Hall and Julliard Hall.In addition
to studying with Maestro Vincent La Selva of the New
York Grand OperaCompany, Kampler completed three
III. Canzoni della nonna ( Grandma’s songs)
terms at the Conductors Institute at Bard College,
II. Romanze of Francesco Tosti (18461916)
1. Sogno
Soprano: Christina Kompar
2.ldeale
Tenore: Richard Leonberger
1. Fa la nanna bambin .
lstrian lullaby
Soprano : Christina Kompar.
2. Musica proibita
Tenori : Brister Hay
Of S. Gastaldon
Richard Leonberger
3. Santa Lucia (neapolitan boat song)
where he worked with Maestro Harold Faberman. In
2004, Kampler became the assistant conductor to
Maestro Salvatore Princinotti at the Stamford Yong
Artist Philharmonic and toured Italy with the orchestra
in 2006.Kampler has conducted for TAB
Production(2007), Crystal Opera(2008), and Nickel City
Opera where he has been Music Director since
2009.Kampler holds a B.A. in music from N.Y.U. and
currently pursuing a Master in Orchestral Conducting at
S.U.N.Y. Binghamton,under the tutelage of Maestro
Timothy Perry.
�Bin gha mton Un ive rsit y Mu sic Department’s
U P C O M I N G E V E N T S
F
I
M
M
M
M
M
M
M
M
É
–
Monday, December 13 — “Italian Night” Clas s Re cital (Maria Co
ok,
Instr uctor) — 8:00 p.m. — Casa desus Re cital Hall — free
Frida y, January 28 — Master Clas s with Pa ul Houghtaling from
Univ ersity
of Alabama — 9 :40 a.m. to 11:50 a .m. — C asadesus Recital H
all — free
Sun day, Jan uary 30 — U nive rsity Cha mbe r Ch orus — 3 p.m
. — Trinity
Memorial
Church, Binghamton — free
Friday, February 4 — Early On (Peter Browne, ke yboards, Barb
Kaufman, recorder, Chr istin a Sa lasny, so prano, Stephen Sta ara
Paul Sweeny, guitar) — 8 p.m. — C asadesus Recital Hall — $ lker, cello,
10 general
public; $5 faculty/staff/seniors; free for students
Thursday, February 17 — Orga nist Jona than Biggers — A Ba
ch
Cele brat ion!! Series — 8 p.m. — F A21 – $10 general publ
ic; $5
faculty/staff/seniors ; $2 students
Frid ay, February 18 — Orga nist Jona than Biggers — A Ba ch C
Series (1 1/17 repe at perform ance) — 4 p.m. — F A21 — $10 elebration!!
general public ;
$5 fa culty /staff/seniors ; $2 students
Saturday, February 19 — Mas ter’s Rec ital : Cab iria J acob sen,
mez zo
soprano — 3 p.m. — Casadesus Recital Hall — free
Thursday, February 24 — MidDay Con cert — 1:20 p.m. — Casa
desus
Recital Hall — free
Saturday, February 26 — Univ ersity Symphony Orchestra : Viv
— 3 p.m. — Osterhout Concert Thea ter — $10 general public ; $5 e Ia Fran ce
faculty/staff/seniors ; free for students
Sunday, February 27 —W ind S ymp hony Con certo and Aria
Com petit ion
— 6:30 p.m. — Casadesus Recital Hall — free
For ticket information, please call the
And erso n Ce nter B o x O ffice at 7 77A RTS .
To see all events, please visit music.binghamton.edu
Become a fan on Facebook by visiting
Bing ham ton Uni vers ity Mus ic Dep artm ent
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
27:18:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148235">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE148235</a>
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Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Dublin Core
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Title
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Italian Night Concert, December 13, 2010
Recital Tape 2010-12-13
Description
An account of the resource
Works by Musetta, Puccini, Verdi, Donizetti, Tosti, Gastaldon
Creator
An entity primarily responsible for making the resource
Kompar, Christina
Hay, Brister
Leonberger, Richard
Cook, Maria
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-13
Rights
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In copyright
Type
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sound
-
https://omeka.binghamton.edu/omeka/files/original/ac5143b39019a7d733b519cdb8c41662.pdf
bafea58030e19f281008e529e5299408
PDF Text
Text
BINGHAMTON
U N AV E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
wdec
[4
D E P A R T M E N T
THURSDAY
JA Z Z M I D D AY CONCERT
L L A N E S A X O N S ”
KRIS JENSEN
I a “
Thursday, December 9 , 2 0 / 0
1.20 p.m.
Osterbout Concert Theater
4
�ABOUT THE PERFORMER
PROGRAM
Program selected from the following:
Heyman, Sour, Eyton, & Green
Body and Soul
Cottontail........................................................Duke IEINE REIN!
D
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g
i
c
.
.
c
o
o
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a McLean
Just Friends...............cceeevvvneneenn.....Sam Lewis & John Klenner
Red C l a y . . . . . . . s e c a a s h a n m Hubbard
Recordame................................................... Joe Henderson
Take Your P
i
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k
H
a
n
k Mobly
Arr. By D. S ic k ler Edited by A. Hamme
There Will Never Be Another You.....Harry Warren & Mack Gordon
Midday Musicians
Kzgs Jensen – Saxophones and Flute
Gene Cotbran, Fiano
Ford Watrobsks, Bass
Devan Tracy, Drums
MIKE Carbone, Saxophones
Having established himself as one of the premier voices on his
instrument today, saxophonist/composer Kris Jensen has forged a
career that spans over 20 years in nearly as many professional settings.
A native of Binghamton, NY, Jensen received excellent training as a
young student in both the Binghamton Public Schools and at The State
University of New York at Binghamton. Upon graduating Binghamton
High School, Jensen enrolled at the Hartt School of Music in Hartford,
CT where he began what would turn out to be a 15year apprenticeship
with the late great jazz saxophonist and composer Jackie McLean. While
working as an associate professor alongside McLean, Jensen helped to
develop some of the finest young saxophone talents on the scene today
including Connecticut saxophonists Jimmy Greene, Kris Allen, Wayne
Escoffery, Lummie Spann, Ray McMorrin, Andy Breskin and Nicholas
Biello. Jensen also worked as a teacher at The Artists’ Collective, Inc.
teaching woodwinds and jazz studies in Hartford’s inner city.
As a performer, Jensen’s first major professional experience was
as lead alto saxophonist for Royal Caribbean Cruise Lines’ Division of
Entertainment. Jensen had the opportunity to play the lead alto
saxophone chair for Ben Vereen, Red Buttons, Patti Page, Bob Florence,
Frank Gorshin, Al Martino and many other famous entertainers. Since
then, Jensen has recorded or performed with a plethora of well
established and emerging artists, including: percussionists Jesse
Hameen, Pete Escovedo and Giovanni Hidalgo, trumpeters Eddie
Henderson, Valery Ponamarev, Richard Boulger, saxophonists Jackie
McLean, Phil Woods and George Coleman, trombonists Eddie Bert and
Steve Davis pianists John Hicks, Hotep Idris Galeta, David Hazeltine and
Brad Mehldau guitarists Melvin Sparks, Randy Johnston, Rodney Jones,
Rohn Lawrence and Tom Dempsey, bassists Paul Brown, Nat Reeves,
Dennis Irwin and Dwayne Burno and pianists/vocalists Michael
Feinstein, Dena DeRose and Kevin Mahogany.
In 1996, Jensen received a great honor, being selected as a
semifinalist in the Thelonious Monk International Saxophone
Competition in Washington, DC. Kris played alongside 12 of the world’s
best young saxophonists before a panel of some of jazz’s greatest
saxophone legends. From 1999–2004, Jensen toured North America
with both Dickey Betts and Great Southern and Maynard Ferguson and
Big Bop Nouveau. Betts, the classicrock guitar legend and composer of
such hits as Ramblin‘ Man and In Memory of Elizabeth Reed, recorded
the albums Let’s Get Together and The Collector’s Vol. I, which
�prominently features Kris’s sax. While with Betts, Jensen also had the
opportunity to perform with the Charlie Daniels Band and in August 2003
with the Dave Matthews Band. With the blazing trumpet virtouso
Maynard Ferguson, Kris was a prominently featured soloist. In January
2004, Kris joined the trumpet legend on a tour which included a week in
Bangkok, Thailand performing the compositions for the king of Thailand,
His Majesty Bhumipol Adulyadej. Jensen’s tenor sax was also heard
“round the world” with the Kendrick Oliver New Life Jazz Orchestra on
N.P.R.s annual jazz radiocast “Toast of the Nation” for New Year’s 2007
edition.
Currently, Jensen keeps a busy schedule as an active freelance
musician and music instructor throughout New England and the New
York TriState area. He is currently helping to develop two school bands
in the Brownsville area of Brooklyn, NY and can be heard with many
different groups including Jaimoe’s Jasssz Band and the Kendrick Oliver
New Life Jazz Orchestra.
Binghamton University M usic D epartment’s
W
U PC O M I N G E V E N T S
W
W
Friday, December 10 — Singing Chinese Cla ss Recital joined by the
Beginning Chinese Flute Class — 7 p.m. — Casadesus Recital Hall —
free
Saturday, December 11 — Amahl and the Nigh t Visitors — 3 p.m. & 5
p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25
maximum for families with 2 adults and 4 children)
Sunday, December 12 — Amahl and the Night Visitors — 3 p .m. & 5
p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25
maximum for families with 2 adults and 4 children)
Monday, December 13 — “Italian Night ” Class Recital (Maria Cook,
Instructor) — 8:00 p.m. — Casadesus Recital Hall — free
For ticket information, please call the
Anderson Center Box Office at 7 77ARTS
To see all events, please visit music. b inghamton. e du
Become a fan on Facebook by visiting
Binghamton University Music Department
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
56:40:00
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147772">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147772</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
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Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Thursday Jazz Mid-day Concert Featuring Saxophonist Kris Jensen, December 9, 2010
Recital Tape 2010-12-9b
Description
An account of the resource
Works by Heyman, Sour, Eyton, McLean, Lewis, Hubbard, Henderson, Warren
Creator
An entity primarily responsible for making the resource
Jensen, Kris
Cothran, Gene
Watrobski, Paul
Tracy, Devan
Carbone, Michael
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-09
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
https://omeka.binghamton.edu/omeka/files/original/529974513854146a16545dc31be5554b.pdf
8bd9cc6a7a5de57276b5c1f548254c55
PDF Text
Text
BINGHAMTON
U N I Y E R S I T Y
S T A T E U N I V E R S I T Y O F N E W Y O R K
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8:00 p.m.
Osterhout Concert Theater
�PROGRAM
PART
P. Wilson
Basically Blues
Davis
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Boplicity.. .......
Arranged by Mike Tomaro
. M. Davis
’ reen Green
Bul gniG
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Arranged by Les Hooper
Here’s Tha t Rainy Day............cccccerinrcennciiiscanannnnnnna Van Heusen
Arranged by Dee Barton
H. Silver
Song For M y Father
Arranged by Ian McDougaIl
When I Fa ll In Love..........cc.cceeeeeeeeeennnnne....... Heyman & V. Young
Arranged by Gordon Goodwin
..
The Jody Grind .....
..H. Silver
Arranged by John Clayton
PART II — Featuring Kris Jensen
(To be selected from the following)
Early Autumn..............................d. Mercer, R. Burns, & W. Herman
.. B. Mintzer
Elvin‘s Mambo
E.K.Ellington
Fantazm
I Got It Ba d (and Tha t Ain’t Good)............ D. Ellington & P. Webster
Arranged by Drake Smith
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J. Owens
Lo Slo Blues
. .J Coltrane
Moment’s Not1ce
Arranged by Drake Smith
B. Mintzer
Tribute
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�Having established himself a s one of the premier voices on his
instrument today, saxophonist / composer Kris Jensen has forged a
career that spans over 20 years in nearly as many professional settings.
A native of Binghamton, NY, Jensen received excellent training as a
young student in both the Binghamton Public Schools and at The State
University of New York at Binghamton. Upon graduating Binghamton
High School, Jensen enrolled at the Hartt School of Music in Hartford,
CT where he began what would turn out to be a 15year apprenticeship
with the late great jazz saxophonist and composer Jackie McLean.
While working as an associa te professor alongside McLean, Jensen
helped to develop some of the finest young saxophone talents on the
scene today including Connecticut saxophonists Jimmy Greene, Kris
Allen, Wayne Escoffery, Lummie Spann, Ray McMorrin, Andy Breskin
and Nicholas Biello. Jensen also worked as a teacher at The Artists’
Inc. teaching woodwinds and jazz studies in Hartford s inner
a
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As a performer, Jensen’s first major professional experience was
as lead alto saxophonist for Royal Caribbean Cruise Lines’ Division of
Entertainment. Jensen had the opportunity to play the lead alto
saxophone chair for Ben Vereen, Red Buttons, Patti Page, Bob
Florence, Frank Gorshin, Al Martino and many other famous
entertainers. Since then, Jensen has recorded or performed with a
plethora of well established and emerging artists, including:
percussionists Jesse Hameen, Pete Escovedo and Giovanni Hidalgo,
trumpeters Eddie Henderson, Valery Ponamarev, Richard Boulger,
saxophonists Jackie McLean, Phil Woods and George Coleman,
trombonists Eddie Bert and Steve Davis pianists John Hicks, Hotep Idris
Galeta, David Hazeltine and Brad Mehldau guitarists Melvin Sparks,
Randy Johnston, Rodney Jones, Rohn Lawrence and Tom Dempsey,
bassists Paul Brown, Nat Reeves, Dennis Irwin and Dwa yne Burno and
pianists/ vocalists Michael Feinstein, Dena DeRose and Kevin
Mahogany.
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In 1996, Jensen received a great honor, being selected as a
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�THE BINGHAMTON UNIVERSITY MUSIC DEPARTMENT
IN CONJUNCTION WITH TRICITIES OPERA PRESENTS
greatest saxophone legends. From 1999–2004, Jensen toured North
America with both Dickey Betts and Great S outhern and Maynard
Ferguson and Big Bop Nouveau. Betts, the classicrock guitar legend
and composer of such hits as Ramblin Man and In Memory of Elizabeth
Reed, recorded the albums Let’s Get Together and The Collector’s Vol.
I, which prominently features Kris’s sax. W hile with Betts, Jensen also
1 had the opportunity to perform with the Charlie Daniels Band and in
I August 2003 with the Dave Matthews Band. With the blazing trumpet
\ virtouso Maynard Ferguson, Kris was a prominently featured soloist. In
¥ January 2004, Kris joined the trumpet legend on a tour which included a
week in Bangkok, Thailand performing the compositions for the king of
Thailand, His Majesty Bhumipol Adulyadej. Jensen’s tenor sax was also
heard “round the world” with the Kendrick Oliver New Life Jazz
Orchestra on N.P.R.s annual jazz radiocast “Toast of the Nation ” for
New Year’s 2007 edition.
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TWO PERFORMANCES DAILY AT 3 & 5 P M
ANDE R SON CENTE R C HAMBE R HALL
T I C K E T S : $8 AOULTS; $5 STUDENTS
" $ 2 5 MAXIMUM FOR FAMILIES WI TH2 ADULTS & 4 CHILDREN
FOR TICKETS, CALL
( 6 0 7 ) 7 7 7 A R T S
Currently, Jensen keeps a busy schedule as an active freelance
musician and music instructor throughout New England and the New
York TriState area. He is currently helping to develop two school bands
in the Brownsville area of Brooklyn, NY and can be heard with ma ny
different groups including Jaimoe’s Jasssz Band and the Kendrick Oliver
New Life Jazz Orchestra.
�ABOUT THE SERIES
The Harpur Jazz Ensemble studies and performs bigband
repertoire and appears frequently on and off campus. Guests
who have appeared in concert witht his popular ensemble include,
among others, Clark Terry, “Slam” Stewart, Manny Albam, Urbie
Green, Frank Wess, Phil Woods, Jimmy Owens, Marian
McPartland, Steve Brown, Mel Lewis, Slide Hampton, Peter
Appleyard, John Faddis, Rufus Reid, Houston Person, Walter
White, Sherrie Maricle, Tia Fuller, Eddie Allen, Bruce Johnston,
Bill Easley, Mike Davis and Tony Kadleck.
ABOUT THE HARPUR J A Z Z ENSEMBLE
The Harpur Jazz Ensemble director, MICHAEL J.
CARBONE, is a native of Utica, New York. He moved to the
Binghamton area in 1981 and is an instrumental music teacher in
the Johnson City School district where he is Director of Concert
Band and Jazz Ensemble at the middle school. He joined the
Binghamton University music faculty in 1997 and serves as the
Director of the Jazz Studies Program and the Director of the
Harpur Jazz Ensemble. He holds a B.M.E. from the Crane School
of Music and a M.M. from Binghamton University. Carbone has
performed with many wellknown artists including Al Marino,
Natalie Cole, Tommy Tune, Mel Torme, The Jimmy Dorsey
Orchestra, Danny D’Imperio’s Big Band Bloviation, the Central
New York Jazz Orchestra, and The Temptations.
The 2010 Fall semester of the Harpur Jazz Ensemble
includes the following:
SAXOPHONES
Andrew Block
Zal Mirza
Dean
Papadopoulos
Ray Hendricks
Mercedez Koo
1% alto
2 ” a lto
1° tenor
2 ” t enor
Baritone
Joey Lieber
BASS
Paul Watrobski
Sax
TRUMPETS (alphabetical
order)
Mark Adler
Tomasz Falkowski
Ryan Levitan
John Marschauser
TROMBONES
PIANO
Nicholas Carter
Mo “Reese” Taylor
Andrew Rosenberger
Mogana Jayakumar
Jay Bartishevich
DRUM SET
Devan Tracy
Andres Castillo
VIBES & PIANO
Bailey Rabideau
PERCUSSION
Keaton Rood
�Binghamton University Music Department’s
U P C O M I N G E V E N T S
Friday, December 10 — Singing Chinese Clas s Recital joined
b y the Beginning Chinese Flute Class — 7 p.m. — Casadesus
Recital Hall — free
Saturday, December 11 — Amahl and the Night Visitors — 3
p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5
students ($25 maximum for families with 2 adults and 4 children)
Sunday, December 12 — Amahl and the Nigh t Visitors — 3
p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5
students ($25 maximum for families with 2 adults and 4 children)
Monday, December 13 — “Italian Night ” Class Recital (Maria
Cook, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free
For ticket information, please call the
Anderson Center Box Office at 777ART5.
To see all events, please visit music. b inghamton. edu
Become a fan on Facebook by visiting
Binghamton University Music Department
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: PDF / Rosetta
PDF with Rosetta audio/video link
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
2 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
1:11:04
56:12
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147768">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147768</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
PDF Layout
This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous']
Options:
'Single' - Only the entire current page will be visible and Zoom will be set to page width.
'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width.
'Facing' - Up to two full pages will be visible and Zoom will be set to page height.
'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height.
'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.)
Single
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harpur Jazz ensemble, December 9, 2010
Recital Tape 2010-12-9
Description
An account of the resource
Works by Wilson, Davis, Van Heusen, Silver, Heyman, Mercer, Burns, Mintzer, Ellinton, Webster, Owens, Coltrane, Harris
Creator
An entity primarily responsible for making the resource
Jensen, Kris
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-09
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
1960's - present
Title
A name given to the resource
Binghamton University Music Department Tape Recordings
Subject
The topic of the resource
Concerts ; Instrumental music ; Live sound recordings
Description
An account of the resource
Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&tab=LibraryCatalog&search_scope=MyInstitution&vid=01SUNY_BIN:01SUNY_BIN&mode=basic&offset=0&conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email: <a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a>
Rights
Information about rights held in and over the resource
In copyright.
Template: Universal Viewer / Rosetta
Rosetta audio media
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
1 audio disc
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
01:01:12
Streaming Audio
Streaming URL
<a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147765">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147765</a>
Accessibility
Copy/Paste below:
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jieun Jangig Recital Prokofien, December 1, 2010
Recital Tape 2010-12-1
Description
An account of the resource
Works by Prokofiev, Serget
Creator
An entity primarily responsible for making the resource
Jang, Jieun
Publisher
An entity responsible for making the resource available
Binghamton University Libraries
Date
A point or period of time associated with an event in the lifecycle of the resource
2010-12-01
Rights
Information about rights held in and over the resource
In copyright
Type
The nature or genre of the resource
sound