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                    <text>ST ATE UNIVERSITY OF NEW YORK AT BINGHAMTON

UNIVERSITY CHORUS
AND ORCHESTRA
R. VAUGHAN WILLIAMS
TOWARD THE UNKNOWN REGION

I. STRAVINSKY
SYMPHONY OF PSALMS

GUSTAV HOLST
THE HYMN OF JESUS
with the HARPUR CHORALE

DAVID BUTTOLPH, Director

MONDAY, MAY 5

815 P.M.

�PROGRAM
1.

TOWARD THE UNKNOWN REGION

R. Vaughan Williams

Darest thou now O soul,
Walk out with me toward the unknown region,
Where neither ground is for the feet nor any path
to follow?
A special word of thanks to the chorus

No map there, nor guide,
Nor voice sounding, nor touch of human hand,
Nor face with blooming flesh, nor lips, nor eyes,
are in that land.

of treble soloists participating in this
evening's program.

I know it not O soul,
Nor dost thou, all is a blank before us,
All waits undreamed of in that region, that
inaccessible land.

TREBLE CHORUS
Mary Ann Ferraiolo
Elizabeth Hartman
Beverly Penn
Esther Pettengill

Till when the ties loosen,
All but the ties eternal, time and space,
Nor darkness, gravitation, sense, not any bounds
bounding us.

Lizabeth Campbell
Jeanne Falinski
Phyllis LaBelle
Ursala Raeth
Lynne Engstrom
Rachel Gardner
Jill Weston
Stacie Williams

Then we burst forth, we float,
In time and space O soul, prepared for them,
Equal, equipt at last, (O joy! O fruit of all!)
them to fulfil O soul.
Walt Whitman.
2.

SYMPHONY OF PSALMS

Igor Stravinsky

Translation of the Text
Part I.

Verses 13 and 14 of Psalm No. 38

13.

Hear my prayer, O Lord, and my supplication.
Give ear to my tears. Be not silent:
for I am a stranger with Thee
and a sojourner, as all my fathers were.

14.

O forgive me, that I may be refreshed,
before I go hence, and be no more.

�Part II.

Verses 2, 3 and 4 of Psalm No. 39

2.

With expectation I have waited for the Lord
And he was attentive to me.

3.

And he heard my prayers,
and brought me out of the pit of misery,
and the mire of dregs.
And He set my feet upon a rock,
and directed my steps.

4.

And He put a new canticle into my mouth,
and a song to our God. Many shall see and fear:
and they shall hope in the Lord.
Part III.

any conventional sense as with the English oratorio
tradition--which is to say, there is virtually no
connection at all. The driving spirit of the work is
Holst's own intensely personal form of mysticism.
Now, as the Holst centenary approaches and passes,
the Englishness of his music stands out in proud relief,
but it can no longer be regarded as a parochial phenomenon. Its specifically Holstian integrity and warmth
of heart reach out ever more persuasively to listeners
everywhere, who find themselves in the 1970's unprecedentedly responsive to the life-celebrating directness
of a mysticism that is earth-based but not earthbound.
Richard Freed
February 1974

Psalm No. 150

*
1.
2.
3.
4.
5.
6.

Praise ye the Lord in His sanctuary;
praise Him in the firmament of His power.
Praise Him for His mighty acts:
praise Him according to the multitude of
His greatness.
Praise Him with the sound of the trumpet.
Praise Him with timbrel and choir:
praise Him with strings and organs.
Praise Him on high sounding ymbals:
praise Him on cymbals of joy.
Let every spirit praise the Lord. Alleluia.

-----3.

THERE WILL BE A SHORT INTERMISSION

THE HYMN OF JESUS

------

Holst composed The Hymn of Jesus during the last
five months of 1917 and dedicated the work to his friend
and colleague Ralph Vaughan Williams. For his text he
drew on the Apocryphal Acts of St. John, which appealed
to him so strongly that he learned Greek in order to read
the original and make his own translation. In contrast to
the exultant vigor. of the Hymn itself he fashioned a
Tranquil Prelude, built on the plainsong hymns Vexilla
Regis and Pange Lingua and incorporating the Latin texts.
The Hymn of Jesus has little to do with "sacred music" in

*

HARPUR CHORALE
SOPRANO
Amy Beech
Cindy Carter
Margaret Donelian
Lauren Fleischer
Karen Haight
Judy Kahan
Diane Poe
Nancy Roper
Ruth Roper
Chris Scott
Sara Whitmore

Gustav Holst

Notes From the Preface to the Centennial Edition

*

ALTO
Karen Adler
Cheryl Choy
Sandra Gerber
Susan Glass
Vicky Gordon
Joan Jurich
Marjorie Millan
Jeannette Murphy
Nancy Perkins
Linda Shaw
Joy Smucker

TENOR
Roger Cruttenden
Ian Kirschner
Kevin McDermott
David Rosenman
Robert Sarachan
Arthur Sherry
Harold Weinberg
BARITONE
Richard Bartman
Dennis Burge
Geoffrey Magee
Richard Wiebe
Russell Senti
BASS
Richard Berent
Richard Briggs
Kenneth Martin
Barry Shpizner
John Tuttle

�THE ORCHESTRA

THE UNIVERSITY CHORUS
SOPRANO
Cath y Cast iglia
Judi th Elkin
Lois Fisc htha l
Ellen Gold stein
Laur ie Goodheim (Tre as.)
Terr y Hogan
Grac e Houg hton
Laur ie Kief fer
Debo rah Lemon
Dane tte Lipte n
Naomi Niss en
Emil y Park er
Harr iet Pene nsick
Jane t Pere tz
Kare n Pris ciot ta
Jodi Silb iger
Nore en Spot a
Loui se Ulric h
Amy Willi ams
ALTO
Clar a Budi n
Moll y Carg ile
Kare n Clut e
Ann Ehrl ich
Nancy Elmo re
Barb ara Fros t
Miria m Gelb er
Susa n Gold farb
Lesl ie Gree n
Ilene Grue nebe rg
Nancy Juliu s
Rhonda Klei n
Tsu Ning Ko
Jenn ie Lanzo
Sue Lawson (Sec 'y)
Judy Levi ne
Mari lyn Milkman
Dina h Ross
Judi th Schoolman
Jane Shea r

TENOR
Rich ard Brus ca
John Davi dge
Robe rt Fran kel
Lee Gart enbe rg
Alan Hymowitz
John Keel er
Mark Lanz e
Rich Ossi as
Edward Scha pper t
Stua rt Silve rman
(Pub lic' ty)
Jud Wall is
Floy d West
BARITONE
Lynn Ayle swor th
Pete r Bola n
Ian Cain
Richard Davi s
Michael Gawo recki
Mich ael Lam berta ,Pres
Tom Lamphere
Rich ard Mall inson
Andrew McKim
Davi d Mose
Stev e Smith
BASS
Doug Char les
Carl Dashman
Leon Glow
Mark Karpman
Mich ael Pier ce
Bern ie Sher edy
Paul Sweeny
Chai Kyu Mall inson
Rehe arsal Acco mpan ist

FLUTE
Sharo n Kosa koff
Abbi e King
Kare n Tax
Roni Gros s
Barb ara Bish ara
OBOE
Jeff Barro n
Jane t Zieb ur
Elain e Wein er
Mari lyn Schu lkind
Rich ard Stein er

Davi d Besp alko
Steve n Winans
TROMBONE
Rich ard Gower
Gran t Sulli van
BASS TROMBONE
Jame s Magacs
TUBA
Carm elo Com beria ti

ENGLISH HORN
Scot t Eddy

TIMPANI
Kent Oldf ield
Mart in Ricc iardi

CLARINET
Paul Ketc hoyia n
Anne Stern

PERCUSSION
Roy Wein berge r

BASS CLARINET
Robe rt Sarac han

PIANO
Cynt hia Pete rson
Chai Kyu Mall inson

CONTRABASS ALSO
Luci nda Bald win
BASSOON
Thomas Clos ser
Edward Wadin
Lois Chan try

ORGAN
Emily Park er
Ruth Rope r
CELESTE
Chai Kyu Mall inson

HARP
HORN
Steph en Couch
Kenn eth Steig er
Robi n Jackman
Kenn eth Weissman
TRUMPET
Alfre d Szym aniak
Robe rt Lind strom
Fred eric Bartm an

Nancy Juliu s
VIOLIN
Davi d Agar d
Prin cipa l
Geor ge Meyers
Olev Viro

�VIOLIN

Richard Leavitt
Oscar Maxwell
Betty Lou Agard
Mary Jane Wojtowitz
Principal
Susan Marks
Eliza Tan
Norman Reid
Fritz Loewenstein
Eileen Pasternak
BASS
Donal O'Buckley
Principal
Dominique Hyatt
James Hills
Robert Rohland
VIOLA

Peggy Acker
Principal
Jeffrey Brooks
Martha Cotton
Barbara Gorin
Dorothy Bases
Joyce Capani
CELLO
Janet Nepke
Principal
Seth Jacobs
Howard Cohen
Myra Greenstein
Christine Johnson
Tracy Stack
Miriam Wu

�</text>
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                    <text>STATE UNIVERSITY OF NEW YORKAT BINGHAMTON

Harpur College
Department of Music

LENOX QUARTET
with

guest artist

WALTER PONCE, piano

Summer Series
June 6, 1975 at 8:30 p.m.
University Union Social Room

�SUMMER SERIES
FOUR EVENINGS OF CHAMBER MUSIC

Delmar Pettys, Violin
Donald McCall, Cello
Walter Ponce, Piano
Trio Concert

JUNE 6

Trio Concert
Haydn Trio in G
Beethoven opus 70 no. 2
Brahms Trio in C major

Trio in G
Andante
Poco adagio. Cantible
Rondo all'ongarese

Franz Joseph Haydn

(guest artist Walter Ponce, piano)
JUNE 13

All Mozart Program

Trio Opus 70 no. 2
Ludwig van Beethoven
Poco sostenuto- Allegro ma non troppo
Allegretto
Allegretto, ma non troppo
Finale. Allegro

Quartet in G major, K. 387
Quartet in C major, K. 465
· -Quintet in G minor, K. 516
(with guest artist Judy Geist, viola)
JUNE 20

JUNE 27

Haydn Quartet opus 16 no. 4
Webern Five Pieces
opus 5
Schubert Quartet opus post.

D minor

Beethoven Quartet opus 132
Borodin Quartet no. 2 in D major

SERIES ADMISSION: $10 public, $3 students
SINGLE ADMISSION: $3 public, $1 students

INTERMISSION
Trio Opus 87
Allegro
Andante con moto
Scherzo. Presto- Poco meno Presto
Finale. Allegro giocoso

Johannes Brahms

�</text>
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Harpur College
Department of Music

LENOX QUARTET

with guest artist
Judy Geist, viola

Summer Series
June 13, 1975 at 8:30 p.m.
Univer sity Union Social Room

�Peter Marsh, violin
Delmar Pettys, violin

Toby Appel, viola
Donald McCall, cello

All Mozart Program
Quartet in G major, K. 387
Allegro vivace assai
Menuetto (Allegretto)
Andante cantabile
Molto Allegro

Wolfgang Amadeus Mozart

Quartet in C major, K. 465
Adagio
Andante cantabile
Menuetto
Allegro

Wolfgang Amadeus Mozart

INTERMISSION
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Wolfgang Amadeus Mozart
Allegro
Menuetto
Adagio ma non troppo
Adagio
Allegro
Judy Geist, viola

�</text>
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Harpur College
Department of Music

LENOX QUARTET

Summer Series
June 20, 1975 at 8:30 p.m.
University Union Social Room

�LENOX QUARTET
Peter Marsh, violin
Delmar Pettys, violin

Toby Appel, viola
Donald McCall, cello

Quartet in Bb, Op. 76, no. 4
Joseph Haydn
"The Sunrise "
Allegro con spirito
Adagio
Menuetto (Allegro)
Finale. Allegro ma non troppo

Five Pieces, Op. 5
Heftig bewegt
Sehr langsam
Sehr bewegt
In zarter Bewegung

Anton Webern

INTERMISSION
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"Death and the Maiden"
Allegro
Andante con moto
Allegro molto
Presto

Franz Schubert

�</text>
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Harpur College
Department of Music

LENOX QUARTET

Summer Series
June 2?, 1975 at 8:30 p.m.
Universit y Union Social Room

�Toby Appel, viola
Donald McCall, cello

Peter Marsh, violin
Delmar Pettys, violin

*******************************************************

Ludwig van Beethoven
Quartet in A minor, Op. 132
Assai sostenuto-Allegro
Allegro ma non tanto
Canzona di ringraziamento. Molto adagio
Alla Marcia, assai vivace
Allegro appassionato

INTERMISSION

Quartet No. 2 in D major
Allegro
Scherzo. Allegro
Notturno. Andante
Finale. Andante-Vivace

Alexander Borodin

�</text>
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                    <text>STATE

UNIVERSITY OF NEW YORK AT BINGHAMTON

Harpur College
Department of Music

LENOX QUARTET

Chamber Music Series
September 3, 1975
Don A. Watters Theater
8:15 PM

�Peter Marsh, violin
Delmar Pettys, violin

Concert Series Tickets will
continue to be sold at intermissio n.
Anyone holding a single
admission ticket can credit its
cost towards the purchase of a
Series Ticket at that time.

Toby Appel, viola
Donald McCall, cello

QUARTET IN D MINOR
K. 421
Allegro moderato
Andante
Menuetto (Allegretto)
Allegretto, ma non troppo

MOZART

QUARTET IN C MINOR
opus 18, no. 4
Allegro ma non tanto
Scherzo (Andante scherzoso
quasi allegretto)
Menuetto (Allegretto)
Allegro

BEETHOVEN

INTERM ISSION
QUARTET IN F
Modéré - Très doux
Assez vif - Très rythmé
Très lent
Agité

RAVEL

�THE 1975-76 CONCERT SERIES
Sept 3 - Lenox Quart et
Oct 11 - Peter Marsh, violin
Walte r Ponce, piano
Oct 25 - Lenox Quart et
Nov 8
Nov 9 - Grace Feldman, viola da gamba
Paul Jordan, harps ichor d
Carol Ruper t, bassoon
Nov 23 - SUNY Chamber Players
Jan 24 - Walte r Ponce, piano
Feb 7 - Lenox Quart et
Feb 29 - Toby Appel , viola
Alber t Hamme, saxophone
Paul Jorda n, piano
Mar 13 - Lenox Quart et
Apr 24 - Lenox Quart et
May 2 - Seymour Fink, piano

�</text>
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                <text>Binghamton University Libraries</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1975-9-3</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>In copyright</text>
              </elementText>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>sound</text>
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