63 10 1775 https://omeka.binghamton.edu/omeka/files/original/0c4dd6c57c2234e5952d616ac6fc8203.pdf bf736dce7aa3dada467fb574a8d0815a PDF Text Text BINGHAMTON U  N  T V  E  R  S  T T Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K M E T  A zedec N STUDENT RECITAL D A N I E L  BESSEL, BASSOON W it h Pes  Reitz; Prano­ Martha Weber, Bassoon   llicott; Bassoon Pa i g e E Melinda Lewis; Bassoon S u n d a y ,  November 7 ,  2 0 1 0 2.00 p . m Casadesus Hal I �PROGRAM Sonata, Op. 168­ Bassoon and Piano  l. Allegretto Moderato  Camille Saint­Seans (1835­1921) Sonata­ Bassoon and Piano .......................... ..........Alvin Etler I. Moderately Slow  (1913­1973) IL. Fast III. Slow IV. Fast =INTERMISSIONcs Impromptu, Op. 35, N09 ..........Reinhold Gliere (1875­1956) Humoresque, Op. 35, N08 ..........Reinhold Gliere (1875­1956) Sonata in C minor­ Poco Adagio..................... E Son ata I. Cantabile  II. Spiritoso III. Largo IV. Allegro V. Vivace S Bach   (1685­1750) Johann Emst Galliard (1687­1749) I was a Teenage Bassoon Player ...David Carrol & John Miller Martha Weber, Bassoon Paige Elliot, Bassoon Daniel Bessel, Bassoon Melinda Lewis, Bassoon From the Studio of Martha Weber A B O U T Daniel Bessel is a senior at Binghamton University from East Meadow,  NY,  and  is  majoring  in  Management  with Concentrations in Marketing, Consulting & Leadership. Daniel currently performs with the Binghamton University Symphony Orchestra, and studies under the studio of Professor Martha Weber.  He has  previously  performed  with the Metropolitan Youth  Orchestra,  Long  Island  Youth  Orchestra,  Nassau­ Suffolk Wind Ensemble, All­County Orchestra’s, and studied under Mr. Bill Katz. Daniel is also currently involved in the BU Student  Ambassador  Program,  the  Professional  Business Fraternity Alpha Kappa Psi, and is a Marketing Assistant with the  Tri­Cities  Opera.  He  would  like  to  thank  his  teachers, family, and friends, for all their help and continued support. Hope you enjoy the show! Pej Reitz is a monster piano player  that graciously teaches at Binghamton University and Ithaca College.  We are so fortunate to be able to work with her. Paige Elliot studied with Edward Gobrecht during high school and here at Binghamton with Martha Weber.  She has performed in the Binghamton Youth Symphony Orchestra, All State, Area All State and BCMEA organizations as well as with the Binghamton University Orchestra under Timothy Perry.  As a junior pursuing degrees  in  Social  Anthropology  and  History,  she  enjoys performing  and  participating  in  various  musical  opportunities which include Summer Savoyards and local musicals. Melinda Lewis is thrilled to be playing with Dan on the quartet portion of his recital!  She is the director of bands at Vestal High School and freelances on bassoon as frequently as she can in the Triple  Cities  area.  Melinda  earned  a  Bachelor  of  Bassoon Performance and Music Education from the Eastman School of Music  and  a  Master  of  Music  Education  degree  from  SUNY Fredonia.  Melinda wishes Dan the best of luck  in all his future endeavors! Martha Weber, Adjunct Professor of Bassoon, is actively involved as a teacher and performer of the bassoon.  She is so very happy to be participating in this Merry Band of Bassoons! �Bin gham tonUniversit   y Music D epariment ’s M P o e/ w  n v q  E V E N T S m e a s l y ­ a m m o Midday concerts are held on Thursdays, 1:20pm in Casadesus Recital Hall unless otherwise noted and are FREE University Chorus:  First Steps and Final Thoughts, Sunday, November 14, 2010, 3pm, Osterhout Concert Theater, $$$ Student Recital:  Briana Sakamoto, soprano, Saturday, November 13, 2010, 8pm, Casadesus Recital Hall, FREE Friedheim Memorial Lecture/Recital series: Claudio Monteverdi, I l  lament dArianna, Thursday, November 18, 2010, 8 pm, Casadesus Recital Hall, $$$ Organist Jonathan Biggers:  A Bach Celebration, Friday, November 19, 2010, 8pm, FA21, $$$ Czech Vocal Music:  Mary Burgess, soprano; guest art/sts: Timothy LeFebvre, baritone; Timothy Cheek, piano, Sunday, November 21, 2010, 3pm, Anderson Center Chamber Hall, $33 Organist Jonathan Biggers:  A Bach Celebration, Tuesday, November 23, 2010 (11/19 repeat performance), 8pm, FA21, $38 Percussion Ensemble, Tuesday, November 23, 2010, 8pm, Anderson Center Chamber Hall, FREE For ticket information, please call the Anderson Center Box Office a t  777­AR TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 21:19 25:10 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE147316</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Daniel Bessel, Bassoon Recital, November 7, 2010 Recital Tape 2010-11-7 Description An account of the resource Works by Saint-Saens, Gliere, Bach, Galliard, Carrol Creator An entity primarily responsible for making the resource Reitz, Margaret Weber, Martha Elliott, Paige Lewis, Melinda Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-07 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/de1ac8eb5602e2316879c2b114fde6f2.pdf 3c6a1a85322a05b7a1906e024c505946 PDF Text Text BINGHAMTON U  N  I  V  E  R  S  1  T  Y S T A T E   U N I V E R S I T Y   O F  N E W  Y O R K zedec D E R A   R T  M E N T THURSDAY MID ­DAY  CONCERT U“ y  SS S A M”?  "  , a h  N‘\ « 5, S e THURS DAY, NOVEMBER 18, 2010 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM In  this  program  we  present  an  afternoon  of  dance­drumming  from southern Ghana. These ensembles are the collective work the Beginning and  Advanced  sections  of  African  Dance  (THEA  2891/3891;  AFST Beginning African Dance Class/ N u kporfe African Music Ensemble IV. Gahu. Gahu is a neo­traditional dance that h as been adopted and adapted  by the  Ewe people of Ghana. It  is an offshoot of the Gome dance, a Pan­Atlantic African dance form that emerged in the  19th  century  from  the  synthesis  of  European  hymns  and marches  with  West  African  musical  sensibilities.  The  name Gahu suggests an airplane, and represents local experiences with new technology and culture. The songs are often humorous and fun, suggesting themes of courtship and cele bration. V. Kpatsa. This dance comes from a neighbori ng group of the Ewe, known  as  the  Ga­Adangbe.  They  share  many  linguistic  and cultural  affinities  with  the  Ewe,  and  these  two  groups  have historically  interacted  with  each  other.  The  characteristic 289J/389J) and the African  Music  Ensemble (MUS  143B/MUSP 257; AFST  188B).  These  courses are  offered  each  semester  through  the Departments of Africana Studies, Music, and Theatre Dance. Advanced African Dance Class / N u kporfe African Music Ensemble Processional from  the dance Agbekor. These  first three  pieces present the dance Agbekor, a war dance of the Ewe people of Ghana.  As the  drummers and dancers proceed  to  the  stage  in traditional fashion, they sing a war song that calls the warriors to battle against the  European colonial  powers. The second song memorializes  the  great  warrior  Kundo  who  led  warriors  into battle and has been killed. The movements imitate moments of the  battle,  and  follow  the  drum  language  of  the  lead  drum, atsimevu. L II. III. Preludes from the dance Agbekor. These short dance interludes introduce  the  solo  dance  section  that  follows.  Both  of  these pieces  are  among  the  most  technically  demanding  works  in traditional African music. The accompanying music is played in a sharp presto tempo between 190–200 beats per minute, and the musicians must maintain their highly syncopated musical  lines that tend to fall between the beats. The communication between the  lead  drummer  and  dancers is absolute­ every note  cues a movement or gesture. Solo dance flights from the dance Agbekor. The following ten solo dance movements feature a combination of the dance class and Nukporfe. Each sequence is introduced  by the lead drum, and is completed with a turning movement. \ IJ — V E . b Re di   B e   AP S — v­— oi n   o ­  N 2 \ movement  of  K patsa  is  a  limping  gait  that  imitates  the movements of dwarfs, a magical  race of beings which  inhabit rural areas in Ghana. These movements were embellished with dance  combinations  and  eventually  became  a  social  and recreational  dance  known  as  Kpatsa,  whose  name  is  an onomatopoeic reference to the movement of  dwarfs. N u kporfe African Music E nsemble VI. Togo  Atsia.  This  dance  piece  is  made  up  of  a  series  of choreographed dance sequences known as atsia. These sequences are cued by drum language phrases [vugbe ] played by the lead drummer on atsimevu — the tall  drum leaning on the stand — which are answered by the response drum  kidi — the medium– sized drum. In  the  1960s, expert choreographers and drummers in  the  Ghana  Dance  Ensemble  arranged  this  series  of  atisa movements into a performance piece, whic h they dubbed Togo Atsia, in recognition of their origin within E we groups in Togo. VII. Sohoun.  Sohoun  is  an  Ewe­Fon  sacred  dance  used  to  open  a ceremony of the Yeve shrine. The original m ovements danced at the shrine inspired the choreography for t his folkloric  version, created by Dr. Opoku for the Ghana Dance Ensemble. �PERFORMERS Dances Directed and Choreographed by Pierrette Aboadji, Department of Theatre Dance B E G I N N I N G  DANCE­CLASS Caroline  Castro,  John  Charitable,  Luella  Cheng,  Comeisha  Clarke, Jasmine Davis, Nikita Felix, Cristhian Gonzalez, Akilia G reen, Katherine Hall, Ka­Deva Higgs, Farina Jaw, Jianell Jimenez, Aman da Kan, Ryan Kardian, Rachel  Kreutzer, Young Min  Lee, Mei  Li, Wan Hua Li, Htet Lin,  Saul  Nadel,  Kaitlyn  Orr,  Bianca  Parris,  Macarry  Pobanz,  Jenna Salner,  Simone  Scott,  Racquel  Stephenson,  Regina  Thomas,  Symone Wilkinson, Sin­Woong Yun. A D V A N C E D  D ANCE­CLASS Seth  Awotwi,  Vanessa  Ayivi,  Marjhana  Blaise,  Derreck  Boateng, Britney  Brandon,  Shykina  Brown,  Alexis  Bullard,  Keara  Caughman, Hye­Ra  Choi,  Taisha  Destin,  Maria  Gil,  Katherine  Green,  Starleana Holmes, Sangyun Kim, Ton ia  Kurian, Madelyn  Lantigua, Jehoon  Lee, Darwin Martinez, Sakia Miller, Miranda Nortey, Laila Octave, Abosede Ogunbiyi,  Alandra  Price,  Mamadou  Sanogo, Keneka Soares, Monique Thompson, C h uyi Wang, Paa Kwesi Yanful . NUKPORFE DANCERS Vera  Adutwumwaah, Alexandria  Blackman, Shantae Blount, Samantha Bolan, Megan Buah, Lydia G yampoh, Nickesha Kelly, Jul iana Kuffour, Mildred  Ngminebayihi,  Ferrian  Palmer,  Cherub  Ruiz,  Amber  Rivers, Kristen Donaphin, Kpoti Kitissou, Sarah Kuras. Drumming directed and arranged by James Burns, Departments of Music and Africana Studies N UKPORFE MUSICIANS Alex Craver, David Donaphin, Da Ham, Daniel Miller, Seongeun Gu, Wayne Papke, Lisbeth Pereyra, Michaela Pinnock, Stefano Quarta, Kyeong Min Shin, Keaton Rood, Adrian Soto Lopez, Jasmi ne Walker. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 46:55:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146593">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146593</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, November 18, 2010 Recital Tape 2010-11-18 Description An account of the resource Works by Agbekor, Gahu, Kpatsa, Sohoun Creator An entity primarily responsible for making the resource Aboadji, Pierrette Burns, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-18 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/d67ec8422639a0cb92cb5895aab488b1.pdf d6aa4e580a0426916de53d6350fb7075 PDF Text Text BINGHAMTON A N I Y  E R D L I L Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K d e c [4 D E P A R T M E N T EARLY O N Peter B rowne, keyboards Barbara Kaufman, recorders Christina Salasny, soprano Stephen Stalker, cello Paul Sweeny, guitar ' \ ] February 4, 2011 8:00 p.m. Room 21, Fine Arts Building �PROGRAM dro Scarlatti Cant ata: Clori Mia Clori Bella..............................Alesan (1660–1725) Recitative:  Clori mia, clori bella  Aria :  Onde chiare Recitative:  Si, si, narrar egli pur bell’ onde amichi Aria :  Parla parla il cor fa tto loquace soprano, alto recorder, cello, guitar, harpsichord nnn Merula Can zona La Pighetta.................cccccevvvveeeeeneennnn (1595–1665) soprano recorder, cello, guitar, harpsichord hn Dowland Can She Excuse My Wrongs............c..cccce................JO(1563–1626) Sorrow Stay  Wilt Thou Unkind thus Rea ve Me? Lasso Vita Mia soprano, guitar, alto recorder, cello ..... . Barsanti Sonata III in g mino r.... ..... ..... ..... ..ce eee evn nn.. (1690–1755) Adagio  Allegro Largo Gavotta Minuet alto recorder, cello, harpsichord Three Ricercari:  Nos. 6, 1, & 3  Domenico Gabrielli (1659–1690) solo cello 0 eorg F. Handel Cant ata:  Nel Dolce Dell’oblio. .  ...........................G (1685–1759) Recitative: Nel dolce dell’oblio  Aria :  Giache il  sonno a lei Recitative:  Cosi fida ella vive Aria :  Ha l ’inganno iI suo diletto soprano, alto recorder, cello, guitar, harpsichord �TEXTS &  INTERMISSION  a CLORI MIA, CLORI BELLA Peter Hurford (B.1930) From: Laudate Dominum Scherzo Meditation Processional organ solo Cello Suite No. 1 Canto primo (sostenuto e Iargamente) Fuga:  Andante moderato Lamento:  Lento rubato Canto secondo (sostenuto) .. Benjamin Britten (1913­1976) I  I solo cello Five Quiet Songs Dirge In Woods Silence An Epitaph Omar’s Lament The Birds Divertimento (1964) Prelude Air Festivo Soliloquy Finale ...... John Duarte (1919–2004) soprano, guitar John Graves Mario Mascarenhas Early On 3. Recitative Clori, my beautiful Clori, Ah! Mine no longer; Clori who loved me so much, and whom I loved, now flees me in disdain and says continually, “I shall detest you as much as I used to love you.” Friendly waters of the Tiber, tell her that I love her so much, that your waves are increased by my weeping. Yes, tell her, friendly waves, that my heart speaks thus, driven to our banks by the cruelty of my suffering. Thus on my lips speaks my heart My lips O Clori, do not tell of their torment, overcome by grief, but the sighing of my heart tells you all too much and yet you do not hear. 2.  Aria 4.  Aria Crystal waters, which scatter tears of silver murmuring on your beautiful shores, I beseech you, do not keep silent ; if weeping stirs you, gather my tears into your waves My heart speaks, made eloquent in describing to you its pain. And with the language of sighs, you know that it speaks of peace. to make known my torment. alto recorder, piano Papagaio Embriagado 1.  Recitative I 1 Lasso Vita Mia Alas my life makes me to die, cruel love consumes my heart with a thousand wounds which make me die. Ah me, alas, cruel love does not let me die but makes me suffer a thousand torments. �Nel Dolce Dell’Oblio 1.  Recitative:  In sleep’s sweet forgetfulness while you are sleeping, my beloved Phyllis watches with her thoughts. And in night’s stillness, love will not allow her to rest but in different ways disturbs her peace while she is sleeping. 2.  Aria: Around her restless bed hover visions of her beloved. Dreaming she sees her love, hurries to embrace his chains. 3. Recitative: Thus, faithful she lives, faithful to the heart she loves. And in darkness, though lying, he breathes the light of that sun for which he is sighing. 4.  Aria: To embrace in sleep’s deception that dear form for which we grieved. O delight beyond belief! But to wake up from this dream of gladness and joy, to discover all was madness, our grief is past belief. FIVE QUIET SONGS 3.  An Epitaph (Walter De La Mare) Here lies a most beautiful lady, light of step and heart was she.  I think she was the most beautiful lady who ever lived in the West Country.  But beauty vanishes, Beauty passes; however rare, rare it be.  And when I crumble, who will remember the lady from the W est Country? 4.  Omar’s Lament (Edward Fitzgerald ­­ trans. Rubaiyat of Omar Khayam) Alas, that Spring should vanish with the rose!  That youth’s sweet­ scented manuscript should close!  The nightingale that in the branches sang, ah, whence and whither flown again, who knows? Ah love! Could thou and I with fate conspire to grasp this sorry scheme of things entire, would we not shatter it to bits and then remould it closer to the heart ’s desire, the heart’s desire. 1.  Dirge in Woods (George Meredith) A wind sways the pines, and below not a breath of wild air; still as the mosses that glow on the flooring and over the lines of the roots here and there. The pine tree drops its dead; they are quiet as under the sea; overhead rushes life in a race, as the clouds the clouds chase, and we go, and we drop like the fruits of the tree:  Even we, even so. 2.  Silence (Thomas Hood) There is a silence where hath been no sound; There is a silence where sound may be; in the cold grave, under the deep, deep sea, or in a wide desert where no life is found, which hath been mute and still must sleep profound. No voice is hushed, no life treads silently; but clouds and cloudy shadows wander free, that never spoke, over the idle ground. But in the green ruins in  the desolate walls of antique palaces where  . man hath been, though the dun fox, or wild hyena calls and owls that flit continually between shriek to the echo, and the low wind moans; there the true silence is, self conscious and alone. 5.  The Birds (Hilaire Belloc) When Jesus Christ was four years old, the angels brought him toys of gold which no man ever bought or sold; and yet with them he would not play.  He made him wild fowl out of clay, and blessed them till they flew away:  Tu creasti Domine, O, Jesus Christ, Thou Child so wise, bless mine hands and fill mine eyes, and bring my soul to Paradise. �Binghamton Univer sity Music Departme nt ’s U P C O M I N G  E V E N T S Mid­Day concerts are held on Thursdays, 1:20 PM in Casadesus Recital Hall unless otherwise noted and are FREE Thursday, February 17  — Organist  Jonathan Biggers — A Bach Celebration!! Series — 8 PM — FA21 — $10 general public; $5 faculty/ staff/seniors; $2 students Friday, February 18 — Organist Jonathan Biggers — A Bach Celebration!! Series (11/ 17 repeat performance) — 4 PM — FA21 $10 general public; $5 faculty/staff/seniors; $2 students Saturday, February 19  — Master’s Recital : Cabiria Jaoobsen, mezzo­soprano — 3 PM — Casadesus Recital Hall — free Thursday, February 24  — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, February 26 — University Symphony O rchestra : Vive Ia France — 3 PM — Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students Sunday, February 27 — Wind Symphony Concerto and Aria Competition  — 6:30 PM — Casadesus Recital Hall — free Thursday, March 3 — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free Saturday, M arch 5 — Junior Recital : Mark Rossnagel, orga n — 3 PM — First Presbyterian Church, Binghamton — free Sunday, March 6 — Win d Symphony : Passacaglia (Homage on B­A­C­H) — 3 PM — Anderson Center Chamber Hall — free Thursday, March 10  — Mid­Day Concert — 1:20 PM — Casadesus Recital Hall — free For ticket information, please call the Ander son Center Box Office  a t  7 77­A R TS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio discs Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 1:04:01 45:44 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146589">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146589</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Early On, February 4, 2011 Recital Tape 2011-2-4 Description An account of the resource Works by Scarlatti. Merula, Dowland, Gabrielli, Hurford, HAndel, Britten Creator An entity primarily responsible for making the resource Browne, Peter Kaufman, Barbara Salasny, Christina Stalker, Stephen Sweeny, Paul Morris Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-02-04 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: Universal Viewer / Rosetta Rosetta audio media Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 35:45:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146586">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146586</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tahnee Fallis Graduate Conducting Record January 30, 2011 Recital Tape 2011-1-30 Description An account of the resource Works by Handel, Beethoven, Rutter Creator An entity primarily responsible for making the resource Fallis, Tahnee Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2011-01-30 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/e0018e4624b8d046adc1b7cc2733f42e.pdf 3fa7671f3b8b82851bfe83495405fbbf PDF Text Text BINGHAMTON U N I V E R S I T Y STATE  UNIVERSIT Y  O F  NEW YORK zed eC D E P A R T M E N T Sho red W nd i Symphony PRESENTS AMERICAN VA R I AT I O N S HONORING VETERANS AND ACTIVE MILI TARY FEATURN IG THE BU SAXOPHONE ENSEMBLE Sunday, December 5, 2010 3:00 PM Anderson Center Chamber Hall �The Musicians Robert G. Smith, Piccolo Music Director and Conductor Kathleen Spelman Rebecca Falik Program The Star­Spangled Banner................... .......... ..arr. Jack Stamp A love song for our country (b. 1954) commando March......................ccceeeeeenennen.....Samuel Barber (1910­1981) legy ForA Young American()..........................Ro nald LoPresti (1933­1985) \ Gathering of Angels.  Jared Spears (b. 1936) :termal Father, Strong To  Save.  ..Claude T.  Smith (1932­1987) ­ Intermission ­ ’ a s t i m e :  Salute to Baseball.............................. ...Jack Stamp (b. 1954) itephen Foster Revisited . Stephen Foster o  The BU Saxophone Ensemble (1826­1864) arr. Bill Holcomb Christopher Murdock, soprano saxophone Andrew Block, Alex Horspool, alto saxophones Bradley Alder, Raymond Hendricks, tenor saxophones Dean Papadopoulus, baritone saxophone Professor April Lucas, director ’ariations on “America”. . ...... .  Composed for organ in 1891 .  Flute I E m i l y  Morris, principal Mark Zhuang Lindsay Ralbovsky Kathleen Spelman 3Clarinet rd Bb  Kevin Hannon, principal B b  Bass Clarinet Carolina Montenegro 2nd Bb Trumpet Nick Quackenbush Peter Schwarz Eb Alto Saxophone I Chris Murdock, principal Lauren Ross­Hixson Flute II Raquel Goldsmith Judy Kahn Kimberly Horn Rebecca Falik E b  Alto Saxophone II Christina Peregine Anthony DeGelorma RECORDER Alexander Baron Oboe Kimberly Muller Sun Hao 1st Bb Clarinet Kerry Goodacre, co­principal Jaclyn Adler, co­principal Sophia Schneiderman Alex Horspool Charles Ives ( 1874­1    9 54) Orchestral transcription by Wm. Schuman(1963) Wind Band transcription by Wm. Rhoads he Stars and Stripes Forevever................. ....John Philip Sousa (1854­1932) Olivia Santoro 3rd B b  Trumpet Samuel Weintraub Brian Lee John Marschhauser Russell Feinstein Kevin Koes Bb Tenor Saxophone Bradley Alder Eric Seaman Stephen Kassinger EBaritone b  Saxophone Dean Papadopoulus Toni Bruno F  Horn Carrie Buck 2nd B b  Clarinet Mark Dello Stritto Abbey Cohen Vanessa Kay 1st Bb Trumpet David Morrissey Gregory Norman Trombone Drew Perotti Trombone Derek Moran Trombone Matthew Kratenstein Euphonium Andrew Kaufman TUBA Matthew Gukowsky Percussion Benjamin Ramos Mike McManamon Rose Steenstra John Erdman Adam Goldenberg �ROBERT G. S MITH is Music Director and Conductor of the University Wind Symphony.  Prof. Smith also teaches advanced instrumental conducting and graduate wind conducting at BU.  His career includes 32 years as a public school music educator. He conducts the annual Triple Cities TubaChristmas and is former conductor of the Maine Community Band, the oldest band of its kind in the United States. He has guest conducted all­county bands throughout New York State. Among other ensembles Smith has conducted are the Goshen College(IND) Wind Ensemble and Orchestra, The United States Army Ground Forces Band(GA), the  Southern Tier Concert Band(NY) and the Vestal Community Band(NY).  An active performer, he currently plays principal euphonium with the Southern Tier Concert Band and tuba with the Brass Nickel quintet and the Crown City Brass sextet.  Smith is past president of the Broome County Music Educators Association and recipient of the 2005 BCMEA Distinguished Service Award.  Professional memberships include The Broome County Music Educators Association, the New York State School Music Association, the Music Educators National Conference, The National Band Association, The Association of Concert Bands, The Conductors Guild, The World Association of Symphonic Bands and Ensembles, The College Band Directors National Association and the International Tuba and Euphonium Association. Comnig “Censt Sunday, December 5 – Violin Recital: Janey Choi, violin, Michael Salmirs, piano and guest artist Rebecca Ansel, violin – 7:30 p.m. – Casadesus Recital Hall –­ $10 general public; $5 faculty/staff/seniors; $2 students Thursday, December 9 – Jazz Mid­Day Concert with guest artist – 1:20 p.m. – Osterhout Concert Theater – free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 – Harpur Jazz Ensemble Concert with guest artist – 8 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staff/seniors; free for students (Co­sponsored by the Binghamton University Music Department I and the Harpur Jazz Project) Friday, December 10 – Singing Chinese Class Recital joined by the Beginning Chinese Flute Class – 7 p.m. – Casadesus Recital Hall ­ free Saturday, December 11 – Amahl and the Night Visitors – 3 p.m. & 5 p.m. – Anderson Center Chamber Hall – $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) ' Sunday, December 12 – Amahl and the Night Visitors – 3 p.m. & 5 p.m. – Anderson Center Chamber Hall – $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, December 13 – “Italian Night” Class Recital (Maria Cook, Instructor) – 8:00 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center B ox  O ffice at 7 77­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 2 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 37:34 32:17 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146582">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146582</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Wind Symphony, "American Variations," December 5, 2010 Recital Tape 2010-12-5 Description An account of the resource Works by Stamp, Barber, LoPresti, Smith, Foster, Sousa Creator An entity primarily responsible for making the resource Smith, Robert Lucas, April Murdock, Christopher Block, Andrew Horspool, Alex Alder, Bradley Hendricks, Raymond Papadopoulos, Dean Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-05 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/83d21fc4339ae9f1b2b213e7b3b0e7db.pdf 35a2d09d92a8933a58868adb20a7385e PDF Text Text COMPOSITION SEMINAR STUDIO RECITAL Music from  the Seminar original  compositions by  students of  Christopher Morgan Loy Friday, December 3,  2010 8:00 p.m. Casadesus Recital Hall �i i SMmfifhmflkSmmwr  W a m fi j m g w m c q   Shane T. Thorn  E  i  I Saw  I t  On the beadihont  effects Shane T. Thorn Electricity: The Alphabet and You  Shane T. Thorn D I O N  T a n . V  i : Christopher Morgan Loy, piano  Kenrick Georges  RR  AN Thee  S Steven Zank, piano David Gaita Meditations  Shane Thorn, viola  ;  David Ga ita Meditations In  Meditations, the enlightened one reaches an Indescribable state, which like a dream, Is forgotten upon waking. David Gaita How Sweet the Sound  David Gaita, piano  Shane T.  Thorn Prelude for Viola Is essentially In the mold of any of the preludes one would find at the beginning of a suite for violin or cello/viola by 1.S. Bach, the formal model for the piece. Tonally, however, the piece derives its  content from the two whole tone modes, with slight alterations at  points of  cadence to  create a sense of closure, though only on a moment­to­moment basis, as there is no single tonal center to  the work. I I   Carroll Street at Dusk  Lyndsey Meyer, alto saxophone  James Mayr, clarinet David Galta, piano  Maxim Pekarskiy  Nuvoletta  Kenrick Georges, trumpet David Galta, piano Kristine Beckmann, contrabass  David Gaita   Stan Burt, tenor sax David Galta, piano  Kristine Beckmann, bass A B O U T Shane T. Thorn Air For Viola and Piano Is an arrangement of an orchestral piece I being In a more or   composed several months ago. I t Is fairly straightforward,  less neo­romantic style, In the key of D flat major. Shane T.  Thorn Prelude for Viola  Shane Thorn, viola  l ctronci s/effects Shane Thorn, voci e/ee ‘ Kenrick Georges The Image Of A Garden  Laura MacAvoy, soprano Christopher Morgan Loy, piano Letting Go  David Gaita Piano Duo  David Gaita, piano Michael Salmirs, piano :  1  III ]  i r PROGRAM  lr For Viola and Piano  A Shane Thorn, viola  E !  l Kenrick Georges { David Gaita How  Sweet  the Sound A drunken man In moumlng sings “Amazing Grace” at the top of his lungs.  Screeching and out of tune, i t i s beautiful. �Ma xim  P ekarslriy   usk Carroll Street a t D Carroll Street Is a street in downtown Brooklyn where I took my first fencing lessons. I was fourteen, and my long trips up to the club were one of the first things I really did all on my own. I would walk back to  the train station a t  dusk after an Intense practice and feel a sense of accomplishment, of internal peace. “Internal peace?“ you might ask, “what does a fourteen year old have to  worry about?” I was proud to  see my fencing come together with the hard work I put in, I was excited at  the prospect of  coming home almost at  midnight, and being   as the first time I didn’t so In control of  where I was and what I was doing. I t w feel like a child anymore. When I begin a piece of music, the first thing I consider Is the mood, an atmosphere I’d  like to convey. These long walks to the subway station through Carroll Street bring back memories of  growing up I never want to let go. As a student composer, I am constantly trying to break out of the simple harmonic structure I am accustomed to. This jazzy trio was a great opportunity to  step outside the usual tonal progressions that I work with and forget about what the underlying key Is. Moreover, I wrote i t c  ompletely away from the computer ­ another rare and rewarding experience. By their nature, 7,  11, and i ! 13 chords allowed me to change keys while retaining common notes between the   as a great experience to  be able chords. While the piece Is undoubtedly tonal, i t w to let  go of worrying about every chord I’m  working with and swim In this sea of smooth transitions and common tones. Though Initially, I expected to  step out of my comfort zone while writing jazz since I have so little  experience In this style, I actually discovered a whole another side of my composition in fusing calm, arpeggiated musical motifs with more traditional, syncopated jazzy harmonies. In  the end, this piece is more intimate to  me than a lot of  my previous, harmonically constricted works. David Gaita Nuvoletta *..And into the river that had been a stream (for a thousand of tears had gone eon her and come on her and she was stout and struck on dancing and her muddled name was Missisliffi) there fell a tear, a singuit   ean for those crylove fable fans who are ‘keen’ tear, the loveliest of tears ( I m on the pretty­pretty commonface sort of thing you meet by hopeharrods) for i t  was a leaptear.” ­ James Joyce, Flnnegans Wake David Gaita Piano Duo Computers chant and seas sings.  The war between technology and nature never began and will always be. Shane T.  Thorn   n the Boadifront Is a pre­recorded piece made entirely from my I  Saw  I t O voice, with studio alterations/effects. The text is entirely improvised. Shane T. Thorn Electricity: The Alphabet and You Is a mostly pre­recorded piece made using several sound generations and editing programs available to  me, as   well as text of  my own composition. I t employs a microtonal system of harmony derived from a division of  the octave into twenty­six equal parts ; In other words, a twenty­six tone equally tempered scale. The possibilities for this are wide­ranging Indeed... I J �A B O U T Shane Thorn Is a native of the Binghamton area, and attended Susquehanna Valley High School In Conklln, NY, before coming to  BU. He Is now a Senior majoring In Music composition, which he has studied with Paul Goldstaub and Christopher Morgan Loy. He has played extensively In the University Orchestra In addition to  chamber music groups on campus, has studied viola, voice and piano, and sings In the Canterbury Choir and University Chorus. He has also studied creative writing, piaywritlng, and * MIDI. His Interests as a creative artist extend beyond the boundaries of the concert hall, and he is currently exploring directions In performance art and literature. The world of dreams and the subconscious, as well as the most basic pattern recognitions of the brain and the lnstlnctuai associations we make through experience ls of great Importance. Da vid  Ga ita  Is a sophomore at Binghamton University, majoring In music and biology. He plans to  pursue a career In medicine. He has been playing piano for twelve years, and composing for two. He currently studies piano with Professor Salmlrs.  He Is also an artist and poet under the name Escobar Marzapan. Ma xim  P eltaroldy  ls currently a junior a t Binghamton University pursuing a double degree In music composition and financial economics. A classically trained violist, Maxim’s early music training was spent playing the symphonies of the greats and lots (and lots) of Bach. A successful collaboration at the Interlochen Arts Festival In  Michigan sparked Maxim’s Interest in film music and opened up his musical horizons. He Is now writing as much jazz, rock, and ambient electronica as he does orchestral music. Maxim hopes to  pursue a career In film scoring. He has studied viola with Richard Spencer and Roberta Crawford, and composition with Paul Goldstaub and Christopher Morgan Loy. Outside of music, Maxim enjoys fencing, the study of decision making, and meeting people from faraway places. t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:16:41 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146579">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146579</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 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Title A name given to the resource Composition Seminar Recital, December 3, 2010 Recital Tape 2010-12-3 Description An account of the resource Works by Thorn, Georges, Gaita Creator An entity primarily responsible for making the resource Loy, Christopher Thorn, Shane Gaita, David Pekarskiy, Maxim Georges, Kenrick Zank, Stephen MacAvoy, Laura Meyer, Lindsay Beckmann, Kristine Burt, Stan Salmirs, Michael Mar, James Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-03 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/9acded826206905fb21d7c34015c2711.pdf fc478d6ce0c46f378a0815438eb68bb3 PDF Text Text BINGHAMTON U N I V E R S I T Y S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K wdee (4 D E P A R T M E N T A H O L I D A Y CHORAL C ONCERT THE WOMEN’S CHORUS Bruce Borton, conductor Jushin Choi, graduate student conductor William Lawson, pianist T HE H ARPUR CHORALE Peter Browne, conductor and organist Thursday, December 2 " ,  2010 8:00 p.m. Trinity Memorial Church Binghamton, New York �PROGRAM L III. Peter Warlock (1894–1930) Tyrley, Tvrlow (Three Carols)........................... Stephen Paulus (b.1949) Hallelu .. Traditional Latvian Arr. Andrejs Jansons Two Latvian Carols Maria Wiegenlied.................................................. Jushjn Choi, conductor B e Bells Z. Randall Stroope (b.1953) There is no Rose Traditional Yiddish Arr. Elliot Levine Three Channukah Songs Mi zeh hidlik Boruch ate, zingt der tate Gut yon­tef aykh kinder Mark Rossnagel, organ ti ..........Morten Lauridsen O magnum Mysterium (b. 1943) o .. William Mathias (1934–1992) A Babe is Born............ Max Reger (1873–1916) M. Leontovitch (1877­192 1 )   4 Chanukah Prayer for Children  Adam Hess, bass i 4, j 4 i i Ryan Brechmacher and Ian Pomerantz Baruch Cohon Arr. W. Ellen Fleischmann Al HaNisim  Good King Wenceslas............................... 1 I The Twelve Days After Christ mas II. Improvisation on  “Adeste Fidelis Peter Browne, organ Marcel Dupre (1886–1971 ) from Piae Cantiones Arr. Reginald Jacques ( 1 894–1 969) Nuala Gaffey, soprano Alexander Turo, baritone Good King Kong Looked Out  Th e Women ’s Chorus Bruce Borton, conductor William Lawson, piano Antonio Vivaldi (1680–1743) Gloria in Excelsis Deo (Gloria in Dma)  Th e Ha r pur Chorale Peter Browne, conductor P.D.Q. Bach ( 1 808­1742)? Frederick Silver (b.1936) �S TRANSLAT IONS  Ziemas svet ki sa brauk usi Lo, behold a sleigh is coming, stall ion prancing, bells jingling. Hurry, children, wait no more, Winterfest is at the door. Look and see how nobly dressed is the steed of Winterfest: Golden reins and ribbons streaming, diamonds in the bridle. O ’er the hilltop God is slowly riding, gently guiding, Light the way with fires. Bring him into your humble dwelling. Balts sniedzins snieg uz sku jinam A gentle snow is on the ground, on bush and tree. The sleigh bells jingle and I am happy. Tonight I feel my spirit fly into the heavens Where angels sing on golden clouds and pearly seas. Tonight I feel that I could be like the heavenly angels, And shine like sta rs above the worl d and those I love. I am happy as a child can be, surro unded by family. I am finely dressed for Christmas E ve and feeling blessed. I feel content and whole, my heart is filled with delight. Will it always be this way? Or will it change? G ut yontef aykh, k inder We come to you children, with gre etings heartfelt: a dreidel, a candl e, and Chanukah gelt. l l ~ O magnum Mysterium O great mystery and wondrous sacrament, That animals should see the new­born Lord lying in their manger! Blessed is the Virgin whose womb Was worthy to bear the Lord Jesus Christ. Alleluia! AI  HaNisim For the miracles and the wonders, For the redemption and the battles t hat you made for our forefathers, In those days at this time. M i  ze hidlik Boruch ate, zing t d e r t at e “Blessed art Thou ” the father sings as he lights the candles. And the mild. del icate light falls upon his pale face. A fire that ’s holy and precious shines in his eyes: And this stooped, tired man begins to stand erect. And it seems to me — and we believe it  — There still is som ething here, there remains much to love. The hour is a hol y one. Old sounds, long forgotten?  But no, they are still resounding. Sing father, “Boruch Ate. .  I am still your child. Gloria in excelsis Glory to God in the Highest. Chan ukah P rayer Maoz tzur  Rock of ages. Y’shuati l’cha naeh  let our song praise L ‘shabeiach  your saving powe r. M a ri a Wiegenlied Mary sits in the rose bower, rocking her Jesus Child, Softly through the foliage the warm wind of summer blows. At her feet there sings a brightly­pl umaged bird: Go, sweet child, to sleep, go now to sleep! Lovely is your sm ile. lovelier your slumber’s joy, Lay your weary l ittle head close to your mother’s breast, Go, sweet child, to sleep, go now to sleep! Who is it who has lit these thin candles like stars abo ve. The children themselves know that today is Chanukah. Every happy candle, every dear candle, burns, hints, sparkles. The children stand around and thei r joy is boundless. I am a dreidel, I lose and I win, With a nun and a gimel a hey and a shin. I am a candle, I burn and give light, To brighten this dark world for us on this night, I ’m Chanukah gelt, you can keep me to day But tomorrow to poor friends please give me away. We come to you children . . . I 1 �T H E  WOMEN’S CHORUS Bruce Borton, conductor m ton t uniy m om r e)  ­ Cingha {~') B Orchestra William Lawson, performance pianist Jushin Choi, student conductor and rehearsal accompanist Elyssa Ackerman Molly Adams­Toomey Sophie Bass Carrie Buck Jiaying Cheng Meredith Collins Rebecca Dinhofer Annie Ferro Sheena Finlayson Samantha Grieco Ashley Grumman Briana Hanson Ashley Koo Bora Lim Stephanie Naru Jessica Pyne Hayley Rein Julia Rose Christine Scherer Siobhan Sculley Hyeyon Seo Hannah Wentz The Binghamton Community Orchestra 2010­2011 SEASON  SCHEDULE Saturday, April 9, 2011, 7pm Sunday, November 21. 2010, 7pm  Helen foley Theatre  at Binghamton High School  Sarah Jane Johnson Church Johnson City, NY with the Binghamton Youth  Symphony Drchestra  Barry Peters. Conductor Tim Perry, Conductor Frieda Abdo, Soprano Binghamton Community Orchestra  Annual STMIA Winners Concert For more information: www.BCOrchestra.com, conductor@BCOrchestra.com or 607 759­9004 T H E  HARPUR CH ORALE Peter Browne, c onductor Women Men Michele Aronson llyssa Baine Samantha Banton Katie Besemer Tahnee Fallis Eliana Frim Nuala Gaffcy Alexandra Kirby Kerianna Krebushevski Yiting Liang Marisa Sweeney Samantha VanAdelsberg Mookey Van Orden Adam Demetros Brian Evans David Frey Matthew Francis Gawors Ariel Hausman Adam Hess Tomas Kerr Gabriel Lotto Gavin McClelland Glenn Parker Mark Rossnagel Joshua Rovou Joshua Setren Leander Tanner Alexander Turo l I I So met hing O l d Som ethi ng N ew A C om m un i ty Si ng wi t h Alice Pa rker Sarurday, October 16,  2010, 3:00 pm First P resbvtenan Church, 42 Chenango Street, B  mton, N Y Fol k S on g I nsp i rat i ons l Durected by Anne Borer  l S  it’  , October 17,  2010,  4:00 ¢ Trinity M e m on a l Episcopal  C . . .  . ‘ 44 Maun Street, Bingh am ton, N Y l L essons a n d  Carols for C h rist m as [ i l l l l : Cotten Saturday, November 2 7, 2010, ­ . .  p  & Sunday, November h  ‘ie Hole­I ’m.  " '  346 P rospect Street  Bingl C1  2010, 4:00 p m C hora l J our neys : D e pa rt u res. D esti nations a n d  D rea ms Led by Bruce Borton.  candidate for Arasuc  Director aday, . Luci: 20,  2011,  4:00 A go S J  ...B_  ' ,  42 Ch  resb  .  mm. Ch F  A  All’s Fair : Songs of  Love & War Led by James  S  F  Nibloc k, candidate for Artist ic Di s v, Mar 22  2011, 4 :   pm Pies  n C h   42C ango Street, o nt, N Y The Madrigal Choir of Bingham ton  + 2010­2011 + 33rd Season  For ticket information visit www.madr igalchoir.com or c all 607­729­4767 4 �Bingham ton Universit y M usic D epartmen t’s    CCvents 2v C o na Friday, December 3 — F lute Studio and  Flute Chamber  Concert — 10:30 a.m. — Casadesus Recital Hall — free Friday, December 3 –­  Composer’s Concert (students of Christopher Loy) — 8 p.m. — Casadesus Recital Hall – free Saturday, December 4 — University Symphony Orchestra : America’s Inner Life — 3 p.m. ­– Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students (Group rate $8 per person) Sunday, December 5 — W ind Symphony : American Variations, honoring veterans and serving military — 3 p.m. — Anderson Center Chamber Hall –­  free Sunday, December 5 — Violin Recital : Janey Choi, violin, Michael Salmirs, piano and guest artis t Rebecca Anse l, violin — 7:30 p.m. — Casadesus Recital Hall — $10 general public; $5 faculty/staff/seniors; $2 students Thursday, Dece mber 9 — Jazz Mid­Day Concert with guest artis t — 1:20 p.m. — Osterhout Concert Theater — free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 — Harpur Jazz Ensemble Concert w ith guest artist — 8 p.m. — Osterhout Concert Theater — $10 general public ; $5 faculty/staff/seniors ; free for students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, December 10 — S inging Chinese Class Recital joined by the Beginning Chinese Flute C lass — 7 p.m. — Casadesus Recital Hall — free Saturday, December 11 — Amahl and the N ight Visitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Sunday, December 12 — Amahl and the Night Visitors — 3  p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, December 13 — “Italian Night” C lass Recital (Maria Cook, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free For ticket information,  .   ­AR TS please call the Anderso n Box Office at 7 77 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 01:05:35 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146576">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146576</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Harpur Chorale and Women's Chorus, December 2, 2010 Recital Tape 2010-12-2b Description An account of the resource Works by Warlock, Paulus, Wiegenlied, Reger, Leontovitch, Stroope, Vivaldi, Mathias, Jacques Creator An entity primarily responsible for making the resource Choi, Justin Borton, Bruce Lawson, William-Jones Browne, Peter Hess, Adam Gaffey, Nuala Turo, Alexander Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/dfff34b3cd0fbfcd65047b625774d0d8.pdf 89314649581d799b67bd65581a1ba504 PDF Text Text BINGHAMTON B E R S I T XY    Y H N 1  STATE  U N IVE R S I T Y   OF  N EW   YO R K ede D E P A R T M E N T THURSDAY MID­DAY CONCERT  a ; o  (14 YS   RW b K ;4   K ;4   b Y \7’< €/ THURSDAY DECEMBER 2, 2010 1:20 P.M. CASADESUS RECITAL HALL �PROGRAM Sonata for Trombone and Piano . . . . . . . . . . . . . . . . John Dangan (1930–1999) III. Rondo and Chorale  William Marsiglia, trombone Pej Reitz, piano J i n g l e B e l l s . . . . . . . . . . . . . . . . . . . . . . . . . . . J a m e s L o r d P i e rp o n t arr. T. Blumenthal   erry Christmas. . . . . . . . . . . . . .   00   vi English We Wisk Y o u M arr. Alec Wilder BU Low Brass Ensemble Kerianna Krebushevski, soprano Chai­Kyou Mallinson, piano Donald Robertson, director Bill Marsiglia, Rob Menard, Drew Perotti, Mogana Jayakumar, Trombone Jay Bartishevich, Bass Trombone Matt Gukowsky, Tuba O Thou That Tellest Good Tidings to Zion . . . . . . . . . G. F. Handel Rudolphus Rubrinasus . . . . . . . . . . . . . . . . . . . . . . J o h nn y Marks Ve l v e tSh oes............................Ra n da11T h o mpson (1899–1984) Molly Adams­Toomey, soprano Chai­Kyou Mallinson, piano Christmas Candle. . . . . . . . . . . . . . . . . . . . .Eliner Remick Warren Mary Burgess, soprano William James Lawson, piano ) (1900­1991)  Hannukah Prayer for Children . . . . . . . . . . . . . Ryan Brechmacher and lan Pomerantz . . . . . . . . . . . . . . . . Frederick Silver The Twelve Days o f  Christmas .  Members of the Harpur Chorale Peter Brown, director e   J o y T o T h e W o r l d . . . . . . . . . . . . . . . . . . . . . . . . . . .  r e H arr. T. Blumenthal D e c k T h e H a l l s . . . . . . . . . . . . . . . . . . . . . . . . . . e . . . . . 0 l d  Welsh arr. T. Blumenthal T h e F i r s t N o e l . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Franz Gruber arr. Alec Wilder (1909­1985) arr. Philip Brunelle The Canterbury Choir Willam James Lawson, piano Peter Bush, Claude Cornwall, Benjamin Elling, Russell Feinstein Kent Lo, David Pastor, Edward Shephard, Daniel Romberger Wm. Clark Snyder, Shane Thorn, Joshua Thorpe, Phil Westcott OHolyNight............................AdolpheAdam Victoria Cannizzo, soprano Jonathan Biggers, piano teri Irin. « i n t Jonathan Biggers, piano Pej Reitz, piano  ANGSSON i RETO (1908–1975) �Bingha mton Univers ity Music D epartme nt’s U PCO M I N G  E V E N T S Thursday, December 2 — Harpur Chorale & Women’s Chorus — 8 p.m.  — Trinity Memorial Church, Binghamton — free Friday, December 3 — Flu te Studio an d Flute Chamber Concert — 10:30 a.m. — Casadesus Recital Hall — free Friday, December 3 — Compose r’s Concert ( students o f  C hristopher L oy) — 8 p.m. — Casadesus Recital Hall — free Sunday, Dec ember 5 — W ind Sympho ny: American  Variations, h onoring veterans and  serving mili tary — 3 p.m. — Anderson Center Chamber Hall — free Sunday, Dec ember 5 — V iolin Recital: Janey Choi,  violin, Michael Salmirs, piano and gu est artist Rebecca Ansel, violin — 7:30 p.m. — Casadesus Recital Hall — $10 general public; $5 faculty/staff/seniors; $2 students Thursday, December 9 — Jazz Mid­Day Concert wi th guest arti st — 1:20 p.m. — Osterhout Concert Theater —  free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 — Harpur Jazz Ensemble Concert with g uest artist — 8 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Friday, December 10 — Singing  Chinese Class Recital jo ined by the Beginning C hinese Flute  Class — 7 p.m. — Casadesus Recital Hall — free Saturday, December 11 — Amahl an d the Night V isitors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Sunday, Dec ember 12 — Amahl and t he Night Vis itors — 3 p.m. & 5 p.m. — Anderson Center Chamber Hall — $8 adults; $5 students ($25 maximum for families with 2 adults and 4 children) Monday, Dec ember 13 — “Italian Nigh t” Class Rec ital (Maria Co ok, Instructor) — 8:00 p.m. — Casadesus Recital Hall — free For ticket information, p/ease cai/ the Anderson  Center Box Office at 777­ARTS � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 42:50:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146414">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146414</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thursday Mid-day Concert, December 2, 2010 Recital Tape 2010-12-2 Description An account of the resource Works by Dangan, Thompson, Handel, Waren. Silver Creator An entity primarily responsible for making the resource Marsiglia, William Reitz, Margaret A Krebushevski, Kerianna Mallinson, Chai-Kyou Adams-Toomey, Molly Burgess, Mary Lawson, William-Jacobs Menard, Robert Perotti, Drew Jayakumar, Mogana Bartishevich, Jay Gukowsky, Matthew Bush, Peter Cornwall, Claude Elling, Benjamin Feinstein, Russel Kent, Lo Pastor, David Shephard, Edward Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-12-02 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/16652ff6f0e106a923f63c6353908aca.pdf 0d9e5c9c540754fea35d6e28ab627185 PDF Text Text BINGHAMTON V N I  V E R S I I Y T X   S TAT E   U N I V E R S I T Y   O F   N E W  Y O R K wide [4 D E P A R T M E N T SONGS FROM CZECHOSLOVAKIA Mar y Burgess, soprano Timothy LeFebvre, baritone Timothy Cheek, piano ll Sunday, November 21, 2010 3 p.m. Anderson Center Chamber Hall �ABOUT THE PERFORMERS PROGRAM From “Patero dvozjpévu (Five duets),” Op. 13.......Karel Bendl (1838–1897) S n e b e  s e  s n a s i  andélé  Na nebi mésic s hvézdami Pisné milostné (Love Songs), Op. 83 ..............Antonin Dvoiak 1.  O, nasi Iasce nekvete to vytouzené Stésti  2.  V tak mnohém srdci mrtvo jest 3.  Kol domu se ted’ potacim 4. Ja vim, i e v  sladké nadéji 5.  Nad krajem védovi Iehky spanek 6. Zde v Iese u potoka 7.  V té sladké moci oéi tvych 8.  O, duse draha jedinka (1841­1904) + { a  INTERMISSION  cz (Rusalka’s “Song to the Moon") l l F From “Certové Sténa (The Devil’s Wall)". .....Bedfich Smetana (1824­1884) Jen jedina mé Zeny krasna tvar tak dojala  From “Rusalka’: ...... Mésicku na nebi hlubokém — Timothy LeFebvre — l { ...Antonin Dvorak (1841­1904) Vecerni pisné (Evening Songs)........................Antonin Dvoiak 1.  Kydz jsem se dival do nebe 2.  Vy mali, drobni ptackové 3.  Jsem jako lipa kosata 4. Vy vsichni, kdo jste stisnéni 5.  Ten ptacek, ten se nazpiva From “Moravské dvojzpévy (Moravian duets)”, Op. 32 .Dvoiak A ja ti uplynu V dobrym sme se sesli Slavikovsky polecko maly Holub na javore The audience i s  invited t o  m eet and greet the performers after the concert in the President’s Room of the Anderson Center. Nationally  acclaimed  baritone  Timothy  LeFebvre  has  wide­ranging experience from the operatic stage to the concert hall.  2009–2010 ap­ pearances  include  Faure’s  Requiem  with  Syracuse  Symphony, Mendelssohn’s Elijah with Hamilton College, a solo recital at Hamilton College,  Beethoven’s  Ninth  Symphony  with  the  Orchestra  of the Southern Finger Lakes and Vaughan­Williams’ Dona nobis pacem with the  Binghamton Downtown  Singers. His  2008–2009  appearances  in­ cluded the title role in Rigoletto with Tri­Cities Opera, Messiah with Jacksonville Symphony, Ping in Turandot with Jacksonville Symphony, the  Brahms  Requiem  with  the  Binghamton  Philharmonic,  Vaughan­ Williams’  Five  Mystical  Songs  and  Liszt’s  Christus  with  the  New Dominion Chorale in Washington, DC, Purcell’s Dido and Aeneas and Mozart’s Solemn Vesper Mass with the Berkshire Choral Festival. In the 2007–2008 season, LeFebvre made his debut with Opera Delaware, and had  return  engagements  with  Berkshire  Choral  Festival,  Jacksonville Symphony, Chattanooga Symphony and Opera, and Cornell University. Mr. LeFebvre has appeared in concert with the Jacksonville Symphony, Pensacola  Symphony,  West  Virginia  Symphony  Orchestra,  Vermont Symphony, Minnesota Symphony, Syracuse Symphony, American Sym­ phony Orchestra, Pittsburgh Symphony, Spokane Symphony, Bingham­ ton Philharmonic, Rochester Bach Festival, Berkshire Choral Festival, New  Dominion  Chorale,  Williamsport  Symphony,  Syracuse  Chamber Music Society, the Skaneateles Festival and the Marlboro Music Festival. He has also appeared in concert at New York’s Carnegie Hall and Alice Tully Hall. His operatic experience includes leading roles with Central City Opera, Tri­Cities Opera, Sarasota Opera, Chattanooga Symphony and Opera, Syracuse Opera, Indianapolis Opera, Opera Delaware, and Opera Theater of Pittsburgh. Mr. LeFebvre is a winner of the New York Liederkranz Vocal Compe­ tition, and other awards include the Richard F.  Gold Career Grant, an Opera  Fellowship  at  Binghamton  University  and  Regional  Finalist  in several Metropolitan Opera Competitions. Mr. LeFebvre is a graduate of Carnegie  Mellon University and Binghamton University.  After twelve years  of  teaching  at  Binghamton  University,  Tim  is  now  Associate Professor  of  Singing  at  Oberlin  Conservatory  of  Music.  Future performances include Beethoven’s Ninth Symphony with Williamsport Symphony. �— Mary Burgess — — Timothy Cheek — Mary Burgess was accepted by the prestigious Curtis Institute of Music, where all students are on scholarship, at the age of seventeen. She studied there for five years with Mme. Eufemia Giannini Gregory, and made her debut with New York City Opera while still an undergraduate at Curtis. Early in her career she spent numerous summers in Vermont as a participant in the Marlboro Music Festival, and then joined the Marlboro College music faculty, working with Blanche Moyse, revered Bach con­ ductor and violinist. Since 1984 Prof. Burgess has been a member of the music faculty at The State University of New York at Binghamton, where she is Associate Professor of Voice and coordinator of vocal programs. She is often called upon to adjudicate vocal competitions and to serve as consultant and reviewer of books or manuscripts on voice pedagogy. She has recorded for Columbia Masterworks, CRI, Sony Classical and Telarc, and her performances of Britten’s Les Illuminations and Mahler Symphony No. 2 with the Omaha Symphony were filmed for broadcast by Nebraska ETV. Burgess is a native of South Carolina. Pianist and vocal coach Timothy Cheek is well known for his work in Czech vocal music. His books Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with a foreword by Sir Charles Mackerras; a series on Janacek’s opera Iibretti; and his newly published book on Smetana’s Prodana nevésta / The Bartered Bride are recognized inter­ nationally as authoritative resources for singing in Czech. He has been a 4 Burgess‘ European operatic debut was at the Holland Festival, in the title role of Cavalli’s Erismena. She repeated this role at the Spoleto Festival in Italy, at the Theatre Royale de la Monnaie in Brussels, at the Brooklyn Academy  of Music,  and  again  in  Amsterdam  at  Netherlands  Opera during their regular season. She was  then engaged  for several con­ secutive seasons in leading roles at Dublin Grand Opera in Ireland. In the U.S. she has performed at New York City Opera, Santa Fe Opera, New Orleans Opera, Washington Opera, Nevada Opera, and many other regional companies including Tri Cities Opera. Her repertory of thirty roles in five languages ranges from Monteverdi and Cavalli to Britten and Virgil Thomson, including seven which she has performed in Binghamton with Tri­Cities Opera: Madama Butterfly, LaTraviata, Tosca, Marguerite in Faust, The Merry Widow, Norma, and most recently, Suor Angelica. Burgess has appeared as soloist with over two dozen U.S. orchestras, including the Boston Symphony (with Seiji Ozawa), Cleveland Orchestra (Lorin Maazel , Eduardo Mata), Chicago Symphony (Sir Simon Rattle), and Cincinnati Symphony (Klaus Tennstedt, James Conlon). She has been a frequent guest at such well known festivals as Ravinia, Aspen, Blossom, Casals, Chautauqua, Marlboro, and the Cincinnati May Fes­ tival, performing over the years a concert repertory of over 45 works with orchestra. She has appeared often at the Monadnock Music Festival with James Bolle and the New Hampshire Symphony both in opera and in concert repertory, making an acclaimed debut in the role of Susan B. Anthony in Virgil Thomson‘s The Mother of Us All honoring the centenary of his birth. Returning to the Monadnock  Festival for  a gala  concert performance of La Traviata, her Violetta prompted the Boston Herald to comment: “...she negotiated “Sempre Libera” with warmth and specificity of expression. She also produced beautiful, floaty pianissimos in the aria. More  importantly,  she  had  a  minutely  detailed  conception  of  the character and the role that informed her singing. It was a revelation to watch her.” especially  instrumental  in  championing  the  works  of  Czech  female composer  Vitézslava  Kapralova  (1915–40).  In order  to  promote  this extraordinary composer, Dr. Cheek has presented lectures and recitals throughout  North  America  and  Europe;  performed  in  several  world premieres of her songs; recorded the complete songs of Kapralova with soprano Dana Buresova on a Supraphon CD, nominated for the best recording of 2003 by the Czech journal Harmonie; and edited a critical edition of the songs for the Czech publisher Amos Editio in 2006. He is on the International Advisory Board of the Kapralova Society, based in Toronto. In  2009  the  Czech  song cycle Apple  Train  by the  renowned  Czech composer  Sylvie  Bodorova  was  written  for  Timothy  Cheek,  soprano Laurie Lashbrook, and dancer Bohuslava Jelinkova. They premiered the new work in Sydney, Australia this past summer. 1 After completing an opera internship at the National Theatre in Prague under the great Janacek conductor Bohumil Gregor in 1995, Cheek went on to receive several prestigious grants from the International Research and Exchanges Board in Washington, DC for hands­on research in the Czech Republic. He has coached, performed, and taught masterclasses on  Czech  vocal  repertoire  at  summer  festivals,  music  schools,  and conferences in the United States, Australia, Canada, Czech Republic, Israel, Slovakia, Italy, and South Africa. Since 1994 he has been on the faculty of the University of Michigan, where he instituted a new course for singers and pianists, “Czech Vocal Literature.” His duties at the univer­ sity include teaching diction classes, serving as music director of Opera Workshop, and  coaching opera  productions. He is also an  Associate Faculty  member  of  the  university’s  Center  for  Russian  and  East European Studies. His education includes a doctorate in collaborative piano and chamber music from the University of Michigan, degrees in piano performance from the University of Texas at Austin and the Oberlin Conservatory, and a Fulbright award to study as an opera coach at the Teatro Comunale  in Florence,  Italy.  Dr.  Cheek’s  performances  as  a collaborative  pianist  have  brought  him  to  fifteen  countries  on  four continents, and have been broadcast worldwide. �Program Notes TRANSLATIONS KAREL BENDL (1838­1897) Bendl was a respected composer and teacher, and a major writer of Czech vocal works,  with more than 140  songs  and  over 300 choral pieces. A colleague of Dvorak, Bendl was chosen to replace Dvorak as teacher of composition while the master was away in America. He is overshadowed by Dvorak, who was almost his exact contemporary, and some of his works are unjustly neglected. I. Se nebe se s nasi andele (From the sky descend angels) Smetana  excelled in opera and instrumental compositions, and wrote only a handful of songs and choral works.  His comic opera “Prodana nevesta (The Bartered Bride)" was by far the most popular of his eight operas and from the 1890’s was thevonly Czech opera before Janacek’s to be regularly performed abroad. “Certova sténa (The Devil’s Wall)" is his last opera, completed in 1882. From the sky descend angels, and there is golden sleep, And each of them brings a dream of dear rejoicing. Wherever they stop, there they know nice things; They know how it is in heaven, And they will reveal it through a dream. Suddenly the eyelids drop, Oh sweet, sweet power of sleep! Your image I see before me, Beloved dear one, good night! ANTONIN DVORAK (1841­1904) Na nebi mésic s hvézdami (In the sky with moon and stars) BEDRICH SMETANA (1824­1884) Dvorak wrote more than one hundred songs for voice and piano — one in 1901, and the rest between 1865 and 1895. Although he was at his best in instrumental writing, it is interesting to note that his first published work was a song; his first work to be publicly performed was a song; the work that captured Brahms’ attention and led to international recognition was the Moravian Duets, Op. 32; and his youthful attempt at songwriting, Cypresses, served as a fountain of inspiration for other musical works throughout his life. Veéemi Pisné (Evening Songs), Op. 31, is a beautiful and varied set of five songs for middle voice, written probably in 1876, revised in 1882, and published in 1883. Pisné Milostné (Love Songs), Op. 83, is a beautiful set of eight songs for high voice, written in 1888 as revisions of the 1865 Cypresses collection. Compare piano figurations in song No. 7, “V té sladké moci oéi tvych”  (“In the sweet power of your eyes”), to similar measures in the slow movement of Dvorak’s Piano Quintet in A major, Op. 81. The quintet was written a year before the songs, but the songs have their inspiration and origin from 1865. — Notes by Timothy Cheek Excerpted from his book “Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire” (Scarecrow Press 2001) In the sky, the moon with stars, And in the forest full of small sounds, And on that vast world, as if God were spreading love, A different voice of these young little leaves changes into sweet discourse, As if the whole world were in delight, dissolving into kisses. And yet, I know that in solitude many hearts suffer, and that many youthful faces drown in bitter tears. In the sky, the moon with stars, And in the forest full of small sounds, And on that vast world, as if God were spreading love. II. Love Songs, Op.83 1.  Oh, that longed for happiness does not blossom in our love: And if it were to blossom, and if it were to blossom, it will not for long, for long. Why would a tear steal into passionate kisses? Why would she, in her full love, embrace me anxiously? Oh, bitter is that parting where hope does not beckon: for the heart feels in its trembling that soon, ah, soon it will miserably perish. 2. In so many a heart is death, like in dark desolation, in it certainly there is a place only for pain and for suffering. Here deceptions of passionate love enter in that heart, and the heart yearning with weeping, is aware that it loves. And in that sweet illusion once again in paradise that dead heart changes and sings, sings an old myth, sings an old myth! 3.  Now I am staggering outside the house where you used to live, and from the wounds of love I bleed, of sweet, false love! And with sad eyes I look on to see if you are taking a step toward me: and facing you, I open my arms, but I feel a tear in my eye. Oh, where are you, dear, where are you today, why won’t you come to me? Why don’t ! have in my heart bliss and rejoicing; won’t I see you ever again? �4. I know that in sweet hope I may yet love you; and that therefore you want even more ardently to cultivate my love. And yet, when I behold your eyes on this blissful night, and I learn how the bliss of love from them alights so much onto me: now my eyes are with tears, now they are suddenly dry, for in our happiness evil fate gazes behind us, for in our happiness evil fate gazes behind us. 5. Over the countryside reigns a light sleep, the clear May night has spread itself out; a timid breeze steals itself into the leaves, the strength of peace has bent down from heaven. The flowers slumbered, through the brook a choir of mysterious melodies is murmuring more softly. Nature in delight blissfully muses, everywhere the conflict of restless elements has become silent. The stars have gathered together as lights of hope, the earth is turning into a heavenly sphere. My heart, in which bliss once blossomed, my heart is dragged only by the rush of pain, my heart is dragged by the rush of pain! 6.  Here in the forest at the brook I am all alone; and deep in thought I stare at the waves in the brook. Now I see an old stone, over which the waves swell; the stone, the stone rises and falls without rest under the wave. And the current bears down on it until the rock topples over. When will the wave of life carry me away from the world, when, ah, will the wave of life carry me away? 7. In the sweet power of your eyes how gladly, how gladly I would perish. if only the laughter of your beautiful lips did not beckon me to life. However, I will choose this sweet death right away with this love, with this love in my breast: if only your smiling lips awaken me to life, if your smiling lips awaken me to life, awaken me. 8. Oh, dear soul, one­and­only, you who live ever in my heart: my thought circles round you, though evil fate divides us. Oh, if only I were a singing swan, I would fly to you; and in my last gasp, I would sing out my heart to you in fainting, ah, in my last gasp. Ill. From Certova Sténa The Devil’s Wall Act I: Volk Vitkovic, a head of the powerful Czech Rozmberk family in the mid­30” century, was rejected in his youth by his beloved, and he has remained single and without an heir. News comes that this love from his distant past has died. Only one woman’s beautiful face moved me so much That I dreamed a myth of love; Oh, I remember how the brilliance of those eyes lit up for me the living stars, And by the shining beauty of her dawn sky, The brilliance penetrated into my breast, making paradise bloom there! That was a time of hope, that beautiful May of youth! And I had hoped to be a lover; Oh, woman, bewitching star, why did you remain cold toward me? And another, your man’s heart, he embraced you in his arms, He stole you from me, And only the fire of dejected yearning remained for me. I fled from myself, and wherever I entered There blazed your image, and memory, and regret. And the sweet brilliance never more flashed before me, And no other heart appeared before me, However, up till now I remember only the brilliance of those eyes, And up till now only one woman’s beautiful face moves me so much That I believe in the myth of love, that I believe in the myth of love! IV. Rusalka’s “Song t o  the Moon” Oh, moon in the deep heavens, your light sees far away, around the wide world you wander, you look into the dwellings of people, around the wide world you wander, you look into the dwellings of people. Oh, moon, stand still for a while, tell me, where is my beloved, oh, moon, stand still for a while, tell me, tell, where is m y b  eloved? Tell him, oh silvery moon, that my arms embrace him, so that he, at  least for a little while, might remember me in his dreams, so that he, at least for a little while, might remember me in his dreams. Give him light far away, give him light, tell him, tell, who waits here for him; give him light far away, give him light, tell him, tell, who waits here for him! Oh, if his human soul dreams of me, let this remembrance awaken him! Oh, moon, do not disappear, do not disappear, Oh, moon, do not disappear! V.  Vecerni pisné, Op. 31 Evening Songs 1. Kdyz jsem se dival do nebe When I looked to the sky Through the gold little stars, It seemed to me that you are a saint and that I am a holy angel, And that I am a holy angel. I took the harp to my arms And sang songs to you, so that the songs of the saints fell silent And each one gazed on us, and each one gazed on us. But God the Father alone stopped for awhile in His creative plans, And it seems to me, and it seems to me, That a teary diamond flowed down His cheek. �2. Vy mali, drobni ptackové You small, tiny little birds, you song­dreamy sleepers, I wonder which of you will remember that I am dying in tears, I wonder which of you will remember that I am dying in tears? Dear little moon, stay in the sky so I may take delight in you; My love’s ardor has cooled down, we are suited to one another, My love’s ardor has cooled down, we are suited to one another. The last flame is falling asleep, for me there remain only words: And yet I would fan it all again, I would be unhappy once more, And yet I would fan it all again, I would be unhappy once more. 3.  Jsem jako lipa kosata I am like a full linden tree when dressing for a special occasion: You beautiful May rose, come here to my cool shade, You beautiful May rose, come here to my cool shade. Here each leaf breathes fragrance, here a swarm of little bees buzzes, In the evening little birds fly here — those thoughts are mine, In the evening little birds fly here — those thoughts are mine. They are flying far away, like children leaving home: However, if you sit next to me, No more will they fly away, no more will they fly away. 4.  Vy vssichni, kdo jste stisnéni All you who are downcast, come right now, come to me, Here take away from your shoulders the burden of hardship, and gently forget. I have founded here a realm of love, where friend is entwined with friend, And for all who have it in their hearts, it flows in fair songs. Here the envious one doesn’t know a rival, here speech is like a sweet song, Here, the lion is a tame lamb, and birds of prey young doves. Here there are remedies for all hardships, here the heart forever grows young, Here the rose blossom doesn’t lose freshness, Here the rose blossom doesn‘t lose freshness, and there is no hostility. 5.  Ten ptacek, ten se nazpiva That little bird, it sings so much, as if it were song incarnate; But whoever has love in his heart, don’t be astonished that he sings, Don’t be astonished that he sings! And the little bird, the one that knows how to speak like that from the heart and to the heart, (don‘t be astonished) that a man would barely keep from crying, that a man would barely keep from crying. When he will understand with his heart. But often it seems to me that I am his friend in sorrows, For even these songs of mine are only gentle laments. VI. Moravian Duets, Op. 32 A ja t i  u plynu And will I run away from you on the dear Danube! And I have at home a fishing pole that I’ll use to catch some little fish. And I’ll make myself into a wild pigeon, and I’ll fly under the high sky. And I have at home some crows that will grab for me, that will grab for me some pigeons! And I’ll make myself into a big crow, and I’ll fly to you on the Hungarian side. And I have at home a crossbow that will shoot at all the crows’ souls. And I will make myself into the little stars in the sky, and I’ll shine for the people on earth. And there are with us at home some astronomers that count the little stars in the sky. And anyway, you will be mine, or the Lord God will give you to me! V dobrym sme se sesli As friends we met, as friends we will part, and if, my sweetheart, mine, we will forget about each other? I will think about you, not only during the year, I will, my sweetheart, I will with each step, I will think about you with each, with each step. Slavikovsky poleéko maly She: The little Slavikovsky field — we won’t, sweetheart, get married, we won’t, we won’t, that’s not possible, not even that field, my sweetheart, your mother won’t give us. He: What is it to us what our mothers want, our mothers won’t rule over us. Only you, my girl, only you want me, just give me your little hand for good night. Holub na javore A little dove flew on the field to fill up its craw. When he had filled his little craw, he sat under the maple tree. Under the maple tree my dear is embroidering a green kerchief. She’s embroidering on it a little wreath, for her sweetheart left her. She’s embroidering on it the blossom from a rose, for all the whole world has left her. All translations by Timothy Cheek �Binghamton University Music D epartment’s U PC O M I N G  E V E N T S Tuesday, November 23 — Percussion Ensemble — 8 p.m. — Anderson Center Chamber Hall — free Wednesday, December 1 — Lecture/Recital with Jieun Jang, piano — 8 p.m. — Casadesus Recital Hall — free Thursday, December 2 — Holiday Mid­Day Concert — 1:20 p.m. — Casadesus Recital Hall — free Thursday, December 2 — Harpur Chora le & Women’s Chorus — 8 p.m. — Trinity Memorial Church, Binghamton — free Friday, December 3 — Flute Studio a nd Flute Chamber Concert — 10:30 a.m. — Casadesus Recital Hall — free Friday, December 3 — Composer’s Concert (students o f  Christopher Loy) — 8 p.m. — Casadesus Recital Hall — free Saturday, December 4 — University Sy mphony Orchestra: America’s Inner Life — 3 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students (Group rate $8 per person) Sunday, December 5 — Wind  Symphony: Gathering o f  Angels — 3 p.m. — Anderson Center Chamber Hall — free Sunday, December 5 — Violin Recital: Janey Choi, violin, Michael Salmirs, piano and guest artist Rebecca Ansel, violin — 7:30 p.m. — Casadesus Recital Hall — $10 general public; $5 faculty/staff/seniors; $2 students Thursday, December 9 — Jazz Mid­Day Concert with guest artist — 1:20 p.m. — Osterhout Concert Theater — free (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) Thursday, December 9 — Harpur Jazz Ensemble Concert with guest artist — 8 p.m. — Osterhout Concert Theater — $10 general public; $5 faculty/staff/seniors; free for students (Co­sponsored by the Binghamton University Music Department and the Harpur Jazz Project) For ticket information, p/ease call the Anderson Center Box O ffice a t 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 55:09:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146102">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146102</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Songs from Czechoslovakia, November 21, 2010 Recital Tape 2010-11-21 Description An account of the resource Works by Bendl, Dvořák, Smetana. Creator An entity primarily responsible for making the resource LeFebvre, Timothy Cheek, Timothy Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-21 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound https://omeka.binghamton.edu/omeka/files/original/6b8e953cd8ab71b180c38046ac7f2587.pdf ad28164658643915fdc1e0bb1d414ce0 PDF Text Text BINGHAMTON U N I V E R S I T X S T A T E   U N I V E R S I T Y   O F  N E W   Y O R K zldec ’ D E P A R T M E N T UNIVE RSITY PERCU SSION ENSEMBLE CO NCERT Daniel F abricius, Conductor Devan Tracy, Xylophone Soloist Tuesday evening, November 23, 201 0 8:00 PM Anderson Center Chamber Hall �PROGRAM University Percussion Ensemble Personnel Septet (1995)  M .Daniel Levitan a t Three Shades of “C” (1 996)....  r a Grm i   ............Stephen Primatic zoINTERMISSIONos Mercury Rising (2005)  Back Talk (1938)  Nathan Daughtrey «..u......Harry Breuer Arranged by Richard C. Gipson Devan Tracy, Xylophone Christmas! (in under 3 minutes). ........A rranged by Amanda Jacobs Sabre Dange; (1942).................................Aram  Khachaturian A rranged by James L. Moore John Erdman Amanda Jacobs Melissa Larson Mike McManamon Benjamin Ramos Rose Steenstra Devan Tracy Andrew Williamson DANIEL FABRICIUS, Lecturer of Music in Percussion. has been a member of the Binghamton  University  faculty  since  1992.  He  holds  degrees  from  Mansfield University and Ithaca College where he studied percussion  with Richard Talbot and Gordon Stout. In addition to his work at  BU, he has served as Director of Bands at Owcgo  Free  Academy  since  1989.  He  has  been  a member  of  the  Binghamton Philharmonic percussion  section  since  1982  but  is also comfortable performing  in popular, rock, jazz, and other styles.  He plays regularly on drums as a member of several musical organizations in the Southern Tier including his own band, Prism.  He has  also  played  often  as  a  free­lance  percussionist,  accompanying  national  touring artists such as Tommy Tune, Jerry Vail, Lorrie Morgan, Ringling Brothers Circus, the Smothers  Brothers, and Ella Fitzgerald.  He  is highly regarded  in the region as  a percussion  soloist  and  ensemble  player  and  has  collaborated  often  with  organist Jonathan Biggcrs and thc Ithaca Bra.  For many years Professor Fabricius has served the New York State School  Music Association as an All­State Percussion adjudicator. In addition he is the Instrumental Jazz Reviews editor of The School Music News and was the Jazz editor for the current NYSSMA Manual.  He serves on the faculty of the Binghamton  High  School  Percussion  Camp  each  summer  and  over  the  years  has presented many percussion clinics at state conventions and conferences.  In addition he often serves as  a guest  conductor  for honor band  festivals and has adjudicated Jazz Ensemble and Concert Band performances at music festivals throughout New York. DEVAN TRACY is a sophomore at  BU majoring in Mechanical Engineering with a Sustainable Engineering minor.  At  BU she is member of the Harpur Jazz Ensemble and the University Percussion Ensemble.  As a student at Saratoga Springs High School she  was a winner of the  Concerto Competition.  In high school Devan was also a member  of the  Empire  State  Youth  Orchestra and Percussion Ensemble.  She  was selected as an alternate Timpanist for the N Y Conference All­State.  Besides practicing various percussion instruments, Devan enjoys spending  free  time on other activities such  as  running,  bicycling,  climbing  mountains,  riding  motorcycles,  frisbcc,  yoga, bonfire sing­a­longs, architecture, photography, and baking. �Binghamton University M usic D epartment’s U P C O M I N G  E V E N T S M M t D ’ Wednesday, December 1 – Lecture/Recital with Jieun Jang, piano – 8 p.m. – Casadesus Recital Hall – free Thursday, December 2 – Holiday Mid­Day Concert – 1:20 p.m. – Casadesus Recital Hall – free Thursday, December 2 – Harpur Chorale & Women’s Chorus – 8 p.m. – Trinity Memorial Church, Binghamton – free Friday, December 3 – Flute Studio and Flute  Chamber Concert – 10:30 a.m. – Casadesus Recital Hall – free Friday, December 3 –­ Composer’s Concert (students of Christopher Loy) – 8 p.m. – Casadesus Recital Hall – free Saturday, December 4 – University Symphony Orchestra : America’s Inner Life ­­ 3 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staff/seniors; free for students (Group rate $8 per person) Sunday, December 5 –­ Wind Symphony: Gathering of Angels ­­ 3 p.m. ­­ Anderson Center Chamber Hall – free Sunday, December 5 – Violin Recital : Janey Choi, violin, Michael Salmirs, piano and guest artist Rebecca Ansel, violin – 7:30 p.m. – Casadesus Recital Hall – $10 general public; $5 faculty/staff/seniors; $ 2 students Thursday, December 9 – Jazz Mid­Day Conc ert with guest artist – 1:20 p.m. – Osterhout Concert Theater –  free (Co­sponsored by the Binghamton University Music Department and the Harpur J azz Project) Thursday, December 9 – Harpur Jazz Ensemble Concert with guest artist – 8 p.m. – Osterhout Concert Theater – $10 general public; $5 faculty/staff/seniors; free for students (Co­sponsored by the Binghamton University Music Department and the Harpur J azz Project) Friday, December 10 – Singing Chinese Cla ss Recital – 8 p.m. – Casadesus Recital Hall – free For ticket information, please call the Anderson Center B o x  O ffice at 777­ARTS. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1960's - present Title A name given to the resource Binghamton University Music Department Tape Recordings Subject The topic of the resource Concerts ; Instrumental music ; Live sound recordings Description An account of the resource Binghamton University Music Department recordings is an audio collection of concerts and recitals given on campus by students, faculty, and outside musical groups. The physical collection consists of reel-to-reel tapes, cassette tapes, and compact discs. The recordings <a href="https://suny-bin.primo.exlibrisgroup.com/discovery/search?query=any,contains,Binghamton%20University%20Music%20Department%20tape%20recordings&amp;tab=LibraryCatalog&amp;search_scope=MyInstitution&amp;vid=01SUNY_BIN:01SUNY_BIN&amp;mode=basic&amp;offset=0&amp;conVoc=false">have been catalogued</a> and are located in <a href="https://www.binghamton.edu/libraries/about/special-collections/">Special Collections</a>. In addition, the collection includes copies of programmes. <br /><br />The Libraries have begun making some of the collections available digitally on campus. These recordings are restricted to the Binghamton University Community. Please contact Special Collections for questions regarding access off campus.<br />Email:&nbsp;<a href="mailto:speccoll@binghamton.edu">speccoll@binghamton.edu</a> Rights Information about rights held in and over the resource In copyright. Template: PDF / Rosetta PDF with Rosetta audio/video link Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 1 audio disc Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 34:30:00 Streaming Audio Streaming URL <a href="https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146099">https://eternity.binghamton.edu/delivery/DeliveryManagerServlet?dps_pid=IE146099</a> Accessibility Copy/Paste below: Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. Binghamton University Libraries is working very hard to create transcriptions of all audio/visual media present on this site. If you require a specific transcription for accessibility purposes, you may contact us at <a href="mailto:orb@binghamton.edu">orb@binghamton.edu</a>. PDF Layout This field specifies how the pages of the PDF will be laid out. Enter only the CASE SENSITIVE keyword without quotation marks. [default: 'FacingContinuous'] Options: 'Single' - Only the entire current page will be visible and Zoom will be set to page width. 'Continuous' - All pages are visible in one scrollable column and Zoom will be set to page width. 'Facing' - Up to two full pages will be visible and Zoom will be set to page height. 'FacingContinuous' - All pages visible in two scrollable columns and Zoom will be set to page height. 'FacingCover' - All pages visible as whole pages, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) 'FacingCoverContinuous' - All pages visible in two scrollable columns, with an even numbered page rendered first. (i.e. The first page of the document is rendered by itself on the right side of the viewer to simulate a book cover.) Single Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Percussion Ensemble Concert, November 23, 2010 Recital Tape 2010-11-23 Description An account of the resource Works by Levitan, Grimo, Primatic, Daughtrey, Breur, Khachataurian Creator An entity primarily responsible for making the resource Fabricius, Daniel Erdman, John Jacobs, Amanda McManamon, Mike Ramos, Benjamin Steenstra, Rose Tracy, Devan Williamson, Andrew Publisher An entity responsible for making the resource available Binghamton University Libraries Date A point or period of time associated with an event in the lifecycle of the resource 2010-11-23 Rights Information about rights held in and over the resource In copyright Type The nature or genre of the resource sound